1 00:00:07,828 --> 00:00:11,936 The starving orphan seeking a second helping of gruel. 2 00:00:11,936 --> 00:00:15,591 The spinster wasting away in her tattered wedding dress. 3 00:00:15,591 --> 00:00:20,468 The stone-hearted miser plagued by the ghost of Christmas past. 4 00:00:20,468 --> 00:00:22,676 More than a century after his death, 5 00:00:22,676 --> 00:00:27,358 these remain recognizable figures from the work of Charles Dickens. 6 00:00:27,358 --> 00:00:32,067 So striking is his body of work that it gave rise to its own adjective. 7 00:00:32,067 --> 00:00:36,879 But what are the features of Dickens's writing that make it so special? 8 00:00:36,879 --> 00:00:39,528 Dickens’s fiction brims with anticipation 9 00:00:39,528 --> 00:00:43,539 through brooding settings, plot twists, and mysteries. 10 00:00:43,539 --> 00:00:46,938 These features of his work kept his audience wanting more. 11 00:00:46,938 --> 00:00:50,286 When first published, his stories were serialized, 12 00:00:50,286 --> 00:00:55,515 meaning they were released a few chapters at a time in affordable literary journals 13 00:00:55,515 --> 00:00:58,621 and only later reprinted as books. 14 00:00:58,621 --> 00:01:01,621 This prompted fevered speculation over the cliffhangers 15 00:01:01,621 --> 00:01:04,412 and revelations he devised. 16 00:01:04,412 --> 00:01:08,116 Serialization not only made fiction available to a wider audience 17 00:01:08,116 --> 00:01:09,813 and kept them reading, 18 00:01:09,813 --> 00:01:13,407 but increased the hype around the author himself. 19 00:01:13,407 --> 00:01:16,955 Dickens became particularly popular for his wit, 20 00:01:16,955 --> 00:01:21,225 which he poured into quirky characters and satiric scenarios. 21 00:01:21,225 --> 00:01:24,996 His characters exhibit the sheer absurdity of human behavior, 22 00:01:24,996 --> 00:01:29,438 and their names often personify traits or social positions, 23 00:01:29,438 --> 00:01:31,426 like the downtrodden Bob Cratchit, 24 00:01:31,426 --> 00:01:33,997 the groveling Uriah Heap, 25 00:01:33,997 --> 00:01:37,786 and the cheery Septimus Crisparkle. 26 00:01:37,786 --> 00:01:42,095 Dickens set these colorful characters against intricate social backdrops, 27 00:01:42,095 --> 00:01:44,623 which mimic the society he lived in. 28 00:01:44,623 --> 00:01:46,257 For instance, he often considered 29 00:01:46,257 --> 00:01:49,276 the changes brought about by the Industrial Revolution. 30 00:01:49,276 --> 00:01:50,647 During this period, 31 00:01:50,647 --> 00:01:55,207 the lower classes experienced sordid working and living conditions. 32 00:01:55,207 --> 00:01:58,620 Dickens himself experienced this hardship as a child 33 00:01:58,620 --> 00:02:01,850 when he was forced to work in a boot blacking factory 34 00:02:01,850 --> 00:02:05,061 after his father was sent to debtors' prison. 35 00:02:05,061 --> 00:02:09,518 This influenced his depiction of the Marshalsea prison in Little Dorrit, 36 00:02:09,518 --> 00:02:13,868 where the titular character cares for her convict father. 37 00:02:13,868 --> 00:02:18,310 Prisons, orphanages, or slums may seem grim settings for a story, 38 00:02:18,310 --> 00:02:20,300 but they allowed Dickens to shed light 39 00:02:20,300 --> 00:02:24,080 on how his society's most invisible people lived. 40 00:02:24,080 --> 00:02:25,449 In Nicholas Nickleby, 41 00:02:25,449 --> 00:02:29,270 Nicholas takes a job with the schoolmaster Wackford Squeers. 42 00:02:29,270 --> 00:02:33,101 He soon realizes that Squeers is running a scam 43 00:02:33,101 --> 00:02:36,544 where he takes unwanted children from their parents for a fee 44 00:02:36,544 --> 00:02:39,849 and subjects them to violence and deprivation. 45 00:02:39,849 --> 00:02:43,979 Oliver Twist also deals with the plight of children in the care of the state, 46 00:02:43,979 --> 00:02:46,490 illustrating the brutal conditions of the workhouse 47 00:02:46,490 --> 00:02:50,040 in which Oliver pleads with Mr. Bumble for food. 48 00:02:50,040 --> 00:02:55,090 When he flees to London, he becomes ensnared in a criminal underworld. 49 00:02:55,090 --> 00:02:57,860 These stories frequently portray Victorian life 50 00:02:57,860 --> 00:03:00,190 as grimy, corrupt, and cruel. 51 00:03:00,190 --> 00:03:03,760 But Dickens also saw his time as one in which old traditions 52 00:03:03,760 --> 00:03:05,658 were fading away. 53 00:03:05,658 --> 00:03:08,541 London was becoming the incubator of the modern world 54 00:03:08,541 --> 00:03:12,591 through new patterns in industry, trade, and social mobility. 55 00:03:12,591 --> 00:03:16,131 Dickens's London is therefore a dualistic space: 56 00:03:16,131 --> 00:03:21,038 a harsh world that is simultaneously filled with wonder and possibility. 57 00:03:21,038 --> 00:03:24,107 For instance, the enigma of Great Expectations 58 00:03:24,107 --> 00:03:26,521 centers around the potential of Pip, 59 00:03:26,521 --> 00:03:30,061 an orphan plucked from obscurity by an anonymous benefactor 60 00:03:30,061 --> 00:03:32,700 and propelled into high society. 61 00:03:32,700 --> 00:03:34,289 In his search for purpose, 62 00:03:34,289 --> 00:03:37,690 Pip becomes the victim of other people’s ambitions for him 63 00:03:37,690 --> 00:03:40,817 and must negotiate with a shadowy cast of characters. 64 00:03:40,817 --> 00:03:43,250 Like many of Dickens’s protagonists, 65 00:03:43,250 --> 00:03:46,769 poor Pip's position is constantly destabilized, 66 00:03:46,769 --> 00:03:49,278 just one of the reasons why reading Dickens 67 00:03:49,278 --> 00:03:51,269 is the best of times for the reader, 68 00:03:51,269 --> 00:03:54,765 while being the worst of times for his characters. 69 00:03:54,765 --> 00:03:58,719 Dickens typically offered clear resolution by the end of his novels, 70 00:03:58,719 --> 00:04:02,449 – with the exception of The Mystery of Edwin Drood. 71 00:04:02,449 --> 00:04:07,390 The novel details the disappearance of the orphan Edwin under puzzling circumstances. 72 00:04:07,390 --> 00:04:10,429 However, Dickens died before the novel was finished 73 00:04:10,429 --> 00:04:13,619 and left no notes resolving the mystery. 74 00:04:13,619 --> 00:04:18,761 Readers continue to passionately debate over who Dickens intended as the murderer, 75 00:04:18,761 --> 00:04:23,560 and whether Edwin Drood was even murdered in the first place. 76 00:04:23,560 --> 00:04:25,111 Throughout many adaptations, 77 00:04:25,111 --> 00:04:26,260 literary homages, 78 00:04:26,260 --> 00:04:27,866 and the pages of his novels, 79 00:04:27,866 --> 00:04:31,285 Dickens’s sparkling language and panoramic worldview 80 00:04:31,285 --> 00:04:33,460 continue to resonate. 81 00:04:33,460 --> 00:04:35,340 Today, the adjective Dickensian 82 00:04:35,340 --> 00:04:38,592 often implies squalid working or living conditions. 83 00:04:38,592 --> 00:04:43,127 But to describe a novel as Dickensian is typically high praise, 84 00:04:43,127 --> 00:04:46,931 as it suggests a story in which true adventure and discovery 85 00:04:46,931 --> 00:04:49,722 occur in the most unexpected places. 86 00:04:49,722 --> 00:04:52,512 Although he often explored bleak material, 87 00:04:52,512 --> 00:04:57,972 Dickens’s piercing wit never failed to find light in the darkest corners.