WEBVTT 99:59:59.999 --> 99:59:59.999 “Abandon all hope, ye who enter here… ” 99:59:59.999 --> 99:59:59.999 Inscribed above the Gate of Hell, 99:59:59.999 --> 99:59:59.999 these ominous words warn dark tidings for Dante 99:59:59.999 --> 99:59:59.999 as he begins his descent into inferno. 99:59:59.999 --> 99:59:59.999 Yet despite the grim tone, 99:59:59.999 --> 99:59:59.999 this prophecy sets into motion what is perhaps the greatest love story ever told; 99:59:59.999 --> 99:59:59.999 an epic journey that encompasses both the human and the divine. 99:59:59.999 --> 99:59:59.999 But for Dante to reach benevolent salvation, 99:59:59.999 --> 99:59:59.999 he must first find his way through Hell. 99:59:59.999 --> 99:59:59.999 This landscape of torture is the setting for Inferno, 99:59:59.999 --> 99:59:59.999 the first in a three-part narrative poem 99:59:59.999 --> 99:59:59.999 written by Dante Alighieri in the 14th century. 99:59:59.999 --> 99:59:59.999 Casting himself as the protagonist, 99:59:59.999 --> 99:59:59.999 Dante travels deeper and deeper into Hell’s abyss, 99:59:59.999 --> 99:59:59.999 witnessing obscene punishments distinct to each of its nine realms. 99:59:59.999 --> 99:59:59.999 Beginning in Limbo, he travels through the circles of Lust, Gluttony, Greed, Wrath, 99:59:59.999 --> 99:59:59.999 Heresy, Violence, and Fraud, 99:59:59.999 --> 99:59:59.999 to the horrific ninth circle of Treachery, 99:59:59.999 --> 99:59:59.999 where sinners are trapped under the watchful eyes of Satan himself. 99:59:59.999 --> 99:59:59.999 The following two parts, Purgatorio and Paradiso, continue Dante’s journey, 99:59:59.999 --> 99:59:59.999 as he scales the Mount of Purgatory 99:59:59.999 --> 99:59:59.999 and ascends the nine celestial spheres of Heaven. 99:59:59.999 --> 99:59:59.999 Written together over 10 years, these three sections comprise the Divine Comedy– 99:59:59.999 --> 99:59:59.999 an allegorical imagining of the soul’s journey towards God. 99:59:59.999 --> 99:59:59.999 But Dante’s Divine Comedy is more than just religious allegory. 99:59:59.999 --> 99:59:59.999 It’s also a witty, scathing commentary on Italian politics. 99:59:59.999 --> 99:59:59.999 A soldier and statesman from Florence, Dante was staunchly faithful to God, 99:59:59.999 --> 99:59:59.999 but often critical of the Roman Catholic Church. 99:59:59.999 --> 99:59:59.999 He particularly disliked its rampant nepotism and practice of simony, 99:59:59.999 --> 99:59:59.999 the buying and selling of religious favours such as pardons from sin. 99:59:59.999 --> 99:59:59.999 Many groups took advantage of these corrupt customs, 99:59:59.999 --> 99:59:59.999 but few supported them as much as the Guelfi Neri, or Black Guelphs. 99:59:59.999 --> 99:59:59.999 This was a political and religious faction 99:59:59.999 --> 99:59:59.999 which sought to expand the pope’s political influence. 99:59:59.999 --> 99:59:59.999 Dante was a member of the Guelfi Bianchi, or White Guelphs– 99:59:59.999 --> 99:59:59.999 who believed Florence needed more freedom from Roman influence. 99:59:59.999 --> 99:59:59.999 As a public representative for the White Guelphs, 99:59:59.999 --> 99:59:59.999 Dante frequently spoke out against the pope’s power, 99:59:59.999 --> 99:59:59.999 until the Black Guelphs leveraged their position 99:59:59.999 --> 99:59:59.999 to exile him from Florence in 1302. 99:59:59.999 --> 99:59:59.999 But rather than silencing him, 99:59:59.999 --> 99:59:59.999 this lifelong exile led to Dante’s greatest critique of all. 99:59:59.999 --> 99:59:59.999 Dishonored and with little hope of return, 99:59:59.999 --> 99:59:59.999 the author freely aired his grievances with the Church and Italian society. 99:59:59.999 --> 99:59:59.999 Writing the Divine Comedy in Italian, 99:59:59.999 --> 99:59:59.999 rather than the traditional Latin of the educated elite, 99:59:59.999 --> 99:59:59.999 Dante ensured the widest possible audience for his biting political commentary. 99:59:59.999 --> 99:59:59.999 In the Inferno’s circle of the Wrathful, 99:59:59.999 --> 99:59:59.999 Dante eagerly witnesses sinners 99:59:59.999 --> 99:59:59.999 tear Black Guelph Filippo Argenti limb from limb. 99:59:59.999 --> 99:59:59.999 In the circle of Fraud, 99:59:59.999 --> 99:59:59.999 Dante converses with a mysterious sinner burning in the circle’s hottest flames. 99:59:59.999 --> 99:59:59.999 He learns that this is Pope Nicholas III, 99:59:59.999 --> 99:59:59.999 who tells Dante that his two successors will take his place when they die— 99:59:59.999 --> 99:59:59.999 all three guilty of simony and corruption. 99:59:59.999 --> 99:59:59.999 Despite the bleak and sometimes violent imagery in Inferno, 99:59:59.999 --> 99:59:59.999 the Divine Comedy is also a love story. 99:59:59.999 --> 99:59:59.999 Though Dante had an arranged marriage 99:59:59.999 --> 99:59:59.999 with the daughter of a powerful Florentine family, 99:59:59.999 --> 99:59:59.999 he had also been unrequitedly in love with another woman since he was nine years old: 99:59:59.999 --> 99:59:59.999 Beatrice Portinari. 99:59:59.999 --> 99:59:59.999 Despite allegedly meeting just twice, she became Dante’s lifelong muse, 99:59:59.999 --> 99:59:59.999 serving as the inspiration and subject for many of his works. 99:59:59.999 --> 99:59:59.999 In fact, it’s Beatrice who launches his intrepid journey into the pits of Hell 99:59:59.999 --> 99:59:59.999 and up the terraces of Mount Purgatory. 99:59:59.999 --> 99:59:59.999 Portrayed as a powerful, heavenly figure, 99:59:59.999 --> 99:59:59.999 she leads Dante through Paradiso’s concentric spheres of Heaven 99:59:59.999 --> 99:59:59.999 until he is finally face-to-face with God. 99:59:59.999 --> 99:59:59.999 In the centuries since its publication, 99:59:59.999 --> 99:59:59.999 the Divine Comedy’s themes of love, sin, and redemption 99:59:59.999 --> 99:59:59.999 have been embraced by numerous artists– 99:59:59.999 --> 99:59:59.999 from Auguste Rodin and Salvador Dali, to Ezra Pound and Neil Gaiman. 99:59:59.999 --> 99:59:59.999 And the poet himself received his own belated, earthly redemption in 2008, 99:59:59.999 --> 99:59:59.999 when the city of Florence finally revoked Dante’s antiquated exile.