WEBVTT 00:00:03.000 --> 00:00:05.000 Well, there's lots to talk about, 00:00:05.000 --> 00:00:08.000 but I think I'm just going to play to start off. NOTE Paragraph 00:00:09.000 --> 00:00:19.000 (Music) NOTE Paragraph 00:02:54.000 --> 00:02:57.000 ♫ When I wake up ♫ 00:02:58.000 --> 00:03:01.000 ♫ in the morning ♫ 00:03:01.000 --> 00:03:04.000 ♫ I pour the coffee ♫ 00:03:05.000 --> 00:03:08.000 ♫ I read the paper ♫ 00:03:08.000 --> 00:03:11.000 ♫ And then I slowly ♫ 00:03:15.000 --> 00:03:18.000 ♫ and so softly ♫ 00:03:24.000 --> 00:03:27.000 ♫ do the dishes ♫ 00:03:29.000 --> 00:03:32.000 ♫ So feed the fishes ♫ 00:03:37.000 --> 00:03:40.000 ♫ You sing me happy birthday ♫ 00:03:45.000 --> 00:03:48.000 ♫ Like it's gonna be ♫ 00:03:48.000 --> 00:03:52.000 ♫ your last day ♫ 00:03:52.000 --> 00:03:55.000 ♫ here on Earth ♫ NOTE Paragraph 00:05:18.000 --> 00:05:27.000 (Applause) NOTE Paragraph 00:05:29.000 --> 00:05:31.000 All right. 00:05:31.000 --> 00:05:33.000 So, I wanted to do something special today. 00:05:33.000 --> 00:05:36.000 I want to debut a new song that I've been working on 00:05:36.000 --> 00:05:39.000 in the last five or six months. 00:05:39.000 --> 00:05:41.000 And there's few things more thrilling 00:05:41.000 --> 00:05:43.000 than playing a song 00:05:43.000 --> 00:05:46.000 for the first time in front of an audience, 00:05:46.000 --> 00:05:48.000 especially when it's half-finished. 00:05:48.000 --> 00:05:50.000 (Laughter) 00:05:50.000 --> 00:05:52.000 I'm kind of hoping some conversations here 00:05:52.000 --> 00:05:54.000 might help me finish it. 00:05:54.000 --> 00:05:56.000 Because it gets into all sorts 00:05:56.000 --> 00:05:58.000 of crazy realms. 00:05:58.000 --> 00:06:00.000 And so this is basically a song 00:06:00.000 --> 00:06:02.000 about loops, 00:06:02.000 --> 00:06:04.000 but not the kind of loops that I make up here. 00:06:04.000 --> 00:06:06.000 They're feedback loops. 00:06:06.000 --> 00:06:08.000 And in the audio world 00:06:08.000 --> 00:06:11.000 that's when the microphone gets too close 00:06:11.000 --> 00:06:14.000 to its sound source, 00:06:14.000 --> 00:06:16.000 and then it gets in this self-destructive loop 00:06:16.000 --> 00:06:18.000 that creates a very unpleasant sound. 00:06:18.000 --> 00:06:20.000 And I'm going to demonstrate for you. 00:06:20.000 --> 00:06:22.000 (Laughter) 00:06:23.000 --> 00:06:26.000 I'm not going to hurt you. Don't worry. NOTE Paragraph 00:06:28.000 --> 00:06:31.000 ♫ This is a loop, feedback loop ♫ 00:06:31.000 --> 00:06:34.000 ♫ This is a loop, feedback loop ♫ 00:06:34.000 --> 00:06:36.000 ♫ This is a loop, feedback loop ♫ 00:06:36.000 --> 00:06:39.000 ♫ This is a loop, feedback loop ♫ 00:06:39.000 --> 00:06:41.000 ♫ This is a loop, feedback loop ♫ 00:06:41.000 --> 00:06:44.000 ♫ This is a loop, feedback loop ♫ 00:06:44.000 --> 00:06:49.000 ♫ This is a -- (Feedback) NOTE Paragraph 00:06:52.000 --> 00:06:55.000 All right. I don't know if that was necessary to demonstrate -- 00:06:55.000 --> 00:06:57.000 (Laughter) 00:06:57.000 --> 00:07:00.000 -- but my point is it's the sound of self-destruction. NOTE Paragraph 00:07:02.000 --> 00:07:04.000 And I've been thinking about 00:07:04.000 --> 00:07:08.000 how that applies across a whole spectrum of realms, 00:07:08.000 --> 00:07:11.000 from, say, the ecological, okay. 00:07:11.000 --> 00:07:14.000 There seems to be a rule in nature 00:07:14.000 --> 00:07:17.000 that if you get too close to where you came from, 00:07:17.000 --> 00:07:19.000 it gets ugly. 00:07:19.000 --> 00:07:22.000 So like, you can't feed cows their own brains 00:07:22.000 --> 00:07:24.000 or you get mad cow disease, 00:07:24.000 --> 00:07:26.000 and inbreeding and incest 00:07:26.000 --> 00:07:28.000 and, let's see, 00:07:28.000 --> 00:07:30.000 what's the other one? 00:07:30.000 --> 00:07:32.000 Biological -- there's autoimmune diseases, 00:07:32.000 --> 00:07:34.000 where the body attacks itself 00:07:34.000 --> 00:07:36.000 a little too overzealously 00:07:36.000 --> 00:07:38.000 and destroys the host, 00:07:38.000 --> 00:07:40.000 or the person. 00:07:43.000 --> 00:07:46.000 And then -- okay, this is where we get to the song -- 00:07:46.000 --> 00:07:49.000 kind of bridges the gap to the emotional. NOTE Paragraph 00:07:49.000 --> 00:07:52.000 Because although I've used scientific terms 00:07:52.000 --> 00:07:54.000 in songs, 00:07:54.000 --> 00:07:57.000 it's very difficult sometimes to make them lyrical. 00:07:57.000 --> 00:07:59.000 And there's some things 00:07:59.000 --> 00:08:02.000 you just don't need to have in songs. 00:08:03.000 --> 00:08:05.000 So I'm trying to bridge this gap 00:08:05.000 --> 00:08:08.000 between this idea and this melody. 00:08:08.000 --> 00:08:11.000 And so, I don't know if you've ever had this, 00:08:11.000 --> 00:08:14.000 but when I close my eyes sometimes 00:08:14.000 --> 00:08:16.000 and try to sleep, 00:08:16.000 --> 00:08:19.000 I can't stop thinking about my own eyes. 00:08:19.000 --> 00:08:21.000 And it's like your eyes 00:08:21.000 --> 00:08:23.000 start straining to see themselves. 00:08:23.000 --> 00:08:25.000 That's what it feels like to me. 00:08:25.000 --> 00:08:27.000 It's not pleasant. 00:08:27.000 --> 00:08:29.000 I'm sorry if I put that idea in your head. 00:08:29.000 --> 00:08:31.000 (Laughter) 00:08:31.000 --> 00:08:33.000 It's impossible, of course, for your eyes to see themselves, 00:08:33.000 --> 00:08:36.000 but they seem to be trying. 00:08:36.000 --> 00:08:39.000 So that's getting a little more closer to a personal experience. 00:08:40.000 --> 00:08:42.000 Or ears being able to hear themselves -- 00:08:42.000 --> 00:08:44.000 it's just impossible. 00:08:44.000 --> 00:08:46.000 That's the thing. 00:08:46.000 --> 00:08:49.000 So, I've been working on this song 00:08:49.000 --> 00:08:52.000 that mentions these things 00:08:52.000 --> 00:08:54.000 and then also imagines 00:08:54.000 --> 00:08:56.000 a person who's been so successful 00:08:56.000 --> 00:08:59.000 at defending themselves from heartbreak 00:08:59.000 --> 00:09:02.000 that they're left to do the deed themselves, 00:09:02.000 --> 00:09:04.000 if that's possible. 00:09:04.000 --> 00:09:06.000 And that's what the song is asking. 00:09:08.000 --> 00:09:10.000 All right. 00:09:10.000 --> 00:09:12.000 It doesn't have a name yet. NOTE Paragraph 00:09:12.000 --> 00:09:22.000 (Music) NOTE Paragraph 00:11:08.000 --> 00:11:11.000 ♫ Go ahead and congratulate yourself ♫ 00:11:11.000 --> 00:11:15.000 ♫ Give yourself a hand, the hand is your hand ♫ 00:11:15.000 --> 00:11:18.000 ♫ And the eye that eyes itself is your eye ♫ 00:11:18.000 --> 00:11:22.000 ♫ And the ear that hears itself is near ♫ 00:11:22.000 --> 00:11:25.000 ♫ 'Cause it's your ear, oh oh ♫ 00:11:25.000 --> 00:11:28.000 ♫ You've done the impossible now ♫ 00:11:28.000 --> 00:11:31.000 ♫ Took yourself apart ♫ 00:11:32.000 --> 00:11:35.000 ♫ You made yourself invulnerable ♫ 00:11:35.000 --> 00:11:38.000 ♫ No one can break your heart ♫ 00:11:39.000 --> 00:11:42.000 ♫ So you wear it out ♫ 00:11:43.000 --> 00:11:46.000 ♫ And you wring it out ♫ 00:11:46.000 --> 00:11:49.000 ♫ And you wear it out ♫ 00:11:49.000 --> 00:11:51.000 ♫ And you break it yourself ♫ 00:11:51.000 --> 00:11:54.000 ♫ Breaking your own, break it yourself ♫ 00:11:54.000 --> 00:11:58.000 ♫ Breaking your own, break it yourself ♫ 00:11:58.000 --> 00:12:01.000 ♫ Breaking your own ♫ 00:12:14.000 --> 00:12:18.000 (Applause) NOTE Paragraph 00:12:18.000 --> 00:12:20.000 Thanks. 00:12:20.000 --> 00:12:25.000 (Applause) 00:12:25.000 --> 00:12:27.000 All right. 00:12:27.000 --> 00:12:30.000 It's kind of cool. Songwriters can sort of get away with murder. 00:12:30.000 --> 00:12:33.000 You can throw out crazy theories 00:12:33.000 --> 00:12:36.000 and not have to back it up with data 00:12:36.000 --> 00:12:39.000 or graphs or research. 00:12:39.000 --> 00:12:42.000 But, you know, I think reckless curiosity 00:12:42.000 --> 00:12:45.000 would be what the world needs now, 00:12:45.000 --> 00:12:47.000 just a little bit. 00:12:47.000 --> 00:12:51.000 (Applause) 00:12:51.000 --> 00:12:53.000 I'm going to finish up with a song of mine 00:12:53.000 --> 00:12:55.000 called "Weather Systems." NOTE Paragraph 00:12:55.000 --> 00:13:05.000 (Music) NOTE Paragraph 00:13:12.000 --> 00:13:15.000 ♫ Quiet ♫ 00:13:17.000 --> 00:13:21.000 ♫ Quiet down, she said ♫ 00:13:21.000 --> 00:13:24.000 ♫ Speak into the back of his head ♫ 00:13:24.000 --> 00:13:28.000 ♫ On the edge of the bed, I can see your blood flow ♫ 00:13:28.000 --> 00:13:32.000 ♫ I can see your ♫ 00:13:32.000 --> 00:13:35.000 ♫ cells grow ♫ 00:13:39.000 --> 00:13:42.000 ♫ Hold still awhile ♫ 00:13:42.000 --> 00:13:45.000 ♫ Don't spill the wine ♫ 00:13:45.000 --> 00:13:48.000 ♫ I can see it all from here ♫ 00:13:48.000 --> 00:13:50.000 ♫ I can see ♫ 00:13:50.000 --> 00:13:52.000 ♫ oh, I ♫ 00:13:52.000 --> 00:13:55.000 ♫ I can see ♫ 00:13:59.000 --> 00:14:02.000 ♫ weather systems ♫ 00:14:02.000 --> 00:14:05.000 ♫ of the world ♫ 00:14:15.000 --> 00:14:18.000 ♫ Weather systems ♫ 00:14:18.000 --> 00:14:21.000 ♫ of the world ♫ 00:14:52.000 --> 00:14:55.000 ♫ Some things you say ♫ 00:14:55.000 --> 00:14:59.000 ♫ are not for sale ♫ 00:14:59.000 --> 00:15:02.000 ♫ I would hold it where ♫ 00:15:02.000 --> 00:15:06.000 ♫ our free agents of some substance are ♫ 00:15:08.000 --> 00:15:11.000 ♫ scared ♫ 00:15:15.000 --> 00:15:18.000 ♫ Hold still a while ♫ 00:15:18.000 --> 00:15:21.000 ♫ Don't spill the wine ♫ 00:15:22.000 --> 00:15:25.000 ♫ I can see it all from here ♫ 00:15:25.000 --> 00:15:27.000 ♫ I can see ♫ 00:15:27.000 --> 00:15:29.000 ♫ oh, I ♫ 00:15:29.000 --> 00:15:32.000 ♫ I can see ♫ 00:15:34.000 --> 00:15:40.000 ♫ weather systems of the world ♫ 00:17:27.000 --> 00:17:31.000 ♫ Weather systems ♫ 00:17:32.000 --> 00:17:37.000 ♫ of the world ♫ NOTE Paragraph 00:18:41.000 --> 00:18:43.000 Thanks. NOTE Paragraph 00:18:43.000 --> 00:18:58.000 (Applause)