[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.00,0:00:02.63,Default,,0000,0000,0000,,1, 2, 3\NAAAAAAAAHHHHHHH!
Dialogue: 0,0:00:02.64,0:00:05.01,Default,,0000,0000,0000,,Olá a todos, sou BRATthony\NGreeentano,
Dialogue: 0,0:00:05.01,0:00:09.01,Default,,0000,0000,0000,,o nerd de música mais ocupado da internet.\NE é hora de uma crítica
Dialogue: 0,0:00:09.01,0:00:12.44,Default,,0000,0000,0000,,deste novo disco "Brat" de Charli xcx.
Dialogue: 0,0:00:12.44,0:00:17.86,Default,,0000,0000,0000,,Aqui temos o 6º álbum oficial\Nde estúdio da cantora pop e
Dialogue: 0,0:00:17.86,0:00:20.42,Default,,0000,0000,0000,,compositora Sra. Charli xcx.
Dialogue: 0,0:00:20.42,0:00:24.57,Default,,0000,0000,0000,,Um dos meus álbuns mais esperados do\Nano, por quê?
Dialogue: 0,0:00:24.57,0:00:28.81,Default,,0000,0000,0000,,Bem, na última década, aos meus olhos,\NCharli se tornou uma das forças
Dialogue: 0,0:00:28.81,0:00:32.81,Default,,0000,0000,0000,,mais criativas, únicas e pioneiras\Nna música pop atual.
Dialogue: 0,0:00:32.81,0:00:36.28,Default,,0000,0000,0000,,E a evolução dela tem sido interessante\Nde assistir, para dizer o mínimo.
Dialogue: 0,0:00:36.28,0:00:39.06,Default,,0000,0000,0000,,Não sou fã de seus primeiros\Ntrabalhos, na verdade, mas
Dialogue: 0,0:00:39.06,0:00:42.25,Default,,0000,0000,0000,,hoje eles servem como um ponto\Nde referência interessante.
Dialogue: 0,0:00:42.25,0:00:44.66,Default,,0000,0000,0000,,Pelo que ela está fazendo neste\Ndisco.
Dialogue: 0,0:00:44.66,0:00:48.92,Default,,0000,0000,0000,,As eras "True Romance" e "Sucker" de \Nsua carreira, trouxeram alguns dos
Dialogue: 0,0:00:48.92,0:00:51.54,Default,,0000,0000,0000,,seus maiores sucessos e\Nparticipações até hoje, verdade,
Dialogue: 0,0:00:51.54,0:00:55.58,Default,,0000,0000,0000,,mas sonoramente, grande parte da música que ela\Nestava lançando nessa época não estava
Dialogue: 0,0:00:55.58,0:00:57.40,Default,,0000,0000,0000,,muito ousada ou mesmo profunda.
Dialogue: 0,0:00:57.40,0:01:00.56,Default,,0000,0000,0000,,Na melhor das hipóteses, poderia\Ndizer que era pegajosa, da época.
Dialogue: 0,0:01:00.56,0:01:03.58,Default,,0000,0000,0000,,Em meados da década de 2010, no entanto,\Né quando a música dela
Dialogue: 0,0:01:03.58,0:01:05.59,Default,,0000,0000,0000,,realmente começou a empurrar os limites.
Dialogue: 0,0:01:05.59,0:01:08.74,Default,,0000,0000,0000,,Juntando-se criativamente com\Ncompositores e produtores da
Dialogue: 0,0:01:08.74,0:01:10.52,Default,,0000,0000,0000,,gravadora de música PC em ascensão.
Dialogue: 0,0:01:10.52,0:01:14.78,Default,,0000,0000,0000,,Estou falando de pessoas como\NDanny L Harle e EASYFUN, A.G Cook,
Dialogue: 0,0:01:14.78,0:01:15.82,Default,,0000,0000,0000,,e a falecida SOPHIE,
Dialogue: 0,0:01:15.82,0:01:18.57,Default,,0000,0000,0000,,que na época estavam ganhando\Numa boa reputação pela
Dialogue: 0,0:01:18.57,0:01:22.90,Default,,0000,0000,0000,,revitalização da estética pop\Nda era Y2k, mas com um
Dialogue: 0,0:01:22.90,0:01:25.28,Default,,0000,0000,0000,,som hiperfuturista e nervoso.
Dialogue: 0,0:01:25.28,0:01:29.38,Default,,0000,0000,0000,,E o nosso primeiro gosto dessa\Nnova direção veio na forma do
Dialogue: 0,0:01:29.38,0:01:33.03,Default,,0000,0000,0000,,EP "Vroom Vroom" de Charli xcx em 2016.
Dialogue: 0,0:01:33.03,0:01:36.30,Default,,0000,0000,0000,,O que alguns críticos simplesmente\Nnão sabiam o que dizer na época,
Dialogue: 0,0:01:36.30,0:01:39.60,Default,,0000,0000,0000,,e embora tenha sido meu EP do ano\Nnaquele ano,
Dialogue: 0,0:01:39.60,0:01:43.60,Default,,0000,0000,0000,,Eu ainda podia ver como ele teria \Nafastado muitas pessoas se elas
Dialogue: 0,0:01:43.60,0:01:47.03,Default,,0000,0000,0000,,chegassem na música de\NCharli com certas expectativas,
Dialogue: 0,0:01:47.03,0:01:49.13,Default,,0000,0000,0000,,já que ela era uma artista pop.
Dialogue: 0,0:01:49.13,0:01:54.34,Default,,0000,0000,0000,,Porque o tom de "Vroom Vroom" é,\Nem pontos, meio escuros e viscerais
Dialogue: 0,0:01:54.34,0:01:56.69,Default,,0000,0000,0000,,e maneiro de um jeito estranho.
Dialogue: 0,0:01:56.69,0:02:00.93,Default,,0000,0000,0000,,Brega, também, com algumas faixas variando\Ndescontroladamente de parte a parte que,
Dialogue: 0,0:02:00.93,0:02:05.36,Default,,0000,0000,0000,,você poderia entender o que ela estava\Nfazendo como uma piada ou inovação.
Dialogue: 0,0:02:05.36,0:02:08.84,Default,,0000,0000,0000,,No entanto, as faixas deste EP\Nsão seríssimas.
Dialogue: 0,0:02:08.84,0:02:14.19,Default,,0000,0000,0000,,E foram um passo novo e ousado para \Nmúsica pop, bem como um momento popular,
Dialogue: 0,0:02:14.19,0:02:17.37,Default,,0000,0000,0000,,para Charli e PC Music de forma criativa.
Dialogue: 0,0:02:17.37,0:02:22.22,Default,,0000,0000,0000,,Porque neste ponto, Charli se tornou\No canal perfeito para o que eles
Dialogue: 0,0:02:22.22,0:02:26.88,Default,,0000,0000,0000,,estavam tentando canalizar essa\Nreconstrução detalhada e retro-futurista
Dialogue: 0,0:02:26.88,0:02:32.34,Default,,0000,0000,0000,,da música pop dos anos 2000,\Nque desfocam as linhas entre o satírico,
Dialogue: 0,0:02:32.34,0:02:33.66,Default,,0000,0000,0000,,e o reverente.
Dialogue: 0,0:02:33.66,0:02:36.95,Default,,0000,0000,0000,,Enquanto isso, a química criativa\Nde Charli com A.G e SOPHIE
Dialogue: 0,0:02:36.95,0:02:40.70,Default,,0000,0000,0000,,a permitiu, eu acho, a experimentar mais\Ne amadurecer como compositora.
Dialogue: 0,0:02:40.70,0:02:43.96,Default,,0000,0000,0000,,Permitindo a ela a liberdade de lançar\Nhits loucos, bem como
Dialogue: 0,0:02:43.96,0:02:45.54,Default,,0000,0000,0000,,hinos elegantes e poderosos.
Dialogue: 0,0:02:45.54,0:02:49.54,Default,,0000,0000,0000,,Músicas com estruturas estranhas\Nou características muito improváveis,
Dialogue: 0,0:02:49.54,0:02:54.31,Default,,0000,0000,0000,,Muitas dessas ideias e conceitos foram\Nmais ou menos testados na estrada na
Dialogue: 0,0:02:54.31,0:02:57.03,Default,,0000,0000,0000,,mixtape que ela lançou em 2017,
Dialogue: 0,0:02:57.03,0:03:01.20,Default,,0000,0000,0000,,e então, aos meus olhos, foi\Ntotalmente executado em seu excelente
Dialogue: 0,0:03:01.20,0:03:02.31,Default,,0000,0000,0000,,disco "Charli" de 2019.
Dialogue: 0,0:03:02.31,0:03:06.66,Default,,0000,0000,0000,,Agora, ao longo dos anos, como Charli\Ndesenvolveu esse novo som,
Dialogue: 0,0:03:06.66,0:03:10.49,Default,,0000,0000,0000,,sua escrita ofereceu mais profundidade,\Ntornou-se mais pessoal e íntima,
Dialogue: 0,0:03:10.49,0:03:13.19,Default,,0000,0000,0000,,em especial seu álbum da pandemia\N"How I 'm Feeling Now".
Dialogue: 0,0:03:13.19,0:03:16.13,Default,,0000,0000,0000,,Mas acho que a escrita dela cresceu\Nmais conceitual, também.
Dialogue: 0,0:03:16.13,0:03:21.56,Default,,0000,0000,0000,,Com uma apresentação elegante,\Nde inglesa festeira em muitas músicas
Dialogue: 0,0:03:21.56,0:03:26.22,Default,,0000,0000,0000,,se tornou, mais ou menos, uma personagem\Nexagerada que ela interpreta.
Dialogue: 0,0:03:26.22,0:03:30.81,Default,,0000,0000,0000,,Porém, de certa forma, o som reconhecível\Ninstantaneamente de Charli e lugar único
Dialogue: 0,0:03:30.81,0:03:37.90,Default,,0000,0000,0000,,na paisagem pop, tornou-se tanto uma\Nbênção e uma maldição na década de 2020.
Dialogue: 0,0:03:37.90,0:03:43.29,Default,,0000,0000,0000,,Porque seu estilo tinha passado de\Ndesafiador para meio que definível
Dialogue: 0,0:03:43.29,0:03:48.87,Default,,0000,0000,0000,,com este recém-criado "hiper-pop"\Ntermo que estava sendo colocado em todos
Dialogue: 0,0:03:48.87,0:03:52.37,Default,,0000,0000,0000,,que soassem vagamente\Ncomo ela ou 100gecs.
Dialogue: 0,0:03:52.37,0:03:56.94,Default,,0000,0000,0000,,E ela rapidamente passou a se despir\Nde muitas características "hiper"
Dialogue: 0,0:03:56.94,0:04:03.01,Default,,0000,0000,0000,,de sua música no próximo álbum "Crash"\Ntrabalhando com novos produtores
Dialogue: 0,0:04:03.01,0:04:07.59,Default,,0000,0000,0000,,E embora eu não possa negar que o disco\Napresenta alguns hits respeitáveis,
Dialogue: 0,0:04:07.59,0:04:09.75,Default,,0000,0000,0000,,Eu tenho que perguntar: a que custo?
Dialogue: 0,0:04:09.75,0:04:13.75,Default,,0000,0000,0000,,Porque "Crash", de forma muito mensurável,\Ntinha muito menos personalidade do que
Dialogue: 0,0:04:13.75,0:04:16.60,Default,,0000,0000,0000,,qualquer coisa que Charli tinha lançado\Nnos últimos anos.
Dialogue: 0,0:04:16.60,0:04:20.93,Default,,0000,0000,0000,,O que nos traz até hoje. O último ciclo\Nde álbuns de Charli, "BRAT".
Dialogue: 0,0:04:20.93,0:04:25.66,Default,,0000,0000,0000,,Onde eu acho que ela está genuinamente\Nse reconectando com a trajetória que
Dialogue: 0,0:04:25.66,0:04:28.60,Default,,0000,0000,0000,,a trouxe até este ponto e fez dela\Numa artista especial.
Dialogue: 0,0:04:28.60,0:04:32.80,Default,,0000,0000,0000,,Até EASYFUN e A.G Cook estão de volta\Nna área da produção,
Dialogue: 0,0:04:32.80,0:04:35.61,Default,,0000,0000,0000,,de um monte de faixas, outras\Npessoas também.
Dialogue: 0,0:04:35.61,0:04:41.09,Default,,0000,0000,0000,,Há até referências a A.G. Cook\Nem algumas das letras deste disco
Dialogue: 0,0:04:41.09,0:04:44.28,Default,,0000,0000,0000,,como se fosse um\Nmeta-comentário.
Dialogue: 0,0:04:44.28,0:04:49.25,Default,,0000,0000,0000,,Você pode notar que Charli está totalmente\Nabraçando o impacto que teve na música pop
Dialogue: 0,0:04:49.25,0:04:55.46,Default,,0000,0000,0000,,nos últimos anos e usa isso mais\Ncomo uma força do que uma fraqueza
Dialogue: 0,0:04:55.46,0:04:57.73,Default,,0000,0000,0000,,que ela pode ser rotulada.
Dialogue: 0,0:04:57.73,0:05:00.69,Default,,0000,0000,0000,,E eu acho que é algo que ela pode\Nfazer com confiança porque
Dialogue: 0,0:05:00.69,0:05:05.12,Default,,0000,0000,0000,,ela e A.G. Cook não estão apenas\Ntentando, sabe,
Dialogue: 0,0:05:05.12,0:05:09.12,Default,,0000,0000,0000,,reviver algum tipo de tendência\Nhiper-pop neste LP.
Dialogue: 0,0:05:09.12,0:05:14.91,Default,,0000,0000,0000,,Quero dizer, com certeza, o objetivo\Ne o foco de Charli é nos dar esta ousada
Dialogue: 0,0:05:14.91,0:05:18.91,Default,,0000,0000,0000,,e contundente homenagem à música\Npop da era dos anos 2000 com autotune
Dialogue: 0,0:05:18.91,0:05:24.84,Default,,0000,0000,0000,,mas desta vez temos um foco\Nrefrescante no dance-pop, no EDM,
Dialogue: 0,0:05:24.84,0:05:28.71,Default,,0000,0000,0000,,no electropop daquela época,\Nhits de balada em geral.
Dialogue: 0,0:05:28.71,0:05:33.73,Default,,0000,0000,0000,,Com uma vibe bastante agressiva,\Nfazendo dele digno do título “PIRRALHO"
Dialogue: 0,0:05:33.73,0:05:36.14,Default,,0000,0000,0000,,Porque este disco é para ser\Ndançado.
Dialogue: 0,0:05:36.14,0:05:37.87,Default,,0000,0000,0000,,E, às vezes, chorar.
Dialogue: 0,0:05:37.87,0:05:41.38,Default,,0000,0000,0000,,Pois a escrita de Charli está mais\Nmadura e atenciosa do que nunca.
Dialogue: 0,0:05:41.38,0:05:45.23,Default,,0000,0000,0000,,Por um lado, sua persona de garota\Nfesteira vai para um lado sombrio,
Dialogue: 0,0:05:45.23,0:05:47.09,Default,,0000,0000,0000,,ou pelo menos se esvazia um pouco
Dialogue: 0,0:05:47.09,0:05:49.98,Default,,0000,0000,0000,,e ela revela que é uma\Nespécie de máscara,
Dialogue: 0,0:05:49.98,0:05:55.53,Default,,0000,0000,0000,,e que ela nem sempre sente como\Nse ela fosse digna de estar lá na festa
Dialogue: 0,0:05:55.53,0:05:58.16,Default,,0000,0000,0000,,ou que ela e a festa estão\Num pouco em desacordo.
Dialogue: 0,0:05:58.16,0:06:02.81,Default,,0000,0000,0000,,E em "i think about it all the time"\Nvemos Charli refletindo sobre se ela
Dialogue: 0,0:06:02.81,0:06:05.44,Default,,0000,0000,0000,,pode continuar sua carreira\Nno caminho atual ou não,
Dialogue: 0,0:06:05.44,0:06:10.36,Default,,0000,0000,0000,,na ideia de se tornar mãe, o que ela\Nclaramente tem interesse em algum momento.
Dialogue: 0,0:06:10.36,0:06:14.81,Default,,0000,0000,0000,,Pulando adiante aqui, também é meio que\Nlouco narrativamente como isso contrasta
Dialogue: 0,0:06:14.81,0:06:18.91,Default,,0000,0000,0000,,tanto com ela voltando totalmente\Npara o modo de festa na faixa "365".
Dialogue: 0,0:06:18.91,0:06:24.03,Default,,0000,0000,0000,,Claro, há notas de nostalgia\Nneste álbum, também, isso é muito
Dialogue: 0,0:06:24.03,0:06:28.03,Default,,0000,0000,0000,,notável em faixas como "1999" e mais\Nnotadamente em "Rewind",
Dialogue: 0,0:06:28.03,0:06:31.29,Default,,0000,0000,0000,,mas essa música é mais sobre\NCharli sentir falta dos aspectos antigos
Dialogue: 0,0:06:31.29,0:06:32.75,Default,,0000,0000,0000,,de sua vida antes da fama.
Dialogue: 0,0:06:32.75,0:06:37.36,Default,,0000,0000,0000,,Entre refrões pegajosos nesta faixa,\NEla entrega seus versos nesta maneira que
Dialogue: 0,0:06:37.36,0:06:40.75,Default,,0000,0000,0000,,kinda comes off like, conflicted internal\Nmonologue, or like
Dialogue: 0,0:06:40.75,0:06:42.48,Default,,0000,0000,0000,,she's musically journaling.
Dialogue: 0,0:06:42.48,0:06:45.85,Default,,0000,0000,0000,,There are lots of tracks on this thing too\Nthat deal in love.
Dialogue: 0,0:06:45.85,0:06:49.85,Default,,0000,0000,0000,,But these songs narratively feel vastly\Ndifferent from previous singles like
Dialogue: 0,0:06:49.85,0:06:50.97,Default,,0000,0000,0000,,"Good Ones", for example.
Dialogue: 0,0:06:50.97,0:06:54.84,Default,,0000,0000,0000,,Tracks where historically, Charli can be\Nseen running away from love
Dialogue: 0,0:06:54.84,0:06:59.02,Default,,0000,0000,0000,,or being a bit self-effacing and talking \Nabout how she's fucking it all up.
Dialogue: 0,0:06:59.02,0:07:02.00,Default,,0000,0000,0000,,Instead, on songs such as the really\Ninfectious
Dialogue: 0,0:07:02.00,0:07:03.67,Default,,0000,0000,0000,,{\i1}singing{\i0} "Talk talk to me!"
Dialogue: 0,0:07:03.67,0:07:07.24,Default,,0000,0000,0000,,as, uh, as well {\i1}laughs{\i0}\Nas the very cinematic
Dialogue: 0,0:07:07.24,0:07:09.46,Default,,0000,0000,0000,,{\i1}singing{\i0} "Everything is romantic"
Dialogue: 0,0:07:09.46,0:07:14.27,Default,,0000,0000,0000,,Yeah, Charli can be seen accepting\Nlove and doing quite a few shoutouts
Dialogue: 0,0:07:14.27,0:07:15.77,Default,,0000,0000,0000,,to her fiancé George.
Dialogue: 0,0:07:15.77,0:07:20.62,Default,,0000,0000,0000,,But yes, between this and numerous nods\Nto wanting to have maybe a more normal
Dialogue: 0,0:07:20.62,0:07:24.88,Default,,0000,0000,0000,,life at some point, Charli really presents\Nsome interesting internal conflicts
Dialogue: 0,0:07:24.88,0:07:30.02,Default,,0000,0000,0000,,throughout this album, which we also\Nhear as well on tracks where she is
Dialogue: 0,0:07:30.02,0:07:35.34,Default,,0000,0000,0000,,singing about things like friendship\Nand sharing the limelight with other women.
Dialogue: 0,0:07:35.34,0:07:38.45,Default,,0000,0000,0000,,I mean, historically Charli is very\Npro-woman,
Dialogue: 0,0:07:38.45,0:07:41.90,Default,,0000,0000,0000,,especially when it comes to supporting\Nother artists with her music
Dialogue: 0,0:07:41.90,0:07:46.22,Default,,0000,0000,0000,,through features, through attention she\Ncan throw their way with her creativity
Dialogue: 0,0:07:46.22,0:07:50.22,Default,,0000,0000,0000,,I mean, even look at the lyrics in the\Nmusic video to one of the big singles
Dialogue: 0,0:07:50.22,0:07:51.48,Default,,0000,0000,0000,,from this record, "360".
Dialogue: 0,0:07:51.48,0:07:54.77,Default,,0000,0000,0000,,That is the Charli that most fans\Nknow and love.
Dialogue: 0,0:07:54.77,0:07:57.86,Default,,0000,0000,0000,,By that same token, there are\Nnumerous songs on this record
Dialogue: 0,0:07:57.86,0:08:02.25,Default,,0000,0000,0000,,where she is being very unfiltered\Nand just admitting
Dialogue: 0,0:08:02.25,0:08:08.22,Default,,0000,0000,0000,,how, just, insecure and plagued with\Nfear she is sometimes.
Dialogue: 0,0:08:08.22,0:08:12.66,Default,,0000,0000,0000,,There's "Sympathy is a knife" where she\Ntalks about, just, being so
Dialogue: 0,0:08:12.66,0:08:16.66,Default,,0000,0000,0000,,self-conscious around this other woman\Nthat she wishes for
Dialogue: 0,0:08:16.66,0:08:18.27,Default,,0000,0000,0000,,a gun to shoot herself with.
Dialogue: 0,0:08:18.27,0:08:22.27,Default,,0000,0000,0000,,Which is context that some fans might\Neven miss if they're mostly wrapped up
Dialogue: 0,0:08:22.27,0:08:27.27,Default,,0000,0000,0000,,in the roaring bass and fantastic string\Nhits going on the dance beat.
Dialogue: 0,0:08:27.27,0:08:30.70,Default,,0000,0000,0000,,There's also "GIrl, so confusing" where\NCharli sings about the difficulties
Dialogue: 0,0:08:30.70,0:08:34.82,Default,,0000,0000,0000,,of letting people in, and navigating\Nthe music industry among other
Dialogue: 0,0:08:34.82,0:08:37.84,Default,,0000,0000,0000,,people who she may have a difficult\Ntime connecting with,
Dialogue: 0,0:08:37.84,0:08:38.89,Default,,0000,0000,0000,,knowing how to trust.
Dialogue: 0,0:08:38.89,0:08:42.89,Default,,0000,0000,0000,,The song seems to be very specifically\Nabout a single person who
Dialogue: 0,0:08:42.89,0:08:47.33,Default,,0000,0000,0000,,maybe she's been likened to by fans\Nbut she doesn't fully see it.
Dialogue: 0,0:08:47.33,0:08:51.19,Default,,0000,0000,0000,,However, there's still a desire there\Non some level to make the friendship
Dialogue: 0,0:08:51.19,0:08:52.47,Default,,0000,0000,0000,,or the connection work.
Dialogue: 0,0:08:52.47,0:08:56.47,Default,,0000,0000,0000,,Then the song "Von dutch" sees Charli\Ngetting pretty aggressive and
Dialogue: 0,0:08:56.47,0:08:57.72,Default,,0000,0000,0000,,combative lyrically.
Dialogue: 0,0:08:57.72,0:09:01.24,Default,,0000,0000,0000,,Specifically in regards to someone who\Ndoesn't seem to like her,
Dialogue: 0,0:09:01.24,0:09:03.08,Default,,0000,0000,0000,,maybe even is talking behind her back.
Dialogue: 0,0:09:03.08,0:09:07.69,Default,,0000,0000,0000,,And her response to that is, essentially,\Nthis big anthemic "Fuck you" here.
Dialogue: 0,0:09:07.69,0:09:12.85,Default,,0000,0000,0000,,Where she's delivering some biting lyrics\Nabout how this person may actually be
Dialogue: 0,0:09:12.85,0:09:15.10,Default,,0000,0000,0000,,nothing if it weren't for some \N"little dance" they're doing.
Dialogue: 0,0:09:15.10,0:09:19.86,Default,,0000,0000,0000,,So, yeah, there are these intense\Nemotional peaks all over the album
Dialogue: 0,0:09:19.86,0:09:24.70,Default,,0000,0000,0000,,but the biggest bombshell of all of them\Nhas to be the song, "So I".
Dialogue: 0,0:09:24.70,0:09:31.58,Default,,0000,0000,0000,,Which is very obviously a tribute to the \Nlate great producer and songwriter SOHPIE
Dialogue: 0,0:09:31.58,0:09:34.96,Default,,0000,0000,0000,,who actually collaborated with Charli\Nquite a few times,
Dialogue: 0,0:09:34.96,0:09:40.46,Default,,0000,0000,0000,,so consistently, in fact, from an outside\Nperspective, I don't think any fan of either
Dialogue: 0,0:09:40.46,0:09:45.24,Default,,0000,0000,0000,,Charli or SOPHIE would have presumed\Nanything of them and their connection.
Dialogue: 0,0:09:45.24,0:09:49.53,Default,,0000,0000,0000,,Other than something along the lines of,\N"Hey, they're collaborators, they have
Dialogue: 0,0:09:49.53,0:09:51.80,Default,,0000,0000,0000,,big respect for each other, they\Nlove each other,
Dialogue: 0,0:09:51.80,0:09:53.26,Default,,0000,0000,0000,,they're probably friends,
Dialogue: 0,0:09:53.26,0:09:57.06,Default,,0000,0000,0000,,Charli, SOHPIE, SOPHIE, Charli,\Nname a more iconic duo-"
Dialogue: 0,0:09:57.06,0:10:02.82,Default,,0000,0000,0000,,But what Charli says on this track here\Nactually tells a very different story
Dialogue: 0,0:10:02.82,0:10:07.58,Default,,0000,0000,0000,,and is quite revealing in a way that\Nis actually pretty admirable.
Dialogue: 0,0:10:07.58,0:10:11.58,Default,,0000,0000,0000,,Because the angle of the song is,\Nyes, very sad, obviously,
Dialogue: 0,0:10:11.58,0:10:14.14,Default,,0000,0000,0000,,but it doesn't necessarily paint Charli \Nin the best light.
Dialogue: 0,0:10:14.14,0:10:20.00,Default,,0000,0000,0000,,And, again, it's painfully sad and\Nhas made me reflect on the tone
Dialogue: 0,0:10:20.00,0:10:24.70,Default,,0000,0000,0000,,that tributes in art or whatever\Nother medium often take.
Dialogue: 0,0:10:24.70,0:10:27.93,Default,,0000,0000,0000,,They usually end up being less about\Nthe tributed person
Dialogue: 0,0:10:27.93,0:10:31.23,Default,,0000,0000,0000,,and more about the tributer's love and \Nadoration.
Dialogue: 0,0:10:31.23,0:10:34.58,Default,,0000,0000,0000,,"Look how great I think this person\Nis, who we all think is great."
Dialogue: 0,0:10:34.58,0:10:38.80,Default,,0000,0000,0000,,And Charli's song here does contain\Nquite a bit of praise for SOHPIE
Dialogue: 0,0:10:38.80,0:10:40.22,Default,,0000,0000,0000,,that's true, don't get me wrong.
Dialogue: 0,0:10:40.22,0:10:45.04,Default,,0000,0000,0000,,But a lot of the track is actually an\Nadmittance on Charli's part, with her
Dialogue: 0,0:10:45.04,0:10:48.32,Default,,0000,0000,0000,,pretty much saying, "I was a shitty\Nfriend."
Dialogue: 0,0:10:48.32,0:10:50.100,Default,,0000,0000,0000,,"I kinda pushed this person away. I wish\NI didn't."
Dialogue: 0,0:10:50.100,0:10:56.27,Default,,0000,0000,0000,,"And now, I am plagued with an\Ninsurmountable amount of regret."
Dialogue: 0,0:10:56.27,0:11:01.35,Default,,0000,0000,0000,,Which does make it a really tough listen\Neven if I think instrumentally and
Dialogue: 0,0:11:01.35,0:11:03.68,Default,,0000,0000,0000,,melodically it is one of the strongest\Nshowings here.
Dialogue: 0,0:11:03.68,0:11:08.58,Default,,0000,0000,0000,,Narratively and emotionally there are\Nquite a few cuts that I think are
Dialogue: 0,0:11:08.58,0:11:12.82,Default,,0000,0000,0000,,a bit lighter in tone, but they still\Ncontribute a great amount of quality to
Dialogue: 0,0:11:12.82,0:11:16.82,Default,,0000,0000,0000,,the record and are just generally\Nfun and entertaining to listen to.
Dialogue: 0,0:11:16.82,0:11:20.16,Default,,0000,0000,0000,,There's "Club classics", which I thought\Nwas an incredible single to
Dialogue: 0,0:11:20.16,0:11:24.43,Default,,0000,0000,0000,,the album. Also, "B2b", which is just some\Nvery straightforward, cut and dry,
Dialogue: 0,0:11:24.43,0:11:29.82,Default,,0000,0000,0000,,throwback, quality dance pop with a pretty\Nclear hot and cold, back and forth
Dialogue: 0,0:11:29.82,0:11:32.01,Default,,0000,0000,0000,,love on the rocks type narrative
Dialogue: 0,0:11:32.01,0:11:36.01,Default,,0000,0000,0000,,There's also "Apple", which is some\Nvery groovy throwbacks synthpop too.
Dialogue: 0,0:11:36.01,0:11:40.87,Default,,0000,0000,0000,,All about a situation and dynamic that\NCharli likens to a rotten apple,
Dialogue: 0,0:11:40.87,0:11:45.57,Default,,0000,0000,0000,,it's a situation she describes having to\Nescape from by car, by plane,
Dialogue: 0,0:11:45.57,0:11:50.06,Default,,0000,0000,0000,,There's "Mean girls", which is a\Ncharacter portrait about exactly that,
Dialogue: 0,0:11:50.06,0:11:53.84,Default,,0000,0000,0000,,with a soaring and anthemic chorus \Nplus a killer piano break
Dialogue: 0,0:11:53.84,0:11:56.21,Default,,0000,0000,0000,,that the entire track builds off of\Nfrom there.
Dialogue: 0,0:11:56.21,0:11:59.57,Default,,0000,0000,0000,,And then at the very end there's \N"365", which is this
Dialogue: 0,0:11:59.57,0:12:03.57,Default,,0000,0000,0000,,version of the song "360" that kicks\Nthe record off, this
Dialogue: 0,0:12:03.57,0:12:08.24,Default,,0000,0000,0000,,mirrored, remix-as-reprise big finish.
Dialogue: 0,0:12:08.24,0:12:11.35,Default,,0000,0000,0000,,With some acid bass mixed in there\Nfor good measure.
Dialogue: 0,0:12:11.35,0:12:14.55,Default,,0000,0000,0000,,So, I love the way the record finishes.\NLove the way it kicks off,
Dialogue: 0,0:12:14.55,0:12:17.43,Default,,0000,0000,0000,,and the flow from moment to moment \Ngenerally is great.
Dialogue: 0,0:12:17.43,0:12:20.21,Default,,0000,0000,0000,,It's to the point where certain tracks\Nin the leadup to the record
Dialogue: 0,0:12:20.21,0:12:24.21,Default,,0000,0000,0000,,that I thought were just kind of okay\Nsound better being reinforced
Dialogue: 0,0:12:24.21,0:12:27.45,Default,,0000,0000,0000,,by the vibes and the aesthetics of the\Nsurrounding songs on the album.
Dialogue: 0,0:12:27.45,0:12:30.36,Default,,0000,0000,0000,,Because as I've heard the entire\Nthing now many times over,
Dialogue: 0,0:12:30.36,0:12:31.48,Default,,0000,0000,0000,,I don't think there's a skip on it.
Dialogue: 0,0:12:31.48,0:12:35.48,Default,,0000,0000,0000,,The production generally goes hard\Nas hell, it is vibrant, it is colorful,
Dialogue: 0,0:12:35.48,0:12:39.10,Default,,0000,0000,0000,,it is very visceral at times, aggressive,\Nbut,
Dialogue: 0,0:12:39.10,0:12:42.62,Default,,0000,0000,0000,,I can see some people kinda scratching\Ntheir heads at the fact that it doesn't
Dialogue: 0,0:12:42.62,0:12:48.12,Default,,0000,0000,0000,,come across quite as futuristic as some\Nof those "hyperpop" classics
Dialogue: 0,0:12:48.12,0:12:48.90,Default,,0000,0000,0000,,in recent years.
Dialogue: 0,0:12:48.90,0:12:52.12,Default,,0000,0000,0000,,But more importantly what I think\Nthe production does on
Dialogue: 0,0:12:52.12,0:12:55.83,Default,,0000,0000,0000,,this album is that it serves the songs.
Dialogue: 0,0:12:56.11,0:12:59.70,Default,,0000,0000,0000,,It's sweet when it needs to be,\Nit's dynamic when it needs to be,
Dialogue: 0,0:12:59.70,0:13:02.70,Default,,0000,0000,0000,,it's lowkey or explosive when it needs\Nto be,
Dialogue: 0,0:13:02.70,0:13:06.48,Default,,0000,0000,0000,,and there is still a very clear and\Nconsistent aesthetic focused on
Dialogue: 0,0:13:06.48,0:13:09.62,Default,,0000,0000,0000,,the entire album that centers around\Na certain era of pop and dance music.
Dialogue: 0,0:13:09.62,0:13:13.40,Default,,0000,0000,0000,,So, I'm not necessarily disappointed\Nwith this record not being as
Dialogue: 0,0:13:13.40,0:13:16.63,Default,,0000,0000,0000,,ahead of the curve as a project like\N"Charli", for example.
Dialogue: 0,0:13:16.63,0:13:22.00,Default,,0000,0000,0000,,Especially considering that Charli xcx\Ncopycats these days are abound.
Dialogue: 0,0:13:22.00,0:13:26.60,Default,,0000,0000,0000,,The impact that people like her and A.G\Nand SOPHIE have had on the modern era
Dialogue: 0,0:13:26.60,0:13:30.13,Default,,0000,0000,0000,,of pop music, is not going anywhere\Nanytime soon.
Dialogue: 0,0:13:30.13,0:13:34.13,Default,,0000,0000,0000,,And it's with that I say I loved\N"BRAT", killer album,
Dialogue: 0,0:13:34.34,0:13:38.34,Default,,0000,0000,0000,,and I think that this record proves that \NCharli truly is a generational pop artist.
Dialogue: 0,0:13:38.34,0:13:42.60,Default,,0000,0000,0000,,Which is why I'm feeling a strong 9,\Nto a 10 on this LP.
Dialogue: 0,0:13:42.97,0:13:43.74,Default,,0000,0000,0000,,Tran-
Dialogue: 0,0:13:43.74,0:13:47.10,Default,,0000,0000,0000,,sition. Have you given this album a \Nlisten? Did you love it? Did you hate it?
Dialogue: 0,0:13:47.10,0:13:48.93,Default,,0000,0000,0000,,What would you rate it? \N"You're the best, you're the best",
Dialogue: 0,0:13:48.93,0:13:50.74,Default,,0000,0000,0000,,What should I review next? \NHit the like if you'd like,
Dialogue: 0,0:13:50.74,0:13:53.28,Default,,0000,0000,0000,,please subscribe, please don't cry, \Nhit the bell as well.
Dialogue: 0,0:13:53.28,0:13:56.02,Default,,0000,0000,0000,,Over here next to my head is another video\Nyou can check out,
Dialogue: 0,0:13:56.02,0:13:58.22,Default,,0000,0000,0000,,hit that up or the link to subscribe \Nto the channel.
Dialogue: 0,0:13:58.22,0:14:02.00,Default,,0000,0000,0000,,Anthony Fantano, Charli xcx. Forever.