[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:13.12,0:00:14.73,Default,,0000,0000,0000,,Interviewer: So where are we?
Dialogue: 0,0:00:14.73,0:00:15.16,Default,,0000,0000,0000,,Elizabeth: Right now?
Dialogue: 0,0:00:15.16,0:00:16.19,Default,,0000,0000,0000,,Interviewer: Yeah, where are we right\Nnow?
Dialogue: 0,0:00:16.19,0:00:20.66,Default,,0000,0000,0000,,Elizabeth: At the preforming garage, 33\NWooster Steet, New York City
Dialogue: 0,0:00:20.66,0:00:21.80,Default,,0000,0000,0000,,Interviewer: And what is this place?
Dialogue: 0,0:00:21.80,0:00:24.56,Default,,0000,0000,0000,,Elizabeth: This place is our home,\NThis place is our studio,
Dialogue: 0,0:00:24.56,0:00:27.20,Default,,0000,0000,0000,,this place is our theater, this place is\Nour office.
Dialogue: 0,0:00:27.20,0:00:28.44,Default,,0000,0000,0000,,Interviewer: And who is we?
Dialogue: 0,0:00:28.44,0:00:31.32,Default,,0000,0000,0000,,Elizabeth: The company, The Wooster Group
Dialogue: 0,0:00:31.32,0:00:32.74,Default,,0000,0000,0000,,Interviewer: And what is the Wooster \NGroup?
Dialogue: 0,0:00:32.74,0:00:33.90,Default,,0000,0000,0000,,Elizabeth: It's an ensemble theatre.
Dialogue: 0,0:00:33.90,0:00:36.37,Default,,0000,0000,0000,,Interviewer: And what do you do?
Dialogue: 0,0:00:36.37,0:00:41.45,Default,,0000,0000,0000,,Elizabeth: Why'd you have to get to the hard\None's so fast?
Dialogue: 0,0:00:41.45,0:00:44.17,Default,,0000,0000,0000,,What do I do?
Dialogue: 0,0:00:44.17,0:00:58.68,Default,,0000,0000,0000,,I move around, in a space and arrange it\Nin a way that's pleasing to moi and I move
Dialogue: 0,0:00:58.68,0:01:08.84,Default,,0000,0000,0000,,furniture, I move stage furniture and \Npeople around and I listen to them talk.
Dialogue: 0,0:01:08.84,0:01:14.75,Default,,0000,0000,0000,,I think I'm a director, [laughs] I think\NI'm a director, but I'm not sure.
Dialogue: 0,0:01:14.75,0:01:15.48,Default,,0000,0000,0000,,[Phone rings]
Dialogue: 0,0:01:15.48,0:01:16.24,Default,,0000,0000,0000,,I'll get it.
Dialogue: 0,0:01:16.24,0:01:18.06,Default,,0000,0000,0000,,[Laughter]
Dialogue: 0,0:01:18.06,0:01:18.79,Default,,0000,0000,0000,,Hello?
Dialogue: 0,0:01:18.79,0:01:27.68,Default,,0000,0000,0000,,[Distant chattering]
Dialogue: 0,0:01:27.68,0:01:31.06,Default,,0000,0000,0000,,[Calm music]
Dialogue: 0,0:01:31.06,0:01:33.42,Default,,0000,0000,0000,,Interviewer: Now why did you pick\NVieux Carré?
Dialogue: 0,0:01:33.42,0:01:41.22,Default,,0000,0000,0000,,Elizabeth: Because, uh, one of our performers\Ngot a shepherd, caught me saying
Dialogue: 0,0:01:41.22,0:01:47.10,Default,,0000,0000,0000,,something about, um, Tennessee Williams\Nbeing our greatest playwright, or at least
Dialogue: 0,0:01:47.10,0:01:53.30,Default,,0000,0000,0000,,discussing the possibility that he was\Nbetter than O'Neal, and so Scott,
Dialogue: 0,0:01:53.30,0:02:01.70,Default,,0000,0000,0000,,in his imitable way said that, 'well, why\Naren't you doing Tennessee Williams?'
Dialogue: 0,0:02:01.70,0:02:05.94,Default,,0000,0000,0000,,Not--it didn't feel like a regular\NTennessee Williams play, the dark side of it
Dialogue: 0,0:02:05.94,0:02:11.17,Default,,0000,0000,0000,,was cut by this other weird thing that I\Ndidn't know what it was,
Dialogue: 0,0:02:11.17,0:02:15.64,Default,,0000,0000,0000,,but some kind of a, some kind of a farcical thing.
Dialogue: 0,0:02:15.64,0:02:22.16,Default,,0000,0000,0000,,I though, oh the blending of those two\Nthings that earlier Tennessee Williams the
Dialogue: 0,0:02:22.16,0:02:32.48,Default,,0000,0000,0000,,kind of dark and, uh, lyrical voice next\Nto this kind of rock, a satirical one.
Dialogue: 0,0:02:32.48,0:02:36.26,Default,,0000,0000,0000,,I thought was good for us.
Dialogue: 0,0:02:36.26,0:02:38.52,Default,,0000,0000,0000,,Interviewer: Do you start with a\Nvisual image?
Dialogue: 0,0:02:38.52,0:02:41.79,Default,,0000,0000,0000,,Elizabeth: Yes, I do.
Dialogue: 0,0:02:41.79,0:02:45.36,Default,,0000,0000,0000,,I started, but it was a visual image\Nthat was from the play before,
Dialogue: 0,0:02:45.36,0:02:46.52,Default,,0000,0000,0000,,which is Hamlet.
Dialogue: 0,0:02:46.52,0:02:52.28,Default,,0000,0000,0000,,Because all of them for me, they're\Nlike tales that go through my mind
Dialogue: 0,0:02:52.28,0:02:53.95,Default,,0000,0000,0000,,and the visual is my mind.
Dialogue: 0,0:02:53.95,0:03:00.50,Default,,0000,0000,0000,,So the visuals not necessarily\Na literal picture of-- you know, like
Dialogue: 0,0:03:00.50,0:03:02.23,Default,,0000,0000,0000,,in naturalistic theatre.
Dialogue: 0,0:03:02.23,0:03:08.52,Default,,0000,0000,0000,,It's an amalgamation of sort of\Narchitectural things that, that feel like
Dialogue: 0,0:03:08.52,0:03:11.05,Default,,0000,0000,0000,,my visual landscape,\Nmy personal visual landscape.
Dialogue: 0,0:03:11.05,0:03:16.05,Default,,0000,0000,0000,,And then I have to bring the text to it\Nand my visual landscape towards the text.
Dialogue: 0,0:03:16.05,0:03:28.40,Default,,0000,0000,0000,,[Slow music]
Dialogue: 0,0:03:28.40,0:03:34.71,Default,,0000,0000,0000,,[Outro tune]