[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:07.06,0:00:09.09,Default,,0000,0000,0000,,Uvadasi chiqqan kiyimdagi\NEstragon ismli
Dialogue: 0,0:00:09.09,0:00:12.92,Default,,0000,0000,0000,,odam g'ira-shirada daraxt yonida o'tirib, \Netiklarini yechishga urinardi.
Dialogue: 0,0:00:12.92,0:00:14.80,Default,,0000,0000,0000,,Tez orada do'sti Vladimir uning
Dialogue: 0,0:00:14.80,0:00:17.10,Default,,0000,0000,0000,,oldiga kelib, o'zi bilan o'zi \Novora og'aynisiga
Dialogue: 0,0:00:17.10,0:00:20.56,Default,,0000,0000,0000,,Godo ismli allakimni \Nkutishlari kerakligini eslatadi.
Dialogue: 0,0:00:20.56,0:00:23.96,Default,,0000,0000,0000,,Shundan so'ng zerikarli voqealar \Nketma-ketligi boshlanib, qahramonlar
Dialogue: 0,0:00:23.96,0:00:26.48,Default,,0000,0000,0000,,Godo qachon keladi,\Nnega uni kutyapmiz, aslida to'g'ri
Dialogue: 0,0:00:26.48,0:00:29.79,Default,,0000,0000,0000,,daraxt ostida kutyapmizmikin\Ndegan savollar atrofida tortishadilar.
Dialogue: 0,0:00:29.79,0:00:32.99,Default,,0000,0000,0000,,Zamonaviy dramaturgiya qiyofasini \No'zgartirib yuborgan
Dialogue: 0,0:00:32.99,0:00:35.50,Default,,0000,0000,0000,,asar hisoblanuvchi «Godoni kutish» syujeti
Dialogue: 0,0:00:35.50,0:00:37.63,Default,,0000,0000,0000,,shundan boshlab tobora g'alati tus oladi.
Dialogue: 0,0:00:37.63,0:00:41.96,Default,,0000,0000,0000,,1949-1955-yillar oralig'ida \NSamuel Bekket tomonidan yozilgan asar
Dialogue: 0,0:00:41.96,0:00:45.62,Default,,0000,0000,0000,,oddiy, ammo hayotiy dolzarb savolni \No'rtaga tashlaydi:
Dialogue: 0,0:00:45.62,0:00:49.87,Default,,0000,0000,0000,,qahramonlar nima qilishlari kerak?
Dialogue: 0,0:00:49.87,0:00:52.96,Default,,0000,0000,0000,,Estragon: Hech nima qilmay tura qolaylik. \NShunisi xavfsizroq.
Dialogue: 0,0:00:52.96,0:00:56.66,Default,,0000,0000,0000,,Vladimir: Kel, kutib turamiz. \NKo'raylikchi, nima derkin.
Dialogue: 0,0:00:56.66,0:00:57.99,Default,,0000,0000,0000,,Estragon: Kim?
Dialogue: 0,0:00:57.99,0:00:59.66,Default,,0000,0000,0000,,Vladimir: Godo.
Dialogue: 0,0:00:59.66,0:01:01.69,Default,,0000,0000,0000,,Estragon: Yaxshi fikr.
Dialogue: 0,0:01:01.69,0:01:04.22,Default,,0000,0000,0000,,Bunday chunarsiz dialoglar \Nva takroriy muhokamalar
Dialogue: 0,0:01:04.22,0:01:07.16,Default,,0000,0000,0000,,Ikkinchi Jahon Urushidan keyin \Nyuzaga kelgan
Dialogue: 0,0:01:07.16,0:01:10.41,Default,,0000,0000,0000,,va tartibsizlik ichra \Nhayotiy maslagini topishni
Dialogue: 0,0:01:10.41,0:01:12.26,Default,,0000,0000,0000,,o'zining adabiy maqsadiga aylantirgan
Dialogue: 0,0:01:12.26,0:01:15.18,Default,,0000,0000,0000,,absurd teatrining \Nasosiy xususiyatlari hisoblanadi.
Dialogue: 0,0:01:15.18,0:01:19.34,Default,,0000,0000,0000,,Absurd teatri vakillari syujet, obrazlar \Nva tilni bir-biridan ayiradilar,
Dialogue: 0,0:01:19.34,0:01:21.85,Default,,0000,0000,0000,,bu bilan har birining \Nalohida ma'nosini topmoqchi
Dialogue: 0,0:01:21.85,0:01:25.63,Default,,0000,0000,0000,,va sahnada ulardagi bor noaniqlikni \Nnamoyish etmoqchi bo'ladilar.
Dialogue: 0,0:01:25.63,0:01:27.61,Default,,0000,0000,0000,,Bu qayg'uli eshitilishi mumkin,
Dialogue: 0,0:01:27.61,0:01:30.79,Default,,0000,0000,0000,,ammo absurd dramada \Nchorasizlik kulgi ostiga olinadi.
Dialogue: 0,0:01:30.79,0:01:33.37,Default,,0000,0000,0000,,Aynan mana shu janr Bekket "ikki aktdan
Dialogue: 0,0:01:33.37,0:01:35.49,Default,,0000,0000,0000,,iborat tragikomediya" deb tasniflagan
Dialogue: 0,0:01:35.49,0:01:39.63,Default,,0000,0000,0000,,«Godoni kutish» asarida o'z aksini topgan.
Dialogue: 0,0:01:39.63,0:01:42.08,Default,,0000,0000,0000,,Fojia shundaki, qahramonlar \Nekzistensializmning
Dialogue: 0,0:01:42.08,0:01:45.20,Default,,0000,0000,0000,,boshi berk ko'chasiga \Nkirib qoladilar: ular yashashdan
Dialogue: 0,0:01:45.20,0:01:47.96,Default,,0000,0000,0000,,maqsadni ko'rsatishi kerak\Nbo'lgan noma'lum shaxsni behuda
Dialogue: 0,0:01:47.96,0:01:49.86,Default,,0000,0000,0000,,kutadilar, ammo kutish jarayonining
Dialogue: 0,0:01:49.86,0:01:52.58,Default,,0000,0000,0000,,o'zi ular hayotining yagona \Nmohiyatiga aylanadi.
Dialogue: 0,0:01:52.58,0:01:55.26,Default,,0000,0000,0000,,Xaloskorlarini uzoq kutar ekanlar,\Nqahramonlar g'ussaga
Dialogue: 0,0:01:55.26,0:02:00.25,Default,,0000,0000,0000,,beriladilar, diniy qo'rquvga tushadilar va\No'z jonlariga qasd qilish haqida
Dialogue: 0,0:02:00.25,0:02:03.68,Default,,0000,0000,0000,,o'ylaydilar. Shunga qaramay, drama \No'ziga xos yumorga ega, obrazlarning
Dialogue: 0,0:02:03.68,0:02:06.51,Default,,0000,0000,0000,,kulgili holati ularning nutqi\Nva xatti-harakatlarida
Dialogue: 0,0:02:06.51,0:02:09.73,Default,,0000,0000,0000,,aks etadi. Dialoglar antiqa \Nso'z o'yinlari, qaytariqlar
Dialogue: 0,0:02:09.73,0:02:11.61,Default,,0000,0000,0000,,va qochirimlarga to'la, harakatlanish
Dialogue: 0,0:02:11.61,0:02:14.72,Default,,0000,0000,0000,,chog'ida esa ular masxarabozlik qiladi,\Nqo'shiq aytib,
Dialogue: 0,0:02:14.72,0:02:17.32,Default,,0000,0000,0000,,raqsga tushadi va \Nhovliqib shlyapalarini almashadi.
Dialogue: 0,0:02:17.32,0:02:19.96,Default,,0000,0000,0000,,Bunday vaziyatda tomoshabinlar kulishni\Nham, yig'lashni
Dialogue: 0,0:02:19.96,0:02:22.84,Default,,0000,0000,0000,,ham bilmay qoladi.\NBekket bu ikki hissiyot o'rtasida
Dialogue: 0,0:02:22.84,0:02:25.86,Default,,0000,0000,0000,,biron bir farqni ko'rganmikin \Ndeb o'ylab qolasiz.
Dialogue: 0,0:02:25.86,0:02:27.92,Default,,0000,0000,0000,,Bekket Dublinda tug'ilib o'sdi,
Dialogue: 0,0:02:27.92,0:02:30.90,Default,,0000,0000,0000,,ingliz, fransuz va italyan \Ntillarini o'rgandi. Parijga ko'chib
Dialogue: 0,0:02:30.90,0:02:33.60,Default,,0000,0000,0000,,kelib, umrining katta qismini \Nshu yerda o'tkazdi, o'zini
Dialogue: 0,0:02:33.60,0:02:35.70,Default,,0000,0000,0000,,dramaturgiya, nazm \Nva nasrga bag'ishladi.
Dialogue: 0,0:02:35.70,0:02:38.58,Default,,0000,0000,0000,,Tilga bo'lgan kuchli muhabbatiga qaramay,
Dialogue: 0,0:02:38.58,0:02:42.58,Default,,0000,0000,0000,,Bekket ijodiga tanaffus kiritib,
Dialogue: 0,0:02:42.58,0:02:46.58,Default,,0000,0000,0000,,sukunatda vaqt o'tkazish uchun \Ndoim joy topa olgan.
Dialogue: 0,0:02:46.58,0:02:50.26,Default,,0000,0000,0000,,Absurd teatri tufayli mashhur bo'lgan
Dialogue: 0,0:02:50.26,0:02:53.16,Default,,0000,0000,0000,,notekis bayon qilish usuli \Nhamda qora yumor
Dialogue: 0,0:02:53.16,0:02:56.40,Default,,0000,0000,0000,,ijodidagi o'ziga xoslik hisoblanadi.
Dialogue: 0,0:02:56.40,0:02:58.88,Default,,0000,0000,0000,,U, shuningdek, \Nsirli shaxs obrazini yaratdi
Dialogue: 0,0:02:58.88,0:03:02.24,Default,,0000,0000,0000,,va o'z asarlari ma'nosi haqidagi \Nhar qanday taxminlarga
Dialogue: 0,0:03:02.24,0:03:04.58,Default,,0000,0000,0000,,munosabat bildirishdan bosh tortdi.
Dialogue: 0,0:03:04.58,0:03:06.18,Default,,0000,0000,0000,,Bu esa tomoshabinlarni ko'proq
Dialogue: 0,0:03:06.18,0:03:09.40,Default,,0000,0000,0000,,o'ylanishga undadi, \Nyozuvchining xayoliy olami
Dialogue: 0,0:03:09.40,0:03:12.43,Default,,0000,0000,0000,,va sirli personajlariga bo'lgan \Nqiziqishlarini yanada oshirdi.
Dialogue: 0,0:03:12.43,0:03:15.29,Default,,0000,0000,0000,,Hech qanday aniq ma'noning\Nyo'qligi dramaning
Dialogue: 0,0:03:15.29,0:03:17.55,Default,,0000,0000,0000,,cheksiz talqinlarini \Nyaratishga imkon berdi.
Dialogue: 0,0:03:17.55,0:03:20.77,Default,,0000,0000,0000,,Tanqidchilar asarni turlicha \Ntahlil qilishdi,
Dialogue: 0,0:03:20.77,0:03:24.39,Default,,0000,0000,0000,,natijada kosa ostidagi nimkosa \Nnima ekani haqida
Dialogue: 0,0:03:24.39,0:03:27.63,Default,,0000,0000,0000,,noaniqliklar va taxminlar paydo bo'ldi.
Dialogue: 0,0:03:27.63,0:03:30.73,Default,,0000,0000,0000,,Uni Sovuq Urush, fashistlarga qarshi \NFransiya qarshilik harakati
Dialogue: 0,0:03:30.73,0:03:33.22,Default,,0000,0000,0000,,va Britaniya Irlandiyani mustamlakaga \Naylantirishi
Dialogue: 0,0:03:33.22,0:03:36.23,Default,,0000,0000,0000,,masalalariga kinoya sifatida \Nqabul qilishdi.
Dialogue: 0,0:03:36.23,0:03:38.32,Default,,0000,0000,0000,,Ikki qahramonning o'zaro ta'siri ham
Dialogue: 0,0:03:38.32,0:03:40.47,Default,,0000,0000,0000,,qizg'in bahslarga sabab bo'ldi.
Dialogue: 0,0:03:40.47,0:03:43.31,Default,,0000,0000,0000,,Ularni oxir zamondan omon qolganlar, \Nqariyotgan
Dialogue: 0,0:03:43.31,0:03:45.82,Default,,0000,0000,0000,,sheriklar, ikki irodasiz do'stlar va hatto
Dialogue: 0,0:03:45.82,0:03:51.54,Default,,0000,0000,0000,,Freyd aytgan psixikaning «Men» va «U» \Nshakllari timsoli sifatida qabul qilishdi.
Dialogue: 0,0:03:51.54,0:03:53.71,Default,,0000,0000,0000,,Bekketning o'zi esa \NVladimir va Estragonning
Dialogue: 0,0:03:53.71,0:03:56.71,Default,,0000,0000,0000,,"yarimdumaloq qattiq shlyapa kiyganiga"
Dialogue: 0,0:03:56.71,0:03:59.67,Default,,0000,0000,0000,,ishonchi komilligini aytgan xolos.
Dialogue: 0,0:03:59.67,0:04:02.57,Default,,0000,0000,0000,,Tanqidchilar fikri va \Nasabbuzar sujetga ko'ra,
Dialogue: 0,0:04:02.57,0:04:05.23,Default,,0000,0000,0000,,obrazlar nutqi ko'pincha \Nbir nuqtada aylanaveradi.
Dialogue: 0,0:04:05.24,0:04:08.40,Default,,0000,0000,0000,,Ular o'zaro tortishadi, \Nbir-birini masxaralaydi,
Dialogue: 0,0:04:08.40,0:04:11.28,Default,,0000,0000,0000,,kalavaning uchini yo'qotib, \Nboshlagan gaplariga qaytadilar:
Dialogue: 0,0:04:11.28,0:04:14.34,Default,,0000,0000,0000,,Vladimir: Barchasini boshidan \Nboshlashimiz kerak ko'rinadi.
Dialogue: 0,0:04:14.34,0:04:16.48,Default,,0000,0000,0000,,Estragon: Qiyin bo'lmasa kerak.
Dialogue: 0,0:04:16.48,0:04:19.40,Default,,0000,0000,0000,,Vladimir: Nimadan boshlashni \Nbilmasang, qiyin.
Dialogue: 0,0:04:19.40,0:04:21.82,Default,,0000,0000,0000,,Estragon: Istagan narsangdan \Nboshlashing mumkin.
Dialogue: 0,0:04:21.82,0:04:24.28,Default,,0000,0000,0000,,Vladimir: Ha, ammo sen \Nqaror qilishing kerak.
Dialogue: 0,0:04:24.28,0:04:28.18,Default,,0000,0000,0000,,Bekket sahnadagi dunyo \Nkundalik hayotimiz singari
Dialogue: 0,0:04:28.18,0:04:31.24,Default,,0000,0000,0000,,hamisha ham ma'no kasb \Netavermasligini eslatmoqchi bo'ladi.
Dialogue: 0,0:04:31.24,0:04:34.92,Default,,0000,0000,0000,,U haqiqat va xayolotni ham, \Ntanish va notanishni ham
Dialogue: 0,0:04:34.92,0:04:37.02,Default,,0000,0000,0000,,o'zida mujassam etishi mumkin.
Dialogue: 0,0:04:37.02,0:04:40.56,Default,,0000,0000,0000,,Mantiqiy bayon \Nmushohada uchun yoqimli bo'lsa-da,
Dialogue: 0,0:04:40.56,0:04:45.58,Default,,0000,0000,0000,,yaxshi drama bizni o'ylashga… \Nva kutishga undaydi.