9:59:59.000,9:59:59.000 Interviewer: So where are we? 9:59:59.000,9:59:59.000 Woman: Right now? 9:59:59.000,9:59:59.000 Interviewer: Yeah, where are we right[br]now? 9:59:59.000,9:59:59.000 Woman: At the preforming garage, 33[br]Wooster Steet, New York City 9:59:59.000,9:59:59.000 Interviewer: And what is this place? 9:59:59.000,9:59:59.000 Woman: This place is our home,[br]This place is our studio, 9:59:59.000,9:59:59.000 this place is our theater, this place is[br]our office. 9:59:59.000,9:59:59.000 Interviewer: And who is we? 9:59:59.000,9:59:59.000 Woman: The company, The Wooster Group 9:59:59.000,9:59:59.000 Interviewer: And what is the Wooster [br]Group? 9:59:59.000,9:59:59.000 Woman: It's an ensemble theatre. 9:59:59.000,9:59:59.000 Interviewer: And what do you do? 9:59:59.000,9:59:59.000 Woman: Why'd you have to get to the hard[br]one's so fast? 9:59:59.000,9:59:59.000 What do I do? 9:59:59.000,9:59:59.000 I move around, in a space and arrange it[br]in a way that's pleasing to moi and I move 9:59:59.000,9:59:59.000 furniture, I move stage furniture and [br]people around and I listen to them talk. 9:59:59.000,9:59:59.000 I think I'm a director, [laughs] I think[br]I'm a director, but I'm not sure. 9:59:59.000,9:59:59.000 I'll get it. 9:59:59.000,9:59:59.000 [Distant chattering] 9:59:59.000,9:59:59.000 Interviewer: Now why did you pick[br]Vieux Carré? 9:59:59.000,9:59:59.000 Woman: Because, uh, one of our performers[br]got a shepherded, caught be saying 9:59:59.000,9:59:59.000 something about, um, Tennessee Waves [br]being our greatest playwright, or at least 9:59:59.000,9:59:59.000 discussing the possible that he was[br]better than Émile, and so Scott, 9:59:59.000,9:59:59.000 in his imitable way said that, 'well, why[br]aren't you doing Tennessee Waves?' 9:59:59.000,9:59:59.000 Not--it didn't feel like a regular[br]Tennessee Waves play, the dark side of it 9:59:59.000,9:59:59.000 was cut by this other weird that I didn't[br]know what it was, but some kind of a... 9:59:59.000,9:59:59.000 some kind of a