[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Traditional Dances of Bali
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,0:24 \Nin the south of the Indonesian\N0:25\Narchipelago lies the famous and exotic\N0:28\Nisland of Bali the eight districts and\N0:31\None municipality of Bali possess a rich\N0:34\Nvariety of culture including hundreds of\N0:38\Ntraditional Balinese dances are an\N0:48\Ninseparable part of or accompaniment\N0:51\Ncustomary and religious rituals and\N0:53\Nfestive events in Bali the dances are\N0:58\Nprincipally a performing art the dances\N1:04\Nare supported by traditional\N1:06\Ncraftsmanship of making dance customs\N1:09\Nand masks\N1:12\Ntraditional craft person make the\N1:15\Ngamelan instruments which are played in\N1:18\Nvarious and symbols to accompany the\N1:20\Ndances\N1:22\Ndances musicians crafts person's\N1:26\Nreligious and community leaders and\N1:28\Naudiences make up the community we chose\N1:33\Nnine dances second semi second and\N1:37\Nentertaining to represent the many\N1:40\Ntraditional dances of both moussaka\N1:44\Nvalley scenery plastic hasini pesum\N2:09\Nrajim plum home district sacred\N2:12\Nceremonial dance by yon goes in\N2:14\Ntraditional ceremonial dress\N2:19\Nsome young doddery Koran Assam district\N2:22\NSecor trans dance to contract negative\N2:25\Nsupernatural forces performed by two\N2:27\Nspecially trained young girls bar is\N2:33\Nopen era Bangla district religious dance\N2:36\Nconveying Herot spirits by even numbers\N2:39\Nof male dancers topping sadat area or\N2:46\Ncotton pad again tubulin district\N2:49\Nperformed by masked dancers to\N2:52\Nnaturalize evil spirits gamble dance\N2:57\Ndrama young our district formerly royal\N3:01\Ncharacter performance\N3:02\Nnow accompaniment to ceremonies by 25 to\N3:06\N40 dances\N3:10\Nwhile young Wong dance-drama blowing\N3:13\Nthis joke combines dance ethnic drama\N3:16\Nand music\N3:20\NLagoon cotton then pass RCT explicitly\N3:24\Nbeautiful dance by two or three goals\N3:27\Ndeveloped from Ssangyong the dairy and\N3:30\Nyummy\N3:33\Nyogurt boom boom Tim Branagh district a\N3:36\Npopular social dance back toppers during\N3:40\Nharvest seasons or on important Lee's\N3:45\NBarranca Quintus Ryan baboon district\N3:48\Nrepresents a fight between two\N3:51\Nmythological creatures barong in the\N3:54\Nform of a lion symbolizing goodness and\N3:56\NRonda an average balanus dance is\N4:04\Ntransmitted informally in schools taught\N4:07\NSangha or Sakura and in schools as local\N4:16\Ncontent\N4:23\NVirna stance is part of cultural\N4:26\Nidentity of balanus people\N4:31\Nthen is apparel and accompaniment for\N4:35\Nreligious and traditional ceremonies the\N4:42\Ndance movements symbolize natural\N4:47\Nvery honest dance does not conserve and\N4:50\Nhuman rights it is a medium for\N4:53\Ndeveloping mutual respect among the\N4:56\Ndances and audiences inscription of\N5:01\Ntraditional dance of Bali on the\N5:03\Nrepresentative list would increase\N5:05\Npublic awareness of intangible cultural\N5:08\Nheritage in Indonesia and globally\N5:13\Nvisitors from all over the world in the\N5:16\Nworking - dance preparatory ceremonies\N5:20\Nare still conducted before the dances\N5:22\Ndance Balinese dance is the icon for\N5:27\Ncultural dialogue and in the cultural\N5:30\Nexchange between dances musicians and a\N5:34\Ncommunity inscription of Balinese\N5:38\Ntraditional dance will enhance respect\N5:40\Nfor cultural diversity and human\N5:43\Ncreativity communities have got\N5:48\Ntraditional dances of bali as an\N5:50\Ninseparable part of religious ceremonies\N5:56\Nthen is transmitted to young children\N6:00\Nand also at schools and students at\N6:05\NIndonesian Institute of the art annually\N6:10\Nlocal governments hawt arts and sports\N6:13\Nweek and the government of body holds a\N6:16\Nmonth long by the arts festival since\N6:20\N1979 these festivals showcase Balinese\N6:24\Ndance and stimulates its safeguarding\N6:27\Nand transmission line for Massey Thank\N6:35\NYou Monica C antara buddhaya Oh Carlton\N6:38\Nand puja Cabella in proximity filter\N6:41\NIbaka bonza\N6:42\NNakata a Kumasi froakie Neela yakov\N6:46\Nuncle can solder on both de Cultura Tina\N6:50\NHanyu Department ha ha dan monastery\N6:53\Ncome virus include alabanza\N6:56\Nthe tepee touka vajrasana kütahya and\N6:59\Nhuman mafia carrying out this five-point\N7:04\Nplan will guarantee the safeguarding of\N7:07\Ntraditional dance off by inventory of\N7:11\NBalinese dance on an infant or a system\N7:14\Nof intangible cultural heritage\N7:17\Nmaintained by the Ministry of Education\N7:20\Nand Culture involving the community and\N7:23\Nit's updated regularly prepare essence\N7:28\Nof teaching materials\N7:31\Nin session of virus dance in school\N7:35\Ncurricula as the local content training\N7:39\Nof trainers in violinist s continuing of\N7:44\Nlocal sports and arts festivals and\N7:47\NValley festival of hearts for example\N7:52\Nbusybody saengil OOP OOP OOP I inquire\N7:55\Nand that's not an image for the\N7:58\NGeography Bee see the movie body the\N8:04\NBaroness tan are part of the tagalogs of\N8:07\Npeople in public they are an expression\N8:09\Nof the religion there are secrets there\N8:13\Nin certain place for certain people\N8:15\Nthere's a Semitic return in certain\N8:19\Nspace but can be seen by other and there\N8:22\Nis entertainment and for tourists this\N8:25\Nindicate that the people in power still\N8:27\Nmaintain the tradition while they're\N8:30\Nliving in the material life some\N8:34\Ncompetent bodies involved in\N8:36\Nsafeguarding the traditional dances of\N8:39\Nbali the nomination has been prepared\N8:44\Nwith the involvement of the Balinese\N8:46\Ndance community the community\N8:49\Nparticipated in verification seminar to\N8:53\Ngive the input for the correction of the\N8:55\Nnomination file and have given their\N8:58\Nprior informed consent including a\N9:01\Ndeclaration to mutual respect and\N9:04\Ncollaboration to safeguard traditional\N9:07\NBalinese dances for entering a temple\N9:11\Ntowards dance traditional dress code\N9:14\Nmust be observed there is certain sacred\N9:18\Nand secret knowledge regarding religious\N9:21\Nrituals to prepare the dancers\N9:24\Nthese will continue to be respected\N9:28\Nsome of the more than thousand\N9:31\Ntraditional dance groups with support\N9:33\Nsafeguarding of traditional Balinese\N9:36\Ndances
Dialogue: 0,9:59:59.99,9:59:59.99,Default,,0000,0000,0000,,Wali Sacred Dances\NRejang (Klungkung District). Sacred ceremonial dance by a young women in traditional ceremonial dress,\NSanghyang Dedari (Karangasem District). Sacred trance dance to counteract negative supernatural forces. Performed by two young girls.\NBaris Upacara (Bangli District) religious dances conveying heroic spirit danced by even numbers of male dancers.\NBebali Semi sacred Dances\NTopeng Sidhakarya/Topeng Pajegan (Tabanan District). Performed by masked dancers to neutralize the evil spirits.\NGambuh dance drama (Gianyar District). Formerly royal theatrical performance, now accompaniment to ceremonies, by 25-40 dancers.\NWayang Wong dance drama (Buleleng District). Combines dance, epic drama and music.\NBalih-balihan Entertainment Dances\NLegong Kraton (Denpasar City). Exquisitely beautiful dance by 2 or 3 girls. Developed from Sanghyang Dedari, and Gambuh.\NJoged Bumbung (Jembrana District). A popular social dance by couples, during harvest season or on important days.\NBarong Ket “Kuntisraya” (Badung District). Represents a fight between two mythological characters, Barong in the form of a lion symbolizing goodness and Rangda, an evil witch.\N