Interviewer: So where are we?

Woman: Right now?

Interviewer: Yeah, where are we right
now?

Woman: At the preforming garage, 33
Wooster Steet, New York City

Interviewer: And what is this place?

Woman: This place is our home,
This place is our studio,

this place is our theater, this place is
our office.

Interviewer: And who is we?

Woman: The company, The Wooster Group

Interviewer: And what is the Wooster 
Group?

Woman: It's an ensemble theatre.

Interviewer: And what do you do?

Woman: Why'd you have to get to the hard
one's so fast?

What do I do?

I move around, in a space and arrange it
in a way that's pleasing to moi and I move

furniture, I move stage furniture and 
people around and I listen to them talk.

I think I'm a director, [laughs] I think
I'm a director, but I'm not sure.

I'll get it.

[Distant chattering]

Interviewer: Now why did you pick
Vieux Carré?

Woman: Because, uh, one of our performers
got a shepherded, caught be saying

something about, um, Tennessee Waves 
being our greatest playwright, or at least

discussing the possible that he was
better than Émile, and so Scott,

in his imitable way said that, 'well, why
aren't you doing Tennessee Waves?'

Not--it didn't feel like a regular
Tennessee Waves play, the dark side of it

was cut by this other weird that I didn't
know what it was, but some kind of a...

some kind of a