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Hadh Kardi Aapne {HD} - Govinda - Rani Mukerji - Johnny Lever - Hindi Full Comedy Movie

  • 1:37 - 1:39
    Now that you have dared
    to challenge me..
  • 1:39 - 1:40
    ..be ready to face
    the reality.
  • 1:41 - 1:44
    I have never come across a
    deceitful woman like you.
  • 1:44 - 1:49
    You are not loyal yourself.
    -Order! Order! Order!
  • 1:49 - 1:52
    Screaming and yelling
    is contempt of court.
  • 1:52 - 1:55
    Your lawyers will speak for you.
  • 1:55 - 1:56
    Where is your lawyer?
  • 1:58 - 2:01
    Sorry sir.
    Neem Carrey reporting sir.
  • 2:01 - 2:03
    Sorry Sir, sorry.
  • 2:03 - 2:06
    Why did you slip inside
    the court this way?
  • 2:06 - 2:08
    Your Honour,
    I am a slippery character.
  • 2:08 - 2:11
    My neighbours say that's our
    family inborn quality.
  • 2:11 - 2:13
    Once my father slipped
    in the muck..
  • 2:13 - 2:14
    ..and directly entered the court.
  • 2:14 - 2:16
    Suddenly he realised,
    he had forgotten..
  • 2:16 - 2:17
    ..to pay my mother for the
    household expenses.
  • 2:17 - 2:18
    My mother was in the bathroom.
  • 2:18 - 2:21
    She slipped on the washing soap,
    and came directly to the court.
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    And that's why, as a lawyer..
  • 2:23 - 2:26
    ..I will see the end of Sanjay Khanna.
    -What?
  • 2:26 - 2:27
    I mean, achieve your goal.
  • 2:28 - 2:29
    Because I know..
  • 2:29 - 2:33
    ..you want to divorce your wife
    Anjali Khanna at any cost.
  • 2:33 - 2:36
    And I will get you that.
    -Yes your honour.
  • 2:36 - 2:38
    I cannot stay with
    this woman now.
  • 2:38 - 2:41
    No one can.
  • 2:41 - 2:42
    He is not human.
    -What?
  • 2:43 - 2:45
    He is an angel.
    She's not fit for him.
  • 2:45 - 2:47
    Your honour,
    I am fed up of this man myself.
  • 2:47 - 2:50
    You cannot argue in the court.
  • 2:51 - 2:52
    Do you have a lawyer?
  • 2:53 - 2:54
    Your honour.
  • 2:55 - 2:58
    I am Anjali Khanna's advocate.
    Ram Carrey reporting.
  • 2:59 - 3:01
    What have you done to yourself?
  • 3:01 - 3:02
    Why don't you do something
    about it?
  • 3:02 - 3:03
    Sir, what else do you want him to do?
  • 3:04 - 3:05
    There's no limit.
  • 3:05 - 3:06
    He has done this to himself.
  • 3:08 - 3:12
    I know everything.
    It's my son Neem Carrey's doings.
  • 3:13 - 3:15
    Your honour, he knew that
    I was winning this case.
  • 3:15 - 3:17
    And so he locked me
    up in the bathroom.
  • 3:18 - 3:21
    But truth can never stay locked up.
    I broke open the door.
  • 3:21 - 3:23
    Look, it even tore my clothes.
    Take a look at my condition.
  • 3:24 - 3:26
    Your honour, my first charge on
    the night of January the 7th.
  • 3:26 - 3:30
    Mrs. Anjali Khanna was with
    Mr. Menon in Hilton Hotel.
  • 3:31 - 3:32
    You are wrong.
  • 3:32 - 3:36
    On the night of 7th January
    Anjali was not with Mr. Menon.
  • 3:37 - 3:39
    In fact, she was with Mr. Kanan.
  • 3:39 - 3:41
    Carrey uncle.
    -Did I overdo it?
  • 3:41 - 3:43
    Your honour, who is this Kanan?
  • 3:43 - 3:46
    You are defending the case,
    and you don't know who Kanan is?
  • 3:46 - 3:50
    Chandan's brother, Kanan.
    -Who is Chandan?
  • 3:50 - 3:54
    Manan's son, Chandan.
    -Who is Manan?
  • 3:54 - 3:56
    Babban's neighbour.
  • 3:56 - 3:58
    But your honour what
    relation does..
  • 3:58 - 4:00
    ..the neighbour have
    with this case?
  • 4:00 - 4:04
    Your honour,
    this fool doesn't know anything.
  • 4:04 - 4:07
    Actually, Anjali doesn't have
    any affair with anyone.
  • 4:07 - 4:09
    He's the one having an affair.
  • 4:09 - 4:11
    Last week, he presented..
  • 4:11 - 4:13
    ..Sunzina with a diamond necklace
    worth 1.1 million rupees.
  • 4:13 - 4:16
    Wrong. It wasn't worth
    1.1 million rupees.
  • 4:17 - 4:22
    Mr. Khanna gifted a necklace
    worth Rs.1100. That's all.
  • 4:23 - 4:24
    What are you saying?
  • 4:24 - 4:26
    Note that your honour.
    He presented her the necklace.
  • 4:26 - 4:28
    That means he has an affair
    with Suzina too.
  • 4:28 - 4:31
    Not just Suzina,
    he has an affair with Melina too.
  • 4:31 - 4:33
    Who is Melina?
  • 4:34 - 4:37
    The one who came with Lilina.
    -Who is Lilina?
  • 4:37 - 4:39
    Tina's neighbour.
  • 4:39 - 4:43
    But son what relation does the
    neighbour have with this case?
  • 4:43 - 4:47
    The same way Chandan,
    Manan and Babban do, Daddy.
  • 4:47 - 4:49
    Don't try to be smart,
    understand.
  • 4:49 - 4:50
    Your honour.
  • 4:50 - 4:52
    He's a complete fool. And still
    wants to defend this case.
  • 4:53 - 4:57
    But, currently his wife has an affair
    with eleven people.
  • 4:57 - 5:00
    And her husband is having
    his 25th affair.
  • 5:00 - 5:02
    25 affairs.
    You think that's possible, Sir.
  • 5:02 - 5:04
    Is he the grandson
    of Wajid Ali Shah?
  • 5:04 - 5:06
    He's lying.
    Has gone completely crazy.
  • 5:06 - 5:07
    He resorted to tearing clothes.
  • 5:07 - 5:09
    His own and others too.
    Take a look.
  • 5:10 - 5:15
    Both the parties couldn't
    prove the truth.
  • 5:15 - 5:17
    And the court cannot
    give its verdict..
  • 5:17 - 5:18
    ..without concrete evidence.
  • 5:18 - 5:22
    And that's why, the court grants
    your one months time.
  • 5:22 - 5:25
    Within a month,
    you will have to gather evidence.
  • 5:25 - 5:27
    That will prove this madam wrong.
  • 5:27 - 5:30
    And Madan,
    within this one month..
  • 5:30 - 5:32
    ..try to gather some
    evidence that..
  • 5:32 - 5:33
    ..will prove this mister wrong.
  • 5:34 - 5:37
    Only then will the court
    give its verdict.
  • 5:37 - 5:38
    Whether you should be permitted
    to get divorce or not.
  • 5:39 - 5:42
    I have to gather evidence
    within a month. But how?
  • 5:43 - 5:45
    The court has really
    got me in a fix.
  • 5:45 - 5:47
    How will this happen, Uncle?
  • 5:47 - 5:50
    You cannot catch him red-handed
    because he meets girls slyly.
  • 5:51 - 5:52
    Tell me Uncle, what can I do?
  • 5:52 - 5:55
    Tell him that you are going to
    Europe for 15-20 days. -Yes.
  • 5:55 - 5:58
    This way,
    he won't fear you catching him.
  • 5:58 - 6:00
    And he will meet the
    girls openly.
  • 6:00 - 6:01
    And instead of going to Europe..
  • 6:01 - 6:04
    ..you can stay here and
    catch him red-handed.
  • 6:04 - 6:06
    But won't he know that I am right
    here and not in Europe.
  • 6:06 - 6:08
    He won't? Send one of your
    friends in your place.
  • 6:08 - 6:10
    Uncle, this can be arranged.
  • 6:10 - 6:12
    I had a friend in college,
    Anjali Khanna.
  • 6:12 - 6:14
    At that time,
    I was Anjali Kapoor.
  • 6:14 - 6:17
    After marrying this idiot,
    I have become Anjali Khanna.
  • 6:17 - 6:20
    And so, Anjali Khanna
    will go on this tour.
  • 6:21 - 6:23
    Sister,
    the groom's family has arrived.
  • 6:23 - 6:25
    And the boy looks so handsome.
    -Quiet.
  • 6:25 - 6:27
    Even our grocery seller is good
    looking for you. -Yes.
  • 6:28 - 6:30
    Listen, get the tea tray.
  • 6:31 - 6:35
    And then watch Anjali
    work her magic. -Wow.
  • 6:35 - 6:38
    Attention, sister is coming.
  • 6:38 - 6:41
    Come dear, come.
  • 6:42 - 6:44
    This is Mr. Sharma.
  • 6:44 - 6:47
    Mrs. Sharma.
    And their son, Monty.
  • 6:49 - 6:52
    Bless you. -Bless you, Dear.
  • 6:52 - 6:53
    Greetings.
  • 6:59 - 7:02
    Are you winking at me?
    -It's habitual.
  • 7:03 - 7:05
    Please come with me.
    To that corner.
  • 7:05 - 7:08
    I want to talk to you in private.
    Please come.
  • 7:08 - 7:11
    Go on son, go.
  • 7:13 - 7:17
    Here. Have some tea. -Thank you.
  • 7:17 - 7:18
    Why are you hands trembling
    so much?
  • 7:18 - 7:22
    I had too much to drink last
    night. -You drink too. -Yes.
  • 7:22 - 7:25
    Half a bottle every night.
    -Half a bottle.
  • 7:25 - 7:27
    Yes. But if I am in the mood,
    I finish the entire bottle.
  • 7:27 - 7:30
    She is a drunkard.
  • 7:30 - 7:33
    You will know my qualities
    once we get married.
  • 7:33 - 7:36
    By the way,
    what is the number of your flat?
  • 7:36 - 7:39
    107. -Really! That means,
    today if I place a bet..
  • 7:39 - 7:42
    ..on number one and seven,
    I am sure to win. -You gamble.
  • 7:42 - 7:44
    So does my daddy.
    -What?
  • 7:44 - 7:47
    Yes. But don't tell mummy
    about your flat number. -Why?
  • 7:47 - 7:49
    Actually,
    mummy likes to bet on horses.
  • 7:49 - 7:50
    The number of your flat is 107.
  • 7:50 - 7:54
    And my mummy will bet everything
    on horses one and seven.
  • 7:54 - 7:57
    Oh God. That's too bad.
  • 7:57 - 8:01
    That's nothing. There's something
    even worse. -What's that?
  • 8:02 - 8:04
    My uncle.
    -Yes.
  • 8:05 - 8:08
    He takes contracts.
    -Constructions.
  • 8:08 - 8:09
    Murders.
  • 8:11 - 8:12
    (Whistling)
  • 8:13 - 8:16
    The only thing missing in
    this family is a dacoit.
  • 8:16 - 8:17
    Not for long. -What?
  • 8:17 - 8:21
    Once we get married.
    And then..when he's born.
  • 8:22 - 8:24
    We will send him to Chambal
    for training.
  • 8:25 - 8:26
    Daddy. -Yes, Son.
    -What's wrong?
  • 8:27 - 8:28
    Mummy. -What happened, Son?
    -Let's leave, quickly.
  • 8:28 - 8:31
    Before we land in some trouble.
    Let's go.
  • 8:31 - 8:33
    But what's wrong? -I have heard
    everything too. Let's leave.
  • 8:34 - 8:37
    Fine then, we are leaving. Goodbye.
    -Please listen to me.
  • 8:37 - 8:38
    My wife has heard everything.
  • 8:38 - 8:39
    And I don't want to hear
    anything else. Come on.
  • 8:40 - 8:43
    Brother. -It was such a nice proposal.
    The boy works for CID.
  • 8:44 - 8:45
    Daddy, Mummy, Uncle.
  • 8:45 - 8:48
    You know, everything in my life
    has been of my choice.
  • 8:48 - 8:51
    Then, how can I marry
    a boy of your choice?
  • 8:51 - 8:53
    I will marry only someone
    of my choice.
  • 8:53 - 8:55
    Or else I won't get married.
  • 8:55 - 8:58
    That's why I put up this charade.
    - Very good! Bravo!
  • 8:58 - 9:01
    We were putting up a charade too.
    -What?
  • 9:01 - 9:03
    We knew that you were
    just acting.
  • 9:03 - 9:06
    My son is a CID officer.
    -And I am ready for this marriage.
  • 9:06 - 9:09
    Oh no.
    -Oh yes.
  • 9:09 - 9:12
    I don't want to get
    married right now.
  • 9:16 - 9:17
    (Car horn)
  • 9:17 - 9:18
    (Car approaching)
  • 9:18 - 9:21
    Anjali. -Anjali. -Anjali.
  • 9:21 - 9:23
    I am in a real problem.
    Please help me.
  • 9:23 - 9:26
    But Anjali, how can I help
    you in getting a divorce?
  • 9:26 - 9:28
    I want to catch Sanjay
    red-handed.
  • 9:28 - 9:31
    So you want me to flirt
    with your husband.
  • 9:32 - 9:33
    And you will click photographs
    of us together.
  • 9:33 - 9:35
    And present them in the court.
  • 9:35 - 9:39
    Not really. I will go after him.
    -Then, why do you need me?
  • 9:39 - 9:42
    Anjali. I will let Sanjay know..
  • 9:42 - 9:44
    ..that I am leaving for
    a tour of Europe.
  • 9:44 - 9:46
    But instead,
    you will go in my place.
  • 9:46 - 9:50
    He will become relaxed.
    And, I will catch him red handed.
  • 9:50 - 9:53
    Brilliant. This will solve
    both our problems.
  • 9:53 - 9:55
    And I can get away from
    these marriage hassles.
  • 9:55 - 9:57
    Okay, done.
    I am booking the ticket.
  • 9:57 - 9:58
    (Keypad tones)
  • 9:58 - 9:59
    (Telephone rings)
  • 9:59 - 10:00
    Come in.
  • 10:00 - 10:01
    (Telephone rings)
  • 10:05 - 10:06
    Hello.
    -Hello.
  • 10:06 - 10:08
    Come on. Where to?
  • 10:09 - 10:12
    Sangeeta, my dear.
  • 10:12 - 10:15
    But we are supposed to
    go out in the evening.
  • 10:15 - 10:16
    This is my working time.
    Why go now?
  • 10:16 - 10:19
    This is Anjali Khanna speaking,
    and not Sangeeta.
  • 10:19 - 10:23
    Khanna.
    -No dear, I don't do such things.
  • 10:23 - 10:26
    Chela Ramani,
    fix your hearing aide.
  • 10:26 - 10:29
    What did you say?
    What should I get fixed?
  • 10:29 - 10:31
    I get it. My hearing aide.
    It has a lose connection.
  • 10:31 - 10:33
    It's Anjali Khanna speaking.
  • 10:33 - 10:35
    Anjali.
    Sister-in-law, now I know.
  • 10:35 - 10:37
    Tell me, why did you call?
    -Listen.
  • 10:37 - 10:39
    I want one ticket
    for Europe tour.
  • 10:39 - 10:41
    You don't get cakes here,
    Sister-in-law.
  • 10:41 - 10:42
    This is a travel agency.
  • 10:42 - 10:45
    Now, if you wish to have the cake
    of Taj, then visit the Taj.
  • 10:46 - 10:48
    If you desire to have the cake
    of Monginis, then go there.
  • 10:48 - 10:50
    Oh God, there seems to be
    a loose contact again.
  • 10:50 - 10:51
    Wire..
  • 10:53 - 10:56
    Sister-in-law, you want a ticket.
    You will get it.
  • 10:56 - 10:58
    Thank you very much.
  • 10:59 - 11:02
    Touch. I don't get one thing.
  • 11:02 - 11:05
    Why does every person say,
    touch after saying thank you?
  • 11:05 - 11:07
    Are you going somewhere?
    -Yes.
  • 11:08 - 11:11
    Where are you going?
    -Europe, on a tour.
  • 11:11 - 11:13
    When are you leaving?
    -Tomorrow.
  • 11:14 - 11:16
    And you didn't even inform me.
  • 11:17 - 11:19
    We don't tell each other
    much these days.
  • 11:19 - 11:19
    She's going on a Europe
    tour tomorrow.
  • 11:20 - 11:23
    And she's letting me know today.
    -Listen to me. Come here.
  • 11:23 - 11:24
    You are lucky that she
    did inform you.
  • 11:24 - 11:26
    What would you have done if she hadn't?
    -What could I have done?
  • 11:26 - 11:30
    Oh my God, try to understand.
    -She won't be going alone.
  • 11:30 - 11:32
    Her boyfriend must
    be along with her.
  • 11:32 - 11:34
    Sir, this is your chance.
    Follow her.
  • 11:34 - 11:36
    And catch her red-handed.
    -Fool.
  • 11:36 - 11:38
    She won't interact with her
    boyfriend freely in front of me.
  • 11:38 - 11:41
    Oh my God, I can't believe it.
  • 11:41 - 11:43
    You can say something
    so intelligent.
  • 11:43 - 11:47
    Carrey, that's too much.
    -Okay. No problem.
  • 11:47 - 11:49
    Now I understand your problem.
  • 11:49 - 11:51
    You will have to send
    James Bond after her.
  • 11:51 - 11:53
    Only he can solve your problem.
  • 11:53 - 11:58
    Handsome.
    Smart. Dashing. Piercing eyes.
  • 11:58 - 12:00
    I know someone. I know someone.
  • 12:01 - 12:03
    He studied in my college.
  • 12:03 - 12:05
    He's a fantastic man
    like James Bond.
  • 12:05 - 12:07
    He can do this.
    -Where is he? Who is he?
  • 12:07 - 12:10
    He stays in Mumbai. Raj Malhotra.
  • 12:10 - 12:13
    Raj! Where is he these days?
  • 12:15 - 12:16
    (Car drifts)
  • 12:55 - 13:00
    "I am restless..
    so restless to fall in love."
  • 13:02 - 13:08
    "I want this wait
    to end forever."
  • 13:10 - 13:12
    "Where do I look for her?"
  • 13:12 - 13:16
    "Here there, everywhere."
  • 13:20 - 13:25
    "I am restless..
    so restless to fall in love."
  • 13:25 - 13:31
    "I want this wait
    to end forever."
  • 14:00 - 14:06
    "I am waiting for someone
    to steal my heart."
  • 14:09 - 14:15
    "Comes running straight
    into my arms."
  • 14:17 - 14:21
    "When will our paths cross?"
  • 14:21 - 14:25
    "When will I fall in
    love with someone?"
  • 14:25 - 14:28
    "When will our paths cross?"
  • 14:29 - 14:32
    "When will I fall in
    love with someone?"
  • 14:33 - 14:38
    "Someone..just pierces my heart."
  • 14:40 - 14:46
    "I am restless..
    so restless to fall in love."
  • 15:11 - 15:19
    "I am fed up of the sleepless
    nights and the loneliness."
  • 15:22 - 15:30
    "I am fed up of the sleepless
    nights and the loneliness."
  • 15:30 - 15:34
    "I wish to be in someone's
    company."
  • 15:34 - 15:37
    "To kiss someone."
  • 15:38 - 15:41
    "I wish to be in someone's
    company."
  • 15:42 - 15:45
    "To kiss someone."
  • 15:45 - 15:51
    "I wish for a girl that
    can dwell in my heart."
  • 15:53 - 15:55
    "To play the game of love..
  • 15:55 - 15:59
    ..it doesn't matter whether
    I win or lose."
  • 16:00 - 16:03
    "Where do I look for her?"
  • 16:03 - 16:06
    "Here there, everywhere."
  • 16:10 - 16:15
    "I am restless..
    so restless to fall in love."
  • 16:16 - 16:22
    "This time I want this
    wait to end forever."
  • 16:25 - 16:29
    Raj. Hey Raj. Is anybody there?
  • 16:29 - 16:31
    Raj.
    -Come in.
  • 16:32 - 16:34
    Good day.
  • 16:34 - 16:38
    Stupid. You have come so
    late to repair the fan.
  • 16:38 - 16:41
    Don't you know the fan
    is not working?
  • 16:41 - 16:44
    This is not right.
    Come on, repair the fan. -Fan.
  • 16:44 - 16:46
    Exactly.
  • 16:46 - 16:50
    I have been calling
    you since morning.
  • 16:50 - 16:53
    This is not right?
    Come on, repair the fan.
  • 16:53 - 16:56
    But, I am.. -I don't want
    to know. Repair the fan.
  • 16:57 - 17:01
    It's has been making a clanging
    noise since yesterday night. Repair it.
  • 17:01 - 17:04
    Listen to me.. -I don't want
    to know. Repair the fan.
  • 17:06 - 17:09
    Being a mechanic, you have come
    wearing a suit. -Mechanic.
  • 17:09 - 17:12
    Me, a mechanic.
    -You think you are the manager.
  • 17:12 - 17:15
    That enough from you.
    Will you repair the fan, or not?
  • 17:15 - 17:17
    Repair it quickly. I got it
    as a gift in my marriage.
  • 17:18 - 17:21
    It hasn't been working properly.
    -But I..
  • 17:21 - 17:24
    Will you repair it or not.
    -No I won't.
  • 17:24 - 17:26
    Will you repair it or not.
    -No I won't.
  • 17:26 - 17:28
    Then I will have to call my son,
    Somu. Somu.
  • 17:28 - 17:32
    Where is the rooster?
  • 17:32 - 17:33
    Tell me.
  • 17:34 - 17:35
    Where is the rooster, Mother?
  • 17:35 - 17:37
    This one. Him.
  • 17:37 - 17:40
    What's that thing?
    -That's not a thing?
  • 17:40 - 17:42
    He's my son, Somu.
  • 17:44 - 17:46
    You know he's a drunkard and
    keeps sleeping around all day
  • 17:46 - 17:49
    But if he fires with
    his shivering hands.
  • 17:50 - 17:52
    You will never know where
    the bullet hit you.
  • 17:54 - 17:56
    Repair the fan.
    -What have I gotten myself into?
  • 17:56 - 17:58
    Somu.
    -Where is the rooster?
  • 17:59 - 18:01
    Where is it? Here?
  • 18:01 - 18:03
    Here!
  • 18:03 - 18:06
    Repair the fan.
    Or else, Somu shoot him.
  • 18:06 - 18:08
    How can I? I don't have tools.
  • 18:09 - 18:13
    How stupid!
    You don't even carry your tools.
  • 18:14 - 18:16
    Wait, I will give you my tools.
  • 18:16 - 18:19
    Or else, better yet pick up the
    one's lying on the floor.
  • 18:19 - 18:23
    Here. Here. I will. I will
    repair the fan. Here.
  • 18:23 - 18:25
    Parvati!
  • 18:27 - 18:31
    Nirma. Bring the drink.
  • 18:41 - 18:42
    Who wants the drink?
  • 18:46 - 18:47
    Excuse me.
  • 18:48 - 18:48
    Yes!
  • 18:49 - 18:51
    Drink.
  • 18:54 - 18:55
    I will repair your fan today.
  • 18:56 - 19:00
    Let us go. We will come back
    once the fan is repaired.
  • 19:01 - 19:03
    (Coughs)
  • 19:04 - 19:05
    (Gasps)
  • 19:06 - 19:07
    (Gasps)
  • 19:14 - 19:15
    What are you doing?
  • 19:16 - 19:19
    The fan is not working.
    -What are you doing? Stop it!
  • 19:21 - 19:25
    Look at me. I am only 36.
    -What?
  • 19:26 - 19:29
    Not my age, that's my size.
  • 19:29 - 19:32
    36-36-36.
  • 19:33 - 19:35
    Hey.
    -No hey or A...
  • 19:36 - 19:41
    ..B.. C.. D.. E..
  • 19:41 - 19:43
    Mummy...
  • 19:45 - 19:47
    What happened?
    -This one ran away too.
  • 19:48 - 19:51
    Don't worry.
    Your brother Raj is a detective.
  • 19:52 - 19:55
    He will run into him somewhere.
    -Everyone is crazy.
  • 19:55 - 19:58
    Sanjay! No, I won't talk to you.
  • 19:58 - 19:59
    You thought about this friend
    after a long time.
  • 19:59 - 20:02
    Surely you must be in some trouble.
    -I really am in big trouble.
  • 20:02 - 20:03
    I want divorce from my wife.
  • 20:03 - 20:05
    You didn't invite me
    for your marriage.
  • 20:06 - 20:07
    Didn't even introduce
    me to sister-in-law.
  • 20:07 - 20:08
    And now when you want divorce,
    you have come seeking my help.
  • 20:08 - 20:10
    Why? Am I the court?
    -I went to the court.
  • 20:11 - 20:13
    But the court wants evidence
    of my wife's affairs.
  • 20:14 - 20:17
    So you need a friend who can
    be a detective for you.
  • 20:17 - 20:18
    Raj, I know you are a
    dashing detective.
  • 20:18 - 20:20
    I remember.
    During our college days..
  • 20:20 - 20:22
    ..you would solve difficult
    cases in a jiffy.
  • 20:22 - 20:24
    I remember.
    -Thank you my friend.
  • 20:24 - 20:27
    After that praise, I won't let
    your wife harass you anymore.
  • 20:27 - 20:27
    Where can I find Sister-in-law?
  • 20:28 - 20:29
    She's leaving for
    a tour of Europe.
  • 20:29 - 20:31
    Get my ticket booked
    in the same flight..
  • 20:31 - 20:33
    ..and arrange for some money,
    and come to the airport.
  • 20:33 - 20:36
    Don't worry my friend. I will
    handle your case carefully man.
  • 20:36 - 20:38
    I see to it that you get divorce.
  • 20:39 - 20:41
    Hey man. Which way is the toilet?
    -That way.
  • 20:41 - 20:43
    Thank you.
    -Excuse me. Go that side.
  • 20:43 - 20:46
    I know that, I just took my cap.
    -Bye.
  • 20:46 - 20:48
    Excuse me. Where's the toilet?
    -That way, ma'am.
  • 20:48 - 20:49
    Thanks.
  • 20:50 - 20:52
    No, no, no, no.
  • 20:53 - 20:58
    Really. I looked for you
    here and there, everywhere.
  • 20:58 - 21:01
    And I found you here,
    in front of the toilet.
  • 21:02 - 21:04
    That's not possible!
    -Will you please get up?
  • 21:04 - 21:08
    I don't want to. It's like
    my dreams have come true.
  • 21:08 - 21:09
    Darn!
  • 21:10 - 21:11
    I hate you kind of men.
  • 21:11 - 21:12
    I love you kind of girls.
    -Idiot.
  • 21:12 - 21:15
    Wow! Your abuses are so sweet.
  • 21:15 - 21:17
    So sweet.
    -God, you are so stupid man.
  • 21:17 - 21:19
    What a beautiful girl.
  • 21:20 - 21:22
    Hi Anjali. -Hi Raj.
  • 21:22 - 21:27
    Listen. These are my wife's photographs.
    -Okay.
  • 21:27 - 21:29
    This is your ticket.
    And my mobile number.
  • 21:29 - 21:30
    And only you know about it.
  • 21:31 - 21:33
    You have your passport.
    And here's your ticket. -Okay.
  • 21:33 - 21:35
    Just do one thing.
    Keep a close watch on her.
  • 21:35 - 21:36
    Where she goes?
    Whom does she meet?
  • 21:36 - 21:38
    Why does she meet?
    -Don't worry.
  • 21:38 - 21:39
    I am the James Bond of our group.
  • 21:39 - 21:40
    I will keep such a close
    watch on her..
  • 21:40 - 21:41
    ..that, even though she tries
    to do something covertly.
  • 21:41 - 21:44
    Either she will be caught
    red-handed, or get a clean chit.
  • 21:44 - 21:46
    Okay, bye.
    -No, listen to me.
  • 21:46 - 21:48
    Now we cannot contact each other.
  • 21:48 - 21:49
    So you better take care of yourself.
    -Alright.
  • 21:49 - 21:51
    This is not a place to meet.
    In this bathroom -Bye, see you.
  • 21:51 - 21:53
    That's why,
    I want to get married.
  • 21:53 - 21:54
    So I don't have to see
    all this nonsense.
  • 21:59 - 22:01
    Really.
    -Shut up.
  • 22:01 - 22:05
    Appeal plus lust. -I never came
    across an idiot like you.
  • 22:05 - 22:07
    Fire plus poetry.
    -Get up.
  • 22:08 - 22:10
    You are such a lovable person..
    - I said, get up.
  • 22:10 - 22:11
    Stupid.
  • 22:11 - 22:13
    Wow. She's beautiful.
  • 22:15 - 22:17
    Hey! Where's my envelope?
  • 22:17 - 22:20
    Squeeze me. I mean, excuse me.
  • 22:20 - 22:23
    What is it?
    -Well. -What?
  • 22:24 - 22:25
    Thanks.
  • 22:26 - 22:28
    Your Mickey is very lucky.
    -Why?
  • 22:29 - 22:30
    He's so close to you.
  • 22:31 - 22:33
    Sorry. Your hat.
  • 22:37 - 22:39
    So Pappi.
    You are going on a foreign tour..
  • 22:39 - 22:41
    ..for the first time in your life.
    -Yes.
  • 22:41 - 22:44
    Did your dad ever go to a foreign tour?
  • 22:44 - 22:46
    My father would have
    gone if your mother had.
  • 22:47 - 22:50
    Shut your mouth. And sit here.
  • 22:50 - 22:53
    I will just inquire about our flight.
    Listen. Be careful.
  • 22:53 - 22:56
    Why? You think someone will
    steal me from the airport?
  • 22:56 - 22:58
    Only a fool will steal you.
    -Mind your words!
  • 23:00 - 23:02
    What a beauty.
  • 23:03 - 23:05
    Hello.
    -Hello.
  • 23:05 - 23:07
    Will you please get up?
    -Why?
  • 23:07 - 23:10
    You are sitting on my handkerchief.
    -Oh, sorry.
  • 23:10 - 23:13
    It's not there.
    Anyway, take your seat.
  • 23:13 - 23:16
    I will sit and talk with you.
  • 23:16 - 23:20
    Are you going on Golden Travel's
    Europe Tour? -Yes.
  • 23:20 - 23:22
    I am going on the same tour.
    Nice meeting you.
  • 23:22 - 23:24
    You don't have to worry
    about anything..
  • 23:24 - 23:25
    ..in Europe as long
    as I am there.
  • 23:25 - 23:27
    If you need anything,
  • 23:27 - 23:29
    call me at midnight
    and I will be there.
  • 23:29 - 23:32
    If you are facing any problem,
    call me at midnight.
  • 23:32 - 23:34
    and I will be there.
    -Hey man. Hey. Leave her hand.
  • 23:34 - 23:37
    The tickets are sold there.
    If any Englishman troubles you,
  • 23:37 - 23:38
    Call me at midnight..
    -Just a minute.
  • 23:38 - 23:40
    Why do you do everything
    at midnight?
  • 23:40 - 23:43
    Do you sleep during the day?
    -Why are you concerned?
  • 23:43 - 23:46
    Actually,
    I married her 12 years ago.
  • 23:46 - 23:49
    Why are you arguing for something
    that happened 12 years ago?
  • 23:49 - 23:53
    I am her husband. And you are
    flirting with a married woman.
  • 23:53 - 23:55
    I.. Sister-in-law, good day.
  • 23:55 - 23:58
    That's a completely new twist.
  • 23:58 - 24:01
    I am Chaudhary.
    -And I am Bhaidas Bhai.
  • 24:01 - 24:04
    And she's Bhaidas Behn. For you.
    -Actually, I am Dimple.
  • 24:04 - 24:04
    Oh really.
  • 24:04 - 24:09
    You two look really nice together.
    Don't misunderstand me.
  • 24:09 - 24:12
    Because,
    I have a personal wife myself.
  • 24:12 - 24:13
    Look, there she is..
  • 24:13 - 24:17
    So, you are coming with us on
    Golden Travel's Europe tour?
  • 24:17 - 24:18
    Yes.
  • 24:18 - 24:21
    That's just amazing..
  • 24:21 - 24:23
    If you are facing any problem.
  • 24:23 - 24:25
    Call me at midnight.
    And I will be there.
  • 24:25 - 24:26
    laughs.
  • 24:26 - 24:29
    If you need anything.
    Call me at midnight.
  • 24:29 - 24:32
    Call me at midnight.
    And I will be there.
  • 24:32 - 24:36
    If any Englishman troubles you.
    Call me at midnight.
  • 24:36 - 24:39
    I will be there.
    -Excuse me.
  • 24:39 - 24:41
    Why do you do everything
    at midnight?
  • 24:41 - 24:45
    Do you sleep during the day?
    -Why does it concern you?
  • 24:45 - 24:49
    Why shouldn't I,
    we got married 12 years ago.
  • 24:49 - 24:52
    Why are you arguing for something
    that happened 12 years ago?
  • 24:52 - 24:53
    Forget it.
    -How can I forget it?
  • 24:53 - 24:55
    She's my wife.
  • 24:56 - 24:59
    Sister-in-law. Hello.
    -Hello.
  • 24:59 - 25:01
    I noticed that she's alone, and..
    -Alone.
  • 25:01 - 25:04
    She's never alone. She's
    always two persons in one
  • 25:04 - 25:07
    And when she is with me,
    there's four persons.
  • 25:07 - 25:08
    Come on, let's go from here.
  • 25:08 - 25:11
    The luggage and the trolley.
    -Forget the trolley.
  • 25:11 - 25:14
    Your brother will bring it along.
    Follow us with the trolley.
  • 25:14 - 25:15
    Brother.
  • 25:15 - 25:18
    Daddy, you were on your
    way to the toilet,
  • 25:18 - 25:22
    But you are flirting around here.
    Let me call mummy. -Quiet.
  • 25:22 - 25:24
    (Door opens)
  • 25:24 - 25:27
    I hope you are safely leaving
    with your entire luggage? -Yes.
  • 25:27 - 25:30
    You know what you have to do in
    this mission. -Don't worry.
  • 25:30 - 25:34
    And you don't worry.
    I will join you soon. -Okay.
  • 25:36 - 25:38
    What a beautiful airhostess.
  • 25:38 - 25:41
    I am sorry. Very sorry.
    -You are welcome.
  • 25:42 - 25:43
    Are you hurt?
  • 25:43 - 25:45
    That's fine. I don't mind at all.
  • 25:45 - 25:47
    That's very good.
    It's good to be such a sport.
  • 25:48 - 25:49
    Naughty boy.
  • 25:50 - 25:52
    This journey is going to
    be really cumbersome.
  • 25:52 - 25:56
    No, I am just 45 kilos.
    -Direct attack.
  • 25:58 - 26:03
    Is she the one?
    No, she couldn't be. She can be.
  • 26:03 - 26:06
    No, she can't be. Whether she's
    sister-in-law, or not.
  • 26:06 - 26:09
    Whoever she is,
    I have to be a bit careful.
  • 26:11 - 26:13
    What's this?
    It's better than first class.
  • 26:13 - 26:17
    Idiot.
    -Excuse me. I am sorry.
  • 26:17 - 26:19
    You didn't say you are welcome.
    That's okay.
  • 26:20 - 26:21
    Sometimes eyes say what
    the lips cannot.
  • 26:22 - 26:25
    The eyes have said it all.
    What is your good name? -Shut up!
  • 26:25 - 26:27
    That's not a good name.
    Please change it.
  • 26:27 - 26:30
    It looks like we will
    get along very well.
  • 26:31 - 26:33
    Can I sit here? I will sit here.
  • 26:33 - 26:35
    Before anyone takes advantage
    of this opportunity.
  • 26:35 - 26:38
    I don't want to miss the train.
  • 26:38 - 26:42
    All passengers are requested to..
    -That's okay, baby.
  • 26:42 - 26:43
    Baby...
  • 26:43 - 26:44
    You don't need that.
  • 26:44 - 26:47
    If the plane swaggers, you can
    hold on to me. I don't mind.
  • 26:47 - 26:49
    Will you please keep quiet?
    -That's all right.
  • 26:52 - 26:53
    You missed the shot.
  • 26:56 - 26:58
    Again you missed the shot.
  • 26:58 - 26:59
    Be gentle, I know it must hurt.
  • 27:00 - 27:03
    Excuse me! Is anyone here?
    This passenger is irritating me.
  • 27:03 - 27:07
    Don't worry, I am there.
  • 27:07 - 27:10
    Come and sit on my seat,
    and I will sit there.
  • 27:10 - 27:13
    That won't be necessary.
    I will come and sit on your seat.
  • 27:13 - 27:15
    You can come here,
    and sit besides her.
  • 27:16 - 27:18
    Bye sweetheart.
  • 27:19 - 27:20
    Stupid.
  • 27:28 - 27:30
    Now I will make sure
    no one touches you.
  • 27:30 - 27:34
    Nonsense. I will not spare him.
  • 27:34 - 27:37
    Nonsense. I.. Where are you from?
  • 27:38 - 27:40
    From Delhi or Jalander?
    -Ludhiana.
  • 27:40 - 27:41
    Ludhiana. You are from Ludhiana.
  • 27:41 - 27:45
    You are from Ludhiana. Now,
    no one can touch you like this.
  • 27:45 - 27:48
    No one can touch you like this,
    or like this.
  • 27:48 - 27:50
    I will see to it that
    no one does.
  • 27:51 - 27:54
    No one can touch your
    cheeks like this.
  • 27:55 - 27:57
    No one can touch your
    thighs like this.
  • 27:57 - 28:00
    And this..I won't let anyone
    do this to you.
  • 28:00 - 28:03
    I won't let anyone do anything,
    you just watch. -Thank you.
  • 28:04 - 28:06
    What would I have
    done without you?
  • 28:06 - 28:10
    Just think what can happen with me.
    -What do you mean?
  • 28:10 - 28:15
    I mean we Punjabis have a
    style to see-off someone.
  • 28:16 - 28:17
    We have a very warm feeling.
  • 28:17 - 28:20
    We bid adieu and embrace
    the person like this.
  • 28:21 - 28:24
    Good bye. Bye. -Excuse me.
    -You are acting too smart.
  • 28:24 - 28:26
    All Punjabi's are smart.
    That's not new.
  • 28:26 - 28:29
    Do you want one more,
    or was that enough?
  • 28:30 - 28:31
    Let that warm feeling flow.
  • 28:31 - 28:33
    Hello.
    -Excuse me.
  • 28:33 - 28:35
    Behave yourself.
    -Let that warm feeling flow.
  • 28:35 - 28:38
    It's nothing wrong.
    -Airhostess. Airhostess.
  • 28:38 - 28:39
    Yes madam.
  • 28:39 - 28:41
    This man is worse than
    the earlier one.
  • 28:41 - 28:43
    Please change my seat.
    -Please come with me.
  • 28:43 - 28:44
    All men are like that.
    -How do you know?
  • 28:44 - 28:46
    Shut up.
    -She's calling you.
  • 28:47 - 28:51
    Idiot.
    -Fine. All men are like that.
  • 28:51 - 28:53
    Ma'am, please sit here.
    -Thank you.
  • 28:55 - 28:57
    Thank God there's no
    one besides me.
  • 29:05 - 29:08
    Hi.
    -Hi.
  • 29:08 - 29:12
    Wow! You are so beautiful,
    so charming.
  • 29:12 - 29:17
    Your cheeks are so rosy red.
    Your lips are so luscious.
  • 29:17 - 29:21
    And your neck,
    it's so curvaceous.
  • 29:22 - 29:26
    Can I touch you like this?
    Can I touch you like this?
  • 29:26 - 29:29
    Can I touch you like this?
    -Excuse me. What are you doing?
  • 29:29 - 29:32
    Don't worry.
    I am a female, and so are you.
  • 29:32 - 29:35
    I can touch anywhere,
    don't stop me. Okay.
  • 29:38 - 29:40
    You! Oh no.
  • 29:40 - 29:47
    (Flight takes off)
  • 29:48 - 29:51
    Hello.
    -Hello Sanjay, it's Raj.
  • 29:51 - 29:53
    Yes Raj. Did you spot my wife?
  • 29:53 - 29:56
    Sanjay, I made a terrible mistake.
    -What is it?
  • 29:56 - 29:58
    You gave me an envelope with
    sister-in-law's photographs.
  • 29:58 - 30:00
    I still have the envelope,
    but I have lost her photographs.
  • 30:00 - 30:02
    And I didn't even take
    a look at them.
  • 30:02 - 30:04
    That's terrible.
    You lost the photographs.
  • 30:04 - 30:06
    It was a simple task,
    but you couldn't even do that.
  • 30:06 - 30:10
    Sorry, it's my habit.
    Fine, do me a favour.
  • 30:10 - 30:12
    Tell me what had sister-in-law had worn.
    -Hold on just a minute.
  • 30:13 - 30:14
    Carrey, what had she worn?
  • 30:15 - 30:16
    A shroud.
    -Shroud!
  • 30:17 - 30:18
    Of your death.
  • 30:18 - 30:19
    I am asking you what
    she had worn.
  • 30:20 - 30:21
    You dropped her at the airport,
    not me.
  • 30:21 - 30:23
    You shut up.
    -Okay.
  • 30:23 - 30:26
    I am totally confused. Hello Raj.
  • 30:26 - 30:28
    I don't even get to
    see her frequently,
  • 30:28 - 30:29
    how can I remember
    what she had worn?
  • 30:29 - 30:32
    Don't worry my friend, I am
    a keen observer myself.
  • 30:32 - 30:34
    I will find her out.
  • 30:37 - 30:39
    My husband, my foot.
  • 30:39 - 30:42
    I have filed for a divorce
    in the Indian court.
  • 30:42 - 30:43
    Filed a divorce case.
    She's the sister-in-law!
  • 30:43 - 30:50
    Yes. Darling, nothing can keep
    us apart now. -I will.
  • 30:50 - 30:51
    Okay.
  • 30:52 - 30:54
    Bye darling.
  • 30:59 - 31:01
    Hi. -Hi.
  • 31:01 - 31:02
    I am sorry.
  • 31:03 - 31:05
    You are welcome.
    -But I will not come.
  • 31:06 - 31:08
    But I am open.
    -But I am closed.
  • 31:20 - 31:22
    You are late. -Sister-in-law,
    I will follow you till the end.
  • 31:22 - 31:25
    Excuse me. I said you are late.
    -Really.
  • 31:28 - 31:30
    Hi dudes.
    I am Raj Malhotra from Mumbai.
  • 31:31 - 31:34
    M for me, and B for baby.
    -Oh my God.
  • 31:35 - 31:37
    He won't stop following me.
  • 31:37 - 31:39
    Now I will have to tolerate
    him throughout the trip.
  • 31:39 - 31:40
    You might have to tolerate
    me all your life.
  • 31:41 - 31:42
    Because, usually journeyers
    become companions.
  • 31:43 - 31:44
    You want me to alight
    from this bus.
  • 31:44 - 31:47
    No, I want you to climb on top
    of this bus and scream.
  • 31:50 - 31:53
    You can imitate Tarzan very well.
    -Was that a joke?
  • 31:54 - 31:55
    We haven't even begun
    our journey..
  • 31:56 - 31:57
    ..and you have already
    started arguing.
  • 31:57 - 31:59
    He has been flirting with
    me from the airport.
  • 31:59 - 32:03
    What are you saying?
    What a strange man. Strange.
  • 32:03 - 32:06
    Aren't you ashamed of
    flirting with a girl?
  • 32:06 - 32:08
    Really.
    I am flirting with the girl.
  • 32:08 - 32:10
    And who is the one
    you are touching?
  • 32:10 - 32:13
    What happened?
    -What is your problem?
  • 32:13 - 32:16
    Why touching my wife?
    Why touching my wife?
  • 32:16 - 32:18
    Keep your hands in control.
  • 32:18 - 32:21
    If I lose control,
    it will be painful to you.
  • 32:50 - 32:52
    Not again.
  • 32:54 - 32:55
    Really.
  • 32:55 - 32:58
    Can I have one lasagne,
    one spaghetti with napoli..
  • 32:58 - 33:01
    ..and one tortellini with alapana?
    -Sure ma'am.
  • 33:01 - 33:03
    Excuse me do you have Dairy
    milk chocolates?
  • 33:03 - 33:05
    I am sorry ma'am we don't have
    Dairy milk chocolates.
  • 33:06 - 33:07
    Alright, thanks.
    -Thank you.
  • 33:08 - 33:10
    You sir.
    -No, I don't want to see that.
  • 33:11 - 33:16
    Can I have one lasagne,
    one spaghetti with napoli..
  • 33:16 - 33:20
    ..and one alapana?
    -Okay.
  • 33:20 - 33:22
    Do you have some chocolates?
  • 33:22 - 33:24
    Don't get them.
    -Alright.
  • 33:25 - 33:26
    Excuse me.
    -Yes.
  • 33:26 - 33:28
    Are you teasing me?
  • 33:28 - 33:30
    No, I am not teasing you.
    Why would I tease you?
  • 33:30 - 33:32
    In fact I appreciate you a lot.
    You know why?
  • 33:32 - 33:34
    You play the mandolin
    really well.
  • 33:34 - 33:37
    And I know you are dying to
    praise me as well.
  • 33:37 - 33:38
    Because I play the mouth
    organ so well.
  • 33:38 - 33:41
    But you won't do that,
    because you are a very shy girl.
  • 33:41 - 33:42
    By the way..
  • 33:42 - 33:45
    ..I never came across anyone that
    plays the mouthorgan so bad.
  • 33:45 - 33:47
    Oh really. -Yes. -My mother
    tells me the same thing.
  • 33:47 - 33:49
    Your thoughts are so similar.
  • 33:49 - 33:50
    If a beautiful girl
    like you accepts..
  • 33:51 - 33:52
    ..to become her daughter-in-law.
  • 33:52 - 33:53
    They you will never
    have any qualms.
  • 33:56 - 34:00
    "Sometimes, I think..
  • 34:01 - 34:04
    ..in my heart.
    What is he doing?
  • 34:05 - 34:07
    There he is madam.
    -Hi.
  • 34:09 - 34:11
    It's so good to see you.
    -Hi baby.
  • 34:13 - 34:15
    This is your parcel.
    -Thanks.
  • 34:18 - 34:20
    Excuse me,
    can I make a call please.
  • 34:21 - 34:22
    Not today. No.
  • 34:22 - 34:24
    I was just taking your blessings.
  • 34:25 - 34:27
    I thought you wanted to beat me.
  • 34:27 - 34:31
    I have fasted for you today.
    -What's that?
  • 34:32 - 34:35
    A wife that sincerely
    loves her husband..
  • 34:35 - 34:39
    ..fasts for his long life.
  • 34:40 - 34:42
    Do you truly love me?
    -Yes.
  • 34:42 - 34:43
    No chance of divorce then.
  • 34:43 - 34:44
    What?
    - Nothing.
  • 34:45 - 34:46
    Hello.
  • 34:46 - 34:48
    Hello. Hey brother,
    there's a good news for you.
  • 34:48 - 34:49
    Why, did my father-in-law
    just pass away?
  • 34:49 - 34:53
    I want to tell you about your
    wife, not in-laws.
  • 34:53 - 34:54
    Your wife.
  • 34:54 - 34:57
    Listening it would be as hard
    for you as swallowing a cactus.
  • 34:57 - 34:59
    Swallowing a cactus?
    What has she done?
  • 34:59 - 35:03
    What has she done!
    She's having an affair.
  • 35:05 - 35:07
    Who is it? Who would want to
    end his life so tragically?
  • 35:07 - 35:09
    Who is it?
    -It's a Whiteman.
  • 35:10 - 35:13
    Marriage with a Blackman and
    affair with a Whiteman.
  • 35:13 - 35:15
    Are you listening to me?
  • 35:15 - 35:18
    I am. Keep reporting to me.
    I will deal with her later.
  • 35:18 - 35:20
    The report is that..
  • 35:20 - 35:22
    ..today your wife gave a
    gift to her boyfriend.
  • 35:23 - 35:26
    Gift.
    Fast for me and gift for him!
  • 35:26 - 35:28
    That's what's been going on.
  • 35:28 - 35:30
    She goes out with one,
    embraces the second..
  • 35:30 - 35:32
    ..eyes the third,
    and flirts with the fourth.
  • 35:33 - 35:34
    She is quite a cunning woman.
  • 35:35 - 35:37
    She is going according
    to her size.
  • 35:37 - 35:40
    Now I will make her plight such..
  • 35:40 - 35:43
    ..that the police will
    take me with honour.
  • 35:44 - 35:46
    Who is that Whiteman?
    -Which Whiteman?
  • 35:46 - 35:48
    The one whom you gave that gift,
    and have an affair with.
  • 35:48 - 35:50
    I don't have an affair.
  • 35:50 - 35:55
    You are having an affair.
    You are having an affair. -Yes.
  • 35:55 - 36:00
    Yes, I have an affair,
    with just one. -Who?
  • 36:00 - 36:01
    You!
  • 36:02 - 36:07
    I know that. But who is that Whiteman?
    -I don't know.
  • 36:07 - 36:10
    She says she doesn't know.
    Who are you?
  • 36:10 - 36:12
    Here is your mobile phone.
    You have taken my mobile mistakenly.
  • 36:13 - 36:16
    Gina, Meena, Tina..such useless
    girls have been calling up.
  • 36:16 - 36:18
    And they say, "Darling, meet
    me at 4 o'clock."
  • 36:18 - 36:21
    "Darling, meet me at 8 o'clock."
    -What?
  • 36:21 - 36:25
    So many girls call you.
    -They are all divorce cases.
  • 36:25 - 36:26
    Oh, really!
  • 36:26 - 36:29
    Now I get it,
    why you stay so busy these days.
  • 36:29 - 36:32
    She's going to smack me down!
    -Hello. Hello. Hello.
  • 36:32 - 36:35
    Yes Raj. That was my lawyer
    Neem Carrey. -Oh God.
  • 36:35 - 36:39
    Friend, your wife has a boyfriend even
    in Europe. -Listen carefully.
  • 36:39 - 36:41
    Take some pictures of her
    with her boyfriend.
  • 36:41 - 36:43
    So that I can prove
    in the court that..
  • 36:43 - 36:46
    ..my wife is a characterless
    woman.
  • 36:46 - 36:49
    I just want the proof.
    -Okay, my brother.
  • 36:49 - 36:51
    I will awaken the
    detective inside me..
  • 36:51 - 36:54
    ..and return to India
    with the proof.
  • 37:00 - 37:02
    Sanjay's wife has crossed
    all the limits.
  • 37:02 - 37:04
    I will gather all the proofs.
  • 37:04 - 37:05
    That's the room.
  • 37:06 - 37:09
    That means I will really
    have to use my brains.
  • 37:11 - 37:12
    Yes.
  • 37:13 - 37:15
    (Dog barks)
  • 37:15 - 37:18
    No. No.
  • 37:18 - 37:21
    Hey! Get lost. What's this madness?
  • 37:21 - 37:23
    What's this insanity?
  • 37:24 - 37:27
    I don't like this. No.
  • 37:27 - 37:30
    Don't spoil my image, baby.
  • 37:30 - 37:32
    No! Okay.
  • 37:33 - 37:35
    You are acting smart with me.
    Okay.
  • 37:37 - 37:39
    See, I have brains.
  • 37:40 - 37:41
    Bye.
  • 37:48 - 37:51
    Oh, my darling. I love you sweetheart.
    -Yes, sweetheart.
  • 37:51 - 37:55
    Once you get divorced, then we
    will be one baby. -Yes, honey.
  • 37:55 - 37:58
    Sister-in-law,
    what are you doing?
  • 38:00 - 38:02
    Someone is taking photographs.
    -Hold this.
  • 38:02 - 38:04
    Who is it? Who is it?
  • 38:05 - 38:07
    Okay.
    -Who is it? Who is it?
  • 38:09 - 38:10
    Who is it?
  • 38:11 - 38:14
    They are trying to act smart
    with me, with bond No. 1.
  • 38:14 - 38:15
    Who is it?
  • 38:16 - 38:17
    Who is it?
  • 38:17 - 38:18
    (Remote beeps)
  • 38:27 - 38:29
    What channel is this!
  • 39:52 - 39:54
    Darling, get me some more wine.
  • 39:54 - 39:56
    Change the channel.
    -Yes.
  • 40:20 - 40:21
    What?
  • 40:32 - 40:35
    What are you doing, man?
  • 40:36 - 40:39
    I don't like this man.
    Change the channel, man!
  • 40:39 - 40:41
    In the same way, that my
    life is entwined in yours
  • 40:41 - 40:44
    Our love is gaining strength...
  • 40:44 - 40:46
    My lips are meeting yours
  • 40:46 - 40:49
    and that is making our enemy very jealous
  • 40:49 - 40:51
    The clouds have parted
  • 40:51 - 40:53
    water is leaking drop by drop
  • 40:55 - 40:59
    The clouds have parted
    water is leaking drop by drop.
  • 41:01 - 41:05
    The clouds have parted
    water is leaking drop by drop.
  • 41:05 - 41:06
    Oh, no!
  • 41:06 - 41:11
    Come on the queen of my heart, we will
    sing songs and fly with the birds.
  • 41:16 - 41:20
    You and I have now become one
    water is leaking drop by drop
  • 41:23 - 41:25
    He is not the T.V man.
    -Of course I am not the T.V man.
  • 41:25 - 41:28
    I am a man from V.T. And don't
    tell him a big detective.
  • 41:28 - 41:30
    He is a detective. -Take the camera.
    -Don't touch the camera.
  • 41:30 - 41:32
    I want to keep that.
    Give it to my friend.
  • 41:32 - 41:33
    Give it to me.
    -He wants to divorce this lady.
  • 41:33 - 41:36
    I got it. I got it darling.
    -Hey, don't do that. Please.
  • 42:28 - 42:30
    Hey man. Hey, come here.
  • 42:30 - 42:31
    Why isn't the bus moving?
  • 42:31 - 42:34
    Has its tyres been stolen?
    Why not moving?
  • 42:34 - 42:36
    Same damn problem!
    Same passenger late again!
  • 42:38 - 42:41
    He has literally hijacked the bus.
    -It's so late.
  • 42:41 - 42:43
    Save your energy to
    scream on him.
  • 42:44 - 42:47
    What the hell is this?
    You are late again. -Really.
  • 42:47 - 42:50
    I am sorry again.
    Very sorry everybody.
  • 42:50 - 42:52
    Very sorry. Chill out.
    -What sorry. It's getting so late.
  • 42:52 - 42:56
    What's this sorry?
    -I said sorry.
  • 42:56 - 43:01
    It's okay. -Everyone was getting
    angry. But I remained calm.
  • 43:01 - 43:04
    Really, thanks a ton.
    -Unpunctual.
  • 43:04 - 43:06
    Really.
  • 43:06 - 43:09
    It's getting very boring.
    -What do you expect?
  • 43:09 - 43:11
    Boring partners, boring journey.
  • 43:11 - 43:13
    Not you, baby.
    -I will say a poem.
  • 43:13 - 43:17
    Hand me the mirror,
    I want to talk to him.
  • 43:17 - 43:21
    You can just forget it,
    and let me tell a poem.
  • 43:21 - 43:25
    Hey. Let's all enjoy. Hello,
    everybody. Listen to him.
  • 43:25 - 43:27
    Let's have some fun.
  • 43:27 - 43:29
    So, its goes like this.
    -Yes.
  • 43:29 - 43:33
    One bird said to the other.
    -Oh Wow. -Bird. Bird.
  • 43:33 - 43:35
    Bird. Bird. Bird. Bird.
    -How many of them are there?
  • 43:35 - 43:39
    Let's talk about the sweet
    nothings, what say!
  • 44:18 - 44:23
    "One bird said to the other.
    -What say!"
  • 44:25 - 44:29
    "Let's talk about the sweet nothings
    -What say!"
  • 44:31 - 44:36
    "One bird said to the other.
    -What say!"
  • 44:36 - 44:40
    "Let's talk about the sweet nothings
    -What say!"
  • 44:40 - 44:42
    "Countless desires in the heart."
  • 44:42 - 44:45
    "Just like the sea in a drop."
  • 44:45 - 44:49
    "What say! What say!"
  • 44:49 - 44:53
    "One bird said to the other.
    -What say!"
  • 44:53 - 44:57
    "Let's talk about the sweet nothings
    -What say!"
  • 45:20 - 45:23
    "This foreign is so exotic."
  • 45:24 - 45:28
    "Just like our own country."
  • 45:28 - 45:31
    "This foreign is so exotic."
  • 45:31 - 45:33
    "Just like our own country."
  • 45:33 - 45:35
    "That's why I suggest."
  • 45:35 - 45:37
    "When in Rome,
    do as the Romans do."
  • 45:37 - 45:42
    "That's why. That's why I
    have forsaken my cap."
  • 45:42 - 45:44
    "And worn this hat."
  • 45:44 - 45:47
    "What say!"
  • 45:48 - 45:53
    "One bird said to the other.
    -What say!"
  • 45:53 - 45:57
    "Let's talk about the sweet nothings
    -What say!"
  • 46:10 - 46:13
    "You might have broken
    many hearts."
  • 46:13 - 46:16
    "But my heart is not that
    easily breakable."
  • 46:16 - 46:22
    "I will make you fall for me,
    or else I am not a true lover."
  • 46:22 - 46:23
    "Wow"
  • 46:23 - 46:27
    "Don't gaze at me like that,
    damsel."
  • 46:28 - 46:30
    "I am not a celibate."
  • 46:32 - 46:34
    "Don't gaze at me like that,
    damsel."
  • 46:34 - 46:37
    "I am not a celibate."
  • 46:37 - 46:41
    "Or else,
    I might fall in love with you."
  • 46:41 - 46:43
    "Or else I may.."
  • 46:43 - 46:47
    "I may enter your heart through
    your helpless eyes."
  • 46:48 - 46:52
    "What say!"
  • 46:52 - 46:56
    "One bird said to the other.
    -What say!"
  • 46:56 - 47:00
    "Let's talk about the sweet nothings
    -What say!"
  • 47:01 - 47:05
    "I have come across many
    lovers like you."
  • 47:05 - 47:09
    "They keep following me,
    all the way to their doom."
  • 47:11 - 47:13
    "That's well said."
  • 47:18 - 47:21
    "It's not right to be
    so enthusiastic."
  • 47:23 - 47:25
    "It's not right to be
    so enthusiastic."
  • 47:25 - 47:27
    "But you are not in your senses."
  • 47:27 - 47:29
    "Bothering me will only
    invite trouble.."
  • 47:29 - 47:31
    "..for you."It's not my fault."
  • 47:34 - 47:36
    "Whether anyone drowns
    of goes across."
  • 47:36 - 47:38
    "The sea has to keep flowing."
  • 47:38 - 47:42
    "What say!"
  • 48:00 - 48:02
    Panasonic. Wow. Very nice
  • 48:03 - 48:04
    Wow!
  • 48:06 - 48:11
    I feel this tape... Keep this properly.
    -It's proper.
  • 48:11 - 48:12
    If you buy this tape recorder..
  • 48:13 - 48:16
    ..the music from it will be
    really soothing for your ears.
  • 48:16 - 48:20
    No, I don't like the colour.
    -But it's a very nice colour.
  • 48:20 - 48:22
    But it doesn't match with
    my bedroom colour.
  • 48:22 - 48:25
    It will match the colour
    of your bedroom.
  • 48:25 - 48:28
    I don't want it.
    -What?
  • 48:28 - 48:30
    Tape recorder.
    -What? This!
  • 48:30 - 48:33
    Bhaidas Bhai, you!
    -Yes, me.
  • 48:33 - 48:37
    What are you trying
    to do with my wife?
  • 48:37 - 48:40
    Sister-in-law, is it wrong to
    give someone a suggestion?
  • 48:40 - 48:44
    No, it's wrong to touch other's
    wife while giving suggestions.
  • 48:44 - 48:47
    Sinner.
    -Do you want me to stay away from her?
  • 48:47 - 48:49
    Do you wish to stay close to her?
  • 48:49 - 48:51
    You think I am a characterless man?
  • 48:51 - 48:53
    You are what you don't
    seem to be.
  • 48:53 - 48:55
    Sister-in-law, I have decided..
  • 48:55 - 48:56
    ..I won't pay heed to anything he says.
  • 48:56 - 48:57
    That's not a problem.
  • 48:57 - 48:59
    It's your intentions that I fear.
    Stop looking at her.
  • 48:59 - 49:01
    Let's go, don't you understand
    he is a characterless man.
  • 49:01 - 49:03
    But I didn't want the tape recorder.
    -Sister-in-law.
  • 49:07 - 49:10
    If you want that girl
    to fall for you..
  • 49:10 - 49:11
    ..then gift this dress to her.
  • 49:11 - 49:16
    And ask her to meet you tonight.
    -And then watch.
  • 49:16 - 49:20
    Will she fall for me?
    -I gifted her swimming costume.
  • 49:20 - 49:22
    Quiet! what are you saying?
  • 49:22 - 49:23
    Really!
    -Yes.
  • 49:27 - 49:28
    Excuse me.
  • 49:32 - 49:33
    Hi.
    -Hi.
  • 49:33 - 49:38
    If you accept this gift, and call
    me at 9 o'clock at night,
  • 49:38 - 49:40
    I will know that you have
    understood my intentions.
  • 49:41 - 49:43
    And together with our
    understanding..
  • 49:43 - 49:44
    ..we will teach the
    world something.
  • 49:45 - 49:47
    The world will understand with
    their understanding..
  • 49:47 - 49:49
    ..that with a lot of
    understandings..
  • 49:49 - 49:51
    ..our understanding is very
    similar.
  • 49:51 - 49:52
    And with our understanding..
  • 49:52 - 49:54
    ..we should have done
    thing long ago.
  • 49:54 - 49:56
    But even with all that
    understanding we did it quite later.
  • 49:56 - 49:58
    But we did it. Did you understand
    what I meant to say?
  • 50:00 - 50:01
    Okay.
  • 50:01 - 50:04
    A small okay,
    after that long speech!
  • 50:04 - 50:07
    How nice!
    But, don't let this stop here.
  • 50:07 - 50:10
    Because this is the beginning of
    our love. I am leaving now.
  • 50:10 - 50:12
    We will meet after a
    thoughtful break.
  • 50:12 - 50:14
    But listen,
    don't forget to call me.
  • 50:14 - 50:16
    And don't forget to ring me.
  • 50:16 - 50:17
    9 o'clock at night.
  • 50:19 - 50:21
    (Telephone rings)
  • 50:22 - 50:24
    Hello.
    -Oh hi, Raj.
  • 50:24 - 50:25
    I have been waiting for you.
  • 50:25 - 50:30
    9:00 -9:30! 9:30 -9:45! 9:50!
    9:55! 9:57! 9:58! 9:59!
  • 50:30 - 50:32
    Please come wearing
    those clothes.
  • 50:32 - 50:34
    Listen, have you worn clothes?
  • 50:34 - 50:36
    I mean, have you worn the clothes
    that I gifted you?
  • 50:36 - 50:39
    Yes. I have worn that dress.
    -You have.
  • 50:40 - 50:42
    How are you looking?
  • 50:43 - 50:46
    Simply mind-blowing.
  • 50:46 - 50:49
    Oh, no!
    I am ready to lose my senses.
  • 50:49 - 50:51
    I am ready to take the fall.
  • 50:51 - 50:54
    Yes, I know you will fall.
  • 50:54 - 50:56
    That sentence didn't sound right.
  • 50:56 - 50:58
    What did you say? Come again.
  • 50:58 - 51:02
    I mean.. Room No. 2072.
  • 51:02 - 51:05
    Okay. 207..
  • 51:05 - 51:07
    But your room number was 2073.
  • 51:07 - 51:10
    Such meetings shouldn't be
    held in the same rooms.
  • 51:11 - 51:14
    Oh, wow!
    Romance with intelligence!
  • 51:15 - 51:19
    I am coming, baby.
    -Come baby, come.
  • 51:20 - 51:24
    Your husband is coming.
    Raj, you are gone.
  • 51:29 - 51:32
    Hello.
    -Your wife is ready..
  • 51:32 - 51:34
    ..and she's looking like
    Hawaiian beauty.
  • 51:35 - 51:38
    Oh, I am coming.
    -Come baby, come.
  • 51:41 - 51:43
    Lights off!
  • 51:46 - 51:47
    Wow! Door is open.
  • 51:48 - 51:50
    I thought she wanted to
    meet me in solitude.
  • 51:51 - 51:53
    But she wants to meet
    me in the dark!
  • 52:01 - 52:03
    Alluring damsel!
  • 52:03 - 52:05
    Beautiful enchantress!
  • 52:06 - 52:09
    My queen! Symbol of love!
  • 52:10 - 52:12
    You are good-looking
    beyond words.
  • 52:13 - 52:14
    Darling.
  • 52:17 - 52:20
    -Darling, just two chocolates
    have changed your size!
  • 52:20 - 52:22
    (Speaking in foreign language)
  • 52:23 - 52:24
    What!
  • 52:25 - 52:27
    (Speaking in foreign language)
  • 52:27 - 52:29
    (Imitating her language)
  • 52:30 - 52:34
    Darling,
    you have a great sense of humour.
  • 52:34 - 52:36
    (Intense background score)
  • 52:36 - 52:38
    Lights off!
  • 52:38 - 52:40
    The queen of my..
  • 52:41 - 52:44
    (Speaking in foreign language)
  • 52:44 - 52:45
    (Speaking in foreign language)
  • 52:45 - 52:47
    (Indistinct)
  • 52:48 - 52:50
    (Speaking in foreign language)
  • 52:50 - 52:51
    (Indistinct)
  • 52:51 - 52:54
    Hey, who are you?
    And who is she? By mistake.
  • 53:07 - 53:08
    What are you doing?
  • 53:24 - 53:26
    What are you doing?
  • 53:27 - 53:28
    (Punching)
  • 53:30 - 53:32
    (Punching)
  • 53:36 - 53:37
    Oh!
  • 53:37 - 53:39
    (Punching)
  • 53:43 - 53:45
    (Punching)
  • 53:46 - 53:49
    No, no, no.
  • 53:49 - 53:52
    No, no, no, no!
  • 53:52 - 53:54
    No, no, no, no!
  • 53:54 - 53:57
    (Punching)
  • 54:00 - 54:02
    Is this the way!
  • 54:03 - 54:06
    Humanity is no more these days.
  • 54:07 - 54:10
    Doesn't a person have
    some respect?
  • 54:11 - 54:12
    What is this?
  • 54:12 - 54:16
    Can't a man make a mistake?
  • 54:16 - 54:22
    What a man! Where do they
    make such men in Africa..
  • 54:23 - 54:27
    ..and that wife of his.. Black widow.
  • 54:27 - 54:32
    Both of them have thrashed me
    black and blue for a damsel.
  • 54:32 - 54:36
    Actually, It's a bad system.
  • 54:36 - 54:40
    The government should devise
    a system of where to hit.
  • 54:40 - 54:43
    You can hit where it's allowed.
  • 54:43 - 54:45
    But why hit where you shouldn't.
  • 54:45 - 54:48
    There should be a system.
  • 54:48 - 54:52
    I would've banned such things if I could.
  • 54:56 - 54:58
    Hi.
    - Hi.
  • 54:58 - 54:59
    I didn't mean that. Who is it?
  • 55:01 - 55:05
    You! I will never forgive you.
    -Why?
  • 55:05 - 55:08
    You got me beat up so badly.
  • 55:08 - 55:12
    I will teach you a lesson.
    No, I will make you fall for me.
  • 55:12 - 55:17
    Anjali. Dear, where are you?
    -Uncle Carrey, I am taking a bath.
  • 55:17 - 55:19
    Finish that later,
    come out quickly.
  • 55:19 - 55:23
    Look, I have got proof.
    Now he cannot escape.
  • 55:23 - 55:24
    Come out, dear.
  • 55:25 - 55:26
    First, pay me my fees.
  • 55:26 - 55:27
    Show me.
    -Take a look.
  • 55:29 - 55:34
    But the face is not visible.
    -But you can see the tresses.
  • 55:34 - 55:36
    Yes, that's right!
    -It's him, alright.
  • 55:36 - 55:39
    But the face...
    -You cannot see the face..
  • 55:39 - 55:41
    ..but you can see
    his yellow shirt.
  • 55:41 - 55:44
    Try to recognise him with his shirt.
    -Yes uncle..
  • 55:44 - 55:47
    ..but the court would ask to
    see his face too.
  • 55:47 - 55:49
    Dear, why see the
    face of a person..
  • 55:49 - 55:51
    ..that flirts around
    with everyone.
  • 55:51 - 55:54
    I agree to what you say,
    but I hate his face.
  • 55:54 - 55:56
    Next time, I will get his
    photograph with his face.
  • 55:56 - 55:58
    Dear, give me thirty thousand.
  • 55:58 - 56:01
    Thirty thousand! -Yes, it's
    official evidence. Hence, It's expensive.
  • 56:02 - 56:04
    I charge others my entire fees.
  • 56:04 - 56:06
    But I charge you only
    30 instead of 50.
  • 56:18 - 56:19
    Hi.
    -Hi.
  • 56:19 - 56:22
    I am so glad you have come, darling.
  • 56:23 - 56:25
    How are you?
  • 56:27 - 56:29
    Second one!
    -Come on, let's go.
  • 56:30 - 56:33
    There's so much filth in the world!
    Sanjay, here I come.
  • 56:34 - 56:37
    Phone. Phone.
  • 56:37 - 56:41
    Excuse me, can I..make the call.
  • 56:45 - 56:47
    Hello.
    -No.
  • 56:47 - 56:50
    Your wife is
    like public property.
  • 56:50 - 56:53
    Just like everyone takes
    advantage of a public property.
  • 56:54 - 56:56
    Similarly, your wife has a
    boyfriend at every station.
  • 56:56 - 56:58
    That's not my wife you
    are talking about.
  • 56:58 - 57:00
    This report is for Sanjay.
  • 57:00 - 57:02
    You again, nonsense.
  • 57:02 - 57:05
    I am not nonsense.
    I make complete sense.
  • 57:06 - 57:07
    That's why I am a divorce lawyer.
  • 57:07 - 57:10
    You are a total nonsense.
    And you make no sense.
  • 57:10 - 57:12
    Wow! What a composition!
  • 57:12 - 57:16
    Nonsense, no sense. Very good.
  • 57:16 - 57:18
    You like poems like me.
  • 57:18 - 57:19
    Will you give the phone
    to Sanjay or not?
  • 57:19 - 57:21
    Give me the message I
    will pass it to him.
  • 57:21 - 57:22
    I don't talk to the middleman.
  • 57:22 - 57:25
    I am not the middleman!
  • 57:25 - 57:27
    I have a stout wife.
    Eleven skinny children.
  • 57:27 - 57:28
    And preparing for the 12th one.
  • 57:29 - 57:31
    Give the phone to Sanjay or
    else I will blow you away.
  • 57:33 - 57:34
    Control yourself. Just a minute.
  • 57:34 - 57:37
    I think everybody is..
    -Sorry to disturb. Sir.
  • 57:37 - 57:41
    Urgent call sir, from Europe.
    Please take this sir.
  • 57:42 - 57:43
    What is this Carrey?
  • 57:43 - 57:44
    Why are you disturbing me?
  • 57:44 - 57:48
    Sir, call from Europe.
    -Raj. Come on.
  • 57:48 - 57:49
    Raj!
  • 57:50 - 57:52
    Yes Raj.
    -Hello Sanjay.
  • 57:52 - 57:54
    Your wife has a second boyfriend.
  • 57:54 - 57:56
    Carrey,
    she has a second boyfriend.
  • 57:56 - 57:59
    She's very talented!
    We should commend sister-in-law.
  • 57:59 - 58:02
    One husband and two boyfriends.
    Oh my God.
  • 58:02 - 58:06
    Are your wives so daring?
    -Carrey, do they understand?
  • 58:06 - 58:08
    They can't speak English properly.
  • 58:08 - 58:09
    How can they understand Hindi?
  • 58:09 - 58:11
    Am I right, sir?
    -Yes.
  • 58:11 - 58:15
    See that!
    -Hello Raj, what did she do next?
  • 58:15 - 58:15
    What did she do next?
  • 58:15 - 58:19
    She flirted with her more and gave him a
    bigger gift than her previous boyfriend.
  • 58:19 - 58:21
    Gift! What was it?
    -I think it was a T.V.
  • 58:21 - 58:23
    My wife gave him a T.V.
  • 58:23 - 58:27
    Fantastic! Tape recorder to the
    first one, and T.V to the second.
  • 58:27 - 58:30
    She will gift a car to the third
    and what can you do about it?
  • 58:30 - 58:31
    You shut up!
  • 58:32 - 58:34
    Why are you narrating
    my wife's escapades..
  • 58:34 - 58:35
    ..and adding to my injury?
  • 58:35 - 58:39
    I want proof. Last time, you
    failed to bring me the proof.
  • 58:39 - 58:40
    What if you fail this time too?
  • 58:40 - 58:42
    Then you can blacken
    Neem Carrey's face.
  • 58:43 - 58:45
    Did you understand anything?
  • 58:46 - 58:47
    Yes!
    -Yes, what?
  • 58:47 - 58:51
    His wife, boyfriends, T.V,
    tape recorder, gifts.
  • 58:51 - 58:54
    They understood everything.
    I curse them.
  • 58:54 - 58:56
    Where is everybody, man?
    Where have they gone?
  • 58:56 - 58:58
    Sir, there is a card for you.
    -Yes?
  • 58:58 - 58:59
    Happy Valentine's Day!
    -Thank you.
  • 58:59 - 59:01
    Welcome!
    -Thank you!
  • 59:02 - 59:04
    Dear Raj,
    today is Valentine's Day
  • 59:04 - 59:05
    and no other day can
    be better than..
  • 59:05 - 59:06
    ..this for two people in love.
  • 59:06 - 59:09
    We all are purposely leaving
    you both alone..
  • 59:09 - 59:12
    ..so that both of you can
    understand each other better.
  • 59:12 - 59:14
    Wow! That's a great idea, man!
  • 59:14 - 59:17
    Bhaidas Bhai, Chaudhary and Bakhiyani.
  • 59:17 - 59:18
    Raj!
    -Yes! Yes!
  • 59:18 - 59:20
    Where has the bus gone
    leaving us here?
  • 59:20 - 59:21
    What?
    -Bus!
  • 59:22 - 59:24
    Oh yes! That bus! Today is
    Valentine's Day, isn't it? -So?
  • 59:25 - 59:26
    So all the couples are
    busy romancing.
  • 59:26 - 59:28
    Maybe they wish that we two
    should also romance. -What?
  • 59:28 - 59:30
    I don't believe in this.
    You know why?
  • 59:30 - 59:33
    I feel those who do not have time
    they celebrate such days.
  • 59:33 - 59:35
    Valentine's Day and all.
  • 59:36 - 59:38
    I feel everyday is
    a Valentine's Day.
  • 59:39 - 59:40
    Every hour is a Valentine hour.
  • 59:40 - 59:42
    Every minute is a
    Valentine minute.
  • 59:42 - 59:44
    Every second is a
    Valentine second.
  • 59:45 - 59:48
    Can a flirt like you ever talk
    such sweet things about love?
  • 59:48 - 59:51
    Impossible! I don't believe it!
  • 60:06 - 60:08
    "This journey is short."
  • 60:08 - 60:11
    "Our companionship is
    for a short while."
  • 60:13 - 60:15
    "This journey is short."
  • 60:15 - 60:18
    "Our companionship is
    for a short while."
  • 60:18 - 60:23
    "I just smiled and spoke to you."
  • 60:23 - 60:28
    "You thought I fell
    in love with you."
  • 60:28 - 60:30
    "You have crossed your limit."
  • 60:30 - 60:32
    "You have crossed your limit."
  • 60:33 - 60:35
    "You have crossed your limit."
  • 60:35 - 60:37
    "You have crossed your limit."
  • 60:37 - 60:40
    "This journey is short."
  • 60:40 - 60:41
    "Our companionship is
    for a short while."
  • 60:42 - 60:46
    "I just smiled and spoke to you."
  • 60:47 - 60:52
    "You came with a palanquin
    to my house."
  • 60:52 - 60:54
    "You have crossed your limit."
  • 60:54 - 60:57
    "You have crossed your limit."
  • 60:57 - 60:59
    "You have crossed your limit."
  • 60:59 - 61:01
    "You have crossed your limit."
  • 61:21 - 61:25
    "Whether you accept it or
    not but you are guilty."
  • 61:25 - 61:30
    "What else is the meaning
    of teasing a girl?"
  • 61:35 - 61:40
    "Whether you accept it or
    not but you are guilty."
  • 61:40 - 61:45
    "What else is the meaning
    of teasing a girl?"
  • 61:45 - 61:50
    "You are asking for my love as if
    you are asking for charity."
  • 61:50 - 61:52
    "You have crossed your limit."
  • 61:53 - 61:54
    "You have crossed your limit."
  • 61:55 - 61:57
    "You have crossed your limit."
  • 61:57 - 61:59
    "You have crossed your limit."
  • 62:00 - 62:02
    "This journey is short."
  • 62:02 - 62:04
    "Our companionship is
    for a short while."
  • 62:04 - 62:09
    "I just smiled and spoke to you."
  • 62:33 - 62:38
    "My dear, come and be friends
    and forget anger."
  • 62:38 - 62:43
    "We both can fall
    in love one day."
  • 62:48 - 62:53
    "My dear, come and be friends
    and forget anger."
  • 62:53 - 62:57
    "We both can fall
    in love one day."
  • 62:57 - 63:02
    "Such a day or night will
    never ever arise."
  • 63:03 - 63:05
    "You have crossed your limit."
  • 63:05 - 63:07
    "You have crossed your limit."
  • 63:08 - 63:10
    "You have crossed your limit."
  • 63:10 - 63:12
    "You have crossed your limit."
  • 63:22 - 63:23
    Oh yeah!
  • 63:24 - 63:25
    Wow!
  • 63:26 - 63:27
    Wow!
  • 63:28 - 63:31
    Hey, no! No! No! No!
  • 63:31 - 63:33
    (Water splashes)
  • 63:33 - 63:34
    (Sneezing)
  • 63:34 - 63:36
    Look here, Mr. Raju!
  • 63:36 - 63:39
    Just by falling once in the
    lake, this has happened.
  • 63:39 - 63:43
    What will happen if you fall in love?
  • 63:44 - 63:47
    The one who has made
    him suffer like this...
  • 63:47 - 63:50
    will only give her veil
    to wipe his nose.
  • 63:50 - 63:54
    -Dimple and I got married because
    of sneezing. -How? -Yes!
  • 63:54 - 63:56
    One day she carried a book on swimming
  • 63:56 - 63:58
    -to the lake for a swim.
    -Yes.
  • 63:58 - 64:01
    After sometime she went underwater
    but the book kept floating.
  • 64:01 - 64:05
    Mr. Chaudhary, it was good that
    I reached there and saved her.
  • 64:05 - 64:07
    Yes! And exactly like this..just
    like this I kept on sneezing.
  • 64:07 - 64:11
    So she gave me her veil and
    said... what did you say? Tell them!
  • 64:11 - 64:14
    I said that today turn my veil
    into a wedding drape.
  • 64:15 - 64:17
    Oh, my sweet wife.
  • 64:18 - 64:20
    Mr. Raju, you did not
    get a veil but...
  • 64:20 - 64:23
    you definitely got a tissue
    to wipe your nose.
  • 64:25 - 64:29
    Folks! This is a lover's point.
    There is a story related to this.
  • 64:29 - 64:32
    -Come, follow me.
    -Why should we follow you, man.
  • 64:32 - 64:33
    We have better things to do.
    -Raj! Raj!
  • 64:33 - 64:35
    Listen! Where are you going?
  • 64:35 - 64:37
    -Are you going after Anjali?
    -Yes, I am going, so?
  • 64:37 - 64:39
    -Have you gone crazy?
    -What?
  • 64:40 - 64:42
    If you wish to invoke love in a girl...
  • 64:43 - 64:44
    -then first get near to her and
    then create a distance. -What?
  • 64:44 - 64:48
    And then she will automatically
    follow you. Yes.
  • 64:48 - 64:49
    But why? Why?
  • 64:49 - 64:51
    Come on all of you!
    -Come on! Come on, come on.
  • 64:51 - 64:54
    Raj, you should just
    make her go crazy.
  • 64:57 - 64:58
    (Mouth organ playing in the background)
  • 64:58 - 65:01
    I love these snacks.
    -Yes, I know.
  • 65:01 - 65:03
    -Raj!
    -Yes!
  • 65:04 - 65:06
    Everyone is having dinner.
  • 65:06 - 65:09
    Yes! I can see. All of them..
  • 65:09 - 65:10
    are eating. Yes.
  • 65:11 - 65:12
    So then come, even we
    will have our dinner.
  • 65:16 - 65:17
    I am not hungry.
  • 65:19 - 65:21
    I had brought two plates.
  • 65:22 - 65:24
    Yes, there are two plates,
    I can see that.
  • 65:25 - 65:26
    I am not hungry.
  • 65:27 - 65:29
    -You are not hungry?
    -No!
  • 65:29 - 65:30
    Okay!
  • 65:32 - 65:34
    -Raj!
    -Yes!
  • 65:34 - 65:36
    -Come and have your dinner! Come!
    -Come!
  • 65:37 - 65:38
    Oh yes! You know I did not have
    dinner since last night.
  • 65:38 - 65:41
    -I am so hungry.
    -Come and sit. -Oh, my God!
  • 65:41 - 65:44
    You know, my mother prepares
    delicious food.
  • 65:44 - 65:46
    -Really? -Yes! In spite of
    many cartoons in the family.
  • 65:47 - 65:50
    And 'Kheer' she makes...
    you understand Kheer, isn't it?
  • 65:50 - 65:52
    -Yes! Kheer!
    -Kheer! Kheer! (Indian milk sweet).
  • 65:52 - 65:54
    She tries making different
    varieties of sweet...
  • 65:54 - 65:57
    and tries serving all of us.
    She... tries... serving...
  • 65:58 - 65:59
    But I don't eat.
  • 66:00 - 66:01
    -Okay! -You know why?
    -Why?
  • 66:01 - 66:02
    I don't like sweet.
  • 66:04 - 66:05
    -I don't like sweet!
    -He does not like sweet.
  • 66:05 - 66:06
    He does not eat sweet.
  • 66:06 - 66:08
    but he looks at sweets
    and eats salty food.
  • 66:08 - 66:11
    -He does not eat. -I have prepared
    it with my own hands.
  • 66:11 - 66:13
    He would not eat no matter how
    you would have prepared it.
  • 66:13 - 66:15
    -Anybody wants to have this sweet?
    -No! No! -No!
  • 66:15 - 66:17
    No one wants to have it.
  • 66:17 - 66:19
    Actually you... okay, let it be.
  • 66:19 - 66:22
    -Actually you...
    -Raj, you are superb!
  • 66:22 - 66:24
    It will be nice if we get to eat
    sweet after dinner, isn't it?
  • 66:27 - 66:29
    Everything is going fine.
  • 66:29 - 66:32
    Anjali is getting restless.
    Lovely!
  • 66:33 - 66:36
    In a day or two she will definitely
    tell you that she loves you.
  • 66:36 - 66:40
    -Wow! -Anjali, you too have fallen
    in love with Raj, isn't it?
  • 66:41 - 66:42
    No!
  • 66:44 - 66:46
    We know that since many
    days you both..
  • 66:46 - 66:47
    ..are flirting with each other.
  • 66:47 - 66:50
    Such a strange man he is!
    At that time he said..
  • 66:50 - 66:53
    ..that he does not like sweet.
    And now he is relishing it.
  • 66:53 - 66:56
    My child, you can never hide
    love and fragrance.
  • 66:56 - 66:58
    I will tell you by giving
    you an example.
  • 66:58 - 67:02
    On the 15th of July Pappi
    and my romance commenced.
  • 67:02 - 67:04
    On the 16th July the entire
    Bhatinda came to know...
  • 67:04 - 67:06
    that we are getting married
    on the 17th July.
  • 67:06 - 67:08
    Why didn't you eat when
    Anjali gave you?
  • 67:08 - 67:10
    -Because at that time I was
    just pretending. -What?
  • 67:10 - 67:13
    It is something that cannot be
    seen but has great effect.
  • 67:13 - 67:16
    -And I love it.
    -Raj is deeply in love with you.
  • 67:16 - 67:18
    But he is pretending so
    that he can pacify you.
  • 67:18 - 67:23
    -He is fighting.
    -Yes! And our wive's have told us this.
  • 67:23 - 67:25
    -What else?
    -They told us. -Yes!
  • 67:29 - 67:31
    I wish to say something to you.
  • 67:31 - 67:32
    Really?
  • 67:39 - 67:43
    "I wish to say something to you."
  • 67:43 - 67:47
    "Tell me! Tell me!"
  • 67:47 - 67:51
    "I wish to say something to you."
  • 67:51 - 67:54
    "Tell me! Tell me!"
  • 67:54 - 67:58
    "But my heart tells me
    to be quiet now."
  • 67:58 - 68:02
    "Tell me! Tell me!"
  • 68:03 - 68:09
    "Now if we are silent our
    eyes will speak up."
  • 68:10 - 68:13
    "I wish to say something to you."
  • 68:14 - 68:17
    "Tell me! Tell me!"
  • 68:17 - 68:21
    "But my heart tells me
    to be quiet now."
  • 68:21 - 68:26
    "Tell me! Tell me!"
  • 68:45 - 68:48
    "I said!
    I heard."
  • 68:48 - 68:52
    "But I never said anything."
  • 68:52 - 68:56
    "Then even I have not
    heard anything."
  • 68:56 - 69:00
    "I said!
    I heard."
  • 69:00 - 69:03
    "But I never said anything."
  • 69:04 - 69:08
    "Then even I have not
    heard anything."
  • 69:08 - 69:11
    "Now what is left to
    be said and heard?"
  • 69:11 - 69:15
    "You said what I wanted to say."
  • 69:15 - 69:22
    "I will feel satiated if you keep
    your hand on my heart."
  • 69:22 - 69:23
    "No"
  • 69:23 - 69:26
    "I wish to say something to you."
  • 69:27 - 69:30
    "Tell me! Tell me!"
  • 69:30 - 69:34
    "But my heart tells me
    to be quiet now."
  • 69:35 - 69:39
    "Tell me! Tell me!"
  • 69:57 - 70:01
    "There is mischief in the eyes
    and whine on my lips." -"Yes!"
  • 70:01 - 70:05
    "I am restless and craving."
    -"Yes!"
  • 70:05 - 70:07
    "Do I have the permission to
    say something?" -"Yes!"
  • 70:07 - 70:09
    "You love me.
    -Yes!"
  • 70:09 - 70:13
    "Yes and no!"
  • 70:13 - 70:15
    "Look here I will think
    once again."
  • 70:15 - 70:17
    "I will think and then tell you."
  • 70:17 - 70:20
    "Only then I will spill
    out this secret."
  • 70:21 - 70:28
    "You feel like saying
    yes as well as no."
  • 70:32 - 70:35
    "Tell me! Tell me!"
  • 70:40 - 70:44
    "Tell me! Tell me!"
  • 71:09 - 71:11
    (Water splashes)
  • 71:14 - 71:17
    Wow! You look very beautiful!
  • 71:18 - 71:20
    By wearing this dress you have
    proved that you too love me.
  • 71:20 - 71:23
    -Now come on, give me a kiss.
    -Kiss? -Yes, kiss. -No! -Please.
  • 71:23 - 71:25
    -Catch me if you can!
    -Hey you!
  • 71:28 - 71:29
    Okay!
  • 71:41 - 71:41
    Yes!
  • 71:45 - 71:46
    Okay fine, do not be pompous.
  • 71:46 - 71:49
    If you show tantrums, I
    will never kiss you.
  • 71:50 - 71:54
    I am serious!
    I will never kiss you in my life.
  • 71:55 - 71:57
    I will not even kiss
    you after marriage.
  • 72:00 - 72:01
    Not even now?
  • 72:01 - 72:02
    Hey!
  • 72:23 - 72:27
    -Hi, darling!
    -Okay, Bob, this is your stuff.
  • 72:27 - 72:29
    -It is so good to see you.
    -Yes, baby.
  • 72:36 - 72:38
    Oh, so how are you?
  • 72:51 - 72:53
    (Whistling)
  • 73:06 - 73:08
    Hurry up!
    We are going to be late.
  • 73:10 - 73:12
    Raj, you are great!
  • 73:14 - 73:16
    What is she doing?
    What is she up to?
  • 73:17 - 73:20
    Wait, Raj is behind you.
  • 73:20 - 73:22
    Yeah. All right.
  • 73:25 - 73:26
    It is upside down.
  • 73:27 - 73:32
    The first one is with her and the
    third one is also with her.
  • 73:32 - 73:34
    Where is the second one?
  • 73:34 - 73:35
    Okay!
  • 73:36 - 73:38
    But, with how many
    men she will marry?
  • 73:38 - 73:39
    (Phone ringing)
  • 73:39 - 73:41
    -Your phone, baby.
    -Who's that? Who's that?
  • 73:42 - 73:44
    Looks like she will divorce
    Sanjay and marry someone else.
  • 73:45 - 73:48
    Yes! What? Okay, don't worry.
  • 73:48 - 73:50
    -Where are we going, baby?
    -Come on guys.
  • 73:59 - 74:00
    Hey!
  • 74:00 - 74:02
    Raj, you are great!
  • 74:02 - 74:06
    -This is my car.
    -So, have it. Have it, baby.
  • 74:06 - 74:08
    -Your tour has ended?
    You are going away? -Yes.
  • 74:09 - 74:11
    -Oh, good!
    -We will miss you a lot.
  • 74:11 - 74:14
    -Yes, too much.
    -Enough now.
  • 74:14 - 74:15
    Just to make sure you miss me more...
  • 74:15 - 74:17
    I have got a gift for both of you.
  • 74:17 - 74:21
    -Lovely!
    -Oh, gift for me! Thanks.
  • 74:21 - 74:22
    -Very nice.
    -Thank you!
  • 74:22 - 74:25
    -Okay, bye! -Bye-bye!
    -She is so sweet, isn't it? -Bye!
  • 74:26 - 74:28
    Yes, very nice. Now come on.
    Come on in.
  • 74:28 - 74:30
    -Where are you going?
    -I am going home.
  • 74:30 - 74:31
    But the tour is not yet over.
  • 74:32 - 74:36
    Your tour will end if you
    talk too much with her.
  • 74:36 - 74:39
    -Yes, you go. -I have come
    to give you these gifts.
  • 74:40 - 74:42
    -Thank you, okay, now go.
    -Okay, bye-bye.
  • 74:42 - 74:43
    Bye!
  • 74:43 - 74:44
    Excuse me!
  • 74:46 - 74:48
    -You are an Indian?
    -Yes.
  • 74:48 - 74:50
    Can I check your baggage?
  • 74:57 - 74:58
    Okay, you can go.
  • 75:01 - 75:03
    -Hello, is there an Indian group?
    -Yes.
  • 75:04 - 75:05
    Can I check their rooms, please?
  • 75:06 - 75:09
    -Yes. -I have a warrant
    to check your room.
  • 75:09 - 75:12
    What? Excuse me, you can't just
    get into my room like this.
  • 75:12 - 75:15
    -One more packet?
    -But, that's a gift.
  • 75:17 - 75:19
    -These are drugs, Madam.
    -What? Drugs?
  • 75:20 - 75:23
    Inspector, we are innocent.
    Please, forgive us.
  • 75:23 - 75:26
    Look, the girl who was
    traveling with us in the bus...
  • 75:26 - 75:28
    -she gave us these gifts.
    -Yes.
  • 75:28 - 75:31
    What did we know that this
    heroine will give us heroin?
  • 75:31 - 75:33
    -We have never done anything
    wrong till date. -Yes!
  • 75:33 - 75:35
    -He does not even know Hindi!
    -Relax! Relax!
  • 75:35 - 75:39
    Sir, we all are innocent, that lady has
    given us all this. Believe us, Sir.
  • 75:39 - 75:41
    -This is not ours.
    -Where is your passport?
  • 75:42 - 75:43
    What did you do?
  • 75:43 - 75:45
    -Where were you, Raj?
    -What did we do?
  • 75:45 - 75:46
    -What did all of you do?
    -What did we do?
  • 75:46 - 75:49
    -That girl gave us drugs in
    the name of a gift. -Who?
  • 75:49 - 75:52
    And that policeman says that,
    none of us will be saved.
  • 75:52 - 75:54
    -That sister in mini skirt.
    -Who, that one?
  • 75:54 - 75:56
    -She gave us this gift.
    -She is a drug dealer?
  • 75:56 - 75:58
    Oh, my friend, Sanjay, is ruined.
  • 75:58 - 76:00
    I will have to make
    one more call.
  • 76:00 - 76:03
    Excuse me!
    Excuse me! Oh, my friend is gone.
  • 76:03 - 76:06
    Excuse me. Excuse me. All these
    people are innocent.
  • 76:06 - 76:08
    I will just make a call to my
    country and will be back...
  • 76:08 - 76:09
    in one minute.
    Please give me one minute.
  • 76:09 - 76:10
    Please give me one minute, sir.
  • 76:10 - 76:12
    -Excuse me. Excuse me.
    Excuse me. -Yes!
  • 76:12 - 76:15
    -Can I make a call please?
    -Yes, please. -Thank you very much.
  • 76:15 - 76:17
    -Yes, okay, bye-bye.
    -See you later.
  • 76:17 - 76:19
    -Hello, yes, Raj!
    -Yes, hello, Sanjay.
  • 76:19 - 76:22
    -Yes, you can commit suicide.
    -What are you talking?
  • 76:22 - 76:24
    Your wife turned out to
    be a drug smuggler.
  • 76:25 - 76:26
    Why has she started
    doing smuggling?
  • 76:26 - 76:28
    You are my friend,
    she is your wife.
  • 76:28 - 76:30
    -Though knowing this, I am
    going to get her arrested. -No
  • 76:30 - 76:32
    No, no!
    Raj, you please don't so this.
  • 76:32 - 76:33
    Because you know she is trying
    to trap innocent people...
  • 76:33 - 76:36
    in her crime and I will
    never let that happen.
  • 76:36 - 76:38
    Raj! Raj, please listen to me.
  • 76:38 - 76:40
    -Raj!
    -Okay!
  • 76:40 - 76:42
    -Raj!
    -What happened today?
  • 76:46 - 76:52
    -Carrey, I am ruined!
    -Why?
  • 76:53 - 76:57
    My wife turned out to
    be a drug smuggler.
  • 76:58 - 77:00
    Smuggler!
  • 77:01 - 77:03
    You never used to give
    her pocket money?
  • 77:03 - 77:05
    (Siren wailing)
  • 77:08 - 77:10
    Sir, follow me, follow me, sir.
  • 77:13 - 77:16
    -Police! Nobody will move.
    -Hold it. -Nobody will move, man.
  • 77:16 - 77:18
    -Passport.
    -Give the passport.
  • 77:19 - 77:22
    Give it to me. Give, give,
    give the passport to me.
  • 77:23 - 77:23
    Yes.
  • 77:25 - 77:27
    You are doing this under the
    pretext of touring Europe?
  • 77:28 - 77:29
    One woman and three men?
  • 77:29 - 77:32
    Sister-in-law, your character
    should be published...
  • 77:32 - 77:34
    in the Guinness Book
    of World Record.
  • 77:34 - 77:39
    Sister-in-law? Who, sister-in-law?
    I am still unmarried.
  • 77:41 - 77:43
    Big bullshit!
    She is a big liar, take her away.
  • 77:44 - 77:46
    You are under arrest, miss Mona.
  • 77:47 - 77:49
    -No, she is not Mona.
    -Yes, she is. -She is Anjali.
  • 77:49 - 77:52
    She is Mona,
    darling of drug smugglers.
  • 77:52 - 77:54
    -Can I see her passport, please?
    -See here.
  • 77:59 - 78:01
    If she is Mona then...
  • 78:02 - 78:04
    Who is the real Anjali?
  • 78:04 - 78:08
    Sister Pappi, you must always
    give a gift but not take it.
  • 78:08 - 78:10
    Oh God! Please save us this time.
  • 78:10 - 78:12
    Henceforth, we will never take
    any gift from a girl.
  • 78:23 - 78:26
    (Foreign language)
  • 78:28 - 78:32
    Well, Mr. And Mrs. Bhaidas Patel.
  • 78:32 - 78:34
    -This is your passport!
    -Oh, thank God.
  • 78:34 - 78:36
    And your passport too.
  • 78:36 - 78:37
    -Please go!
    -Thank you.
  • 78:37 - 78:41
    Mr. And Mrs. Prakash Chaudhary.
  • 78:42 - 78:43
    -Your passport.
    -Pappi!
  • 78:43 - 78:46
    -Why have you worn your glasses?
    -Move away from here. Quickly.
  • 78:46 - 78:49
    Mr. And Mrs. Bakhiyani.
  • 78:49 - 78:52
    -And who is Anjali Khanna?
    Your passport. -Thanks.
  • 79:13 - 79:15
    Pappi, why is Raj looking so sad?
  • 79:15 - 79:19
    That is fine. But I do not
    understand why is he sitting behind?
  • 79:25 - 79:26
    Who is doing this?
  • 79:27 - 79:29
    I do not like any girl playing
    mischief with me like this. Okay?
  • 79:30 - 79:32
    -Why are you telling us?
    -I am not telling you, okay?
  • 79:39 - 79:40
    Hi!
  • 79:42 - 79:43
    You forgot your mouth
    organ in the bus.
  • 79:46 - 79:48
    You seem to be busy,
    are you going somewhere?
  • 79:48 - 79:49
    Yes, I am going to hell.
  • 79:49 - 79:51
    -Shall I accompany you?
    -Do you have the Visa?
  • 79:52 - 79:55
    You just take me along with you,
    I will get the Visa as well.
  • 79:55 - 79:56
    Very funny!
  • 79:57 - 79:59
    Are you angry?
    Did I make any mistake?
  • 79:59 - 80:01
    No, you can never
    make any mistake.
  • 80:01 - 80:03
    I made a mistake, I am sorry.
  • 80:03 - 80:05
    No! I am sorry.
  • 80:07 - 80:09
    Raj, are you really
    going somewhere?
  • 80:10 - 80:13
    Nowhere! I am going home.
  • 80:13 - 80:16
    And now cool, relax.
  • 80:18 - 80:20
    Don't try all these tricks on me,
    come on, leave me.
  • 80:22 - 80:23
    -Leave!
    -Why?
  • 80:24 - 80:25
    Leave it, I say.
  • 80:26 - 80:28
    Leave it!
  • 80:29 - 80:31
    Cool! Relax, okay!
  • 80:32 - 80:34
    Yeah, yeah, relax!
    Just relax, yeah.
  • 81:07 - 81:13
    "This girl is after you,
    where are you going my beloved?"
  • 81:14 - 81:20
    "My beloved, why are you angry
    and where are you going?"
  • 81:20 - 81:22
    "I made a mistake, okay."
  • 81:22 - 81:24
    "Forgive me, okay."
  • 81:24 - 81:26
    "Oh my beloved,
    I will not allow you to go."
  • 81:26 - 81:32
    "This girl is after you,
    where are you going my beloved?"
  • 81:33 - 81:40
    "My beloved, why are you angry
    and where are you going?"
  • 81:54 - 81:56
    By the way what is your problem?
  • 81:56 - 81:57
    By the way what have
    you to do with that?
  • 81:58 - 82:00
    By the way we have to make
    promises and fulfill them.
  • 82:00 - 82:02
    We have to live and die together.
  • 82:02 - 82:05
    -You do what you wish to do,
    don't bother me. -Really?
  • 82:06 - 82:08
    Come on, go ahead, go ahead.
    Go! Go!
  • 82:12 - 82:19
    "My silken tresses and my
    mesmerizing eyes are calling you."
  • 82:19 - 82:25
    "Oh my beloved I am your life
    partner, please come with me."
  • 82:25 - 82:29
    "Catch my hand and understand
    my gesture."
  • 82:29 - 82:32
    "No one is dear to me
    as much as you."
  • 82:32 - 82:34
    "Do not go away making
    me restless."
  • 82:34 - 82:36
    "Please do not go away, return."
  • 82:36 - 82:39
    "Your dream girl stops you.."
  • 82:41 - 82:44
    "Oh,
    my beloved, where are you going?"
  • 82:45 - 82:51
    "This girl is after you,
    where are you going my beloved?"
  • 82:52 - 82:53
    Oh, hell!
  • 82:57 - 82:58
    Second one?
  • 83:08 - 83:09
    Hello, Sanjay your wife...
  • 83:17 - 83:23
    "This is the season of merriment,
    you enjoy it."
  • 83:24 - 83:30
    "Youth is like monsoon it
    odes not last long."
  • 83:30 - 83:34
    "You have my oath do not
    torment me more."
  • 83:34 - 83:37
    "It should not happen
    that I feel grief."
  • 83:37 - 83:39
    "Your youth.."
    -Okay.
  • 83:39 - 83:41
    "I am crazy after you."
    -Okay!
  • 83:41 - 83:44
    "My beloved you too
    become crazy"
  • 83:47 - 83:49
    "Oh,
    my beloved, where are you going?"
  • 83:49 - 83:56
    "My beloved, why are you angry
    and where are you going?"
  • 83:56 - 83:58
    "I made a mistake, okay."
  • 83:58 - 84:00
    "Forgive me, okay."
  • 84:00 - 84:03
    "Oh my beloved,
    I will not allow you to go."
  • 84:05 - 84:09
    "Oh,
    my beloved, where are you going?"
  • 84:09 - 84:16
    "This girl is after you,
    where are you going my beloved?"
  • 84:18 - 84:20
    What are you saying?
    You are returning?
  • 84:20 - 84:21
    Yes. This is too much now.
  • 84:22 - 84:24
    I do not want to be a
    detective anymore.
  • 84:24 - 84:25
    I am thinking that I will
    return to India..
  • 84:25 - 84:26
    get married and
    lead a good life.
  • 84:27 - 84:29
    What? You wish to get married?
  • 84:30 - 84:32
    Hello! Definitely meet
    me after marriage.
  • 84:32 - 84:35
    Because in this you need
    a divorce very soon.
  • 84:35 - 84:37
    -Do remember me.
    -I will definitely remember you.
  • 84:37 - 84:39
    As soon as I return to Mumbai
    you just meet me once...
  • 84:40 - 84:42
    -that's all. -After that
    everyone will remember you.
  • 84:42 - 84:44
    Brother,
    you seem to be very disappointed.
  • 84:44 - 84:46
    What is it? If there is anything
    please tell me.
  • 84:46 - 84:49
    -I will not tell my neighbour.
    -What shall I tell you?
  • 84:49 - 84:51
    The one I was following thinking
    her to be Sanjay's wife...
  • 84:51 - 84:52
    she turned out to be someone else.
  • 84:52 - 84:54
    And the one whom I fell in love
    with thinking her to be...
  • 84:54 - 84:56
    someone else, she turned
    out to be Sanjay's wife.
  • 84:58 - 84:59
    What did you tell him,
    he became unconscious.
  • 84:59 - 85:01
    Even if he regains consciousness,
    he will never tell you.
  • 85:01 - 85:03
    You just listen to this, I am
    returning to India, that's all.
  • 85:03 - 85:06
    Look, if you return
    without any evidence...
  • 85:07 - 85:08
    then, the sleeping pills I have here...
  • 85:08 - 85:09
    I will dissolve all
    the pills..
  • 85:09 - 85:12
    in my tea and drink
    it up and I will die.
  • 85:12 - 85:14
    Sanjay, please do not so such a thing.
  • 85:14 - 85:17
    Okay, listen.
    I will gather evidence for you.
  • 85:18 - 85:20
    I got it! I got it! I got it!
  • 85:20 - 85:23
    Oh, my God! I dashed into this.
  • 85:24 - 85:25
    What happened?
  • 85:25 - 85:28
    I found evidence against your
    husband, just see this.
  • 85:28 - 85:29
    But, this is my photo.
  • 85:29 - 85:32
    -From her side face she looks like
    a witch. -Uncle, Carrey!
  • 85:32 - 85:34
    -See, she looks like a specter.
    -Uncle Carrey!
  • 85:34 - 85:38
    -That wretched woman.
    -Uncle Carrey!
  • 85:38 - 85:40
    -I feel like strangulating her.
    -Uncle, Carrey!
  • 85:40 - 85:43
    -Yes!
    -This is my photograph.
  • 85:44 - 85:46
    -Mr. Bhaidas, Mr. Chaudhary, comer here.
    -What happened?
  • 85:46 - 85:48
    -Mr. Pal, what is it?
    -See this.
  • 85:48 - 85:50
    -This! This is a massage parlour.
    -Yes, tickling.
  • 85:50 - 85:54
    Mr. Bhaidas after reading this board
    I feel as if six to seven...
  • 85:54 - 85:57
    ..ladies are giving me a massage
    and I am enjoying it.
  • 85:57 - 85:59
    Brother, under the pretext
    of going for a stroll...
  • 85:59 - 86:01
    I came here for an
    English massage.
  • 86:01 - 86:04
    Even I came for the same.
  • 86:04 - 86:07
    -You can ask sister-in-law
    about my character. -Yes!
  • 86:07 - 86:08
    So, shall we go in?
  • 86:08 - 86:11
    -But what if our wives
    come to know? -Yes!
  • 86:11 - 86:14
    Brother, the moment we go in, our
    life will change in such a way...
  • 86:14 - 86:16
    that both of you will
    forget your wives.
  • 86:16 - 86:19
    It is my responsibility if
    something wrong happens. Come on.
  • 86:19 - 86:21
    -Come on!
    -Yes, come on, come on.
  • 86:21 - 86:26
    Wow! Massage parlour! All
    the three have gone in.
  • 86:26 - 86:29
    Her hands are so smooth.
  • 86:30 - 86:32
    They are so smooth that,
    I am enjoying it.
  • 86:34 - 86:36
    -Mr. Bhaidas!
    -Yes!
  • 86:36 - 86:39
    Are you in a mood to listen if
    I want to praise my wife?
  • 86:40 - 86:41
    Definitely! Sure!
  • 86:41 - 86:44
    Have you ever seen a female
    elephant in the forest?
  • 86:44 - 86:45
    I have not seen.
  • 86:45 - 86:47
    -Then, you come to my house.
    -Yes!
  • 86:47 - 86:50
    See my wife. She looks exactly
    like a female elephant.
  • 86:52 - 86:54
    -Shall I praise my wife?
    -Yes! Sure.
  • 86:54 - 86:57
    Have you ever seen a ghost?
    A white ghost?
  • 86:58 - 86:59
    No, I never had an opportunity
    to see one.
  • 86:59 - 87:02
    If my wife leaves her
    hair loose then...
  • 87:02 - 87:04
    she looks like a white ghost.
  • 87:05 - 87:06
    Mr. Bhaidas...
  • 87:06 - 87:08
    please do not talk like this
    about my sister-in-law.
  • 87:08 - 87:11
    Mr. Chaudhary, I told
    you she is crazy...
  • 87:11 - 87:13
    you do not try and
    flirt with her.
  • 87:13 - 87:16
    Mr. Bhaidas,
    I feel like singing a song.
  • 87:16 - 87:18
    -Mr. Chaudhary...
    -"If a flame is ignited."
  • 87:18 - 87:20
    After coming to this foreign
    country it seems like...
  • 87:20 - 87:22
    we got married at
    a very early age.
  • 87:22 - 87:24
    -"Then the rain will extinguish it."
    -Why did you stop it?
  • 87:24 - 87:26
    Do it, why did you stop the massage?
    Come on, do it.
  • 87:26 - 87:27
    Yeah. Yeah. Yeah.
  • 87:39 - 87:42
    You did the right thing!
    They should be beaten up like this.
  • 87:42 - 87:45
    Next time they will not trouble
    an innocent person like me.
  • 87:45 - 87:48
    Yes! Yes! But your wife
    will not come here.
  • 87:48 - 87:51
    She has gone for shopping, but
    don't worry we have told her...
  • 87:51 - 87:55
    that your husband too has gone
    to a massage parlour.
  • 87:55 - 87:59
    -Then? -Then she said... first you
    go and beat up your husbands.
  • 87:59 - 88:02
    But after that do not give my
    husband a chance to complain.
  • 88:02 - 88:03
    What do you mean?
  • 88:03 - 88:05
    Meaning...
  • 88:10 - 88:13
    Raj, you are going here?
  • 88:14 - 88:15
    So?
  • 88:15 - 88:17
    Don't you know it is
    a striptease joint?
  • 88:18 - 88:19
    I know. So?
  • 88:20 - 88:22
    No, how can you go to
    some place like this?
  • 88:23 - 88:25
    I can go.
  • 88:25 - 88:27
    Okay! Even I am coming.
  • 88:29 - 88:30
    You?
  • 88:30 - 88:34
    Madam, you can go anywhere.
  • 88:35 - 88:38
    (Dance music)
  • 88:43 - 88:45
    Raj, come on, we will go
    from here, let's go.
  • 88:45 - 88:47
    Yes! You are too good baby!
  • 88:52 - 88:55
    -Yes, sir!
    -One beer, please.
  • 88:56 - 88:58
    What about you, ma'am?
  • 88:58 - 89:01
    -One Tequila!
    -Okay, fine.
  • 89:05 - 89:08
    Yes, yes, you can drink anything.
  • 89:17 - 89:19
    -Yes, sir!
    -One more beer, please.
  • 89:20 - 89:21
    -Two Tequilas!
    -Okay, ma'am.
  • 90:57 - 90:58
    Come on, baby, let's have fun.
  • 90:58 - 91:00
    Wow! Great!
  • 91:05 - 91:06
    Wow! Great!
  • 91:09 - 91:11
    (Dance music stops)
  • 91:17 - 91:18
    I am sorry!
  • 91:18 - 91:20
    -No!
    -I am really sorry!
  • 91:20 - 91:24
    First you will have to
    admit that, you love me.
  • 91:24 - 91:26
    No, I don't!
  • 91:43 - 91:45
    Come inside.
  • 91:45 - 91:48
    Come on, baby, come on.
  • 92:48 - 92:50
    You love me, no?
  • 92:51 - 92:54
    -No!
    -No! You are lying.
  • 92:54 - 92:57
    -I know you love me.
    -No, I don't.
  • 92:58 - 92:59
    -You do love me!
    -No.
  • 92:59 - 93:01
    No, I don't. I don't!
  • 93:01 - 93:04
    -No, you love me.
    -No.
  • 93:04 - 93:06
    -Yes, you love me.
    -No, I don't. -Yes.
  • 93:06 - 93:10
    -Yes, you love me. -No! I hate you.
    I hate you! I hate you!
  • 93:13 - 93:14
    I hate you!
  • 93:15 - 93:18
    I am fine but the business
    is going into a loss.
  • 93:18 - 93:20
    What? What is this?
    Can't you see? What is this?
  • 93:20 - 93:23
    Can't you walk without
    pushing someone?
  • 93:23 - 93:25
    Did you not go to any class
    to learn how to walk?
  • 93:25 - 93:28
    Glass?
    Are you crazy? Am I a drunkard?
  • 93:28 - 93:31
    I will take the glass in hand
    only when I attend a party.
  • 93:31 - 93:33
    If I attend a party, will
    you come with me?
  • 93:33 - 93:35
    -Will you accompany me?
    -Who is this one? Who is he?
  • 93:35 - 93:38
    I am not John. I am Mulchand Chelaramani.
    How about you?
  • 93:38 - 93:40
    Whoever you may be
    I will slap you.
  • 93:40 - 93:42
    -Is there any problem with your ears?
    -What did you say?
  • 93:42 - 93:44
    Where do I have a problem?
    What did you say?
  • 93:44 - 93:46
    -Where do I have a problem?
    -In the ears! Ears!
  • 93:46 - 93:48
    You said ears?
    Sorry, I am a little deaf.
  • 93:49 - 93:51
    See, I have put the machine.
    Please, forgive me.
  • 93:51 - 93:53
    Please forgive me.
  • 93:53 - 93:55
    Anjali, see who is this man
    who is harassing me?
  • 93:55 - 93:57
    Sister-in-law, Anjali!
  • 93:57 - 94:00
    How come you are here?
    You were supposed to go to Europe?
  • 94:00 - 94:02
    -How come you are here?
    -One minute. One minute.
  • 94:02 - 94:05
    Please, do not tell my husband
    that, I am still here. Please.
  • 94:05 - 94:07
    How will I tell him? I can tell
    him only if he is here.
  • 94:07 - 94:09
    He has gone to Europe.
    I booked the ticket for him.
  • 94:09 - 94:11
    -What? -In the name of Raj Malhotra.
    -Raj Malhotra!
  • 94:11 - 94:13
    -What?
    -Hello.
  • 94:13 - 94:15
    -Uncle.
    -How did this happen?
  • 94:15 - 94:17
    Did you see?
  • 94:17 - 94:19
    -Stupid! Uncle!
    -Yes.
  • 94:19 - 94:21
    I told you this man is a scoundrel.
    I had told you, isn't it?
  • 94:21 - 94:23
    Has he gone there to
    keep an eye on you?
  • 94:23 - 94:26
    Even if he is doing that, he
    should have returned by now.
  • 94:26 - 94:27
    I am here.
  • 94:27 - 94:30
    How will he return? He is after
    all a flamboyant person.
  • 94:30 - 94:32
    English girls, liquor and freedom.
  • 94:32 - 94:34
    Can anyone stop themselves
    from enjoying it?
  • 94:34 - 94:37
    Uncle, this is a very good thing.
    Ask me why?
  • 94:37 - 94:40
    How? -Anjali is there.
    I will call her up just now.
  • 94:40 - 94:42
    She will bring evidence
    for us from there.
  • 94:43 - 94:44
    Anjali, I am Anjali speaking.
  • 94:44 - 94:46
    Where were you?
    I called up so many times?
  • 94:47 - 94:48
    Yes, Anjali.
  • 94:48 - 94:52
    Okay, tell me, is there any person in
    your tour by the name of Raj Malhotra?
  • 94:52 - 94:54
    Raj Malhotra?
  • 94:54 - 94:56
    Yes! He is traveling with me.
  • 94:56 - 94:58
    He is my husband, Sanjay.
  • 95:00 - 95:01
    What! -Yes.
    And just now I came to know..
  • 95:01 - 95:03
    ..that he is traveling
    by changing his name.
  • 95:04 - 95:08
    Hello, Anjali!
    Anjali! Anjali, are you there?
  • 95:09 - 95:11
    Hello, Anju!
  • 95:12 - 95:14
    (Telephone rings)
  • 95:15 - 95:17
    (Telephone rings)
  • 95:19 - 95:20
    (Telephone rings)
  • 95:22 - 95:24
    Hello!
    -Hello, Anjali!
  • 95:24 - 95:26
    What happened to you suddenly?
  • 95:26 - 95:28
    I felt dizzy listening to you.
  • 95:29 - 95:30
    You felt dizzy? Why?
  • 95:30 - 95:36
    The thing is I have fallen in love
    with your husband.
  • 95:36 - 95:38
    What are you saying?
  • 95:38 - 95:41
    I knew this rogue was
    up to something.
  • 95:41 - 95:46
    But how are you so sure that
    he is your husband?
  • 95:46 - 95:48
    Today, my travel agent told me
    that he had booked a ticket..
  • 95:48 - 95:49
    ..in the name of Raj Malhotra.
  • 95:49 - 95:51
    What are you saying?
  • 95:52 - 95:53
    I will not spare this person now.
  • 95:53 - 95:56
    I will go to him immediately
    and ask him that..
  • 95:56 - 95:59
    ..why did he do this to me when
    he was already married.
  • 95:59 - 96:02
    Hold on, don't do something
    like this now. -Why? Why?
  • 96:03 - 96:05
    If you discuss all this with him
    then he will become alert.
  • 96:06 - 96:08
    I want you to continue
    with this charade.
  • 96:08 - 96:12
    So that later I will present you in
    the court against him as a witness.
  • 96:12 - 96:15
    Hey you, what are you saying?
    I..can't do all that.
  • 96:15 - 96:18
    Anjali, I know that this is
    very difficult for you.
  • 96:18 - 96:20
    It is very difficult for me also, friend.
  • 96:20 - 96:23
    Don't you wish that we both
    should teach him a lesson?
  • 96:24 - 96:27
    I am at the casino. She is
    coming here now to meet me.
  • 96:27 - 96:29
    I know that she is crazily
    in love with you.
  • 96:29 - 96:31
    She will do as you
    tell her to do.
  • 96:31 - 96:33
    You do one thing, today night you
    call her alone in your room.
  • 96:33 - 96:34
    Are you mad?
  • 96:35 - 96:36
    I want to see how
    far can she get..
  • 96:36 - 96:37
    ..involved with you
    in this matter.
  • 96:37 - 96:40
    What do you wish? How can I do
    this with my friend's wife?
  • 96:40 - 96:42
    Have you gone crazy?
    My life is in a mess, man.
  • 96:42 - 96:43
    This is the only opportunity
    to expose her.
  • 96:43 - 96:45
    Tonight, if she comes
    alone in your room..
  • 96:45 - 96:48
    ..then you just see, hundred
    percent I will divorce her.
  • 96:49 - 96:51
    Do not let go of this opportunity.
    -Okay, I will do this.
  • 96:52 - 96:54
    What if he takes undue advantage
    of this situation? -Carrey!
  • 96:54 - 96:56
    Sir, the problem is your
    wife too is always..
  • 96:56 - 96:57
    ..in search of such opportunities.
  • 96:57 - 96:59
    Shut up!
    -Okay!
  • 96:59 - 97:01
    He is waiting for me in the
    hotel casino. -Okay?
  • 97:02 - 97:04
    I am going there. -Now he will
    do anything to acquire you.
  • 97:05 - 97:08
    You do one thing, you call him
    alone in your room. -Anjali!
  • 97:08 - 97:10
    And if he misbehaves
    with you in your..
  • 97:10 - 97:12
    ..room, then I will divorce him.
  • 97:13 - 97:16
    Anjali, please do this for me.
    Bye.
  • 97:16 - 97:17
    Raj!
  • 97:19 - 97:21
    Why did you call me here?
  • 97:22 - 97:28
    Well,
    to tell you that..I love you.
  • 97:28 - 97:33
    I am very happy!
    -Oh, Anjali, I too am very happy.
  • 97:33 - 97:37
    Wow! Come, let's play a game.
  • 97:37 - 97:40
    Come on. Till today we have
    always been testing each other..
  • 97:41 - 97:42
    ..but today,
    let us test our own self.
  • 97:47 - 97:49
    When will this game end?
  • 97:50 - 97:53
    Even I was thinking how long
    will this game go on?
  • 97:53 - 97:55
    I am quite bored with this game.
  • 97:55 - 97:58
    Let's stop it,
    man, let's stop playing.
  • 97:59 - 98:03
    Anyways, you should never mess with
    a machine you don't know about.
  • 98:03 - 98:04
    Often, a person loses.
  • 98:04 - 98:05
    Right.
  • 98:07 - 98:08
    Come, we will go somewhere.
  • 98:09 - 98:11
    Where?
    -Wherever you say.
  • 98:11 - 98:13
    In my room?
    -No!
  • 98:14 - 98:17
    In my room. I will wait for you.
  • 98:20 - 98:23
    Oh! The door is also kept open.
  • 98:28 - 98:30
    Hi!
    -She is smarter than the first one.
  • 98:32 - 98:34
    What is the matter? You are all
    dressed up and lying down?
  • 98:34 - 98:37
    Yes, today you also seem
    to be in a great mood.
  • 98:37 - 98:39
    Of course, I am in a great mood.
    Because since many days..
  • 98:39 - 98:41
    ..I was waiting to vent
    out my feelings.
  • 98:42 - 98:46
    Mr. Raj Malhotra, I too was
    impatiently waiting for this day.
  • 98:47 - 98:49
    When I will be able to satiate
    the fire within me.
  • 98:49 - 98:52
    That means the fire is
    smouldering within you as well.
  • 98:52 - 98:55
    And you are craving to surrender
    your body to me.
  • 98:55 - 98:56
    But please forgive me,
    madam Anjali,
  • 98:56 - 98:58
    I will never do any such thing
    that you wish me to do.
  • 98:58 - 99:00
    That is because I have a class,
    a status and I do not..
  • 99:00 - 99:02
    ..entertain third grade
    girls like you.
  • 99:02 - 99:04
    What do you mean?
    -Don't shout!
  • 99:04 - 99:06
    I know very well that
    you are a fraud..
  • 99:06 - 99:08
    ..flirt and a third grade girl.
  • 99:08 - 99:11
    Hey you! Mind you language.
    Before accusing me of such..
  • 99:11 - 99:12
    ..filthy things first try and
    see your face in the mirror.
  • 99:12 - 99:14
    What is wrong with my face?
    -You are a loafer, scoundrel, rogue.
  • 99:14 - 99:17
    You are a flirt who traps innocent girls.
  • 99:17 - 99:20
    I will say that you are
    a stigma on men.
  • 99:20 - 99:23
    Not only a stigma but
    worse than that!
  • 99:23 - 99:26
    Okay! All right!
  • 99:27 - 99:30
    You are angry because I did
    not do what you wished?
  • 99:31 - 99:32
    Cool down! Relax!
  • 99:33 - 99:35
    When I did not get trapped
    in your plan,
  • 99:35 - 99:36
    When I did not heed
    to your wishes..
  • 99:37 - 99:38
    ..you are trying to pretend
    like a virtuous lady?
  • 99:38 - 99:41
    Oh! So I am trying to pretend
    like a virtuous lady?
  • 99:41 - 99:44
    You are married yourself and
    you try to flirt with other girls.
  • 99:44 - 99:46
    Oh, hello, who told you
    that I am married?
  • 99:46 - 99:48
    Oh! Your own wife.
  • 99:48 - 99:50
    From where has my wife turned up?
    -Many years ago.
  • 99:50 - 99:51
    Shut up!
  • 99:51 - 99:53
    Just because you are married, you
    are talking nonsense about me.
  • 99:54 - 99:57
    I am married?
    Wow! Now I am married?
  • 99:57 - 99:59
    By the way who, told you
    that I am married?
  • 99:59 - 100:02
    Your husband.
    -Oh! Now I also have a husband.
  • 100:02 - 100:05
    Fabulous! -This is nothing new.
    -What a big fraud you are!
  • 100:05 - 100:08
    You are a liar!
    -Baby, don't try to make me a fool.
  • 100:08 - 100:10
    How dare you touch me!
  • 100:10 - 100:13
    Yes, what can I do for you, sir?
    What can I do for you?
  • 100:13 - 100:15
    Now, I will do what is to be done.
  • 100:15 - 100:18
    You don't have to do anything.
    -No!
  • 100:19 - 100:22
    Hello! -Hello, Anjali, quickly
    tell me, what happened?
  • 100:22 - 100:24
    Nothing happened as you thought.
  • 100:24 - 100:27
    Hello.
    -Yes, quickly tell me what happened?
  • 100:27 - 100:31
    Nothing, my friend, nothing
    happened as you thought.
  • 100:31 - 100:34
    Actually she had called
    for two security men..
  • 100:35 - 100:37
    ..and those two men gave
    me a good beating.
  • 100:37 - 100:40
    No, no, you are lying,
    I cannot believe this.
  • 100:40 - 100:44
    Actually, according to me your
    wife is a very noble lady.
  • 100:44 - 100:46
    Okay! So now she is a
    very virtuous lady?
  • 100:46 - 100:48
    Yes, that is what I think.
  • 100:48 - 100:51
    You invited him to your room
    and he came. -Yes, he came.
  • 100:51 - 100:54
    She called you to her room?
    -Yes!
  • 100:54 - 100:56
    And you went to her room.
    -Yes, yes.
  • 100:56 - 100:58
    And then he was with you for sometime?
    -Yes.
  • 100:59 - 101:00
    And then he became
    a very decent man?
  • 101:00 - 101:01
    After that she became a very
    virtuous lady, is it?
  • 101:01 - 101:05
    Yes, after that I started
    respecting her.
  • 101:05 - 101:07
    The thing is I did not get
    enough time to talk to her as..
  • 101:07 - 101:09
    ..the police broke my mouth pretty badly.
  • 101:09 - 101:12
    After that, I could not
    utter a single word.
  • 101:12 - 101:14
    But shall I tell you one thing?
  • 101:14 - 101:18
    No doubt she was lying but
    she is a very decent girl.
  • 101:20 - 101:23
    But Sanjay, what is your
    intention in asking me all this?
  • 101:23 - 101:24
    Darling..
  • 101:24 - 101:26
    ..the meaning is this that my
    husband has this special trait.
  • 101:26 - 101:28
    If he spends some time
    with a girl then..
  • 101:28 - 101:30
    ..that girl starts praising him.
  • 101:30 - 101:32
    Shame on you,
    Anjali, shame on you.
  • 101:33 - 101:37
    Sanjay,
    for your sake I got beaten twice.
  • 101:37 - 101:38
    I broke my heart once.
  • 101:38 - 101:42
    And now you doubt me.
    God too will not help you, idiot.
  • 101:42 - 101:43
    (Hangs the phone)
  • 101:43 - 101:44
    This is the height!
  • 101:45 - 101:48
    Raj Malhotra,
    I will not spare you!
  • 101:48 - 101:51
    I have lost my temper.
    This is too much!
  • 101:51 - 101:54
    I think your wife is a CIA agent.
  • 101:54 - 101:59
    In one night, she influenced Raj
    Malhotra and shocked you.
  • 101:59 - 102:03
    I..I will deal with them.
    I will deal with everyone.
  • 102:05 - 102:06
    Oh, my God!
  • 102:08 - 102:11
    You here?
    -You had gone for a Europe tour, isn't it?
  • 102:12 - 102:14
    I had sent my friend in my
    place to this Europe tour.
  • 102:14 - 102:17
    So that I could stay here and
    keep an eye on you. Understood?
  • 102:17 - 102:19
    Oh, very smart!
  • 102:19 - 102:24
    My dear, the truth is that even I
    sent my friend on that same tour.
  • 102:24 - 102:25
    Oh! -Yes! -I see!
  • 102:25 - 102:27
    Daddy, this is superb!
  • 102:27 - 102:29
    You are minting money and
    I am minting money too!
  • 102:30 - 102:31
    Long live Sanjay's wife!
  • 102:31 - 102:33
    Long live the man with the pony!
  • 102:33 - 102:35
    We will keep extracting money
    from them all life long.
  • 102:35 - 102:37
    Let this case continue
    for some more time.
  • 102:37 - 102:40
    Let them be at loggerheads.
  • 102:40 - 102:41
    I see!
  • 102:43 - 102:46
    Father, I have lost the job!
    -And the case as well!
  • 102:46 - 102:48
    Father, run from here!
  • 102:48 - 102:50
    My child, run!
  • 102:53 - 102:56
    They are not at fault,
    but we are.
  • 102:56 - 102:59
    Sanjay, we never had faith
    on each other ever.
  • 102:59 - 103:02
    Faith is such a delicate
    emotion..
  • 103:04 - 103:06
    ..that if there is a little..
  • 103:07 - 103:10
    ..space for doubt it ruins
    the relationship.
  • 103:11 - 103:14
    And we..have saved ourselves
    from that disaster.
  • 103:15 - 103:16
    Sanjay..
  • 103:16 - 103:19
    ..promise me that such a thing
    will never happen with us again.
  • 103:19 - 103:20
    No!
  • 103:23 - 103:24
    Never!
  • 103:25 - 103:30
    Sanjay, have you ever thought
    that in our misunderstandings..
  • 103:30 - 103:32
    ..what Raj and Anjali
    must be going through?
  • 103:32 - 103:35
    Europe is good but not as
    good as our Ulhasnagar.
  • 103:36 - 103:37
    Ulhasnagar is after all
    a beautiful place.
  • 103:37 - 103:39
    You are a very strange man.
  • 103:39 - 103:41
    When you are in Ulhasnagar you
    say that Europe is beautiful.
  • 103:41 - 103:43
    And now that you are
    in Europe you..
  • 103:43 - 103:44
    ..say that Ulhasnagar is
    beautiful.
  • 103:44 - 103:44
    At least stick to one thing.
  • 103:45 - 103:46
    He is not fit to go out anywhere.
  • 103:46 - 103:48
    Hey mister, you do your work.
  • 103:48 - 103:50
    Shall I tell you one thing?
  • 103:50 - 103:52
    Mr. Chaudhary, shall I say something?
    -Yes, please.
  • 103:52 - 103:55
    (Background Music)
  • 103:55 - 104:01
    (Flute)
  • 104:33 - 104:37
    "Hey Raju, do not fall in love."
  • 104:37 - 104:41
    "Beware, your heart breaks."
  • 104:44 - 104:52
    "Do not talk of love,
    beware, your heartbreaks."
  • 104:55 - 104:58
    "You crazy heart, you did not adhere."
  • 104:58 - 105:00
    "You at last fell in love."
  • 105:01 - 105:04
    "Hey Raju, do not fall in love."
  • 105:04 - 105:08
    "Beware, your heart breaks."
  • 105:31 - 105:35
    "I tried stopping my heart and
    my heart tried stopping me."
  • 105:36 - 105:41
    "Love is just a beautiful
    whiff of passing breeze."
  • 105:45 - 105:52
    "I tried stopping my heart and
    my heart tried stopping me."
  • 105:52 - 105:57
    "Love is just a beautiful
    whiff of passing breeze."
  • 105:57 - 106:03
    "A person who falls in
    love ruins his life."
  • 106:03 - 106:06
    "Hey Raju, do not fall in love."
  • 106:06 - 106:10
    "Beware, your heart breaks."
  • 106:27 - 106:32
    "In love you lose
    your own heart."
  • 106:32 - 106:35
    "The person who resides in your heart"
  • 106:35 - 106:38
    ultimately becomes a stranger."
  • 106:43 - 106:48
    "In love you lose your own heart."
  • 106:49 - 106:51
    "The person who resides in your heart"
  • 106:51 - 106:54
    ultimately becomes a stranger."
  • 106:54 - 107:00
    "I realized this when
    I was hurt in love."
  • 107:00 - 107:03
    "Hey Raju, do not fall in love."
  • 107:03 - 107:07
    "Beware, your heart breaks."
  • 107:08 - 107:15
    "Do not talk of love,
    beware, your heart breaks."
  • 107:16 - 107:18
    "You crazy heart, you did not adhere."
  • 107:19 - 107:21
    "You at last fell in love."
  • 107:36 - 107:40
    (Background music)
  • 107:53 - 107:56
    Oh, sister, welcome, welcome.
    We missed you so much.
  • 107:56 - 108:00
    How was your Europe tour?
    -I saw the world. Good experience.
  • 108:00 - 108:02
    Yes, this experience was
    lacking that is why last time
  • 108:02 - 108:04
    you refused to get married.
  • 108:04 - 108:06
    Tell me, now what is your
    opinion about marriage?
  • 108:06 - 108:08
    Don't talk about marriage.
  • 108:08 - 108:10
    Otherwise again my
    daughter will get angry
  • 108:10 - 108:12
    and go on a Europe tour.
  • 108:12 - 108:15
    No Daddy, now I will get
    married where you want me to.
  • 108:16 - 108:18
    I have no complaints.
    -Great!
  • 108:18 - 108:20
    If I would have known that
    my daughter would
  • 108:20 - 108:23
    change her thinking so much
    after going to Europe
  • 108:23 - 108:26
    then I would have
    educated her in Europe.
  • 108:27 - 108:29
    My daughter has agreed to get married.
  • 108:30 - 108:33
    All my tensions have waned away.
  • 108:36 - 108:37
    Brother
  • 108:37 - 108:39
    the marriage should be
    solemnized with great splendour.
  • 108:39 - 108:42
    You go and arrange everything
    for the wedding, that's it.
  • 108:42 - 108:43
    Brother, you just watch.
  • 108:43 - 108:46
    I will get the number one caterer
    and decorator of Delhi.
  • 108:47 - 108:50
    Shekhar, quickly unload all the stuff.
  • 108:51 - 108:52
    There is less time and
    there's a lot of work load.
  • 108:53 - 108:57
    Chaudhary!
    -Oh! Mr. Bhaidas, you?
  • 108:57 - 109:01
    Surprising! I missed you a
    lot after the Europe tour.
  • 109:01 - 109:04
    And I missed sister-in-law as well.
    -Sister-in-law?
  • 109:04 - 109:06
    She was repeatedly trying your
    number on the day of Rakhi.
  • 109:06 - 109:09
    I too tried calling up. I called
    up once, no one answered.
  • 109:09 - 109:11
    I called up twice,
    no one answered.
  • 109:11 - 109:12
    I called up thrice,
    no one answered.
  • 109:12 - 109:15
    And then sir, I...
    -How would you find someone?
  • 109:15 - 109:18
    I had given you the wrong number.
    -Oh, wrong number?
  • 109:19 - 109:22
    Isn't this Anjali?
    -Who Anjali?
  • 109:22 - 109:24
    The same one from the tour.
    Raj's Anjali.
  • 109:24 - 109:27
    From behind she looks like Anjali.
    Dear could you please turn around?
  • 109:27 - 109:30
    Hey, this is Anjali. Anjali!
  • 109:30 - 109:32
    See, I recognized her from
    behind. -Mr. Chaudhary, you?
  • 109:32 - 109:33
    Mr. Bhaidas, you?
  • 109:33 - 109:35
    My dear, how are you?
    -How are you?
  • 109:35 - 109:37
    You look the same as
    you were in Europe.
  • 109:37 - 109:39
    You know each other?
  • 109:39 - 109:41
    Not only know but we know
    each other very well.
  • 109:41 - 109:42
    We had met on the tour.
  • 109:42 - 109:45
    I am impatient to know what
    happened about the affair
  • 109:45 - 109:47
    between you and Raj?
  • 109:48 - 109:49
    (Background music)
  • 109:50 - 109:52
    Mr. Chaudhary, this is my Daddy
    and this is my Mummy.
  • 109:52 - 109:56
    Everyone has parents. But you first
    tell me have you and Raj patched up?
  • 109:56 - 109:58
    And who is getting married?
    -Hey!
  • 109:58 - 110:00
    Anjali is getting married, who else?
  • 110:00 - 110:03
    One minute. One minute.
    I am a little confused.
  • 110:03 - 110:04
    You met Raj during the tour, okay?
    -Yes.
  • 110:04 - 110:06
    Raj and you had a tiff?
    (Background music)
  • 110:06 - 110:09
    Now are you getting married
    to Raj or to someone else?
  • 110:09 - 110:09
    (Background music)
  • 110:09 - 110:12
    Who is this Raj?
    -I do not know anyone called Raj.
  • 110:12 - 110:14
    (Background music)
  • 110:15 - 110:16
    Who has called both of you here?
  • 110:16 - 110:18
    The owner of this bungalow.
    -Has called me for the decoration.
  • 110:18 - 110:20
    And me for the catering.
    -Okay.
  • 110:20 - 110:22
    Who are you?
    -Who am I?
  • 110:22 - 110:24
    I am the boss of this
    bloody bungalow.
  • 110:24 - 110:26
    He is the boss of this bungalow.
    -Okay.
  • 110:26 - 110:27
    Go and do your work.
  • 110:27 - 110:30
    And listen! There is no need
    for you to talk to anyone.
  • 110:30 - 110:32
    Is that clear? Wonder from where
    you got these specimens.
  • 110:32 - 110:34
    You told me to get Delhi's most famous...
  • 110:34 - 110:37
    He is a very strange man.
    He is calling me a specimen.
  • 110:37 - 110:41
    Tell me, Mr. Bhaidas. Do I look
    like a specimen from any angle?
  • 110:41 - 110:42
    Today is an auspicious day
  • 110:42 - 110:44
    please do not compel me to tell lies.
    (Background music)
  • 110:45 - 110:46
    Come on put up the tents quickly.
  • 110:46 - 110:49
    (Background music)
  • 110:55 - 110:59
    My child, since the time you
    have returned from Europe
  • 110:59 - 111:01
    you are looking so forlorn.
  • 111:01 - 111:04
    This isn't done. First tell
    me, what is the matter?
  • 111:04 - 111:07
    Do not talk much! Ask him nicely.
  • 111:07 - 111:10
    Tell me Raj, who has made
    your condition like this?
  • 111:10 - 111:11
    I will teach that one a lesson.
  • 111:12 - 111:16
    Who is dead?
    Where is that one? I will shoot him.
  • 111:17 - 111:20
    Keep quiet! You always are drunk.
  • 111:20 - 111:24
    Keep sleeping. And after getting
    intoxicated you talk rubbish.
  • 111:24 - 111:25
    "I will shoot him."
  • 111:26 - 111:29
    Is this the way?
    -Grandpa, what's happening?
  • 111:29 - 111:31
    What is wrong with my brother?
  • 111:31 - 111:34
    My child, is it that you
    have fallen in love?
  • 111:34 - 111:34
    (Background music)
  • 111:34 - 111:36
    (Phone Ringing)
  • 111:36 - 111:38
    Oh, my! The bell is ringing.
  • 111:38 - 111:41
    Definitely it is something to do
    with romance. (Phone Ringing)
  • 111:41 - 111:43
    (Phone Ringing)
  • 111:44 - 111:47
    Hello.
    -Raj, it is me, Chaudhary.
  • 111:47 - 111:51
    Who, Chaudhary? -That one"One
    bird said to another, what say?"
  • 111:51 - 111:54
    Chaudhary, from the Europe tour.
    -Yes, Mr. Chaudhary, tell me.
  • 111:54 - 111:58
    After the Europe tour we thought
    that Anjali will marry you
  • 111:58 - 112:00
    but Anjali is getting married
    to someone else here.
  • 112:00 - 112:03
    Anjali's wedding!
    Her parents are nice.
  • 112:03 - 112:05
    They are getting her married the
    second time with such a bang?
  • 112:05 - 112:06
    You fool, initially she will get
    married for the first time
  • 112:06 - 112:08
    and then she can get
    married the second time.
  • 112:08 - 112:10
    Instead she thinks that you
    are already married.
  • 112:10 - 112:13
    What? Anjali is still not married?
  • 112:13 - 112:14
    That means she is not
    my friend's wife?
  • 112:14 - 112:17
    Forget about your friend,
    she can only be your wife.
  • 112:17 - 112:19
    She cannot marry anyone else.
  • 112:19 - 112:21
    Quickly come to Delhi.
    You must be thinking
  • 112:21 - 112:22
    how will you reach your beloved?
  • 112:23 - 112:24
    So listen to me
  • 112:24 - 112:25
    it is my responsibility to take
    you to meet your beloved.
  • 112:25 - 112:29
    And if I cannot do that
    then you can abuse me.
  • 112:29 - 112:30
    Now you do not increase my mobile bill.
  • 112:30 - 112:32
    Quickly catch a flight
    and come here.
  • 112:32 - 112:35
    Leave aside flight. I will
    fly, run and swim and come.
  • 112:35 - 112:38
    Mummy, Daddy, Grandpa, Grandma,
    sister -Oh, wow!
  • 112:38 - 112:41
    I am going and bringing the
    daughter-in-law of this house.
  • 112:43 - 112:46
    See, go up these stairs,
    then turn to your right
  • 112:46 - 112:48
    and then turn to your left.
  • 112:48 - 112:51
    The girl's bedroom is there,
    open the door and go in. Okay?
  • 112:52 - 112:53
    Come, we will go.
    -Come on. -Brother Bhaidas
  • 112:53 - 112:54
    this is very bad. I spit on you.
  • 112:54 - 112:56
    Raju, you do not know her father.
  • 112:56 - 112:58
    He is a very stern man,
    he will cancel my tent.
  • 112:58 - 113:00
    Mr. Chaudhary,
    this is very bad, I spit on you.
  • 113:00 - 113:02
    Do not spit too much this
    is marble we will slip.
  • 113:02 - 113:05
    Then c'mon both of you.
    -C'mon. -C'mon.
  • 113:05 - 113:07
    Brother, I have done everything
    as per your instructions.
  • 113:07 - 113:08
    Listen!
  • 113:08 - 113:10
    I have covered my face, I cannot hear.
  • 113:10 - 113:13
    You will hear only
    when you turn around.
  • 113:13 - 113:14
    If you tell us to turn only
    then we will turn.
  • 113:14 - 113:16
    If you ask us to hear then
    how will we turn around?
  • 113:16 - 113:19
    Oh, this is the caterer, isn't it?
    -Yes.
  • 113:19 - 113:21
    And this is the decorator?
    -Yes, decorator.
  • 113:21 - 113:22
    And, who are you?
    -That I do not know.
  • 113:22 - 113:24
    That... that... the orchestra man here.
  • 113:24 - 113:27
    Will you play the orchestra on my head?
  • 113:27 - 113:29
    We just wanted to have a chat with you.
  • 113:29 - 113:32
    If you wanted to listen to a
    particular number which you like
  • 113:32 - 113:33
    and...
    -Keep quiet. Enough.
  • 113:33 - 113:36
    Uncle, I promise you, I will make
    you listen to any number.
  • 113:36 - 113:38
    What decorator?
  • 113:38 - 113:39
    Wonder from where you
    bring such specimen?
  • 113:40 - 113:42
    He is again calling us specimens.
    -Okay.
  • 113:42 - 113:46
    I have never been humiliated
    like this in my life. -Okay?
  • 113:46 - 113:48
    I have been humiliated before
    as well but in installments.
  • 113:48 - 113:50
    My father-in-law insulted
    me in front of everyone?
  • 113:51 - 113:53
    If I do not make his
    daughter stand against him
  • 113:53 - 113:55
    in front of everyone then
    I will change my name.
  • 113:55 - 113:58
    And Raj, you are great!
  • 113:59 - 113:59
    Really!
  • 114:26 - 114:30
    (Background music)
  • 114:48 - 114:51
    "I wish to say something to you."
  • 114:55 - 114:59
    "But my heart tells
    me to be quiet now."
  • 115:03 - 115:09
    "Now if we are silent our
    eyes will speak up."
  • 115:43 - 115:45
    Oh, my darling, my darling,
    my darling, I love you
  • 115:45 - 115:47
    I miss you man, I miss you.
  • 115:48 - 115:50
    You are looking so beautiful
    in these clothes.
  • 115:50 - 115:53
    Anjali, we both have
    misunderstood each other.
  • 115:53 - 115:55
    But believe me, my
    misunderstanding is cleared now.
  • 115:55 - 115:56
    And I take your oath and say
    that I am not a married man.
  • 115:56 - 115:58
    I am a bachelor,
    man, I am a bachelor.
  • 115:58 - 116:01
    And if you are ready then I am
    also ready to elope with you.
  • 116:01 - 116:02
    They are still talking.
  • 116:03 - 116:06
    Shall I put on the lights?
    -Anjali, Anjali, your hand
  • 116:06 - 116:08
    how come your hands
    are so rough? -On!
  • 116:08 - 116:09
    (Background music)
  • 116:09 - 116:10
    Who are you?
  • 116:11 - 116:13
    I am Raj, who are you?
    -I am Anjali's Mother.
  • 116:15 - 116:16
    What have you done?
  • 116:16 - 116:18
    Come here!
    -Come here!
  • 116:18 - 116:20
    Come here.
    -Come here in this corner.
  • 116:20 - 116:22
    Did you say what you wanted to?
  • 116:23 - 116:24
    Mother!
    -You said that to her Mother?
  • 116:24 - 116:24
    (Raj making a crowing sound)
  • 116:24 - 116:26
    Then you should have told me
    that you were interested
  • 116:26 - 116:27
    in the mother then we could
    have set it up that way.
  • 116:27 - 116:29
    Oh, Raj, what have you done?
  • 116:30 - 116:32
    Raj, tell me, if he gets so angry
    hearing his daughter's name.
  • 116:32 - 116:34
    When he hears his wife's
    name, he will shoot us.
  • 116:34 - 116:37
    Mr. Chaudhary, that
    bucktooth is coming here.
  • 116:37 - 116:38
    Where is he?
    -There he is.
  • 116:38 - 116:40
    He was saying that he is going
    to elope with our daughter.
  • 116:40 - 116:44
    (Background music)
  • 116:45 - 116:45
    (Drumming)
  • 116:46 - 116:48
    Hey you!
    What were you telling my wife?
  • 116:49 - 116:51
    You will elope with my daughter?
    -Yes!
  • 116:51 - 116:53
    You have heard it right.
    (Raj making a crowing sound)
  • 116:53 - 116:55
    If you try and get my Anjali
    married somewhere else
  • 116:56 - 116:57
    then I will elope with her.
  • 116:58 - 116:59
    You think you can do anything?
  • 116:59 - 117:02
    Yes, I am Raj! My name is Raj.
    And I am my father's Raj.
  • 117:03 - 117:04
    That is because my name is Raj.
  • 117:05 - 117:09
    Look here, I have seen many like you.
  • 117:10 - 117:12
    Now will you go from here
    or shall I call the police?
  • 117:13 - 117:16
    Okay!
    You want to call the police?
  • 117:16 - 117:19
    Then I will scream and tell
    all the people here
  • 117:19 - 117:20
    that your daughter
    and I had an affair.
  • 117:20 - 117:22
    And we were together in Europe for
  • 117:22 - 117:23
    sixteen days and sixteen nights.
  • 117:23 - 117:25
    After that no decent man will get
  • 117:25 - 117:27
    his son married to your daughter.
  • 117:27 - 117:28
    You are a strange man!
    -Yes.
  • 117:28 - 117:32
    You have no respect for the
    parents of the girl you love?
  • 117:32 - 117:35
    Look here, if you try and get
    Anjali married somewhere else
  • 117:35 - 117:36
    then I will humiliate you.
  • 117:36 - 117:39
    And if you get her married to
    me I will respect you a lot.
  • 117:39 - 117:40
    I will wash your feet.
  • 117:40 - 117:42
    Hey you lover boy,
    listen to me carefully.
  • 117:43 - 117:45
    I will not let my daughter marry you.
  • 117:45 - 117:47
    Look here, you too
    listen to me carefully.
  • 117:48 - 117:49
    That you only will be my father-in-law.
  • 117:50 - 117:53
    You will be, you will
    be and you will be!
  • 117:56 - 117:58
    Why hasn't he arrived yet?
  • 117:58 - 117:59
    Raju.
  • 117:59 - 118:01
    You are the only detective in the world
  • 118:01 - 118:02
    that has a donkey
    instead of a dog.
  • 118:02 - 118:04
    There's a transport strike in the city.
  • 118:04 - 118:06
    You didn't pick me up.
    If it wasn't for this donkey
  • 118:06 - 118:07
    I could have never reached.
  • 118:07 - 118:09
    I was thinking of climbing up
    from here. -Why will you climb up?
  • 118:09 - 118:11
    Of course, you are so heavy.
    How can you climb up?
  • 118:11 - 118:14
    I may be heavy, but that will
    just add weight to what I say.
  • 118:14 - 118:14
    How is that?
  • 118:14 - 118:18
    When I will tell her with all my
    weight that you are not married,
  • 118:18 - 118:21
    It will lend credence.
    -You are right.
  • 118:21 - 118:23
    We shouldn't wait any longer.
    Let's climb up.
  • 118:23 - 118:24
    Come on.
    -Yes, come.
  • 118:24 - 118:25
    The things that I have to do for you.
  • 118:25 - 118:27
    Do it, please. Someday I will
    be really useful to you.
  • 118:27 - 118:29
    I will help you as a detective.
  • 118:30 - 118:32
    Harder. Try harder.
  • 118:32 - 118:32
    (Background music)
  • 118:32 - 118:34
    Climb up.
    -Raj.
  • 118:36 - 118:37
    Climb up.
    (Chaudhary yelling)
  • 118:37 - 118:38
    Chaudhary.
  • 118:39 - 118:42
    Chaudhary sir, are you there?
  • 118:43 - 118:45
    If not, can I leave?
    -Hey.
  • 118:45 - 118:47
    Quiet. Don't disturb me.
  • 118:47 - 118:50
    Listen to me.
    -I can't hear the one I want to.
  • 118:50 - 118:53
    Look here.
    -There's nothing left to see now.
  • 118:53 - 118:55
    It's me.
    -It's me too, but he's no more.
  • 118:55 - 118:57
    It's me, Chaudhary. Look.
  • 118:58 - 118:59
    (Background music)
  • 119:00 - 119:01
    Run.
  • 119:01 - 119:03
    (Crickets chrping)
  • 119:11 - 119:13
    (Background music)
  • 119:15 - 119:16
    What's this?
  • 119:16 - 119:18
    (Background music)
  • 119:21 - 119:21
    (Door closing)
  • 119:21 - 119:23
    I am telling you,
    you are quite heavy.
  • 119:23 - 119:25
    I may be heavy, but that will
    just add weight to what I say.
  • 119:25 - 119:27
    But how will you climb up?
  • 119:28 - 119:29
    Oye.
  • 119:29 - 119:33
    Bring the rope hanging around her neck.
    -Excuse me.
  • 119:34 - 119:35
    Now fasten this.
  • 119:35 - 119:37
    Make it tight.
  • 119:38 - 119:39
    But why are you doing this?
  • 119:39 - 119:41
    Not around the neck, around the waist.
    -Oh!
  • 119:42 - 119:44
    Why do you want to fasten
    it around my neck?
  • 119:45 - 119:47
    Fasten it properly. I
    hope it's of my size?
  • 119:47 - 119:49
    I feel so.
    -Tie it quickly.
  • 119:49 - 119:50
    Here you go.
  • 119:51 - 119:51
    I have tied.
  • 119:53 - 119:54
    Now pull on this.
  • 119:54 - 119:55
    -I should right?
    -Yes.
  • 119:55 - 119:56
    Okay. All the best.
  • 119:57 - 119:58
    All the best.
  • 119:59 - 120:00
    (Background music)
  • 120:00 - 120:01
    All the best.
  • 120:02 - 120:03
    (Chaudary gasping)
  • 120:03 - 120:05
    All the very best.
  • 120:05 - 120:08
    (Chaudary gasping)
  • 120:09 - 120:10
    Slowly.
  • 120:11 - 120:12
    (Chaudary gasping)
  • 120:12 - 120:14
    Oh God, my hands are burning.
  • 120:15 - 120:16
    What was that sound?
  • 120:18 - 120:19
    Chaudhary sir, I am sorry.
  • 120:19 - 120:20
    (Chaudary gasping)
  • 120:20 - 120:22
    Pick me up.
    -Let me hold it.
  • 120:22 - 120:24
    Forget the rope, catch my hand.
    -Yeah, yeah.
  • 120:24 - 120:25
    I told you, you are very heavy.
  • 120:25 - 120:28
    I may be heavy, but that will
    just add weight to what I say.
  • 120:28 - 120:29
    Really?
    -Yes.
  • 120:30 - 120:32
    Let's try again.
    -Yes, let's try it. -Okay. -Fine.
  • 120:33 - 120:34
    Okay.
  • 120:34 - 120:35
    (Background music)
  • 120:35 - 120:37
    Chaudhary.
    (Chaudary gasping)
  • 120:37 - 120:38
    Chaudhary.
    (Chaudary gasping)
  • 120:39 - 120:43
    Chaudhary.
    (Background music)
  • 120:44 - 120:44
    (Chaudary gasping)
  • 120:46 - 120:46
    (Donkey Neighing)
  • 120:47 - 120:49
    (Donkey Neighing)
  • 120:51 - 120:52
    (Donkey Neighing)
  • 120:55 - 120:55
    Let me see you.
  • 120:55 - 120:56
    (Chaudhary yelling)
  • 120:56 - 120:57
    Okay.
  • 120:58 - 120:59
    Chaudhary.
    (Donkey Neighing)
  • 121:00 - 121:02
    Oh no. Oh shit.
  • 121:04 - 121:05
    Chaudhary, that man disturbed me.
  • 121:05 - 121:08
    I told you, you are very heavy.
  • 121:08 - 121:12
    I may be heavy, but that will
    just add weight to what I say.
  • 121:12 - 121:13
    What now?
  • 121:13 - 121:19
    I suggest. What do you call that? The
    one standing there. (Donkey Neighing)
  • 121:19 - 121:22
    It looks like a horse.
    -I even forgot its name.
  • 121:23 - 121:25
    Fasten the other end to this donkey.
  • 121:25 - 121:29
    Sit on it and then pull.
    It will balance the weight.
  • 121:29 - 121:32
    Okay. I will try to do that.
    Have faith in me.
  • 121:36 - 121:37
    Fasten it quickly.
  • 121:40 - 121:41
    Okay.
    -Hey!
  • 121:45 - 121:47
    (Background music)
  • 121:47 - 121:48
    (Raj making indistinct sound)
  • 121:48 - 121:49
    (Chaudhary gasping)
  • 121:51 - 121:52
    (Chaudhary gasping)
  • 121:52 - 121:53
    (Background music)
  • 121:53 - 121:55
    Raju.
    (Raj making indistinct sound)
  • 121:56 - 121:58
    A bit further.
  • 121:59 - 121:59
    (Donkey Neighing)
  • 121:59 - 122:01
    I will use that stick.
  • 122:02 - 122:04
    (Donkey Neighing)
    (Chaudhary gasping)
  • 122:05 - 122:06
    (Background music)
  • 122:08 - 122:09
    (Chaudhary falling down)
  • 122:10 - 122:15
    (Donkey Neighing)
  • 122:16 - 122:19
    Chaudhary.
    Chaudhary, are you still there?
  • 122:20 - 122:21
    I told you, you are very heavy.
  • 122:21 - 122:24
    What are you doing here?
    -Have you crossed 60?
  • 122:24 - 122:24
    60?
  • 122:24 - 122:27
    Why? -Don't you know the difference
    between a horse and donkey?
  • 122:27 - 122:29
    Donkey.
    -Donkey.
  • 122:30 - 122:31
    Donkey. What is it doing there?
  • 122:31 - 122:33
    There's a transportation
    strike in the city.
  • 122:33 - 122:35
    So I thought of eloping with
    your daughter on the donkey.
  • 122:35 - 122:37
    That will never happen.
    Will you leave now?
  • 122:37 - 122:39
    Fine, I will leave
    because I respect you.
  • 122:39 - 122:41
    But, I will take revenge tomorrow
    at your daughter's wedding.
  • 122:41 - 122:42
    What will you do?
  • 122:43 - 122:45
    Look, barking dogs seldom bite.
  • 122:45 - 122:47
    Thundering clouds seldom shower.
    -But I will bark
  • 122:47 - 122:48
    I will bite, I will thunder
    and I will shower.
  • 122:48 - 122:49
    You will understand,
    but still you won't.
  • 122:49 - 122:51
    But in the end you will
    understand everything.
  • 122:51 - 122:53
    Because that will be the
    beginning of our love.
  • 122:54 - 122:56
    Looks like he will do what he says.
    -Yes.
  • 122:56 - 122:57
    (Background music)
  • 122:58 - 123:01
    (Upbeat music)
  • 123:01 - 123:03
    Hi brother-in-law.
    -Hi.
  • 123:03 - 123:06
    Can I ask you a question?
    But you won't be able to answer it.
  • 123:06 - 123:07
    That's impossible.
  • 123:07 - 123:10
    Tell me, who is looking prettier?
    Sister or me?
  • 123:11 - 123:13
    (Background music)
  • 123:13 - 123:15
    Oh Raju.
    -Okay, all right.
  • 123:15 - 123:17
    What are you looking for?
  • 123:17 - 123:18
    I want a saw.
  • 123:18 - 123:20
    There's a saw in my tool box.
  • 123:20 - 123:23
    Here.
    -Wow. Thanks.
  • 123:23 - 123:24
    But I don't understand.
  • 123:24 - 123:27
    How can you stop this
    engagement with this saw?
  • 123:27 - 123:31
    No bamboos, no support,
    no tent, no engagement.
  • 123:31 - 123:37
    You will destroy my
    tents with my saw.
  • 123:37 - 123:38
    (Background music)
  • 123:40 - 123:42
    Raju, stop the saw.
  • 123:42 - 123:44
    (Background music)
  • 123:44 - 123:48
    Hello my father-in-law.
    -Fool, what are you doing?
  • 123:48 - 123:51
    Hey you, the tent will fall.
  • 123:52 - 123:53
    Will you stop this marriage or not?
  • 123:53 - 123:55
    No, this marriage cannot be stopped.
  • 123:55 - 123:57
    Then this saw won't stop either.
  • 123:57 - 123:59
    Catch it.
  • 124:00 - 124:02
    Why are you behaving
    like an ignorant man?
  • 124:02 - 124:04
    Think about my honour.
  • 124:04 - 124:06
    It won't fall right now.
  • 124:06 - 124:08
    After I break a few more, it will fall.
  • 124:09 - 124:10
    Hold it firmly.
    Don't let it fall.
  • 124:10 - 124:13
    Brother, mine is shaking.
    -Mine is too.
  • 124:13 - 124:15
    But hold it. -Your father
    is nowhere to be seen.
  • 124:15 - 124:18
    The auspicious hour is passing by.
    -He's on his way.
  • 124:18 - 124:21
    At least exchange the rings.
  • 124:21 - 124:24
    Where is the ring?
    -Mummy is getting it.
  • 124:24 - 124:27
    (Background music)
  • 124:28 - 124:30
    Why are you uprooting the tent?
  • 124:30 - 124:32
    Not me, it's him.
  • 124:32 - 124:35
    I have already done it.
    -Stop him.
  • 124:35 - 124:37
    What are you doing?
  • 124:37 - 124:38
    Where should I keep this?
  • 124:38 - 124:40
    Wow mother-in-law, give
    that thing in my hand.
  • 124:40 - 124:42
    And catch this bamboo.
  • 124:42 - 124:45
    Hold it.
    -By the way, what is this?
  • 124:45 - 124:47
    The groom's ring.
    -Wow, I will wear this one.
  • 124:47 - 124:49
    What are you doing?
    -Wearing the engagement ring.
  • 124:49 - 124:52
    Stop him. -Catch this bamboo,
    don't catch me.
  • 124:52 - 124:53
    Or else the tent will fall.
  • 124:54 - 124:56
    Now I am related to you.
  • 124:56 - 124:57
    Raj you are great.
  • 124:57 - 125:00
    Where are you going?
    -To break the fourth bamboo.
  • 125:00 - 125:02
    Who will hold that?
  • 125:02 - 125:04
    I won't. -Stop him.
    -Hey, stop.
  • 125:04 - 125:06
    Mummy will be here
    soon, brother-in-law.
  • 125:06 - 125:08
    Why don't you adorn her with the ring?
    -Why not.
  • 125:08 - 125:09
    Here, Son.
  • 125:10 - 125:13
    Sister, come on.
  • 125:16 - 125:18
    (Background music)
  • 125:18 - 125:20
    (People yelling)
  • 125:20 - 125:23
    Mr. Khanna! Mr. Khanna!
  • 125:23 - 125:25
    What nonsense is going on?
  • 125:25 - 125:27
    Don't push me. -They ate the
    sweets and brought the tent down.
  • 125:27 - 125:30
    This... all this is his doings.
    He is the one.
  • 125:30 - 125:32
    You wait, I will immediately
    call the police.
  • 125:32 - 125:34
    You just see, I will
    make you rot in jail.
  • 125:34 - 125:37
    I will rot in jail?
    I will rot in jail?
  • 125:37 - 125:39
    Why? What is my crime?
  • 125:39 - 125:40
    What is my mistake?
  • 125:41 - 125:43
    Have I stolen something?
    Have I looted someone?
  • 125:43 - 125:46
    She stole my heart.
    She made me fall in love with her.
  • 125:46 - 125:47
    And I will rot in jail? Why?
  • 125:48 - 125:52
    Have I ruined your daughter's
    life or have I eloped with her?
  • 125:52 - 125:52
    What have I done?
  • 125:52 - 125:54
    First you brought the tent down
    and now you are trying to burn it.
  • 125:54 - 125:56
    You keep quiet. This is not
    the time to crack jokes.
  • 125:56 - 125:58
    Yes, tell me, what did I do to you?
  • 125:58 - 126:02
    Did I garland you or
    did you garland me?
  • 126:02 - 126:04
    Or did I apply vermillion on her
    forehead like this? -Raj!
  • 126:04 - 126:07
    Keep quiet! Today I will
    speak and you will listen.
  • 126:07 - 126:09
    Where is your mother? -She is here.
    -Did I not ask you?
  • 126:09 - 126:10
    That I love your daughter
    and I wish to marry her?
  • 126:10 - 126:12
    Did I not ask you like a gentleman?
  • 126:12 - 126:14
    Where is your daddy?
    -Daddy is here.
  • 126:14 - 126:16
    Why can't I see him?
    Why is he not to be seen?
  • 126:16 - 126:18
    Yes, did I not ask you? Hello!
    Did I not ask you? -Yes, you had.
  • 126:18 - 126:20
    That I love your daughter
    and wish to marry her?
  • 126:20 - 126:22
    Didn't I ask you like a gentleman?
  • 126:22 - 126:25
    You can ask her. Ask her heart.
  • 126:25 - 126:26
    Ask the earth and the sky.
  • 126:27 - 126:28
    Ask the breeze and the ambience.
  • 126:28 - 126:30
    Ask the brightness and the darkness.
  • 126:30 - 126:32
    Ask the moon and the stars.
  • 126:32 - 126:33
    Ask the storm and the tempest.
  • 126:33 - 126:35
    Ask me and my father.
  • 126:35 - 126:37
    Ask her and her father.
  • 126:37 - 126:38
    Ask all the four cartoons in my house.
  • 126:38 - 126:41
    I say, you can even ask these leaves.
  • 126:41 - 126:42
    Ask the illuminated
    lights behind the leaves.
  • 126:43 - 126:47
    This... ask this carpet, the
    broken tent and the broken bamboo.
  • 126:47 - 126:50
    Ask each and every thing.
    How much I have loved her.
  • 126:51 - 126:54
    And now if she still does
    not have faith in my love,
  • 126:54 - 126:56
    then she can throw away
    this sacred necklace.
  • 126:56 - 126:58
    It makes no difference to me and now
    I am going to the airport from here.
  • 126:58 - 127:00
    Good riddance!
  • 127:01 - 127:03
    Listen,
    can we solemnize the wedding?
  • 127:03 - 127:04
    What is the use now?
  • 127:05 - 127:06
    What? -Your daughter has already
    taken the nuptial rounds.
  • 127:06 - 127:08
    And he has put the sacred
    necklace as well. -Yes.
  • 127:08 - 127:09
    Now only the giving away ceremony
    has to be performed.
  • 127:09 - 127:10
    That too you can perform.
  • 127:10 - 127:13
    You don't worry,
    l will shoot him. -Yes.
  • 127:13 - 127:15
    Now you shoot him or do
    anything else, we are going.
  • 127:15 - 127:17
    Come on, son. Come on all of you.
  • 127:17 - 127:18
    Go! Go!
  • 127:18 - 127:21
    Brother, they are going.
    -Yes.
  • 127:23 - 127:25
    (Background music)
  • 127:27 - 127:28
    Anjali
  • 127:28 - 127:30
    actually I wanted to tell you
    something very important.
  • 127:30 - 127:33
    That Raj Malhotra you fell
    in love with in Europe
  • 127:33 - 127:35
    is not my husband.
  • 127:35 - 127:36
    This is my husband.
    -What?
  • 127:36 - 127:39
    Yes! That Raj Malhotra is my friend.
  • 127:39 - 127:42
    And for your kind information,
    he is not married.
  • 127:42 - 127:43
    He is a bachelor.
  • 127:44 - 127:47
    And for your kind information
    your friend, Mr. Raj Malhotra
  • 127:47 - 127:49
    is not a bachelor anymore.
    He is a married man.
  • 127:49 - 127:52
    What? -He has just applied
    vermillion on my forehead
  • 127:52 - 127:53
    and put this sacred
    necklace on my neck.
  • 127:53 - 127:55
    And he also solemnized the
    nuptial rounds with me.
  • 127:56 - 127:59
    Daddy, before it is too late
    I want to go and stop him.
  • 127:59 - 128:01
    Go, my child.
  • 128:01 - 128:02
    Go!
  • 128:03 - 128:05
    (Background music)
  • 128:10 - 128:13
    She will come, she
    will definitely come.
  • 128:13 - 128:15
    (Background music)
  • 128:16 - 128:19
    'Passengers traveling to Mumbai
    kindly board the aircraft.'
  • 128:19 - 128:22
    'Thank you.' -She will come,
    she will have to come.
  • 128:24 - 128:25
    (Background music)
  • 128:25 - 128:28
    Hey! Stop the car! Stop the car!
  • 128:28 - 128:30
    (Background music)
  • 128:35 - 128:38
    You... how recklessly do you drive the
    car. I will teach her a lesson now.
  • 128:38 - 128:39
    'This is the last and final call'
  • 128:39 - 128:41
    'for Mr. And Mrs. Raj Malhotra.'
  • 128:41 - 128:44
    'Kindly board the aircraft
    immediately. Thank you.'
  • 128:44 - 128:46
    Hey girl, come out.
    -Inspector, please let me go.
  • 128:46 - 128:49
    I am in a hurry. -It is very important
    for me to reach the airport.
  • 128:49 - 128:51
    I will take you where required.
  • 128:51 - 128:53
    Deflate it!
    -What?
  • 128:53 - 128:54
    The car tyres. Then we will
    go to the police station.
  • 128:54 - 128:57
    Please, Inspector, it is important
    that I stop my husband.
  • 128:58 - 129:02
    First I will make a challan then
    I will take a chance. Then...
  • 129:02 - 129:03
    Shut up, Inspector.
    Mind your language.
  • 129:03 - 129:04
    You are speaking in English?
  • 129:04 - 129:06
    Come to the police station
    I will teach you Hindi.
  • 129:06 - 129:07
    Come on! Who is that?
  • 129:08 - 129:13
    I am intelligent like Shah
    Rukh Khan of 'Baazigar'.
  • 129:14 - 129:17
    I can fight like Durga's Salman Khan.
  • 129:18 - 129:21
    And I can shoot like Aamir
    Khan from 'Sarfarosh'.
  • 129:21 - 129:24
    Bastard, I will now show you who I am.
  • 129:24 - 129:28
    What will you show me?
    You are a nothing compared to me.
  • 129:28 - 129:32
    You are a lowly man, a derogatory
    man and a degraded man.
  • 129:32 - 129:33
    And you speak in front of me.
  • 129:34 - 129:36
    Come and catch me if you can.
    Come, come.
  • 129:36 - 129:38
    Go and catch that old man!
  • 129:38 - 129:41
    Catch me. Catch me. Catch me...
  • 129:41 - 129:44
    You are out. Out.
  • 129:44 - 129:45
    It is a double role, double role.
  • 129:45 - 129:46
    He is the father and I am the son.
  • 129:46 - 129:49
    In order to make money
    we fooled many people.
  • 129:49 - 129:51
    We've destroyed many families.
  • 129:51 - 129:53
    We were responsible in breaking
    your love. -What?
  • 129:54 - 129:56
    But now we will unite you.
  • 129:56 - 129:59
    You are out! Neem Carrey,
    take her to the airport.
  • 129:59 - 130:02
    Come on let's go on the
    motorbike. Come on.
  • 130:02 - 130:05
    (Background music)
  • 130:06 - 130:09
    'All the passengers are requested
    to fasten their seat belts.'
  • 130:09 - 130:11
    Oh, no!
  • 130:11 - 130:14
    'All the passengers are requested
    to fasten their seat belts.'
  • 130:15 - 130:16
    'Thank you.'
  • 130:17 - 130:19
    (Background music)
  • 130:26 - 130:29
    'To fasten your seat belts sign
    has been switched off now.'
  • 130:30 - 130:34
    'You may unfasten your seat belts.'
    -Tell me! How are you?
  • 130:34 - 130:36
    You look very sad.
    (Background music)
  • 130:37 - 130:39
    I know everything about you.
  • 130:39 - 130:42
    You are a very romantic man.
    You are a flirt.
  • 130:43 - 130:44
    Don't bore me.
  • 130:44 - 130:48
    You trouble the girls by
    going to their flats.
  • 130:48 - 130:51
    You pull their cheeks like this.
  • 130:51 - 130:53
    You beat like this on their thighs.
  • 130:53 - 130:54
    And you touch them like this...
  • 130:54 - 130:57
    I am telling you to
    behave yourself.
  • 130:57 - 131:02
    We Punjabis are very warm people.
  • 131:02 - 131:04
    When we go to see off a person
    we bid them farewell
  • 131:04 - 131:06
    and then we embrace them
    like this. -Stop it!
  • 131:06 - 131:10
    Like this! -Stop it! There is
    a limit to man to man touch.
  • 131:13 - 131:14
    It is very strange!
  • 131:14 - 131:16
    I have been touching
    you from a long time
  • 131:17 - 131:18
    and you cannot feel
    any current?
  • 131:18 - 131:20
    I am not that type of a man.
  • 131:20 - 131:21
    Then what type of a man are you?
  • 131:21 - 131:23
    I do not tease the girls like you do.
  • 131:23 - 131:25
    Then how?
  • 131:25 - 131:27
    I tease the girls like this.
  • 131:33 - 131:34
    Oh! What is this?
  • 131:34 - 131:36
    This is the limit!
  • 131:36 - 131:38
    (Background music)
  • 131:38 - 131:39
    You recognized me?
  • 131:41 - 131:45
    Yes, my dear, I recognized
    you a long time ago.
  • 131:48 - 131:50
    I knew you would surely come.
  • 131:50 - 131:52
    If you do not believe me
    then look at the back.
  • 131:52 - 131:56
    You will believe me. See at the back.
  • 131:56 - 131:58
    (Background music)
  • 132:14 - 132:16
    "This journey is short."
  • 132:16 - 132:19
    "Our companionship is
    for a short while."
  • 132:19 - 132:23
    "I just smiled and spoke to you."
  • 132:24 - 132:29
    "You thought I fell in love with you."
  • 132:29 - 132:31
    "You have crossed your limit."
  • 132:31 - 132:33
    "You have crossed your limit."
  • 132:34 - 132:36
    "You have crossed your limit."
  • 132:36 - 132:38
    "You have crossed your limit."
  • 132:38 - 132:40
    "This journey is short."
  • 132:41 - 132:43
    "Our companionship is
    for a short while."
  • 132:43 - 132:48
    "I just smiled and spoke to you."
  • 132:48 - 132:53
    "You came with a
    palanquin to my house."
  • 132:53 - 132:55
    "You have crossed your limit."
  • 132:55 - 132:58
    "You have crossed your limit."
  • 132:58 - 133:00
    "You have crossed your limit."
  • 133:00 - 133:02
    "You have crossed your limit."
  • 133:02 - 133:05
    "This journey is short."
  • 133:05 - 133:07
    "Our companionship is
    for a short while."
  • 133:07 - 133:12
    "I just smiled and spoke to you"
Title:
Hadh Kardi Aapne {HD} - Govinda - Rani Mukerji - Johnny Lever - Hindi Full Comedy Movie
Description:

more » « less
Video Language:
Hindi
Duration:
02:13:30

English subtitles

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