[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.76,0:00:03.34,Default,,0000,0000,0000,,(lively music)
Dialogue: 0,0:00:07.51,0:00:09.93,Default,,0000,0000,0000,,(bass plays)
Dialogue: 0,0:00:11.22,0:00:12.54,Default,,0000,0000,0000,,- I've always resisted the idea
Dialogue: 0,0:00:12.54,0:00:15.54,Default,,0000,0000,0000,,that somehow my practice is archival.
Dialogue: 0,0:00:16.44,0:00:19.11,Default,,0000,0000,0000,,It's about using the material\Nthat's available to me,
Dialogue: 0,0:00:19.95,0:00:23.22,Default,,0000,0000,0000,,and that material is\Nincredibly rich material.
Dialogue: 0,0:00:23.22,0:00:24.39,Default,,0000,0000,0000,,(upbeat music)
Dialogue: 0,0:00:24.39,0:00:28.59,Default,,0000,0000,0000,,It's not archival to me any\Nmore than the fact that,
Dialogue: 0,0:00:28.59,0:00:31.39,Default,,0000,0000,0000,,you know, when a composer\Nsits down to make a new piece,
Dialogue: 0,0:00:32.34,0:00:33.65,Default,,0000,0000,0000,,the notes are there.
Dialogue: 0,0:00:33.65,0:00:36.23,Default,,0000,0000,0000,,(upbeat music)
Dialogue: 0,0:00:41.34,0:00:44.31,Default,,0000,0000,0000,,Beethoven, Bach, Cecil\NTaylor, Duke Ellington,
Dialogue: 0,0:00:44.31,0:00:46.50,Default,,0000,0000,0000,,they're not creating new notes,
Dialogue: 0,0:00:47.70,0:00:48.53,Default,,0000,0000,0000,,you know what I mean?
Dialogue: 0,0:00:48.53,0:00:50.68,Default,,0000,0000,0000,,They're sequencing the notes.
Dialogue: 0,0:00:50.68,0:00:54.10,Default,,0000,0000,0000,,(upbeat music continues)
Dialogue: 0,0:00:59.82,0:01:02.40,Default,,0000,0000,0000,,Do they just amplify the same frequency?
Dialogue: 0,0:01:02.40,0:01:05.19,Default,,0000,0000,0000,,It just got louder.\N(upbeat music)
Dialogue: 0,0:01:05.19,0:01:07.64,Default,,0000,0000,0000,,You know, is it a counterpoint\Nto that frequency?
Dialogue: 0,0:01:10.23,0:01:11.43,Default,,0000,0000,0000,,At its core,
Dialogue: 0,0:01:11.43,0:01:14.27,Default,,0000,0000,0000,,it's just about how do you\Nmake a thing of beauty?
Dialogue: 0,0:01:14.27,0:01:16.62,Default,,0000,0000,0000,,(upbeat music)
Dialogue: 0,0:01:16.62,0:01:18.18,Default,,0000,0000,0000,,And a thing of beauty to me is a thing
Dialogue: 0,0:01:18.18,0:01:19.33,Default,,0000,0000,0000,,that you wanna look at.
Dialogue: 0,0:01:20.76,0:01:23.40,Default,,0000,0000,0000,,And then in conjunction with that,
Dialogue: 0,0:01:23.40,0:01:24.100,Default,,0000,0000,0000,,maybe you do other things like say,
Dialogue: 0,0:01:24.100,0:01:26.95,Default,,0000,0000,0000,,"Hey, Black people are human beings too."
Dialogue: 0,0:01:26.95,0:01:30.36,Default,,0000,0000,0000,,(upbeat music continues)
Dialogue: 0,0:01:35.87,0:01:40.87,Default,,0000,0000,0000,,(birds chirp)\N(traffic passes)
Dialogue: 0,0:01:42.84,0:01:44.91,Default,,0000,0000,0000,,A lot of what I do is just
Dialogue: 0,0:01:44.91,0:01:48.45,Default,,0000,0000,0000,,a kinda structured free association.
Dialogue: 0,0:01:49.57,0:01:51.00,Default,,0000,0000,0000,,"Mickey Mouse was a Scorpio",
Dialogue: 0,0:01:51.00,0:01:53.05,Default,,0000,0000,0000,,it's Mickey Mouse and Damballah
Dialogue: 0,0:01:54.09,0:01:55.89,Default,,0000,0000,0000,,and even though they\Ncouldn't be more different
Dialogue: 0,0:01:55.89,0:01:59.10,Default,,0000,0000,0000,,on a certain material\Nlevel, one is an animation,
Dialogue: 0,0:01:59.10,0:02:02.58,Default,,0000,0000,0000,,the other is a photograph\Nof a witch doctor.
Dialogue: 0,0:02:02.58,0:02:04.17,Default,,0000,0000,0000,,But when you see those two,
Dialogue: 0,0:02:04.17,0:02:05.73,Default,,0000,0000,0000,,it's very clear you're looking at
Dialogue: 0,0:02:05.73,0:02:09.36,Default,,0000,0000,0000,,the same entity in two\Ndifferent iterations.
Dialogue: 0,0:02:10.95,0:02:13.77,Default,,0000,0000,0000,,That's a fundamental\Nthing I'm interested in.
Dialogue: 0,0:02:13.77,0:02:15.96,Default,,0000,0000,0000,,Like, that's sort of very specific
Dialogue: 0,0:02:15.96,0:02:18.69,Default,,0000,0000,0000,,and local big bang that\Nhappens when you put one,
Dialogue: 0,0:02:18.69,0:02:21.51,Default,,0000,0000,0000,,I would argue, Black being\Nnext to another Black being.
Dialogue: 0,0:02:21.51,0:02:23.34,Default,,0000,0000,0000,,Like, what is engendered by that?
Dialogue: 0,0:02:25.08,0:02:30.08,Default,,0000,0000,0000,,(intense music)\N(background chatter)
Dialogue: 0,0:02:30.15,0:02:33.27,Default,,0000,0000,0000,,Even the films or the videos\Nare just extensions of that.
Dialogue: 0,0:02:34.11,0:02:36.16,Default,,0000,0000,0000,,It's like, what happens when you do that?
Dialogue: 0,0:02:37.05,0:02:38.79,Default,,0000,0000,0000,,- I know that every person\Nwalking this planet.
Dialogue: 0,0:02:38.79,0:02:39.62,Default,,0000,0000,0000,,- [Arthur] And then you do it again.
Dialogue: 0,0:02:39.62,0:02:42.16,Default,,0000,0000,0000,,- Came from a womb and\Nbecause I have one of those.
Dialogue: 0,0:02:42.16,0:02:43.62,Default,,0000,0000,0000,,- [Arthur] You know,\Nyou have one big bang,
Dialogue: 0,0:02:43.62,0:02:45.30,Default,,0000,0000,0000,,you put it next to another big bang
Dialogue: 0,0:02:45.30,0:02:46.50,Default,,0000,0000,0000,,and then another big bang,
Dialogue: 0,0:02:46.50,0:02:47.61,Default,,0000,0000,0000,,then another big bang.
Dialogue: 0,0:02:48.75,0:02:51.77,Default,,0000,0000,0000,,- Bitch, I'm a mother, no drama.
Dialogue: 0,0:02:51.77,0:02:54.54,Default,,0000,0000,0000,,The fact that y'all\Nthink that being a woman
Dialogue: 0,0:02:54.54,0:02:57.75,Default,,0000,0000,0000,,is about cosmetics lets me know
Dialogue: 0,0:02:57.75,0:03:00.85,Default,,0000,0000,0000,,that y'all don't know the\Nhell y'all talking to.
Dialogue: 0,0:03:00.85,0:03:03.60,Default,,0000,0000,0000,,(tranquil music)
Dialogue: 0,0:03:04.53,0:03:07.17,Default,,0000,0000,0000,,- And the picture unit is just another way
Dialogue: 0,0:03:07.17,0:03:11.16,Default,,0000,0000,0000,,to sequence images.\N(tranquil music)
Dialogue: 0,0:03:11.16,0:03:12.51,Default,,0000,0000,0000,,You know, I call it a maze,
Dialogue: 0,0:03:12.51,0:03:17.43,Default,,0000,0000,0000,,but it's less of a maze\Nthan a kind of guided tour.
Dialogue: 0,0:03:19.29,0:03:22.20,Default,,0000,0000,0000,,You know, with a certain possibility of
Dialogue: 0,0:03:22.20,0:03:24.90,Default,,0000,0000,0000,,insights into relationships
Dialogue: 0,0:03:24.90,0:03:28.09,Default,,0000,0000,0000,,that wouldn't necessarily\Nbe available to you.
Dialogue: 0,0:03:28.09,0:03:30.76,Default,,0000,0000,0000,,(intense music)
Dialogue: 0,0:03:31.80,0:03:33.42,Default,,0000,0000,0000,,As you physically move through it,
Dialogue: 0,0:03:33.42,0:03:35.16,Default,,0000,0000,0000,,you know, if you go forward a step,
Dialogue: 0,0:03:35.16,0:03:36.69,Default,,0000,0000,0000,,you're gonna see another thing
Dialogue: 0,0:03:36.69,0:03:39.18,Default,,0000,0000,0000,,and people just say like,\Nthey saw this gruesome image,
Dialogue: 0,0:03:39.18,0:03:41.13,Default,,0000,0000,0000,,and they just like put their head down
Dialogue: 0,0:03:41.13,0:03:42.69,Default,,0000,0000,0000,,and just moved forward,
Dialogue: 0,0:03:42.69,0:03:45.42,Default,,0000,0000,0000,,but only to be confronted\Nwith another gruesome image,
Dialogue: 0,0:03:45.42,0:03:46.53,Default,,0000,0000,0000,,you know what I mean?
Dialogue: 0,0:03:46.53,0:03:47.94,Default,,0000,0000,0000,,And the thing about it is like,
Dialogue: 0,0:03:47.94,0:03:52.35,Default,,0000,0000,0000,,they are quote unquote gruesome\Nimages in it, for sure.
Dialogue: 0,0:03:52.35,0:03:53.64,Default,,0000,0000,0000,,You see this gruesome scene,
Dialogue: 0,0:03:53.64,0:03:55.17,Default,,0000,0000,0000,,then you see an image with a Black woman
Dialogue: 0,0:03:55.17,0:03:56.61,Default,,0000,0000,0000,,with a piece of wood in her hand.
Dialogue: 0,0:03:56.61,0:03:58.27,Default,,0000,0000,0000,,Like, what's the relationship?
Dialogue: 0,0:03:58.27,0:04:00.36,Default,,0000,0000,0000,,(intense music)
Dialogue: 0,0:04:00.36,0:04:02.28,Default,,0000,0000,0000,,What's the nature of,
Dialogue: 0,0:04:02.28,0:04:05.50,Default,,0000,0000,0000,,you know, absorbing or\Nbeing subjected to violence?
Dialogue: 0,0:04:05.50,0:04:08.16,Default,,0000,0000,0000,,(intense music)
Dialogue: 0,0:04:15.09,0:04:16.53,Default,,0000,0000,0000,,Every time I open this shit up,
Dialogue: 0,0:04:16.53,0:04:19.02,Default,,0000,0000,0000,,it's just like that is a thing.
Dialogue: 0,0:04:19.89,0:04:22.56,Default,,0000,0000,0000,,So now I'm trying to figure\Nout what to do with it.
Dialogue: 0,0:04:27.45,0:04:28.32,Default,,0000,0000,0000,,I think it's in here.
Dialogue: 0,0:04:28.32,0:04:29.70,Default,,0000,0000,0000,,It may not be in here, but let me see.
Dialogue: 0,0:04:29.70,0:04:31.29,Default,,0000,0000,0000,,I think I put it in here.
Dialogue: 0,0:04:33.54,0:04:35.19,Default,,0000,0000,0000,,That's "Apex".
Dialogue: 0,0:04:36.33,0:04:38.85,Default,,0000,0000,0000,,Now I just basically had a\Nfile that had stuff in it,
Dialogue: 0,0:04:38.85,0:04:42.42,Default,,0000,0000,0000,,and then at some point I\Nstarted putting it in order
Dialogue: 0,0:04:42.42,0:04:46.95,Default,,0000,0000,0000,,and I would just do this\Nwhile I was talking about it.
Dialogue: 0,0:04:47.79,0:04:49.32,Default,,0000,0000,0000,,And then at some point like,
Dialogue: 0,0:04:49.32,0:04:50.82,Default,,0000,0000,0000,,oh, let's just put it on a timeline
Dialogue: 0,0:04:50.82,0:04:52.23,Default,,0000,0000,0000,,so you don't have to click,
Dialogue: 0,0:04:52.23,0:04:53.33,Default,,0000,0000,0000,,you know what I mean?
Dialogue: 0,0:04:53.33,0:04:56.08,Default,,0000,0000,0000,,(electric music)
Dialogue: 0,0:04:58.99,0:05:02.13,Default,,0000,0000,0000,,"Apex" is about a rock band in the future.
Dialogue: 0,0:05:02.13,0:05:04.38,Default,,0000,0000,0000,,The story happens during\Nthe course of the world
Dialogue: 0,0:05:04.38,0:05:06.31,Default,,0000,0000,0000,,as we know it coming to an end.
Dialogue: 0,0:05:06.31,0:05:09.81,Default,,0000,0000,0000,,(electric music)
Dialogue: 0,0:05:09.81,0:05:12.00,Default,,0000,0000,0000,,The so-called fine art space,
Dialogue: 0,0:05:12.00,0:05:14.61,Default,,0000,0000,0000,,it's mostly interesting\Nbecause it's so flexible,
Dialogue: 0,0:05:14.61,0:05:17.19,Default,,0000,0000,0000,,like in terms of what it\Nis, you know what I mean?
Dialogue: 0,0:05:20.17,0:05:21.72,Default,,0000,0000,0000,,I can't imagine another space
Dialogue: 0,0:05:21.72,0:05:24.64,Default,,0000,0000,0000,,that's better in terms of playing\Nwith these sorts of ideas.
Dialogue: 0,0:05:24.64,0:05:27.06,Default,,0000,0000,0000,,(soft music)
Dialogue: 0,0:05:30.66,0:05:33.36,Default,,0000,0000,0000,,I studied architecture\Nat Howard University.
Dialogue: 0,0:05:34.71,0:05:37.11,Default,,0000,0000,0000,,Realized pretty much two years in
Dialogue: 0,0:05:37.11,0:05:38.91,Default,,0000,0000,0000,,that I was ambivalent about that
Dialogue: 0,0:05:38.91,0:05:42.81,Default,,0000,0000,0000,,because it was hard for me to imagine
Dialogue: 0,0:05:42.81,0:05:45.01,Default,,0000,0000,0000,,what it was gonna look\Nlike on a day to day.
Dialogue: 0,0:05:46.05,0:05:49.74,Default,,0000,0000,0000,,But my interests very quickly
Dialogue: 0,0:05:49.74,0:05:52.05,Default,,0000,0000,0000,,were consolidated around the idea
Dialogue: 0,0:05:52.05,0:05:54.24,Default,,0000,0000,0000,,that I think initially I understood
Dialogue: 0,0:05:54.24,0:05:57.21,Default,,0000,0000,0000,,as being related to architecture.
Dialogue: 0,0:05:57.21,0:05:59.07,Default,,0000,0000,0000,,You know, and it would be something like,
Dialogue: 0,0:05:59.07,0:06:01.53,Default,,0000,0000,0000,,if Kind of Blue was a house,\Nwhat would it look like?
Dialogue: 0,0:06:01.53,0:06:03.48,Default,,0000,0000,0000,,Or if Electro Ladyland was a house,
Dialogue: 0,0:06:03.48,0:06:04.68,Default,,0000,0000,0000,,what would it look like?
Dialogue: 0,0:06:06.12,0:06:10.11,Default,,0000,0000,0000,,Using Black music as a preeminent example,
Dialogue: 0,0:06:10.11,0:06:11.82,Default,,0000,0000,0000,,of Black aesthetics in action.
Dialogue: 0,0:06:13.11,0:06:15.57,Default,,0000,0000,0000,,What I've come to understand is that
Dialogue: 0,0:06:15.57,0:06:19.20,Default,,0000,0000,0000,,that impulse to demonstrate the breadth
Dialogue: 0,0:06:19.20,0:06:23.70,Default,,0000,0000,0000,,and complexity of transposing
Dialogue: 0,0:06:23.70,0:06:26.25,Default,,0000,0000,0000,,Black aesthetics to anything you do
Dialogue: 0,0:06:26.25,0:06:28.14,Default,,0000,0000,0000,,is what I was kind of interested in.
Dialogue: 0,0:06:29.61,0:06:34.61,Default,,0000,0000,0000,,If you look at where\NAfro-American culture is strong,
Dialogue: 0,0:06:34.83,0:06:39.18,Default,,0000,0000,0000,,it is in the spaces of\Nimmaterial expressivity.
Dialogue: 0,0:06:39.18,0:06:41.40,Default,,0000,0000,0000,,You know, music, dance, things like that,
Dialogue: 0,0:06:41.40,0:06:44.04,Default,,0000,0000,0000,,things that you could do on your body.
Dialogue: 0,0:06:44.04,0:06:45.23,Default,,0000,0000,0000,,♪ This is a God dream ♪
Dialogue: 0,0:06:45.23,0:06:50.23,Default,,0000,0000,0000,,♪ This is a God dream ♪
Dialogue: 0,0:06:51.27,0:06:52.96,Default,,0000,0000,0000,,♪ We on an ultra light beam ♪
Dialogue: 0,0:06:52.96,0:06:54.84,Default,,0000,0000,0000,,♪ We on an ultra light beam ♪
Dialogue: 0,0:06:54.84,0:06:56.55,Default,,0000,0000,0000,,- Black people wore raw materials
Dialogue: 0,0:06:56.55,0:06:59.31,Default,,0000,0000,0000,,so the whole notion of making things,
Dialogue: 0,0:06:59.31,0:07:02.70,Default,,0000,0000,0000,,meaning being able to utilize material
Dialogue: 0,0:07:02.70,0:07:04.05,Default,,0000,0000,0000,,wasn't so straightforward.
Dialogue: 0,0:07:07.68,0:07:11.37,Default,,0000,0000,0000,,Black people remake things\Nby using them differently
Dialogue: 0,0:07:11.37,0:07:12.57,Default,,0000,0000,0000,,than they were intended.
Dialogue: 0,0:07:16.26,0:07:18.06,Default,,0000,0000,0000,,The appropriation thing
Dialogue: 0,0:07:18.06,0:07:21.63,Default,,0000,0000,0000,,allowed me to maneuver\Nin a way that made sense
Dialogue: 0,0:07:21.63,0:07:23.85,Default,,0000,0000,0000,,for me as a Black person, given my,
Dialogue: 0,0:07:23.85,0:07:24.68,Default,,0000,0000,0000,,as I pointed out,
Dialogue: 0,0:07:24.68,0:07:26.22,Default,,0000,0000,0000,,relationship to material.
Dialogue: 0,0:07:27.15,0:07:28.58,Default,,0000,0000,0000,,Taking this and putting it next to that
Dialogue: 0,0:07:28.58,0:07:31.71,Default,,0000,0000,0000,,it is like saying I don't\Nhave to have material.
Dialogue: 0,0:07:31.71,0:07:33.12,Default,,0000,0000,0000,,I don't have to make material.
Dialogue: 0,0:07:33.12,0:07:35.97,Default,,0000,0000,0000,,I don't have to make\Nanything to make something.
Dialogue: 0,0:07:37.91,0:07:39.06,Default,,0000,0000,0000,,- Yeah, no, I got you, bro.\N- I'm about to break away.
Dialogue: 0,0:07:39.06,0:07:42.30,Default,,0000,0000,0000,,- No, no, no, I just wanted\Nto come get some love.
Dialogue: 0,0:07:42.30,0:07:43.35,Default,,0000,0000,0000,,That looks great.
Dialogue: 0,0:07:43.35,0:07:45.30,Default,,0000,0000,0000,,- Yeah, it's a, again,
Dialogue: 0,0:07:45.30,0:07:48.69,Default,,0000,0000,0000,,it's a artifact for my alternate universe
Dialogue: 0,0:07:48.69,0:07:51.42,Default,,0000,0000,0000,,because she never had a record, you know.
Dialogue: 0,0:07:51.42,0:07:53.55,Default,,0000,0000,0000,,It's just a still from a video, man.
Dialogue: 0,0:07:58.22,0:07:59.46,Default,,0000,0000,0000,,- [Officer] Turn away.
Dialogue: 0,0:07:59.46,0:08:03.69,Default,,0000,0000,0000,,Walk backwards, keep\Nyour hands up in the air.
Dialogue: 0,0:08:03.69,0:08:05.12,Default,,0000,0000,0000,,Keep going.
Dialogue: 0,0:08:05.12,0:08:06.18,Default,,0000,0000,0000,,- [Officer 2] Come on back, come on back.
Dialogue: 0,0:08:06.18,0:08:07.11,Default,,0000,0000,0000,,Keep walking backwards.
Dialogue: 0,0:08:07.11,0:08:08.55,Default,,0000,0000,0000,,Keep walking backwards.
Dialogue: 0,0:08:08.55,0:08:09.39,Default,,0000,0000,0000,,- As I like to say,
Dialogue: 0,0:08:09.39,0:08:11.49,Default,,0000,0000,0000,,we are the canaries in the mine shaft
Dialogue: 0,0:08:11.49,0:08:13.53,Default,,0000,0000,0000,,of Western civilization.
Dialogue: 0,0:08:13.53,0:08:15.06,Default,,0000,0000,0000,,Nobody wants to be where we are.
Dialogue: 0,0:08:15.06,0:08:16.74,Default,,0000,0000,0000,,Nobody wants to be Black.
Dialogue: 0,0:08:19.05,0:08:20.10,Default,,0000,0000,0000,,But at the same time,
Dialogue: 0,0:08:20.10,0:08:22.95,Default,,0000,0000,0000,,when they see Black people,\Nalmost paradoxically,
Dialogue: 0,0:08:22.95,0:08:26.22,Default,,0000,0000,0000,,we also exist as a kind of\Nemblem of the possibility
Dialogue: 0,0:08:26.22,0:08:29.64,Default,,0000,0000,0000,,of transcending profound constraints.
Dialogue: 0,0:08:30.75,0:08:31.74,Default,,0000,0000,0000,,You know what I mean?
Dialogue: 0,0:08:31.74,0:08:33.90,Default,,0000,0000,0000,,Like everybody has their foot on our neck,
Dialogue: 0,0:08:33.90,0:08:35.80,Default,,0000,0000,0000,,but we constantly stand.
Dialogue: 0,0:08:35.80,0:08:38.73,Default,,0000,0000,0000,,(electric music)
Dialogue: 0,0:08:38.73,0:08:40.47,Default,,0000,0000,0000,,So given we've come through it
Dialogue: 0,0:08:40.47,0:08:44.28,Default,,0000,0000,0000,,and it's generated this\Nthing we call Blackness,
Dialogue: 0,0:08:44.28,0:08:47.13,Default,,0000,0000,0000,,Black music, Black\Ndance, Black life force,
Dialogue: 0,0:08:47.13,0:08:48.54,Default,,0000,0000,0000,,all these kinds of things,
Dialogue: 0,0:08:48.54,0:08:52.37,Default,,0000,0000,0000,,how do we mine that?\N(electronic music)
Dialogue: 0,0:08:55.71,0:09:00.71,Default,,0000,0000,0000,,It's less that the playing field\Nis uneven for Black people.
Dialogue: 0,0:09:01.47,0:09:03.09,Default,,0000,0000,0000,,It's more like the playing field
Dialogue: 0,0:09:03.09,0:09:05.64,Default,,0000,0000,0000,,is just more complex for Black people.
Dialogue: 0,0:09:05.64,0:09:06.51,Default,,0000,0000,0000,,You know what I mean?
Dialogue: 0,0:09:06.51,0:09:09.78,Default,,0000,0000,0000,,That's an opportunity to\Ncontend with a landscape
Dialogue: 0,0:09:09.78,0:09:13.11,Default,,0000,0000,0000,,that's more interesting\Nthan a flat landscape.
Dialogue: 0,0:09:13.11,0:09:15.94,Default,,0000,0000,0000,,(mid tempo music)
Dialogue: 0,0:09:26.69,0:09:29.19,Default,,0000,0000,0000,,(piano music)
Dialogue: 0,0:09:37.57,0:09:40.74,Default,,0000,0000,0000,,It is not about, it's a handicap.
Dialogue: 0,0:09:40.74,0:09:41.79,Default,,0000,0000,0000,,It's not a handicap.
Dialogue: 0,0:09:41.79,0:09:43.65,Default,,0000,0000,0000,,It's an opportunity to,
Dialogue: 0,0:09:45.88,0:09:49.26,Default,,0000,0000,0000,,it's so funny, it's like\Nopportunity to levitate.
Dialogue: 0,0:09:50.26,0:09:53.18,Default,,0000,0000,0000,,(slow piano music)
Dialogue: 0,0:09:55.15,0:10:00.15,Default,,0000,0000,0000,,♪ Oh (indistinct) ♪
Dialogue: 0,0:10:00.85,0:10:03.03,Default,,0000,0000,0000,,♪ When you hit that fog ♪
Dialogue: 0,0:10:03.03,0:10:08.03,Default,,0000,0000,0000,,♪ And it'll start for y'all ♪
Dialogue: 0,0:10:08.95,0:10:13.95,Default,,0000,0000,0000,,♪ You say that I know we'll all do well ♪
Dialogue: 0,0:10:14.17,0:10:16.59,Default,,0000,0000,0000,,(slow music)