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Today, I'll show you when to
use Adobe Photoshop, Illustrator

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or InDesign.

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[MUSIC PLAYING]

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Now, most people are pretty
familiar with Photoshop

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and what it can do.

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People that use Illustrator,
however, are far rarer.

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Even rarer so, are
those that use InDesign.

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In this video, I'm going to go
through an overview of each one.

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So you know which one to
use for which application.

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Let's begin.

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Alrighty, let's get started.

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And in the most common
program out of the 3

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and that is Photoshop.

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So I've pasted in a standard
Chuck Norris picture

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off the internet, and
I'm going to show you

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how the image is made up.

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Photoshop is what we
call raster-based,

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which is a fancy word for saying
that it's based on pixels.

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If you weren't aware,
zooming in will show you

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exactly what this means.

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[MUSIC PLAYING]

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Pixel images are made up of
a grid of different squares,

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and each one of
those has a color.

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As you zoom out, they
start to blend together

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and that's how the
image is created.

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Photoshop is number
one for image editing.

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Photoshop is perfect
for taking an image

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off your phone, your
camera, or even the internet

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and touching it up.

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In this example here,
I'm going to play

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with the black and white
balance by changing the curves.

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[MUSIC PLAYING]

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One of the real strengths of
Photoshop is using the layers.

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You can see here I have
David Hasselhoff and Chuck

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Norris on two
separate layers, so I

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can move them around
independently of each other.

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By using the Transform
tool, it's very easy

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to resize, move, skew,
and add perspective

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to different objects.

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This is what makes Photoshop so
popular for those funny image

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edits, where people swap
the head from one thing

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onto another.

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Before we had Instagram filters,
we had Photoshop filters

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and there are
heaps of them here.

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There's a huge range
of effects that you

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can achieve with these filters.

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Here's an example of one.

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This is Liquify.

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Liquify enables you
to morph an image

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around using very little skill.

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The presets are very
powerful and not

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much time, having
never done it before,

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you can get something
that looks pretty crazy.

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[MUSIC PLAYING]

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Another really prominent
use for Photoshop

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is retouching fashion images,
whether it's needed or not.

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So in this example, I'm
going to use the Clone tool.

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So basically, I can hold down
the Alt key and set my target.

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And then when I
come back and paint,

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I will transfer that piece
of texture into its place.

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So this is commonly used
to get rid of imperfections

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and little marks and
things like that.

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And it adds to the
effect that people

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describe as being airbrushed.

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So we've established that
Photoshop is the number one

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program for editing
images, especially when it

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comes to print and web.

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So why do we need Illustrator?

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Well, let's revisit that concept
of Photoshop being pixel-based.

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Here I've got a simple
pattern where I've

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drawn a rectangle and a circle.

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Photoshop stores
this information

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by recording the color of
every single pixel on the grid.

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When we zoom in, we'll
see the problem with this.

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We can see here
that our circle is

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beginning to become pixelated.

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The way to get around this
is to draw all of our shapes

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in an enormous resolution.

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So that way we have to
zoom in for some time

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before it starts to pixelate.

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This, however, makes a
really big file sizes,

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which isn't quite ideal.

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If we switch to Illustrator and
have the same type of pattern,

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we can see the difference
between raster and vector

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graphics.

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Every time I zoom in here,
it simply redraws it,

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and you can see that
we never lose quality.

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If I hover the mouse
over, I can see

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that the vector is highlighted.

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Whereas Photoshop
stores the final image

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in a series of pixels
on a grid, Illustrator

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stores the instructions
to create the image.

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In this example, it
will keep instructions

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to know that there's a rectangle
here and a circle here,

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as well as the proportion and
relative positioning of each.

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Every time we zoom
in or out, it simply

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follows those instructions
to redraw it on the screen

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and create it perfectly.

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For this reason, Illustrator
is perfect for doing things

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like logos.

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If we visit our teaching
tech logo here and zoom in,

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we can see that all of the
little shapes that make it up

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are made out of vectors.

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The advantage here is
that I can blow this up

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to the size of a building,
and it never lose quality.

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I can also shrink it down
really small for something

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like a business card, and
it'll look great there too.

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I face it in a
picture of the Hof

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to show that
Illustrator, in fact, can

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handle raster graphics.

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It doesn't automatically convert
them to vectors, however,

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so if you Zoom in, it still
will become pixelated.

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Illustrator is particularly good
for quickly moving and placing

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different elements to
create things like posters.

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It's important to
note that Illustrator

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does have a range of
raster-editing capabilities,

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but it's not really anything
compared to Photoshop.

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In fact, it calls it
the Photoshop effects,

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but it's still vastly
cut down from what

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you'll find in Photoshop.

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[MUSIC PLAYING]

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Despite being vector-based,
the fills in Illustrator

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are quite powerful.

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Here we have two examples
of different fills.

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The one on the left is
a straight gradient.

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You can bring up your gradient
panel, select your object

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and then change a
range of parameters

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to do with the gradient.

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You can also change from
linear to radial and include

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extra colors if you wish.

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This example on the right
isn't as well known.

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This one uses the mesh tool.

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You can see when
I hover over, it's

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divided the shape up
into a bunch of segments.

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If I come up with
the White cursor tool

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and click on one
of the segments,

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I can set the color
for that segment

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and it will try and blend it
into the other ones around it.

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Here's an example of a poster
made as an instruction sheet

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using Illustrator.

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All of the individual
shapes are vectors,

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and gradients have
been applied to make

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different parts stand out.

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In this program, it's extremely
easy to move things around

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and to place them.

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Here's another example of
some more advanced editing

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in Illustrator.

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Zooming in might make you think
that this is something that's

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been done in Photoshop,
but hovering the mouse over

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reveals that everything
is, in fact, vectors.

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This section on the front here
we can see is a gradient mesh.

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And we've also used some of the
filters from the dropdown menus

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to get the drop shadow
and the texture.

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Because this is in Illustrator,
every time we zoom in or out,

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it's redrawn and it
should never pixelate.

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Because Illustrator
is vector-based,

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it's also good for making
files for laser cutting.

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You can see here the pieces
for my heart puzzle from

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my Valentine's Day
3D printing special.

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Each one of them is
made up of vectors,

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and this is the type
of path that the laser

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cutter needs to follow to be
able to cut something out.

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[MUSIC PLAYING]

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So we've established
that Photoshop

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is great for single images.

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Illustrator is good for logos
and single page layouts.

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And that brings us
to Adobe InDesign.

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InDesign is what you
switch to when you've got

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to create a lot of something.

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Here, I've set up
an example page

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to show you some of the
ways that InDesign can work.

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Here's some features that
might be of interest.

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If you come to
either of the rulers

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and click and drag
across, when you let go,

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it'll leave a guideline.

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Now when you're
moving things around,

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you can easily snap
to that guideline.

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The text boxes are a little bit
different to other programs.

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You can see that
we can resize them

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and there was some
text hidden underneath.

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You'll notice there's
a red plus here,

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which is telling us this
text that's not fitting.

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When we hit the
plus, it'll prompt

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us to drag another text
box, and then the text

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will continue in that.

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If I resize the
original one, the text

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will flow between
them as it needs to.

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Now, images in InDesign are a
little bit different as well.

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When we click on them,
we have two functions.

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Generally, resizing
will resize the box

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and effectively crop the image.

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If you double-click, now you
can resize the actual image,

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but that doesn't resize the box.

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If you click on an image and
hold down Shift and Control,

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now you're resizing the bounding
box as well as the image

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in the same go.

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If we examine the
components of our design,

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we can see that InDesign
supports both raster and vector

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graphics.

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Zooming in on my
Chuck Norris image

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shows me that it is,
in fact, still pixels.

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If I come over to my
logo and zoom right in

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can see that the
vectors that make it up

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are still traced
around the outside.

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Despite this crest being
a vector from Illustrator,

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you'll notice that the quality
doesn't look that great.

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That's because
InDesign, where it can,

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keeps a reference
to the original file

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and then displays a preview
quality version only.

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That means if I update
this design in Illustrator,

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it will instantly
update in InDesign,

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saving me a lot of time.

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If I come up to view
overprint preview,

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it'll transform to the highest
quality possible to show you how

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it's actually going to print.

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Like we touched on earlier,
the real beauty of InDesign

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is when you need to do a
lot of something because

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of its templating system.

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You'll notice under
my Pages panel

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that I have my master
up the top, and then

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my actual pages down below.

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Let's make a copy of my logo
and set it up as a watermark.

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I'm going to double
click on a master

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and it turns black up here,
and the pages look blank.

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I'm going to paste in my logo.

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I'm going to resize
it and move it up

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to the top left-hand corner.

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I'm going to make a copy and put
it in the top right hand corner.

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Now, you would never
actually place this

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without white space here,
but as an example, for now

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it'll do the job.

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Let's double click to
come back to our page.

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You'll notice that it's been
applied because as this page is

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labeled with A which corresponds
to the A master at the top.

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As I add in New
pages, you'll see

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that each one automatically
Bears the image

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that we set up in our master.

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If I want to come back
to my master at any time

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and edit the way
this is positioned.

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When I come back to the
page, it'll instantly

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be updated there as well.

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We also have some
really good templating

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for our paragraph text.

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If I come to this
text box here and then

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make sure I have
paragraph styles open,

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I can add a new one from
the button down below.

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If I double click on it, the
control box will come up.

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What I'm going to do is rename
this one with whatever I feel.

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00:09:19,690 --> 00:09:23,610
In this case, I'm going
to call it heading 1.

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00:09:23,610 --> 00:09:25,390
Now, when I'm
editing other text,

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00:09:25,390 --> 00:09:27,600
all I need to do to apply
this formatting here

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00:09:27,600 --> 00:09:30,035
is to click on heading 1.

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00:09:30,035 --> 00:09:31,410
In a complicated
document, you're

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00:09:31,410 --> 00:09:33,952
going to end up with probably
five or six different paragraph

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00:09:33,952 --> 00:09:35,100
styles.

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00:09:35,100 --> 00:09:37,620
This means you can write and
edit your text in a program

258
00:09:37,620 --> 00:09:39,790
with spell check, and
then when you paste it in,

259
00:09:39,790 --> 00:09:41,580
it's very quick to
come back and click

260
00:09:41,580 --> 00:09:44,340
single time to set the type
of style that you want.

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00:09:44,340 --> 00:09:46,360
Just like with
the master layout,

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00:09:46,360 --> 00:09:48,480
paragraph styles can
be edited very quickly

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00:09:48,480 --> 00:09:52,530
by double clicking them, and
then changing whatever we want.

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00:09:52,530 --> 00:09:54,660
As soon as I hit OK,
everything in the document

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00:09:54,660 --> 00:09:56,490
will come through and update.

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00:09:56,490 --> 00:09:58,600
I can see this one here
has turned accidentally

267
00:09:58,600 --> 00:09:59,743
to the heading 1.

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00:09:59,743 --> 00:10:01,660
So all I need to do is
put my cursor somewhere

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00:10:01,660 --> 00:10:06,310
in the paragraph, and then do
a single click to revert it.

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00:10:06,310 --> 00:10:08,110
Let's do a little recap.

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00:10:08,110 --> 00:10:10,360
Photoshop, excellent
for image editing

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00:10:10,360 --> 00:10:12,087
that includes the
images off your camera,

273
00:10:12,087 --> 00:10:14,170
and as well as graphic
designs and single pictures

274
00:10:14,170 --> 00:10:17,290
that you're making for a
variety of applications.

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00:10:17,290 --> 00:10:20,000
Illustrator, excellent for
logos, and in some cases,

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00:10:20,000 --> 00:10:22,570
single page graphic
design layouts.

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00:10:22,570 --> 00:10:24,623
And finally InDesign,
which is set

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00:10:24,623 --> 00:10:27,040
for making long documents where
you can use the templating

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00:10:27,040 --> 00:10:30,220
to make sure everything
stays consistent.

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00:10:30,220 --> 00:10:31,640
Well, that wraps it up.

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00:10:31,640 --> 00:10:34,730
I hope you found this overview
and comparison very informative.

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00:10:34,730 --> 00:10:38,290
Thanks for watching, and
I'll see you next time.

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00:10:38,290 --> 00:10:39,770
Good day, it's Michael again.

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00:10:39,770 --> 00:10:41,750
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285
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00:10:43,917 --> 00:10:45,400
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290
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[MUSIC PLAYING]

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