[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:10.56,0:00:12.02,Default,,0000,0000,0000,,Hello, how are you doing?
Dialogue: 0,0:00:12.02,0:00:14.94,Default,,0000,0000,0000,,It is Justin here for\Nanother guitar lesson.
Dialogue: 0,0:00:14.94,0:00:16.36,Default,,0000,0000,0000,,This time we're checking out
Dialogue: 0,0:00:16.36,0:00:18.78,Default,,0000,0000,0000,,possibly the easiest song of all time,
Dialogue: 0,0:00:18.78,0:00:20.76,Default,,0000,0000,0000,,which is {\i1}"Feelin' Alright"{\i0}
Dialogue: 0,0:00:20.76,0:00:23.86,Default,,0000,0000,0000,,We're doing the Joe Cocker version,
Dialogue: 0,0:00:23.86,0:00:28.72,Default,,0000,0000,0000,,but there are lots of different\Nversions of this tune.
Dialogue: 0,0:00:28.72,0:00:30.90,Default,,0000,0000,0000,,If you're going to play\Nalong with his version,
Dialogue: 0,0:00:30.90,0:00:32.03,Default,,0000,0000,0000,,you're going to need a capo.
Dialogue: 0,0:00:32.04,0:00:35.41,Default,,0000,0000,0000,,In fact, most of the versions\Nthat I listened to this morning,
Dialogue: 0,0:00:35.41,0:00:37.23,Default,,0000,0000,0000,,require the use of a capo.
Dialogue: 0,0:00:37.24,0:00:41.18,Default,,0000,0000,0000,,Really, all you need is a capo,\Nand your chords A and D.
Dialogue: 0,0:00:41.18,0:00:42.44,Default,,0000,0000,0000,,It's pretty straightforward.
Dialogue: 0,0:00:42.45,0:00:46.08,Default,,0000,0000,0000,,If you're doing a Joe Cocker version,\Nyou need the capo on the third fret,
Dialogue: 0,0:00:46.08,0:00:48.25,Default,,0000,0000,0000,,which is what I'm going to\Nteach you today.
Dialogue: 0,0:00:48.25,0:00:52.06,Default,,0000,0000,0000,,If you want to do the Lulu version,\Nyou need the capo at the 8th fret,
Dialogue: 0,0:00:52.06,0:00:53.94,Default,,0000,0000,0000,,which would be good for a girl singer.
Dialogue: 0,0:00:53.94,0:00:56.21,Default,,0000,0000,0000,,If you're going to do the\NDave Mason version,
Dialogue: 0,0:00:56.21,0:00:58.43,Default,,0000,0000,0000,,you want the capo on the 2nd fret.
Dialogue: 0,0:00:58.43,0:01:01.36,Default,,0000,0000,0000,,And if you're going to do the\NGrand Funk Railroad version,
Dialogue: 0,0:01:01.36,0:01:02.54,Default,,0000,0000,0000,,like play along with their track,
Dialogue: 0,0:01:02.54,0:01:04.09,Default,,0000,0000,0000,,you need the capo on the 5th fret,
Dialogue: 0,0:01:04.09,0:01:07.84,Default,,0000,0000,0000,,but the chords and the sequence\Nall stay the same all the time
Dialogue: 0,0:01:07.84,0:01:10.18,Default,,0000,0000,0000,,for this simple version.
Dialogue: 0,0:01:10.18,0:01:14.16,Default,,0000,0000,0000,,You can do all sorts of fancy stuff\Nwith this tune, if you wanted to.
Dialogue: 0,0:01:14.16,0:01:17.53,Default,,0000,0000,0000,,So, the most super-duper\Neasy version of this,
Dialogue: 0,0:01:17.53,0:01:21.01,Default,,0000,0000,0000,,it's one bar of A and one bar of D.
Dialogue: 0,0:01:21.01,0:01:23.68,Default,,0000,0000,0000,,Repeat, over and over again,\Nfor the whole song.
Dialogue: 0,0:01:23.68,0:01:28.13,Default,,0000,0000,0000,,So, if we just do four strums\Nin each bar on the A chord,
Dialogue: 0,0:01:28.13,0:01:33.49,Default,,0000,0000,0000,,{\i1}♪ We've got to have a change of scene... ♪{\i0}
Dialogue: 0,0:01:33.49,0:01:35.07,Default,,0000,0000,0000,,Change the D back to the A:
Dialogue: 0,0:01:35.07,0:01:40.91,Default,,0000,0000,0000,,{\i1}♪ Cause every night I have\Nthe strangest dreams... ♪{\i0}
Dialogue: 0,0:01:40.91,0:01:47.91,Default,,0000,0000,0000,,{\i1}♪ Imprisoned by the way\Nthings used to be... ♪{\i0}
Dialogue: 0,0:01:47.91,0:01:53.61,Default,,0000,0000,0000,,{\i1}♪ I left here on my\Nown or, so it seems... ♪{\i0}
Dialogue: 0,0:01:53.61,0:01:56.13,Default,,0000,0000,0000,,And that's it. I mean,\Nthe chorus is the same:
Dialogue: 0,0:01:56.13,0:02:01.15,Default,,0000,0000,0000,,{\i1}♪ Feelin' alright, oh-ohhh... ♪{\i0}
Dialogue: 0,0:02:01.15,0:02:09.13,Default,,0000,0000,0000,,{\i1}♪ I ain't feelin' too good\Nmyself, oh-ohhh... ♪{\i0}
Dialogue: 0,0:02:09.13,0:02:11.83,Default,,0000,0000,0000,,You can imagine doing this\Nfor a whole song, though,
Dialogue: 0,0:02:11.83,0:02:15.68,Default,,0000,0000,0000,,probably might get a little bit\N[simulates snoring].
Dialogue: 0,0:02:15.68,0:02:17.96,Default,,0000,0000,0000,,You want to practice it so\Nyou can do that first,
Dialogue: 0,0:02:17.96,0:02:20.72,Default,,0000,0000,0000,,but you probably want to make\Nit a little more fancy if you can.
Dialogue: 0,0:02:20.72,0:02:23.49,Default,,0000,0000,0000,,So, a really good way of\Nmaking it a little more fancy
Dialogue: 0,0:02:23.49,0:02:25.14,Default,,0000,0000,0000,,is to change the chords a little bit,
Dialogue: 0,0:02:25.14,0:02:28.44,Default,,0000,0000,0000,,and to make them into\Nan A7 and a D7 chord.
Dialogue: 0,0:02:28.44,0:02:30.58,Default,,0000,0000,0000,,If you haven't learned those\Nchords, don't worry about it.
Dialogue: 0,0:02:30.58,0:02:32.07,Default,,0000,0000,0000,,Just stick to doing your A and the D.
Dialogue: 0,0:02:32.07,0:02:34.01,Default,,0000,0000,0000,,But once you've learned\Nyour A7 and D7,
Dialogue: 0,0:02:34.01,0:02:35.58,Default,,0000,0000,0000,,you might want to incorporate those.
Dialogue: 0,0:02:35.58,0:02:36.90,Default,,0000,0000,0000,,Make the chords a little bit fancy.
Dialogue: 0,0:02:36.91,0:02:39.08,Default,,0000,0000,0000,,Or maybe use A and D for the verses,
Dialogue: 0,0:02:39.08,0:02:41.14,Default,,0000,0000,0000,,and A7 and D7 for\Nthe choruses or something.
Dialogue: 0,0:02:41.14,0:02:43.64,Default,,0000,0000,0000,,That might be an interesting\Nway of doing it. Up to you.
Dialogue: 0,0:02:43.64,0:02:46.52,Default,,0000,0000,0000,,But if we look at those chords now,
Dialogue: 0,0:02:46.52,0:02:52.67,Default,,0000,0000,0000,,we just have A7 [strums chord]\Nto D7 [changes chord].
Dialogue: 0,0:02:52.67,0:02:59.59,Default,,0000,0000,0000,,{\i1}♪ I ain't feelin' too\Ngood myself, oh-ohhh... ♪{\i0}
Dialogue: 0,0:02:59.59,0:03:05.28,Default,,0000,0000,0000,,{\i1}♪ Feelin' alright, oh-ohhh... ♪{\i0}
Dialogue: 0,0:03:05.28,0:03:13.16,Default,,0000,0000,0000,,{\i1}♪ I ain't feelin' too good myself,\Noh-ohhh... ♪{\i0}
Dialogue: 0,0:03:13.16,0:03:14.78,Default,,0000,0000,0000,,Still not quite there, is it?
Dialogue: 0,0:03:14.78,0:03:18.85,Default,,0000,0000,0000,,That little thing, that little magic\Ningredient that we need is the rhythm.
Dialogue: 0,0:03:18.85,0:03:22.21,Default,,0000,0000,0000,,Now, because it's kind of an\Nuptempo, funky kind of tune,
Dialogue: 0,0:03:22.21,0:03:24.72,Default,,0000,0000,0000,,generally, we'd use 16th note strumming,
Dialogue: 0,0:03:24.72,0:03:26.85,Default,,0000,0000,0000,,which isn't covered in my\Nbeginners' course.
Dialogue: 0,0:03:26.85,0:03:29.20,Default,,0000,0000,0000,,It'll be touched on in the\Nintermediate course,
Dialogue: 0,0:03:29.20,0:03:31.52,Default,,0000,0000,0000,,and it's also explained in my DVD called,
Dialogue: 0,0:03:31.52,0:03:34.20,Default,,0000,0000,0000,,"Really Useful Strumming\NTechniques, Volume 2,"
Dialogue: 0,0:03:34.22,0:03:36.39,Default,,0000,0000,0000,,but you don't really need\Nto go through that
Dialogue: 0,0:03:36.39,0:03:38.02,Default,,0000,0000,0000,,if you just want to get\Nthis tune down now.
Dialogue: 0,0:03:38.02,0:03:41.02,Default,,0000,0000,0000,,What you need to know is the real\Nbasic thing about 16th notes,
Dialogue: 0,0:03:41.02,0:03:44.81,Default,,0000,0000,0000,,is that you're going to strum\Nfour movements for each beat.
Dialogue: 0,0:03:44.81,0:03:48.41,Default,,0000,0000,0000,,So, in a bar, we've got 1-2-3-4 beats,
Dialogue: 0,0:03:48.42,0:03:50.50,Default,,0000,0000,0000,,and each one of those are\Ngoing to be divided by 4,
Dialogue: 0,0:03:50.50,0:03:52.07,Default,,0000,0000,0000,,which would be down-up-down-up.
Dialogue: 0,0:03:52.07,0:03:58.67,Default,,0000,0000,0000,,So we'd have, 1-2-3-4 / 1-2-3-4 /\N1-2-3-4 / 1-2-3-4
Dialogue: 0,0:03:58.67,0:04:00.78,Default,,0000,0000,0000,,Now, if you just strummed\Ncontinuously like that,
Dialogue: 0,0:04:00.78,0:04:04.38,Default,,0000,0000,0000,,it might sound a bit more interesting,\Nbut it's probably not exactly right.
Dialogue: 0,0:04:04.39,0:04:10.89,Default,,0000,0000,0000,,But that would be:\N{\i1}♪ I'm feelin' alright, oh-ohhh... ♪{\i0}
Dialogue: 0,0:04:10.89,0:04:18.52,Default,,0000,0000,0000,,{\i1}♪ I ain't feelin' too good\Nmyself, oh-ohhh... ♪{\i0}
Dialogue: 0,0:04:18.52,0:04:20.42,Default,,0000,0000,0000,,Slightly more\Nadvanced again, if you want.
Dialogue: 0,0:04:20.42,0:04:23.59,Default,,0000,0000,0000,,If you're capable of it, is to\Nget some accents going,
Dialogue: 0,0:04:23.59,0:04:26.84,Default,,0000,0000,0000,,and/or not have accents and\Njust strum these chords,
Dialogue: 0,0:04:26.84,0:04:28.65,Default,,0000,0000,0000,,but keep your hand moving.
Dialogue: 0,0:04:28.65,0:04:30.79,Default,,0000,0000,0000,,And if you're going to do that,\Nif you want a suggested one,
Dialogue: 0,0:04:30.79,0:04:33.41,Default,,0000,0000,0000,,you could muck around with it,\Nby all means, and improvise a bit,
Dialogue: 0,0:04:33.41,0:04:36.26,Default,,0000,0000,0000,,but if you want me to suggest\None, then you might want to try:
Dialogue: 0,0:04:36.26,0:04:42.68,Default,,0000,0000,0000,,[strumming] down-down-up-up-up-down /\Ndown-down-up-up-up-down
Dialogue: 0,0:04:42.68,0:04:46.83,Default,,0000,0000,0000,,[strumming & speaking] See the way\Nmy hand keeps moving, all the time.
Dialogue: 0,0:04:46.83,0:04:55.59,Default,,0000,0000,0000,,down-down-up-up-up-down /\Ndown-down-up-up-up-down, etc.
Dialogue: 0,0:04:55.59,0:05:05.53,Default,,0000,0000,0000,,{\i1}♪ ...alright, oh-ohhhh. I ain't\Nfeelin' too good myself, oh-ohhh... ♪{\i0}
Dialogue: 0,0:05:05.53,0:05:15.00,Default,,0000,0000,0000,,{\i1} ♪ Feelin' alright, oh-ohhh...\NYou're feelin' too good yourself, oh-ohhh ♪{\i0}
Dialogue: 0,0:05:19.70,0:05:23.29,Default,,0000,0000,0000,,And with these two cords,\Nthe cool thing about this tune
Dialogue: 0,0:05:23.30,0:05:26.61,Default,,0000,0000,0000,,is that you can really... you can have\Na really good muck around with it.
Dialogue: 0,0:05:26.61,0:05:30.97,Default,,0000,0000,0000,,There's not really any set strumming,\Nyou can really play about with the rhythm\N
Dialogue: 0,0:05:30.97,0:05:34.49,Default,,0000,0000,0000,,Now the actual chords themselves,\Nfor those more advanced players
Dialogue: 0,0:05:34.49,0:05:36.78,Default,,0000,0000,0000,,C7
Dialogue: 0,0:05:36.78,0:05:37.86,Default,,0000,0000,0000,,and F7
Dialogue: 0,0:05:37.86,0:05:39.21,Default,,0000,0000,0000,,So of course, if you\Nwanted to, you could
Dialogue: 0,0:05:39.21,0:05:41.24,Default,,0000,0000,0000,,definitely play up here: C
Dialogue: 0,0:05:43.22,0:05:44.15,Default,,0000,0000,0000,,F7
Dialogue: 0,0:05:50.60,0:05:53.21,Default,,0000,0000,0000,,And any variations of that\Nif you want to get all clever
Dialogue: 0,0:05:53.21,0:05:55.13,Default,,0000,0000,0000,,and start putting in funky chords
Dialogue: 0,0:06:04.62,0:06:07.56,Default,,0000,0000,0000,,And it is actually a really\Ngood tune for playing about with
Dialogue: 0,0:06:07.56,0:06:09.37,Default,,0000,0000,0000,,C dominant and F dominant chords.
Dialogue: 0,0:06:09.37,0:06:12.22,Default,,0000,0000,0000,,For those more advanced players\Nthat have probably got this far
Dialogue: 0,0:06:12.22,0:06:14.79,Default,,0000,0000,0000,,which I guess is probably not too many,\Nmost of you would have left,
Dialogue: 0,0:06:14.79,0:06:18.13,Default,,0000,0000,0000,,when I started going A and D,\Nbut you can have a bit of a play around
Dialogue: 0,0:06:18.13,0:06:21.10,Default,,0000,0000,0000,,with experimenting with all your\Ndominant chords, you want to
Dialogue: 0,0:06:21.10,0:06:23.20,Default,,0000,0000,0000,,check out my {\i1}"Funk Guitar Rhythm"{\i0} lessons
Dialogue: 0,0:06:23.20,0:06:24.71,Default,,0000,0000,0000,,and that'll explain all of that.
Dialogue: 0,0:06:24.71,0:06:25.73,Default,,0000,0000,0000,,Have some fun with it,
Dialogue: 0,0:06:25.73,0:06:28.56,Default,,0000,0000,0000,,I'll see you again for another lesson\Nsometime real soon.
Dialogue: 0,0:06:28.56,0:06:30.55,Default,,0000,0000,0000,,Take care!\NBye-bye!