1 99:59:59,999 --> 99:59:59,999 This is a clip from the hit TV series, 2 99:59:59,999 --> 99:59:59,999 "Parks and Recreation." 3 99:59:59,999 --> 99:59:59,999 ...128 ounce option. 4 99:59:59,999 --> 99:59:59,999 Most people call it a gallon, but they 5 99:59:59,999 --> 99:59:59,999 call it the regular. Now let's see what 6 99:59:59,999 --> 99:59:59,999 that same clip would be like if we added 7 99:59:59,999 --> 99:59:59,999 a laugh track. 8 99:59:59,999 --> 99:59:59,999 [rewind sound] ...128 ounce option. 9 99:59:59,999 --> 99:59:59,999 [laughter] Most people call it a 10 99:59:59,999 --> 99:59:59,999 gallon, [laughter] but they call it the regular. [laughter] 11 99:59:59,999 --> 99:59:59,999 It seems so wrong, but for most of 12 99:59:59,999 --> 99:59:59,999 television history, it was so right. [background laughter] 13 99:59:59,999 --> 99:59:59,999 Over the last half century or so almost every 14 99:59:59,999 --> 99:59:59,999 comedy on television had canned laughter, 15 99:59:59,999 --> 99:59:59,999 from "I Love Lucy" 16 99:59:59,999 --> 99:59:59,999 to "The Big Bang Theory." 17 99:59:59,999 --> 99:59:59,999 For some, the laughter is viewed as an 18 99:59:59,999 --> 99:59:59,999 imposition. For others, a secondary 19 99:59:59,999 --> 99:59:59,999 character you almost forgot was there, 20 99:59:59,999 --> 99:59:59,999 until it wasn't anymore. 21 99:59:59,999 --> 99:59:59,999 In recent years, the 22 99:59:59,999 --> 99:59:59,999 laugh track has been used less and 23 99:59:59,999 --> 99:59:59,999 less as sitcoms in general have 24 99:59:59,999 --> 99:59:59,999 decreased in popularity. Let's break down 25 99:59:59,999 --> 99:59:59,999 where the mysterious laugh box came from 26 99:59:59,999 --> 99:59:59,999 and where it went. 27 99:59:59,999 --> 99:59:59,999 Before television existed, 28 99:59:59,999 --> 99:59:59,999 there was the ballet, the opera, 29 99:59:59,999 --> 99:59:59,999 magic and comedy shows. 30 99:59:59,999 --> 99:59:59,999 When you went to one of 31 99:59:59,999 --> 99:59:59,999 these events, you were 32 99:59:59,999 --> 99:59:59,999 experiencing the audience reactions in 33 99:59:59,999 --> 99:59:59,999 real time. If something was shocking, 34 99:59:59,999 --> 99:59:59,999 you could hear and feel the gasps echo 35 99:59:59,999 --> 99:59:59,999 around you and similarly with laughter. 36 99:59:59,999 --> 99:59:59,999 But then came the radio, the first ever 37 99:59:59,999 --> 99:59:59,999 broadcast medium. Those communal 38 99:59:59,999 --> 99:59:59,999 reactions disappeared as American 39 99:59:59,999 --> 99:59:59,999 families gathered in their living rooms 40 99:59:59,999 --> 99:59:59,999 to be entertained. Radio producers wanted 41 99:59:59,999 --> 99:59:59,999 to develop a way to give people the live 42 99:59:59,999 --> 99:59:59,999 experience at home. The first-ever laugh 43 99:59:59,999 --> 99:59:59,999 track began with Bing Crosby's radio show. 44 99:59:59,999 --> 99:59:59,999 Recording pioneer Jack Mullen 45 99:59:59,999 --> 99:59:59,999 recalls the creation to "Channels of 46 99:59:59,999 --> 99:59:59,999 Communication," a trade journal in 1981. 47 99:59:59,999 --> 99:59:59,999 "The hillbilly comic Bob Burns was on the 48 99:59:59,999 --> 99:59:59,999 show one time and through a few of his 49 99:59:59,999 --> 99:59:59,999 then extremely racy and off-color folksy 50 99:59:59,999 --> 99:59:59,999 farm stories into the show. We recorded 51 99:59:59,999 --> 99:59:59,999 it live and they all got enormous laughs, 52 99:59:59,999 --> 99:59:59,999 but we couldn't use the jokes. So 53 99:59:59,999 --> 99:59:59,999 scriptwriter Bill Morrow asked us to 54 99:59:59,999 --> 99:59:59,999 save the laughs. A couple of weeks later he 55 99:59:59,999 --> 99:59:59,999 had a show that wasn't very funny and he 56 99:59:59,999 --> 99:59:59,999 insisted that we put in the salvage laughs. 57 99:59:59,999 --> 99:59:59,999 Thus the laugh track was born. 58 99:59:59,999 --> 99:59:59,999 Fast forward to the era of early television. 59 99:59:59,999 --> 99:59:59,999 Comedies were filmed with a single 60 99:59:59,999 --> 99:59:59,999 camera in front of a live audience. 61 99:59:59,999 --> 99:59:59,999 That meant that each scene would be filmed 62 99:59:59,999 --> 99:59:59,999 multiple times from multiple angles, 63 99:59:59,999 --> 99:59:59,999 instead of the multi cams today, which 64 99:59:59,999 --> 99:59:59,999 have multiple cameras capturing one take. 65 99:59:59,999 --> 99:59:59,999 Those separate angles and takes would be 66 99:59:59,999 --> 99:59:59,999 cut together and when that happened, the 67 99:59:59,999 --> 99:59:59,999 laughter was inconsistent. 68 99:59:59,999 --> 99:59:59,999 Audiences would laugh at the 69 99:59:59,999 --> 99:59:59,999 wrong time, too loudly, 70 99:59:59,999 --> 99:59:59,999 for too long and were simply unreliable. 71 99:59:59,999 --> 99:59:59,999 In the late 1940s, CBS sound engineer 72 99:59:59,999 --> 99:59:59,999 Charlie Douglas noticed those 73 99:59:59,999 --> 99:59:59,999 inconsistencies and couldn't take it 74 99:59:59,999 --> 99:59:59,999 anymore. If a joke didn't get a desired 75 99:59:59,999 --> 99:59:59,999 laugh, he would insert one with the use 76 99:59:59,999 --> 99:59:59,999 of a laugh track. This technique became 77 99:59:59,999 --> 99:59:59,999 known as "sweetening." Douglass went so far 78 99:59:59,999 --> 99:59:59,999 as to create a physical laugh box. 79 99:59:59,999 --> 99:59:59,999 According to Ron Simon, curator of 80 99:59:59,999 --> 99:59:59,999 television and radio at the Paley Center 81 99:59:59,999 --> 99:59:59,999 for Media, the device was about three 82 99:59:59,999 --> 99:59:59,999 feet tall, the shape of a filing cabinet, 83 99:59:59,999 --> 99:59:59,999 very heavy and had slots for 32 reels, 84 99:59:59,999 --> 99:59:59,999 which could hold ten laughs each. It was 85 99:59:59,999 --> 99:59:59,999 officially named the audience response 86 99:59:59,999 --> 99:59:59,999 duplicator, but it became known as the 87 99:59:59,999 --> 99:59:59,999 "laugh box." At its best, 88 99:59:59,999 --> 99:59:59,999 the "laugh box" could hold 320 89 99:59:59,999 --> 99:59:59,999 laughs. Press them one at a time 90 99:59:59,999 --> 99:59:59,999 and you get a similar laugh. [single laugh] 91 99:59:59,999 --> 99:59:59,999 Press multiple keys at once [laughter] and a symphony of 92 99:59:59,999 --> 99:59:59,999 laughter would play. Each key represented 93 99:59:59,999 --> 99:59:59,999 a different age, sex, and style of laugh, 94 99:59:59,999 --> 99:59:59,999 with a foot pedal regulating the way. 95 99:59:59,999 --> 99:59:59,999 The "laugh box" was mysterious though. 96 99:59:59,999 --> 99:59:59,999 Since Douglas owned the patent and 97 99:59:59,999 --> 99:59:59,999 created all of them, nobody outside of 98 99:59:59,999 --> 99:59:59,999 him and his family members had ever seen 99 99:59:59,999 --> 99:59:59,999 the inside of the machine. And when 100 99:59:59,999 --> 99:59:59,999 Douglas wasn't around, the machine was 101 99:59:59,999 --> 99:59:59,999 kept tightly padlocked. In an interview 102 99:59:59,999 --> 99:59:59,999 with "TV Guide" in 1966, Dick Hobson said 103 99:59:59,999 --> 99:59:59,999 if the laugh box should start acting 104 99:59:59,999 --> 99:59:59,999 strangely, the laugh boys 105 99:59:59,999 --> 99:59:59,999 wheel it into the men's room, 106 99:59:59,999 --> 99:59:59,999 locking the door behind them so no 107 99:59:59,999 --> 99:59:59,999 one can peek. I mentioned the name 108 99:59:59,999 --> 99:59:59,999 Charlie Douglas and it's like Cosa 109 99:59:59,999 --> 99:59:59,999 Nostra, everybody starts whispering. 110 99:59:59,999 --> 99:59:59,999 It's the most taboo topic in TV. The first sitcom to 111 99:59:59,999 --> 99:59:59,999 use the "laugh box" was the 112 99:59:59,999 --> 99:59:59,999 short-lived series, "The Hank McCune Show" 113 99:59:59,999 --> 99:59:59,999 in 1950. [laughter on show] The idea of recorded laughter 114 99:59:59,999 --> 99:59:59,999 spread throughout Hollywood and by the 115 99:59:59,999 --> 99:59:59,999 1960s almost every single cameras sitcom 116 99:59:59,999 --> 99:59:59,999 was utilizing canned laughter. But it was 117 99:59:59,999 --> 99:59:59,999 only Douglas that engineered the 118 99:59:59,999 --> 99:59:59,999 laughing for everyone for almost a 119 99:59:59,999 --> 99:59:59,999 decade. For $100 Douglas would wheel the 120 99:59:59,999 --> 99:59:59,999 mysterious box to each studio on a dolly 121 99:59:59,999 --> 99:59:59,999 and sit with the producers in a 122 99:59:59,999 --> 99:59:59,999 screening room and decide what kind of 123 99:59:59,999 --> 99:59:59,999 laughter and when. Eventually Douglas 124 99:59:59,999 --> 99:59:59,999 hired a second-in-command to keep up 125 99:59:59,999 --> 99:59:59,999 with the 100 hours of television he 126 99:59:59,999 --> 99:59:59,999 needed to sweeten. And the rest was 127 99:59:59,999 --> 99:59:59,999 history. Multicam sitcoms were 128 99:59:59,999 --> 99:59:59,999 popularized in shows like "Friends," 129 99:59:59,999 --> 99:59:59,999 "Frasier," "Seinfeld" and 130 99:59:59,999 --> 99:59:59,999 more incorporated canned laughter. [Sound of "Friends" in the background] 131 99:59:59,999 --> 99:59:59,999 The actors and actresses would know to 132 99:59:59,999 --> 99:59:59,999 hold for laughter, knowing that each 133 99:59:59,999 --> 99:59:59,999 scene would be sweetened. [more sound from "Friends"] The Discovery 134 99:59:59,999 --> 99:59:59,999 Channel documentary, the one that goes 135 99:59:59,999 --> 99:59:59,999 behind the scenes, shows how it works. 136 99:59:59,999 --> 99:59:59,999 [Sometimes the audience responds too big.] 137 99:59:59,999 --> 99:59:59,999 If I went with the actual laugh, [laughter]that laugh 138 99:59:59,999 --> 99:59:59,999 is still going through her next line 139 99:59:59,999 --> 99:59:59,999 into his next reaction and that's, it's 140 99:59:59,999 --> 99:59:59,999 five, six seconds. And in TV land that's 141 99:59:59,999 --> 99:59:59,999 an eternity. [laughter] [Sometimes we have to put in 142 99:59:59,999 --> 99:59:59,999 a laughter that is shorter.] 143 99:59:59,999 --> 99:59:59,999 It felt like comedies would be 144 99:59:59,999 --> 99:59:59,999 like this forever. And then "The 145 99:59:59,999 --> 99:59:59,999 Big Bang Theory" went off the air in 2019 146 99:59:59,999 --> 99:59:59,999 and took with it one of the last 147 99:59:59,999 --> 99:59:59,999 multicam sitcoms with canned laughter. 148 99:59:59,999 --> 99:59:59,999 When we look at the television landscape 149 99:59:59,999 --> 99:59:59,999 today almost, every single comedy is a 150 99:59:59,999 --> 99:59:59,999 single-camera comedy and not a multicam 151 99:59:59,999 --> 99:59:59,999 sitcom with canned laughter. You can 152 99:59:59,999 --> 99:59:59,999 count on two hands how many multicam 153 99:59:59,999 --> 99:59:59,999 sitcoms that use a laugh track are on TV 154 99:59:59,999 --> 99:59:59,999 right now, and not to 155 99:59:59,999 --> 99:59:59,999 mention those that went off 156 99:59:59,999 --> 99:59:59,999 the air this year [2020]. The use of the laugh 157 99:59:59,999 --> 99:59:59,999 track has almost disappeared completely 158 99:59:59,999 --> 99:59:59,999 from the TV lineup. So what changed? 159 99:59:59,999 --> 99:59:59,999 Dead air in television used to be frowned upon 160 99:59:59,999 --> 99:59:59,999 and shows would push for laugh 161 99:59:59,999 --> 99:59:59,999 tracks whenever possible. [distant laugh track] 162 99:59:59,999 --> 99:59:59,999 Bill Cosby claimed his first sitcom, "The 163 99:59:59,999 --> 99:59:59,999 Bill Cosby Show," that ran from 1961 to 164 99:59:59,999 --> 99:59:59,999 1971, failed because he had insisted on 165 99:59:59,999 --> 99:59:59,999 not using a laugh track. Not to be 166 99:59:59,999 --> 99:59:59,999 confused with the very successful "The 167 99:59:59,999 --> 99:59:59,999 Cosby Show" that aired in the 1980s and 168 99:59:59,999 --> 99:59:59,999 did have a laugh track. And "MASH" fought 169 99:59:59,999 --> 99:59:59,999 to not have a laugh track at all, but 170 99:59:59,999 --> 99:59:59,999 they came to a compromise with the 171 99:59:59,999 --> 99:59:59,999 studio. They would use the canned 172 99:59:59,999 --> 99:59:59,999 laughter, but just not during the very 173 99:59:59,999 --> 99:59:59,999 serious OR scenes. While we associate 174 99:59:59,999 --> 99:59:59,999 the 80s and the 90s with the laugh track, 175 99:59:59,999 --> 99:59:59,999 that was actually the time when single 176 99:59:59,999 --> 99:59:59,999 camera comedies without canned laughter 177 99:59:59,999 --> 99:59:59,999 started to take over. A key player in this 178 99:59:59,999 --> 99:59:59,999 transition was HBO. Their show's 179 99:59:59,999 --> 99:59:59,999 "Dream On" in 1990 and "The Larry Sanders 180 99:59:59,999 --> 99:59:59,999 Show" in 1992 ran without laughs tracks 181 99:59:59,999 --> 99:59:59,999 and even garnered praise for doing so. 182 99:59:59,999 --> 99:59:59,999 The airing of these shows proved that 183 99:59:59,999 --> 99:59:59,999 comedies could exist, and exist 184 99:59:59,999 --> 99:59:59,999 successfully without laugh tracks. Other 185 99:59:59,999 --> 99:59:59,999 studios took notice and 186 99:59:59,999 --> 99:59:59,999 began to follow suit. 187 99:59:59,999 --> 99:59:59,999 Then came "Curb Your Enthusiasm," "Malcolm 188 99:59:59,999 --> 99:59:59,999 in the Middle," "Scrubs," 189 99:59:59,999 --> 99:59:59,999 "Arrested Development," "It's Always Sunny 190 99:59:59,999 --> 99:59:59,999 in Philadelphia," "30 Rock," "The Office" and 191 99:59:59,999 --> 99:59:59,999 the list goes on and on. 192 99:59:59,999 --> 99:59:59,999 Writers and producers were excited by 193 99:59:59,999 --> 99:59:59,999 the change, as it allowed them to stray 194 99:59:59,999 --> 99:59:59,999 from the constant stream of punchlines 195 99:59:59,999 --> 99:59:59,999 to explore character based humor. Another 196 99:59:59,999 --> 99:59:59,999 reason the laugh track fell to the 197 99:59:59,999 --> 99:59:59,999 wayside? According to Mike Royce the 198 99:59:59,999 --> 99:59:59,999 co-showrunner of Netflix's "One Day at a Time," 199 99:59:59,999 --> 99:59:59,999 "I think one of the reasons why 200 99:59:59,999 --> 99:59:59,999 people don't like laugh tracks is they 201 99:59:59,999 --> 99:59:59,999 don't like to be told how to react. It's 202 99:59:59,999 --> 99:59:59,999 an American thing: Don't tell me what the 203 99:59:59,999 --> 99:59:59,999 [bleep] to laugh at." "T"he Big Bang Theory was 204 99:59:59,999 --> 99:59:59,999 one of the last big sitcoms that used 205 99:59:59,999 --> 99:59:59,999 canned laughter and even their creator 206 99:59:59,999 --> 99:59:59,999 Chuck Lorre insisted that absolutely no 207 99:59:59,999 --> 99:59:59,999 sweetening took place on any of his 208 99:59:59,999 --> 99:59:59,999 series, which also include "Two and a Half 209 99:59:59,999 --> 99:59:59,999 Men"" and Mike and Molly," stating "I do not 210 99:59:59,999 --> 99:59:59,999 and have never, sweetened my shows with 211 99:59:59,999 --> 99:59:59,999 fake laughs. I've always thought it was 212 99:59:59,999 --> 99:59:59,999 pretty hateful and a self-defeating practice." 213 99:59:59,999 --> 99:59:59,999 For now, the laugh track lives 214 99:59:59,999 --> 99:59:59,999 in a very strange state. It's used in 215 99:59:59,999 --> 99:59:59,999 very few shows, but lives on in the 216 99:59:59,999 --> 99:59:59,999 reruns of ever popular series like 217 99:59:59,999 --> 99:59:59,999 "Friends," "How I Met Your Mother," and more. 218 99:59:59,999 --> 99:59:59,999 Perhaps history might repeat itself 219 99:59:59,999 --> 99:59:59,999 and we'll see a resurgence in multicam 220 99:59:59,999 --> 99:59:59,999 sitcoms and the laugh track. 221 99:59:59,999 --> 99:59:59,999 Until then, we can thank streaming 222 99:59:59,999 --> 99:59:59,999 services like Netflix and Hulu for 223 99:59:59,999 --> 99:59:59,999 keeping Charlie Douglass's legacy in our 224 99:59:59,999 --> 99:59:59,999 living rooms. Thank you for watching. 225 99:59:59,999 --> 99:59:59,999 Please be sure to like, comment and 226 99:59:59,999 --> 99:59:59,999 subscribe to our channel and ring the 227 99:59:59,999 --> 99:59:59,999 bell below. That way, you're notified 228 99:59:59,999 --> 99:59:59,999 whenever we post a new video. [music ends] 229 99:59:59,999 --> 99:59:59,999