Interviewer: So where are we?
Woman: Right now?
Interviewer: Yeah, where are we right now?
Woman: At the preforming garage, 33 Wooster Steet, New York City
Interviewer: And what is this place?
Woman: This place is our home, This place is our studio,
this place is our theater, this place is our office.
Interviewer: And who is we?
Woman: The company, The Wooster Group
Interviewer: And what is the Wooster Group?
Woman: It's an ensemble theatre.
Interviewer: And what do you do?
Woman: Why'd you have to get to the hard one's so fast?
What do I do?
I move around, in a space and arrange it in a way that's pleasing to moi and I move
furniture, I move stage furniture and people around and I listen to them talk.
I think I'm a director, [laughs] I think I'm a director, but I'm not sure.
I'll get it.
[Distant chattering]
Interviewer: Now why did you pick Vieux Carré?
Woman: Because, uh, one of our performers got a shepherded, caught be saying
something about, um, Tennessee Waves being our greatest playwright, or at least
discussing the possible that he was better than Émile, and so Scott,
in his imitable way said that, 'well, why aren't you doing Tennessee Waves?'
Not--it didn't feel like a regular Tennessee Waves play, the dark side of it
was cut by this other weird that I didn't know what it was, but some kind of a...
some kind of a