[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Interviewer: So where are we?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Woman: Right now?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Interviewer: Yeah, where are we right\Nnow?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Woman: At the preforming garage, 33\NWooster Steet, New York City
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Interviewer: And what is this place?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Woman: This place is our home,\NThis place is our studio,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,this place is our theater, this place is\Nour office.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Interviewer: And who is we?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Woman: The company, The Wooster Group
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Interviewer: And what is the Wooster \NGroup?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Woman: It's an ensemble theatre.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Interviewer: And what do you do?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Woman: Why'd you have to get to the hard\None's so fast?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,What do I do?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,I move around, in a space and arrange it\Nin a way that's pleasing to moi and I move
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,furniture, I move stage furniture and \Npeople around and I listen to them talk.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,I think I'm a director, [laughs] I think\NI'm a director, but I'm not sure.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,I'll get it.
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,[Distant chattering]
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Interviewer: Now why did you pick\NVieux Carré?
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Woman: Because, uh, one of our performers\Ngot a shepherded, caught be saying
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,something about, um, Tennessee Waves \Nbeing our greatest playwright, or at least
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,discussing the possible that he was\Nbetter than Émile, and so Scott,
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,in his imitable way said that, 'well, why\Naren't you doing Tennessee Waves?'
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Not--it didn't feel like a regular\NTennessee Waves play, the dark side of it
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,was cut by this other weird that I didn't\Nknow what it was, but some kind of a...
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,some kind of a