>> So perhaps you've always wanted to learn
how to make really cool stuff in 3D software.

You might not have done it, you might
have dabbled in it a little bit.

In this tutorial, what I'm going to be doing
is trying to take one video and introduce a lot

of the fundamental things, the things
you really need to get started.

And I'm going to show you how to do
it in a free software called Blender

that you can very easily download without an
account or a password or anything like that.

So you can see here, this is the final result.

I'm going to show you, first of all, the
software itself, just the very basics,

not covering all the thousands
of different things.

And then I'm going to take you step
by step after that through the making

of this character here, and how to
render it out as a final result.

And you can use this same low poly modeling
technique here, which is really simple

and beginner friendly to
make all sorts of things.

So hopefully this video grabs your interest
if you want to learn as an absolute beginner.

If you already know something about Blender,
maybe this is just a little bit too basic

and repetitive, but this is
definitely more for absolute beginners,

people who really don't know anything

and they just want a simple video
that's going to make it make sense.

And you can also, after an hour
or so, walk away with something

that you can feel really
good about, a final result.

And from there you can choose if you want
to go on and learn more about the discipline

of 3D modeling, maybe even animation later on.

So let's get into the video
and I hope you enjoy it.

I will be adding some timestamps so it can make
it easier for you guys, the different chapters,

and you can bounce back and
forth if you get stuck.

Let's hop in.

Getting your hands on Blender is quite simple.

You go to your internet browser.

You can type in blender.org, open
up the site, and you're going to go

to the tab here called downloads.

And what you can do is just
click on this blue button here.

That's going to download an installation
file so you can install it on your computer.

Another option, which I prefer to do, is to go
to this little drop down here and you're going

to actually see the portable versions here.

So it's for Windows and Mac.

In my case, I have a Windows computer.

I would click on the zip file here for the
Windows portable, download that zip folder,

then extract it like you do with any zip folder,
and then just open that folder inside of there.

There's going to be Blender.

You click on it.

You run the program.

And when it runs for the first
time, you can just right click

and pin that program to your taskbar.

And there you have it.

So very, very simple.

No signing in, no passwords, no accounts.

And you can do that anytime
there is a new release.

You can even have multiple versions of Blender.

So that is very self-explanatory, very easy.

So I'm not going to go any more into that.

Let's get into the next thing where we actually
open it up and I'll show you how to use it.

So if you go ahead and open up Blender, you
may even be doing it for the very first time.

And if you do, it may even
seem a little bit intimidating.

But rest assured, all of these different
tabs and windows and features that you see,

most of them you will not need to know
a thing about when just getting started.

You'll learn that with time.

Now this thing you see here, the
box when you first open up Blender,

what most people do is they
just left click somewhere

in the viewport and that box just pops away.

Now getting on to the user interface itself,

what you're going to see here
is the one that just stands out.

And this is, like I said, the 3D viewport.

This is where everything happens.

This is where we see our objects, where we
add things in, where we can set up our layout.

Now I'm not going to be covering
navigation just yet.

I promise I'll get into that in a bit.

But for now, I'm just explaining what these
different windows are or these different boxes.

Going on to this little box that sits
up here, that is our scene outliner.

And essentially what we see
here is the different items

and objects that are in our scene.

It really is a great organizational tool.

And if you're a beginner, this
really makes things easier as well.

Getting organized, especially when
your projects get a little bit bigger,

is one of the most important
things you can learn as a beginner.

And what you can see here is these collections.

Now collections are essentially
just these things you can create

where you can group different
objects in your 3D scene together.

You can put them in that group.

Look at it almost like layers in Photoshop.

I'm not saying there are layers, but
you can almost look at it like that

in a sense if that helps you visualize it.

You can add in different collections and
you can also name the different objects.

You can even directly come here and click
on these objects instead of actually coming

into your scene and left-clicking on an object.

The outliner is just another
way you can visualize what's

in your scene and select things.

You can even go to the drop-down and see
more information about certain objects

or what relationship they
have to different objects.

Now don't worry if that doesn't
make any sense to you.

You don't need to know that right now.

If it doesn't make sense, I will
explain it later on in the tutorial

if it's relevant to what we're doing.

But that is our scene outliner essentially.

Now we have that out of the way, we
can come down here to our properties.

And this is where different things that you
do in Blender, you can see their properties.

For example, let me just click on an object.

Say for example you just
left-click on the cube to select it.

Then you can go over here to
all of the different properties.

So if you click on this little tab,
which is the materials property,

the properties of the material
that this thing has are here.

So we can change values, we can
change different sets of information

that relate to the materials on this cube.

Now we have for example over here
one called the object properties.

So over here we can see the
different transforms for this object.

Now transforms essentially, I'll get into
that in a little bit, but it is the things

that we can use to move an object in 3D space.

So we have an X, Y, and a Z coordinate.

You can see for example here in the
scene, we have the green line here,

which is our Y coordinate and
the X is our X coordinate.

So pretty simple.

So essentially here you can see
all of these are set to zero

and that's why our cube is
in the middle of our world.

If we move any one of these on a certain axis,
you can see that the cube here is moving.

Doesn't matter if you don't fully get it,
I'll definitely get into that more later.

But that's what properties are, different
things relating to the objects in our scene.

We can come over here and see their properties.

Now sometimes some of these properties are
not relating to an object in our scene.

For example, if you click over here,
we can see the world properties

and the world properties has
to do with the environment,

which you can't really see now
because we're not rendering.

So these three windows here are just the
three main windows you need to know for now.

Another thing I'll quickly mention
is obviously just this little thing

down here called the timeline.

That's just when you're doing animating
and it's just like a timeline on a lot

of different softwares, even 2D softwares.

It's where you can come and
scroll through on different frames

and go to different time intervals within
your 3D scene and then you can change things

and this is where you would be doing
your animation and stuff like that.

So not to worry about that right now
because that's not what we're doing,

but you get the general idea here.

So just these three main
ones, keep them in your mind.

Okay, so now we're going to talk
a little bit about navigation.

It's actually pretty simple, but
before we can even get into that,

we have to talk about the
number pad on the keyboard.

So if you have ever seen a keyboard, you know
that it has a little number pad down here.

Now, some computers or more like laptops don't
have this number pad and if that's the case,

there's something you can do about that

where you can make these numbers
up here emulate a number pad.

So let's just quickly go over into Edit.

Once we have Blender open, Preferences and
then you're going to go over here to the input,

go up to keyboard and make sure emulate number
pad is enabled if you don't have a number pad.

For me, I have a number pad, so
I'm not going to have that enabled.

Then I'm going to close that and now you
should be able to use your number pad as well.

So while we're on the subject of number pad,
you could actually go over here to view,

go to viewport and then go to, for
example, the front view or go over here

and go to the right view, but it's
just good to use the number pad.

So if you use 1 on your number pad, you
can go into the front orthographic view.

You can see over here it
says front orthographic.

If you press 3 on your number pad, you
can go into the right orthographic view,

so you see it says right over here.

7 goes to the top and if you want to, for
example, go to the bottom, you can just hold

and control or command seven
and then go to the bottom.

So it just does the opposite of.

So for example, it's the same with 1.

If you press 1 on your number
pad, it goes to the front view.

What if you want to look from the back?

So to make it the opposite
of, you just hold and control

and then press 1 and now
you're at the back view.

So very, very easy.

You can note that down, write
it down and it's super simple.

So just experiment with the
numbers on your number pad

and that will take you into different views.

Primarily, you're going to be working
in 1 or the front orthographic view.

So you'll almost always be using one or
sometimes even three to see the side view.

So not really that much you have to
learn as far as changing the views.

That's about the main thing
we have to cover for now.

But as far as actually moving around with the
mouse, if you hold in the middle mouse button

on your mouse and you hold
it in and you move the mouse,

you can actually rotate around like this.

And that's pretty simple.

So just middle mouse button holding it in,
and if you wanted to go side to side like pan,

all you have to do is hold and shift, then
the middle mouse button, and hold that in

and just move side to side, and then
if you wanted to zoom in and out,

you can literally just roll
the middle mouse button.

There's also the option of holding and control
and then the middle mouse button, holding it in

and then moving the mouse,
but it really is just simpler

and more intuitive just to
roll the middle mouse button.

So Blender's navigations
are actually really easy.

So just a quick recap, middle mouse
button by itself, you can rotate, shift,

middle mouse button, you can move side to side

and then just rolling the middle
mouse button, you can zoom in and out.

Extremely simple.

There's a lot more you could probably say but
those are some of the fundamental things as far

as navigation goes and this
isn't really navigation but what

if you actually want to move an object?

Well, all you have to do
is left click on an object.

And you can just come over here to these
things here, they're called the tool panels

but you have this one here called the move.

You can click on it and then you can just
click on any one of these handles here.

So the red one is the X axis, the green here
is the Y and the blue is the Z. If you press N

on your keyboard, you can go over
here to the control panel, go to item,

and you can actually see here
these are our transforms.

So the Z here for example is the blue so you can
actually come here to the Z under the location

and move it that way or this way.

It's just really the same thing,
just a different way of doing it

and if you just press G, G is the
shortcut key for moving things.

So just pressing G, you can
actually move things.

And also you can go G and
then press Z to restrict it

to the Z axis, X to the X or Y to the Y.

So all the same thing, just
a different way of doing it.

If you don't really understand what I just
did, don't worry, we'll be recapping it

as we get into the modeling tutorial.

So it's just something you need to be aware of
and then you have this one here called rotate

and scale, and it's the exact same thing.

Obviously of rotation, you
still have these axes here

but now instead of moving, you're just rotating.

So you can left click on 1 or
maybe left click on this red one,

so you can rotate around the
X. And the exact same thing.

Over here in the properties, you
can just come to the rotation

and do the same thing manually
here on these different vectors.

And scale, I mean [inaudible]
explain the exact same principle,

this time you're just dealing with scale.

And you can also just click here on the tool.

And by the way, the shortcuts here
are S for scale and also R for rotate.

So very, very easy navigation
and also moving an object around.

So I think we really have covered enough now
just to get you to understand the basics.

We'll now jump into the tutorial and if
there's anything you haven't understood,

we'll just cover it slowly.

I'll go over it again if need be,
but you should be able to get it now

that you're up to speed on Blender.

So before we get into Blender, and we do a
little bit of modeling, you're probably going

to need a model sheet and that's just
something to give you a little bit of reference.

So you can actually see here on
the screen that's now recording,

here is a picture of a screenshot
that I actually took of a model

that I've already modeled to practice.

So what you can do is you can just use
the print screen key on your keyboard

or just use the snip tool
that comes with Windows.

Just about every operating system
has some sort of built-in tool

to allow you to do screenshots or snips.

So just go ahead and you can also crop it
if you want, just so you have the picture.

And once you have that, you should just hit,
like in this case, I just named mine Girl

and here it is somewhere on my computer.

What you're going to do is
you're going to open up Blender.

So in this case, I am using Blender 3.2.

So I'm using Blender 3.2.

And it's now opened up.

Now the thing that's going
to be different here for me,

I'm just going to enable
something that's an add-on.

You don't have to do this.

That just enables you guys to see
over here the keys that I'm pressing.

So that just should help you out a little bit.

But you can see here we have the default scene

as we've already kind of
covered in the previous part.

But what you can do is you can press
1 on your front orthographic to go

into your front orthographic view.

So the number pad 1.

You can also just go to view,
viewport and then go to front.

And what you're going to do is
you're going to get that image

that you should have taken a screenshot of.

So in this case, I have it
somewhere on my computer.

So I just named it girl and you're just
going to click on it and just drag it

into the front orthographic view.

Make sure not to drag it onto the cube, but
just drag it somewhere here in the empty space

and you're going to see it adds it in.

So now you can make it full screen again

and you have this image here in
your front orthographic view.

Now you can press G while you have it active
and if you're not sure if you have it active,

what you can do, come up here
to your scene collection.

You can see the different objects and by
default it's going to be named empty over here.

See that object called empty?

So if it's not active, just click on it
and you should be able to go G and move it.

And you can just move it over here and then when
you have it roughly in place, just left click

and what you can also do is while you
have it active, you can go over here

to your properties panel that we talked
about earlier and you can go over here

to object data properties down here
on this little image and you can come

to this option here called
opacity and just click on it.

And then just click here and drag that down a
little bit so it's almost see-through like that.

Okay, so just a little bit is fine and what
you can now do is you can just hold your middle

mouse button in and just
move to the side like that.

You can see here it's now in a 3D space.

What you can do is you can go G,
Y and move it back in your scene.

So G and then Y to restrict it to the
Y axis just so it's not intersecting

with the object we're going to be modeling.

And if you go into your front orthographic
view again by pressing 1 on your number pad,

you can see here that we want the
front pose to be in the middle.

So in this case, if it's not quite in the
middle, all you can do is go G and then X

to move it along the X. And just
make sure it's in the middle

as it could possibly be here and also over here.

In fact, let's just quickly go and enable

up here this thing called X-ray
and now we can see through.

We still have this empty active.

We can now make sure we have the feet sitting
on the ground so you can see this red line here

that kind of represents where the ground is.

So we're going to go G, Z,
and just move it down until

that feet there are sitting
right kind of on that red line.

So now we have this front pose right
in the middle there and we can use

that as a reference and how do we get the side?

So the side is simple.

All we have to do now is go
Shift D with this active.

So Shift D, just right click to let go,
and then type in RZ90 and hit enter.

So RZ90 and if you press N to open up
your properties panel and go to item,

you should be able to see here
that on the Z, it's rotated 90.

So if it's not, just type in 90.

Now press 3 on your number pad to
go to the right orthographic view.

You can see up here, right orthographic view.

And now you can go G, Y and move it on the Y
till the side image is lined up here and kind

of in the middle of where
this cube is over here.

You can also look at this
blue line here as a reference.

That's just the Z coordinate that you see
in the right orthographic view and make sure

that she is roughly in the middle here.

So G, Y to move it.

And make sure you restrict it to the Y when you
do because we don't want to be moving it down

or up now because those feet
as you can see here are still

on that floor there which is really good.

So also with this one now on
the side, we want to go G,

X and just move it over to the side like this.

So we're going to our right orthographic
view and we model with this cube here.

That image is not intersecting
with the mesh here.

So now we have our front reference and if we go
into our right orthographic view by hitting 3

on the number pad, we have our side reference.

Now before we lose anything, let's save this.

We're going to go File, Save as -- I'm going
to choose my desktop and I'm just going

to call it Girl, low poly, and I'm
going to go save as and now it's saved.

So when it comes to actually modeling something,
we can use something called primitive objects.

So you can see here, for example, we have one
already in Blender called the default cube.

So if you left click on it,
you can see it becomes active.

Also up here in the scene
collection, you can see the cube.

And you could make this into any
shape once you start editing it.

And it's just so you understand.

I'm going to quickly delete this.

You don't have to follow along,
but just so you understand.

So for example, you didn't have an object.

What you can do is you can go shift
A. Shift A brings up this add menu

and you can just go to the meshes.

Now the meshes are the actual things,
the topology that we'll model in 3D,

and you have a whole bunch of objects here.

Now all of these are just a bunch of points or
vertices that make up an object in 3D space.

So here is a cube, the one we already had.

Here's a circle.

Here's a UV sphere.

So if I add in a UV sphere, you can see same
thing, but just it's shaped like a UV sphere.

So I'm just going to go ahead,
add back in a cube.

And the reason it is actually in the center
of the world here when it's added in is

because of this little thing
here called the 3D cursor.

Now over here, you can see above
the move tool, there's a 3D cursor.

If you click on that, you can click
anywhere and it moves that 3D cursor.

That 3D cursor is where things get
placed by default in your scene.

It's also a point you can use
to rotate around as a transform.

Won't get into that at the moment.

But if I now went shift A after
moving that cursor and added

in maybe a sphere, it adds it in there.

So it's important if that
thing isn't in the center.

First of all, just click back on
the move tool if you've done that.

If there's ever a situation where you need
to get your cursor back to the center,

you can go shift S and you can see
cursor to world origin as option here.

You can actually set the cursor to all sorts
of places, but to have it in the center

of the world, go to world origin.

It's important that you understand
that as a beginner kind of concept.

Also, when an object is added in, all objects
in Blender have what you call an origin point.

So you can see this little
orange, yellow dot in the middle.

If you come over here to this overlays and you
go to the dropdown, origins may not be ticked.

So if it isn't, just make sure to click
on it so you can see that origin point.

And that is actually the point
where things rotate around.

So if you go R, it rotates around it.

If you go S, it scales from that point.

And G, all of those transforms
look at that origin point.

So in 3D, I've already shown you
guys previously how you can scale,

move things around, rotate things.

But how do you actually edit
a piece of geometry?

To do that, you can come up here
and this is the object mode.

And for now, don't worry
about all of these options.

Just focus on the edit mode.

If you go into edit mode with an object
selected, you're going to now actually see,

instead of seeing not only the whole object,

but you actually now see the
vertices that make up these objects.

In this case, you can see, you can
actually left click on an individual point.

And just like you can move things in the object
mode, you can also go G and R. At the moment,

you can't really notice rotation.

You'd have to select more than two to see that.

But exact same thing.

And this is how you can actually
edit the shapes.

You can see the origin point
is still there in the middle.

But if I were to actually just
left click and drag to select all

of this, and then go G to move it off.

If I now go back into object mode, you can see
the origin point is still there where it is.

So if I now go R to rotate,
it's not going to look

at the object, but actually the origin point.

So it's important that you guys understand what
the origin point is and how that all works.

You can almost look in object mode, an object in
object mode as being just a collection of verts

that are connected to this group.

And the vertex is the center of it.

Just look at it almost like a
collection of points in 3D space.

So now that you understand
that, let's actually model here.

So currently we have the X-ray toggled on.

You can also toggle it off
so you can see through.

I'm completely up to you.

But for now, I'm going to press 1 to
go into the front orthographic view.

We have our image set up and we have
our cube, which we're going to be using.

And let's go G and then Z to restrict

to the Z. Let's just move it
roughly to where the body is here.

In fact, I'm going to turn the
X-ray on for now so I can see.

And let's go S and let's
scale this down to about here.

So it's almost the width of the body like that.

And as long as your cube is just roughly in
the middle, it can be down a little bit or up.

It doesn't really matter.

But what you're going to do is you're
going to press Tab to go into edit mode.

Or you can just come up here
and go into edit mode that way.

And inside of edit mode, you're going
to left-click and drag and just drag

over these top vertices to
have them selected like that.

And then you're going to go S,
X, and scale them on the X axes.

You can even see up here that red is the X. And
you can actually see the numbers written here

on the different colors or the
letters on the different colors.

And then you're going to left-click
and drag and select the bottom ones.

And you can go S, X, and scale them along
the X. So now from the front, it looks okay.

But if we press free on the number pad,

we can see on the right orthographic
view that it's not quite matching up.

So we can select these at the top
by left clicking and dragging.

And we can go S, Y, and flatten it on the
Y. You can also just left click and drag

and just select just the front ones or the back
ones and go G and just move them like that.

So we're currently in the right orthographic.

And these ones here, they're
more or less in the right place.

But you can also move them if you wanted to.

So now we have that roughly in place.

What we can do now is we can
extrude this bottom face.

So one way to do that is just left click
and drag to select all of the bottom verts.

But I'll quickly mention you also have these
options up here for different selections.

You can also click on the face mode.

And now instead of selecting
verts, you can select a face,

which is a collection of verts and edges.

So now you can just left click on that face.

And then you can go back into your
right orthographic view by hitting free.

And you can go E. So E is
the shortcut to extrude.

And that'll extrude a face.

You can also come here and click
on the extrude button here.

And it'll bring up some options.

But it's easier just to use the shortcut.

So I've extruded it down
and then just left clicked.

And then I'm going to just go R. And
I'm going to slightly rotate that face.

And I'm going to go G. And I'm
just going to move it back.

So one thing you'll notice is we're still using
a lot of the same G, S, and R to scale, rotate,

and move things, which is really cool.

So now let's go to our front view
by getting one on a number pad.

And you can see here it's
kind of right at the bottom.

But over here now it is lacking
the right dimension.

So what we can do to add in an edge is we can
just come over here, hovering over an edge.

And you can go Control R or
Command R if you're using a Mac.

And you're going to see this yellow line appear.

Once you see the yellow line, you can
just left click twice and it'll add it in.

Then go back into your front orthographic
view by hitting one on the number pad.

S, X with that edge selected.

And you can scale it out like that.

Now let's just say you accidentally
unselected that edge.

How do you select it?

By left clicking and dragging?

No, not necessarily.

Because now that it's an edge select, you
might select more edges than you wanted to.

In some cases that would happen.

So what you may want to do is you can
actually, when there's a loop like this,

you can go Shift Alt and then just left click
on an edge and it'll select the whole loop.

You can also just hold in Shift.

And while you're holding in Shift and you're
moving around, you can select multiple faces.

So that's one thing to keep in mind
if you guys struggle with that.

That's how you select edges.

So now we have that in there.

If we now go to our right orthographic view by
hitting free, we can see it's not quite right.

Let's go to our vertex select, left
click and drag to select these verts.

And let's just move them by pressing G.
And you can see what we're doing here.

It's not hard at all.

We're just creating the rough
shape from the front and the side.

And yes, it is boxy.

But what we can do now is we can
progressively add more topology.

So let's come here to the middle.

Control R, just like we did
hovering over one of these edges.

You should see the yellow line appear.

And then left click twice.

And now what we've done,
we've cut it in half here.

It's perfectly symmetrical.

But we can cheat a little bit.

We can actually mirror so
we only work in one side.

So let's now left click and drag and
just select these verts over here.

And let's press X and then go delete.

And what are we working with?

Vertices. So let's click delete vertices.

And now we only have half an object.

We can now go to the properties panel here.

And let's go to our modifiers.

Modifiers are just these cool
things we can add to an object.

I won't go into too much detail.

But let's just go to the add modifier.

And let's just go and give
this one under the generators.

And that's a mirror.

And all it's simply doing
here is mirroring this object.

So now we can't actually come here
and select anything on this side.

But if we select something on this side
and we press G to move it or rotate it,

you can see it updates on this side.

But one of the issues is if we start
moving things around, it pulls apart.

So what we're going to do is
we're going to come over here.

We're going to click on this
thing called clipping.

And now if you move it, it all sticks
together, which is really cool.

And it's going to help you a lot.

Now going back into the front orthographic
by pressing 1 on the number pad,

you can actually see that little origin point
that I talked about earlier is in the middle.

And that's actually what our mirror
modifier is looking at as a reference point.

So now that we have that mirrored, what we
can do is we can press 7 on our number pad

to go to the top orthographic view.

And this is looking boxy.

So let's go Control R. And with Control R, we're
going to see the yellow line appear over here.

Let's double click by left clicking.

And now what we can do is from the
top, we can left click and drag

and select the front verts
over here in the corner.

And we can go G and move them in a little bit.

And then left click.

And let's left click and drag
over here, selecting these verts.

And then let's go G. And
let's move them in like that.

Now we simply rounded that out.

So this is already starting
to look a lot better.

And we've just used some very
simple modeling techniques.

Let's also just select this vertex
down here by left clicking on it.

Let's just go X and delete that vertex.

So we now have this open like so.

And let's also select this one at the top here.

Let's go X and delete that vertex as well.

okay, so we want to go back into
the front orthographic view.

Let's continue extruding this topology
up and making the rest of the body.

okay, so what we're going to do is we're going

to make sure we have our
vertex select option enabled.

We're still in edit mode.

We're going to left-click and drag
in our front orthographic view.

And we're going to select these verts over here.

So once they are selected in
your front orthographic view,

remember 1 to go into front orthographic view.

You're going to go E to extrude and
then just move it up to about here

on the reference or just under the neck.

And then you're going to go R. So R to rotate
and rotate it this much and then left click.

And then just G again and
just move it till it's lined

up to the bottom of this V here, this delta.

Then you're going to press 3 to go
into your right orthographic view.

And then you're going to go SY
and flatten it on the Y like that.

Okay, back into the front orthographic view.

Let's go E to extrude and extrude it
up like so, and leave it about here.

Let's go into our right orthographic view.

And we're going to go SY and
scale it on the Y about that much.

And then we're going to go Ctrl R or
Command R, hovering over one of these edges.

You should see the yellow line.

And then you're going to just left click once.

And then if you move the mouse, you can slide.

So you can slide it to about
here and then left click again.

And that should put it in place.

And while that is still active, you can go
Alt S. And what is different about this,

and I won't really get into
normals at the moment too much,

but you have these things
on the faces called normals.

They're like these directional
points that the face is kind of --

I'll quickly show you because
it's kind of hard to explain.

I'm just going to enable something.

You guys don't have to do this, but it's just
so you understand kind of what's going on here.

I'll quickly show you.

So these things here, right, the normals.

Now, if you just press S by itself, it
just scales everything as like an average.

But if you go Alt S, it looks at these
normals and it scales out along the normals.

And it does it a little bit in a different way.

So going Alt S will scale that
out like this, nice and evenly.

So I'm just going to turn that off that I turned

on because I don't need to
have that on right now.

But you guys should understand
where I'm coming from.

So I want to go back into
the front orthographic view.

I'm going to come over here, Control R
over one of these edges, left click once

and then move the mouse to bring it down.

And then Alt S and scale it out like that.

And then just like that, we have this
little thing forming here quite easily.

And what we can do as well,
just Control R hovering

over this edge here, double
click to add an edge.

And over here as well, the back,
Control R and then double click.

And now we have a bit more topology.

I'm also just going to come in here,
Control R hovering over one of these edges

and just double click once to add in an edge.

And that's most of the body done now.

So let's just quickly make the leg.

So instead of using existing topology in
here, what we're going to do is we're going

to go back into our object mode up here.

And earlier I showed you
guys how to add in an object.

So we're going to go Shift A. We're
going to go to our mesh options.

We're going to add in something
called a cylinder.

So go ahead and add that in.

Now this has got way too much geometry.

So let's go over here to this
add cylinder option down here.

Just left click on it.

It'll open it up.

And currently this consists of 32 vertices.

So let's click on here and type in five.

So now you can see it's a lot less topology.

That's more like we want.

We're going for low poly workflow here.

And you can also come here
to the type and change it

from whatever it's at and change it to nothing.

So it won't have the caps on here on the end.

Okay, so if you quickly go to your
X-ray mode and just turn it off up here,

you can kind of see it a little bit better.

So for now I'm just turning off
the X-ray up here to toggle.

And this is now a new object.

So if we selected this, you can see up here,

the cylinder is active up
here in the scene collection.

And we press tab to go into edit mode or we
can also come up here and go into edit mode.

You should now see that you
can't edit this object over here.

You have to actually go back into object
mode and then click on this again.

But what you can do is you can hold and shift
after you've selected one of the objects

and then select the second object.

Then when both were selected,
you can see they're both active.

You can press tab or go into edit mode.

And now both, you can work with both of them.

And when you go back into object mode,
they're still both separate objects.

Something interesting about objects
that you guys can keep in mind.

So we're in object mode again,
just select this guy here.

And remember that origin point,
see that little orange dot?

Same thing as the cube.

We're going to go S and just scale the whole
thing down in object mode to about this scale.

And then left click once you're done and
then go G and move it over here roughly.

Okay, then you're going to go
and press free on your number pad

to go to your right orthographic.

And you're just going to move it forward a
little bit like that, just roughly in place.

And now we can tab into edit mode.

And while we're in a right orthographic view,
let's just turn on our X-ray again up here.

And this is left click and drag
and just select these bottom verts.

And let's just go G, move them down to here and
then go R to rotate them and S to scale a bit.

Then we're going to select these
ones up here, move them forward,

S to scale them a bit, just like that.

now we have a leg starting to form here.

And let's just click and drag and
select these bottom verts again.

And what we're going to do is we're going
to go E to extrude and then we're going

to go S to scale to about this much.

We're going to go G and move
all of that forward a bit.

And then we're going to go E
to extrude, bring it to here.

And then we're going to go E to
extrude, S to scale about that much.

Back in your right orthographic view,
you can just move this whole thing back

by pressing G, S to scale it just a little bit.

And then we're going to go E to extrude
and extrude it down to here, R to rotate

and then S to scale till it matches up.

And then what we're going to do
is we're going to press 1 to go

into our front orthographic view.

And you can see over here, this
comes out a little bit too much.

So let's just select these verts over here
and let's just go G, move them in, left click

and drag, select these two
and then G to move them in.

Now you can see it's all
starting to look pretty good.

So how do we mirror this
leg onto the other side?

So we can do the exact same thing
we did up here with the body.

So we're going to go over
here and this time we're going

to give it a mirror again under the modifiers.

And we don't have to enable clipping

because these two objects are not actually
touching like this one is over here.

But you can notice there's
not anything appearing here

on the other side and why is that?

So if we tab back into object mode,
what we have to do in this case,

because that origin point is not in the middle,
this one has its origin point in the middle,

we have to actually select a
mirror object as a reference.

So in this case, we're going to click on
this little eyedropper and we're going

to click on the body as a reference.

And now it'll put it right in the middle
or the point where it's mirroring is going

to be right in the middle of that body.

So it's almost using the origin point
of this one now, which is really good.

So now it's nice and mirrored like that.

And it's all starting to look really good.

So let's just select these
legs again, tab into edit mode.

This is press free to go into our right
orthographic view, click and drag,

select these bottom verts and then
go E to extrude, bring them down.

R to rotate them, to flatten them out a bit.

And then this is really simple.

Just click and drag and select
these verts over here.

E to extrude and bring them forward and
then bring these two verts down like that.

Click and drag, select these
bottom verts, bring them up.

Then go into your front orthographic view.

And in this case, you may
actually just have to come

and select just these verts over here like that.

So clicking, dragging over them,
go to your front view and then go G

and just move them to the side a little bit.

And you can do the same thing
over here just to widen that foot.

So that's looking a lot better.

And then you can come in
here, add in more topology.

You can go control R and instead
of just leaving at one cut,

you can just roll the middle
mouse button up once.

That's going to add in two
segments and then click left twice.

And then you can come in here,
control R over one of these edges

and you should see a loop appearing.

Just double click once and then go
alt S and scale it out a little bit

on the normals, just to round things out.

And there we have a simple foot forming.

We can refine things a little bit later,
but the foot or leg area is now done mostly.

And let's just toggle off the x-ray for
now, see what things are looking like.

And you can see how simple this is.

Even if you're a beginner, these are very, very
simple techniques and are very easy to follow.

So the legs or the arms are going
to be very similar to the legs.

In fact, to save a little bit of time, what you
can do is you can actually select the leg here

and in your front orthographic view, you can
go shift D. That's going to make a duplication

and you're going to move
this duplication up here.

Left click and then you can go R and rotate.

Remember, it's rotating around
this origin point.

That's why we have it at the top.

So we're going to go R to rotate and
just roughly line it up with the arms.

It can be very rough.

And if you need to enable the
x-ray, make sure to do that.

Then you can go G and just move it so this
origin point is the top of the shoulder here.

And these things can be roughly lined up.

In fact, let's just quickly, while we have

that cylinder 001 active,
let's just tab into edit mode.

Left click and drag and just select all of these
bottom parts and then go G and just move it

so this middle bit is kind of
where this sleeve is over here.

And then what you can do is
while that's also active,

you can press X and then go delete faces.

Now we only have this cylinder
here roughly in place.

And if you go 3 on your number
pad, you can see it from the side.

And in the side here, you can just left
click and drag, select all of these top parts

and go G. Just move them back a little
bit and then go S to scale and then click

and drag these ones, G and move them a little
bit to the middle and then go S to scale up.

And now that we have that roughly in place,
go back to our front orthographic view

and we're now going to quickly
model our arm as well.

So what we're going to do
in edit mode with our arm,

let's just select these top verts over here.

We're still in our X-ray mode.

We're just going to select them and
we're going to go R to rotate them

and G to move them here a little bit.

And then we're going to select
this bottom vert here.

And we're just going to come up to this
thing here called our proportional editing.

I'm not going to get into these settings too
much, but if you select one vertex now down here

and you press G to move it, you can see
the rest of them kind of drag along.

Now if you roll down your
middle mouse button or up,

you can see you have this influence
factor here and that controls more

or less depending on how much you roll it.

So this allows you to grab one point and
then kind of gradually over a gradient

to the area affect the rest of the verts.

So I'm going to drag that down like that and
then I'm going to disable it again up here

and I'm just going to click and
drag to select these bottom verts.

And then what I'm going to do is going to
double tap R, pressing R twice to rotate it

and then just rotating it till
it's a little bit more flat.

And then I'm going to go G and I'm going to
move it here and I'm going to go E to extrude

to here and then S to scale down.

And now let's go to our right orthographic view

and make sure everything is
looking okay here from the side.

At the moment, it kind of is.

So maybe just move this out a little bit more
here, but just more or less trying to line

that up to what we see here on the side.

That's looking okay.

So let's go back to the front
view and just click and drag

to select just these verts down here.

I'm going to go shift D to duplicate them,
right click to let go and then E to extrude,

S to scale, and then G, let's move them down
a little bit and then R to rotate like that.

And I'm going to go E to extrude them here,
S to scale and then E to extrude, S to scale.

I'm going to scale them in like that.

So S to scale.

Now we have that simple little sleeve there.

In fact, we can just select any vertex
on this part here and go control L

or command L. It'll then just select anything
that is loose and connected to that vertex.

I'm going to go G and just move it up in there
a little bit just so it's nicely embedded

and then select these bottom
bits and move them down again.

So now if you go to your right view, you should
see it more or less that that is also lining up.

Go back to the front view and
let's make a simple hand over here.

In fact, let's just tab back
out into object mode.

and we're going to go shift
A and I'm going to go

to my front orthographic view by pressing one.

I'm going to go shift A and
I'm going to get a cube.

The cube is down here and I'm
going to go G to move the cube.

Over to where the hand is and then S to
scale it down quite a bit and then I'm going

to go into my right orthographic view.

Make sure it's in the middle of the hand.

Okay, that's all good.

So going back to the front orthographic
view and we're going to tab into edit mode

and then just select all of this
and then R to rotate it like so.

Then click and drag and just select
these verts over here like that.

And then what you're going to do is you're going
to go G, move them to about here and then S

to scale them a little bit and
then E to extrude and then click

about here and then go G, move them here.

R to rotate and then S to scale a little bit.

Now if you go to your right orthographic
view by hitting 3 on the number pad,

you're going to see things don't quite line up
so you're going to select these ones over here.

You're going to move them back.

Select this one over here, move it here and
then select these two and then bring these ones

to the corner of the thumb intersection
there and then move these ones out a bit too.

We're then going to come in here
and you can see we have a face here.

In fact, let's just add an extra loop.

We're going to go control R or
command R hovering over this edge.

Add in an extra loop.

Then we're going to go to
our face select option here.

Click on this face.

Go back to our right orthographic view and
then we're going to go G and move this one

out to here and then R to rotate.

And then we're going to go E to extrude that one
about this much and then S to scale, R to rotate

and then G and we're going to
move that one back like that.

And now we have a face over here and that face
in our front orthographic view we're just going

to go E to extrude it, and then S
to scale it, and then G to move it,

and that's going to be a simple thumb.

And this hand here is about
as simple as you can get.

You can come in here control R to add an extra
loop and control R in here to add an extra loop.

Then if you press A to select
all of this geometry you can come

to this tool here called the smooth tool
and then just drag in this little gizmo

and it'll smooth it all out like that.

And then just go back to the
move tool when you're done.

So you can see that's looking pretty cool.

So let's just tab back out into object mode.

We've got a hand instead of adding a
mirror to that hand you can just hold

in shift while you have that hand selected,
and select the arm, and then go control J

and it'll join that mesh to that arm.

So now that's all one object.

Let's just quickly disable our x-ray so
we can see what it's all looking like.

So pretty easy so far, isn't it?

And it's looking really cool, very stylized.

Let's quickly get into making the head which
is actually pretty simple despite the fact

that it looks a little bit complicated.

So let's go shift A, add in a cube.

And with this cube we're going to go G,
Z and move it to the top of the head.

I'm going to go S to scale that cube
down to about the size of the head.

Let's enable our x-ray once again go

into our right orthographic view
by pressing 3 on the number pad.

And let's tab into edit mode
and go contol R over one

of these edges to add in a loop, double click.

And let's just with that still selected
go G and move it just down a little bit.

And let's get to our vertex select option,
select this vertex over here, these two.

And then go G and move that forward a bit

and then select these two back ones
here or these four I should say.

And then go G and move it like that and
then you're going to select these two

or these four verts at the top by
clicking and dragging over them,

and you're going to move them here.

And you're going to go E to extrude
them up and then S to scale like that.

It's still looking very boxy so now
if we go control R while hovering

over this edge we can add in a loop, double
click go to your front view and what we're going

to do is we're going to go control
R hovering over one of these edges.

You can see the yellow line, double
click then select half of the verts

over here and press X and delete.

You can see that origin point is nice and,
in the middle, there so just like we did

with our body originally if
we now go to our modifiers,

we can give it a mirror modifier enable clipping
so it doesn't pull apart and now it's mirrored.

So what we can do is come in here control
R to add in another edge here double click.

And let's just select this
vertex down here let's go

to our proportional editing by enabling it.

And then we're going to go
G and if you have too little

or too much influence you can roll the middle
mouse button while you move to control that.

So we're just going to select
that vert and move it in.

Then select these verts here and then
go G. And just move them in as well.

Then just select these ones
bring them down a little bit.

And you can figure this out yourself it's
actually pretty easy all you're doing now is

going to the different views and you can select
verts, and you can go G and just move them

and roll the middle mouse button while
you have that proportional editing just

to select things and round them out.

It's actually really simple.

So I'm going to select this corner one here in
the right orthographic view and then this one

so just rounding things out
and if you're not sure

which one you're pressing
just go into the normal view.

Left click then press free to go back

into the right orthographic
view and just repeat like that.

You can even select everything.

Once again go to that smooth
tool and just slightly smooth it

out then go back to the move tool.

So you can see how we're making the head here.

So what I'm going to do is I'm just going
to come in here ctrl R over this edge

to add in another loop, click it in.

Select these two here and just move them forward
to create a bit more dimension to the face,

and then ctrl R over here to add double click.

Select these ones at the front and then G and
move them in and down, then select this brow

over here and move it forward and that
just creates a bit more of that area

where the eyes would kind of sit.

It just gives that feel of it.

And then we're going to just move some of this
topology back a little bit by just selecting it,

pressing G to move it, going
back to the front you can kind

of see how this head is coming together.

Pretty cool.

So let's now tab back out into object mode
and let's just go shift A add in a cylinder.

Once again, let's just come to the vertices
and let's just make it five then we're going

to go G, Z, move it up, S to
scale, and there you have a neck.

So go into your right orthographic
view if you wish in edit mode.

You can just select the different
points, rotate them.

And this is just like we've
done before at this point.

You guys should be able to start
getting how this all works.

So selecting the verts, scaling
them, moving them by pressing G,

and just matching it up to that neck.

So just a very simple cylinder like that.

You can delete these caps
on the end by just dragging

over them, and going X and delete faces.

And there we have it that
neck is very, very easy.

Let's go back into object mode.

Let's un-enable the x-ray, we
don't need to see it at the moment.

And you can see it's actually
coming together pretty well.

Before we get into the hair let's
just quickly select the body here.

Shift A, left click on this edge
to loop, select it over here.

Let's just go E to extrude S to scale,
and then G just move it in a little bit,

you can disable proportional
editing at this point.

Move it down a bit and then E, Z, and extrude
that down, and then S to scale it, like that.

So just bringing that in like that.

Okay so we're pretty much
now done with most of this.

You can add some ears as well like I did.

A very simple way to do that is to go shift A,
just add in a cube G to move that cube forward.

S to scale that cube, and of this cube
here, just get roughly the size of the ear.

Then tab into edit mode, and if you
want to enable the x-ray just do

that so you can select the top
face, G to move it, R to rotate.

Then select these bottom
ones, G to move it down.

R to rotate, then go to your
right orthographic view.

Select the whole thing and
then go S, Y, to flatten it.

And then R to rotate it just
at a bit of an angle.

And at this point, you can do something where
you go control R, roll in two extra loops.

Control R over this edge, roll your middle
mouse, button up, and then double click.

Now you have a little bit more
topology and in your front view.

You can kind of pull these
points around selecting them,

and just evening things out just a little bit.

And then to make that divot there, it's
actually really simple, you can go to your face,

select option disable the mirror for now.

And then holding and shift, you can just
click on all of these front faces like so.

While you're holding shift, and
go E to extrude, S to scale.

Left click, and then E to extrude in.

And then S to scale, and then you can
just select the whole thing by pressing A.

So you select all of the topology, go to your
little smooth tool again and then just drag

that little gizmo and smooth
it out just slightly.

And there you have a very simple ear to
which you can also add a mirror modifier.

Make sure to click on the little eyedropper, and
select something like the head for a reference.

And there we have it.

Ears. You can scale them up a little
bit, go back into object mode.

And with the head here, you can
always just go into edit mode again.

Go to this edge, select option,
and then select an edge.

And you can enable proportional editing, and
at this point, you can very simply select edges

and just adjust accordingly to make that all
look a little bit better by bringing it all out.

Maybe go to vertex select if it's easier.

But at this point you guys see what we're
doing here just how simple all of this is.

So an easier way to make the hair is to
kind of use an existing mesh like the head.

So let's just select the head.

Go into edit mode.

And one thing that might make things
a little bit simpler here is maybe

to round the head out just a bit.

So I'm going to go into the x-ray again
by toggling it, selecting just these here.

And then with proportional editing.

I'm just going to press G, and move them in
a bit and the same here with the squareness

of the head, just bringing it in.

Optionally, maybe go CTRL R,
add in an extra loop here.

CTRL R hovering over this edge, see the yellow
line and double click A to select everything.

And then just with that smooth tool enabled,

just drag the little gizmo and
smooth it out a little bit.

So now we can select the scalp
and start turning into hair.

So let's just go to the face select option here.

And let's just double tap A to
deselect everything in edit mode.

And if you now press C on your keyboard,
so C. And you roll your middle mouse button

up you're going to have this
selection tool here.

So you can make it whatever size you
want by rolling the middle mouse button.

Then you can left click and
hold in the left click and drag,

and then select all of these parts like this.

Now remember this head isn't mirrored.

Okay, this head is mirrored, so you should
still make sure you have the x-ray enabled just

so you select all of the faces.

You don't want to miss any faces.

So I'm going to just do it again.

So any ones like this, just select them roughly.

And go Shift D to duplicate,
and then right click to let go.

Then you can go Alt-S, and
scale it out along the normal.

So Alt-S. Remember I talked
earlier about normals,

and how they're different
from just normal scaling.

So Alt-S instead of just S. And we want

to make this its own geometry,
it's no longer part of this.

And a simple way to do that is just while
that's still selected, you can press P.

And you're going to get the separate option.

You're going to go separate by selection.

Now this is actually a different object.

So we need to go back into object
mode, and now we get a click

on this object, and it's its own new object.

And we can tab into edit mode,
and now we only have this.

So I'm going to just disable the x-ray for now.

I'm going to go into my right orthographic
view, and what I'm going to do is I'm going

to go Alt-S even more with all of that selected.

Go to something like this, I'm going
to enable the proportional editing.

I'm going to go to the vertex select
option, and then I'm just going

to drag and select these verts here.

I'm going to go G, and move
them up to follow the reference.

So you can see what I'm doing
here, bringing this fringe forward.

Same with these ones here, very simple.

And then I'm going to select these
ones here, I'm going to go G,

and just bring them down,
and bring these forward.

So pretty simple stuff.

Then go into the front orthographic
view, and then select these ones here.

And then go G, and then just
move them out a little bit.

Doesn't have to be perfect,
but just more or less.

And then what we need to do is enable
the x-ray again, so we can see through.

Let's just select this bottom vertex
here, just this one by itself.

And then go G, Z. We still
have proportional editing,

and you should just roll it just
slightly and bring it up like that.

And then select this one down here, and
then G, and just move it down slightly.

So now if we enable the x-ray, you can see here.

That's what we have this
kind of cute looking fringe.

We're now going to just take this.

Just kind of roll it in like that towards
there, and while you have it selected hold

in shift, and then click on this vertex.

And then in this vertex, you have
three of them selected like a triangle.

And then if you press F, it'll add in
a face between all of those like that.

And then you're going to
select this vertex down here,

and we're going to go G,
and just move it up here.

Yours doesn't have to look exactly like that but
just something along those lines should be fine.

And then what you can do, click and
drag and select these bottom vertices

over here and go X, and delete vertices.

And now what we can do is we're
going to go to our modifiers.

We're going to give this
something called a solidify.

And now if you come to the
solidify, and you drag this value.

You can see we're adding a
bit of thickness to that.

Now you can't actually edit that thickness,
it's not actually geometry you can grab.

But you can still see the thickness even
if you edit the geometry here in edit mode.

Which is really cool.

So it's a modifier.

It's modifying the mesh in real
time while you're working with it.

So now let's go to our right orthographic view.

Let's enable x-ray again.

Let's just click and drag and select these
bottom verts over here, and let's just go G,

and move them down a bit and rotate them.

And I'm going to disable
proportional editing for now.

Then I'm going to go E, and I'm
going to extrude them down a bit.

Then I'm going to select this vertex here.

G to move it in a bit, and
this one here like that.

Select all of these again, and I'm
just going to continue E to extrude,

S to scale, E to extrude, S to scale.

Then I'm going to go into my back orthographic
view and instead of pressing 1 on a number pad.

You can hold in Ctrl or command and then
press 1, and now you're seeing the back.

Let's just try and model it from the back here.

I'm just going to grab that vertex.

And I'm just moving these out just to round
them out a little bit, moving this one in,

you don't have to do this precise.

But you get the idea here.

All we're trying to do is just even
out the verts here at the back.

So we kind of have the hair
just coming down like that.

Something very simple but it works.

And then if you wanted to, it's optional
you can add these little bits at the side.

A very simple way to do that is to go to
your edge select option up here in edit mode.

Select any edge up here go to your right
orthographic view, shift D to duplicate it,

enable the x-ray, and then G, move it
somewhere above where that hair should start.

And then E to extrude, S to scale, rotate.

E to extrude, S to scale, and then R to rotate,
and then E to extrude down, and then S to scale.

Go to your front view, and now you can select
these edges like that and you can move them

in a little bit, and edit them to make
them look nicer from the front as well,

and it still has that modifier on it now.

You can notice that this one here, if I
go to face select, and I select this face.

The solidify modifier here is
making this the effect come in.

But this one here, if I select the face,
the effect is happening towards the outside,

and that's got to do with the normals.

So what we may have to do in
this case is correct the normals.

I'm not going to get into why that happens,
it's a bit tricky to explain for beginners.

So just for now all you have to do
is press A to select everything.

Alt N, and then go recalculate outside or
inside depending on what the situation is.

So I'm going to go outside, and
now all of these should be the same

so I'm just going to select a face here.

Go Ctrl L to select the whole thing.

And then G and just move it out a bit.

You guys can adjust this however you want.

You don't have to do it exactly like me --
completely up to you how you want to do that.

And once you're happy with that,
you can also just select any vertex

of face Ctrl L. Select the whole thing and
then go shift D in the right orthographic view,

move it back and then slightly
edit the second piece,

and there you have these little hair
droopy things coming off the side,

and you know very, very simple.

So based on what I've just shown you guys,
you can make this however you want now

that you know the basic techniques.

But it's very boxy, very
stylized, very low poly.

But that's a nice look, and that's actually
what we're deliberately going for here.

So there we have it.

The character is pretty much
done; add a nose if you want.

But what we're going to do next is
we're going to add some nice colors

or materials what we call shaders,
and then we'll add some nice lights,

and I'll show you how you can render
this out as a nice looking result.

And then we're pretty much done.

So whenever we want to work with things,
remember our properties panel over here,

so remember, we have this one here
called the materials property.

I think I briefly mentioned
this in the very beginning.

but over here if you click on it, says material
properties here is we can actually add materials

and change their properties.

So how do you add a material?

It's actually very simple.

Let's just say you want to add
a material to a certain object,

you just simply left click on it in object mode.

So let's start with the body, all right.

And then you go over here and you
can see this button called new.

Now there's a little drop down here,

that's where pre-existing materials
are materials you already have.

Let's just go new and now it's created
the materials, given it a default name.

So you can actually double click here, or just
click on it the name, and call it something.

So I'm going to call it Yellow,
because I want it to be a yellow color.

And then over here you're going
to see something called a preview.

This is where you can actually
see a preview of your material

and under here is something you see the surface.

This is where you change
a whole bunch of settings.

Now I'm not actually going to get into all of
these settings here because that's a lot more

in depth, and this is something
you'll learn as you grow as an artist.

But for now, we're just going to look at nothing
more than the color, literally just the color.

At the moment, the color is white.

So we want yellow, so we click on this, and
we go and click on yellow or wherever we want.

Not only can you change saturations
here and colors, but you can also come

to the value slider and change the values.

So pretty simple not much more to say
than that, and now you have that material.

Now, obviously, you're not seeing it,
because you have to actually render,

so rendering is when we press Z on a keyboard,
and we can click on this option called rendered.

Now we're no longer seeing just
the shading viewport shading,

but we're seeing the actual material.

Now another thing to think about is
when you go up to your properties,

go up here to this little camera.

That's your render properties.

Currently there's an engine, a render
engine being used called Eevee.

That's more like a real-time rendering engine,

and we're going to change it
to something called Cycles.

Now I'm not going to really get into
the details here, Cycles does a lot more

like bounce sliding, ray tracing,
a lot more advanced things.

But if you have a GPU under
the device, you can enable it.

If you don't just leave it
at CPU, it's not a big deal.

This isn't really a render
processor intensive render anyway.

It's very low poly so probably doesn't matter.

So I'm changing mine to GPU.

We'll add lights in a bit.

But for now, I'm just going to go into the
material preview which is kind of like a mix

between the just standard viewport
solid shading and the render.

Co you can see here, we have the color.

So what we're going to do now.

Let's go back to our materials properties.

We have that shirt still selected or the body.

And remember we added that yellow material.

What if we want to add more?

So let's just tab into edit mode, and let's
just say, for example, let's just go Ctrl R,

add in a loop here double
click, double G to slide,

and then alt S to scale out along the normals.

Maybe move it up a bit.

Let's just say we want to
add a little border here.

so what we can do, go to your face select, and
then going shift alt with face select enabled.

You can just shift alt click on this edge over
here, and it'll loop select these faces here,

and now what you can do is come
here under your materials property.

Click on the plus again, and now you
have a new thing here, you can go new.

And let's just call it red, for example.

And now we can go assign while those
faces are selected, and has that material.

Now, we called it red, but we still have to
come to the surface here, and just like we did

with the yellow, come to the
base color and give it a color.

I'm going to go with an orangey kind of red,

so I'm going to quickly tab
back out into object mode.

And now I'm going to select the shirt, and
instead of this time still on the materials tab,

instead of coming creating a new material.

Let's just go to this drop down and create get
the existing yellow, and then what we can do

as well is tab into edit mode,
and then click on the plus here.

And we can create a new one, and once again,

we can just go down and select
a pre-existing color.

So I'm going to go through red.

And this time if I wanted to be assigned
to something, I have to actually select it.

So I'm going to click on
a face here on the sleeve,

I'm going to go control L
to select the whole thing.

And then click on the red and then assign.

How simple is that.

Now let's create a new thing,
which is going to be the skin.

So let's just left click on the
hand, or on any face on the hand.

Go control L to select the whole thing.

Then let's click plus over here, and this
time we're going to create a new material.

Let's just call it skin.

And now we can go to the surface, and let's
just give it something like a brownish blush.

I want to go for almost like
a brown olive kind of color.

And then I'm going to go assign, you can make
your skin whatever you want, perfectly fine.

So now we have that there.

I'm going to tab out.

And now we can actually select
the head, and go to the drop down.

And we already now have that skin.

So let's select it.

Let's just also select the ear, go to
the drop down, give it that same skin.

Select the neck, go to that
drop down, give it the skin.

And let's select the hair.

Now the hair we haven't created a
material for, so let's click on the hair,

create a new material, and call it hair.

And let's just come to the base color.

I'm going to go with a brownish kind
of red like that, and there I have it.

And that's now the hair.

So let's go to the legs.

Let's click on the legs.

Let's go new I'm going to call this blue.

And I'm going to make it kind of like a
robin's egg kind of blue, like cyan almost.

Then I'm going to click on the plus again, go
new, and I'm going to call this one darker blue.

And if I want to assign it to any specific
part, we have to go into edit mode.

In this case, I'm going to make
sure face select is enabled.

I'm going to go shift alt.

Click on this edge over here
to loop select these faces.

Ctrl plus or command plus to
grow the selection just once.

So we have this part here selected.

I'm going to click on the
dark blue and go assign,

and then under the base color let's make it
something that fits the description, like that.

And the exact same thing for the rest.

In fact, I'm going to turn on my x-ray
here and I'm just going to click and drag,

and just select these bottom faces.

They're all selected.

And I'm going to do the same thing, I'm going
to come here plus, I'm going to go assign,

I'm going to click new, and I'm going to make
this like a leathery kind of brown color,

bring that value down and there you have it.

Pretty cool.

And you can even click on
here and name it something.

I'm going to call it leather,
and there we have it.

How simple is that.

I'm going to go back into object
mode, and now we've added all

of these materials as you can see.

Once again, if you want to see
this, you actually have to press Z

and go into material preview like I said.

So there you have it.

So press Z and go into either
rendered or material preview.

So now all we have to do
is just render this out.

We've already gone to our render
engine and given it the cycles engine.

But we do need to add some lights.

So let's go shift A and we've
been adding meshes before.

But let's go down to our lights.

Add in this thing called an area
light, and we're going to go G Z

and move it just like we've moved anything else.

I'm going to move it up to here.

So we've moved it up on the Z axis.

And then we're going to go R,
and we're going to rotate it.

Like this.

And then G to move it.

Now you can pick whatever lighting
direction you want once you have a position

where you want your light to come
from, go over to your properties.

And you're going to see this little light
bulb, and that's your light settings.

And why is this our properties
like I've mentioned before,

because we edit our properties here.

So you can go to the power and just as you
might assume that's got to do with the strength.

So the more you put this level up here, the
watts, the more power you're going to get.

Pretty common sense.

And then also the size that's going
to make it a bit of a softer light.

The smaller you have that, the point of
the light, just like you do in real life,

you're going to have a sharper light.

And the broader the light is
and closer to the subject here,

it's going to be a bit more scattered.

So I like to increase the size a
little bit bigger than the default.

Something like that, and if we now go Z and
we go rendered, we can see we have this light.

So it's up to you how much you want to
tweak the power amount here for your light.

You can drag it up as much as you want.

You can even change the color of
your light to give it some mood.

Very simple stuff.

But once you're happy with it you can
also go shift D with that light selected

to duplicate it like anything else.

And then rotate it, and you can duplicate
and make as many of these lights as you want.

So I'm happy with that I'm going to go shift
A, I'm going to add in one more object.

And that's just a plane on the floor here.

I'm going to go S to scale that plane up
like that, and then tab into edit mode.

And I'm just going to go into my solid
work press a Z and then go solid.

And you can go to your edge select.

Select this back edge, and then go E,
Z and extrude it up on a Z like that.

Select this edge here, and then you can go
Ctrl B and Ctrl B allows you to make a bevel

on an edge you can move it as big
as you want by moving your mouse,

and then roll your middle mouse
button to add in more segments.

And then just double click and it's added in.

Now you can go back into object mode,
and you have this nice fancy backdrop,

and you can see here in our scene is a camera.

So you can literally click on that camera.

And with a camera active you can press zero on
your number pad, and it goes into camera view.

And then with that camera selected you can
double tap R and as you move your mouse,

you can actually rotate the camera.

If you press R by itself, you
can rotate just like this.

And then you can press G
and G allows you to move it.

So you just press G and move the camera to
where you want it, and then you can just

like anything else, you can
come to your move tool,

and you can just move these little sliders,
or you can just press G like we've been doing.

So G, and then Y to move along
the Y or Z, whatever you want.

And if you want to go change the
dimensions, just go to your output here.

And you can change your resolution.

So these are the pixels.

So 1020 by 1080 by 1920 here.

I'm just going to drag this value here down a
bit, just to make it a bit of a different ratio.

Just like that.

And then I'm going to just move my camera
in a little bit, something like that.

You can also come here to your camera settings.

I'm not going to get into all the advanced
things here there's a lot that can be said.

But just as a beginner here, let's just
go to the focal length and change that.

So if so those of you who are
familiar with photography,

a lot of this would make more sense to you.

But once again it's not what we're
focusing on here as this is more just

about a very beginner's tutorial for
the modeling and things like that.

So here we have our camera set up, we
have our scene, we're pretty much done.

So let's just select these two reference images.

I'm holding in shift.

And remember these collections I told you about.

If we now go M and we go new collection
after we selected those two reference images,

we can go ref type whatever you
want in here, and then go okay.

And under your collections here now, if
you just drop down this main collection,

you can now see a collection called ref.

And now two references in there.

We can just untick it and
they're out of the way.

So they're not deleted, but
they're just out of the way

so if we want to ever bring them back, we can.

But that just organizes our scene
a little bit and there you have it.

We now have this, if we press
Z and we go rendered,

we have our subject in the
view here of the camera.

And another cool thing you can do in camera
view you can go Ctrl b and then click and drag,

and drag over the camera with Ctrl b. And it's
just going to limit that render to the camera,

and that's going to free up a little
bit of your processing as well.

So there we have it.

A fantastic looking low poly model
that you guys can be proud of.

I hope you've enjoyed this.

And what you can do now is
press z go back into solid mode.

And all you have to do is
go to render, render image,

and it's going to render this image for you.

And in fact, I'll quickly just press escape
to cancel this because I forgot to mention.

Under your render settings, just click
on that and go down to the render,

and take the sample amount down to
something like 80, because if you have it

at 4000 whatever, it's going
to take forever to render.

So the more samples, the higher the quality is,

but if you have this little
thing the denoiser enabled,

Blender's algorithm does a pretty good job at
getting the noise out after you've rendered.

So just make sure you do that
and then go render, render image,

and we'll see what that looks like.

So you can see here, this little sample
count, it's 48 samples out of 80.

Okay, it's just finished,
it's out of the denoising.

And there it is.

Now what you can do is you
can go to image, save as,

and then save it wherever
you want on your computer.

And that's it, that's how simple this is.

I hope you guys have learned something here.

I know I didn't go into detail on
everything like I said in the beginning.

But this is just absolutely to whet your
appetite and get you started as a beginner.

I hope you guys have enjoyed this.

I will be putting this Blender
file on my Patreon,

and I'll probably do some more
videos following up on this one.

We're going to do a little
bit of rigging, animation,

so you guys can learn more about this.

And definitely leave your comments below
and I hope you guys have a good time.