WEBVTT 00:00:07.242 --> 00:00:10.022 Hello and welcome to the van Gogh Exhibition 00:00:10.022 --> 00:00:12.422 at the National Gallery im London. 00:00:12.442 --> 00:00:15.367 Now, the show is called "Poets and lovers" 00:00:15.427 --> 00:00:19.111 and what it contains is 60, yes 60, 00:00:19.164 --> 00:00:21.727 of Van Gogh's most famous pictures, 00:00:21.747 --> 00:00:24.574 some of which are coming to London for the very first time 00:00:24.574 --> 00:00:26.431 and the really interesting thing is 00:00:26.491 --> 00:00:29.381 that everything here was painted 00:00:29.401 --> 00:00:34.281 in the two short years that van Gogh spent in the south of France. 00:00:34.371 --> 00:00:37.203 He arrived in February 1888, 00:00:37.221 --> 00:00:41.508 he left after all kinds of tragedies in May 1890 00:00:41.606 --> 00:00:47.215 but in those two short years the masterpieces poured out of him. 00:01:00.742 --> 00:01:04.979 Leading the way is his view of the yellow house in Arles, 00:01:05.031 --> 00:01:07.870 so this was the home that he made for himself 00:01:07.910 --> 00:01:09.939 and in this tiny little house 00:01:09.979 --> 00:01:13.229 he made most of these paintings that you see around us. 00:01:13.309 --> 00:01:16.213 It's interesting picture for all kinds of reasons. 00:01:16.307 --> 00:01:18.475 This wonderful golden color is one thing 00:01:18.497 --> 00:01:21.557 but if you see that at the back that's the railway line 00:01:21.587 --> 00:01:25.296 that's probably the train that he arrived in Arles, 00:01:25.296 --> 00:01:27.090 on the train from Paris. NOTE Paragraph 00:01:27.360 --> 00:01:29.967 This Café here that's the Night Café in Arles, 00:01:30.008 --> 00:01:33.137 that's where he used to go and get drunk and play billiards 00:01:33.137 --> 00:01:35.262 so that was right next door to the house 00:01:35.272 --> 00:01:38.822 and interestingly you see these lumps in the middle of the road. 00:01:39.354 --> 00:01:41.194 You know, what those are. 00:01:41.259 --> 00:01:42.631 They're actually road works, 00:01:42.651 --> 00:01:45.102 because when Vincent moved into this house 00:01:45.162 --> 00:01:48.493 he asked for the gas to be connected up to the house 00:01:48.503 --> 00:01:50.618 so that he could work at night. 00:01:50.668 --> 00:01:52.991 Gas lighting had just been introduced in Arles. 00:01:53.331 --> 00:01:57.304 Vincent made sure that the yellow house was connected to it. 00:01:59.424 --> 00:02:02.153 Now, the world which van Gogh lived in Arles NOTE Paragraph 00:02:02.153 --> 00:02:04.302 was tiny, really tiny, 00:02:04.382 --> 00:02:06.036 To help you visualize it, 00:02:06.066 --> 00:02:09.983 I've set up this detailed map of the region. 00:02:10.033 --> 00:02:14.711 So, this here that's the big yellow house he lived in on the corner, 00:02:14.742 --> 00:02:18.165 and behind it, the railway station with the train coming in. 00:02:18.231 --> 00:02:19.501 That's just there. 00:02:19.531 --> 00:02:21.536 Next door to it the Night Café, 00:02:21.546 --> 00:02:24.218 the scene of many drinking adventures by Vincent. 00:02:24.318 --> 00:02:26.984 So, when he went out the front door, 00:02:26.984 --> 00:02:29.650 just to the right 50 yards up the road, 00:02:29.650 --> 00:02:33.400 that big view of the Starry Nght that's just here 00:02:33.420 --> 00:02:37.493 and in front of him was the big park, the Poet's Garden 00:02:37.526 --> 00:02:39.909 where all the lovers would stray and meet. 00:02:40.199 --> 00:02:43.596 And then, just past the park, just up the road there, 00:02:43.736 --> 00:02:47.047 that's the brothel where he used to go with Gauguin 00:02:47.190 --> 00:02:50.006 for what they called their "hygienic visits". 00:02:50.026 --> 00:02:52.799 Now, all this the whole of van Gogh's world, 00:02:52.799 --> 00:02:55.044 pretty much everything you see in this show, 00:02:55.054 --> 00:02:58.556 all of that is just a few hundred yards 00:02:58.706 --> 00:03:02.208 of just a tiny bit of the world 00:03:02.267 --> 00:03:05.209 that produced massive amounts of great art. 00:03:11.889 --> 00:03:13.107 His bedroom in Arles. 00:03:13.120 --> 00:03:15.875 This isn't actually the first painting he did of that. 00:03:15.905 --> 00:03:17.418 This is something he did later, 00:03:17.418 --> 00:03:19.034 he did a kind of recreation of it. 00:03:19.054 --> 00:03:21.512 Once he'd had his breakdown and things went wrong, 00:03:21.532 --> 00:03:23.326 he painted it again. 00:03:23.466 --> 00:03:26.983 Now I can't look at this picture without always making a B-line 00:03:28.322 --> 00:03:30.485 for this washstand here. 00:03:31.105 --> 00:03:33.422 So, in the morning Vincent would wash and shave. 00:03:33.472 --> 00:03:35.970 This must be where he kept his razor, 00:03:36.510 --> 00:03:41.732 the razor with which notoriously he would later hack away at his own ear. 00:03:48.619 --> 00:03:53.824 Why did van Gogh choose Arles as his south of France destination? 00:03:54.040 --> 00:03:56.295 It's always puzzled me, I mean, 00:03:56.315 --> 00:03:58.732 he could have gone anywhere in the south of France, 00:03:58.732 --> 00:04:00.256 to some very glamorous places, 00:04:00.296 --> 00:04:04.014 but he chose Arles which at the time was an industrial city. 00:04:04.050 --> 00:04:07.932 It had a port full of cold ships, dark smoky 00:04:08.770 --> 00:04:12.001 and the only thing Arles was famous for at the time 00:04:12.056 --> 00:04:14.548 was the beauty of its women. 00:04:14.599 --> 00:04:16.872 The Arlesiennes, as they were called 00:04:16.872 --> 00:04:19.886 were supposed to be the most beautiful women in France 00:04:20.676 --> 00:04:24.021 and my suspicion, my theory 00:04:24.318 --> 00:04:27.536 is that it was this that attracted Vincent most- 00:04:27.706 --> 00:04:30.654 He was a man desperately searching for love 00:04:30.695 --> 00:04:32.979 and he thought that if he came to Arles 00:04:32.989 --> 00:04:35.877 amongst all these famously beautiful arlesiennes 00:04:35.956 --> 00:04:38.820 would find the partner he was seeking 00:04:38.840 --> 00:04:40.655 and all through the show 00:04:40.695 --> 00:04:43.880 there's so much whispering of love going on. 00:04:44.010 --> 00:04:46.105 Little couples under the trees, 00:04:46.155 --> 00:04:48.527 little couples walking by the river, 00:04:48.577 --> 00:04:50.758 little couples in the park. 00:04:50.868 --> 00:04:53.720 And that didn't ever happe to Vincent in real life 00:04:53.760 --> 00:04:56.408 but it could happen in his art. 00:04:58.678 --> 00:05:03.613 I love these Vincent's views of the olive trees near San Rémy 00:05:03.653 --> 00:05:05.523 where the asylum was. 00:05:05.553 --> 00:05:07.682 There's something about olive trees, 00:05:07.712 --> 00:05:09.356 their gnarled shape, 00:05:09.356 --> 00:05:13.569 the way that they twist and struggle in the dry earth. 00:05:14.042 --> 00:05:16.025 That touched a cord with him 00:05:16.072 --> 00:05:19.177 and for me, their kind of self-portraits, 00:05:19.177 --> 00:05:21.627 each olive tree representing his own struggle. 00:05:23.397 --> 00:05:25.981 I've been looking at van Gogh most of my adult life 00:05:25.981 --> 00:05:27.533 and I thought I'd seen a lot 00:05:27.553 --> 00:05:28.859 but I hadn't seen that, 00:05:28.869 --> 00:05:30.692 I hadn't seen that, I didn't see that. 00:05:30.722 --> 00:05:32.938 There's a lot here that no one has seen before. 00:05:32.978 --> 00:05:35.781 So, there's all kinds of reasons to come to this exhibition 00:05:35.801 --> 00:05:38.802 but one of them is that you'll see a van Gogh 00:05:38.864 --> 00:05:41.686 that perhaps will be a bit unfamiliar to you.