1 00:00:00,500 --> 00:00:02,518 Friendly greetings! It is Torley again! 2 00:00:02,534 --> 00:00:05,727 Today is I'm gonna show you how to play the music of Philip Glass. 3 00:00:05,850 --> 00:00:11,259 Or more accurately futn music that is like, similar to, appropriates, even ripps of Philip Glass. 4 00:00:11,259 --> 00:00:15,810 Now one of the simpliest things about Philip Glass here is ascenado. 5 00:00:15,810 --> 00:00:18,679 You often notice in much of his music there are repeating figures. 6 00:00:18,679 --> 00:00:19,499 Such as 7 00:00:19,499 --> 00:00:23,079 [plays melody] 8 00:00:23,079 --> 00:00:23,767 that's simple. 9 00:00:23,767 --> 00:00:29,773 Or [plays melody], or [plays melody]. 10 00:00:29,773 --> 00:00:31,763 So you've got two, three even four notes. 11 00:00:31,763 --> 00:00:34,717 There is variations on this there is different kinds of time signatures. 12 00:00:34,717 --> 00:00:36,911 But that's the basics. 13 00:00:36,911 --> 00:00:38,896 And next is harmonic chord progressions. 14 00:00:38,896 --> 00:00:44,008 He has created a chd industry out of very very simple harmonic faundations. 15 00:00:44,054 --> 00:00:45,673 I shall show you. 16 00:00:45,673 --> 00:00:50,460 [plays melody] 17 00:00:50,460 --> 00:00:51,623 Ok that is A minor. 18 00:00:51,623 --> 00:00:57,339 Than F major — [plays melody]. 19 00:00:57,339 --> 00:01:03,286 And than C major. [plays melody] 20 00:01:03,286 --> 00:01:08,620 And then E minor. [plays melody] 21 00:01:08,620 --> 00:01:10,850 And he does this over and over and over. 22 00:01:10,850 --> 00:01:13,587 And that is the music of Philip Glass. 23 00:01:13,587 --> 00:01:17,401 Now there are a lot of variations that can be created around such themes. 24 00:01:17,401 --> 00:01:30,892 [plays melody] 25 00:01:30,892 --> 00:01:32,413 And variations like this. 26 00:01:32,413 --> 00:01:38,650 [plays melody] 27 00:01:38,650 --> 00:01:39,762 And again. 28 00:01:39,762 --> 00:01:50,549 [plays melody] 29 00:01:50,549 --> 00:01:55,380 Sometimes a few variations cns and it goes crazy like to-do-do-do to-do-do. 30 00:01:55,380 --> 00:01:58,068 [demonstrates that in melody] 31 00:01:58,068 --> 00:02:02,358 So before you ever get into playing or interpreting Philip Glass ask yourself 32 00:02:02,358 --> 00:02:04,677 does it have a da-da da-da da-da or 33 00:02:04,677 --> 00:02:07,318 ta-da-da ta-da-da ta-da-da or ta-da-da-ta-da-da. 34 00:02:07,318 --> 00:02:11,500 Because if the answer is “no” then it's likely not like Philip Glass! 35 00:02:11,500 --> 00:02:13,120 I'm not making this up! 36 00:02:13,120 --> 00:02:15,105 You just listen to just about anything he has done. 37 00:02:15,105 --> 00:02:18,031 For example, there was a piece on Battle Star Galactica 38 00:02:18,031 --> 00:02:21,009 from "The Metamorphosis" piano solos and it goes like this. 39 00:02:21,009 --> 00:02:28,376 [plays melody] 40 00:02:28,376 --> 00:02:30,465 And then, what heppens next is? 41 00:02:30,465 --> 00:02:34,410 why golly! [continues melody] 42 00:02:34,410 --> 99:59:59,999 Just like that.