WEBVTT 00:00:00.500 --> 00:00:02.518 Friendly greetings! It is Torley again! 00:00:02.534 --> 00:00:05.727 Today is I'm gonna show you how to play the music of Philip Glass. 00:00:05.850 --> 00:00:11.259 Or more accurately futn music that is like, similar to, appropriates, even ripps of Philip Glass. 00:00:11.259 --> 00:00:15.810 Now one of the simpliest things about Philip Glass here is ascenado. 00:00:15.810 --> 00:00:18.679 You often notice in much of his music there are repeating figures. 00:00:18.679 --> 00:00:19.499 Such as 00:00:19.499 --> 00:00:23.079 [plays melody] 00:00:23.079 --> 00:00:23.767 that's simple. 00:00:23.767 --> 00:00:29.773 Or [plays melody], or [plays melody]. 00:00:29.773 --> 00:00:31.763 So you've got two, three even four notes. 00:00:31.763 --> 00:00:34.717 There is variations on this there is different kinds of time signatures. 00:00:34.717 --> 00:00:36.911 But that's the basics. 00:00:36.911 --> 00:00:38.896 And next is harmonic chord progressions. 00:00:38.896 --> 00:00:44.008 He has created a chd industry out of very very simple harmonic faundations. 00:00:44.054 --> 00:00:45.673 I shall show you. 00:00:45.673 --> 00:00:50.460 [plays melody] 00:00:50.460 --> 00:00:51.623 Ok that is A minor. 00:00:51.623 --> 00:00:57.339 Than F major — [plays melody]. 00:00:57.339 --> 00:01:03.286 And than C major. [plays melody] 00:01:03.286 --> 00:01:08.620 And then E minor. [plays melody] 00:01:08.620 --> 00:01:10.850 And he does this over and over and over. 00:01:10.850 --> 00:01:13.587 And that is the music of Philip Glass. 00:01:13.587 --> 00:01:17.401 Now there are a lot of variations that can be created around such themes. 00:01:17.401 --> 00:01:30.892 [plays melody] 00:01:30.892 --> 00:01:32.413 And variations like this. 00:01:32.413 --> 00:01:38.650 [plays melody] 00:01:38.650 --> 00:01:39.762 And again. 00:01:39.762 --> 00:01:50.549 [plays melody] 00:01:50.549 --> 00:01:55.380 Sometimes a few variations cns and it goes crazy like to-do-do-do to-do-do. 00:01:55.380 --> 00:01:58.068 [demonstrates that in melody] 00:01:58.068 --> 00:02:02.358 So before you ever get into playing or interpreting Philip Glass ask yourself 00:02:02.358 --> 00:02:04.677 does it have a da-da da-da da-da or 00:02:04.677 --> 00:02:07.318 ta-da-da ta-da-da ta-da-da or ta-da-da-ta-da-da. 00:02:07.318 --> 00:02:11.500 Because if the answer is “no” then it's likely not like Philip Glass! 00:02:11.500 --> 00:02:13.120 I'm not making this up! 00:02:13.120 --> 00:02:15.105 You just listen to just about anything he has done. 00:02:15.105 --> 00:02:18.031 For example, there was a piece on Battle Star Galactica 00:02:18.031 --> 00:02:21.009 from "The Metamorphosis" piano solos and it goes like this. 00:02:21.009 --> 00:02:28.376 [plays melody] 00:02:28.376 --> 00:02:30.465 And then, what heppens next is? 00:02:30.465 --> 00:02:34.410 why golly! [continues melody] 00:02:34.410 --> 99:59:59.999 Just like that.