0:00:02.740,0:00:04.020 - [Dunk] I'm finally back- 0:00:04.020,0:00:06.860 Spider-Man 3 is the best movie that Spider-Man made. 0:00:06.860,0:00:12.020 Since it's release in 2007, critics have spent countless hours analyzing every frame 0:00:12.020,0:00:13.060 every scene 0:00:13.060,0:00:16.920 every line of dialogue in search of it's many subdued themes and messages. 0:00:17.080,0:00:17.980 Like Garfield, 0:00:17.980,0:00:20.000 Spider-Man 3 is a film about layers. 0:00:20.000,0:00:24.480 On the surface, It's your typical thrill-a-minute Blockbuster with cutting edge special effects. 0:00:24.480,0:00:28.680 But upon further viewing, you start to understand this is merely a facade. 0:00:29.080,0:00:32.780 A false attempt to placate a broader audience. 0:00:32.780,0:00:33.580 *whistle sound* 0:00:34.620,0:00:38.200 In superhero movies, you can only tell two different stories, really. 0:00:38.200,0:00:39.240 The origin story 0:00:39.240,0:00:42.200 or a story about heroes, learning to work together as a team. 0:00:42.460,0:00:46.440 Spider-Man 3 shatters expectations by not giving you the rise of Spider-Man 0:00:46.440,0:00:47.800 but rather the fall. 0:00:47.800,0:00:52.100 Peter Parker becomes tangled, if you will, in a web of violence and deceit 0:00:52.100,0:00:53.000 and ultimately 0:00:53.000,0:00:54.200 becomes the villain. 0:00:54.200,0:00:57.420 The movie starts with Pete. He sees his best friend James Franco 0:00:57.420,0:01:00.500 And he clotheslines him down an alley and kills him 0:01:09.420,0:01:11.280 Then we're introduced to Sandman 0:01:11.280,0:01:12.780 who we learned is a great father, 0:01:12.780,0:01:16.160 trying to save up enough money to pay for his daughter's surgery. 0:01:16.160,0:01:19.000 So, Spider-Man gets wind of this and, uh? 0:01:19.000,0:01:20.160 kills him in a sewer. 0:01:20.920,0:01:22.160 - [Spidey] Good riddance 0:01:22.160,0:01:24.460 - [Dunk] Then the city throws a parade for Spider-man, 0:01:24.460,0:01:27.120 and he kisses some bimbo, right in front of his girlfriend 0:01:27.120,0:01:29.100 Then he meets this guy, who is actually, uh? 0:01:29.100,0:01:30.300 his biggest fan 0:01:31.460,0:01:33.080 Up to this part, I kind of figured out 0:01:33.080,0:01:34.780 "Maybe Spider-Man is just having a bad day" 0:01:34.790,0:01:37.100 We all know, he's a good guy at heart. 0:01:37.100,0:01:38.440 - [Peter] Spider-Man killed him 0:01:39.980,0:01:41.420 - [May Parker] Spider-Man? 0:01:41.980,0:01:43.800 I don't understand. 0:01:44.400,0:01:46.400 Spider-Man doesn't kill people. 0:01:47.380,0:01:50.380 - [Dunk] But then, fucking stupid ass James Franco 0:01:50.380,0:01:51.820 starts being alive again 0:01:51.820,0:01:54.680 So, Mary Jane dumps Spider-Man, for no good reason 0:01:54.680,0:01:55.260 *Comedy Slide Whistle* 0:01:55.260,0:01:57.340 And then, she says "she's seeing another guy" 0:01:57.340,0:02:00.680 Spider-Man, in a state of such distraught and fragility 0:02:00.680,0:02:02.800 Goes to the only guy he thought he could trust 0:02:02.800,0:02:04.340 James Franco, who goes: 0:02:04.380,0:02:05.440 - [Franco] "I'm the other guy" 0:02:05.660,0:02:08.540 - [Dunk] Fucking backstabbing piece of shit James Franco 0:02:08.540,0:02:09.580 - [Waiter] How's the pie? 0:02:11.060,0:02:12.060 - [Franco] *Tim Allen's Home Improvement Grunt* 0:02:12.060,0:02:13.300 - [Dunk] Now, this scene is essential... 0:02:13.300,0:02:15.460 Peter looks back into the cafe 0:02:15.460,0:02:17.340 and that little bitch, winks at him 0:02:17.340,0:02:18.440 and then BOOM! 0:02:18.480,0:02:20.220 *honking* 0:02:21.400,0:02:22.860 Like that, he's gone. 0:02:22.860,0:02:24.480 Now, the question is... 0:02:24.480,0:02:25.540 Where the hell did he go? 0:02:25.560,0:02:28.280 The truck takes like one second, to go in front of Peter 0:02:28.280,0:02:29.440 And then he disappears. 0:02:29.440,0:02:32.860 This is where I realized that James Franco is actually 0:02:32.860,0:02:34.140 hiding under the table. 0:02:34.160,0:02:34.940 *Ding* Think about it! 0:02:36.520,0:02:38.960 Naturally, Spider-Man slams James Franco into a wall 0:02:38.960,0:02:39.460 an then- 0:02:39.500,0:02:41.360 chucks a fucking grenade at his head. 0:02:43.220,0:02:44.580 Then we cut to Spider-Man, uh? 0:02:44.580,0:02:47.200 being fed a plate of cookies, and he says: 0:02:47.380,0:02:48.600 - [Peter] You got any with nuts? 0:02:48.600,0:02:49.140 - [Ursula] Hmm. 0:02:49.140,0:02:51.180 I have some nuts. I could make some. 0:02:51.180,0:02:52.040 - [Peter] Go make me some. 0:02:52.040,0:02:54.040 - [Dunk] "Go make me some cookies with nuts in them" 0:02:54.160,0:02:56.940 Now, this is actually a very clever scene, when you think about. 0:02:57.000,0:02:59.880 In life, there was such a rich variety of cookies 0:02:59.880,0:03:01.140 Peanut butter, chocolate chip, 0:03:01.140,0:03:02.600 mint cookies, oatmeal raisin. 0:03:02.600,0:03:06.100 But director Sam Raimi, has Spider-Man consciously choose 0:03:06.100,0:03:06.960 Nut cookies 0:03:06.960,0:03:09.680 to signify, that this man has gone nuts. 0:03:09.900,0:03:10.700 Do you guys get that? 0:03:10.700,0:03:14.440 You have the scene where Spider-Man is pointing at various women on the sidewalk 0:03:14.440,0:03:16.600 now, look at the gesture he's making with his hand. 0:03:16.840,0:03:18.880 He is saying to these women, "you're safe now" 0:03:19.000,0:03:22.000 But in Spider-Man 4, I will shoot you with a pistol. 0:03:22.100,0:03:24.140 But, it's not until THIS moment 0:03:24.320,0:03:28.120 where we, the viewers, see that faint flicker of hope, within Peter, snuffed out. 0:03:28.120,0:03:29.760 He changes his hair 0:03:29.760,0:03:30.820 from. Uh? 0:03:30.820,0:03:33.520 *stutter* the normal way to this Evil hair. 0:03:33.520,0:03:35.820 This is when the Spider-Man, that I knew 0:03:35.980,0:03:37.400 who had lost Uncle Ben 0:03:37.620,0:03:38.980 who'd defeated Bonesaw 0:03:38.980,0:03:41.580 This is when he had become truly lost. 0:03:41.720,0:03:44.440 - [Peter] You'll get your rent[br]when you fix this damn door! 0:03:45.540,0:03:50.060 - [Dunk] Spider-Man 3 tells a dark story that confronts the audience with serious questions 0:03:50.060,0:03:51.120 and for this reason, 0:03:51.120,0:03:53.720 I think it became a very divisive film. 0:03:53.860,0:03:56.280 - [Tobey] I talked a lot with Sam Raimi about- 0:03:56.280,0:03:58.500 about the tone of that 0:03:58.500,0:04:02.620 of the character and how far to go with the darker side of Peter Parker 0:04:02.700,0:04:04.820 and for me, I just kept pushing. 0:04:04.820,0:04:06.840 I wanted to explore that, further and further 0:04:06.940,0:04:08.520 - [Dunk] It's a movie from a different era 0:04:08.520,0:04:11.100 where artists were encouraged to take bold risks 0:04:11.100,0:04:13.420 uninhibited by close-minded executives 0:04:13.420,0:04:17.000 And I sincerely doubt we'll ever see Marvel, reach these heights again. 0:04:17.000,0:04:18.380 Like Alfred said: 0:04:18.380,0:04:21.220 "with big power comes big responsibility" 0:04:21.220,0:04:22.240 (That's Alfred Hitchcock and the quote is from Uncle Ben) 0:04:22.240,0:04:33.180 [Outro][br]♪ "Get To The Bank" from the Spider-Man (2000) videogame ♪