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Hadh Kardi Aapne {HD} - Govinda - Rani Mukerji - Johnny Lever - Hindi Full Comedy Movie

  • 2:01 - 2:02
    Now that you have dared
    to challenge me..
  • 2:02 - 2:04
    ..be ready to face
    the reality.
  • 2:05 - 2:08
    I have never come across a
    deceitful woman like you.
  • 2:08 - 2:13
    You are not loyal yourself.
    -Order! Order! Order!
  • 2:13 - 2:16
    Screaming and yelling
    is contempt of court.
  • 2:16 - 2:19
    Your lawyers will speak for you.
  • 2:19 - 2:20
    Where is your lawyer?
  • 2:22 - 2:25
    Sorry sir.
    Neem Carrey reporting sir.
  • 2:25 - 2:27
    Sorry Sir, sorry.
  • 2:27 - 2:29
    Why did you slip inside
    the court this way?
  • 2:29 - 2:32
    Your Honour,
    I am a slippery character.
  • 2:32 - 2:35
    My neighbours say that's our
    family inborn quality.
  • 2:35 - 2:36
    Once my father slipped
    in the muck..
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    ..and directly entered the court.
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    Suddenly he realised,
    he had forgotten..
  • 2:40 - 2:41
    ..to pay my mother for the
    household expenses.
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    My mother was in the bathroom.
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    She slipped on the washing soap,
    and came directly to the court.
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    And that's why, as a lawyer..
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    ..I will see the end of Sanjay Khanna.
    -What?
  • 2:50 - 2:51
    I mean, achieve your goal.
  • 2:52 - 2:53
    Because I know..
  • 2:53 - 2:57
    ..you want to divorce your wife
    Anjali Khanna at any cost.
  • 2:57 - 2:59
    And I will get you that.
    -Yes your honour.
  • 3:00 - 3:02
    I cannot stay with
    this woman now.
  • 3:02 - 3:04
    No one can.
  • 3:05 - 3:06
    He is not human.
    -What?
  • 3:06 - 3:09
    He is an angel.
    She's not fit for him.
  • 3:09 - 3:11
    Your honour,
    I am fed up of this man myself.
  • 3:11 - 3:14
    You cannot argue in the court.
  • 3:14 - 3:16
    Do you have a lawyer?
  • 3:17 - 3:18
    Your honour.
  • 3:18 - 3:22
    I am Anjali Khanna's advocate.
    Ram Carrey reporting.
  • 3:23 - 3:24
    What have you done to yourself?
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    Why don't you do something
    about it?
  • 3:26 - 3:27
    Sir, what else do you want him to do?
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    There's no limit.
  • 3:29 - 3:30
    He has done this to himself.
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    I know everything.
    It's my son Neem Carrey's doings.
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    Your honour, he knew that
    I was winning this case.
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    And so he locked me
    up in the bathroom.
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    But truth can never stay locked up.
    I broke open the door.
  • 3:45 - 3:47
    Look, it even tore my clothes.
    Take a look at my condition.
  • 3:47 - 3:50
    Your honour, my first charge on
    the night of January the 7th.
  • 3:50 - 3:54
    Mrs. Anjali Khanna was with
    Mr. Menon in Hilton Hotel.
  • 3:55 - 3:56
    You are wrong.
  • 3:56 - 4:00
    On the night of 7th January
    Anjali was not with Mr. Menon.
  • 4:01 - 4:03
    In fact, she was with Mr. Kanan.
  • 4:03 - 4:05
    Carrey uncle.
    -Did I overdo it?
  • 4:05 - 4:07
    Your honour, who is this Kanan?
  • 4:07 - 4:10
    You are defending the case,
    and you don't know who Kanan is?
  • 4:10 - 4:14
    Chandan's brother, Kanan.
    -Who is Chandan?
  • 4:14 - 4:18
    Manan's son, Chandan.
    -Who is Manan?
  • 4:18 - 4:20
    Babban's neighbour.
  • 4:20 - 4:22
    But your honour what
    relation does..
  • 4:22 - 4:24
    ..the neighbour have
    with this case?
  • 4:24 - 4:28
    Your honour,
    this fool doesn't know anything.
  • 4:28 - 4:31
    Actually, Anjali doesn't have
    any affair with anyone.
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    He's the one having an affair.
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    Last week, he presented..
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    ..Sunzina with a diamond necklace
    worth 1.1 million rupees.
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    Wrong. It wasn't worth
    1.1 million rupees.
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    Mr. Khanna gifted a necklace
    worth Rs.1100. That's all.
  • 4:46 - 4:48
    What are you saying?
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    Note that your honour.
    He presented her the necklace.
  • 4:50 - 4:52
    That means he has an affair
    with Suzina too.
  • 4:52 - 4:55
    Not just Suzina,
    he has an affair with Melina too.
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    Who is Melina?
  • 4:58 - 5:01
    The one who came with Lilina.
    -Who is Lilina?
  • 5:01 - 5:03
    Tina's neighbour.
  • 5:03 - 5:07
    But son what relation does the
    neighbour have with this case?
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    The same way Chandan,
    Manan and Babban do, Daddy.
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    Don't try to be smart,
    understand.
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    Your honour.
  • 5:14 - 5:16
    He's a complete fool. And still
    wants to defend this case.
  • 5:17 - 5:21
    But, currently his wife has an affair
    with eleven people.
  • 5:21 - 5:24
    And her husband is having
    his 25th affair.
  • 5:24 - 5:26
    25 affairs.
    You think that's possible, Sir.
  • 5:26 - 5:28
    Is he the grandson
    of Wajid Ali Shah?
  • 5:28 - 5:30
    He's lying.
    Has gone completely crazy.
  • 5:30 - 5:31
    He resorted to tearing clothes.
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    His own and others too.
    Take a look.
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    Both the parties couldn't
    prove the truth.
  • 5:39 - 5:41
    And the court cannot
    give its verdict..
  • 5:41 - 5:42
    ..without concrete evidence.
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    And that's why, the court grants
    your one months time.
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    Within a month,
    you will have to gather evidence.
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    That will prove this madam wrong.
  • 5:51 - 5:54
    And Madan,
    within this one month..
  • 5:54 - 5:56
    ..try to gather some
    evidence that..
  • 5:56 - 5:57
    ..will prove this mister wrong.
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    Only then will the court
    give its verdict.
  • 6:01 - 6:03
    Whether you should be permitted
    to get divorce or not.
  • 6:03 - 6:06
    I have to gather evidence
    within a month. But how?
  • 6:07 - 6:09
    The court has really
    got me in a fix.
  • 6:09 - 6:11
    How will this happen, Uncle?
  • 6:11 - 6:14
    You cannot catch him red-handed
    because he meets girls slyly.
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    Tell me Uncle, what can I do?
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    Tell him that you are going to
    Europe for 15-20 days. -Yes.
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    This way,
    he won't fear you catching him.
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    And he will meet the
    girls openly.
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    And instead of going to Europe..
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    ..you can stay here and
    catch him red-handed.
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    But won't he know that I am right
    here and not in Europe.
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    He won't? Send one of your
    friends in your place.
  • 6:32 - 6:34
    Uncle, this can be arranged.
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    I had a friend in college,
    Anjali Khanna.
  • 6:36 - 6:38
    At that time,
    I was Anjali Kapoor.
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    After marrying this idiot,
    I have become Anjali Khanna.
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    And so, Anjali Khanna
    will go on this tour.
  • 6:45 - 6:47
    Sister,
    the groom's family has arrived.
  • 6:47 - 6:49
    And the boy looks so handsome.
    -Quiet.
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    Even our grocery seller is good
    looking for you. -Yes.
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    Listen, get the tea tray.
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    And then watch Anjali
    work her magic. -Wow.
  • 6:59 - 7:02
    Attention, sister is coming.
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    Come dear, come.
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    This is Mr. Sharma.
  • 7:09 - 7:11
    Mrs. Sharma.
    And their son, Monty.
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    Bless you. -Bless you, Dear.
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    Greetings.
  • 7:23 - 7:26
    Are you winking at me?
    -It's habitual.
  • 7:27 - 7:29
    Please come with me.
    To that corner.
  • 7:29 - 7:32
    I want to talk to you in private.
    Please come.
  • 7:32 - 7:35
    Go on son, go.
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    Here. Have some tea. -Thank you.
  • 7:41 - 7:43
    Why are you hands trembling
    so much?
  • 7:43 - 7:46
    I had too much to drink last
    night. -You drink too. -Yes.
  • 7:46 - 7:49
    Half a bottle every night.
    -Half a bottle.
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    Yes. But if I am in the mood,
    I finish the entire bottle.
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    She is a drunkard.
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    You will know my qualities
    once we get married.
  • 7:57 - 8:00
    By the way,
    what is the number of your flat?
  • 8:00 - 8:03
    107. -Really! That means,
    today if I place a bet..
  • 8:03 - 8:06
    ..on number one and seven,
    I am sure to win. -You gamble.
  • 8:06 - 8:08
    So does my daddy.
    -What?
  • 8:09 - 8:11
    Yes. But don't tell mummy
    about your flat number. -Why?
  • 8:11 - 8:13
    Actually,
    mummy likes to bet on horses.
  • 8:13 - 8:14
    The number of your flat is 107.
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    And my mummy will bet everything
    on horses one and seven.
  • 8:18 - 8:21
    Oh God. That's too bad.
  • 8:21 - 8:25
    That's nothing. There's something
    even worse. -What's that?
  • 8:26 - 8:28
    My uncle.
    -Yes.
  • 8:29 - 8:32
    He takes contracts.
    -Constructions.
  • 8:32 - 8:33
    Murders.
  • 8:35 - 8:36
    (Whistling)
  • 8:37 - 8:40
    The only thing missing in
    this family is a dacoit.
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    Not for long. -What?
  • 8:41 - 8:46
    Once we get married.
    And then..when he's born.
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    We will send him to Chambal
    for training.
  • 8:49 - 8:51
    Daddy. -Yes, Son.
    -What's wrong?
  • 8:51 - 8:52
    Mummy. -What happened, Son?
    -Let's leave, quickly.
  • 8:52 - 8:55
    Before we land in some trouble.
    Let's go.
  • 8:55 - 8:58
    But what's wrong? -I have heard
    everything too. Let's leave.
  • 8:58 - 9:01
    Fine then, we are leaving. Goodbye.
    -Please listen to me.
  • 9:01 - 9:02
    My wife has heard everything.
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    And I don't want to hear
    anything else. Come on.
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    Brother. -It was such a nice proposal.
    The boy works for CID.
  • 9:08 - 9:09
    Daddy, Mummy, Uncle.
  • 9:09 - 9:12
    You know, everything in my life
    has been of my choice.
  • 9:12 - 9:15
    Then, how can I marry
    a boy of your choice?
  • 9:15 - 9:18
    I will marry only someone
    of my choice.
  • 9:18 - 9:19
    Or else I won't get married.
  • 9:19 - 9:22
    That's why I put up this charade.
    - Very good! Bravo!
  • 9:23 - 9:25
    We were putting up a charade too.
    -What?
  • 9:25 - 9:27
    We knew that you were
    just acting.
  • 9:27 - 9:31
    My son is a CID officer.
    -And I am ready for this marriage.
  • 9:31 - 9:33
    Oh no.
    -Oh yes.
  • 9:33 - 9:36
    I don't want to get
    married right now.
  • 9:40 - 9:41
    (Car horn)
  • 9:41 - 9:42
    (Car approaching)
  • 9:42 - 9:45
    Anjali. -Anjali. -Anjali.
  • 9:45 - 9:47
    I am in a real problem.
    Please help me.
  • 9:47 - 9:50
    But Anjali, how can I help
    you in getting a divorce?
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    I want to catch Sanjay
    red-handed.
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    So you want me to flirt
    with your husband.
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    And you will click photographs
    of us together.
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    And present them in the court.
  • 9:59 - 10:03
    Not really. I will go after him.
    -Then, why do you need me?
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    Anjali. I will let Sanjay know..
  • 10:06 - 10:08
    ..that I am leaving for
    a tour of Europe.
  • 10:08 - 10:11
    But instead,
    you will go in my place.
  • 10:11 - 10:14
    He will become relaxed.
    And, I will catch him red handed.
  • 10:14 - 10:17
    Brilliant. This will solve
    both our problems.
  • 10:17 - 10:19
    And I can get away from
    these marriage hassles.
  • 10:20 - 10:21
    Okay, done.
    I am booking the ticket.
  • 10:21 - 10:22
    (Keypad tones)
  • 10:22 - 10:23
    (Telephone rings)
  • 10:23 - 10:24
    Come in.
  • 10:24 - 10:25
    (Telephone rings)
  • 10:29 - 10:30
    Hello.
    -Hello.
  • 10:31 - 10:33
    Come on. Where to?
  • 10:33 - 10:36
    Sangeeta, my dear.
  • 10:37 - 10:39
    But we are supposed to
    go out in the evening.
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    This is my working time.
    Why go now?
  • 10:41 - 10:43
    This is Anjali Khanna speaking,
    and not Sangeeta.
  • 10:43 - 10:47
    Khanna.
    -No dear, I don't do such things.
  • 10:47 - 10:50
    Chela Ramani,
    fix your hearing aide.
  • 10:50 - 10:54
    What did you say?
    What should I get fixed?
  • 10:54 - 10:56
    I get it. My hearing aide.
    It has a lose connection.
  • 10:56 - 10:57
    It's Anjali Khanna speaking.
  • 10:58 - 10:59
    Anjali.
    Sister-in-law, now I know.
  • 11:00 - 11:01
    Tell me, why did you call?
    -Listen.
  • 11:01 - 11:03
    I want one ticket
    for Europe tour.
  • 11:03 - 11:05
    You don't get cakes here,
    Sister-in-law.
  • 11:05 - 11:06
    This is a travel agency.
  • 11:06 - 11:10
    Now, if you wish to have the cake
    of Taj, then visit the Taj.
  • 11:10 - 11:12
    If you desire to have the cake
    of Monginis, then go there.
  • 11:12 - 11:14
    Oh God, there seems to be
    a loose contact again.
  • 11:14 - 11:15
    Wire..
  • 11:17 - 11:20
    Sister-in-law, you want a ticket.
    You will get it.
  • 11:21 - 11:22
    Thank you very much.
  • 11:23 - 11:26
    Touch. I don't get one thing.
  • 11:27 - 11:29
    Why does every person say,
    touch after saying thank you?
  • 11:29 - 11:32
    Are you going somewhere?
    -Yes.
  • 11:32 - 11:35
    Where are you going?
    -Europe, on a tour.
  • 11:36 - 11:38
    When are you leaving?
    -Tomorrow.
  • 11:39 - 11:40
    And you didn't even inform me.
  • 11:41 - 11:43
    We don't tell each other
    much these days.
  • 11:43 - 11:44
    She's going on a Europe
    tour tomorrow.
  • 11:44 - 11:47
    And she's letting me know today.
    -Listen to me. Come here.
  • 11:47 - 11:49
    You are lucky that she
    did inform you.
  • 11:49 - 11:51
    What would you have done if she hadn't?
    -What could I have done?
  • 11:51 - 11:54
    Oh my God, try to understand.
    -She won't be going alone.
  • 11:54 - 11:56
    Her boyfriend must
    be along with her.
  • 11:56 - 11:58
    Sir, this is your chance.
    Follow her.
  • 11:58 - 12:00
    And catch her red-handed.
    -Fool.
  • 12:00 - 12:02
    She won't interact with her
    boyfriend freely in front of me.
  • 12:02 - 12:05
    Oh my God, I can't believe it.
  • 12:05 - 12:08
    You can say something
    so intelligent.
  • 12:08 - 12:11
    Carrey, that's too much.
    -Okay. No problem.
  • 12:11 - 12:13
    Now I understand your problem.
  • 12:13 - 12:16
    You will have to send
    James Bond after her.
  • 12:16 - 12:18
    Only he can solve your problem.
  • 12:18 - 12:23
    Handsome.
    Smart. Dashing. Piercing eyes.
  • 12:23 - 12:25
    I know someone. I know someone.
  • 12:25 - 12:27
    He studied in my college.
  • 12:27 - 12:29
    He's a fantastic man
    like James Bond.
  • 12:29 - 12:31
    He can do this.
    -Where is he? Who is he?
  • 12:31 - 12:34
    He stays in Mumbai. Raj Malhotra.
  • 12:34 - 12:37
    Raj! Where is he these days?
  • 12:39 - 12:41
    (Car drifts)
  • 13:19 - 13:25
    "I am restless..
    so restless to fall in love."
  • 13:27 - 13:32
    "I want this wait
    to end forever."
  • 13:34 - 13:37
    "Where do I look for her?"
  • 13:37 - 13:41
    "Here there, everywhere."
  • 13:44 - 13:50
    "I am restless..
    so restless to fall in love."
  • 13:50 - 13:56
    "I want this wait
    to end forever."
  • 14:24 - 14:30
    "I am waiting for someone
    to steal my heart."
  • 14:34 - 14:39
    "Comes running straight
    into my arms."
  • 14:42 - 14:45
    "When will our paths cross?"
  • 14:45 - 14:49
    "When will I fall in
    love with someone?"
  • 14:49 - 14:53
    "When will our paths cross?"
  • 14:53 - 14:57
    "When will I fall in
    love with someone?"
  • 14:57 - 15:03
    "Someone..just pierces my heart."
  • 15:05 - 15:11
    "I am restless..
    so restless to fall in love."
  • 15:35 - 15:44
    "I am fed up of the sleepless
    nights and the loneliness."
  • 15:47 - 15:54
    "I am fed up of the sleepless
    nights and the loneliness."
  • 15:55 - 15:58
    "I wish to be in someone's
    company."
  • 15:58 - 16:02
    "To kiss someone."
  • 16:02 - 16:06
    "I wish to be in someone's
    company."
  • 16:06 - 16:10
    "To kiss someone."
  • 16:10 - 16:16
    "I wish for a girl that
    can dwell in my heart."
  • 16:18 - 16:19
    "To play the game of love..
  • 16:20 - 16:23
    ..it doesn't matter whether
    I win or lose."
  • 16:25 - 16:28
    "Where do I look for her?"
  • 16:28 - 16:31
    "Here there, everywhere."
  • 16:35 - 16:40
    "I am restless..
    so restless to fall in love."
  • 16:41 - 16:47
    "This time I want this
    wait to end forever."
  • 16:50 - 16:54
    Raj. Hey Raj. Is anybody there?
  • 16:54 - 16:56
    Raj.
    -Come in.
  • 16:57 - 16:59
    Good day.
  • 16:59 - 17:03
    Stupid. You have come so
    late to repair the fan.
  • 17:03 - 17:05
    Don't you know the fan
    is not working?
  • 17:05 - 17:09
    This is not right.
    Come on, repair the fan. -Fan.
  • 17:09 - 17:10
    Exactly.
  • 17:11 - 17:15
    I have been calling
    you since morning.
  • 17:15 - 17:17
    This is not right?
    Come on, repair the fan.
  • 17:18 - 17:21
    But, I am.. -I don't want
    to know. Repair the fan.
  • 17:21 - 17:25
    It's has been making a clanging
    noise since yesterday night. Repair it.
  • 17:26 - 17:29
    Listen to me.. -I don't want
    to know. Repair the fan.
  • 17:30 - 17:33
    Being a mechanic, you have come
    wearing a suit. -Mechanic.
  • 17:34 - 17:36
    Me, a mechanic.
    -You think you are the manager.
  • 17:37 - 17:39
    That enough from you.
    Will you repair the fan, or not?
  • 17:40 - 17:42
    Repair it quickly. I got it
    as a gift in my marriage.
  • 17:43 - 17:46
    It hasn't been working properly.
    -But I..
  • 17:46 - 17:48
    Will you repair it or not.
    -No I won't.
  • 17:48 - 17:50
    Will you repair it or not.
    -No I won't.
  • 17:50 - 17:53
    Then I will have to call my son,
    Somu. Somu.
  • 17:53 - 17:56
    Where is the rooster?
  • 17:57 - 17:57
    Tell me.
  • 17:58 - 18:00
    Where is the rooster, Mother?
  • 18:00 - 18:02
    This one. Him.
  • 18:02 - 18:05
    What's that thing?
    -That's not a thing?
  • 18:05 - 18:07
    He's my son, Somu.
  • 18:08 - 18:11
    You know he's a drunkard and
    keeps sleeping around all day
  • 18:11 - 18:14
    But if he fires with
    his shivering hands.
  • 18:14 - 18:16
    You will never know where
    the bullet hit you.
  • 18:19 - 18:20
    Repair the fan.
    -What have I gotten myself into?
  • 18:21 - 18:23
    Somu.
    -Where is the rooster?
  • 18:23 - 18:26
    Where is it? Here?
  • 18:26 - 18:27
    Here!
  • 18:28 - 18:31
    Repair the fan.
    Or else, Somu shoot him.
  • 18:31 - 18:33
    How can I? I don't have tools.
  • 18:34 - 18:38
    How stupid!
    You don't even carry your tools.
  • 18:39 - 18:41
    Wait, I will give you my tools.
  • 18:41 - 18:44
    Or else, better yet pick up the
    one's lying on the floor.
  • 18:44 - 18:47
    Here. Here. I will. I will
    repair the fan. Here.
  • 18:48 - 18:50
    Parvati!
  • 18:52 - 18:56
    Nirma. Bring the drink.
  • 19:06 - 19:07
    Who wants the drink?
  • 19:11 - 19:12
    Excuse me.
  • 19:12 - 19:13
    Yes!
  • 19:14 - 19:15
    Drink.
  • 19:18 - 19:20
    I will repair your fan today.
  • 19:20 - 19:25
    Let us go. We will come back
    once the fan is repaired.
  • 19:26 - 19:28
    (Coughs)
  • 19:29 - 19:30
    (Gasps)
  • 19:31 - 19:32
    (Gasps)
  • 19:38 - 19:40
    What are you doing?
  • 19:41 - 19:44
    The fan is not working.
    -What are you doing? Stop it!
  • 19:45 - 19:50
    Look at me. I am only 36.
    -What?
  • 19:50 - 19:54
    Not my age, that's my size.
  • 19:54 - 19:57
    36-36-36.
  • 19:58 - 20:00
    Hey.
    -No hey or A...
  • 20:01 - 20:06
    ..B.. C.. D.. E..
  • 20:06 - 20:08
    Mummy...
  • 20:10 - 20:12
    What happened?
    -This one ran away too.
  • 20:13 - 20:16
    Don't worry.
    Your brother Raj is a detective.
  • 20:16 - 20:20
    He will run into him somewhere.
    -Everyone is crazy.
  • 20:20 - 20:22
    Sanjay! No, I won't talk to you.
  • 20:23 - 20:24
    You thought about this friend
    after a long time.
  • 20:24 - 20:27
    Surely you must be in some trouble.
    -I really am in big trouble.
  • 20:27 - 20:28
    I want divorce from my wife.
  • 20:28 - 20:30
    You didn't invite me
    for your marriage.
  • 20:30 - 20:32
    Didn't even introduce
    me to sister-in-law.
  • 20:32 - 20:33
    And now when you want divorce,
    you have come seeking my help.
  • 20:33 - 20:35
    Why? Am I the court?
    -I went to the court.
  • 20:35 - 20:38
    But the court wants evidence
    of my wife's affairs.
  • 20:39 - 20:42
    So you need a friend who can
    be a detective for you.
  • 20:42 - 20:43
    Raj, I know you are a
    dashing detective.
  • 20:43 - 20:45
    I remember.
    During our college days..
  • 20:45 - 20:47
    ..you would solve difficult
    cases in a jiffy.
  • 20:47 - 20:49
    I remember.
    -Thank you my friend.
  • 20:49 - 20:52
    After that praise, I won't let
    your wife harass you anymore.
  • 20:52 - 20:52
    Where can I find Sister-in-law?
  • 20:52 - 20:54
    She's leaving for
    a tour of Europe.
  • 20:54 - 20:56
    Get my ticket booked
    in the same flight..
  • 20:56 - 20:58
    ..and arrange for some money,
    and come to the airport.
  • 20:58 - 21:01
    Don't worry my friend. I will
    handle your case carefully man.
  • 21:01 - 21:03
    I see to it that you get divorce.
  • 21:04 - 21:05
    Hey man. Which way is the toilet?
    -That way.
  • 21:06 - 21:08
    Thank you.
    -Excuse me. Go that side.
  • 21:08 - 21:11
    I know that, I just took my cap.
    -Bye.
  • 21:11 - 21:13
    Excuse me. Where's the toilet?
    -That way, ma'am.
  • 21:13 - 21:14
    Thanks.
  • 21:15 - 21:17
    No, no, no, no.
  • 21:18 - 21:23
    Really. I looked for you
    here and there, everywhere.
  • 21:23 - 21:26
    And I found you here,
    in front of the toilet.
  • 21:27 - 21:29
    That's not possible!
    -Will you please get up?
  • 21:29 - 21:33
    I don't want to. It's like
    my dreams have come true.
  • 21:33 - 21:34
    Darn!
  • 21:34 - 21:35
    I hate you kind of men.
  • 21:36 - 21:37
    I love you kind of girls.
    -Idiot.
  • 21:37 - 21:40
    Wow! Your abuses are so sweet.
  • 21:40 - 21:42
    So sweet.
    -God, you are so stupid man.
  • 21:42 - 21:44
    What a beautiful girl.
  • 21:45 - 21:47
    Hi Anjali. -Hi Raj.
  • 21:47 - 21:52
    Listen. These are my wife's photographs.
    -Okay.
  • 21:52 - 21:54
    This is your ticket.
    And my mobile number.
  • 21:54 - 21:55
    And only you know about it.
  • 21:55 - 21:58
    You have your passport.
    And here's your ticket. -Okay.
  • 21:58 - 22:00
    Just do one thing.
    Keep a close watch on her.
  • 22:00 - 22:01
    Where she goes?
    Whom does she meet?
  • 22:01 - 22:03
    Why does she meet?
    -Don't worry.
  • 22:03 - 22:04
    I am the James Bond of our group.
  • 22:04 - 22:05
    I will keep such a close
    watch on her..
  • 22:05 - 22:06
    ..that, even though she tries
    to do something covertly.
  • 22:06 - 22:09
    Either she will be caught
    red-handed, or get a clean chit.
  • 22:09 - 22:11
    Okay, bye.
    -No, listen to me.
  • 22:11 - 22:13
    Now we cannot contact each other.
  • 22:13 - 22:14
    So you better take care of yourself.
    -Alright.
  • 22:14 - 22:16
    This is not a place to meet.
    In this bathroom -Bye, see you.
  • 22:16 - 22:17
    That's why,
    I want to get married.
  • 22:18 - 22:19
    So I don't have to see
    all this nonsense.
  • 22:24 - 22:26
    Really.
    -Shut up.
  • 22:26 - 22:30
    Appeal plus lust. -I never came
    across an idiot like you.
  • 22:30 - 22:32
    Fire plus poetry.
    -Get up.
  • 22:32 - 22:35
    You are such a lovable person..
    - I said, get up.
  • 22:35 - 22:36
    Stupid.
  • 22:36 - 22:38
    Wow. She's beautiful.
  • 22:40 - 22:42
    Hey! Where's my envelope?
  • 22:42 - 22:45
    Squeeze me. I mean, excuse me.
  • 22:45 - 22:48
    What is it?
    -Well. -What?
  • 22:49 - 22:50
    Thanks.
  • 22:51 - 22:53
    Your Mickey is very lucky.
    -Why?
  • 22:53 - 22:55
    He's so close to you.
  • 22:56 - 22:58
    Sorry. Your hat.
  • 23:02 - 23:04
    So Pappi.
    You are going on a foreign tour..
  • 23:04 - 23:06
    ..for the first time in your life.
    -Yes.
  • 23:06 - 23:09
    Did your dad ever go to a foreign tour?
  • 23:09 - 23:12
    My father would have
    gone if your mother had.
  • 23:12 - 23:15
    Shut your mouth. And sit here.
  • 23:15 - 23:18
    I will just inquire about our flight.
    Listen. Be careful.
  • 23:18 - 23:21
    Why? You think someone will
    steal me from the airport?
  • 23:21 - 23:23
    Only a fool will steal you.
    -Mind your words!
  • 23:25 - 23:27
    What a beauty.
  • 23:28 - 23:30
    Hello.
    -Hello.
  • 23:30 - 23:32
    Will you please get up?
    -Why?
  • 23:32 - 23:35
    You are sitting on my handkerchief.
    -Oh, sorry.
  • 23:36 - 23:38
    It's not there.
    Anyway, take your seat.
  • 23:38 - 23:41
    I will sit and talk with you.
  • 23:41 - 23:45
    Are you going on Golden Travel's
    Europe Tour? -Yes.
  • 23:45 - 23:47
    I am going on the same tour.
    Nice meeting you.
  • 23:47 - 23:49
    You don't have to worry
    about anything..
  • 23:49 - 23:50
    ..in Europe as long
    as I am there.
  • 23:51 - 23:52
    If you need anything,
  • 23:52 - 23:54
    call me at midnight
    and I will be there.
  • 23:54 - 23:57
    If you are facing any problem,
    call me at midnight.
  • 23:57 - 23:59
    and I will be there.
    -Hey man. Hey. Leave her hand.
  • 23:59 - 24:02
    The tickets are sold there.
    If any Englishman troubles you,
  • 24:02 - 24:03
    Call me at midnight..
    -Just a minute.
  • 24:03 - 24:05
    Why do you do everything
    at midnight?
  • 24:05 - 24:08
    Do you sleep during the day?
    -Why are you concerned?
  • 24:08 - 24:11
    Actually,
    I married her 12 years ago.
  • 24:12 - 24:14
    Why are you arguing for something
    that happened 12 years ago?
  • 24:14 - 24:18
    I am her husband. And you are
    flirting with a married woman.
  • 24:18 - 24:20
    I.. Sister-in-law, good day.
  • 24:20 - 24:23
    That's a completely new twist.
  • 24:23 - 24:26
    I am Chaudhary.
    -And I am Bhaidas Bhai.
  • 24:26 - 24:29
    And she's Bhaidas Behn. For you.
    -Actually, I am Dimple.
  • 24:29 - 24:29
    Oh really.
  • 24:29 - 24:34
    You two look really nice together.
    Don't misunderstand me.
  • 24:34 - 24:37
    Because,
    I have a personal wife myself.
  • 24:38 - 24:38
    Look, there she is..
  • 24:39 - 24:42
    So, you are coming with us on
    Golden Travel's Europe tour?
  • 24:43 - 24:43
    Yes.
  • 24:43 - 24:46
    That's just amazing..
  • 24:46 - 24:48
    If you are facing any problem.
  • 24:48 - 24:50
    Call me at midnight.
    And I will be there.
  • 24:51 - 24:51
    laughs.
  • 24:51 - 24:54
    If you need anything.
    Call me at midnight.
  • 24:55 - 24:57
    Call me at midnight.
    And I will be there.
  • 24:57 - 25:01
    If any Englishman troubles you.
    Call me at midnight.
  • 25:01 - 25:04
    I will be there.
    -Excuse me.
  • 25:04 - 25:06
    Why do you do everything
    at midnight?
  • 25:07 - 25:10
    Do you sleep during the day?
    -Why does it concern you?
  • 25:10 - 25:14
    Why shouldn't I,
    we got married 12 years ago.
  • 25:14 - 25:17
    Why are you arguing for something
    that happened 12 years ago?
  • 25:17 - 25:18
    Forget it.
    -How can I forget it?
  • 25:19 - 25:20
    She's my wife.
  • 25:21 - 25:24
    Sister-in-law. Hello.
    -Hello.
  • 25:24 - 25:26
    I noticed that she's alone, and..
    -Alone.
  • 25:26 - 25:29
    She's never alone. She's
    always two persons in one
  • 25:29 - 25:32
    And when she is with me,
    there's four persons.
  • 25:32 - 25:33
    Come on, let's go from here.
  • 25:34 - 25:36
    The luggage and the trolley.
    -Forget the trolley.
  • 25:36 - 25:39
    Your brother will bring it along.
    Follow us with the trolley.
  • 25:39 - 25:40
    Brother.
  • 25:40 - 25:43
    Daddy, you were on your
    way to the toilet,
  • 25:43 - 25:47
    But you are flirting around here.
    Let me call mummy. -Quiet.
  • 25:47 - 25:49
    (Door opens)
  • 25:49 - 25:52
    I hope you are safely leaving
    with your entire luggage? -Yes.
  • 25:52 - 25:56
    You know what you have to do in
    this mission. -Don't worry.
  • 25:56 - 25:59
    And you don't worry.
    I will join you soon. -Okay.
  • 26:01 - 26:03
    What a beautiful airhostess.
  • 26:04 - 26:07
    I am sorry. Very sorry.
    -You are welcome.
  • 26:07 - 26:08
    Are you hurt?
  • 26:08 - 26:10
    That's fine. I don't mind at all.
  • 26:10 - 26:12
    That's very good.
    It's good to be such a sport.
  • 26:13 - 26:14
    Naughty boy.
  • 26:15 - 26:17
    This journey is going to
    be really cumbersome.
  • 26:17 - 26:21
    No, I am just 45 kilos.
    -Direct attack.
  • 26:24 - 26:28
    Is she the one?
    No, she couldn't be. She can be.
  • 26:28 - 26:31
    No, she can't be. Whether she's
    sister-in-law, or not.
  • 26:31 - 26:35
    Whoever she is,
    I have to be a bit careful.
  • 26:36 - 26:39
    What's this?
    It's better than first class.
  • 26:39 - 26:42
    Idiot.
    -Excuse me. I am sorry.
  • 26:42 - 26:45
    You didn't say you are welcome.
    That's okay.
  • 26:45 - 26:47
    Sometimes eyes say what
    the lips cannot.
  • 26:47 - 26:50
    The eyes have said it all.
    What is your good name? -Shut up!
  • 26:50 - 26:52
    That's not a good name.
    Please change it.
  • 26:53 - 26:55
    It looks like we will
    get along very well.
  • 26:56 - 26:58
    Can I sit here? I will sit here.
  • 26:58 - 27:00
    Before anyone takes advantage
    of this opportunity.
  • 27:00 - 27:03
    I don't want to miss the train.
  • 27:03 - 27:07
    All passengers are requested to..
    -That's okay, baby.
  • 27:07 - 27:08
    Baby...
  • 27:08 - 27:09
    You don't need that.
  • 27:09 - 27:12
    If the plane swaggers, you can
    hold on to me. I don't mind.
  • 27:12 - 27:14
    Will you please keep quiet?
    -That's all right.
  • 27:17 - 27:19
    You missed the shot.
  • 27:21 - 27:23
    Again you missed the shot.
  • 27:23 - 27:25
    Be gentle, I know it must hurt.
  • 27:25 - 27:28
    Excuse me! Is anyone here?
    This passenger is irritating me.
  • 27:28 - 27:32
    Don't worry, I am there.
  • 27:32 - 27:35
    Come and sit on my seat,
    and I will sit there.
  • 27:35 - 27:38
    That won't be necessary.
    I will come and sit on your seat.
  • 27:38 - 27:41
    You can come here,
    and sit besides her.
  • 27:42 - 27:43
    Bye sweetheart.
  • 27:44 - 27:45
    Stupid.
  • 27:53 - 27:55
    Now I will make sure
    no one touches you.
  • 27:56 - 27:59
    Nonsense. I will not spare him.
  • 27:59 - 28:03
    Nonsense. I.. Where are you from?
  • 28:03 - 28:05
    From Delhi or Jalander?
    -Ludhiana.
  • 28:05 - 28:07
    Ludhiana. You are from Ludhiana.
  • 28:07 - 28:11
    You are from Ludhiana. Now,
    no one can touch you like this.
  • 28:11 - 28:13
    No one can touch you like this,
    or like this.
  • 28:13 - 28:16
    I will see to it that
    no one does.
  • 28:16 - 28:20
    No one can touch your
    cheeks like this.
  • 28:20 - 28:22
    No one can touch your
    thighs like this.
  • 28:22 - 28:25
    And this..I won't let anyone
    do this to you.
  • 28:25 - 28:29
    I won't let anyone do anything,
    you just watch. -Thank you.
  • 28:29 - 28:31
    What would I have
    done without you?
  • 28:31 - 28:35
    Just think what can happen with me.
    -What do you mean?
  • 28:35 - 28:41
    I mean we Punjabis have a
    style to see-off someone.
  • 28:41 - 28:43
    We have a very warm feeling.
  • 28:43 - 28:46
    We bid adieu and embrace
    the person like this.
  • 28:46 - 28:49
    Good bye. Bye. -Excuse me.
    -You are acting too smart.
  • 28:49 - 28:51
    All Punjabi's are smart.
    That's not new.
  • 28:51 - 28:54
    Do you want one more,
    or was that enough?
  • 28:55 - 28:56
    Let that warm feeling flow.
  • 28:57 - 28:59
    Hello.
    -Excuse me.
  • 28:59 - 29:01
    Behave yourself.
    -Let that warm feeling flow.
  • 29:01 - 29:03
    It's nothing wrong.
    -Airhostess. Airhostess.
  • 29:03 - 29:04
    Yes madam.
  • 29:04 - 29:06
    This man is worse than
    the earlier one.
  • 29:06 - 29:08
    Please change my seat.
    -Please come with me.
  • 29:08 - 29:10
    All men are like that.
    -How do you know?
  • 29:10 - 29:12
    Shut up.
    -She's calling you.
  • 29:12 - 29:16
    Idiot.
    -Fine. All men are like that.
  • 29:16 - 29:18
    Ma'am, please sit here.
    -Thank you.
  • 29:21 - 29:22
    Thank God there's no
    one besides me.
  • 29:31 - 29:33
    Hi.
    -Hi.
  • 29:33 - 29:37
    Wow! You are so beautiful,
    so charming.
  • 29:37 - 29:42
    Your cheeks are so rosy red.
    Your lips are so luscious.
  • 29:42 - 29:46
    And your neck,
    it's so curvaceous.
  • 29:48 - 29:52
    Can I touch you like this?
    Can I touch you like this?
  • 29:52 - 29:54
    Can I touch you like this?
    -Excuse me. What are you doing?
  • 29:54 - 29:58
    Don't worry.
    I am a female, and so are you.
  • 29:58 - 30:00
    I can touch anywhere,
    don't stop me. Okay.
  • 30:03 - 30:05
    You! Oh no.
  • 30:05 - 30:12
    (Flight takes off)
  • 30:14 - 30:16
    Hello.
    -Hello Sanjay, it's Raj.
  • 30:17 - 30:19
    Yes Raj. Did you spot my wife?
  • 30:19 - 30:21
    Sanjay, I made a terrible mistake.
    -What is it?
  • 30:22 - 30:23
    You gave me an envelope with
    sister-in-law's photographs.
  • 30:23 - 30:26
    I still have the envelope,
    but I have lost her photographs.
  • 30:26 - 30:28
    And I didn't even take
    a look at them.
  • 30:28 - 30:29
    That's terrible.
    You lost the photographs.
  • 30:30 - 30:32
    It was a simple task,
    but you couldn't even do that.
  • 30:32 - 30:35
    Sorry, it's my habit.
    Fine, do me a favour.
  • 30:35 - 30:38
    Tell me what had sister-in-law had worn.
    -Hold on just a minute.
  • 30:38 - 30:40
    Carrey, what had she worn?
  • 30:40 - 30:42
    A shroud.
    -Shroud!
  • 30:42 - 30:43
    Of your death.
  • 30:44 - 30:45
    I am asking you what
    she had worn.
  • 30:45 - 30:47
    You dropped her at the airport,
    not me.
  • 30:47 - 30:48
    You shut up.
    -Okay.
  • 30:49 - 30:51
    I am totally confused. Hello Raj.
  • 30:51 - 30:53
    I don't even get to
    see her frequently,
  • 30:53 - 30:54
    how can I remember
    what she had worn?
  • 30:54 - 30:57
    Don't worry my friend, I am
    a keen observer myself.
  • 30:57 - 31:00
    I will find her out.
  • 31:02 - 31:04
    My husband, my foot.
  • 31:04 - 31:07
    I have filed for a divorce
    in the Indian court.
  • 31:07 - 31:09
    Filed a divorce case.
    She's the sister-in-law!
  • 31:09 - 31:15
    Yes. Darling, nothing can keep
    us apart now. -I will.
  • 31:16 - 31:17
    Okay.
  • 31:18 - 31:19
    Bye darling.
  • 31:24 - 31:26
    Hi. -Hi.
  • 31:27 - 31:28
    I am sorry.
  • 31:28 - 31:31
    You are welcome.
    -But I will not come.
  • 31:31 - 31:33
    But I am open.
    -But I am closed.
  • 31:45 - 31:47
    You are late. -Sister-in-law,
    I will follow you till the end.
  • 31:48 - 31:51
    Excuse me. I said you are late.
    -Really.
  • 31:53 - 31:56
    Hi dudes.
    I am Raj Malhotra from Mumbai.
  • 31:57 - 32:00
    M for me, and B for baby.
    -Oh my God.
  • 32:01 - 32:02
    He won't stop following me.
  • 32:03 - 32:04
    Now I will have to tolerate
    him throughout the trip.
  • 32:04 - 32:06
    You might have to tolerate
    me all your life.
  • 32:06 - 32:08
    Because, usually journeyers
    become companions.
  • 32:08 - 32:09
    You want me to alight
    from this bus.
  • 32:10 - 32:12
    No, I want you to climb on top
    of this bus and scream.
  • 32:15 - 32:19
    You can imitate Tarzan very well.
    -Was that a joke?
  • 32:19 - 32:21
    We haven't even begun
    our journey..
  • 32:21 - 32:23
    ..and you have already
    started arguing.
  • 32:23 - 32:25
    He has been flirting with
    me from the airport.
  • 32:25 - 32:29
    What are you saying?
    What a strange man. Strange.
  • 32:29 - 32:31
    Aren't you ashamed of
    flirting with a girl?
  • 32:31 - 32:33
    Really.
    I am flirting with the girl.
  • 32:33 - 32:36
    And who is the one
    you are touching?
  • 32:36 - 32:38
    What happened?
    -What is your problem?
  • 32:38 - 32:41
    Why touching my wife?
    Why touching my wife?
  • 32:41 - 32:43
    Keep your hands in control.
  • 32:44 - 32:46
    If I lose control,
    it will be painful to you.
  • 33:16 - 33:17
    Not again.
  • 33:19 - 33:20
    Really.
  • 33:20 - 33:24
    Can I have one lasagne,
    one spaghetti with napoli..
  • 33:24 - 33:26
    ..and one tortellini with alapana?
    -Sure ma'am.
  • 33:26 - 33:28
    Excuse me do you have Dairy
    milk chocolates?
  • 33:28 - 33:31
    I am sorry ma'am we don't have
    Dairy milk chocolates.
  • 33:31 - 33:33
    Alright, thanks.
    -Thank you.
  • 33:34 - 33:36
    You sir.
    -No, I don't want to see that.
  • 33:36 - 33:41
    Can I have one lasagne,
    one spaghetti with napoli..
  • 33:42 - 33:46
    ..and one alapana?
    -Okay.
  • 33:46 - 33:47
    Do you have some chocolates?
  • 33:48 - 33:50
    Don't get them.
    -Alright.
  • 33:51 - 33:52
    Excuse me.
    -Yes.
  • 33:52 - 33:53
    Are you teasing me?
  • 33:53 - 33:55
    No, I am not teasing you.
    Why would I tease you?
  • 33:55 - 33:58
    In fact I appreciate you a lot.
    You know why?
  • 33:58 - 33:59
    You play the mandolin
    really well.
  • 34:00 - 34:02
    And I know you are dying to
    praise me as well.
  • 34:02 - 34:04
    Because I play the mouth
    organ so well.
  • 34:04 - 34:07
    But you won't do that,
    because you are a very shy girl.
  • 34:07 - 34:07
    By the way..
  • 34:07 - 34:10
    ..I never came across anyone that
    plays the mouthorgan so bad.
  • 34:10 - 34:12
    Oh really. -Yes. -My mother
    tells me the same thing.
  • 34:13 - 34:15
    Your thoughts are so similar.
  • 34:15 - 34:16
    If a beautiful girl
    like you accepts..
  • 34:16 - 34:17
    ..to become her daughter-in-law.
  • 34:17 - 34:19
    They you will never
    have any qualms.
  • 34:21 - 34:26
    "Sometimes, I think..
  • 34:26 - 34:29
    ..in my heart.
    What is he doing?
  • 34:31 - 34:32
    There he is madam.
    -Hi.
  • 34:35 - 34:37
    It's so good to see you.
    -Hi baby.
  • 34:38 - 34:40
    This is your parcel.
    -Thanks.
  • 34:44 - 34:45
    Excuse me,
    can I make a call please.
  • 34:46 - 34:48
    Not today. No.
  • 34:48 - 34:50
    I was just taking your blessings.
  • 34:51 - 34:53
    I thought you wanted to beat me.
  • 34:53 - 34:57
    I have fasted for you today.
    -What's that?
  • 34:57 - 35:01
    A wife that sincerely
    loves her husband..
  • 35:01 - 35:05
    ..fasts for his long life.
  • 35:06 - 35:08
    Do you truly love me?
    -Yes.
  • 35:08 - 35:09
    No chance of divorce then.
  • 35:09 - 35:10
    What?
    - Nothing.
  • 35:11 - 35:11
    Hello.
  • 35:11 - 35:13
    Hello. Hey brother,
    there's a good news for you.
  • 35:14 - 35:15
    Why, did my father-in-law
    just pass away?
  • 35:15 - 35:18
    I want to tell you about your
    wife, not in-laws.
  • 35:18 - 35:19
    Your wife.
  • 35:20 - 35:23
    Listening it would be as hard
    for you as swallowing a cactus.
  • 35:23 - 35:25
    Swallowing a cactus?
    What has she done?
  • 35:25 - 35:29
    What has she done!
    She's having an affair.
  • 35:30 - 35:32
    Who is it? Who would want to
    end his life so tragically?
  • 35:33 - 35:35
    Who is it?
    -It's a Whiteman.
  • 35:36 - 35:39
    Marriage with a Blackman and
    affair with a Whiteman.
  • 35:39 - 35:41
    Are you listening to me?
  • 35:41 - 35:44
    I am. Keep reporting to me.
    I will deal with her later.
  • 35:44 - 35:45
    The report is that..
  • 35:46 - 35:48
    ..today your wife gave a
    gift to her boyfriend.
  • 35:48 - 35:52
    Gift.
    Fast for me and gift for him!
  • 35:52 - 35:54
    That's what's been going on.
  • 35:54 - 35:56
    She goes out with one,
    embraces the second..
  • 35:56 - 35:58
    ..eyes the third,
    and flirts with the fourth.
  • 35:58 - 36:00
    She is quite a cunning woman.
  • 36:01 - 36:03
    She is going according
    to her size.
  • 36:03 - 36:05
    Now I will make her plight such..
  • 36:05 - 36:08
    ..that the police will
    take me with honour.
  • 36:09 - 36:12
    Who is that Whiteman?
    -Which Whiteman?
  • 36:12 - 36:14
    The one whom you gave that gift,
    and have an affair with.
  • 36:14 - 36:16
    I don't have an affair.
  • 36:16 - 36:21
    You are having an affair.
    You are having an affair. -Yes.
  • 36:21 - 36:25
    Yes, I have an affair,
    with just one. -Who?
  • 36:25 - 36:27
    You!
  • 36:28 - 36:32
    I know that. But who is that Whiteman?
    -I don't know.
  • 36:33 - 36:36
    She says she doesn't know.
    Who are you?
  • 36:36 - 36:38
    Here is your mobile phone.
    You have taken my mobile mistakenly.
  • 36:38 - 36:42
    Gina, Meena, Tina..such useless
    girls have been calling up.
  • 36:42 - 36:44
    And they say, "Darling, meet
    me at 4 o'clock."
  • 36:44 - 36:47
    "Darling, meet me at 8 o'clock."
    -What?
  • 36:47 - 36:51
    So many girls call you.
    -They are all divorce cases.
  • 36:51 - 36:52
    Oh, really!
  • 36:52 - 36:55
    Now I get it,
    why you stay so busy these days.
  • 36:55 - 36:57
    She's going to smack me down!
    -Hello. Hello. Hello.
  • 36:58 - 37:01
    Yes Raj. That was my lawyer
    Neem Carrey. -Oh God.
  • 37:01 - 37:05
    Friend, your wife has a boyfriend even
    in Europe. -Listen carefully.
  • 37:05 - 37:07
    Take some pictures of her
    with her boyfriend.
  • 37:07 - 37:09
    So that I can prove
    in the court that..
  • 37:09 - 37:11
    ..my wife is a characterless
    woman.
  • 37:11 - 37:15
    I just want the proof.
    -Okay, my brother.
  • 37:15 - 37:17
    I will awaken the
    detective inside me..
  • 37:17 - 37:19
    ..and return to India
    with the proof.
  • 37:26 - 37:28
    Sanjay's wife has crossed
    all the limits.
  • 37:28 - 37:30
    I will gather all the proofs.
  • 37:30 - 37:31
    That's the room.
  • 37:32 - 37:35
    That means I will really
    have to use my brains.
  • 37:37 - 37:38
    Yes.
  • 37:39 - 37:41
    (Dog barks)
  • 37:41 - 37:43
    No. No.
  • 37:44 - 37:46
    Hey! Get lost. What's this madness?
  • 37:46 - 37:49
    What's this insanity?
  • 37:50 - 37:53
    I don't like this. No.
  • 37:53 - 37:56
    Don't spoil my image, baby.
  • 37:56 - 37:58
    No! Okay.
  • 37:58 - 38:01
    You are acting smart with me.
    Okay.
  • 38:03 - 38:05
    See, I have brains.
  • 38:05 - 38:07
    Bye.
  • 38:14 - 38:17
    Oh, my darling. I love you sweetheart.
    -Yes, sweetheart.
  • 38:17 - 38:21
    Once you get divorced, then we
    will be one baby. -Yes, honey.
  • 38:21 - 38:24
    Sister-in-law,
    what are you doing?
  • 38:26 - 38:28
    Someone is taking photographs.
    -Hold this.
  • 38:28 - 38:30
    Who is it? Who is it?
  • 38:31 - 38:33
    Okay.
    -Who is it? Who is it?
  • 38:35 - 38:36
    Who is it?
  • 38:37 - 38:40
    They are trying to act smart
    with me, with bond No. 1.
  • 38:40 - 38:41
    Who is it?
  • 38:42 - 38:43
    Who is it?
  • 38:43 - 38:44
    (Remote beeps)
  • 38:53 - 38:55
    What channel is this!
  • 40:18 - 40:20
    Darling, get me some more wine.
  • 40:20 - 40:22
    Change the channel.
    -Yes.
  • 40:46 - 40:47
    What?
  • 40:58 - 41:01
    What are you doing, man?
  • 41:02 - 41:05
    I don't like this man.
    Change the channel, man!
  • 41:05 - 41:07
    In the same way, that my
    life is entwined in yours
  • 41:07 - 41:10
    Our love is gaining strength...
  • 41:10 - 41:12
    My lips are meeting yours
  • 41:12 - 41:15
    and that is making our enemy very jealous
  • 41:15 - 41:17
    The clouds have parted
  • 41:17 - 41:19
    water is leaking drop by drop
  • 41:21 - 41:25
    The clouds have parted
    water is leaking drop by drop.
  • 41:27 - 41:31
    The clouds have parted
    water is leaking drop by drop.
  • 41:31 - 41:32
    Oh, no!
  • 41:32 - 41:37
    Come on the queen of my heart, we will
    sing songs and fly with the birds.
  • 41:42 - 41:46
    You and I have now become one
    water is leaking drop by drop
  • 41:49 - 41:51
    He is not the T.V man.
    -Of course I am not the T.V man.
  • 41:51 - 41:54
    I am a man from V.T. And don't
    tell him a big detective.
  • 41:54 - 41:56
    He is a detective. -Take the camera.
    -Don't touch the camera.
  • 41:56 - 41:58
    I want to keep that.
    Give it to my friend.
  • 41:58 - 41:59
    Give it to me.
    -He wants to divorce this lady.
  • 41:59 - 42:02
    I got it. I got it darling.
    -Hey, don't do that. Please.
  • 42:54 - 42:56
    Hey man. Hey, come here.
  • 42:56 - 42:57
    Why isn't the bus moving?
  • 42:58 - 43:00
    Has its tyres been stolen?
    Why not moving?
  • 43:00 - 43:02
    Same damn problem!
    Same passenger late again!
  • 43:04 - 43:07
    He has literally hijacked the bus.
    -It's so late.
  • 43:07 - 43:09
    Save your energy to
    scream on him.
  • 43:10 - 43:13
    What the hell is this?
    You are late again. -Really.
  • 43:13 - 43:16
    I am sorry again.
    Very sorry everybody.
  • 43:17 - 43:19
    Very sorry. Chill out.
    -What sorry. It's getting so late.
  • 43:19 - 43:22
    What's this sorry?
    -I said sorry.
  • 43:22 - 43:27
    It's okay. -Everyone was getting
    angry. But I remained calm.
  • 43:27 - 43:30
    Really, thanks a ton.
    -Unpunctual.
  • 43:30 - 43:32
    Really.
  • 43:32 - 43:35
    It's getting very boring.
    -What do you expect?
  • 43:35 - 43:37
    Boring partners, boring journey.
  • 43:37 - 43:40
    Not you, baby.
    -I will say a poem.
  • 43:40 - 43:43
    Hand me the mirror,
    I want to talk to him.
  • 43:43 - 43:47
    You can just forget it,
    and let me tell a poem.
  • 43:47 - 43:51
    Hey. Let's all enjoy. Hello,
    everybody. Listen to him.
  • 43:52 - 43:53
    Let's have some fun.
  • 43:53 - 43:55
    So, its goes like this.
    -Yes.
  • 43:55 - 43:59
    One bird said to the other.
    -Oh Wow. -Bird. Bird.
  • 43:59 - 44:01
    Bird. Bird. Bird. Bird.
    -How many of them are there?
  • 44:02 - 44:05
    Let's talk about the sweet
    nothings, what say!
  • 44:45 - 44:49
    "One bird said to the other.
    -What say!"
  • 44:51 - 44:56
    "Let's talk about the sweet nothings
    -What say!"
  • 44:58 - 45:02
    "One bird said to the other.
    -What say!"
  • 45:02 - 45:06
    "Let's talk about the sweet nothings
    -What say!"
  • 45:06 - 45:09
    "Countless desires in the heart."
  • 45:09 - 45:11
    "Just like the sea in a drop."
  • 45:11 - 45:15
    "What say! What say!"
  • 45:15 - 45:20
    "One bird said to the other.
    -What say!"
  • 45:20 - 45:24
    "Let's talk about the sweet nothings
    -What say!"
  • 45:46 - 45:50
    "This foreign is so exotic."
  • 45:50 - 45:54
    "Just like our own country."
  • 45:55 - 45:57
    "This foreign is so exotic."
  • 45:57 - 45:59
    "Just like our own country."
  • 45:59 - 46:01
    "That's why I suggest."
  • 46:01 - 46:04
    "When in Rome,
    do as the Romans do."
  • 46:04 - 46:08
    "That's why. That's why I
    have forsaken my cap."
  • 46:08 - 46:10
    "And worn this hat."
  • 46:10 - 46:14
    "What say!"
  • 46:15 - 46:19
    "One bird said to the other.
    -What say!"
  • 46:19 - 46:23
    "Let's talk about the sweet nothings
    -What say!"
  • 46:37 - 46:40
    "You might have broken
    many hearts."
  • 46:40 - 46:43
    "But my heart is not that
    easily breakable."
  • 46:43 - 46:49
    "I will make you fall for me,
    or else I am not a true lover."
  • 46:49 - 46:50
    "Wow"
  • 46:50 - 46:53
    "Don't gaze at me like that,
    damsel."
  • 46:54 - 46:57
    "I am not a celibate."
  • 46:58 - 47:01
    "Don't gaze at me like that,
    damsel."
  • 47:01 - 47:03
    "I am not a celibate."
  • 47:03 - 47:07
    "Or else,
    I might fall in love with you."
  • 47:07 - 47:09
    "Or else I may.."
  • 47:09 - 47:14
    "I may enter your heart through
    your helpless eyes."
  • 47:14 - 47:18
    "What say!"
  • 47:18 - 47:22
    "One bird said to the other.
    -What say!"
  • 47:22 - 47:27
    "Let's talk about the sweet nothings
    -What say!"
  • 47:28 - 47:31
    "I have come across many
    lovers like you."
  • 47:31 - 47:36
    "They keep following me,
    all the way to their doom."
  • 47:37 - 47:39
    "That's well said."
  • 47:45 - 47:48
    "It's not right to be
    so enthusiastic."
  • 47:49 - 47:51
    "It's not right to be
    so enthusiastic."
  • 47:51 - 47:53
    "But you are not in your senses."
  • 47:54 - 47:55
    "Bothering me will only
    invite trouble.."
  • 47:55 - 47:58
    "..for you."It's not my fault."
  • 48:00 - 48:02
    "Whether anyone drowns
    of goes across."
  • 48:02 - 48:04
    "The sea has to keep flowing."
  • 48:04 - 48:09
    "What say!"
  • 48:27 - 48:28
    Panasonic. Wow. Very nice
  • 48:30 - 48:31
    Wow!
  • 48:32 - 48:37
    I feel this tape... Keep this properly.
    -It's proper.
  • 48:37 - 48:39
    If you buy this tape recorder..
  • 48:39 - 48:42
    ..the music from it will be
    really soothing for your ears.
  • 48:42 - 48:46
    No, I don't like the colour.
    -But it's a very nice colour.
  • 48:46 - 48:49
    But it doesn't match with
    my bedroom colour.
  • 48:49 - 48:52
    It will match the colour
    of your bedroom.
  • 48:52 - 48:54
    I don't want it.
    -What?
  • 48:54 - 48:57
    Tape recorder.
    -What? This!
  • 48:57 - 48:59
    Bhaidas Bhai, you!
    -Yes, me.
  • 48:59 - 49:04
    What are you trying
    to do with my wife?
  • 49:04 - 49:07
    Sister-in-law, is it wrong to
    give someone a suggestion?
  • 49:07 - 49:10
    No, it's wrong to touch other's
    wife while giving suggestions.
  • 49:11 - 49:14
    Sinner.
    -Do you want me to stay away from her?
  • 49:14 - 49:15
    Do you wish to stay close to her?
  • 49:15 - 49:17
    You think I am a characterless man?
  • 49:17 - 49:20
    You are what you don't
    seem to be.
  • 49:20 - 49:21
    Sister-in-law, I have decided..
  • 49:21 - 49:23
    ..I won't pay heed to anything he says.
  • 49:23 - 49:23
    That's not a problem.
  • 49:23 - 49:25
    It's your intentions that I fear.
    Stop looking at her.
  • 49:25 - 49:27
    Let's go, don't you understand
    he is a characterless man.
  • 49:28 - 49:29
    But I didn't want the tape recorder.
    -Sister-in-law.
  • 49:34 - 49:36
    If you want that girl
    to fall for you..
  • 49:36 - 49:38
    ..then gift this dress to her.
  • 49:38 - 49:42
    And ask her to meet you tonight.
    -And then watch.
  • 49:42 - 49:46
    Will she fall for me?
    -I gifted her swimming costume.
  • 49:47 - 49:48
    Quiet! what are you saying?
  • 49:48 - 49:49
    Really!
    -Yes.
  • 49:53 - 49:55
    Excuse me.
  • 49:58 - 50:00
    Hi.
    -Hi.
  • 50:00 - 50:05
    If you accept this gift, and call
    me at 9 o'clock at night,
  • 50:05 - 50:07
    I will know that you have
    understood my intentions.
  • 50:07 - 50:09
    And together with our
    understanding..
  • 50:09 - 50:11
    ..we will teach the
    world something.
  • 50:11 - 50:14
    The world will understand with
    their understanding..
  • 50:14 - 50:15
    ..that with a lot of
    understandings..
  • 50:15 - 50:17
    ..our understanding is very
    similar.
  • 50:18 - 50:19
    And with our understanding..
  • 50:19 - 50:20
    ..we should have done
    thing long ago.
  • 50:20 - 50:23
    But even with all that
    understanding we did it quite later.
  • 50:23 - 50:25
    But we did it. Did you understand
    what I meant to say?
  • 50:26 - 50:28
    Okay.
  • 50:28 - 50:31
    A small okay,
    after that long speech!
  • 50:31 - 50:34
    How nice!
    But, don't let this stop here.
  • 50:34 - 50:37
    Because this is the beginning of
    our love. I am leaving now.
  • 50:37 - 50:38
    We will meet after a
    thoughtful break.
  • 50:39 - 50:40
    But listen,
    don't forget to call me.
  • 50:40 - 50:42
    And don't forget to ring me.
  • 50:42 - 50:43
    9 o'clock at night.
  • 50:46 - 50:47
    (Telephone rings)
  • 50:48 - 50:51
    Hello.
    -Oh hi, Raj.
  • 50:51 - 50:52
    I have been waiting for you.
  • 50:52 - 50:57
    9:00 -9:30! 9:30 -9:45! 9:50!
    9:55! 9:57! 9:58! 9:59!
  • 50:57 - 50:58
    Please come wearing
    those clothes.
  • 50:59 - 51:00
    Listen, have you worn clothes?
  • 51:00 - 51:02
    I mean, have you worn the clothes
    that I gifted you?
  • 51:02 - 51:05
    Yes. I have worn that dress.
    -You have.
  • 51:07 - 51:08
    How are you looking?
  • 51:10 - 51:12
    Simply mind-blowing.
  • 51:12 - 51:16
    Oh, no!
    I am ready to lose my senses.
  • 51:16 - 51:17
    I am ready to take the fall.
  • 51:18 - 51:20
    Yes, I know you will fall.
  • 51:20 - 51:22
    That sentence didn't sound right.
  • 51:23 - 51:24
    What did you say? Come again.
  • 51:24 - 51:28
    I mean.. Room No. 2072.
  • 51:29 - 51:31
    Okay. 207..
  • 51:32 - 51:34
    But your room number was 2073.
  • 51:34 - 51:37
    Such meetings shouldn't be
    held in the same rooms.
  • 51:37 - 51:41
    Oh, wow!
    Romance with intelligence!
  • 51:42 - 51:45
    I am coming, baby.
    -Come baby, come.
  • 51:46 - 51:51
    Your husband is coming.
    Raj, you are gone.
  • 51:56 - 51:58
    Hello.
    -Your wife is ready..
  • 51:58 - 52:01
    ..and she's looking like
    Hawaiian beauty.
  • 52:01 - 52:05
    Oh, I am coming.
    -Come baby, come.
  • 52:08 - 52:10
    Lights off!
  • 52:12 - 52:14
    Wow! Door is open.
  • 52:14 - 52:17
    I thought she wanted to
    meet me in solitude.
  • 52:18 - 52:20
    But she wants to meet
    me in the dark!
  • 52:27 - 52:29
    Alluring damsel!
  • 52:30 - 52:32
    Beautiful enchantress!
  • 52:32 - 52:36
    My queen! Symbol of love!
  • 52:36 - 52:39
    You are good-looking
    beyond words.
  • 52:40 - 52:41
    Darling.
  • 52:44 - 52:47
    -Darling, just two chocolates
    have changed your size!
  • 52:47 - 52:49
    (Speaking in foreign language)
  • 52:50 - 52:50
    What!
  • 52:51 - 52:53
    (Speaking in foreign language)
  • 52:54 - 52:55
    (Imitating her language)
  • 52:56 - 53:01
    Darling,
    you have a great sense of humour.
  • 53:01 - 53:03
    (Intense background score)
  • 53:03 - 53:04
    Lights off!
  • 53:04 - 53:07
    The queen of my..
  • 53:08 - 53:10
    (Speaking in foreign language)
  • 53:11 - 53:12
    (Speaking in foreign language)
  • 53:12 - 53:14
    (Indistinct)
  • 53:14 - 53:16
    (Speaking in foreign language)
  • 53:16 - 53:18
    (Indistinct)
  • 53:18 - 53:21
    Hey, who are you?
    And who is she? By mistake.
  • 53:34 - 53:35
    What are you doing?
  • 53:51 - 53:52
    What are you doing?
  • 53:53 - 53:54
    (Punching)
  • 53:57 - 53:59
    (Punching)
  • 54:02 - 54:04
    Oh!
  • 54:04 - 54:06
    (Punching)
  • 54:10 - 54:12
    (Punching)
  • 54:13 - 54:16
    No, no, no.
  • 54:16 - 54:18
    No, no, no, no!
  • 54:19 - 54:21
    No, no, no, no!
  • 54:21 - 54:24
    (Punching)
  • 54:27 - 54:29
    Is this the way!
  • 54:29 - 54:33
    Humanity is no more these days.
  • 54:34 - 54:37
    Doesn't a person have
    some respect?
  • 54:37 - 54:39
    What is this?
  • 54:39 - 54:43
    Can't a man make a mistake?
  • 54:43 - 54:49
    What a man! Where do they
    make such men in Africa..
  • 54:49 - 54:54
    ..and that wife of his.. Black widow.
  • 54:54 - 54:59
    Both of them have thrashed me
    black and blue for a damsel.
  • 54:59 - 55:03
    Actually, It's a bad system.
  • 55:03 - 55:07
    The government should devise
    a system of where to hit.
  • 55:07 - 55:10
    You can hit where it's allowed.
  • 55:10 - 55:12
    But why hit where you shouldn't.
  • 55:12 - 55:14
    There should be a system.
  • 55:14 - 55:19
    I would've banned such things if I could.
  • 55:23 - 55:25
    Hi.
    - Hi.
  • 55:25 - 55:26
    I didn't mean that. Who is it?
  • 55:28 - 55:32
    You! I will never forgive you.
    -Why?
  • 55:32 - 55:35
    You got me beat up so badly.
  • 55:35 - 55:38
    I will teach you a lesson.
    No, I will make you fall for me.
  • 55:38 - 55:43
    Anjali. Dear, where are you?
    -Uncle Carrey, I am taking a bath.
  • 55:44 - 55:46
    Finish that later,
    come out quickly.
  • 55:46 - 55:49
    Look, I have got proof.
    Now he cannot escape.
  • 55:50 - 55:51
    Come out, dear.
  • 55:51 - 55:53
    First, pay me my fees.
  • 55:53 - 55:54
    Show me.
    -Take a look.
  • 55:56 - 56:00
    But the face is not visible.
    -But you can see the tresses.
  • 56:01 - 56:03
    Yes, that's right!
    -It's him, alright.
  • 56:03 - 56:06
    But the face...
    -You cannot see the face..
  • 56:06 - 56:08
    ..but you can see
    his yellow shirt.
  • 56:08 - 56:11
    Try to recognise him with his shirt.
    -Yes uncle..
  • 56:11 - 56:14
    ..but the court would ask to
    see his face too.
  • 56:14 - 56:16
    Dear, why see the
    face of a person..
  • 56:16 - 56:18
    ..that flirts around
    with everyone.
  • 56:18 - 56:21
    I agree to what you say,
    but I hate his face.
  • 56:21 - 56:23
    Next time, I will get his
    photograph with his face.
  • 56:23 - 56:24
    Dear, give me thirty thousand.
  • 56:24 - 56:28
    Thirty thousand! -Yes, it's
    official evidence. Hence, It's expensive.
  • 56:28 - 56:30
    I charge others my entire fees.
  • 56:31 - 56:33
    But I charge you only
    30 instead of 50.
  • 56:45 - 56:46
    Hi.
    -Hi.
  • 56:46 - 56:49
    I am so glad you have come, darling.
  • 56:50 - 56:52
    How are you?
  • 56:53 - 56:56
    Second one!
    -Come on, let's go.
  • 56:57 - 57:00
    There's so much filth in the world!
    Sanjay, here I come.
  • 57:01 - 57:03
    Phone. Phone.
  • 57:04 - 57:08
    Excuse me, can I..make the call.
  • 57:12 - 57:14
    Hello.
    -No.
  • 57:14 - 57:17
    Your wife is
    like public property.
  • 57:17 - 57:20
    Just like everyone takes
    advantage of a public property.
  • 57:21 - 57:23
    Similarly, your wife has a
    boyfriend at every station.
  • 57:23 - 57:25
    That's not my wife you
    are talking about.
  • 57:25 - 57:27
    This report is for Sanjay.
  • 57:27 - 57:29
    You again, nonsense.
  • 57:29 - 57:32
    I am not nonsense.
    I make complete sense.
  • 57:33 - 57:34
    That's why I am a divorce lawyer.
  • 57:34 - 57:37
    You are a total nonsense.
    And you make no sense.
  • 57:37 - 57:39
    Wow! What a composition!
  • 57:39 - 57:43
    Nonsense, no sense. Very good.
  • 57:43 - 57:45
    You like poems like me.
  • 57:45 - 57:46
    Will you give the phone
    to Sanjay or not?
  • 57:46 - 57:48
    Give me the message I
    will pass it to him.
  • 57:48 - 57:49
    I don't talk to the middleman.
  • 57:49 - 57:52
    I am not the middleman!
  • 57:52 - 57:54
    I have a stout wife.
    Eleven skinny children.
  • 57:54 - 57:55
    And preparing for the 12th one.
  • 57:56 - 57:58
    Give the phone to Sanjay or
    else I will blow you away.
  • 58:00 - 58:01
    Control yourself. Just a minute.
  • 58:01 - 58:04
    I think everybody is..
    -Sorry to disturb. Sir.
  • 58:04 - 58:08
    Urgent call sir, from Europe.
    Please take this sir.
  • 58:09 - 58:10
    What is this Carrey?
  • 58:10 - 58:11
    Why are you disturbing me?
  • 58:11 - 58:15
    Sir, call from Europe.
    -Raj. Come on.
  • 58:15 - 58:16
    Raj!
  • 58:17 - 58:19
    Yes Raj.
    -Hello Sanjay.
  • 58:19 - 58:21
    Your wife has a second boyfriend.
  • 58:21 - 58:23
    Carrey,
    she has a second boyfriend.
  • 58:23 - 58:26
    She's very talented!
    We should commend sister-in-law.
  • 58:26 - 58:29
    One husband and two boyfriends.
    Oh my God.
  • 58:29 - 58:33
    Are your wives so daring?
    -Carrey, do they understand?
  • 58:33 - 58:35
    They can't speak English properly.
  • 58:35 - 58:36
    How can they understand Hindi?
  • 58:36 - 58:38
    Am I right, sir?
    -Yes.
  • 58:38 - 58:42
    See that!
    -Hello Raj, what did she do next?
  • 58:42 - 58:42
    What did she do next?
  • 58:43 - 58:46
    She flirted with her more and gave him a
    bigger gift than her previous boyfriend.
  • 58:46 - 58:48
    Gift! What was it?
    -I think it was a T.V.
  • 58:48 - 58:50
    My wife gave him a T.V.
  • 58:50 - 58:54
    Fantastic! Tape recorder to the
    first one, and T.V to the second.
  • 58:54 - 58:57
    She will gift a car to the third
    and what can you do about it?
  • 58:57 - 58:58
    You shut up!
  • 58:59 - 59:01
    Why are you narrating
    my wife's escapades..
  • 59:01 - 59:02
    ..and adding to my injury?
  • 59:02 - 59:06
    I want proof. Last time, you
    failed to bring me the proof.
  • 59:06 - 59:07
    What if you fail this time too?
  • 59:07 - 59:09
    Then you can blacken
    Neem Carrey's face.
  • 59:10 - 59:12
    Did you understand anything?
  • 59:13 - 59:14
    Yes!
    -Yes, what?
  • 59:14 - 59:18
    His wife, boyfriends, T.V,
    tape recorder, gifts.
  • 59:18 - 59:21
    They understood everything.
    I curse them.
  • 59:21 - 59:23
    Where is everybody, man?
    Where have they gone?
  • 59:23 - 59:25
    Sir, there is a card for you.
    -Yes?
  • 59:25 - 59:26
    Happy Valentine's Day!
    -Thank you.
  • 59:26 - 59:28
    Welcome!
    -Thank you!
  • 59:29 - 59:31
    Dear Raj,
    today is Valentine's Day
  • 59:31 - 59:32
    and no other day can
    be better than..
  • 59:32 - 59:33
    ..this for two people in love.
  • 59:34 - 59:36
    We all are purposely leaving
    you both alone..
  • 59:37 - 59:39
    ..so that both of you can
    understand each other better.
  • 59:39 - 59:41
    Wow! That's a great idea, man!
  • 59:41 - 59:44
    Bhaidas Bhai, Chaudhary and Bakhiyani.
  • 59:44 - 59:45
    Raj!
    -Yes! Yes!
  • 59:45 - 59:47
    Where has the bus gone
    leaving us here?
  • 59:47 - 59:48
    What?
    -Bus!
  • 59:49 - 59:51
    Oh yes! That bus! Today is
    Valentine's Day, isn't it? -So?
  • 59:52 - 59:53
    So all the couples are
    busy romancing.
  • 59:53 - 59:55
    Maybe they wish that we two
    should also romance. -What?
  • 59:55 - 59:57
    I don't believe in this.
    You know why?
  • 59:57 - 60:01
    I feel those who do not have time
    they celebrate such days.
  • 60:01 - 60:02
    Valentine's Day and all.
  • 60:04 - 60:06
    I feel everyday is
    a Valentine's Day.
  • 60:06 - 60:07
    Every hour is a Valentine hour.
  • 60:07 - 60:09
    Every minute is a
    Valentine minute.
  • 60:09 - 60:11
    Every second is a
    Valentine second.
  • 60:12 - 60:15
    Can a flirt like you ever talk
    such sweet things about love?
  • 60:16 - 60:18
    Impossible! I don't believe it!
  • 60:33 - 60:35
    "This journey is short."
  • 60:35 - 60:38
    "Our companionship is
    for a short while."
  • 60:40 - 60:42
    "This journey is short."
  • 60:43 - 60:45
    "Our companionship is
    for a short while."
  • 60:45 - 60:50
    "I just smiled and spoke to you."
  • 60:50 - 60:55
    "You thought I fell
    in love with you."
  • 60:55 - 60:57
    "You have crossed your limit."
  • 60:57 - 61:00
    "You have crossed your limit."
  • 61:00 - 61:02
    "You have crossed your limit."
  • 61:02 - 61:04
    "You have crossed your limit."
  • 61:04 - 61:07
    "This journey is short."
  • 61:07 - 61:09
    "Our companionship is
    for a short while."
  • 61:09 - 61:14
    "I just smiled and spoke to you."
  • 61:14 - 61:19
    "You came with a palanquin
    to my house."
  • 61:19 - 61:21
    "You have crossed your limit."
  • 61:22 - 61:24
    "You have crossed your limit."
  • 61:24 - 61:26
    "You have crossed your limit."
  • 61:26 - 61:28
    "You have crossed your limit."
  • 61:48 - 61:52
    "Whether you accept it or
    not but you are guilty."
  • 61:53 - 61:58
    "What else is the meaning
    of teasing a girl?"
  • 62:03 - 62:07
    "Whether you accept it or
    not but you are guilty."
  • 62:07 - 62:12
    "What else is the meaning
    of teasing a girl?"
  • 62:12 - 62:17
    "You are asking for my love as if
    you are asking for charity."
  • 62:17 - 62:19
    "You have crossed your limit."
  • 62:20 - 62:22
    "You have crossed your limit."
  • 62:22 - 62:25
    "You have crossed your limit."
  • 62:25 - 62:27
    "You have crossed your limit."
  • 62:27 - 62:29
    "This journey is short."
  • 62:29 - 62:31
    "Our companionship is
    for a short while."
  • 62:32 - 62:36
    "I just smiled and spoke to you."
  • 63:01 - 63:05
    "My dear, come and be friends
    and forget anger."
  • 63:06 - 63:11
    "We both can fall
    in love one day."
  • 63:15 - 63:20
    "My dear, come and be friends
    and forget anger."
  • 63:20 - 63:24
    "We both can fall
    in love one day."
  • 63:25 - 63:29
    "Such a day or night will
    never ever arise."
  • 63:30 - 63:32
    "You have crossed your limit."
  • 63:33 - 63:35
    "You have crossed your limit."
  • 63:35 - 63:37
    "You have crossed your limit."
  • 63:37 - 63:40
    "You have crossed your limit."
  • 63:50 - 63:51
    Oh yeah!
  • 63:52 - 63:53
    Wow!
  • 63:53 - 63:54
    Wow!
  • 63:55 - 63:58
    Hey, no! No! No! No!
  • 63:58 - 64:01
    (Water splashes)
  • 64:01 - 64:02
    (Sneezing)
  • 64:02 - 64:03
    Look here, Mr. Raju!
  • 64:03 - 64:06
    Just by falling once in the
    lake, this has happened.
  • 64:06 - 64:10
    What will happen if you fall in love?
  • 64:12 - 64:14
    The one who has made
    him suffer like this...
  • 64:14 - 64:17
    will only give her veil
    to wipe his nose.
  • 64:18 - 64:21
    -Dimple and I got married because
    of sneezing. -How? -Yes!
  • 64:21 - 64:23
    One day she carried a book on swimming
  • 64:24 - 64:25
    -to the lake for a swim.
    -Yes.
  • 64:25 - 64:28
    After sometime she went underwater
    but the book kept floating.
  • 64:28 - 64:32
    Mr. Chaudhary, it was good that
    I reached there and saved her.
  • 64:32 - 64:34
    Yes! And exactly like this..just
    like this I kept on sneezing.
  • 64:34 - 64:38
    So she gave me her veil and
    said... what did you say? Tell them!
  • 64:38 - 64:42
    I said that today turn my veil
    into a wedding drape.
  • 64:42 - 64:44
    Oh, my sweet wife.
  • 64:45 - 64:47
    Mr. Raju, you did not
    get a veil but...
  • 64:47 - 64:50
    you definitely got a tissue
    to wipe your nose.
  • 64:53 - 64:56
    Folks! This is a lover's point.
    There is a story related to this.
  • 64:56 - 64:59
    -Come, follow me.
    -Why should we follow you, man.
  • 64:59 - 65:01
    We have better things to do.
    -Raj! Raj!
  • 65:01 - 65:02
    Listen! Where are you going?
  • 65:02 - 65:04
    -Are you going after Anjali?
    -Yes, I am going, so?
  • 65:04 - 65:06
    -Have you gone crazy?
    -What?
  • 65:07 - 65:09
    If you wish to invoke love in a girl...
  • 65:10 - 65:12
    -then first get near to her and
    then create a distance. -What?
  • 65:12 - 65:15
    And then she will automatically
    follow you. Yes.
  • 65:15 - 65:17
    But why? Why?
  • 65:17 - 65:19
    Come on all of you!
    -Come on! Come on, come on.
  • 65:19 - 65:22
    Raj, you should just
    make her go crazy.
  • 65:24 - 65:26
    (Mouth organ playing in the background)
  • 65:26 - 65:28
    I love these snacks.
    -Yes, I know.
  • 65:28 - 65:31
    -Raj!
    -Yes!
  • 65:32 - 65:33
    Everyone is having dinner.
  • 65:34 - 65:36
    Yes! I can see. All of them..
  • 65:36 - 65:38
    are eating. Yes.
  • 65:38 - 65:40
    So then come, even we
    will have our dinner.
  • 65:43 - 65:44
    I am not hungry.
  • 65:47 - 65:48
    I had brought two plates.
  • 65:49 - 65:51
    Yes, there are two plates,
    I can see that.
  • 65:53 - 65:54
    I am not hungry.
  • 65:55 - 65:56
    -You are not hungry?
    -No!
  • 65:57 - 65:58
    Okay!
  • 66:00 - 66:01
    -Raj!
    -Yes!
  • 66:01 - 66:04
    -Come and have your dinner! Come!
    -Come!
  • 66:04 - 66:05
    Oh yes! You know I did not have
    dinner since last night.
  • 66:06 - 66:08
    -I am so hungry.
    -Come and sit. -Oh, my God!
  • 66:09 - 66:11
    You know, my mother prepares
    delicious food.
  • 66:11 - 66:14
    -Really? -Yes! In spite of
    many cartoons in the family.
  • 66:14 - 66:17
    And 'Kheer' she makes...
    you understand Kheer, isn't it?
  • 66:17 - 66:19
    -Yes! Kheer!
    -Kheer! Kheer! (Indian milk sweet).
  • 66:20 - 66:22
    She tries making different
    varieties of sweet...
  • 66:22 - 66:25
    and tries serving all of us.
    She... tries... serving...
  • 66:25 - 66:26
    But I don't eat.
  • 66:27 - 66:28
    -Okay! -You know why?
    -Why?
  • 66:28 - 66:29
    I don't like sweet.
  • 66:31 - 66:33
    -I don't like sweet!
    -He does not like sweet.
  • 66:33 - 66:34
    He does not eat sweet.
  • 66:34 - 66:36
    but he looks at sweets
    and eats salty food.
  • 66:36 - 66:38
    -He does not eat. -I have prepared
    it with my own hands.
  • 66:38 - 66:41
    He would not eat no matter how
    you would have prepared it.
  • 66:41 - 66:43
    -Anybody wants to have this sweet?
    -No! No! -No!
  • 66:43 - 66:44
    No one wants to have it.
  • 66:45 - 66:47
    Actually you... okay, let it be.
  • 66:47 - 66:49
    -Actually you...
    -Raj, you are superb!
  • 66:49 - 66:52
    It will be nice if we get to eat
    sweet after dinner, isn't it?
  • 66:55 - 66:57
    Everything is going fine.
  • 66:57 - 67:00
    Anjali is getting restless.
    Lovely!
  • 67:00 - 67:03
    In a day or two she will definitely
    tell you that she loves you.
  • 67:03 - 67:07
    -Wow! -Anjali, you too have fallen
    in love with Raj, isn't it?
  • 67:08 - 67:09
    No!
  • 67:12 - 67:13
    We know that since many
    days you both..
  • 67:13 - 67:15
    ..are flirting with each other.
  • 67:15 - 67:17
    Such a strange man he is!
    At that time he said..
  • 67:17 - 67:20
    ..that he does not like sweet.
    And now he is relishing it.
  • 67:21 - 67:24
    My child, you can never hide
    love and fragrance.
  • 67:24 - 67:26
    I will tell you by giving
    you an example.
  • 67:26 - 67:29
    On the 15th of July Pappi
    and my romance commenced.
  • 67:29 - 67:31
    On the 16th July the entire
    Bhatinda came to know...
  • 67:31 - 67:34
    that we are getting married
    on the 17th July.
  • 67:34 - 67:36
    Why didn't you eat when
    Anjali gave you?
  • 67:36 - 67:38
    -Because at that time I was
    just pretending. -What?
  • 67:38 - 67:40
    It is something that cannot be
    seen but has great effect.
  • 67:41 - 67:44
    -And I love it.
    -Raj is deeply in love with you.
  • 67:44 - 67:46
    But he is pretending so
    that he can pacify you.
  • 67:46 - 67:50
    -He is fighting.
    -Yes! And our wive's have told us this.
  • 67:50 - 67:52
    -What else?
    -They told us. -Yes!
  • 67:56 - 67:58
    I wish to say something to you.
  • 67:59 - 68:00
    Really?
  • 68:07 - 68:10
    "I wish to say something to you."
  • 68:11 - 68:14
    "Tell me! Tell me!"
  • 68:15 - 68:18
    "I wish to say something to you."
  • 68:19 - 68:22
    "Tell me! Tell me!"
  • 68:22 - 68:26
    "But my heart tells me
    to be quiet now."
  • 68:26 - 68:30
    "Tell me! Tell me!"
  • 68:30 - 68:37
    "Now if we are silent our
    eyes will speak up."
  • 68:38 - 68:41
    "I wish to say something to you."
  • 68:42 - 68:45
    "Tell me! Tell me!"
  • 68:45 - 68:49
    "But my heart tells me
    to be quiet now."
  • 68:49 - 68:53
    "Tell me! Tell me!"
  • 69:13 - 69:16
    "I said!
    I heard."
  • 69:16 - 69:20
    "But I never said anything."
  • 69:20 - 69:24
    "Then even I have not
    heard anything."
  • 69:24 - 69:27
    "I said!
    I heard."
  • 69:27 - 69:31
    "But I never said anything."
  • 69:31 - 69:35
    "Then even I have not
    heard anything."
  • 69:36 - 69:39
    "Now what is left to
    be said and heard?"
  • 69:39 - 69:43
    "You said what I wanted to say."
  • 69:43 - 69:50
    "I will feel satiated if you keep
    your hand on my heart."
  • 69:50 - 69:51
    "No"
  • 69:51 - 69:54
    "I wish to say something to you."
  • 69:55 - 69:58
    "Tell me! Tell me!"
  • 69:58 - 70:02
    "But my heart tells me
    to be quiet now."
  • 70:02 - 70:06
    "Tell me! Tell me!"
  • 70:25 - 70:29
    "There is mischief in the eyes
    and whine on my lips." -"Yes!"
  • 70:29 - 70:33
    "I am restless and craving."
    -"Yes!"
  • 70:33 - 70:35
    "Do I have the permission to
    say something?" -"Yes!"
  • 70:35 - 70:37
    "You love me.
    -Yes!"
  • 70:37 - 70:41
    "Yes and no!"
  • 70:41 - 70:43
    "Look here I will think
    once again."
  • 70:43 - 70:45
    "I will think and then tell you."
  • 70:45 - 70:48
    "Only then I will spill
    out this secret."
  • 70:48 - 70:55
    "You feel like saying
    yes as well as no."
  • 71:00 - 71:03
    "Tell me! Tell me!"
  • 71:08 - 71:12
    "Tell me! Tell me!"
  • 71:36 - 71:39
    (Water splashes)
  • 71:42 - 71:45
    Wow! You look very beautiful!
  • 71:45 - 71:48
    By wearing this dress you have
    proved that you too love me.
  • 71:48 - 71:51
    -Now come on, give me a kiss.
    -Kiss? -Yes, kiss. -No! -Please.
  • 71:51 - 71:53
    -Catch me if you can!
    -Hey you!
  • 71:56 - 71:57
    Okay!
  • 72:08 - 72:09
    Yes!
  • 72:12 - 72:14
    Okay fine, do not be pompous.
  • 72:14 - 72:17
    If you show tantrums, I
    will never kiss you.
  • 72:18 - 72:22
    I am serious!
    I will never kiss you in my life.
  • 72:23 - 72:25
    I will not even kiss
    you after marriage.
  • 72:28 - 72:29
    Not even now?
  • 72:29 - 72:30
    Hey!
  • 72:51 - 72:54
    -Hi, darling!
    -Okay, Bob, this is your stuff.
  • 72:55 - 72:57
    -It is so good to see you.
    -Yes, baby.
  • 73:04 - 73:06
    Oh, so how are you?
  • 73:19 - 73:21
    (Whistling)
  • 73:34 - 73:36
    Hurry up!
    We are going to be late.
  • 73:38 - 73:40
    Raj, you are great!
  • 73:42 - 73:44
    What is she doing?
    What is she up to?
  • 73:44 - 73:48
    Wait, Raj is behind you.
  • 73:48 - 73:50
    Yeah. All right.
  • 73:53 - 73:54
    It is upside down.
  • 73:55 - 73:59
    The first one is with her and the
    third one is also with her.
  • 74:00 - 74:02
    Where is the second one?
  • 74:02 - 74:03
    Okay!
  • 74:04 - 74:06
    But, with how many
    men she will marry?
  • 74:06 - 74:07
    (Phone ringing)
  • 74:07 - 74:09
    -Your phone, baby.
    -Who's that? Who's that?
  • 74:09 - 74:12
    Looks like she will divorce
    Sanjay and marry someone else.
  • 74:13 - 74:16
    Yes! What? Okay, don't worry.
  • 74:16 - 74:17
    -Where are we going, baby?
    -Come on guys.
  • 74:27 - 74:28
    Hey!
  • 74:28 - 74:30
    Raj, you are great!
  • 74:30 - 74:34
    -This is my car.
    -So, have it. Have it, baby.
  • 74:34 - 74:36
    -Your tour has ended?
    You are going away? -Yes.
  • 74:37 - 74:39
    -Oh, good!
    -We will miss you a lot.
  • 74:39 - 74:42
    -Yes, too much.
    -Enough now.
  • 74:42 - 74:43
    Just to make sure you miss me more...
  • 74:43 - 74:45
    I have got a gift for both of you.
  • 74:45 - 74:49
    -Lovely!
    -Oh, gift for me! Thanks.
  • 74:49 - 74:50
    -Very nice.
    -Thank you!
  • 74:50 - 74:53
    -Okay, bye! -Bye-bye!
    -She is so sweet, isn't it? -Bye!
  • 74:54 - 74:56
    Yes, very nice. Now come on.
    Come on in.
  • 74:56 - 74:58
    -Where are you going?
    -I am going home.
  • 74:58 - 74:59
    But the tour is not yet over.
  • 75:00 - 75:04
    Your tour will end if you
    talk too much with her.
  • 75:04 - 75:07
    -Yes, you go. -I have come
    to give you these gifts.
  • 75:07 - 75:10
    -Thank you, okay, now go.
    -Okay, bye-bye.
  • 75:10 - 75:11
    Bye!
  • 75:11 - 75:12
    Excuse me!
  • 75:14 - 75:16
    -You are an Indian?
    -Yes.
  • 75:16 - 75:18
    Can I check your baggage?
  • 75:25 - 75:26
    Okay, you can go.
  • 75:29 - 75:31
    -Hello, is there an Indian group?
    -Yes.
  • 75:32 - 75:33
    Can I check their rooms, please?
  • 75:34 - 75:37
    -Yes. -I have a warrant
    to check your room.
  • 75:37 - 75:40
    What? Excuse me, you can't just
    get into my room like this.
  • 75:40 - 75:43
    -One more packet?
    -But, that's a gift.
  • 75:45 - 75:47
    -These are drugs, Madam.
    -What? Drugs?
  • 75:48 - 75:51
    Inspector, we are innocent.
    Please, forgive us.
  • 75:51 - 75:54
    Look, the girl who was
    traveling with us in the bus...
  • 75:54 - 75:56
    -she gave us these gifts.
    -Yes.
  • 75:56 - 75:59
    What did we know that this
    heroine will give us heroin?
  • 75:59 - 76:01
    -We have never done anything
    wrong till date. -Yes!
  • 76:01 - 76:03
    -He does not even know Hindi!
    -Relax! Relax!
  • 76:03 - 76:07
    Sir, we all are innocent, that lady has
    given us all this. Believe us, Sir.
  • 76:07 - 76:09
    -This is not ours.
    -Where is your passport?
  • 76:10 - 76:11
    What did you do?
  • 76:11 - 76:13
    -Where were you, Raj?
    -What did we do?
  • 76:13 - 76:14
    -What did all of you do?
    -What did we do?
  • 76:14 - 76:17
    -That girl gave us drugs in
    the name of a gift. -Who?
  • 76:17 - 76:20
    And that policeman says that,
    none of us will be saved.
  • 76:20 - 76:22
    -That sister in mini skirt.
    -Who, that one?
  • 76:22 - 76:24
    -She gave us this gift.
    -She is a drug dealer?
  • 76:24 - 76:26
    Oh, my friend, Sanjay, is ruined.
  • 76:26 - 76:28
    I will have to make
    one more call.
  • 76:28 - 76:31
    Excuse me!
    Excuse me! Oh, my friend is gone.
  • 76:31 - 76:34
    Excuse me. Excuse me. All these
    people are innocent.
  • 76:34 - 76:36
    I will just make a call to my
    country and will be back...
  • 76:36 - 76:37
    in one minute.
    Please give me one minute.
  • 76:37 - 76:38
    Please give me one minute, sir.
  • 76:38 - 76:40
    -Excuse me. Excuse me.
    Excuse me. -Yes!
  • 76:40 - 76:43
    -Can I make a call please?
    -Yes, please. -Thank you very much.
  • 76:43 - 76:45
    -Yes, okay, bye-bye.
    -See you later.
  • 76:45 - 76:47
    -Hello, yes, Raj!
    -Yes, hello, Sanjay.
  • 76:47 - 76:50
    -Yes, you can commit suicide.
    -What are you talking?
  • 76:50 - 76:52
    Your wife turned out to
    be a drug smuggler.
  • 76:53 - 76:54
    Why has she started
    doing smuggling?
  • 76:54 - 76:56
    You are my friend,
    she is your wife.
  • 76:56 - 76:58
    -Though knowing this, I am
    going to get her arrested. -No
  • 76:58 - 77:00
    No, no!
    Raj, you please don't so this.
  • 77:00 - 77:02
    Because you know she is trying
    to trap innocent people...
  • 77:02 - 77:04
    in her crime and I will
    never let that happen.
  • 77:04 - 77:06
    Raj! Raj, please listen to me.
  • 77:06 - 77:08
    -Raj!
    -Okay!
  • 77:08 - 77:10
    -Raj!
    -What happened today?
  • 77:14 - 77:20
    -Carrey, I am ruined!
    -Why?
  • 77:21 - 77:25
    My wife turned out to
    be a drug smuggler.
  • 77:26 - 77:28
    Smuggler!
  • 77:29 - 77:31
    You never used to give
    her pocket money?
  • 77:31 - 77:33
    (Siren wailing)
  • 77:36 - 77:38
    Sir, follow me, follow me, sir.
  • 77:41 - 77:44
    -Police! Nobody will move.
    -Hold it. -Nobody will move, man.
  • 77:44 - 77:46
    -Passport.
    -Give the passport.
  • 77:47 - 77:50
    Give it to me. Give, give,
    give the passport to me.
  • 77:51 - 77:52
    Yes.
  • 77:53 - 77:55
    You are doing this under the
    pretext of touring Europe?
  • 77:56 - 77:57
    One woman and three men?
  • 77:58 - 78:00
    Sister-in-law, your character
    should be published...
  • 78:00 - 78:02
    in the Guinness Book
    of World Record.
  • 78:03 - 78:07
    Sister-in-law? Who, sister-in-law?
    I am still unmarried.
  • 78:09 - 78:11
    Big bullshit!
    She is a big liar, take her away.
  • 78:12 - 78:14
    You are under arrest, miss Mona.
  • 78:15 - 78:17
    -No, she is not Mona.
    -Yes, she is. -She is Anjali.
  • 78:17 - 78:20
    She is Mona,
    darling of drug smugglers.
  • 78:20 - 78:22
    -Can I see her passport, please?
    -See here.
  • 78:27 - 78:29
    If she is Mona then...
  • 78:30 - 78:32
    Who is the real Anjali?
  • 78:32 - 78:36
    Sister Pappi, you must always
    give a gift but not take it.
  • 78:36 - 78:38
    Oh God! Please save us this time.
  • 78:38 - 78:40
    Henceforth, we will never take
    any gift from a girl.
  • 78:52 - 78:54
    (Foreign language)
  • 78:56 - 79:00
    Well, Mr. And Mrs. Bhaidas Patel.
  • 79:00 - 79:02
    -This is your passport!
    -Oh, thank God.
  • 79:02 - 79:04
    And your passport too.
  • 79:04 - 79:06
    -Please go!
    -Thank you.
  • 79:06 - 79:09
    Mr. And Mrs. Prakash Chaudhary.
  • 79:10 - 79:11
    -Your passport.
    -Pappi!
  • 79:11 - 79:14
    -Why have you worn your glasses?
    -Move away from here. Quickly.
  • 79:14 - 79:17
    Mr. And Mrs. Bakhiyani.
  • 79:17 - 79:21
    -And who is Anjali Khanna?
    Your passport. -Thanks.
  • 79:41 - 79:43
    Pappi, why is Raj looking so sad?
  • 79:43 - 79:47
    That is fine. But I do not
    understand why is he sitting behind?
  • 79:53 - 79:54
    Who is doing this?
  • 79:56 - 79:58
    I do not like any girl playing
    mischief with me like this. Okay?
  • 79:58 - 80:00
    -Why are you telling us?
    -I am not telling you, okay?
  • 80:07 - 80:08
    Hi!
  • 80:10 - 80:12
    You forgot your mouth
    organ in the bus.
  • 80:14 - 80:16
    You seem to be busy,
    are you going somewhere?
  • 80:16 - 80:17
    Yes, I am going to hell.
  • 80:18 - 80:20
    -Shall I accompany you?
    -Do you have the Visa?
  • 80:20 - 80:23
    You just take me along with you,
    I will get the Visa as well.
  • 80:23 - 80:24
    Very funny!
  • 80:25 - 80:27
    Are you angry?
    Did I make any mistake?
  • 80:27 - 80:29
    No, you can never
    make any mistake.
  • 80:29 - 80:31
    I made a mistake, I am sorry.
  • 80:31 - 80:33
    No! I am sorry.
  • 80:35 - 80:37
    Raj, are you really
    going somewhere?
  • 80:39 - 80:41
    Nowhere! I am going home.
  • 80:42 - 80:44
    And now cool, relax.
  • 80:46 - 80:48
    Don't try all these tricks on me,
    come on, leave me.
  • 80:51 - 80:52
    -Leave!
    -Why?
  • 80:52 - 80:54
    Leave it, I say.
  • 80:55 - 80:56
    Leave it!
  • 80:57 - 81:00
    Cool! Relax, okay!
  • 81:00 - 81:03
    Yeah, yeah, relax!
    Just relax, yeah.
  • 81:35 - 81:41
    "This girl is after you,
    where are you going my beloved?"
  • 81:42 - 81:48
    "My beloved, why are you angry
    and where are you going?"
  • 81:49 - 81:50
    "I made a mistake, okay."
  • 81:50 - 81:52
    "Forgive me, okay."
  • 81:52 - 81:54
    "Oh my beloved,
    I will not allow you to go."
  • 81:54 - 82:01
    "This girl is after you,
    where are you going my beloved?"
  • 82:01 - 82:08
    "My beloved, why are you angry
    and where are you going?"
  • 82:23 - 82:24
    By the way what is your problem?
  • 82:24 - 82:26
    By the way what have
    you to do with that?
  • 82:26 - 82:29
    By the way we have to make
    promises and fulfill them.
  • 82:29 - 82:30
    We have to live and die together.
  • 82:30 - 82:33
    -You do what you wish to do,
    don't bother me. -Really?
  • 82:34 - 82:37
    Come on, go ahead, go ahead.
    Go! Go!
  • 82:40 - 82:47
    "My silken tresses and my
    mesmerizing eyes are calling you."
  • 82:47 - 82:54
    "Oh my beloved I am your life
    partner, please come with me."
  • 82:54 - 82:57
    "Catch my hand and understand
    my gesture."
  • 82:57 - 83:01
    "No one is dear to me
    as much as you."
  • 83:01 - 83:03
    "Do not go away making
    me restless."
  • 83:03 - 83:04
    "Please do not go away, return."
  • 83:04 - 83:07
    "Your dream girl stops you.."
  • 83:10 - 83:13
    "Oh,
    my beloved, where are you going?"
  • 83:13 - 83:20
    "This girl is after you,
    where are you going my beloved?"
  • 83:20 - 83:22
    Oh, hell!
  • 83:25 - 83:26
    Second one?
  • 83:36 - 83:37
    Hello, Sanjay your wife...
  • 83:45 - 83:52
    "This is the season of merriment,
    you enjoy it."
  • 83:52 - 83:59
    "Youth is like monsoon it
    odes not last long."
  • 83:59 - 84:02
    "You have my oath do not
    torment me more."
  • 84:02 - 84:06
    "It should not happen
    that I feel grief."
  • 84:06 - 84:07
    "Your youth.."
    -Okay.
  • 84:08 - 84:09
    "I am crazy after you."
    -Okay!
  • 84:09 - 84:12
    "My beloved you too
    become crazy"
  • 84:15 - 84:18
    "Oh,
    my beloved, where are you going?"
  • 84:18 - 84:25
    "My beloved, why are you angry
    and where are you going?"
  • 84:25 - 84:27
    "I made a mistake, okay."
  • 84:27 - 84:29
    "Forgive me, okay."
  • 84:29 - 84:31
    "Oh my beloved,
    I will not allow you to go."
  • 84:34 - 84:37
    "Oh,
    my beloved, where are you going?"
  • 84:37 - 84:44
    "This girl is after you,
    where are you going my beloved?"
  • 84:47 - 84:48
    What are you saying?
    You are returning?
  • 84:49 - 84:50
    Yes. This is too much now.
  • 84:50 - 84:52
    I do not want to be a
    detective anymore.
  • 84:53 - 84:54
    I am thinking that I will
    return to India..
  • 84:54 - 84:55
    get married and
    lead a good life.
  • 84:55 - 84:57
    What? You wish to get married?
  • 84:59 - 85:01
    Hello! Definitely meet
    me after marriage.
  • 85:01 - 85:03
    Because in this you need
    a divorce very soon.
  • 85:03 - 85:05
    -Do remember me.
    -I will definitely remember you.
  • 85:06 - 85:08
    As soon as I return to Mumbai
    you just meet me once...
  • 85:08 - 85:11
    -that's all. -After that
    everyone will remember you.
  • 85:11 - 85:13
    Brother,
    you seem to be very disappointed.
  • 85:13 - 85:15
    What is it? If there is anything
    please tell me.
  • 85:15 - 85:17
    -I will not tell my neighbour.
    -What shall I tell you?
  • 85:18 - 85:19
    The one I was following thinking
    her to be Sanjay's wife...
  • 85:19 - 85:20
    she turned out to be someone else.
  • 85:21 - 85:22
    And the one whom I fell in love
    with thinking her to be...
  • 85:22 - 85:25
    someone else, she turned
    out to be Sanjay's wife.
  • 85:26 - 85:28
    What did you tell him,
    he became unconscious.
  • 85:28 - 85:30
    Even if he regains consciousness,
    he will never tell you.
  • 85:30 - 85:32
    You just listen to this, I am
    returning to India, that's all.
  • 85:32 - 85:35
    Look, if you return
    without any evidence...
  • 85:35 - 85:37
    then, the sleeping pills I have here...
  • 85:37 - 85:38
    I will dissolve all
    the pills..
  • 85:38 - 85:41
    in my tea and drink
    it up and I will die.
  • 85:41 - 85:43
    Sanjay, please do not so such a thing.
  • 85:43 - 85:46
    Okay, listen.
    I will gather evidence for you.
  • 85:46 - 85:48
    I got it! I got it! I got it!
  • 85:49 - 85:51
    Oh, my God! I dashed into this.
  • 85:52 - 85:53
    What happened?
  • 85:53 - 85:56
    I found evidence against your
    husband, just see this.
  • 85:56 - 85:58
    But, this is my photo.
  • 85:58 - 86:01
    -From her side face she looks like
    a witch. -Uncle, Carrey!
  • 86:01 - 86:03
    -See, she looks like a specter.
    -Uncle Carrey!
  • 86:03 - 86:06
    -That wretched woman.
    -Uncle Carrey!
  • 86:06 - 86:09
    -I feel like strangulating her.
    -Uncle, Carrey!
  • 86:09 - 86:12
    -Yes!
    -This is my photograph.
  • 86:12 - 86:15
    -Mr. Bhaidas, Mr. Chaudhary, comer here.
    -What happened?
  • 86:15 - 86:17
    -Mr. Pal, what is it?
    -See this.
  • 86:17 - 86:19
    -This! This is a massage parlour.
    -Yes, tickling.
  • 86:19 - 86:22
    Mr. Bhaidas after reading this board
    I feel as if six to seven...
  • 86:22 - 86:25
    ..ladies are giving me a massage
    and I am enjoying it.
  • 86:25 - 86:28
    Brother, under the pretext
    of going for a stroll...
  • 86:28 - 86:30
    I came here for an
    English massage.
  • 86:30 - 86:33
    Even I came for the same.
  • 86:33 - 86:36
    -You can ask sister-in-law
    about my character. -Yes!
  • 86:36 - 86:37
    So, shall we go in?
  • 86:37 - 86:39
    -But what if our wives
    come to know? -Yes!
  • 86:39 - 86:43
    Brother, the moment we go in, our
    life will change in such a way...
  • 86:43 - 86:45
    that both of you will
    forget your wives.
  • 86:45 - 86:47
    It is my responsibility if
    something wrong happens. Come on.
  • 86:47 - 86:50
    -Come on!
    -Yes, come on, come on.
  • 86:50 - 86:54
    Wow! Massage parlour! All
    the three have gone in.
  • 86:54 - 86:58
    Her hands are so smooth.
  • 86:58 - 87:01
    They are so smooth that,
    I am enjoying it.
  • 87:03 - 87:04
    -Mr. Bhaidas!
    -Yes!
  • 87:04 - 87:08
    Are you in a mood to listen if
    I want to praise my wife?
  • 87:08 - 87:10
    Definitely! Sure!
  • 87:10 - 87:12
    Have you ever seen a female
    elephant in the forest?
  • 87:13 - 87:14
    I have not seen.
  • 87:14 - 87:16
    -Then, you come to my house.
    -Yes!
  • 87:16 - 87:19
    See my wife. She looks exactly
    like a female elephant.
  • 87:21 - 87:23
    -Shall I praise my wife?
    -Yes! Sure.
  • 87:23 - 87:26
    Have you ever seen a ghost?
    A white ghost?
  • 87:27 - 87:28
    No, I never had an opportunity
    to see one.
  • 87:28 - 87:31
    If my wife leaves her
    hair loose then...
  • 87:31 - 87:33
    she looks like a white ghost.
  • 87:34 - 87:35
    Mr. Bhaidas...
  • 87:35 - 87:37
    please do not talk like this
    about my sister-in-law.
  • 87:37 - 87:40
    Mr. Chaudhary, I told
    you she is crazy...
  • 87:40 - 87:42
    you do not try and
    flirt with her.
  • 87:42 - 87:45
    Mr. Bhaidas,
    I feel like singing a song.
  • 87:45 - 87:47
    -Mr. Chaudhary...
    -"If a flame is ignited."
  • 87:47 - 87:49
    After coming to this foreign
    country it seems like...
  • 87:49 - 87:51
    we got married at
    a very early age.
  • 87:51 - 87:52
    -"Then the rain will extinguish it."
    -Why did you stop it?
  • 87:52 - 87:54
    Do it, why did you stop the massage?
    Come on, do it.
  • 87:55 - 87:56
    Yeah. Yeah. Yeah.
  • 88:08 - 88:11
    You did the right thing!
    They should be beaten up like this.
  • 88:11 - 88:13
    Next time they will not trouble
    an innocent person like me.
  • 88:14 - 88:17
    Yes! Yes! But your wife
    will not come here.
  • 88:17 - 88:20
    She has gone for shopping, but
    don't worry we have told her...
  • 88:20 - 88:23
    that your husband too has gone
    to a massage parlour.
  • 88:24 - 88:28
    -Then? -Then she said... first you
    go and beat up your husbands.
  • 88:28 - 88:31
    But after that do not give my
    husband a chance to complain.
  • 88:31 - 88:32
    What do you mean?
  • 88:32 - 88:33
    Meaning...
  • 88:39 - 88:41
    Raj, you are going here?
  • 88:43 - 88:44
    So?
  • 88:44 - 88:46
    Don't you know it is
    a striptease joint?
  • 88:47 - 88:48
    I know. So?
  • 88:48 - 88:51
    No, how can you go to
    some place like this?
  • 88:52 - 88:54
    I can go.
  • 88:54 - 88:56
    Okay! Even I am coming.
  • 88:57 - 88:58
    You?
  • 88:59 - 89:02
    Madam, you can go anywhere.
  • 89:04 - 89:06
    (Dance music)
  • 89:12 - 89:14
    Raj, come on, we will go
    from here, let's go.
  • 89:14 - 89:16
    Yes! You are too good baby!
  • 89:21 - 89:24
    -Yes, sir!
    -One beer, please.
  • 89:25 - 89:26
    What about you, ma'am?
  • 89:27 - 89:29
    -One Tequila!
    -Okay, fine.
  • 89:34 - 89:36
    Yes, yes, you can drink anything.
  • 89:46 - 89:48
    -Yes, sir!
    -One more beer, please.
  • 89:48 - 89:50
    -Two Tequilas!
    -Okay, ma'am.
  • 91:26 - 91:27
    Come on, baby, let's have fun.
  • 91:27 - 91:29
    Wow! Great!
  • 91:34 - 91:35
    Wow! Great!
  • 91:38 - 91:40
    (Dance music stops)
  • 91:45 - 91:47
    I am sorry!
  • 91:47 - 91:49
    -No!
    -I am really sorry!
  • 91:49 - 91:53
    First you will have to
    admit that, you love me.
  • 91:53 - 91:55
    No, I don't!
  • 92:12 - 92:14
    Come inside.
  • 92:14 - 92:17
    Come on, baby, come on.
  • 93:17 - 93:19
    You love me, no?
  • 93:20 - 93:23
    -No!
    -No! You are lying.
  • 93:23 - 93:26
    -I know you love me.
    -No, I don't.
  • 93:27 - 93:28
    -You do love me!
    -No.
  • 93:28 - 93:30
    No, I don't. I don't!
  • 93:31 - 93:33
    -No, you love me.
    -No.
  • 93:33 - 93:35
    -Yes, you love me.
    -No, I don't. -Yes.
  • 93:35 - 93:39
    -Yes, you love me. -No! I hate you.
    I hate you! I hate you!
  • 93:42 - 93:43
    I hate you!
  • 93:44 - 93:47
    I am fine but the business
    is going into a loss.
  • 93:47 - 93:49
    What? What is this?
    Can't you see? What is this?
  • 93:49 - 93:52
    Can't you walk without
    pushing someone?
  • 93:52 - 93:54
    Did you not go to any class
    to learn how to walk?
  • 93:54 - 93:57
    Glass?
    Are you crazy? Am I a drunkard?
  • 93:57 - 94:00
    I will take the glass in hand
    only when I attend a party.
  • 94:00 - 94:02
    If I attend a party, will
    you come with me?
  • 94:02 - 94:04
    -Will you accompany me?
    -Who is this one? Who is he?
  • 94:04 - 94:07
    I am not John. I am Mulchand Chelaramani.
    How about you?
  • 94:07 - 94:09
    Whoever you may be
    I will slap you.
  • 94:09 - 94:11
    -Is there any problem with your ears?
    -What did you say?
  • 94:11 - 94:13
    Where do I have a problem?
    What did you say?
  • 94:13 - 94:15
    -Where do I have a problem?
    -In the ears! Ears!
  • 94:15 - 94:18
    You said ears?
    Sorry, I am a little deaf.
  • 94:18 - 94:20
    See, I have put the machine.
    Please, forgive me.
  • 94:20 - 94:22
    Please forgive me.
  • 94:22 - 94:24
    Anjali, see who is this man
    who is harassing me?
  • 94:24 - 94:27
    Sister-in-law, Anjali!
  • 94:27 - 94:29
    How come you are here?
    You were supposed to go to Europe?
  • 94:29 - 94:31
    -How come you are here?
    -One minute. One minute.
  • 94:31 - 94:34
    Please, do not tell my husband
    that, I am still here. Please.
  • 94:34 - 94:36
    How will I tell him? I can tell
    him only if he is here.
  • 94:36 - 94:38
    He has gone to Europe.
    I booked the ticket for him.
  • 94:38 - 94:40
    -What? -In the name of Raj Malhotra.
    -Raj Malhotra!
  • 94:40 - 94:42
    -What?
    -Hello.
  • 94:42 - 94:44
    -Uncle.
    -How did this happen?
  • 94:44 - 94:46
    Did you see?
  • 94:46 - 94:48
    -Stupid! Uncle!
    -Yes.
  • 94:48 - 94:50
    I told you this man is a scoundrel.
    I had told you, isn't it?
  • 94:50 - 94:52
    Has he gone there to
    keep an eye on you?
  • 94:53 - 94:55
    Even if he is doing that, he
    should have returned by now.
  • 94:55 - 94:56
    I am here.
  • 94:56 - 94:59
    How will he return? He is after
    all a flamboyant person.
  • 94:59 - 95:01
    English girls, liquor and freedom.
  • 95:01 - 95:03
    Can anyone stop themselves
    from enjoying it?
  • 95:03 - 95:06
    Uncle, this is a very good thing.
    Ask me why?
  • 95:06 - 95:09
    How? -Anjali is there.
    I will call her up just now.
  • 95:09 - 95:12
    She will bring evidence
    for us from there.
  • 95:12 - 95:13
    Anjali, I am Anjali speaking.
  • 95:14 - 95:16
    Where were you?
    I called up so many times?
  • 95:16 - 95:17
    Yes, Anjali.
  • 95:17 - 95:21
    Okay, tell me, is there any person in
    your tour by the name of Raj Malhotra?
  • 95:21 - 95:23
    Raj Malhotra?
  • 95:24 - 95:25
    Yes! He is traveling with me.
  • 95:25 - 95:27
    He is my husband, Sanjay.
  • 95:29 - 95:31
    What! -Yes.
    And just now I came to know..
  • 95:31 - 95:32
    ..that he is traveling
    by changing his name.
  • 95:33 - 95:38
    Hello, Anjali!
    Anjali! Anjali, are you there?
  • 95:38 - 95:40
    Hello, Anju!
  • 95:41 - 95:43
    (Telephone rings)
  • 95:44 - 95:46
    (Telephone rings)
  • 95:48 - 95:49
    (Telephone rings)
  • 95:51 - 95:53
    Hello!
    -Hello, Anjali!
  • 95:53 - 95:55
    What happened to you suddenly?
  • 95:55 - 95:57
    I felt dizzy listening to you.
  • 95:58 - 95:59
    You felt dizzy? Why?
  • 96:00 - 96:05
    The thing is I have fallen in love
    with your husband.
  • 96:05 - 96:07
    What are you saying?
  • 96:07 - 96:10
    I knew this rogue was
    up to something.
  • 96:10 - 96:15
    But how are you so sure that
    he is your husband?
  • 96:15 - 96:17
    Today, my travel agent told me
    that he had booked a ticket..
  • 96:17 - 96:19
    ..in the name of Raj Malhotra.
  • 96:19 - 96:20
    What are you saying?
  • 96:21 - 96:22
    I will not spare this person now.
  • 96:23 - 96:25
    I will go to him immediately
    and ask him that..
  • 96:25 - 96:28
    ..why did he do this to me when
    he was already married.
  • 96:28 - 96:32
    Hold on, don't do something
    like this now. -Why? Why?
  • 96:32 - 96:35
    If you discuss all this with him
    then he will become alert.
  • 96:35 - 96:37
    I want you to continue
    with this charade.
  • 96:37 - 96:41
    So that later I will present you in
    the court against him as a witness.
  • 96:41 - 96:44
    Hey you, what are you saying?
    I..can't do all that.
  • 96:44 - 96:47
    Anjali, I know that this is
    very difficult for you.
  • 96:47 - 96:49
    It is very difficult for me also, friend.
  • 96:50 - 96:52
    Don't you wish that we both
    should teach him a lesson?
  • 96:53 - 96:56
    I am at the casino. She is
    coming here now to meet me.
  • 96:56 - 96:59
    I know that she is crazily
    in love with you.
  • 96:59 - 97:00
    She will do as you
    tell her to do.
  • 97:00 - 97:02
    You do one thing, today night you
    call her alone in your room.
  • 97:03 - 97:04
    Are you mad?
  • 97:04 - 97:05
    I want to see how
    far can she get..
  • 97:05 - 97:06
    ..involved with you
    in this matter.
  • 97:06 - 97:09
    What do you wish? How can I do
    this with my friend's wife?
  • 97:09 - 97:11
    Have you gone crazy?
    My life is in a mess, man.
  • 97:11 - 97:13
    This is the only opportunity
    to expose her.
  • 97:13 - 97:15
    Tonight, if she comes
    alone in your room..
  • 97:15 - 97:18
    ..then you just see, hundred
    percent I will divorce her.
  • 97:18 - 97:21
    Do not let go of this opportunity.
    -Okay, I will do this.
  • 97:21 - 97:23
    What if he takes undue advantage
    of this situation? -Carrey!
  • 97:23 - 97:25
    Sir, the problem is your
    wife too is always..
  • 97:25 - 97:26
    ..in search of such opportunities.
  • 97:27 - 97:28
    Shut up!
    -Okay!
  • 97:28 - 97:31
    He is waiting for me in the
    hotel casino. -Okay?
  • 97:31 - 97:34
    I am going there. -Now he will
    do anything to acquire you.
  • 97:34 - 97:37
    You do one thing, you call him
    alone in your room. -Anjali!
  • 97:37 - 97:39
    And if he misbehaves
    with you in your..
  • 97:40 - 97:42
    ..room, then I will divorce him.
  • 97:42 - 97:45
    Anjali, please do this for me.
    Bye.
  • 97:45 - 97:47
    Raj!
  • 97:49 - 97:50
    Why did you call me here?
  • 97:51 - 97:57
    Well,
    to tell you that..I love you.
  • 97:58 - 98:02
    I am very happy!
    -Oh, Anjali, I too am very happy.
  • 98:02 - 98:06
    Wow! Come, let's play a game.
  • 98:06 - 98:10
    Come on. Till today we have
    always been testing each other..
  • 98:10 - 98:12
    ..but today,
    let us test our own self.
  • 98:16 - 98:18
    When will this game end?
  • 98:19 - 98:22
    Even I was thinking how long
    will this game go on?
  • 98:23 - 98:24
    I am quite bored with this game.
  • 98:25 - 98:27
    Let's stop it,
    man, let's stop playing.
  • 98:28 - 98:32
    Anyways, you should never mess with
    a machine you don't know about.
  • 98:32 - 98:33
    Often, a person loses.
  • 98:34 - 98:35
    Right.
  • 98:36 - 98:38
    Come, we will go somewhere.
  • 98:39 - 98:40
    Where?
    -Wherever you say.
  • 98:40 - 98:42
    In my room?
    -No!
  • 98:43 - 98:46
    In my room. I will wait for you.
  • 98:49 - 98:52
    Oh! The door is also kept open.
  • 98:57 - 99:00
    Hi!
    -She is smarter than the first one.
  • 99:01 - 99:03
    What is the matter? You are all
    dressed up and lying down?
  • 99:04 - 99:06
    Yes, today you also seem
    to be in a great mood.
  • 99:06 - 99:09
    Of course, I am in a great mood.
    Because since many days..
  • 99:09 - 99:11
    ..I was waiting to vent
    out my feelings.
  • 99:11 - 99:16
    Mr. Raj Malhotra, I too was
    impatiently waiting for this day.
  • 99:16 - 99:18
    When I will be able to satiate
    the fire within me.
  • 99:19 - 99:21
    That means the fire is
    smouldering within you as well.
  • 99:21 - 99:24
    And you are craving to surrender
    your body to me.
  • 99:24 - 99:26
    But please forgive me,
    madam Anjali,
  • 99:26 - 99:28
    I will never do any such thing
    that you wish me to do.
  • 99:28 - 99:30
    That is because I have a class,
    a status and I do not..
  • 99:30 - 99:31
    ..entertain third grade
    girls like you.
  • 99:31 - 99:33
    What do you mean?
    -Don't shout!
  • 99:33 - 99:36
    I know very well that
    you are a fraud..
  • 99:36 - 99:37
    ..flirt and a third grade girl.
  • 99:37 - 99:40
    Hey you! Mind you language.
    Before accusing me of such..
  • 99:40 - 99:42
    ..filthy things first try and
    see your face in the mirror.
  • 99:42 - 99:44
    What is wrong with my face?
    -You are a loafer, scoundrel, rogue.
  • 99:44 - 99:47
    You are a flirt who traps innocent girls.
  • 99:47 - 99:50
    I will say that you are
    a stigma on men.
  • 99:50 - 99:52
    Not only a stigma but
    worse than that!
  • 99:52 - 99:56
    Okay! All right!
  • 99:56 - 100:00
    You are angry because I did
    not do what you wished?
  • 100:00 - 100:02
    Cool down! Relax!
  • 100:03 - 100:04
    When I did not get trapped
    in your plan,
  • 100:04 - 100:06
    When I did not heed
    to your wishes..
  • 100:06 - 100:07
    ..you are trying to pretend
    like a virtuous lady?
  • 100:07 - 100:10
    Oh! So I am trying to pretend
    like a virtuous lady?
  • 100:10 - 100:13
    You are married yourself and
    you try to flirt with other girls.
  • 100:13 - 100:15
    Oh, hello, who told you
    that I am married?
  • 100:15 - 100:17
    Oh! Your own wife.
  • 100:17 - 100:20
    From where has my wife turned up?
    -Many years ago.
  • 100:20 - 100:20
    Shut up!
  • 100:21 - 100:23
    Just because you are married, you
    are talking nonsense about me.
  • 100:23 - 100:26
    I am married?
    Wow! Now I am married?
  • 100:26 - 100:29
    By the way who, told you
    that I am married?
  • 100:29 - 100:32
    Your husband.
    -Oh! Now I also have a husband.
  • 100:32 - 100:35
    Fabulous! -This is nothing new.
    -What a big fraud you are!
  • 100:35 - 100:38
    You are a liar!
    -Baby, don't try to make me a fool.
  • 100:38 - 100:39
    How dare you touch me!
  • 100:39 - 100:42
    Yes, what can I do for you, sir?
    What can I do for you?
  • 100:43 - 100:45
    Now, I will do what is to be done.
  • 100:45 - 100:47
    You don't have to do anything.
    -No!
  • 100:49 - 100:51
    Hello! -Hello, Anjali, quickly
    tell me, what happened?
  • 100:51 - 100:53
    Nothing happened as you thought.
  • 100:54 - 100:56
    Hello.
    -Yes, quickly tell me what happened?
  • 100:56 - 101:00
    Nothing, my friend, nothing
    happened as you thought.
  • 101:00 - 101:04
    Actually she had called
    for two security men..
  • 101:04 - 101:07
    ..and those two men gave
    me a good beating.
  • 101:07 - 101:09
    No, no, you are lying,
    I cannot believe this.
  • 101:09 - 101:13
    Actually, according to me your
    wife is a very noble lady.
  • 101:13 - 101:16
    Okay! So now she is a
    very virtuous lady?
  • 101:16 - 101:17
    Yes, that is what I think.
  • 101:18 - 101:20
    You invited him to your room
    and he came. -Yes, he came.
  • 101:21 - 101:23
    She called you to her room?
    -Yes!
  • 101:23 - 101:25
    And you went to her room.
    -Yes, yes.
  • 101:25 - 101:28
    And then he was with you for sometime?
    -Yes.
  • 101:28 - 101:29
    And then he became
    a very decent man?
  • 101:30 - 101:31
    After that she became a very
    virtuous lady, is it?
  • 101:31 - 101:34
    Yes, after that I started
    respecting her.
  • 101:34 - 101:37
    The thing is I did not get
    enough time to talk to her as..
  • 101:37 - 101:39
    ..the police broke my mouth pretty badly.
  • 101:39 - 101:42
    After that, I could not
    utter a single word.
  • 101:42 - 101:43
    But shall I tell you one thing?
  • 101:43 - 101:47
    No doubt she was lying but
    she is a very decent girl.
  • 101:49 - 101:52
    But Sanjay, what is your
    intention in asking me all this?
  • 101:53 - 101:54
    Darling..
  • 101:54 - 101:56
    ..the meaning is this that my
    husband has this special trait.
  • 101:56 - 101:58
    If he spends some time
    with a girl then..
  • 101:58 - 102:00
    ..that girl starts praising him.
  • 102:00 - 102:02
    Shame on you,
    Anjali, shame on you.
  • 102:03 - 102:06
    Sanjay,
    for your sake I got beaten twice.
  • 102:06 - 102:08
    I broke my heart once.
  • 102:08 - 102:11
    And now you doubt me.
    God too will not help you, idiot.
  • 102:11 - 102:12
    (Hangs the phone)
  • 102:12 - 102:14
    This is the height!
  • 102:15 - 102:17
    Raj Malhotra,
    I will not spare you!
  • 102:17 - 102:21
    I have lost my temper.
    This is too much!
  • 102:21 - 102:24
    I think your wife is a CIA agent.
  • 102:24 - 102:29
    In one night, she influenced Raj
    Malhotra and shocked you.
  • 102:29 - 102:32
    I..I will deal with them.
    I will deal with everyone.
  • 102:35 - 102:36
    Oh, my God!
  • 102:37 - 102:41
    You here?
    -You had gone for a Europe tour, isn't it?
  • 102:41 - 102:44
    I had sent my friend in my
    place to this Europe tour.
  • 102:44 - 102:47
    So that I could stay here and
    keep an eye on you. Understood?
  • 102:47 - 102:49
    Oh, very smart!
  • 102:49 - 102:53
    My dear, the truth is that even I
    sent my friend on that same tour.
  • 102:53 - 102:54
    Oh! -Yes! -I see!
  • 102:54 - 102:57
    Daddy, this is superb!
  • 102:57 - 102:59
    You are minting money and
    I am minting money too!
  • 102:59 - 103:01
    Long live Sanjay's wife!
  • 103:01 - 103:03
    Long live the man with the pony!
  • 103:03 - 103:05
    We will keep extracting money
    from them all life long.
  • 103:05 - 103:07
    Let this case continue
    for some more time.
  • 103:07 - 103:10
    Let them be at loggerheads.
  • 103:10 - 103:10
    I see!
  • 103:12 - 103:16
    Father, I have lost the job!
    -And the case as well!
  • 103:16 - 103:17
    Father, run from here!
  • 103:18 - 103:20
    My child, run!
  • 103:23 - 103:25
    They are not at fault,
    but we are.
  • 103:26 - 103:28
    Sanjay, we never had faith
    on each other ever.
  • 103:29 - 103:32
    Faith is such a delicate
    emotion..
  • 103:33 - 103:35
    ..that if there is a little..
  • 103:36 - 103:39
    ..space for doubt it ruins
    the relationship.
  • 103:40 - 103:43
    And we..have saved ourselves
    from that disaster.
  • 103:45 - 103:46
    Sanjay..
  • 103:46 - 103:49
    ..promise me that such a thing
    will never happen with us again.
  • 103:49 - 103:50
    No!
  • 103:52 - 103:53
    Never!
  • 103:55 - 103:59
    Sanjay, have you ever thought
    that in our misunderstandings..
  • 104:00 - 104:02
    ..what Raj and Anjali
    must be going through?
  • 104:02 - 104:05
    Europe is good but not as
    good as our Ulhasnagar.
  • 104:05 - 104:07
    Ulhasnagar is after all
    a beautiful place.
  • 104:07 - 104:09
    You are a very strange man.
  • 104:09 - 104:11
    When you are in Ulhasnagar you
    say that Europe is beautiful.
  • 104:11 - 104:12
    And now that you are
    in Europe you..
  • 104:12 - 104:13
    ..say that Ulhasnagar is
    beautiful.
  • 104:13 - 104:13
    At least stick to one thing.
  • 104:14 - 104:16
    He is not fit to go out anywhere.
  • 104:16 - 104:18
    Hey mister, you do your work.
  • 104:18 - 104:19
    Shall I tell you one thing?
  • 104:20 - 104:22
    Mr. Chaudhary, shall I say something?
    -Yes, please.
  • 104:22 - 104:25
    (Background Music)
  • 104:25 - 104:30
    (Flute)
  • 105:03 - 105:07
    "Hey Raju, do not fall in love."
  • 105:07 - 105:11
    "Beware, your heart breaks."
  • 105:14 - 105:22
    "Do not talk of love,
    beware, your heartbreaks."
  • 105:25 - 105:27
    "You crazy heart, you did not adhere."
  • 105:28 - 105:30
    "You at last fell in love."
  • 105:30 - 105:34
    "Hey Raju, do not fall in love."
  • 105:34 - 105:38
    "Beware, your heart breaks."
  • 106:00 - 106:05
    "I tried stopping my heart and
    my heart tried stopping me."
  • 106:05 - 106:11
    "Love is just a beautiful
    whiff of passing breeze."
  • 106:15 - 106:21
    "I tried stopping my heart and
    my heart tried stopping me."
  • 106:22 - 106:27
    "Love is just a beautiful
    whiff of passing breeze."
  • 106:27 - 106:32
    "A person who falls in
    love ruins his life."
  • 106:33 - 106:36
    "Hey Raju, do not fall in love."
  • 106:36 - 106:40
    "Beware, your heart breaks."
  • 106:57 - 107:02
    "In love you lose
    your own heart."
  • 107:02 - 107:05
    "The person who resides in your heart"
  • 107:05 - 107:08
    ultimately becomes a stranger."
  • 107:13 - 107:18
    "In love you lose your own heart."
  • 107:18 - 107:21
    "The person who resides in your heart"
  • 107:21 - 107:24
    ultimately becomes a stranger."
  • 107:24 - 107:29
    "I realized this when
    I was hurt in love."
  • 107:29 - 107:33
    "Hey Raju, do not fall in love."
  • 107:33 - 107:37
    "Beware, your heart breaks."
  • 107:38 - 107:45
    "Do not talk of love,
    beware, your heart breaks."
  • 107:46 - 107:48
    "You crazy heart, you did not adhere."
  • 107:48 - 107:51
    "You at last fell in love."
  • 108:06 - 108:10
    (Background music)
  • 108:23 - 108:26
    Oh, sister, welcome, welcome.
    We missed you so much.
  • 108:26 - 108:30
    How was your Europe tour?
    -I saw the world. Good experience.
  • 108:30 - 108:32
    Yes, this experience was
    lacking that is why last time
  • 108:32 - 108:34
    you refused to get married.
  • 108:34 - 108:36
    Tell me, now what is your
    opinion about marriage?
  • 108:36 - 108:38
    Don't talk about marriage.
  • 108:38 - 108:40
    Otherwise again my
    daughter will get angry
  • 108:40 - 108:42
    and go on a Europe tour.
  • 108:42 - 108:45
    No Daddy, now I will get
    married where you want me to.
  • 108:45 - 108:47
    I have no complaints.
    -Great!
  • 108:48 - 108:50
    If I would have known that
    my daughter would
  • 108:50 - 108:53
    change her thinking so much
    after going to Europe
  • 108:53 - 108:56
    then I would have
    educated her in Europe.
  • 108:57 - 108:59
    My daughter has agreed to get married.
  • 109:00 - 109:03
    All my tensions have waned away.
  • 109:06 - 109:07
    Brother
  • 109:07 - 109:09
    the marriage should be
    solemnized with great splendour.
  • 109:09 - 109:11
    You go and arrange everything
    for the wedding, that's it.
  • 109:12 - 109:13
    Brother, you just watch.
  • 109:13 - 109:16
    I will get the number one caterer
    and decorator of Delhi.
  • 109:17 - 109:20
    Shekhar, quickly unload all the stuff.
  • 109:20 - 109:22
    There is less time and
    there's a lot of work load.
  • 109:22 - 109:27
    Chaudhary!
    -Oh! Mr. Bhaidas, you?
  • 109:27 - 109:31
    Surprising! I missed you a
    lot after the Europe tour.
  • 109:31 - 109:34
    And I missed sister-in-law as well.
    -Sister-in-law?
  • 109:34 - 109:36
    She was repeatedly trying your
    number on the day of Rakhi.
  • 109:36 - 109:39
    I too tried calling up. I called
    up once, no one answered.
  • 109:39 - 109:41
    I called up twice,
    no one answered.
  • 109:41 - 109:42
    I called up thrice,
    no one answered.
  • 109:42 - 109:45
    And then sir, I...
    -How would you find someone?
  • 109:45 - 109:48
    I had given you the wrong number.
    -Oh, wrong number?
  • 109:49 - 109:51
    Isn't this Anjali?
    -Who Anjali?
  • 109:52 - 109:54
    The same one from the tour.
    Raj's Anjali.
  • 109:54 - 109:57
    From behind she looks like Anjali.
    Dear could you please turn around?
  • 109:57 - 110:00
    Hey, this is Anjali. Anjali!
  • 110:00 - 110:02
    See, I recognized her from
    behind. -Mr. Chaudhary, you?
  • 110:02 - 110:03
    Mr. Bhaidas, you?
  • 110:03 - 110:05
    My dear, how are you?
    -How are you?
  • 110:05 - 110:07
    You look the same as
    you were in Europe.
  • 110:07 - 110:09
    You know each other?
  • 110:09 - 110:11
    Not only know but we know
    each other very well.
  • 110:11 - 110:12
    We had met on the tour.
  • 110:12 - 110:15
    I am impatient to know what
    happened about the affair
  • 110:15 - 110:17
    between you and Raj?
  • 110:17 - 110:19
    (Background music)
  • 110:20 - 110:22
    Mr. Chaudhary, this is my Daddy
    and this is my Mummy.
  • 110:22 - 110:26
    Everyone has parents. But you first
    tell me have you and Raj patched up?
  • 110:26 - 110:28
    And who is getting married?
    -Hey!
  • 110:28 - 110:30
    Anjali is getting married, who else?
  • 110:30 - 110:32
    One minute. One minute.
    I am a little confused.
  • 110:33 - 110:34
    You met Raj during the tour, okay?
    -Yes.
  • 110:34 - 110:36
    Raj and you had a tiff?
    (Background music)
  • 110:36 - 110:39
    Now are you getting married
    to Raj or to someone else?
  • 110:39 - 110:39
    (Background music)
  • 110:39 - 110:42
    Who is this Raj?
    -I do not know anyone called Raj.
  • 110:42 - 110:44
    (Background music)
  • 110:45 - 110:46
    Who has called both of you here?
  • 110:46 - 110:48
    The owner of this bungalow.
    -Has called me for the decoration.
  • 110:48 - 110:50
    And me for the catering.
    -Okay.
  • 110:50 - 110:52
    Who are you?
    -Who am I?
  • 110:52 - 110:54
    I am the boss of this
    bloody bungalow.
  • 110:54 - 110:56
    He is the boss of this bungalow.
    -Okay.
  • 110:56 - 110:57
    Go and do your work.
  • 110:57 - 111:00
    And listen! There is no need
    for you to talk to anyone.
  • 111:00 - 111:02
    Is that clear? Wonder from where
    you got these specimens.
  • 111:02 - 111:04
    You told me to get Delhi's most famous...
  • 111:04 - 111:07
    He is a very strange man.
    He is calling me a specimen.
  • 111:08 - 111:11
    Tell me, Mr. Bhaidas. Do I look
    like a specimen from any angle?
  • 111:11 - 111:12
    Today is an auspicious day
  • 111:12 - 111:14
    please do not compel me to tell lies.
    (Background music)
  • 111:15 - 111:16
    Come on put up the tents quickly.
  • 111:16 - 111:19
    (Background music)
  • 111:25 - 111:29
    My child, since the time you
    have returned from Europe
  • 111:29 - 111:31
    you are looking so forlorn.
  • 111:31 - 111:34
    This isn't done. First tell
    me, what is the matter?
  • 111:34 - 111:37
    Do not talk much! Ask him nicely.
  • 111:37 - 111:40
    Tell me Raj, who has made
    your condition like this?
  • 111:40 - 111:41
    I will teach that one a lesson.
  • 111:42 - 111:47
    Who is dead?
    Where is that one? I will shoot him.
  • 111:47 - 111:50
    Keep quiet! You always are drunk.
  • 111:50 - 111:54
    Keep sleeping. And after getting
    intoxicated you talk rubbish.
  • 111:54 - 111:56
    "I will shoot him."
  • 111:56 - 111:59
    Is this the way?
    -Grandpa, what's happening?
  • 111:59 - 112:01
    What is wrong with my brother?
  • 112:01 - 112:04
    My child, is it that you
    have fallen in love?
  • 112:04 - 112:04
    (Background music)
  • 112:05 - 112:06
    (Phone Ringing)
  • 112:06 - 112:08
    Oh, my! The bell is ringing.
  • 112:08 - 112:11
    Definitely it is something to do
    with romance. (Phone Ringing)
  • 112:12 - 112:13
    (Phone Ringing)
  • 112:14 - 112:17
    Hello.
    -Raj, it is me, Chaudhary.
  • 112:17 - 112:21
    Who, Chaudhary? -That one"One
    bird said to another, what say?"
  • 112:21 - 112:24
    Chaudhary, from the Europe tour.
    -Yes, Mr. Chaudhary, tell me.
  • 112:24 - 112:28
    After the Europe tour we thought
    that Anjali will marry you
  • 112:28 - 112:30
    but Anjali is getting married
    to someone else here.
  • 112:30 - 112:33
    Anjali's wedding!
    Her parents are nice.
  • 112:33 - 112:35
    They are getting her married the
    second time with such a bang?
  • 112:35 - 112:37
    You fool, initially she will get
    married for the first time
  • 112:37 - 112:38
    and then she can get
    married the second time.
  • 112:38 - 112:40
    Instead she thinks that you
    are already married.
  • 112:40 - 112:43
    What? Anjali is still not married?
  • 112:43 - 112:44
    That means she is not
    my friend's wife?
  • 112:44 - 112:47
    Forget about your friend,
    she can only be your wife.
  • 112:47 - 112:49
    She cannot marry anyone else.
  • 112:49 - 112:51
    Quickly come to Delhi.
    You must be thinking
  • 112:51 - 112:53
    how will you reach your beloved?
  • 112:53 - 112:54
    So listen to me
  • 112:54 - 112:55
    it is my responsibility to take
    you to meet your beloved.
  • 112:55 - 112:59
    And if I cannot do that
    then you can abuse me.
  • 112:59 - 113:00
    Now you do not increase my mobile bill.
  • 113:00 - 113:02
    Quickly catch a flight
    and come here.
  • 113:02 - 113:05
    Leave aside flight. I will
    fly, run and swim and come.
  • 113:05 - 113:08
    Mummy, Daddy, Grandpa, Grandma,
    sister -Oh, wow!
  • 113:08 - 113:11
    I am going and bringing the
    daughter-in-law of this house.
  • 113:13 - 113:16
    See, go up these stairs,
    then turn to your right
  • 113:16 - 113:18
    and then turn to your left.
  • 113:18 - 113:22
    The girl's bedroom is there,
    open the door and go in. Okay?
  • 113:22 - 113:23
    Come, we will go.
    -Come on. -Brother Bhaidas
  • 113:23 - 113:24
    this is very bad. I spit on you.
  • 113:25 - 113:27
    Raju, you do not know her father.
  • 113:27 - 113:28
    He is a very stern man,
    he will cancel my tent.
  • 113:28 - 113:30
    Mr. Chaudhary,
    this is very bad, I spit on you.
  • 113:31 - 113:32
    Do not spit too much this
    is marble we will slip.
  • 113:33 - 113:35
    Then c'mon both of you.
    -C'mon. -C'mon.
  • 113:35 - 113:37
    Brother, I have done everything
    as per your instructions.
  • 113:37 - 113:38
    Listen!
  • 113:39 - 113:40
    I have covered my face, I cannot hear.
  • 113:40 - 113:43
    You will hear only
    when you turn around.
  • 113:43 - 113:45
    If you tell us to turn only
    then we will turn.
  • 113:45 - 113:46
    If you ask us to hear then
    how will we turn around?
  • 113:47 - 113:49
    Oh, this is the caterer, isn't it?
    -Yes.
  • 113:50 - 113:51
    And this is the decorator?
    -Yes, decorator.
  • 113:51 - 113:52
    And, who are you?
    -That I do not know.
  • 113:53 - 113:55
    That... that... the orchestra man here.
  • 113:55 - 113:57
    Will you play the orchestra on my head?
  • 113:58 - 113:59
    We just wanted to have a chat with you.
  • 113:59 - 114:02
    If you wanted to listen to a
    particular number which you like
  • 114:02 - 114:03
    and...
    -Keep quiet. Enough.
  • 114:04 - 114:07
    Uncle, I promise you, I will make
    you listen to any number.
  • 114:07 - 114:08
    What decorator?
  • 114:08 - 114:10
    Wonder from where you
    bring such specimen?
  • 114:10 - 114:12
    He is again calling us specimens.
    -Okay.
  • 114:12 - 114:16
    I have never been humiliated
    like this in my life. -Okay?
  • 114:16 - 114:18
    I have been humiliated before
    as well but in installments.
  • 114:18 - 114:21
    My father-in-law insulted
    me in front of everyone?
  • 114:21 - 114:23
    If I do not make his
    daughter stand against him
  • 114:23 - 114:25
    in front of everyone then
    I will change my name.
  • 114:25 - 114:28
    And Raj, you are great!
  • 114:29 - 114:30
    Really!
  • 114:56 - 115:01
    (Background music)
  • 115:18 - 115:21
    "I wish to say something to you."
  • 115:25 - 115:29
    "But my heart tells
    me to be quiet now."
  • 115:33 - 115:40
    "Now if we are silent our
    eyes will speak up."
  • 116:13 - 116:16
    Oh, my darling, my darling,
    my darling, I love you
  • 116:16 - 116:18
    I miss you man, I miss you.
  • 116:18 - 116:20
    You are looking so beautiful
    in these clothes.
  • 116:20 - 116:23
    Anjali, we both have
    misunderstood each other.
  • 116:23 - 116:25
    But believe me, my
    misunderstanding is cleared now.
  • 116:25 - 116:27
    And I take your oath and say
    that I am not a married man.
  • 116:27 - 116:28
    I am a bachelor,
    man, I am a bachelor.
  • 116:29 - 116:31
    And if you are ready then I am
    also ready to elope with you.
  • 116:31 - 116:33
    They are still talking.
  • 116:33 - 116:36
    Shall I put on the lights?
    -Anjali, Anjali, your hand
  • 116:36 - 116:38
    how come your hands
    are so rough? -On!
  • 116:38 - 116:39
    (Background music)
  • 116:39 - 116:40
    Who are you?
  • 116:41 - 116:44
    I am Raj, who are you?
    -I am Anjali's Mother.
  • 116:45 - 116:46
    What have you done?
  • 116:46 - 116:48
    Come here!
    -Come here!
  • 116:48 - 116:50
    Come here.
    -Come here in this corner.
  • 116:50 - 116:52
    Did you say what you wanted to?
  • 116:53 - 116:54
    Mother!
    -You said that to her Mother?
  • 116:54 - 116:54
    (Raj making a crowing sound)
  • 116:54 - 116:56
    Then you should have told me
    that you were interested
  • 116:56 - 116:58
    in the mother then we could
    have set it up that way.
  • 116:58 - 117:00
    Oh, Raj, what have you done?
  • 117:00 - 117:03
    Raj, tell me, if he gets so angry
    hearing his daughter's name.
  • 117:03 - 117:04
    When he hears his wife's
    name, he will shoot us.
  • 117:05 - 117:07
    Mr. Chaudhary, that
    bucktooth is coming here.
  • 117:07 - 117:08
    Where is he?
    -There he is.
  • 117:09 - 117:11
    He was saying that he is going
    to elope with our daughter.
  • 117:11 - 117:14
    (Background music)
  • 117:15 - 117:15
    (Drumming)
  • 117:16 - 117:19
    Hey you!
    What were you telling my wife?
  • 117:19 - 117:21
    You will elope with my daughter?
    -Yes!
  • 117:22 - 117:23
    You have heard it right.
    (Raj making a crowing sound)
  • 117:24 - 117:26
    If you try and get my Anjali
    married somewhere else
  • 117:27 - 117:28
    then I will elope with her.
  • 117:28 - 117:29
    You think you can do anything?
  • 117:30 - 117:33
    Yes, I am Raj! My name is Raj.
    And I am my father's Raj.
  • 117:33 - 117:35
    That is because my name is Raj.
  • 117:35 - 117:39
    Look here, I have seen many like you.
  • 117:40 - 117:42
    Now will you go from here
    or shall I call the police?
  • 117:43 - 117:47
    Okay!
    You want to call the police?
  • 117:47 - 117:49
    Then I will scream and tell
    all the people here
  • 117:49 - 117:50
    that your daughter
    and I had an affair.
  • 117:51 - 117:52
    And we were together in Europe for
  • 117:52 - 117:53
    sixteen days and sixteen nights.
  • 117:54 - 117:55
    After that no decent man will get
  • 117:55 - 117:57
    his son married to your daughter.
  • 117:57 - 117:58
    You are a strange man!
    -Yes.
  • 117:59 - 118:02
    You have no respect for the
    parents of the girl you love?
  • 118:02 - 118:05
    Look here, if you try and get
    Anjali married somewhere else
  • 118:05 - 118:06
    then I will humiliate you.
  • 118:06 - 118:09
    And if you get her married to
    me I will respect you a lot.
  • 118:09 - 118:10
    I will wash your feet.
  • 118:10 - 118:13
    Hey you lover boy,
    listen to me carefully.
  • 118:14 - 118:16
    I will not let my daughter marry you.
  • 118:16 - 118:18
    Look here, you too
    listen to me carefully.
  • 118:18 - 118:20
    That you only will be my father-in-law.
  • 118:20 - 118:23
    You will be, you will
    be and you will be!
  • 118:27 - 118:28
    Why hasn't he arrived yet?
  • 118:28 - 118:29
    Raju.
  • 118:30 - 118:31
    You are the only detective in the world
  • 118:31 - 118:33
    that has a donkey
    instead of a dog.
  • 118:33 - 118:35
    There's a transport strike in the city.
  • 118:35 - 118:36
    You didn't pick me up.
    If it wasn't for this donkey
  • 118:36 - 118:37
    I could have never reached.
  • 118:37 - 118:39
    I was thinking of climbing up
    from here. -Why will you climb up?
  • 118:39 - 118:41
    Of course, you are so heavy.
    How can you climb up?
  • 118:41 - 118:44
    I may be heavy, but that will
    just add weight to what I say.
  • 118:44 - 118:45
    How is that?
  • 118:45 - 118:48
    When I will tell her with all my
    weight that you are not married,
  • 118:48 - 118:51
    It will lend credence.
    -You are right.
  • 118:52 - 118:53
    We shouldn't wait any longer.
    Let's climb up.
  • 118:53 - 118:54
    Come on.
    -Yes, come.
  • 118:54 - 118:56
    The things that I have to do for you.
  • 118:56 - 118:58
    Do it, please. Someday I will
    be really useful to you.
  • 118:58 - 119:00
    I will help you as a detective.
  • 119:01 - 119:02
    Harder. Try harder.
  • 119:02 - 119:03
    (Background music)
  • 119:03 - 119:05
    Climb up.
    -Raj.
  • 119:06 - 119:07
    Climb up.
    (Chaudhary yelling)
  • 119:08 - 119:09
    Chaudhary.
  • 119:10 - 119:13
    Chaudhary sir, are you there?
  • 119:14 - 119:16
    If not, can I leave?
    -Hey.
  • 119:16 - 119:17
    Quiet. Don't disturb me.
  • 119:18 - 119:21
    Listen to me.
    -I can't hear the one I want to.
  • 119:21 - 119:23
    Look here.
    -There's nothing left to see now.
  • 119:23 - 119:26
    It's me.
    -It's me too, but he's no more.
  • 119:26 - 119:28
    It's me, Chaudhary. Look.
  • 119:28 - 119:29
    (Background music)
  • 119:30 - 119:32
    Run.
  • 119:32 - 119:33
    (Crickets chrping)
  • 119:42 - 119:44
    (Background music)
  • 119:45 - 119:46
    What's this?
  • 119:46 - 119:48
    (Background music)
  • 119:51 - 119:52
    (Door closing)
  • 119:52 - 119:53
    I am telling you,
    you are quite heavy.
  • 119:53 - 119:56
    I may be heavy, but that will
    just add weight to what I say.
  • 119:56 - 119:57
    But how will you climb up?
  • 119:59 - 120:00
    Oye.
  • 120:00 - 120:04
    Bring the rope hanging around her neck.
    -Excuse me.
  • 120:04 - 120:05
    Now fasten this.
  • 120:06 - 120:07
    Make it tight.
  • 120:08 - 120:09
    But why are you doing this?
  • 120:10 - 120:12
    Not around the neck, around the waist.
    -Oh!
  • 120:12 - 120:14
    Why do you want to fasten
    it around my neck?
  • 120:16 - 120:17
    Fasten it properly. I
    hope it's of my size?
  • 120:18 - 120:19
    I feel so.
    -Tie it quickly.
  • 120:20 - 120:21
    Here you go.
  • 120:21 - 120:22
    I have tied.
  • 120:23 - 120:24
    Now pull on this.
  • 120:24 - 120:25
    -I should right?
    -Yes.
  • 120:26 - 120:27
    Okay. All the best.
  • 120:27 - 120:29
    All the best.
  • 120:29 - 120:30
    (Background music)
  • 120:30 - 120:32
    All the best.
  • 120:32 - 120:33
    (Chaudary gasping)
  • 120:34 - 120:35
    All the very best.
  • 120:36 - 120:38
    (Chaudary gasping)
  • 120:40 - 120:41
    Slowly.
  • 120:41 - 120:42
    (Chaudary gasping)
  • 120:42 - 120:45
    Oh God, my hands are burning.
  • 120:46 - 120:47
    What was that sound?
  • 120:48 - 120:50
    Chaudhary sir, I am sorry.
  • 120:50 - 120:50
    (Chaudary gasping)
  • 120:50 - 120:52
    Pick me up.
    -Let me hold it.
  • 120:53 - 120:54
    Forget the rope, catch my hand.
    -Yeah, yeah.
  • 120:55 - 120:56
    I told you, you are very heavy.
  • 120:56 - 120:59
    I may be heavy, but that will
    just add weight to what I say.
  • 120:59 - 121:00
    Really?
    -Yes.
  • 121:00 - 121:03
    Let's try again.
    -Yes, let's try it. -Okay. -Fine.
  • 121:04 - 121:05
    Okay.
  • 121:05 - 121:06
    (Background music)
  • 121:06 - 121:07
    Chaudhary.
    (Chaudary gasping)
  • 121:07 - 121:09
    Chaudhary.
    (Chaudary gasping)
  • 121:10 - 121:14
    Chaudhary.
    (Background music)
  • 121:14 - 121:15
    (Chaudary gasping)
  • 121:16 - 121:17
    (Donkey Neighing)
  • 121:18 - 121:19
    (Donkey Neighing)
  • 121:21 - 121:23
    (Donkey Neighing)
  • 121:25 - 121:26
    Let me see you.
  • 121:26 - 121:27
    (Chaudhary yelling)
  • 121:27 - 121:28
    Okay.
  • 121:28 - 121:30
    Chaudhary.
    (Donkey Neighing)
  • 121:31 - 121:33
    Oh no. Oh shit.
  • 121:35 - 121:36
    Chaudhary, that man disturbed me.
  • 121:36 - 121:38
    I told you, you are very heavy.
  • 121:39 - 121:43
    I may be heavy, but that will
    just add weight to what I say.
  • 121:43 - 121:44
    What now?
  • 121:44 - 121:49
    I suggest. What do you call that? The
    one standing there. (Donkey Neighing)
  • 121:50 - 121:53
    It looks like a horse.
    -I even forgot its name.
  • 121:53 - 121:55
    Fasten the other end to this donkey.
  • 121:55 - 122:00
    Sit on it and then pull.
    It will balance the weight.
  • 122:00 - 122:03
    Okay. I will try to do that.
    Have faith in me.
  • 122:06 - 122:08
    Fasten it quickly.
  • 122:10 - 122:11
    Okay.
    -Hey!
  • 122:16 - 122:18
    (Background music)
  • 122:18 - 122:19
    (Raj making indistinct sound)
  • 122:19 - 122:20
    (Chaudhary gasping)
  • 122:22 - 122:22
    (Chaudhary gasping)
  • 122:23 - 122:24
    (Background music)
  • 122:24 - 122:25
    Raju.
    (Raj making indistinct sound)
  • 122:27 - 122:29
    A bit further.
  • 122:29 - 122:30
    (Donkey Neighing)
  • 122:30 - 122:32
    I will use that stick.
  • 122:32 - 122:35
    (Donkey Neighing)
    (Chaudhary gasping)
  • 122:35 - 122:37
    (Background music)
  • 122:39 - 122:40
    (Chaudhary falling down)
  • 122:40 - 122:46
    (Donkey Neighing)
  • 122:47 - 122:50
    Chaudhary.
    Chaudhary, are you still there?
  • 122:50 - 122:52
    I told you, you are very heavy.
  • 122:52 - 122:55
    What are you doing here?
    -Have you crossed 60?
  • 122:55 - 122:55
    60?
  • 122:55 - 122:57
    Why? -Don't you know the difference
    between a horse and donkey?
  • 122:58 - 123:00
    Donkey.
    -Donkey.
  • 123:01 - 123:02
    Donkey. What is it doing there?
  • 123:02 - 123:04
    There's a transportation
    strike in the city.
  • 123:04 - 123:05
    So I thought of eloping with
    your daughter on the donkey.
  • 123:05 - 123:08
    That will never happen.
    Will you leave now?
  • 123:08 - 123:10
    Fine, I will leave
    because I respect you.
  • 123:10 - 123:11
    But, I will take revenge tomorrow
    at your daughter's wedding.
  • 123:11 - 123:13
    What will you do?
  • 123:14 - 123:16
    Look, barking dogs seldom bite.
  • 123:16 - 123:17
    Thundering clouds seldom shower.
    -But I will bark
  • 123:17 - 123:19
    I will bite, I will thunder
    and I will shower.
  • 123:19 - 123:20
    You will understand,
    but still you won't.
  • 123:20 - 123:22
    But in the end you will
    understand everything.
  • 123:22 - 123:24
    Because that will be the
    beginning of our love.
  • 123:25 - 123:27
    Looks like he will do what he says.
    -Yes.
  • 123:27 - 123:28
    (Background music)
  • 123:29 - 123:32
    (Upbeat music)
  • 123:32 - 123:34
    Hi brother-in-law.
    -Hi.
  • 123:34 - 123:37
    Can I ask you a question?
    But you won't be able to answer it.
  • 123:37 - 123:38
    That's impossible.
  • 123:38 - 123:41
    Tell me, who is looking prettier?
    Sister or me?
  • 123:41 - 123:43
    (Background music)
  • 123:43 - 123:45
    Oh Raju.
    -Okay, all right.
  • 123:46 - 123:47
    What are you looking for?
  • 123:47 - 123:48
    I want a saw.
  • 123:49 - 123:51
    There's a saw in my tool box.
  • 123:51 - 123:53
    Here.
    -Wow. Thanks.
  • 123:54 - 123:55
    But I don't understand.
  • 123:55 - 123:58
    How can you stop this
    engagement with this saw?
  • 123:58 - 124:02
    No bamboos, no support,
    no tent, no engagement.
  • 124:02 - 124:07
    You will destroy my
    tents with my saw.
  • 124:07 - 124:09
    (Background music)
  • 124:11 - 124:13
    Raju, stop the saw.
  • 124:13 - 124:14
    (Background music)
  • 124:14 - 124:19
    Hello my father-in-law.
    -Fool, what are you doing?
  • 124:19 - 124:22
    Hey you, the tent will fall.
  • 124:23 - 124:24
    Will you stop this marriage or not?
  • 124:24 - 124:26
    No, this marriage cannot be stopped.
  • 124:26 - 124:27
    Then this saw won't stop either.
  • 124:28 - 124:30
    Catch it.
  • 124:30 - 124:33
    Why are you behaving
    like an ignorant man?
  • 124:33 - 124:35
    Think about my honour.
  • 124:35 - 124:36
    It won't fall right now.
  • 124:37 - 124:39
    After I break a few more, it will fall.
  • 124:39 - 124:41
    Hold it firmly.
    Don't let it fall.
  • 124:41 - 124:44
    Brother, mine is shaking.
    -Mine is too.
  • 124:44 - 124:46
    But hold it. -Your father
    is nowhere to be seen.
  • 124:46 - 124:49
    The auspicious hour is passing by.
    -He's on his way.
  • 124:49 - 124:51
    At least exchange the rings.
  • 124:52 - 124:55
    Where is the ring?
    -Mummy is getting it.
  • 124:55 - 124:57
    (Background music)
  • 124:58 - 125:01
    Why are you uprooting the tent?
  • 125:01 - 125:03
    Not me, it's him.
  • 125:03 - 125:05
    I have already done it.
    -Stop him.
  • 125:06 - 125:08
    What are you doing?
  • 125:08 - 125:09
    Where should I keep this?
  • 125:09 - 125:11
    Wow mother-in-law, give
    that thing in my hand.
  • 125:11 - 125:12
    And catch this bamboo.
  • 125:13 - 125:16
    Hold it.
    -By the way, what is this?
  • 125:16 - 125:18
    The groom's ring.
    -Wow, I will wear this one.
  • 125:18 - 125:20
    What are you doing?
    -Wearing the engagement ring.
  • 125:20 - 125:23
    Stop him. -Catch this bamboo,
    don't catch me.
  • 125:23 - 125:24
    Or else the tent will fall.
  • 125:25 - 125:27
    Now I am related to you.
  • 125:27 - 125:28
    Raj you are great.
  • 125:28 - 125:31
    Where are you going?
    -To break the fourth bamboo.
  • 125:31 - 125:32
    Who will hold that?
  • 125:32 - 125:35
    I won't. -Stop him.
    -Hey, stop.
  • 125:35 - 125:37
    Mummy will be here
    soon, brother-in-law.
  • 125:37 - 125:39
    Why don't you adorn her with the ring?
    -Why not.
  • 125:39 - 125:40
    Here, Son.
  • 125:41 - 125:44
    Sister, come on.
  • 125:47 - 125:49
    (Background music)
  • 125:49 - 125:51
    (People yelling)
  • 125:51 - 125:53
    Mr. Khanna! Mr. Khanna!
  • 125:54 - 125:55
    What nonsense is going on?
  • 125:56 - 125:58
    Don't push me. -They ate the
    sweets and brought the tent down.
  • 125:58 - 126:01
    This... all this is his doings.
    He is the one.
  • 126:01 - 126:02
    You wait, I will immediately
    call the police.
  • 126:03 - 126:05
    You just see, I will
    make you rot in jail.
  • 126:05 - 126:08
    I will rot in jail?
    I will rot in jail?
  • 126:08 - 126:10
    Why? What is my crime?
  • 126:10 - 126:11
    What is my mistake?
  • 126:11 - 126:13
    Have I stolen something?
    Have I looted someone?
  • 126:14 - 126:17
    She stole my heart.
    She made me fall in love with her.
  • 126:17 - 126:18
    And I will rot in jail? Why?
  • 126:19 - 126:22
    Have I ruined your daughter's
    life or have I eloped with her?
  • 126:22 - 126:23
    What have I done?
  • 126:23 - 126:25
    First you brought the tent down
    and now you are trying to burn it.
  • 126:25 - 126:27
    You keep quiet. This is not
    the time to crack jokes.
  • 126:27 - 126:28
    Yes, tell me, what did I do to you?
  • 126:28 - 126:33
    Did I garland you or
    did you garland me?
  • 126:33 - 126:35
    Or did I apply vermillion on her
    forehead like this? -Raj!
  • 126:35 - 126:37
    Keep quiet! Today I will
    speak and you will listen.
  • 126:38 - 126:40
    Where is your mother? -She is here.
    -Did I not ask you?
  • 126:40 - 126:41
    That I love your daughter
    and I wish to marry her?
  • 126:41 - 126:43
    Did I not ask you like a gentleman?
  • 126:43 - 126:44
    Where is your daddy?
    -Daddy is here.
  • 126:45 - 126:47
    Why can't I see him?
    Why is he not to be seen?
  • 126:47 - 126:49
    Yes, did I not ask you? Hello!
    Did I not ask you? -Yes, you had.
  • 126:49 - 126:51
    That I love your daughter
    and wish to marry her?
  • 126:51 - 126:53
    Didn't I ask you like a gentleman?
  • 126:53 - 126:56
    You can ask her. Ask her heart.
  • 126:56 - 126:57
    Ask the earth and the sky.
  • 126:57 - 126:59
    Ask the breeze and the ambience.
  • 126:59 - 127:01
    Ask the brightness and the darkness.
  • 127:01 - 127:02
    Ask the moon and the stars.
  • 127:03 - 127:04
    Ask the storm and the tempest.
  • 127:04 - 127:06
    Ask me and my father.
  • 127:06 - 127:08
    Ask her and her father.
  • 127:08 - 127:09
    Ask all the four cartoons in my house.
  • 127:09 - 127:12
    I say, you can even ask these leaves.
  • 127:12 - 127:13
    Ask the illuminated
    lights behind the leaves.
  • 127:13 - 127:18
    This... ask this carpet, the
    broken tent and the broken bamboo.
  • 127:18 - 127:21
    Ask each and every thing.
    How much I have loved her.
  • 127:22 - 127:25
    And now if she still does
    not have faith in my love,
  • 127:25 - 127:27
    then she can throw away
    this sacred necklace.
  • 127:27 - 127:29
    It makes no difference to me and now
    I am going to the airport from here.
  • 127:29 - 127:31
    Good riddance!
  • 127:32 - 127:34
    Listen,
    can we solemnize the wedding?
  • 127:34 - 127:35
    What is the use now?
  • 127:35 - 127:37
    What? -Your daughter has already
    taken the nuptial rounds.
  • 127:37 - 127:39
    And he has put the sacred
    necklace as well. -Yes.
  • 127:39 - 127:40
    Now only the giving away ceremony
    has to be performed.
  • 127:40 - 127:41
    That too you can perform.
  • 127:41 - 127:44
    You don't worry,
    l will shoot him. -Yes.
  • 127:44 - 127:46
    Now you shoot him or do
    anything else, we are going.
  • 127:46 - 127:48
    Come on, son. Come on all of you.
  • 127:48 - 127:49
    Go! Go!
  • 127:49 - 127:52
    Brother, they are going.
    -Yes.
  • 127:54 - 127:56
    (Background music)
  • 127:58 - 127:59
    Anjali
  • 127:59 - 128:01
    actually I wanted to tell you
    something very important.
  • 128:01 - 128:04
    That Raj Malhotra you fell
    in love with in Europe
  • 128:04 - 128:05
    is not my husband.
  • 128:06 - 128:07
    This is my husband.
    -What?
  • 128:07 - 128:10
    Yes! That Raj Malhotra is my friend.
  • 128:10 - 128:13
    And for your kind information,
    he is not married.
  • 128:13 - 128:14
    He is a bachelor.
  • 128:15 - 128:18
    And for your kind information
    your friend, Mr. Raj Malhotra
  • 128:18 - 128:20
    is not a bachelor anymore.
    He is a married man.
  • 128:20 - 128:23
    What? -He has just applied
    vermillion on my forehead
  • 128:23 - 128:24
    and put this sacred
    necklace on my neck.
  • 128:24 - 128:26
    And he also solemnized the
    nuptial rounds with me.
  • 128:27 - 128:30
    Daddy, before it is too late
    I want to go and stop him.
  • 128:30 - 128:32
    Go, my child.
  • 128:32 - 128:33
    Go!
  • 128:34 - 128:36
    (Background music)
  • 128:41 - 128:44
    She will come, she
    will definitely come.
  • 128:44 - 128:46
    (Background music)
  • 128:47 - 128:50
    'Passengers traveling to Mumbai
    kindly board the aircraft.'
  • 128:50 - 128:53
    'Thank you.' -She will come,
    she will have to come.
  • 128:55 - 128:56
    (Background music)
  • 128:56 - 128:59
    Hey! Stop the car! Stop the car!
  • 128:59 - 129:01
    (Background music)
  • 129:06 - 129:09
    You... how recklessly do you drive the
    car. I will teach her a lesson now.
  • 129:09 - 129:10
    'This is the last and final call'
  • 129:10 - 129:12
    'for Mr. And Mrs. Raj Malhotra.'
  • 129:12 - 129:15
    'Kindly board the aircraft
    immediately. Thank you.'
  • 129:15 - 129:17
    Hey girl, come out.
    -Inspector, please let me go.
  • 129:18 - 129:20
    I am in a hurry. -It is very important
    for me to reach the airport.
  • 129:20 - 129:22
    I will take you where required.
  • 129:22 - 129:24
    Deflate it!
    -What?
  • 129:24 - 129:25
    The car tyres. Then we will
    go to the police station.
  • 129:25 - 129:28
    Please, Inspector, it is important
    that I stop my husband.
  • 129:29 - 129:33
    First I will make a challan then
    I will take a chance. Then...
  • 129:33 - 129:34
    Shut up, Inspector.
    Mind your language.
  • 129:34 - 129:35
    You are speaking in English?
  • 129:35 - 129:37
    Come to the police station
    I will teach you Hindi.
  • 129:37 - 129:38
    Come on! Who is that?
  • 129:39 - 129:44
    I am intelligent like Shah
    Rukh Khan of 'Baazigar'.
  • 129:45 - 129:49
    I can fight like Durga's Salman Khan.
  • 129:49 - 129:52
    And I can shoot like Aamir
    Khan from 'Sarfarosh'.
  • 129:52 - 129:55
    Bastard, I will now show you who I am.
  • 129:56 - 129:59
    What will you show me?
    You are a nothing compared to me.
  • 129:59 - 130:03
    You are a lowly man, a derogatory
    man and a degraded man.
  • 130:03 - 130:04
    And you speak in front of me.
  • 130:05 - 130:07
    Come and catch me if you can.
    Come, come.
  • 130:07 - 130:09
    Go and catch that old man!
  • 130:09 - 130:12
    Catch me. Catch me. Catch me...
  • 130:12 - 130:15
    You are out. Out.
  • 130:15 - 130:16
    It is a double role, double role.
  • 130:16 - 130:18
    He is the father and I am the son.
  • 130:18 - 130:20
    In order to make money
    we fooled many people.
  • 130:21 - 130:22
    We've destroyed many families.
  • 130:22 - 130:25
    We were responsible in breaking
    your love. -What?
  • 130:25 - 130:27
    But now we will unite you.
  • 130:27 - 130:30
    You are out! Neem Carrey,
    take her to the airport.
  • 130:30 - 130:33
    Come on let's go on the
    motorbike. Come on.
  • 130:33 - 130:36
    (Background music)
  • 130:38 - 130:40
    'All the passengers are requested
    to fasten their seat belts.'
  • 130:40 - 130:42
    Oh, no!
  • 130:42 - 130:45
    'All the passengers are requested
    to fasten their seat belts.'
  • 130:46 - 130:47
    'Thank you.'
  • 130:48 - 130:50
    (Background music)
  • 130:58 - 131:00
    'To fasten your seat belts sign
    has been switched off now.'
  • 131:01 - 131:05
    'You may unfasten your seat belts.'
    -Tell me! How are you?
  • 131:05 - 131:07
    You look very sad.
    (Background music)
  • 131:08 - 131:10
    I know everything about you.
  • 131:10 - 131:14
    You are a very romantic man.
    You are a flirt.
  • 131:14 - 131:15
    Don't bore me.
  • 131:15 - 131:19
    You trouble the girls by
    going to their flats.
  • 131:19 - 131:22
    You pull their cheeks like this.
  • 131:22 - 131:24
    You beat like this on their thighs.
  • 131:24 - 131:26
    And you touch them like this...
  • 131:26 - 131:28
    I am telling you to
    behave yourself.
  • 131:28 - 131:33
    We Punjabis are very warm people.
  • 131:33 - 131:35
    When we go to see off a person
    we bid them farewell
  • 131:35 - 131:37
    and then we embrace them
    like this. -Stop it!
  • 131:37 - 131:41
    Like this! -Stop it! There is
    a limit to man to man touch.
  • 131:44 - 131:45
    It is very strange!
  • 131:46 - 131:48
    I have been touching
    you from a long time
  • 131:48 - 131:49
    and you cannot feel
    any current?
  • 131:49 - 131:51
    I am not that type of a man.
  • 131:51 - 131:52
    Then what type of a man are you?
  • 131:52 - 131:55
    I do not tease the girls like you do.
  • 131:55 - 131:56
    Then how?
  • 131:56 - 131:58
    I tease the girls like this.
  • 132:04 - 132:06
    Oh! What is this?
  • 132:06 - 132:07
    This is the limit!
  • 132:07 - 132:09
    (Background music)
  • 132:09 - 132:11
    You recognized me?
  • 132:12 - 132:16
    Yes, my dear, I recognized
    you a long time ago.
  • 132:20 - 132:21
    I knew you would surely come.
  • 132:21 - 132:23
    If you do not believe me
    then look at the back.
  • 132:24 - 132:27
    You will believe me. See at the back.
  • 132:27 - 132:30
    (Background music)
  • 132:45 - 132:47
    "This journey is short."
  • 132:48 - 132:50
    "Our companionship is
    for a short while."
  • 132:50 - 132:55
    "I just smiled and spoke to you."
  • 132:55 - 133:00
    "You thought I fell in love with you."
  • 133:00 - 133:02
    "You have crossed your limit."
  • 133:02 - 133:05
    "You have crossed your limit."
  • 133:05 - 133:07
    "You have crossed your limit."
  • 133:07 - 133:09
    "You have crossed your limit."
  • 133:09 - 133:12
    "This journey is short."
  • 133:12 - 133:14
    "Our companionship is
    for a short while."
  • 133:14 - 133:19
    "I just smiled and spoke to you."
  • 133:19 - 133:24
    "You came with a
    palanquin to my house."
  • 133:24 - 133:26
    "You have crossed your limit."
  • 133:27 - 133:29
    "You have crossed your limit."
  • 133:29 - 133:31
    "You have crossed your limit."
  • 133:31 - 133:33
    "You have crossed your limit."
  • 133:34 - 133:36
    "This journey is short."
  • 133:36 - 133:38
    "Our companionship is
    for a short while."
  • 133:38 - 133:43
    "I just smiled and spoke to you"
Title:
Hadh Kardi Aapne {HD} - Govinda - Rani Mukerji - Johnny Lever - Hindi Full Comedy Movie
Description:

more » « less
Video Language:
Hindi
Duration:
02:13:30

English subtitles

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