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Hadh Kardi Aapne {HD} - Govinda - Rani Mukerji - Johnny Lever - Hindi Full Comedy Movie

  • 1:37 - 1:39
    Now that you have dared
    to challenge me..
  • 1:39 - 1:40
    ..be ready to face
    the reality.
  • 1:41 - 1:44
    I have never come across a
    deceitful woman like you.
  • 1:44 - 1:49
    You are not loyal yourself.
    -Order! Order! Order!
  • 1:49 - 1:52
    Screaming and yelling
    is contempt of court.
  • 1:52 - 1:55
    Your lawyers will speak for you.
  • 1:55 - 1:56
    Where is your lawyer?
  • 1:59 - 2:01
    Sorry sir.
    Neem Carrey reporting sir.
  • 2:01 - 2:03
    Sorry Sir, sorry.
  • 2:03 - 2:06
    Why did you slip inside
    the court this way?
  • 2:06 - 2:08
    Your Honour,
    I am a slippery character.
  • 2:09 - 2:11
    My neighbours say that's our
    family inborn quality.
  • 2:11 - 2:13
    Once my father slipped
    in the muck..
  • 2:13 - 2:14
    ..and directly entered the court.
  • 2:14 - 2:16
    Suddenly he realised,
    he had forgotten..
  • 2:16 - 2:17
    ..to pay my mother for the
    household expenses.
  • 2:17 - 2:18
    My mother was in the bathroom.
  • 2:18 - 2:21
    She slipped on the washing soap,
    and came directly to the court.
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    And that's why, as a lawyer..
  • 2:23 - 2:26
    ..I will see the end of Sanjay Khanna.
    -What?
  • 2:26 - 2:27
    I mean, achieve your goal.
  • 2:28 - 2:29
    Because I know..
  • 2:29 - 2:33
    ..you want to divorce your wife
    Anjali Khanna at any cost.
  • 2:34 - 2:36
    And I will get you that.
    -Yes your honour.
  • 2:36 - 2:38
    I cannot stay with
    this woman now.
  • 2:38 - 2:41
    No one can.
  • 2:41 - 2:42
    He is not human.
    -What?
  • 2:43 - 2:45
    He is an angel.
    She's not fit for him.
  • 2:45 - 2:47
    Your honour,
    I am fed up of this man myself.
  • 2:47 - 2:50
    You cannot argue in the court.
  • 2:51 - 2:52
    Do you have a lawyer?
  • 2:53 - 2:54
    Your honour.
  • 2:55 - 2:58
    I am Anjali Khanna's advocate.
    Ram Carrey reporting.
  • 2:59 - 3:01
    What have you done to yourself?
  • 3:01 - 3:02
    Why don't you do something
    about it?
  • 3:02 - 3:03
    Sir, what else do you want him to do?
  • 3:04 - 3:05
    There's no limit.
  • 3:05 - 3:06
    He has done this to himself.
  • 3:08 - 3:12
    I know everything.
    It's my son Neem Carrey's doings.
  • 3:13 - 3:15
    Your honour, he knew that
    I was winning this case.
  • 3:15 - 3:17
    And so he locked me
    up in the bathroom.
  • 3:18 - 3:21
    But truth can never stay locked up.
    I broke open the door.
  • 3:21 - 3:23
    Look, it even tore my clothes.
    Take a look at my condition.
  • 3:24 - 3:26
    Your honour, my first charge on
    the night of January the 7th.
  • 3:27 - 3:30
    Mrs. Anjali Khanna was with
    Mr. Menon in Hilton Hotel.
  • 3:31 - 3:32
    You are wrong.
  • 3:32 - 3:37
    On the night of 7th January
    Anjali was not with Mr. Menon.
  • 3:37 - 3:39
    In fact, she was with Mr. Kanan.
  • 3:39 - 3:41
    Carrey uncle.
    -Did I overdo it?
  • 3:42 - 3:43
    Your honour, who is this Kanan?
  • 3:43 - 3:46
    You are defending the case,
    and you don't know who Kanan is?
  • 3:47 - 3:50
    Chandan's brother, Kanan.
    -Who is Chandan?
  • 3:50 - 3:54
    Manan's son, Chandan.
    -Who is Manan?
  • 3:54 - 3:56
    Babban's neighbour.
  • 3:56 - 3:58
    But your honour what
    relation does..
  • 3:58 - 4:00
    ..the neighbour have
    with this case?
  • 4:00 - 4:04
    Your honour,
    this fool doesn't know anything.
  • 4:04 - 4:07
    Actually, Anjali doesn't have
    any affair with anyone.
  • 4:08 - 4:09
    He's the one having an affair.
  • 4:09 - 4:11
    Last week, he presented..
  • 4:11 - 4:13
    ..Sunzina with a diamond necklace
    worth 1.1 million rupees.
  • 4:14 - 4:16
    Wrong. It wasn't worth
    1.1 million rupees.
  • 4:17 - 4:22
    Mr. Khanna gifted a necklace
    worth Rs.1100. That's all.
  • 4:23 - 4:24
    What are you saying?
  • 4:24 - 4:26
    Note that your honour.
    He presented her the necklace.
  • 4:26 - 4:28
    That means he has an affair
    with Suzina too.
  • 4:28 - 4:31
    Not just Suzina,
    he has an affair with Melina too.
  • 4:32 - 4:33
    Who is Melina?
  • 4:34 - 4:37
    The one who came with Lilina.
    -Who is Lilina?
  • 4:37 - 4:39
    Tina's neighbour.
  • 4:40 - 4:43
    But son what relation does the
    neighbour have with this case?
  • 4:43 - 4:47
    The same way Chandan,
    Manan and Babban do, Daddy.
  • 4:47 - 4:49
    Don't try to be smart,
    understand.
  • 4:50 - 4:50
    Your honour.
  • 4:50 - 4:53
    He's a complete fool. And still
    wants to defend this case.
  • 4:53 - 4:57
    But, currently his wife has an affair
    with eleven people.
  • 4:57 - 5:00
    And her husband is having
    his 25th affair.
  • 5:01 - 5:02
    25 affairs.
    You think that's possible, Sir.
  • 5:02 - 5:04
    Is he the grandson
    of Wajid Ali Shah?
  • 5:04 - 5:06
    He's lying.
    Has gone completely crazy.
  • 5:06 - 5:07
    He resorted to tearing clothes.
  • 5:07 - 5:10
    His own and others too.
    Take a look.
  • 5:10 - 5:15
    Both the parties couldn't
    prove the truth.
  • 5:15 - 5:17
    And the court cannot
    give its verdict..
  • 5:17 - 5:19
    ..without concrete evidence.
  • 5:19 - 5:22
    And that's why, the court grants
    your one months time.
  • 5:22 - 5:25
    Within a month,
    you will have to gather evidence.
  • 5:25 - 5:27
    That will prove this madam wrong.
  • 5:28 - 5:30
    And Madan,
    within this one month..
  • 5:30 - 5:32
    ..try to gather some
    evidence that..
  • 5:32 - 5:34
    ..will prove this mister wrong.
  • 5:34 - 5:37
    Only then will the court
    give its verdict.
  • 5:37 - 5:39
    Whether you should be permitted
    to get divorce or not.
  • 5:39 - 5:42
    I have to gather evidence
    within a month. But how?
  • 5:43 - 5:45
    The court has really
    got me in a fix.
  • 5:45 - 5:47
    How will this happen, Uncle?
  • 5:47 - 5:51
    You cannot catch him red-handed
    because he meets girls slyly.
  • 5:51 - 5:52
    Tell me Uncle, what can I do?
  • 5:53 - 5:55
    Tell him that you are going to
    Europe for 15-20 days. -Yes.
  • 5:55 - 5:58
    This way,
    he won't fear you catching him.
  • 5:58 - 6:00
    And he will meet the
    girls openly.
  • 6:00 - 6:02
    And instead of going to Europe..
  • 6:02 - 6:04
    ..you can stay here and
    catch him red-handed.
  • 6:04 - 6:06
    But won't he know that I am right
    here and not in Europe.
  • 6:06 - 6:08
    He won't? Send one of your
    friends in your place.
  • 6:08 - 6:10
    Uncle, this can be arranged.
  • 6:10 - 6:12
    I had a friend in college,
    Anjali Khanna.
  • 6:13 - 6:14
    At that time,
    I was Anjali Kapoor.
  • 6:15 - 6:17
    After marrying this idiot,
    I have become Anjali Khanna.
  • 6:17 - 6:20
    And so, Anjali Khanna
    will go on this tour.
  • 6:21 - 6:23
    Sister,
    the groom's family has arrived.
  • 6:23 - 6:26
    And the boy looks so handsome.
    -Quiet.
  • 6:26 - 6:28
    Even our grocery seller is good
    looking for you. -Yes.
  • 6:29 - 6:30
    Listen, get the tea tray.
  • 6:31 - 6:35
    And then watch Anjali
    work her magic. -Wow.
  • 6:35 - 6:38
    Attention, sister is coming.
  • 6:39 - 6:41
    Come dear, come.
  • 6:43 - 6:45
    This is Mr. Sharma.
  • 6:45 - 6:48
    Mrs. Sharma.
    And their son, Monty.
  • 6:50 - 6:53
    Bless you. -Bless you, Dear.
  • 6:53 - 6:54
    Greetings.
  • 7:00 - 7:02
    Are you winking at me?
    -It's habitual.
  • 7:03 - 7:05
    Please come with me.
    To that corner.
  • 7:05 - 7:08
    I want to talk to you in private.
    Please come.
  • 7:09 - 7:11
    Go on son, go.
  • 7:14 - 7:17
    Here. Have some tea. -Thank you.
  • 7:17 - 7:19
    Why are you hands trembling
    so much?
  • 7:19 - 7:22
    I had too much to drink last
    night. -You drink too. -Yes.
  • 7:23 - 7:25
    Half a bottle every night.
    -Half a bottle.
  • 7:25 - 7:28
    Yes. But if I am in the mood,
    I finish the entire bottle.
  • 7:28 - 7:30
    She is a drunkard.
  • 7:30 - 7:33
    You will know my qualities
    once we get married.
  • 7:34 - 7:37
    By the way,
    what is the number of your flat?
  • 7:37 - 7:39
    107. -Really! That means,
    today if I place a bet..
  • 7:39 - 7:42
    ..on number one and seven,
    I am sure to win. -You gamble.
  • 7:42 - 7:45
    So does my daddy.
    -What?
  • 7:45 - 7:47
    Yes. But don't tell mummy
    about your flat number. -Why?
  • 7:47 - 7:49
    Actually,
    mummy likes to bet on horses.
  • 7:49 - 7:50
    The number of your flat is 107.
  • 7:50 - 7:54
    And my mummy will bet everything
    on horses one and seven.
  • 7:54 - 7:57
    Oh God. That's too bad.
  • 7:57 - 8:01
    That's nothing. There's something
    even worse. -What's that?
  • 8:03 - 8:05
    My uncle.
    -Yes.
  • 8:05 - 8:08
    He takes contracts.
    -Constructions.
  • 8:08 - 8:09
    Murders.
  • 8:11 - 8:13
    (Whistling)
  • 8:13 - 8:16
    The only thing missing in
    this family is a dacoit.
  • 8:16 - 8:17
    Not for long. -What?
  • 8:17 - 8:22
    Once we get married.
    And then..when he's born.
  • 8:22 - 8:25
    We will send him to Chambal
    for training.
  • 8:25 - 8:27
    Daddy. -Yes, Son.
    -What's wrong?
  • 8:27 - 8:28
    Mummy. -What happened, Son?
    -Let's leave, quickly.
  • 8:28 - 8:31
    Before we land in some trouble.
    Let's go.
  • 8:31 - 8:34
    But what's wrong? -I have heard
    everything too. Let's leave.
  • 8:34 - 8:37
    Fine then, we are leaving. Goodbye.
    -Please listen to me.
  • 8:37 - 8:38
    My wife has heard everything.
  • 8:38 - 8:40
    And I don't want to hear
    anything else. Come on.
  • 8:40 - 8:44
    Brother. -It was such a nice proposal.
    The boy works for CID.
  • 8:44 - 8:45
    Daddy, Mummy, Uncle.
  • 8:45 - 8:48
    You know, everything in my life
    has been of my choice.
  • 8:48 - 8:51
    Then, how can I marry
    a boy of your choice?
  • 8:51 - 8:54
    I will marry only someone
    of my choice.
  • 8:54 - 8:55
    Or else I won't get married.
  • 8:55 - 8:58
    That's why I put up this charade.
    - Very good! Bravo!
  • 8:59 - 9:01
    We were putting up a charade too.
    -What?
  • 9:01 - 9:03
    We knew that you were
    just acting.
  • 9:03 - 9:07
    My son is a CID officer.
    -And I am ready for this marriage.
  • 9:07 - 9:09
    Oh no.
    -Oh yes.
  • 9:09 - 9:13
    I don't want to get
    married right now.
  • 9:16 - 9:17
    (Car horn)
  • 9:18 - 9:19
    (Car approaching)
  • 9:19 - 9:21
    Anjali. -Anjali. -Anjali.
  • 9:21 - 9:23
    I am in a real problem.
    Please help me.
  • 9:23 - 9:26
    But Anjali, how can I help
    you in getting a divorce?
  • 9:27 - 9:29
    I want to catch Sanjay
    red-handed.
  • 9:29 - 9:32
    So you want me to flirt
    with your husband.
  • 9:32 - 9:33
    And you will click photographs
    of us together.
  • 9:34 - 9:35
    And present them in the court.
  • 9:36 - 9:39
    Not really. I will go after him.
    -Then, why do you need me?
  • 9:40 - 9:42
    Anjali. I will let Sanjay know..
  • 9:43 - 9:44
    ..that I am leaving for
    a tour of Europe.
  • 9:44 - 9:47
    But instead,
    you will go in my place.
  • 9:47 - 9:50
    He will become relaxed.
    And, I will catch him red handed.
  • 9:50 - 9:53
    Brilliant. This will solve
    both our problems.
  • 9:53 - 9:56
    And I can get away from
    these marriage hassles.
  • 9:56 - 9:57
    Okay, done.
    I am booking the ticket.
  • 9:57 - 9:58
    (Keypad tones)
  • 9:58 - 9:59
    (Telephone rings)
  • 9:59 - 10:00
    Come in.
  • 10:00 - 10:01
    (Telephone rings)
  • 10:05 - 10:07
    Hello.
    -Hello.
  • 10:07 - 10:09
    Come on. Where to?
  • 10:10 - 10:13
    Sangeeta, my dear.
  • 10:13 - 10:15
    But we are supposed to
    go out in the evening.
  • 10:15 - 10:17
    This is my working time.
    Why go now?
  • 10:17 - 10:19
    This is Anjali Khanna speaking,
    and not Sangeeta.
  • 10:20 - 10:24
    Khanna.
    -No dear, I don't do such things.
  • 10:24 - 10:26
    Chela Ramani,
    fix your hearing aide.
  • 10:26 - 10:30
    What did you say?
    What should I get fixed?
  • 10:30 - 10:32
    I get it. My hearing aide.
    It has a lose connection.
  • 10:32 - 10:34
    It's Anjali Khanna speaking.
  • 10:34 - 10:36
    Anjali.
    Sister-in-law, now I know.
  • 10:36 - 10:37
    Tell me, why did you call?
    -Listen.
  • 10:37 - 10:39
    I want one ticket
    for Europe tour.
  • 10:39 - 10:41
    You don't get cakes here,
    Sister-in-law.
  • 10:41 - 10:42
    This is a travel agency.
  • 10:43 - 10:46
    Now, if you wish to have the cake
    of Taj, then visit the Taj.
  • 10:46 - 10:48
    If you desire to have the cake
    of Monginis, then go there.
  • 10:48 - 10:50
    Oh God, there seems to be
    a loose contact again.
  • 10:50 - 10:52
    Wire..
  • 10:53 - 10:57
    Sister-in-law, you want a ticket.
    You will get it.
  • 10:57 - 10:58
    Thank you very much.
  • 10:59 - 11:03
    Touch. I don't get one thing.
  • 11:03 - 11:05
    Why does every person say,
    touch after saying thank you?
  • 11:06 - 11:08
    Are you going somewhere?
    -Yes.
  • 11:09 - 11:11
    Where are you going?
    -Europe, on a tour.
  • 11:12 - 11:14
    When are you leaving?
    -Tomorrow.
  • 11:15 - 11:16
    And you didn't even inform me.
  • 11:17 - 11:19
    We don't tell each other
    much these days.
  • 11:19 - 11:20
    She's going on a Europe
    tour tomorrow.
  • 11:20 - 11:23
    And she's letting me know today.
    -Listen to me. Come here.
  • 11:23 - 11:25
    You are lucky that she
    did inform you.
  • 11:25 - 11:27
    What would you have done if she hadn't?
    -What could I have done?
  • 11:27 - 11:31
    Oh my God, try to understand.
    -She won't be going alone.
  • 11:31 - 11:32
    Her boyfriend must
    be along with her.
  • 11:32 - 11:35
    Sir, this is your chance.
    Follow her.
  • 11:35 - 11:36
    And catch her red-handed.
    -Fool.
  • 11:36 - 11:38
    She won't interact with her
    boyfriend freely in front of me.
  • 11:38 - 11:41
    Oh my God, I can't believe it.
  • 11:41 - 11:44
    You can say something
    so intelligent.
  • 11:44 - 11:48
    Carrey, that's too much.
    -Okay. No problem.
  • 11:48 - 11:49
    Now I understand your problem.
  • 11:49 - 11:52
    You will have to send
    James Bond after her.
  • 11:52 - 11:54
    Only he can solve your problem.
  • 11:54 - 11:59
    Handsome.
    Smart. Dashing. Piercing eyes.
  • 11:59 - 12:01
    I know someone. I know someone.
  • 12:01 - 12:03
    He studied in my college.
  • 12:03 - 12:05
    He's a fantastic man
    like James Bond.
  • 12:06 - 12:07
    He can do this.
    -Where is he? Who is he?
  • 12:08 - 12:10
    He stays in Mumbai. Raj Malhotra.
  • 12:11 - 12:13
    Raj! Where is he these days?
  • 12:15 - 12:17
    (Car drifts)
  • 12:55 - 13:01
    "I am restless..
    so restless to fall in love."
  • 13:03 - 13:09
    "I want this wait
    to end forever."
  • 13:11 - 13:13
    "Where do I look for her?"
  • 13:13 - 13:17
    "Here there, everywhere."
  • 13:20 - 13:26
    "I am restless..
    so restless to fall in love."
  • 13:26 - 13:32
    "I want this wait
    to end forever."
  • 14:01 - 14:06
    "I am waiting for someone
    to steal my heart."
  • 14:10 - 14:16
    "Comes running straight
    into my arms."
  • 14:18 - 14:22
    "When will our paths cross?"
  • 14:22 - 14:25
    "When will I fall in
    love with someone?"
  • 14:26 - 14:29
    "When will our paths cross?"
  • 14:29 - 14:33
    "When will I fall in
    love with someone?"
  • 14:33 - 14:39
    "Someone..just pierces my heart."
  • 14:41 - 14:47
    "I am restless..
    so restless to fall in love."
  • 15:12 - 15:20
    "I am fed up of the sleepless
    nights and the loneliness."
  • 15:23 - 15:31
    "I am fed up of the sleepless
    nights and the loneliness."
  • 15:31 - 15:34
    "I wish to be in someone's
    company."
  • 15:35 - 15:38
    "To kiss someone."
  • 15:38 - 15:42
    "I wish to be in someone's
    company."
  • 15:42 - 15:46
    "To kiss someone."
  • 15:46 - 15:52
    "I wish for a girl that
    can dwell in my heart."
  • 15:54 - 15:56
    "To play the game of love..
  • 15:56 - 15:59
    ..it doesn't matter whether
    I win or lose."
  • 16:01 - 16:04
    "Where do I look for her?"
  • 16:04 - 16:07
    "Here there, everywhere."
  • 16:11 - 16:16
    "I am restless..
    so restless to fall in love."
  • 16:17 - 16:23
    "This time I want this
    wait to end forever."
  • 16:26 - 16:30
    Raj. Hey Raj. Is anybody there?
  • 16:30 - 16:32
    Raj.
    -Come in.
  • 16:33 - 16:35
    Good day.
  • 16:35 - 16:39
    Stupid. You have come so
    late to repair the fan.
  • 16:39 - 16:41
    Don't you know the fan
    is not working?
  • 16:42 - 16:45
    This is not right.
    Come on, repair the fan. -Fan.
  • 16:45 - 16:47
    Exactly.
  • 16:47 - 16:51
    I have been calling
    you since morning.
  • 16:51 - 16:54
    This is not right?
    Come on, repair the fan.
  • 16:54 - 16:57
    But, I am.. -I don't want
    to know. Repair the fan.
  • 16:58 - 17:02
    It's has been making a clanging
    noise since yesterday night. Repair it.
  • 17:02 - 17:05
    Listen to me.. -I don't want
    to know. Repair the fan.
  • 17:07 - 17:10
    Being a mechanic, you have come
    wearing a suit. -Mechanic.
  • 17:10 - 17:13
    Me, a mechanic.
    -You think you are the manager.
  • 17:13 - 17:16
    That enough from you.
    Will you repair the fan, or not?
  • 17:16 - 17:18
    Repair it quickly. I got it
    as a gift in my marriage.
  • 17:19 - 17:22
    It hasn't been working properly.
    -But I..
  • 17:22 - 17:24
    Will you repair it or not.
    -No I won't.
  • 17:24 - 17:26
    Will you repair it or not.
    -No I won't.
  • 17:27 - 17:29
    Then I will have to call my son,
    Somu. Somu.
  • 17:29 - 17:33
    Where is the rooster?
  • 17:33 - 17:34
    Tell me.
  • 17:34 - 17:36
    Where is the rooster, Mother?
  • 17:36 - 17:38
    This one. Him.
  • 17:38 - 17:41
    What's that thing?
    -That's not a thing?
  • 17:41 - 17:43
    He's my son, Somu.
  • 17:45 - 17:47
    You know he's a drunkard and
    keeps sleeping around all day
  • 17:47 - 17:50
    But if he fires with
    his shivering hands.
  • 17:50 - 17:53
    You will never know where
    the bullet hit you.
  • 17:55 - 17:56
    Repair the fan.
    -What have I gotten myself into?
  • 17:57 - 17:59
    Somu.
    -Where is the rooster?
  • 18:00 - 18:02
    Where is it? Here?
  • 18:02 - 18:03
    Here!
  • 18:04 - 18:07
    Repair the fan.
    Or else, Somu shoot him.
  • 18:07 - 18:09
    How can I? I don't have tools.
  • 18:10 - 18:14
    How stupid!
    You don't even carry your tools.
  • 18:15 - 18:17
    Wait, I will give you my tools.
  • 18:17 - 18:20
    Or else, better yet pick up the
    one's lying on the floor.
  • 18:20 - 18:24
    Here. Here. I will. I will
    repair the fan. Here.
  • 18:24 - 18:26
    Parvati!
  • 18:28 - 18:32
    Nirma. Bring the drink.
  • 18:42 - 18:43
    Who wants the drink?
  • 18:47 - 18:48
    Excuse me.
  • 18:49 - 18:49
    Yes!
  • 18:50 - 18:52
    Drink.
  • 18:55 - 18:56
    I will repair your fan today.
  • 18:57 - 19:01
    Let us go. We will come back
    once the fan is repaired.
  • 19:02 - 19:04
    (Coughs)
  • 19:05 - 19:06
    (Gasps)
  • 19:07 - 19:08
    (Gasps)
  • 19:15 - 19:16
    What are you doing?
  • 19:17 - 19:20
    The fan is not working.
    -What are you doing? Stop it!
  • 19:22 - 19:26
    Look at me. I am only 36.
    -What?
  • 19:27 - 19:30
    Not my age, that's my size.
  • 19:30 - 19:33
    36-36-36.
  • 19:34 - 19:36
    Hey.
    -No hey or A...
  • 19:37 - 19:42
    ..B.. C.. D.. E..
  • 19:42 - 19:44
    Mummy...
  • 19:46 - 19:48
    What happened?
    -This one ran away too.
  • 19:50 - 19:52
    Don't worry.
    Your brother Raj is a detective.
  • 19:53 - 19:56
    He will run into him somewhere.
    -Everyone is crazy.
  • 19:56 - 19:59
    Sanjay! No, I won't talk to you.
  • 19:59 - 20:00
    You thought about this friend
    after a long time.
  • 20:00 - 20:03
    Surely you must be in some trouble.
    -I really am in big trouble.
  • 20:03 - 20:04
    I want divorce from my wife.
  • 20:04 - 20:07
    You didn't invite me
    for your marriage.
  • 20:07 - 20:08
    Didn't even introduce
    me to sister-in-law.
  • 20:08 - 20:09
    And now when you want divorce,
    you have come seeking my help.
  • 20:09 - 20:12
    Why? Am I the court?
    -I went to the court.
  • 20:12 - 20:14
    But the court wants evidence
    of my wife's affairs.
  • 20:15 - 20:18
    So you need a friend who can
    be a detective for you.
  • 20:18 - 20:19
    Raj, I know you are a
    dashing detective.
  • 20:19 - 20:21
    I remember.
    During our college days..
  • 20:21 - 20:23
    ..you would solve difficult
    cases in a jiffy.
  • 20:23 - 20:25
    I remember.
    -Thank you my friend.
  • 20:25 - 20:28
    After that praise, I won't let
    your wife harass you anymore.
  • 20:28 - 20:29
    Where can I find Sister-in-law?
  • 20:29 - 20:30
    She's leaving for
    a tour of Europe.
  • 20:30 - 20:32
    Get my ticket booked
    in the same flight..
  • 20:32 - 20:34
    ..and arrange for some money,
    and come to the airport.
  • 20:34 - 20:37
    Don't worry my friend. I will
    handle your case carefully man.
  • 20:37 - 20:39
    I see to it that you get divorce.
  • 20:40 - 20:42
    Hey man. Which way is the toilet?
    -That way.
  • 20:42 - 20:44
    Thank you.
    -Excuse me. Go that side.
  • 20:44 - 20:47
    I know that, I just took my cap.
    -Bye.
  • 20:47 - 20:49
    Excuse me. Where's the toilet?
    -That way, ma'am.
  • 20:50 - 20:51
    Thanks.
  • 20:51 - 20:53
    No, no, no, no.
  • 20:54 - 20:59
    Really. I looked for you
    here and there, everywhere.
  • 20:59 - 21:02
    And I found you here,
    in front of the toilet.
  • 21:03 - 21:05
    That's not possible!
    -Will you please get up?
  • 21:05 - 21:09
    I don't want to. It's like
    my dreams have come true.
  • 21:10 - 21:11
    Darn!
  • 21:11 - 21:12
    I hate you kind of men.
  • 21:12 - 21:13
    I love you kind of girls.
    -Idiot.
  • 21:14 - 21:16
    Wow! Your abuses are so sweet.
  • 21:16 - 21:18
    So sweet.
    -God, you are so stupid man.
  • 21:18 - 21:21
    What a beautiful girl.
  • 21:21 - 21:23
    Hi Anjali. -Hi Raj.
  • 21:24 - 21:28
    Listen. These are my wife's photographs.
    -Okay.
  • 21:28 - 21:30
    This is your ticket.
    And my mobile number.
  • 21:30 - 21:32
    And only you know about it.
  • 21:32 - 21:34
    You have your passport.
    And here's your ticket. -Okay.
  • 21:34 - 21:36
    Just do one thing.
    Keep a close watch on her.
  • 21:36 - 21:38
    Where she goes?
    Whom does she meet?
  • 21:38 - 21:39
    Why does she meet?
    -Don't worry.
  • 21:39 - 21:40
    I am the James Bond of our group.
  • 21:40 - 21:41
    I will keep such a close
    watch on her..
  • 21:41 - 21:42
    ..that, even though she tries
    to do something covertly.
  • 21:42 - 21:45
    Either she will be caught
    red-handed, or get a clean chit.
  • 21:45 - 21:47
    Okay, bye.
    -No, listen to me.
  • 21:47 - 21:49
    Now we cannot contact each other.
  • 21:49 - 21:50
    So you better take care of yourself.
    -Alright.
  • 21:50 - 21:53
    This is not a place to meet.
    In this bathroom -Bye, see you.
  • 21:53 - 21:54
    That's why,
    I want to get married.
  • 21:54 - 21:55
    So I don't have to see
    all this nonsense.
  • 22:00 - 22:02
    Really.
    -Shut up.
  • 22:02 - 22:06
    Appeal plus lust. -I never came
    across an idiot like you.
  • 22:07 - 22:09
    Fire plus poetry.
    -Get up.
  • 22:09 - 22:11
    You are such a lovable person..
    - I said, get up.
  • 22:11 - 22:12
    Stupid.
  • 22:12 - 22:14
    Wow. She's beautiful.
  • 22:16 - 22:18
    Hey! Where's my envelope?
  • 22:18 - 22:21
    Squeeze me. I mean, excuse me.
  • 22:21 - 22:24
    What is it?
    -Well. -What?
  • 22:25 - 22:26
    Thanks.
  • 22:27 - 22:29
    Your Mickey is very lucky.
    -Why?
  • 22:30 - 22:31
    He's so close to you.
  • 22:32 - 22:34
    Sorry. Your hat.
  • 22:38 - 22:40
    So Pappi.
    You are going on a foreign tour..
  • 22:40 - 22:42
    ..for the first time in your life.
    -Yes.
  • 22:42 - 22:45
    Did your dad ever go to a foreign tour?
  • 22:45 - 22:48
    My father would have
    gone if your mother had.
  • 22:48 - 22:51
    Shut your mouth. And sit here.
  • 22:51 - 22:55
    I will just inquire about our flight.
    Listen. Be careful.
  • 22:55 - 22:57
    Why? You think someone will
    steal me from the airport?
  • 22:57 - 22:59
    Only a fool will steal you.
    -Mind your words!
  • 23:01 - 23:03
    What a beauty.
  • 23:05 - 23:07
    Hello.
    -Hello.
  • 23:07 - 23:08
    Will you please get up?
    -Why?
  • 23:09 - 23:12
    You are sitting on my handkerchief.
    -Oh, sorry.
  • 23:12 - 23:15
    It's not there.
    Anyway, take your seat.
  • 23:15 - 23:17
    I will sit and talk with you.
  • 23:17 - 23:21
    Are you going on Golden Travel's
    Europe Tour? -Yes.
  • 23:21 - 23:23
    I am going on the same tour.
    Nice meeting you.
  • 23:23 - 23:25
    You don't have to worry
    about anything..
  • 23:25 - 23:27
    ..in Europe as long
    as I am there.
  • 23:27 - 23:28
    If you need anything,
  • 23:28 - 23:30
    call me at midnight
    and I will be there.
  • 23:31 - 23:33
    If you are facing any problem,
    call me at midnight.
  • 23:33 - 23:35
    and I will be there.
    -Hey man. Hey. Leave her hand.
  • 23:35 - 23:38
    The tickets are sold there.
    If any Englishman troubles you,
  • 23:38 - 23:40
    Call me at midnight..
    -Just a minute.
  • 23:40 - 23:42
    Why do you do everything
    at midnight?
  • 23:42 - 23:44
    Do you sleep during the day?
    -Why are you concerned?
  • 23:44 - 23:48
    Actually,
    I married her 12 years ago.
  • 23:48 - 23:50
    Why are you arguing for something
    that happened 12 years ago?
  • 23:50 - 23:54
    I am her husband. And you are
    flirting with a married woman.
  • 23:54 - 23:56
    I.. Sister-in-law, good day.
  • 23:57 - 23:59
    That's a completely new twist.
  • 23:59 - 24:02
    I am Chaudhary.
    -And I am Bhaidas Bhai.
  • 24:02 - 24:05
    And she's Bhaidas Behn. For you.
    -Actually, I am Dimple.
  • 24:05 - 24:06
    Oh really.
  • 24:06 - 24:11
    You two look really nice together.
    Don't misunderstand me.
  • 24:11 - 24:14
    Because,
    I have a personal wife myself.
  • 24:14 - 24:15
    Look, there she is..
  • 24:15 - 24:19
    So, you are coming with us on
    Golden Travel's Europe tour?
  • 24:19 - 24:20
    Yes.
  • 24:20 - 24:22
    That's just amazing..
  • 24:22 - 24:24
    If you are facing any problem.
  • 24:24 - 24:27
    Call me at midnight.
    And I will be there.
  • 24:27 - 24:27
    laughs.
  • 24:27 - 24:31
    If you need anything.
    Call me at midnight.
  • 24:31 - 24:33
    Call me at midnight.
    And I will be there.
  • 24:33 - 24:37
    If any Englishman troubles you.
    Call me at midnight.
  • 24:37 - 24:40
    I will be there.
    -Excuse me.
  • 24:40 - 24:43
    Why do you do everything
    at midnight?
  • 24:43 - 24:46
    Do you sleep during the day?
    -Why does it concern you?
  • 24:46 - 24:50
    Why shouldn't I,
    we got married 12 years ago.
  • 24:50 - 24:53
    Why are you arguing for something
    that happened 12 years ago?
  • 24:53 - 24:55
    Forget it.
    -How can I forget it?
  • 24:55 - 24:57
    She's my wife.
  • 24:58 - 25:00
    Sister-in-law. Hello.
    -Hello.
  • 25:00 - 25:02
    I noticed that she's alone, and..
    -Alone.
  • 25:02 - 25:05
    She's never alone. She's
    always two persons in one
  • 25:05 - 25:08
    And when she is with me,
    there's four persons.
  • 25:08 - 25:10
    Come on, let's go from here.
  • 25:10 - 25:12
    The luggage and the trolley.
    -Forget the trolley.
  • 25:12 - 25:15
    Your brother will bring it along.
    Follow us with the trolley.
  • 25:15 - 25:16
    Brother.
  • 25:16 - 25:19
    Daddy, you were on your
    way to the toilet,
  • 25:19 - 25:23
    But you are flirting around here.
    Let me call mummy. -Quiet.
  • 25:23 - 25:25
    (Door opens)
  • 25:25 - 25:28
    I hope you are safely leaving
    with your entire luggage? -Yes.
  • 25:28 - 25:32
    You know what you have to do in
    this mission. -Don't worry.
  • 25:32 - 25:35
    And you don't worry.
    I will join you soon. -Okay.
  • 25:37 - 25:39
    What a beautiful airhostess.
  • 25:40 - 25:43
    I am sorry. Very sorry.
    -You are welcome.
  • 25:43 - 25:44
    Are you hurt?
  • 25:45 - 25:46
    That's fine. I don't mind at all.
  • 25:46 - 25:49
    That's very good.
    It's good to be such a sport.
  • 25:49 - 25:50
    Naughty boy.
  • 25:51 - 25:53
    This journey is going to
    be really cumbersome.
  • 25:53 - 25:58
    No, I am just 45 kilos.
    -Direct attack.
  • 26:00 - 26:04
    Is she the one?
    No, she couldn't be. She can be.
  • 26:04 - 26:07
    No, she can't be. Whether she's
    sister-in-law, or not.
  • 26:07 - 26:11
    Whoever she is,
    I have to be a bit careful.
  • 26:12 - 26:15
    What's this?
    It's better than first class.
  • 26:15 - 26:18
    Idiot.
    -Excuse me. I am sorry.
  • 26:18 - 26:21
    You didn't say you are welcome.
    That's okay.
  • 26:21 - 26:23
    Sometimes eyes say what
    the lips cannot.
  • 26:23 - 26:26
    The eyes have said it all.
    What is your good name? -Shut up!
  • 26:26 - 26:28
    That's not a good name.
    Please change it.
  • 26:29 - 26:31
    It looks like we will
    get along very well.
  • 26:32 - 26:34
    Can I sit here? I will sit here.
  • 26:34 - 26:36
    Before anyone takes advantage
    of this opportunity.
  • 26:36 - 26:39
    I don't want to miss the train.
  • 26:39 - 26:43
    All passengers are requested to..
    -That's okay, baby.
  • 26:43 - 26:44
    Baby...
  • 26:44 - 26:45
    You don't need that.
  • 26:45 - 26:48
    If the plane swaggers, you can
    hold on to me. I don't mind.
  • 26:48 - 26:51
    Will you please keep quiet?
    -That's all right.
  • 26:53 - 26:55
    You missed the shot.
  • 26:58 - 26:59
    Again you missed the shot.
  • 26:59 - 27:01
    Be gentle, I know it must hurt.
  • 27:01 - 27:04
    Excuse me! Is anyone here?
    This passenger is irritating me.
  • 27:04 - 27:08
    Don't worry, I am there.
  • 27:08 - 27:11
    Come and sit on my seat,
    and I will sit there.
  • 27:11 - 27:14
    That won't be necessary.
    I will come and sit on your seat.
  • 27:14 - 27:17
    You can come here,
    and sit besides her.
  • 27:18 - 27:19
    Bye sweetheart.
  • 27:21 - 27:22
    Stupid.
  • 27:29 - 27:32
    Now I will make sure
    no one touches you.
  • 27:32 - 27:35
    Nonsense. I will not spare him.
  • 27:35 - 27:39
    Nonsense. I.. Where are you from?
  • 27:39 - 27:41
    From Delhi or Jalander?
    -Ludhiana.
  • 27:41 - 27:43
    Ludhiana. You are from Ludhiana.
  • 27:43 - 27:47
    You are from Ludhiana. Now,
    no one can touch you like this.
  • 27:47 - 27:50
    No one can touch you like this,
    or like this.
  • 27:50 - 27:52
    I will see to it that
    no one does.
  • 27:52 - 27:56
    No one can touch your
    cheeks like this.
  • 27:56 - 27:58
    No one can touch your
    thighs like this.
  • 27:58 - 28:01
    And this..I won't let anyone
    do this to you.
  • 28:02 - 28:05
    I won't let anyone do anything,
    you just watch. -Thank you.
  • 28:05 - 28:07
    What would I have
    done without you?
  • 28:08 - 28:11
    Just think what can happen with me.
    -What do you mean?
  • 28:11 - 28:17
    I mean we Punjabis have a
    style to see-off someone.
  • 28:17 - 28:19
    We have a very warm feeling.
  • 28:19 - 28:22
    We bid adieu and embrace
    the person like this.
  • 28:22 - 28:25
    Good bye. Bye. -Excuse me.
    -You are acting too smart.
  • 28:25 - 28:27
    All Punjabi's are smart.
    That's not new.
  • 28:28 - 28:31
    Do you want one more,
    or was that enough?
  • 28:31 - 28:33
    Let that warm feeling flow.
  • 28:33 - 28:35
    Hello.
    -Excuse me.
  • 28:35 - 28:37
    Behave yourself.
    -Let that warm feeling flow.
  • 28:37 - 28:39
    It's nothing wrong.
    -Airhostess. Airhostess.
  • 28:40 - 28:41
    Yes madam.
  • 28:41 - 28:43
    This man is worse than
    the earlier one.
  • 28:43 - 28:44
    Please change my seat.
    -Please come with me.
  • 28:44 - 28:46
    All men are like that.
    -How do you know?
  • 28:46 - 28:48
    Shut up.
    -She's calling you.
  • 28:48 - 28:52
    Idiot.
    -Fine. All men are like that.
  • 28:52 - 28:54
    Ma'am, please sit here.
    -Thank you.
  • 28:57 - 28:58
    Thank God there's no
    one besides me.
  • 29:07 - 29:09
    Hi.
    -Hi.
  • 29:09 - 29:13
    Wow! You are so beautiful,
    so charming.
  • 29:13 - 29:18
    Your cheeks are so rosy red.
    Your lips are so luscious.
  • 29:18 - 29:23
    And your neck,
    it's so curvaceous.
  • 29:24 - 29:28
    Can I touch you like this?
    Can I touch you like this?
  • 29:28 - 29:31
    Can I touch you like this?
    -Excuse me. What are you doing?
  • 29:31 - 29:34
    Don't worry.
    I am a female, and so are you.
  • 29:34 - 29:37
    I can touch anywhere,
    don't stop me. Okay.
  • 29:40 - 29:42
    You! Oh no.
  • 29:42 - 29:49
    (Flight takes off)
  • 29:50 - 29:53
    Hello.
    -Hello Sanjay, it's Raj.
  • 29:53 - 29:55
    Yes Raj. Did you spot my wife?
  • 29:55 - 29:58
    Sanjay, I made a terrible mistake.
    -What is it?
  • 29:58 - 29:59
    You gave me an envelope with
    sister-in-law's photographs.
  • 29:59 - 30:02
    I still have the envelope,
    but I have lost her photographs.
  • 30:02 - 30:04
    And I didn't even take
    a look at them.
  • 30:04 - 30:06
    That's terrible.
    You lost the photographs.
  • 30:06 - 30:08
    It was a simple task,
    but you couldn't even do that.
  • 30:08 - 30:11
    Sorry, it's my habit.
    Fine, do me a favour.
  • 30:11 - 30:14
    Tell me what had sister-in-law had worn.
    -Hold on just a minute.
  • 30:14 - 30:16
    Carrey, what had she worn?
  • 30:16 - 30:18
    A shroud.
    -Shroud!
  • 30:18 - 30:20
    Of your death.
  • 30:20 - 30:21
    I am asking you what
    she had worn.
  • 30:21 - 30:23
    You dropped her at the airport,
    not me.
  • 30:23 - 30:24
    You shut up.
    -Okay.
  • 30:25 - 30:27
    I am totally confused. Hello Raj.
  • 30:27 - 30:29
    I don't even get to
    see her frequently,
  • 30:30 - 30:31
    how can I remember
    what she had worn?
  • 30:31 - 30:34
    Don't worry my friend, I am
    a keen observer myself.
  • 30:34 - 30:36
    I will find her out.
  • 30:38 - 30:40
    My husband, my foot.
  • 30:41 - 30:44
    I have filed for a divorce
    in the Indian court.
  • 30:44 - 30:45
    Filed a divorce case.
    She's the sister-in-law!
  • 30:45 - 30:51
    Yes. Darling, nothing can keep
    us apart now. -I will.
  • 30:52 - 30:53
    Okay.
  • 30:54 - 30:55
    Bye darling.
  • 31:01 - 31:02
    Hi. -Hi.
  • 31:03 - 31:04
    I am sorry.
  • 31:04 - 31:07
    You are welcome.
    -But I will not come.
  • 31:07 - 31:09
    But I am open.
    -But I am closed.
  • 31:21 - 31:24
    You are late. -Sister-in-law,
    I will follow you till the end.
  • 31:24 - 31:27
    Excuse me. I said you are late.
    -Really.
  • 31:29 - 31:32
    Hi dudes.
    I am Raj Malhotra from Mumbai.
  • 31:33 - 31:36
    M for me, and B for baby.
    -Oh my God.
  • 31:37 - 31:38
    He won't stop following me.
  • 31:39 - 31:40
    Now I will have to tolerate
    him throughout the trip.
  • 31:40 - 31:42
    You might have to tolerate
    me all your life.
  • 31:42 - 31:44
    Because, usually journeyers
    become companions.
  • 31:44 - 31:46
    You want me to alight
    from this bus.
  • 31:46 - 31:48
    No, I want you to climb on top
    of this bus and scream.
  • 31:51 - 31:55
    You can imitate Tarzan very well.
    -Was that a joke?
  • 31:55 - 31:57
    We haven't even begun
    our journey..
  • 31:57 - 31:59
    ..and you have already
    started arguing.
  • 31:59 - 32:01
    He has been flirting with
    me from the airport.
  • 32:01 - 32:05
    What are you saying?
    What a strange man. Strange.
  • 32:05 - 32:07
    Aren't you ashamed of
    flirting with a girl?
  • 32:07 - 32:10
    Really.
    I am flirting with the girl.
  • 32:10 - 32:12
    And who is the one
    you are touching?
  • 32:12 - 32:15
    What happened?
    -What is your problem?
  • 32:15 - 32:18
    Why touching my wife?
    Why touching my wife?
  • 32:18 - 32:19
    Keep your hands in control.
  • 32:20 - 32:23
    If I lose control,
    it will be painful to you.
  • 32:52 - 32:53
    Not again.
  • 32:55 - 32:56
    Really.
  • 32:56 - 33:00
    Can I have one lasagne,
    one spaghetti with napoli..
  • 33:00 - 33:03
    ..and one tortellini with alapana?
    -Sure ma'am.
  • 33:03 - 33:05
    Excuse me do you have Dairy
    milk chocolates?
  • 33:05 - 33:07
    I am sorry ma'am we don't have
    Dairy milk chocolates.
  • 33:07 - 33:09
    Alright, thanks.
    -Thank you.
  • 33:10 - 33:12
    You sir.
    -No, I don't want to see that.
  • 33:12 - 33:17
    Can I have one lasagne,
    one spaghetti with napoli..
  • 33:18 - 33:22
    ..and one alapana?
    -Okay.
  • 33:22 - 33:24
    Do you have some chocolates?
  • 33:24 - 33:26
    Don't get them.
    -Alright.
  • 33:27 - 33:28
    Excuse me.
    -Yes.
  • 33:28 - 33:29
    Are you teasing me?
  • 33:29 - 33:31
    No, I am not teasing you.
    Why would I tease you?
  • 33:32 - 33:34
    In fact I appreciate you a lot.
    You know why?
  • 33:34 - 33:35
    You play the mandolin
    really well.
  • 33:36 - 33:39
    And I know you are dying to
    praise me as well.
  • 33:39 - 33:40
    Because I play the mouth
    organ so well.
  • 33:40 - 33:43
    But you won't do that,
    because you are a very shy girl.
  • 33:43 - 33:44
    By the way..
  • 33:44 - 33:46
    ..I never came across anyone that
    plays the mouthorgan so bad.
  • 33:47 - 33:49
    Oh really. -Yes. -My mother
    tells me the same thing.
  • 33:49 - 33:51
    Your thoughts are so similar.
  • 33:51 - 33:52
    If a beautiful girl
    like you accepts..
  • 33:52 - 33:53
    ..to become her daughter-in-law.
  • 33:53 - 33:55
    They you will never
    have any qualms.
  • 33:57 - 34:02
    "Sometimes, I think..
  • 34:03 - 34:06
    ..in my heart.
    What is he doing?
  • 34:07 - 34:09
    There he is madam.
    -Hi.
  • 34:11 - 34:13
    It's so good to see you.
    -Hi baby.
  • 34:14 - 34:17
    This is your parcel.
    -Thanks.
  • 34:20 - 34:22
    Excuse me,
    can I make a call please.
  • 34:22 - 34:24
    Not today. No.
  • 34:24 - 34:26
    I was just taking your blessings.
  • 34:27 - 34:29
    I thought you wanted to beat me.
  • 34:29 - 34:33
    I have fasted for you today.
    -What's that?
  • 34:34 - 34:37
    A wife that sincerely
    loves her husband..
  • 34:37 - 34:41
    ..fasts for his long life.
  • 34:42 - 34:44
    Do you truly love me?
    -Yes.
  • 34:44 - 34:45
    No chance of divorce then.
  • 34:45 - 34:46
    What?
    - Nothing.
  • 34:47 - 34:48
    Hello.
  • 34:48 - 34:50
    Hello. Hey brother,
    there's a good news for you.
  • 34:50 - 34:51
    Why, did my father-in-law
    just pass away?
  • 34:51 - 34:54
    I want to tell you about your
    wife, not in-laws.
  • 34:55 - 34:56
    Your wife.
  • 34:56 - 34:59
    Listening it would be as hard
    for you as swallowing a cactus.
  • 34:59 - 35:01
    Swallowing a cactus?
    What has she done?
  • 35:01 - 35:05
    What has she done!
    She's having an affair.
  • 35:06 - 35:09
    Who is it? Who would want to
    end his life so tragically?
  • 35:09 - 35:11
    Who is it?
    -It's a Whiteman.
  • 35:12 - 35:15
    Marriage with a Blackman and
    affair with a Whiteman.
  • 35:15 - 35:17
    Are you listening to me?
  • 35:17 - 35:20
    I am. Keep reporting to me.
    I will deal with her later.
  • 35:20 - 35:22
    The report is that..
  • 35:22 - 35:24
    ..today your wife gave a
    gift to her boyfriend.
  • 35:25 - 35:28
    Gift.
    Fast for me and gift for him!
  • 35:28 - 35:30
    That's what's been going on.
  • 35:30 - 35:32
    She goes out with one,
    embraces the second..
  • 35:32 - 35:34
    ..eyes the third,
    and flirts with the fourth.
  • 35:34 - 35:36
    She is quite a cunning woman.
  • 35:37 - 35:39
    She is going according
    to her size.
  • 35:39 - 35:42
    Now I will make her plight such..
  • 35:42 - 35:45
    ..that the police will
    take me with honour.
  • 35:45 - 35:48
    Who is that Whiteman?
    -Which Whiteman?
  • 35:48 - 35:50
    The one whom you gave that gift,
    and have an affair with.
  • 35:50 - 35:52
    I don't have an affair.
  • 35:52 - 35:57
    You are having an affair.
    You are having an affair. -Yes.
  • 35:57 - 36:02
    Yes, I have an affair,
    with just one. -Who?
  • 36:02 - 36:03
    You!
  • 36:04 - 36:09
    I know that. But who is that Whiteman?
    -I don't know.
  • 36:09 - 36:12
    She says she doesn't know.
    Who are you?
  • 36:12 - 36:14
    Here is your mobile phone.
    You have taken my mobile mistakenly.
  • 36:15 - 36:18
    Gina, Meena, Tina..such useless
    girls have been calling up.
  • 36:18 - 36:20
    And they say, "Darling, meet
    me at 4 o'clock."
  • 36:20 - 36:23
    "Darling, meet me at 8 o'clock."
    -What?
  • 36:23 - 36:27
    So many girls call you.
    -They are all divorce cases.
  • 36:27 - 36:28
    Oh, really!
  • 36:28 - 36:31
    Now I get it,
    why you stay so busy these days.
  • 36:31 - 36:34
    She's going to smack me down!
    -Hello. Hello. Hello.
  • 36:34 - 36:37
    Yes Raj. That was my lawyer
    Neem Carrey. -Oh God.
  • 36:37 - 36:41
    Friend, your wife has a boyfriend even
    in Europe. -Listen carefully.
  • 36:41 - 36:43
    Take some pictures of her
    with her boyfriend.
  • 36:43 - 36:45
    So that I can prove
    in the court that..
  • 36:45 - 36:48
    ..my wife is a characterless
    woman.
  • 36:48 - 36:51
    I just want the proof.
    -Okay, my brother.
  • 36:51 - 36:53
    I will awaken the
    detective inside me..
  • 36:53 - 36:56
    ..and return to India
    with the proof.
  • 37:02 - 37:04
    Sanjay's wife has crossed
    all the limits.
  • 37:04 - 37:06
    I will gather all the proofs.
  • 37:06 - 37:07
    That's the room.
  • 37:08 - 37:11
    That means I will really
    have to use my brains.
  • 37:13 - 37:14
    Yes.
  • 37:15 - 37:17
    (Dog barks)
  • 37:18 - 37:20
    No. No.
  • 37:20 - 37:23
    Hey! Get lost. What's this madness?
  • 37:23 - 37:25
    What's this insanity?
  • 37:26 - 37:29
    I don't like this. No.
  • 37:29 - 37:32
    Don't spoil my image, baby.
  • 37:32 - 37:34
    No! Okay.
  • 37:35 - 37:37
    You are acting smart with me.
    Okay.
  • 37:39 - 37:41
    See, I have brains.
  • 37:42 - 37:43
    Bye.
  • 37:50 - 37:53
    Oh, my darling. I love you sweetheart.
    -Yes, sweetheart.
  • 37:53 - 37:57
    Once you get divorced, then we
    will be one baby. -Yes, honey.
  • 37:57 - 38:00
    Sister-in-law,
    what are you doing?
  • 38:02 - 38:04
    Someone is taking photographs.
    -Hold this.
  • 38:04 - 38:07
    Who is it? Who is it?
  • 38:07 - 38:09
    Okay.
    -Who is it? Who is it?
  • 38:11 - 38:12
    Who is it?
  • 38:13 - 38:16
    They are trying to act smart
    with me, with bond No. 1.
  • 38:16 - 38:17
    Who is it?
  • 38:18 - 38:19
    Who is it?
  • 38:19 - 38:20
    (Remote beeps)
  • 38:30 - 38:31
    What channel is this!
  • 39:54 - 39:56
    Darling, get me some more wine.
  • 39:56 - 39:58
    Change the channel.
    -Yes.
  • 40:22 - 40:23
    What?
  • 40:35 - 40:37
    What are you doing, man?
  • 40:39 - 40:41
    I don't like this man.
    Change the channel, man!
  • 40:41 - 40:44
    In the same way, that my
    life is entwined in yours
  • 40:44 - 40:46
    Our love is gaining strength...
  • 40:46 - 40:48
    My lips are meeting yours
  • 40:48 - 40:51
    and that is making our enemy very jealous
  • 40:51 - 40:53
    The clouds have parted
  • 40:53 - 40:55
    water is leaking drop by drop
  • 40:58 - 41:01
    The clouds have parted
    water is leaking drop by drop.
  • 41:03 - 41:07
    The clouds have parted
    water is leaking drop by drop.
  • 41:07 - 41:08
    Oh, no!
  • 41:08 - 41:13
    Come on the queen of my heart, we will
    sing songs and fly with the birds.
  • 41:18 - 41:22
    You and I have now become one
    water is leaking drop by drop
  • 41:25 - 41:27
    He is not the T.V man.
    -Of course I am not the T.V man.
  • 41:27 - 41:30
    I am a man from V.T. And don't
    tell him a big detective.
  • 41:30 - 41:33
    He is a detective. -Take the camera.
    -Don't touch the camera.
  • 41:33 - 41:34
    I want to keep that.
    Give it to my friend.
  • 41:34 - 41:35
    Give it to me.
    -He wants to divorce this lady.
  • 41:35 - 41:38
    I got it. I got it darling.
    -Hey, don't do that. Please.
  • 42:30 - 42:32
    Hey man. Hey, come here.
  • 42:32 - 42:34
    Why isn't the bus moving?
  • 42:34 - 42:36
    Has its tyres been stolen?
    Why not moving?
  • 42:36 - 42:39
    Same damn problem!
    Same passenger late again!
  • 42:40 - 42:43
    He has literally hijacked the bus.
    -It's so late.
  • 42:43 - 42:45
    Save your energy to
    scream on him.
  • 42:46 - 42:49
    What the hell is this?
    You are late again. -Really.
  • 42:49 - 42:52
    I am sorry again.
    Very sorry everybody.
  • 42:53 - 42:55
    Very sorry. Chill out.
    -What sorry. It's getting so late.
  • 42:55 - 42:58
    What's this sorry?
    -I said sorry.
  • 42:58 - 43:03
    It's okay. -Everyone was getting
    angry. But I remained calm.
  • 43:03 - 43:06
    Really, thanks a ton.
    -Unpunctual.
  • 43:07 - 43:08
    Really.
  • 43:08 - 43:11
    It's getting very boring.
    -What do you expect?
  • 43:11 - 43:13
    Boring partners, boring journey.
  • 43:14 - 43:16
    Not you, baby.
    -I will say a poem.
  • 43:16 - 43:19
    Hand me the mirror,
    I want to talk to him.
  • 43:19 - 43:23
    You can just forget it,
    and let me tell a poem.
  • 43:23 - 43:28
    Hey. Let's all enjoy. Hello,
    everybody. Listen to him.
  • 43:28 - 43:29
    Let's have some fun.
  • 43:29 - 43:31
    So, its goes like this.
    -Yes.
  • 43:31 - 43:35
    One bird said to the other.
    -Oh Wow. -Bird. Bird.
  • 43:35 - 43:38
    Bird. Bird. Bird. Bird.
    -How many of them are there?
  • 43:38 - 43:41
    Let's talk about the sweet
    nothings, what say!
  • 44:21 - 44:25
    "One bird said to the other.
    -What say!"
  • 44:27 - 44:32
    "Let's talk about the sweet nothings
    -What say!"
  • 44:34 - 44:38
    "One bird said to the other.
    -What say!"
  • 44:38 - 44:42
    "Let's talk about the sweet nothings
    -What say!"
  • 44:43 - 44:45
    "Countless desires in the heart."
  • 44:45 - 44:47
    "Just like the sea in a drop."
  • 44:47 - 44:51
    "What say! What say!"
  • 44:51 - 44:56
    "One bird said to the other.
    -What say!"
  • 44:56 - 45:00
    "Let's talk about the sweet nothings
    -What say!"
  • 45:22 - 45:26
    "This foreign is so exotic."
  • 45:27 - 45:30
    "Just like our own country."
  • 45:31 - 45:33
    "This foreign is so exotic."
  • 45:33 - 45:35
    "Just like our own country."
  • 45:35 - 45:38
    "That's why I suggest."
  • 45:38 - 45:40
    "When in Rome,
    do as the Romans do."
  • 45:40 - 45:44
    "That's why. That's why I
    have forsaken my cap."
  • 45:44 - 45:46
    "And worn this hat."
  • 45:46 - 45:50
    "What say!"
  • 45:51 - 45:55
    "One bird said to the other.
    -What say!"
  • 45:55 - 45:59
    "Let's talk about the sweet nothings
    -What say!"
  • 46:13 - 46:16
    "You might have broken
    many hearts."
  • 46:16 - 46:19
    "But my heart is not that
    easily breakable."
  • 46:19 - 46:25
    "I will make you fall for me,
    or else I am not a true lover."
  • 46:25 - 46:26
    "Wow"
  • 46:26 - 46:29
    "Don't gaze at me like that,
    damsel."
  • 46:30 - 46:33
    "I am not a celibate."
  • 46:34 - 46:37
    "Don't gaze at me like that,
    damsel."
  • 46:37 - 46:39
    "I am not a celibate."
  • 46:39 - 46:43
    "Or else,
    I might fall in love with you."
  • 46:43 - 46:46
    "Or else I may.."
  • 46:46 - 46:50
    "I may enter your heart through
    your helpless eyes."
  • 46:50 - 46:54
    "What say!"
  • 46:54 - 46:58
    "One bird said to the other.
    -What say!"
  • 46:59 - 47:03
    "Let's talk about the sweet nothings
    -What say!"
  • 47:04 - 47:07
    "I have come across many
    lovers like you."
  • 47:07 - 47:12
    "They keep following me,
    all the way to their doom."
  • 47:14 - 47:15
    "That's well said."
  • 47:21 - 47:24
    "It's not right to be
    so enthusiastic."
  • 47:25 - 47:27
    "It's not right to be
    so enthusiastic."
  • 47:27 - 47:30
    "But you are not in your senses."
  • 47:30 - 47:32
    "Bothering me will only
    invite trouble.."
  • 47:32 - 47:34
    "..for you."It's not my fault."
  • 47:36 - 47:38
    "Whether anyone drowns
    of goes across."
  • 47:38 - 47:41
    "The sea has to keep flowing."
  • 47:41 - 47:45
    "What say!"
  • 48:03 - 48:05
    Panasonic. Wow. Very nice
  • 48:06 - 48:07
    Wow!
  • 48:09 - 48:13
    I feel this tape... Keep this properly.
    -It's proper.
  • 48:13 - 48:15
    If you buy this tape recorder..
  • 48:15 - 48:19
    ..the music from it will be
    really soothing for your ears.
  • 48:19 - 48:23
    No, I don't like the colour.
    -But it's a very nice colour.
  • 48:23 - 48:25
    But it doesn't match with
    my bedroom colour.
  • 48:25 - 48:28
    It will match the colour
    of your bedroom.
  • 48:28 - 48:30
    I don't want it.
    -What?
  • 48:30 - 48:33
    Tape recorder.
    -What? This!
  • 48:33 - 48:35
    Bhaidas Bhai, you!
    -Yes, me.
  • 48:36 - 48:40
    What are you trying
    to do with my wife?
  • 48:40 - 48:43
    Sister-in-law, is it wrong to
    give someone a suggestion?
  • 48:43 - 48:47
    No, it's wrong to touch other's
    wife while giving suggestions.
  • 48:47 - 48:50
    Sinner.
    -Do you want me to stay away from her?
  • 48:50 - 48:52
    Do you wish to stay close to her?
  • 48:52 - 48:53
    You think I am a characterless man?
  • 48:53 - 48:56
    You are what you don't
    seem to be.
  • 48:56 - 48:57
    Sister-in-law, I have decided..
  • 48:57 - 48:59
    ..I won't pay heed to anything he says.
  • 48:59 - 49:00
    That's not a problem.
  • 49:00 - 49:01
    It's your intentions that I fear.
    Stop looking at her.
  • 49:01 - 49:04
    Let's go, don't you understand
    he is a characterless man.
  • 49:04 - 49:06
    But I didn't want the tape recorder.
    -Sister-in-law.
  • 49:10 - 49:12
    If you want that girl
    to fall for you..
  • 49:12 - 49:14
    ..then gift this dress to her.
  • 49:14 - 49:18
    And ask her to meet you tonight.
    -And then watch.
  • 49:18 - 49:23
    Will she fall for me?
    -I gifted her swimming costume.
  • 49:23 - 49:24
    Quiet! what are you saying?
  • 49:25 - 49:26
    Really!
    -Yes.
  • 49:30 - 49:31
    Excuse me.
  • 49:34 - 49:36
    Hi.
    -Hi.
  • 49:36 - 49:41
    If you accept this gift, and call
    me at 9 o'clock at night,
  • 49:41 - 49:43
    I will know that you have
    understood my intentions.
  • 49:44 - 49:46
    And together with our
    understanding..
  • 49:46 - 49:47
    ..we will teach the
    world something.
  • 49:47 - 49:50
    The world will understand with
    their understanding..
  • 49:50 - 49:52
    ..that with a lot of
    understandings..
  • 49:52 - 49:54
    ..our understanding is very
    similar.
  • 49:54 - 49:55
    And with our understanding..
  • 49:55 - 49:57
    ..we should have done
    thing long ago.
  • 49:57 - 49:59
    But even with all that
    understanding we did it quite later.
  • 49:59 - 50:01
    But we did it. Did you understand
    what I meant to say?
  • 50:03 - 50:04
    Okay.
  • 50:04 - 50:07
    A small okay,
    after that long speech!
  • 50:07 - 50:10
    How nice!
    But, don't let this stop here.
  • 50:10 - 50:13
    Because this is the beginning of
    our love. I am leaving now.
  • 50:13 - 50:15
    We will meet after a
    thoughtful break.
  • 50:15 - 50:17
    But listen,
    don't forget to call me.
  • 50:17 - 50:18
    And don't forget to ring me.
  • 50:18 - 50:20
    9 o'clock at night.
  • 50:22 - 50:23
    (Telephone rings)
  • 50:24 - 50:27
    Hello.
    -Oh hi, Raj.
  • 50:27 - 50:28
    I have been waiting for you.
  • 50:28 - 50:33
    9:00 -9:30! 9:30 -9:45! 9:50!
    9:55! 9:57! 9:58! 9:59!
  • 50:33 - 50:35
    Please come wearing
    those clothes.
  • 50:35 - 50:36
    Listen, have you worn clothes?
  • 50:37 - 50:38
    I mean, have you worn the clothes
    that I gifted you?
  • 50:39 - 50:41
    Yes. I have worn that dress.
    -You have.
  • 50:43 - 50:45
    How are you looking?
  • 50:46 - 50:48
    Simply mind-blowing.
  • 50:49 - 50:52
    Oh, no!
    I am ready to lose my senses.
  • 50:52 - 50:54
    I am ready to take the fall.
  • 50:54 - 50:56
    Yes, I know you will fall.
  • 50:57 - 50:58
    That sentence didn't sound right.
  • 50:59 - 51:00
    What did you say? Come again.
  • 51:00 - 51:05
    I mean.. Room No. 2072.
  • 51:05 - 51:07
    Okay. 207..
  • 51:08 - 51:10
    But your room number was 2073.
  • 51:10 - 51:13
    Such meetings shouldn't be
    held in the same rooms.
  • 51:13 - 51:17
    Oh, wow!
    Romance with intelligence!
  • 51:18 - 51:21
    I am coming, baby.
    -Come baby, come.
  • 51:22 - 51:27
    Your husband is coming.
    Raj, you are gone.
  • 51:32 - 51:34
    Hello.
    -Your wife is ready..
  • 51:35 - 51:37
    ..and she's looking like
    Hawaiian beauty.
  • 51:37 - 51:41
    Oh, I am coming.
    -Come baby, come.
  • 51:44 - 51:46
    Lights off!
  • 51:49 - 51:50
    Wow! Door is open.
  • 51:50 - 51:53
    I thought she wanted to
    meet me in solitude.
  • 51:54 - 51:56
    But she wants to meet
    me in the dark!
  • 52:04 - 52:06
    Alluring damsel!
  • 52:06 - 52:08
    Beautiful enchantress!
  • 52:08 - 52:12
    My queen! Symbol of love!
  • 52:12 - 52:15
    You are good-looking
    beyond words.
  • 52:16 - 52:17
    Darling.
  • 52:20 - 52:23
    -Darling, just two chocolates
    have changed your size!
  • 52:23 - 52:25
    (Speaking in foreign language)
  • 52:26 - 52:27
    What!
  • 52:27 - 52:30
    (Speaking in foreign language)
  • 52:30 - 52:32
    (Imitating her language)
  • 52:32 - 52:37
    Darling,
    you have a great sense of humour.
  • 52:37 - 52:39
    (Intense background score)
  • 52:39 - 52:40
    Lights off!
  • 52:41 - 52:43
    The queen of my..
  • 52:44 - 52:47
    (Speaking in foreign language)
  • 52:47 - 52:48
    (Speaking in foreign language)
  • 52:48 - 52:50
    (Indistinct)
  • 52:50 - 52:53
    (Speaking in foreign language)
  • 52:53 - 52:54
    (Indistinct)
  • 52:54 - 52:57
    Hey, who are you?
    And who is she? By mistake.
  • 53:10 - 53:11
    What are you doing?
  • 53:27 - 53:29
    What are you doing?
  • 53:30 - 53:31
    (Punching)
  • 53:33 - 53:35
    (Punching)
  • 53:39 - 53:40
    Oh!
  • 53:40 - 53:42
    (Punching)
  • 53:46 - 53:48
    (Punching)
  • 53:49 - 53:52
    No, no, no.
  • 53:52 - 53:54
    No, no, no, no!
  • 53:55 - 53:57
    No, no, no, no!
  • 53:57 - 54:00
    (Punching)
  • 54:03 - 54:05
    Is this the way!
  • 54:06 - 54:09
    Humanity is no more these days.
  • 54:10 - 54:13
    Doesn't a person have
    some respect?
  • 54:14 - 54:15
    What is this?
  • 54:15 - 54:19
    Can't a man make a mistake?
  • 54:19 - 54:25
    What a man! Where do they
    make such men in Africa..
  • 54:26 - 54:30
    ..and that wife of his.. Black widow.
  • 54:30 - 54:35
    Both of them have thrashed me
    black and blue for a damsel.
  • 54:35 - 54:39
    Actually, It's a bad system.
  • 54:40 - 54:43
    The government should devise
    a system of where to hit.
  • 54:43 - 54:46
    You can hit where it's allowed.
  • 54:46 - 54:48
    But why hit where you shouldn't.
  • 54:48 - 54:51
    There should be a system.
  • 54:51 - 54:55
    I would've banned such things if I could.
  • 54:59 - 55:01
    Hi.
    - Hi.
  • 55:01 - 55:03
    I didn't mean that. Who is it?
  • 55:05 - 55:08
    You! I will never forgive you.
    -Why?
  • 55:08 - 55:11
    You got me beat up so badly.
  • 55:11 - 55:15
    I will teach you a lesson.
    No, I will make you fall for me.
  • 55:15 - 55:20
    Anjali. Dear, where are you?
    -Uncle Carrey, I am taking a bath.
  • 55:20 - 55:22
    Finish that later,
    come out quickly.
  • 55:22 - 55:26
    Look, I have got proof.
    Now he cannot escape.
  • 55:26 - 55:28
    Come out, dear.
  • 55:28 - 55:29
    First, pay me my fees.
  • 55:29 - 55:30
    Show me.
    -Take a look.
  • 55:32 - 55:37
    But the face is not visible.
    -But you can see the tresses.
  • 55:37 - 55:39
    Yes, that's right!
    -It's him, alright.
  • 55:39 - 55:42
    But the face...
    -You cannot see the face..
  • 55:42 - 55:44
    ..but you can see
    his yellow shirt.
  • 55:44 - 55:47
    Try to recognise him with his shirt.
    -Yes uncle..
  • 55:47 - 55:50
    ..but the court would ask to
    see his face too.
  • 55:50 - 55:52
    Dear, why see the
    face of a person..
  • 55:53 - 55:54
    ..that flirts around
    with everyone.
  • 55:54 - 55:57
    I agree to what you say,
    but I hate his face.
  • 55:57 - 55:59
    Next time, I will get his
    photograph with his face.
  • 55:59 - 56:01
    Dear, give me thirty thousand.
  • 56:01 - 56:04
    Thirty thousand! -Yes, it's
    official evidence. Hence, It's expensive.
  • 56:05 - 56:07
    I charge others my entire fees.
  • 56:07 - 56:09
    But I charge you only
    30 instead of 50.
  • 56:21 - 56:22
    Hi.
    -Hi.
  • 56:23 - 56:25
    I am so glad you have come, darling.
  • 56:26 - 56:28
    How are you?
  • 56:30 - 56:32
    Second one!
    -Come on, let's go.
  • 56:33 - 56:36
    There's so much filth in the world!
    Sanjay, here I come.
  • 56:37 - 56:40
    Phone. Phone.
  • 56:41 - 56:44
    Excuse me, can I..make the call.
  • 56:48 - 56:50
    Hello.
    -No.
  • 56:50 - 56:53
    Your wife is
    like public property.
  • 56:53 - 56:57
    Just like everyone takes
    advantage of a public property.
  • 56:57 - 56:59
    Similarly, your wife has a
    boyfriend at every station.
  • 56:59 - 57:01
    That's not my wife you
    are talking about.
  • 57:01 - 57:04
    This report is for Sanjay.
  • 57:04 - 57:05
    You again, nonsense.
  • 57:05 - 57:09
    I am not nonsense.
    I make complete sense.
  • 57:09 - 57:11
    That's why I am a divorce lawyer.
  • 57:11 - 57:13
    You are a total nonsense.
    And you make no sense.
  • 57:13 - 57:15
    Wow! What a composition!
  • 57:15 - 57:19
    Nonsense, no sense. Very good.
  • 57:19 - 57:21
    You like poems like me.
  • 57:21 - 57:22
    Will you give the phone
    to Sanjay or not?
  • 57:23 - 57:24
    Give me the message I
    will pass it to him.
  • 57:24 - 57:25
    I don't talk to the middleman.
  • 57:26 - 57:28
    I am not the middleman!
  • 57:28 - 57:30
    I have a stout wife.
    Eleven skinny children.
  • 57:30 - 57:32
    And preparing for the 12th one.
  • 57:32 - 57:34
    Give the phone to Sanjay or
    else I will blow you away.
  • 57:36 - 57:37
    Control yourself. Just a minute.
  • 57:37 - 57:41
    I think everybody is..
    -Sorry to disturb. Sir.
  • 57:41 - 57:44
    Urgent call sir, from Europe.
    Please take this sir.
  • 57:45 - 57:46
    What is this Carrey?
  • 57:46 - 57:47
    Why are you disturbing me?
  • 57:47 - 57:51
    Sir, call from Europe.
    -Raj. Come on.
  • 57:51 - 57:52
    Raj!
  • 57:53 - 57:55
    Yes Raj.
    -Hello Sanjay.
  • 57:55 - 57:57
    Your wife has a second boyfriend.
  • 57:57 - 57:59
    Carrey,
    she has a second boyfriend.
  • 58:00 - 58:03
    She's very talented!
    We should commend sister-in-law.
  • 58:03 - 58:05
    One husband and two boyfriends.
    Oh my God.
  • 58:05 - 58:09
    Are your wives so daring?
    -Carrey, do they understand?
  • 58:09 - 58:11
    They can't speak English properly.
  • 58:11 - 58:12
    How can they understand Hindi?
  • 58:13 - 58:14
    Am I right, sir?
    -Yes.
  • 58:14 - 58:18
    See that!
    -Hello Raj, what did she do next?
  • 58:18 - 58:19
    What did she do next?
  • 58:19 - 58:22
    She flirted with her more and gave him a
    bigger gift than her previous boyfriend.
  • 58:22 - 58:24
    Gift! What was it?
    -I think it was a T.V.
  • 58:25 - 58:26
    My wife gave him a T.V.
  • 58:26 - 58:30
    Fantastic! Tape recorder to the
    first one, and T.V to the second.
  • 58:30 - 58:33
    She will gift a car to the third
    and what can you do about it?
  • 58:33 - 58:34
    You shut up!
  • 58:35 - 58:37
    Why are you narrating
    my wife's escapades..
  • 58:37 - 58:38
    ..and adding to my injury?
  • 58:38 - 58:42
    I want proof. Last time, you
    failed to bring me the proof.
  • 58:42 - 58:43
    What if you fail this time too?
  • 58:43 - 58:45
    Then you can blacken
    Neem Carrey's face.
  • 58:46 - 58:49
    Did you understand anything?
  • 58:49 - 58:50
    Yes!
    -Yes, what?
  • 58:51 - 58:55
    His wife, boyfriends, T.V,
    tape recorder, gifts.
  • 58:55 - 58:57
    They understood everything.
    I curse them.
  • 58:57 - 58:59
    Where is everybody, man?
    Where have they gone?
  • 58:59 - 59:01
    Sir, there is a card for you.
    -Yes?
  • 59:01 - 59:02
    Happy Valentine's Day!
    -Thank you.
  • 59:02 - 59:04
    Welcome!
    -Thank you!
  • 59:06 - 59:07
    Dear Raj,
    today is Valentine's Day
  • 59:07 - 59:08
    and no other day can
    be better than..
  • 59:08 - 59:09
    ..this for two people in love.
  • 59:10 - 59:12
    We all are purposely leaving
    you both alone..
  • 59:13 - 59:15
    ..so that both of you can
    understand each other better.
  • 59:15 - 59:17
    Wow! That's a great idea, man!
  • 59:18 - 59:20
    Bhaidas Bhai, Chaudhary and Bakhiyani.
  • 59:20 - 59:21
    Raj!
    -Yes! Yes!
  • 59:21 - 59:23
    Where has the bus gone
    leaving us here?
  • 59:23 - 59:24
    What?
    -Bus!
  • 59:25 - 59:27
    Oh yes! That bus! Today is
    Valentine's Day, isn't it? -So?
  • 59:28 - 59:29
    So all the couples are
    busy romancing.
  • 59:30 - 59:31
    Maybe they wish that we two
    should also romance. -What?
  • 59:32 - 59:33
    I don't believe in this.
    You know why?
  • 59:33 - 59:37
    I feel those who do not have time
    they celebrate such days.
  • 59:37 - 59:38
    Valentine's Day and all.
  • 59:40 - 59:42
    I feel everyday is
    a Valentine's Day.
  • 59:42 - 59:43
    Every hour is a Valentine hour.
  • 59:44 - 59:45
    Every minute is a
    Valentine minute.
  • 59:45 - 59:47
    Every second is a
    Valentine second.
  • 59:48 - 59:51
    Can a flirt like you ever talk
    such sweet things about love?
  • 59:52 - 59:54
    Impossible! I don't believe it!
  • 60:09 - 60:11
    "This journey is short."
  • 60:12 - 60:14
    "Our companionship is
    for a short while."
  • 60:16 - 60:19
    "This journey is short."
  • 60:19 - 60:21
    "Our companionship is
    for a short while."
  • 60:21 - 60:26
    "I just smiled and spoke to you."
  • 60:26 - 60:31
    "You thought I fell
    in love with you."
  • 60:31 - 60:33
    "You have crossed your limit."
  • 60:34 - 60:36
    "You have crossed your limit."
  • 60:36 - 60:38
    "You have crossed your limit."
  • 60:38 - 60:40
    "You have crossed your limit."
  • 60:41 - 60:43
    "This journey is short."
  • 60:43 - 60:45
    "Our companionship is
    for a short while."
  • 60:45 - 60:50
    "I just smiled and spoke to you."
  • 60:50 - 60:55
    "You came with a palanquin
    to my house."
  • 60:55 - 60:57
    "You have crossed your limit."
  • 60:58 - 61:00
    "You have crossed your limit."
  • 61:00 - 61:02
    "You have crossed your limit."
  • 61:03 - 61:05
    "You have crossed your limit."
  • 61:24 - 61:28
    "Whether you accept it or
    not but you are guilty."
  • 61:29 - 61:34
    "What else is the meaning
    of teasing a girl?"
  • 61:39 - 61:43
    "Whether you accept it or
    not but you are guilty."
  • 61:44 - 61:48
    "What else is the meaning
    of teasing a girl?"
  • 61:48 - 61:53
    "You are asking for my love as if
    you are asking for charity."
  • 61:54 - 61:56
    "You have crossed your limit."
  • 61:56 - 61:58
    "You have crossed your limit."
  • 61:58 - 62:01
    "You have crossed your limit."
  • 62:01 - 62:03
    "You have crossed your limit."
  • 62:03 - 62:05
    "This journey is short."
  • 62:05 - 62:07
    "Our companionship is
    for a short while."
  • 62:08 - 62:13
    "I just smiled and spoke to you."
  • 62:37 - 62:42
    "My dear, come and be friends
    and forget anger."
  • 62:42 - 62:47
    "We both can fall
    in love one day."
  • 62:51 - 62:56
    "My dear, come and be friends
    and forget anger."
  • 62:56 - 63:01
    "We both can fall
    in love one day."
  • 63:01 - 63:05
    "Such a day or night will
    never ever arise."
  • 63:06 - 63:09
    "You have crossed your limit."
  • 63:09 - 63:11
    "You have crossed your limit."
  • 63:11 - 63:13
    "You have crossed your limit."
  • 63:14 - 63:16
    "You have crossed your limit."
  • 63:26 - 63:27
    Oh yeah!
  • 63:28 - 63:29
    Wow!
  • 63:29 - 63:31
    Wow!
  • 63:31 - 63:34
    Hey, no! No! No! No!
  • 63:34 - 63:37
    (Water splashes)
  • 63:37 - 63:38
    (Sneezing)
  • 63:38 - 63:39
    Look here, Mr. Raju!
  • 63:39 - 63:43
    Just by falling once in the
    lake, this has happened.
  • 63:43 - 63:46
    What will happen if you fall in love?
  • 63:48 - 63:50
    The one who has made
    him suffer like this...
  • 63:50 - 63:53
    will only give her veil
    to wipe his nose.
  • 63:54 - 63:57
    -Dimple and I got married because
    of sneezing. -How? -Yes!
  • 63:57 - 64:00
    One day she carried a book on swimming
  • 64:00 - 64:01
    -to the lake for a swim.
    -Yes.
  • 64:02 - 64:04
    After sometime she went underwater
    but the book kept floating.
  • 64:04 - 64:08
    Mr. Chaudhary, it was good that
    I reached there and saved her.
  • 64:08 - 64:11
    Yes! And exactly like this..just
    like this I kept on sneezing.
  • 64:11 - 64:14
    So she gave me her veil and
    said... what did you say? Tell them!
  • 64:14 - 64:18
    I said that today turn my veil
    into a wedding drape.
  • 64:18 - 64:20
    Oh, my sweet wife.
  • 64:21 - 64:23
    Mr. Raju, you did not
    get a veil but...
  • 64:23 - 64:26
    you definitely got a tissue
    to wipe your nose.
  • 64:29 - 64:32
    Folks! This is a lover's point.
    There is a story related to this.
  • 64:32 - 64:35
    -Come, follow me.
    -Why should we follow you, man.
  • 64:35 - 64:37
    We have better things to do.
    -Raj! Raj!
  • 64:37 - 64:38
    Listen! Where are you going?
  • 64:38 - 64:40
    -Are you going after Anjali?
    -Yes, I am going, so?
  • 64:40 - 64:42
    -Have you gone crazy?
    -What?
  • 64:43 - 64:46
    If you wish to invoke love in a girl...
  • 64:46 - 64:48
    -then first get near to her and
    then create a distance. -What?
  • 64:48 - 64:51
    And then she will automatically
    follow you. Yes.
  • 64:51 - 64:53
    But why? Why?
  • 64:53 - 64:55
    Come on all of you!
    -Come on! Come on, come on.
  • 64:55 - 64:58
    Raj, you should just
    make her go crazy.
  • 65:00 - 65:02
    (Mouth organ playing in the background)
  • 65:02 - 65:04
    I love these snacks.
    -Yes, I know.
  • 65:05 - 65:07
    -Raj!
    -Yes!
  • 65:08 - 65:09
    Everyone is having dinner.
  • 65:10 - 65:12
    Yes! I can see. All of them..
  • 65:12 - 65:14
    are eating. Yes.
  • 65:14 - 65:16
    So then come, even we
    will have our dinner.
  • 65:19 - 65:21
    I am not hungry.
  • 65:23 - 65:25
    I had brought two plates.
  • 65:25 - 65:28
    Yes, there are two plates,
    I can see that.
  • 65:29 - 65:30
    I am not hungry.
  • 65:31 - 65:33
    -You are not hungry?
    -No!
  • 65:33 - 65:34
    Okay!
  • 65:36 - 65:38
    -Raj!
    -Yes!
  • 65:38 - 65:40
    -Come and have your dinner! Come!
    -Come!
  • 65:40 - 65:42
    Oh yes! You know I did not have
    dinner since last night.
  • 65:42 - 65:44
    -I am so hungry.
    -Come and sit. -Oh, my God!
  • 65:45 - 65:47
    You know, my mother prepares
    delicious food.
  • 65:48 - 65:50
    -Really? -Yes! In spite of
    many cartoons in the family.
  • 65:51 - 65:53
    And 'Kheer' she makes...
    you understand Kheer, isn't it?
  • 65:54 - 65:56
    -Yes! Kheer!
    -Kheer! Kheer! (Indian milk sweet).
  • 65:56 - 65:58
    She tries making different
    varieties of sweet...
  • 65:58 - 66:01
    and tries serving all of us.
    She... tries... serving...
  • 66:02 - 66:03
    But I don't eat.
  • 66:03 - 66:05
    -Okay! -You know why?
    -Why?
  • 66:05 - 66:06
    I don't like sweet.
  • 66:08 - 66:09
    -I don't like sweet!
    -He does not like sweet.
  • 66:09 - 66:10
    He does not eat sweet.
  • 66:10 - 66:12
    but he looks at sweets
    and eats salty food.
  • 66:12 - 66:14
    -He does not eat. -I have prepared
    it with my own hands.
  • 66:15 - 66:17
    He would not eat no matter how
    you would have prepared it.
  • 66:17 - 66:19
    -Anybody wants to have this sweet?
    -No! No! -No!
  • 66:19 - 66:20
    No one wants to have it.
  • 66:21 - 66:23
    Actually you... okay, let it be.
  • 66:23 - 66:26
    -Actually you...
    -Raj, you are superb!
  • 66:26 - 66:28
    It will be nice if we get to eat
    sweet after dinner, isn't it?
  • 66:31 - 66:33
    Everything is going fine.
  • 66:33 - 66:36
    Anjali is getting restless.
    Lovely!
  • 66:36 - 66:39
    In a day or two she will definitely
    tell you that she loves you.
  • 66:40 - 66:44
    -Wow! -Anjali, you too have fallen
    in love with Raj, isn't it?
  • 66:45 - 66:45
    No!
  • 66:48 - 66:49
    We know that since many
    days you both..
  • 66:49 - 66:51
    ..are flirting with each other.
  • 66:51 - 66:53
    Such a strange man he is!
    At that time he said..
  • 66:53 - 66:56
    ..that he does not like sweet.
    And now he is relishing it.
  • 66:57 - 67:00
    My child, you can never hide
    love and fragrance.
  • 67:00 - 67:02
    I will tell you by giving
    you an example.
  • 67:02 - 67:05
    On the 15th of July Pappi
    and my romance commenced.
  • 67:05 - 67:07
    On the 16th July the entire
    Bhatinda came to know...
  • 67:08 - 67:10
    that we are getting married
    on the 17th July.
  • 67:10 - 67:12
    Why didn't you eat when
    Anjali gave you?
  • 67:12 - 67:14
    -Because at that time I was
    just pretending. -What?
  • 67:14 - 67:17
    It is something that cannot be
    seen but has great effect.
  • 67:17 - 67:20
    -And I love it.
    -Raj is deeply in love with you.
  • 67:20 - 67:22
    But he is pretending so
    that he can pacify you.
  • 67:22 - 67:26
    -He is fighting.
    -Yes! And our wive's have told us this.
  • 67:26 - 67:28
    -What else?
    -They told us. -Yes!
  • 67:33 - 67:34
    I wish to say something to you.
  • 67:35 - 67:36
    Really?
  • 67:43 - 67:46
    "I wish to say something to you."
  • 67:47 - 67:50
    "Tell me! Tell me!"
  • 67:51 - 67:55
    "I wish to say something to you."
  • 67:55 - 67:58
    "Tell me! Tell me!"
  • 67:58 - 68:02
    "But my heart tells me
    to be quiet now."
  • 68:02 - 68:06
    "Tell me! Tell me!"
  • 68:06 - 68:13
    "Now if we are silent our
    eyes will speak up."
  • 68:14 - 68:17
    "I wish to say something to you."
  • 68:18 - 68:21
    "Tell me! Tell me!"
  • 68:21 - 68:25
    "But my heart tells me
    to be quiet now."
  • 68:25 - 68:30
    "Tell me! Tell me!"
  • 68:49 - 68:52
    "I said!
    I heard."
  • 68:52 - 68:56
    "But I never said anything."
  • 68:56 - 69:00
    "Then even I have not
    heard anything."
  • 69:00 - 69:03
    "I said!
    I heard."
  • 69:03 - 69:07
    "But I never said anything."
  • 69:08 - 69:11
    "Then even I have not
    heard anything."
  • 69:12 - 69:15
    "Now what is left to
    be said and heard?"
  • 69:15 - 69:19
    "You said what I wanted to say."
  • 69:19 - 69:26
    "I will feel satiated if you keep
    your hand on my heart."
  • 69:26 - 69:27
    "No"
  • 69:27 - 69:30
    "I wish to say something to you."
  • 69:31 - 69:34
    "Tell me! Tell me!"
  • 69:34 - 69:38
    "But my heart tells me
    to be quiet now."
  • 69:39 - 69:43
    "Tell me! Tell me!"
  • 70:01 - 70:05
    "There is mischief in the eyes
    and whine on my lips." -"Yes!"
  • 70:05 - 70:09
    "I am restless and craving."
    -"Yes!"
  • 70:09 - 70:11
    "Do I have the permission to
    say something?" -"Yes!"
  • 70:11 - 70:13
    "You love me.
    -Yes!"
  • 70:13 - 70:17
    "Yes and no!"
  • 70:17 - 70:19
    "Look here I will think
    once again."
  • 70:19 - 70:21
    "I will think and then tell you."
  • 70:21 - 70:24
    "Only then I will spill
    out this secret."
  • 70:25 - 70:32
    "You feel like saying
    yes as well as no."
  • 70:36 - 70:39
    "Tell me! Tell me!"
  • 70:44 - 70:48
    "Tell me! Tell me!"
  • 71:13 - 71:15
    (Water splashes)
  • 71:18 - 71:21
    Wow! You look very beautiful!
  • 71:22 - 71:24
    By wearing this dress you have
    proved that you too love me.
  • 71:24 - 71:27
    -Now come on, give me a kiss.
    -Kiss? -Yes, kiss. -No! -Please.
  • 71:27 - 71:29
    -Catch me if you can!
    -Hey you!
  • 71:32 - 71:33
    Okay!
  • 71:45 - 71:45
    Yes!
  • 71:49 - 71:50
    Okay fine, do not be pompous.
  • 71:50 - 71:53
    If you show tantrums, I
    will never kiss you.
  • 71:54 - 71:58
    I am serious!
    I will never kiss you in my life.
  • 71:59 - 72:01
    I will not even kiss
    you after marriage.
  • 72:04 - 72:05
    Not even now?
  • 72:05 - 72:06
    Hey!
  • 72:27 - 72:31
    -Hi, darling!
    -Okay, Bob, this is your stuff.
  • 72:31 - 72:33
    -It is so good to see you.
    -Yes, baby.
  • 72:40 - 72:42
    Oh, so how are you?
  • 72:55 - 72:57
    (Whistling)
  • 73:10 - 73:12
    Hurry up!
    We are going to be late.
  • 73:14 - 73:16
    Raj, you are great!
  • 73:18 - 73:20
    What is she doing?
    What is she up to?
  • 73:21 - 73:24
    Wait, Raj is behind you.
  • 73:24 - 73:27
    Yeah. All right.
  • 73:30 - 73:30
    It is upside down.
  • 73:31 - 73:36
    The first one is with her and the
    third one is also with her.
  • 73:36 - 73:38
    Where is the second one?
  • 73:38 - 73:39
    Okay!
  • 73:40 - 73:42
    But, with how many
    men she will marry?
  • 73:42 - 73:43
    (Phone ringing)
  • 73:43 - 73:46
    -Your phone, baby.
    -Who's that? Who's that?
  • 73:46 - 73:49
    Looks like she will divorce
    Sanjay and marry someone else.
  • 73:49 - 73:52
    Yes! What? Okay, don't worry.
  • 73:52 - 73:54
    -Where are we going, baby?
    -Come on guys.
  • 74:03 - 74:04
    Hey!
  • 74:04 - 74:06
    Raj, you are great!
  • 74:06 - 74:10
    -This is my car.
    -So, have it. Have it, baby.
  • 74:10 - 74:13
    -Your tour has ended?
    You are going away? -Yes.
  • 74:13 - 74:16
    -Oh, good!
    -We will miss you a lot.
  • 74:16 - 74:18
    -Yes, too much.
    -Enough now.
  • 74:18 - 74:20
    Just to make sure you miss me more...
  • 74:20 - 74:21
    I have got a gift for both of you.
  • 74:21 - 74:25
    -Lovely!
    -Oh, gift for me! Thanks.
  • 74:25 - 74:26
    -Very nice.
    -Thank you!
  • 74:26 - 74:29
    -Okay, bye! -Bye-bye!
    -She is so sweet, isn't it? -Bye!
  • 74:30 - 74:32
    Yes, very nice. Now come on.
    Come on in.
  • 74:32 - 74:34
    -Where are you going?
    -I am going home.
  • 74:34 - 74:36
    But the tour is not yet over.
  • 74:36 - 74:40
    Your tour will end if you
    talk too much with her.
  • 74:40 - 74:43
    -Yes, you go. -I have come
    to give you these gifts.
  • 74:44 - 74:46
    -Thank you, okay, now go.
    -Okay, bye-bye.
  • 74:46 - 74:47
    Bye!
  • 74:48 - 74:49
    Excuse me!
  • 74:51 - 74:52
    -You are an Indian?
    -Yes.
  • 74:53 - 74:54
    Can I check your baggage?
  • 75:01 - 75:02
    Okay, you can go.
  • 75:05 - 75:08
    -Hello, is there an Indian group?
    -Yes.
  • 75:08 - 75:10
    Can I check their rooms, please?
  • 75:11 - 75:13
    -Yes. -I have a warrant
    to check your room.
  • 75:13 - 75:16
    What? Excuse me, you can't just
    get into my room like this.
  • 75:17 - 75:19
    -One more packet?
    -But, that's a gift.
  • 75:21 - 75:23
    -These are drugs, Madam.
    -What? Drugs?
  • 75:24 - 75:27
    Inspector, we are innocent.
    Please, forgive us.
  • 75:27 - 75:30
    Look, the girl who was
    traveling with us in the bus...
  • 75:30 - 75:32
    -she gave us these gifts.
    -Yes.
  • 75:32 - 75:35
    What did we know that this
    heroine will give us heroin?
  • 75:35 - 75:37
    -We have never done anything
    wrong till date. -Yes!
  • 75:37 - 75:40
    -He does not even know Hindi!
    -Relax! Relax!
  • 75:40 - 75:43
    Sir, we all are innocent, that lady has
    given us all this. Believe us, Sir.
  • 75:43 - 75:45
    -This is not ours.
    -Where is your passport?
  • 75:46 - 75:47
    What did you do?
  • 75:47 - 75:49
    -Where were you, Raj?
    -What did we do?
  • 75:49 - 75:51
    -What did all of you do?
    -What did we do?
  • 75:51 - 75:53
    -That girl gave us drugs in
    the name of a gift. -Who?
  • 75:53 - 75:56
    And that policeman says that,
    none of us will be saved.
  • 75:56 - 75:58
    -That sister in mini skirt.
    -Who, that one?
  • 75:58 - 76:00
    -She gave us this gift.
    -She is a drug dealer?
  • 76:00 - 76:03
    Oh, my friend, Sanjay, is ruined.
  • 76:03 - 76:04
    I will have to make
    one more call.
  • 76:04 - 76:07
    Excuse me!
    Excuse me! Oh, my friend is gone.
  • 76:07 - 76:10
    Excuse me. Excuse me. All these
    people are innocent.
  • 76:10 - 76:12
    I will just make a call to my
    country and will be back...
  • 76:12 - 76:13
    in one minute.
    Please give me one minute.
  • 76:13 - 76:14
    Please give me one minute, sir.
  • 76:14 - 76:16
    -Excuse me. Excuse me.
    Excuse me. -Yes!
  • 76:16 - 76:19
    -Can I make a call please?
    -Yes, please. -Thank you very much.
  • 76:19 - 76:21
    -Yes, okay, bye-bye.
    -See you later.
  • 76:21 - 76:23
    -Hello, yes, Raj!
    -Yes, hello, Sanjay.
  • 76:23 - 76:26
    -Yes, you can commit suicide.
    -What are you talking?
  • 76:26 - 76:28
    Your wife turned out to
    be a drug smuggler.
  • 76:29 - 76:31
    Why has she started
    doing smuggling?
  • 76:31 - 76:32
    You are my friend,
    she is your wife.
  • 76:32 - 76:34
    -Though knowing this, I am
    going to get her arrested. -No
  • 76:34 - 76:36
    No, no!
    Raj, you please don't so this.
  • 76:36 - 76:38
    Because you know she is trying
    to trap innocent people...
  • 76:38 - 76:40
    in her crime and I will
    never let that happen.
  • 76:40 - 76:42
    Raj! Raj, please listen to me.
  • 76:42 - 76:44
    -Raj!
    -Okay!
  • 76:44 - 76:46
    -Raj!
    -What happened today?
  • 76:51 - 76:56
    -Carrey, I am ruined!
    -Why?
  • 76:58 - 77:01
    My wife turned out to
    be a drug smuggler.
  • 77:02 - 77:04
    Smuggler!
  • 77:05 - 77:07
    You never used to give
    her pocket money?
  • 77:07 - 77:10
    (Siren wailing)
  • 77:12 - 77:14
    Sir, follow me, follow me, sir.
  • 77:17 - 77:20
    -Police! Nobody will move.
    -Hold it. -Nobody will move, man.
  • 77:20 - 77:23
    -Passport.
    -Give the passport.
  • 77:24 - 77:26
    Give it to me. Give, give,
    give the passport to me.
  • 77:27 - 77:28
    Yes.
  • 77:29 - 77:32
    You are doing this under the
    pretext of touring Europe?
  • 77:32 - 77:33
    One woman and three men?
  • 77:34 - 77:36
    Sister-in-law, your character
    should be published...
  • 77:36 - 77:39
    in the Guinness Book
    of World Record.
  • 77:39 - 77:43
    Sister-in-law? Who, sister-in-law?
    I am still unmarried.
  • 77:45 - 77:47
    Big bullshit!
    She is a big liar, take her away.
  • 77:48 - 77:50
    You are under arrest, miss Mona.
  • 77:51 - 77:53
    -No, she is not Mona.
    -Yes, she is. -She is Anjali.
  • 77:54 - 77:56
    She is Mona,
    darling of drug smugglers.
  • 77:56 - 77:58
    -Can I see her passport, please?
    -See here.
  • 78:03 - 78:05
    If she is Mona then...
  • 78:07 - 78:08
    Who is the real Anjali?
  • 78:08 - 78:12
    Sister Pappi, you must always
    give a gift but not take it.
  • 78:12 - 78:14
    Oh God! Please save us this time.
  • 78:14 - 78:17
    Henceforth, we will never take
    any gift from a girl.
  • 78:28 - 78:31
    (Foreign language)
  • 78:32 - 78:36
    Well, Mr. And Mrs. Bhaidas Patel.
  • 78:37 - 78:38
    -This is your passport!
    -Oh, thank God.
  • 78:39 - 78:40
    And your passport too.
  • 78:40 - 78:42
    -Please go!
    -Thank you.
  • 78:42 - 78:45
    Mr. And Mrs. Prakash Chaudhary.
  • 78:46 - 78:48
    -Your passport.
    -Pappi!
  • 78:48 - 78:51
    -Why have you worn your glasses?
    -Move away from here. Quickly.
  • 78:51 - 78:53
    Mr. And Mrs. Bakhiyani.
  • 78:53 - 78:57
    -And who is Anjali Khanna?
    Your passport. -Thanks.
  • 79:17 - 79:19
    Pappi, why is Raj looking so sad?
  • 79:19 - 79:23
    That is fine. But I do not
    understand why is he sitting behind?
  • 79:29 - 79:31
    Who is doing this?
  • 79:32 - 79:34
    I do not like any girl playing
    mischief with me like this. Okay?
  • 79:34 - 79:36
    -Why are you telling us?
    -I am not telling you, okay?
  • 79:43 - 79:44
    Hi!
  • 79:46 - 79:48
    You forgot your mouth
    organ in the bus.
  • 79:50 - 79:52
    You seem to be busy,
    are you going somewhere?
  • 79:52 - 79:53
    Yes, I am going to hell.
  • 79:54 - 79:56
    -Shall I accompany you?
    -Do you have the Visa?
  • 79:56 - 79:59
    You just take me along with you,
    I will get the Visa as well.
  • 79:59 - 80:00
    Very funny!
  • 80:01 - 80:03
    Are you angry?
    Did I make any mistake?
  • 80:03 - 80:05
    No, you can never
    make any mistake.
  • 80:05 - 80:07
    I made a mistake, I am sorry.
  • 80:07 - 80:09
    No! I am sorry.
  • 80:12 - 80:14
    Raj, are you really
    going somewhere?
  • 80:15 - 80:17
    Nowhere! I am going home.
  • 80:18 - 80:20
    And now cool, relax.
  • 80:22 - 80:24
    Don't try all these tricks on me,
    come on, leave me.
  • 80:27 - 80:28
    -Leave!
    -Why?
  • 80:29 - 80:30
    Leave it, I say.
  • 80:31 - 80:32
    Leave it!
  • 80:33 - 80:36
    Cool! Relax, okay!
  • 80:36 - 80:39
    Yeah, yeah, relax!
    Just relax, yeah.
  • 81:11 - 81:17
    "This girl is after you,
    where are you going my beloved?"
  • 81:18 - 81:24
    "My beloved, why are you angry
    and where are you going?"
  • 81:25 - 81:27
    "I made a mistake, okay."
  • 81:27 - 81:28
    "Forgive me, okay."
  • 81:28 - 81:30
    "Oh my beloved,
    I will not allow you to go."
  • 81:31 - 81:37
    "This girl is after you,
    where are you going my beloved?"
  • 81:38 - 81:44
    "My beloved, why are you angry
    and where are you going?"
  • 81:59 - 82:00
    By the way what is your problem?
  • 82:01 - 82:02
    By the way what have
    you to do with that?
  • 82:02 - 82:05
    By the way we have to make
    promises and fulfill them.
  • 82:05 - 82:06
    We have to live and die together.
  • 82:07 - 82:09
    -You do what you wish to do,
    don't bother me. -Really?
  • 82:10 - 82:13
    Come on, go ahead, go ahead.
    Go! Go!
  • 82:16 - 82:23
    "My silken tresses and my
    mesmerizing eyes are calling you."
  • 82:23 - 82:30
    "Oh my beloved I am your life
    partner, please come with me."
  • 82:30 - 82:33
    "Catch my hand and understand
    my gesture."
  • 82:33 - 82:37
    "No one is dear to me
    as much as you."
  • 82:37 - 82:39
    "Do not go away making
    me restless."
  • 82:39 - 82:41
    "Please do not go away, return."
  • 82:41 - 82:43
    "Your dream girl stops you.."
  • 82:46 - 82:49
    "Oh,
    my beloved, where are you going?"
  • 82:50 - 82:56
    "This girl is after you,
    where are you going my beloved?"
  • 82:57 - 82:58
    Oh, hell!
  • 83:01 - 83:02
    Second one?
  • 83:12 - 83:14
    Hello, Sanjay your wife...
  • 83:21 - 83:28
    "This is the season of merriment,
    you enjoy it."
  • 83:28 - 83:35
    "Youth is like monsoon it
    odes not last long."
  • 83:35 - 83:38
    "You have my oath do not
    torment me more."
  • 83:39 - 83:42
    "It should not happen
    that I feel grief."
  • 83:42 - 83:44
    "Your youth.."
    -Okay.
  • 83:44 - 83:45
    "I am crazy after you."
    -Okay!
  • 83:45 - 83:48
    "My beloved you too
    become crazy"
  • 83:51 - 83:54
    "Oh,
    my beloved, where are you going?"
  • 83:54 - 84:01
    "My beloved, why are you angry
    and where are you going?"
  • 84:01 - 84:03
    "I made a mistake, okay."
  • 84:03 - 84:05
    "Forgive me, okay."
  • 84:05 - 84:08
    "Oh my beloved,
    I will not allow you to go."
  • 84:10 - 84:13
    "Oh,
    my beloved, where are you going?"
  • 84:14 - 84:20
    "This girl is after you,
    where are you going my beloved?"
  • 84:23 - 84:25
    What are you saying?
    You are returning?
  • 84:25 - 84:26
    Yes. This is too much now.
  • 84:26 - 84:28
    I do not want to be a
    detective anymore.
  • 84:29 - 84:30
    I am thinking that I will
    return to India..
  • 84:30 - 84:31
    get married and
    lead a good life.
  • 84:31 - 84:33
    What? You wish to get married?
  • 84:35 - 84:37
    Hello! Definitely meet
    me after marriage.
  • 84:37 - 84:40
    Because in this you need
    a divorce very soon.
  • 84:40 - 84:42
    -Do remember me.
    -I will definitely remember you.
  • 84:42 - 84:44
    As soon as I return to Mumbai
    you just meet me once...
  • 84:45 - 84:47
    -that's all. -After that
    everyone will remember you.
  • 84:47 - 84:49
    Brother,
    you seem to be very disappointed.
  • 84:49 - 84:51
    What is it? If there is anything
    please tell me.
  • 84:51 - 84:54
    -I will not tell my neighbour.
    -What shall I tell you?
  • 84:54 - 84:55
    The one I was following thinking
    her to be Sanjay's wife...
  • 84:55 - 84:57
    she turned out to be someone else.
  • 84:57 - 84:58
    And the one whom I fell in love
    with thinking her to be...
  • 84:58 - 85:01
    someone else, she turned
    out to be Sanjay's wife.
  • 85:02 - 85:04
    What did you tell him,
    he became unconscious.
  • 85:04 - 85:06
    Even if he regains consciousness,
    he will never tell you.
  • 85:06 - 85:08
    You just listen to this, I am
    returning to India, that's all.
  • 85:08 - 85:11
    Look, if you return
    without any evidence...
  • 85:11 - 85:13
    then, the sleeping pills I have here...
  • 85:13 - 85:14
    I will dissolve all
    the pills..
  • 85:14 - 85:17
    in my tea and drink
    it up and I will die.
  • 85:17 - 85:19
    Sanjay, please do not so such a thing.
  • 85:19 - 85:22
    Okay, listen.
    I will gather evidence for you.
  • 85:22 - 85:25
    I got it! I got it! I got it!
  • 85:25 - 85:27
    Oh, my God! I dashed into this.
  • 85:28 - 85:29
    What happened?
  • 85:29 - 85:32
    I found evidence against your
    husband, just see this.
  • 85:32 - 85:34
    But, this is my photo.
  • 85:34 - 85:37
    -From her side face she looks like
    a witch. -Uncle, Carrey!
  • 85:37 - 85:39
    -See, she looks like a specter.
    -Uncle Carrey!
  • 85:39 - 85:42
    -That wretched woman.
    -Uncle Carrey!
  • 85:43 - 85:45
    -I feel like strangulating her.
    -Uncle, Carrey!
  • 85:45 - 85:48
    -Yes!
    -This is my photograph.
  • 85:49 - 85:51
    -Mr. Bhaidas, Mr. Chaudhary, comer here.
    -What happened?
  • 85:51 - 85:53
    -Mr. Pal, what is it?
    -See this.
  • 85:53 - 85:55
    -This! This is a massage parlour.
    -Yes, tickling.
  • 85:55 - 85:59
    Mr. Bhaidas after reading this board
    I feel as if six to seven...
  • 85:59 - 86:01
    ..ladies are giving me a massage
    and I am enjoying it.
  • 86:01 - 86:04
    Brother, under the pretext
    of going for a stroll...
  • 86:04 - 86:06
    I came here for an
    English massage.
  • 86:06 - 86:09
    Even I came for the same.
  • 86:09 - 86:12
    -You can ask sister-in-law
    about my character. -Yes!
  • 86:12 - 86:13
    So, shall we go in?
  • 86:13 - 86:16
    -But what if our wives
    come to know? -Yes!
  • 86:16 - 86:19
    Brother, the moment we go in, our
    life will change in such a way...
  • 86:19 - 86:21
    that both of you will
    forget your wives.
  • 86:21 - 86:23
    It is my responsibility if
    something wrong happens. Come on.
  • 86:23 - 86:26
    -Come on!
    -Yes, come on, come on.
  • 86:26 - 86:31
    Wow! Massage parlour! All
    the three have gone in.
  • 86:31 - 86:34
    Her hands are so smooth.
  • 86:34 - 86:37
    They are so smooth that,
    I am enjoying it.
  • 86:39 - 86:41
    -Mr. Bhaidas!
    -Yes!
  • 86:41 - 86:44
    Are you in a mood to listen if
    I want to praise my wife?
  • 86:44 - 86:46
    Definitely! Sure!
  • 86:46 - 86:48
    Have you ever seen a female
    elephant in the forest?
  • 86:49 - 86:50
    I have not seen.
  • 86:50 - 86:52
    -Then, you come to my house.
    -Yes!
  • 86:52 - 86:55
    See my wife. She looks exactly
    like a female elephant.
  • 86:57 - 86:59
    -Shall I praise my wife?
    -Yes! Sure.
  • 86:59 - 87:02
    Have you ever seen a ghost?
    A white ghost?
  • 87:03 - 87:04
    No, I never had an opportunity
    to see one.
  • 87:04 - 87:07
    If my wife leaves her
    hair loose then...
  • 87:07 - 87:09
    she looks like a white ghost.
  • 87:10 - 87:11
    Mr. Bhaidas...
  • 87:11 - 87:13
    please do not talk like this
    about my sister-in-law.
  • 87:13 - 87:16
    Mr. Chaudhary, I told
    you she is crazy...
  • 87:16 - 87:18
    you do not try and
    flirt with her.
  • 87:18 - 87:21
    Mr. Bhaidas,
    I feel like singing a song.
  • 87:21 - 87:23
    -Mr. Chaudhary...
    -"If a flame is ignited."
  • 87:23 - 87:25
    After coming to this foreign
    country it seems like...
  • 87:25 - 87:27
    we got married at
    a very early age.
  • 87:27 - 87:29
    -"Then the rain will extinguish it."
    -Why did you stop it?
  • 87:29 - 87:31
    Do it, why did you stop the massage?
    Come on, do it.
  • 87:31 - 87:32
    Yeah. Yeah. Yeah.
  • 87:44 - 87:47
    You did the right thing!
    They should be beaten up like this.
  • 87:47 - 87:50
    Next time they will not trouble
    an innocent person like me.
  • 87:50 - 87:53
    Yes! Yes! But your wife
    will not come here.
  • 87:53 - 87:56
    She has gone for shopping, but
    don't worry we have told her...
  • 87:56 - 87:59
    that your husband too has gone
    to a massage parlour.
  • 88:00 - 88:04
    -Then? -Then she said... first you
    go and beat up your husbands.
  • 88:04 - 88:07
    But after that do not give my
    husband a chance to complain.
  • 88:07 - 88:08
    What do you mean?
  • 88:08 - 88:10
    Meaning...
  • 88:15 - 88:17
    Raj, you are going here?
  • 88:19 - 88:20
    So?
  • 88:20 - 88:22
    Don't you know it is
    a striptease joint?
  • 88:23 - 88:24
    I know. So?
  • 88:25 - 88:27
    No, how can you go to
    some place like this?
  • 88:28 - 88:30
    I can go.
  • 88:30 - 88:32
    Okay! Even I am coming.
  • 88:34 - 88:35
    You?
  • 88:35 - 88:39
    Madam, you can go anywhere.
  • 88:40 - 88:43
    (Dance music)
  • 88:48 - 88:50
    Raj, come on, we will go
    from here, let's go.
  • 88:50 - 88:52
    Yes! You are too good baby!
  • 88:57 - 89:00
    -Yes, sir!
    -One beer, please.
  • 89:01 - 89:03
    What about you, ma'am?
  • 89:03 - 89:06
    -One Tequila!
    -Okay, fine.
  • 89:10 - 89:13
    Yes, yes, you can drink anything.
  • 89:22 - 89:24
    -Yes, sir!
    -One more beer, please.
  • 89:25 - 89:26
    -Two Tequilas!
    -Okay, ma'am.
  • 91:02 - 91:03
    Come on, baby, let's have fun.
  • 91:03 - 91:06
    Wow! Great!
  • 91:10 - 91:12
    Wow! Great!
  • 91:14 - 91:16
    (Dance music stops)
  • 91:22 - 91:23
    I am sorry!
  • 91:23 - 91:25
    -No!
    -I am really sorry!
  • 91:25 - 91:29
    First you will have to
    admit that, you love me.
  • 91:30 - 91:31
    No, I don't!
  • 91:48 - 91:50
    Come inside.
  • 91:50 - 91:53
    Come on, baby, come on.
  • 92:54 - 92:55
    You love me, no?
  • 92:56 - 92:59
    -No!
    -No! You are lying.
  • 92:59 - 93:02
    -I know you love me.
    -No, I don't.
  • 93:03 - 93:04
    -You do love me!
    -No.
  • 93:05 - 93:07
    No, I don't. I don't!
  • 93:07 - 93:09
    -No, you love me.
    -No.
  • 93:09 - 93:11
    -Yes, you love me.
    -No, I don't. -Yes.
  • 93:11 - 93:16
    -Yes, you love me. -No! I hate you.
    I hate you! I hate you!
  • 93:18 - 93:19
    I hate you!
  • 93:21 - 93:23
    I am fine but the business
    is going into a loss.
  • 93:23 - 93:25
    What? What is this?
    Can't you see? What is this?
  • 93:26 - 93:28
    Can't you walk without
    pushing someone?
  • 93:28 - 93:30
    Did you not go to any class
    to learn how to walk?
  • 93:30 - 93:34
    Glass?
    Are you crazy? Am I a drunkard?
  • 93:34 - 93:36
    I will take the glass in hand
    only when I attend a party.
  • 93:36 - 93:38
    If I attend a party, will
    you come with me?
  • 93:38 - 93:40
    -Will you accompany me?
    -Who is this one? Who is he?
  • 93:40 - 93:43
    I am not John. I am Mulchand Chelaramani.
    How about you?
  • 93:43 - 93:45
    Whoever you may be
    I will slap you.
  • 93:45 - 93:47
    -Is there any problem with your ears?
    -What did you say?
  • 93:47 - 93:49
    Where do I have a problem?
    What did you say?
  • 93:49 - 93:51
    -Where do I have a problem?
    -In the ears! Ears!
  • 93:51 - 93:54
    You said ears?
    Sorry, I am a little deaf.
  • 93:54 - 93:56
    See, I have put the machine.
    Please, forgive me.
  • 93:56 - 93:58
    Please forgive me.
  • 93:58 - 94:00
    Anjali, see who is this man
    who is harassing me?
  • 94:00 - 94:03
    Sister-in-law, Anjali!
  • 94:03 - 94:05
    How come you are here?
    You were supposed to go to Europe?
  • 94:06 - 94:08
    -How come you are here?
    -One minute. One minute.
  • 94:08 - 94:10
    Please, do not tell my husband
    that, I am still here. Please.
  • 94:10 - 94:12
    How will I tell him? I can tell
    him only if he is here.
  • 94:12 - 94:14
    He has gone to Europe.
    I booked the ticket for him.
  • 94:14 - 94:16
    -What? -In the name of Raj Malhotra.
    -Raj Malhotra!
  • 94:16 - 94:18
    -What?
    -Hello.
  • 94:18 - 94:20
    -Uncle.
    -How did this happen?
  • 94:20 - 94:22
    Did you see?
  • 94:22 - 94:24
    -Stupid! Uncle!
    -Yes.
  • 94:24 - 94:26
    I told you this man is a scoundrel.
    I had told you, isn't it?
  • 94:26 - 94:29
    Has he gone there to
    keep an eye on you?
  • 94:29 - 94:31
    Even if he is doing that, he
    should have returned by now.
  • 94:31 - 94:32
    I am here.
  • 94:32 - 94:35
    How will he return? He is after
    all a flamboyant person.
  • 94:35 - 94:38
    English girls, liquor and freedom.
  • 94:38 - 94:39
    Can anyone stop themselves
    from enjoying it?
  • 94:39 - 94:42
    Uncle, this is a very good thing.
    Ask me why?
  • 94:42 - 94:45
    How? -Anjali is there.
    I will call her up just now.
  • 94:46 - 94:48
    She will bring evidence
    for us from there.
  • 94:48 - 94:50
    Anjali, I am Anjali speaking.
  • 94:50 - 94:52
    Where were you?
    I called up so many times?
  • 94:52 - 94:53
    Yes, Anjali.
  • 94:53 - 94:58
    Okay, tell me, is there any person in
    your tour by the name of Raj Malhotra?
  • 94:58 - 94:59
    Raj Malhotra?
  • 95:00 - 95:01
    Yes! He is traveling with me.
  • 95:01 - 95:03
    He is my husband, Sanjay.
  • 95:05 - 95:07
    What! -Yes.
    And just now I came to know..
  • 95:07 - 95:08
    ..that he is traveling
    by changing his name.
  • 95:09 - 95:14
    Hello, Anjali!
    Anjali! Anjali, are you there?
  • 95:14 - 95:16
    Hello, Anju!
  • 95:17 - 95:19
    (Telephone rings)
  • 95:20 - 95:22
    (Telephone rings)
  • 95:24 - 95:26
    (Telephone rings)
  • 95:28 - 95:29
    Hello!
    -Hello, Anjali!
  • 95:30 - 95:31
    What happened to you suddenly?
  • 95:31 - 95:33
    I felt dizzy listening to you.
  • 95:34 - 95:36
    You felt dizzy? Why?
  • 95:36 - 95:42
    The thing is I have fallen in love
    with your husband.
  • 95:42 - 95:43
    What are you saying?
  • 95:44 - 95:46
    I knew this rogue was
    up to something.
  • 95:47 - 95:51
    But how are you so sure that
    he is your husband?
  • 95:51 - 95:53
    Today, my travel agent told me
    that he had booked a ticket..
  • 95:53 - 95:55
    ..in the name of Raj Malhotra.
  • 95:55 - 95:57
    What are you saying?
  • 95:57 - 95:58
    I will not spare this person now.
  • 95:59 - 96:01
    I will go to him immediately
    and ask him that..
  • 96:01 - 96:04
    ..why did he do this to me when
    he was already married.
  • 96:04 - 96:08
    Hold on, don't do something
    like this now. -Why? Why?
  • 96:08 - 96:11
    If you discuss all this with him
    then he will become alert.
  • 96:11 - 96:13
    I want you to continue
    with this charade.
  • 96:13 - 96:17
    So that later I will present you in
    the court against him as a witness.
  • 96:17 - 96:20
    Hey you, what are you saying?
    I..can't do all that.
  • 96:21 - 96:23
    Anjali, I know that this is
    very difficult for you.
  • 96:24 - 96:25
    It is very difficult for me also, friend.
  • 96:26 - 96:28
    Don't you wish that we both
    should teach him a lesson?
  • 96:29 - 96:32
    I am at the casino. She is
    coming here now to meet me.
  • 96:33 - 96:35
    I know that she is crazily
    in love with you.
  • 96:35 - 96:36
    She will do as you
    tell her to do.
  • 96:37 - 96:39
    You do one thing, today night you
    call her alone in your room.
  • 96:39 - 96:40
    Are you mad?
  • 96:40 - 96:41
    I want to see how
    far can she get..
  • 96:41 - 96:42
    ..involved with you
    in this matter.
  • 96:43 - 96:46
    What do you wish? How can I do
    this with my friend's wife?
  • 96:46 - 96:47
    Have you gone crazy?
    My life is in a mess, man.
  • 96:47 - 96:49
    This is the only opportunity
    to expose her.
  • 96:49 - 96:51
    Tonight, if she comes
    alone in your room..
  • 96:51 - 96:54
    ..then you just see, hundred
    percent I will divorce her.
  • 96:54 - 96:57
    Do not let go of this opportunity.
    -Okay, I will do this.
  • 96:57 - 96:59
    What if he takes undue advantage
    of this situation? -Carrey!
  • 96:59 - 97:01
    Sir, the problem is your
    wife too is always..
  • 97:01 - 97:03
    ..in search of such opportunities.
  • 97:03 - 97:04
    Shut up!
    -Okay!
  • 97:04 - 97:07
    He is waiting for me in the
    hotel casino. -Okay?
  • 97:07 - 97:10
    I am going there. -Now he will
    do anything to acquire you.
  • 97:10 - 97:13
    You do one thing, you call him
    alone in your room. -Anjali!
  • 97:13 - 97:16
    And if he misbehaves
    with you in your..
  • 97:16 - 97:18
    ..room, then I will divorce him.
  • 97:18 - 97:21
    Anjali, please do this for me.
    Bye.
  • 97:22 - 97:23
    Raj!
  • 97:25 - 97:27
    Why did you call me here?
  • 97:27 - 97:33
    Well,
    to tell you that..I love you.
  • 97:34 - 97:38
    I am very happy!
    -Oh, Anjali, I too am very happy.
  • 97:39 - 97:42
    Wow! Come, let's play a game.
  • 97:43 - 97:46
    Come on. Till today we have
    always been testing each other..
  • 97:46 - 97:48
    ..but today,
    let us test our own self.
  • 97:52 - 97:54
    When will this game end?
  • 97:56 - 97:58
    Even I was thinking how long
    will this game go on?
  • 97:59 - 98:00
    I am quite bored with this game.
  • 98:01 - 98:03
    Let's stop it,
    man, let's stop playing.
  • 98:04 - 98:08
    Anyways, you should never mess with
    a machine you don't know about.
  • 98:08 - 98:10
    Often, a person loses.
  • 98:10 - 98:11
    Right.
  • 98:12 - 98:14
    Come, we will go somewhere.
  • 98:15 - 98:16
    Where?
    -Wherever you say.
  • 98:17 - 98:18
    In my room?
    -No!
  • 98:20 - 98:22
    In my room. I will wait for you.
  • 98:25 - 98:28
    Oh! The door is also kept open.
  • 98:34 - 98:36
    Hi!
    -She is smarter than the first one.
  • 98:38 - 98:40
    What is the matter? You are all
    dressed up and lying down?
  • 98:40 - 98:42
    Yes, today you also seem
    to be in a great mood.
  • 98:42 - 98:45
    Of course, I am in a great mood.
    Because since many days..
  • 98:45 - 98:47
    ..I was waiting to vent
    out my feelings.
  • 98:47 - 98:52
    Mr. Raj Malhotra, I too was
    impatiently waiting for this day.
  • 98:52 - 98:55
    When I will be able to satiate
    the fire within me.
  • 98:55 - 98:57
    That means the fire is
    smouldering within you as well.
  • 98:58 - 99:00
    And you are craving to surrender
    your body to me.
  • 99:00 - 99:02
    But please forgive me,
    madam Anjali,
  • 99:02 - 99:04
    I will never do any such thing
    that you wish me to do.
  • 99:04 - 99:06
    That is because I have a class,
    a status and I do not..
  • 99:06 - 99:07
    ..entertain third grade
    girls like you.
  • 99:08 - 99:09
    What do you mean?
    -Don't shout!
  • 99:09 - 99:12
    I know very well that
    you are a fraud..
  • 99:12 - 99:14
    ..flirt and a third grade girl.
  • 99:14 - 99:16
    Hey you! Mind you language.
    Before accusing me of such..
  • 99:16 - 99:18
    ..filthy things first try and
    see your face in the mirror.
  • 99:18 - 99:20
    What is wrong with my face?
    -You are a loafer, scoundrel, rogue.
  • 99:20 - 99:23
    You are a flirt who traps innocent girls.
  • 99:23 - 99:26
    I will say that you are
    a stigma on men.
  • 99:26 - 99:28
    Not only a stigma but
    worse than that!
  • 99:28 - 99:32
    Okay! All right!
  • 99:33 - 99:36
    You are angry because I did
    not do what you wished?
  • 99:36 - 99:38
    Cool down! Relax!
  • 99:39 - 99:40
    When I did not get trapped
    in your plan,
  • 99:41 - 99:42
    When I did not heed
    to your wishes..
  • 99:42 - 99:44
    ..you are trying to pretend
    like a virtuous lady?
  • 99:44 - 99:46
    Oh! So I am trying to pretend
    like a virtuous lady?
  • 99:46 - 99:49
    You are married yourself and
    you try to flirt with other girls.
  • 99:49 - 99:51
    Oh, hello, who told you
    that I am married?
  • 99:52 - 99:53
    Oh! Your own wife.
  • 99:53 - 99:56
    From where has my wife turned up?
    -Many years ago.
  • 99:56 - 99:57
    Shut up!
  • 99:57 - 99:59
    Just because you are married, you
    are talking nonsense about me.
  • 99:59 - 100:02
    I am married?
    Wow! Now I am married?
  • 100:02 - 100:05
    By the way who, told you
    that I am married?
  • 100:05 - 100:08
    Your husband.
    -Oh! Now I also have a husband.
  • 100:08 - 100:11
    Fabulous! -This is nothing new.
    -What a big fraud you are!
  • 100:11 - 100:14
    You are a liar!
    -Baby, don't try to make me a fool.
  • 100:14 - 100:15
    How dare you touch me!
  • 100:15 - 100:19
    Yes, what can I do for you, sir?
    What can I do for you?
  • 100:19 - 100:21
    Now, I will do what is to be done.
  • 100:21 - 100:23
    You don't have to do anything.
    -No!
  • 100:25 - 100:27
    Hello! -Hello, Anjali, quickly
    tell me, what happened?
  • 100:27 - 100:30
    Nothing happened as you thought.
  • 100:30 - 100:33
    Hello.
    -Yes, quickly tell me what happened?
  • 100:33 - 100:36
    Nothing, my friend, nothing
    happened as you thought.
  • 100:36 - 100:40
    Actually she had called
    for two security men..
  • 100:41 - 100:43
    ..and those two men gave
    me a good beating.
  • 100:43 - 100:45
    No, no, you are lying,
    I cannot believe this.
  • 100:46 - 100:49
    Actually, according to me your
    wife is a very noble lady.
  • 100:49 - 100:52
    Okay! So now she is a
    very virtuous lady?
  • 100:52 - 100:54
    Yes, that is what I think.
  • 100:54 - 100:57
    You invited him to your room
    and he came. -Yes, he came.
  • 100:57 - 100:59
    She called you to her room?
    -Yes!
  • 100:59 - 101:01
    And you went to her room.
    -Yes, yes.
  • 101:02 - 101:04
    And then he was with you for sometime?
    -Yes.
  • 101:04 - 101:06
    And then he became
    a very decent man?
  • 101:06 - 101:07
    After that she became a very
    virtuous lady, is it?
  • 101:07 - 101:10
    Yes, after that I started
    respecting her.
  • 101:10 - 101:13
    The thing is I did not get
    enough time to talk to her as..
  • 101:13 - 101:15
    ..the police broke my mouth pretty badly.
  • 101:15 - 101:18
    After that, I could not
    utter a single word.
  • 101:18 - 101:19
    But shall I tell you one thing?
  • 101:20 - 101:24
    No doubt she was lying but
    she is a very decent girl.
  • 101:25 - 101:29
    But Sanjay, what is your
    intention in asking me all this?
  • 101:29 - 101:30
    Darling..
  • 101:30 - 101:32
    ..the meaning is this that my
    husband has this special trait.
  • 101:32 - 101:34
    If he spends some time
    with a girl then..
  • 101:34 - 101:36
    ..that girl starts praising him.
  • 101:36 - 101:38
    Shame on you,
    Anjali, shame on you.
  • 101:39 - 101:42
    Sanjay,
    for your sake I got beaten twice.
  • 101:43 - 101:44
    I broke my heart once.
  • 101:44 - 101:48
    And now you doubt me.
    God too will not help you, idiot.
  • 101:48 - 101:48
    (Hangs the phone)
  • 101:49 - 101:50
    This is the height!
  • 101:51 - 101:53
    Raj Malhotra,
    I will not spare you!
  • 101:53 - 101:57
    I have lost my temper.
    This is too much!
  • 101:57 - 102:00
    I think your wife is a CIA agent.
  • 102:00 - 102:05
    In one night, she influenced Raj
    Malhotra and shocked you.
  • 102:05 - 102:09
    I..I will deal with them.
    I will deal with everyone.
  • 102:11 - 102:12
    Oh, my God!
  • 102:14 - 102:17
    You here?
    -You had gone for a Europe tour, isn't it?
  • 102:17 - 102:20
    I had sent my friend in my
    place to this Europe tour.
  • 102:20 - 102:23
    So that I could stay here and
    keep an eye on you. Understood?
  • 102:23 - 102:25
    Oh, very smart!
  • 102:25 - 102:29
    My dear, the truth is that even I
    sent my friend on that same tour.
  • 102:29 - 102:31
    Oh! -Yes! -I see!
  • 102:31 - 102:33
    Daddy, this is superb!
  • 102:33 - 102:35
    You are minting money and
    I am minting money too!
  • 102:35 - 102:37
    Long live Sanjay's wife!
  • 102:37 - 102:39
    Long live the man with the pony!
  • 102:39 - 102:41
    We will keep extracting money
    from them all life long.
  • 102:41 - 102:43
    Let this case continue
    for some more time.
  • 102:43 - 102:46
    Let them be at loggerheads.
  • 102:46 - 102:46
    I see!
  • 102:48 - 102:52
    Father, I have lost the job!
    -And the case as well!
  • 102:52 - 102:54
    Father, run from here!
  • 102:54 - 102:56
    My child, run!
  • 102:59 - 103:02
    They are not at fault,
    but we are.
  • 103:02 - 103:05
    Sanjay, we never had faith
    on each other ever.
  • 103:05 - 103:08
    Faith is such a delicate
    emotion..
  • 103:09 - 103:12
    ..that if there is a little..
  • 103:12 - 103:16
    ..space for doubt it ruins
    the relationship.
  • 103:17 - 103:20
    And we..have saved ourselves
    from that disaster.
  • 103:21 - 103:22
    Sanjay..
  • 103:22 - 103:25
    ..promise me that such a thing
    will never happen with us again.
  • 103:25 - 103:26
    No!
  • 103:28 - 103:29
    Never!
  • 103:31 - 103:35
    Sanjay, have you ever thought
    that in our misunderstandings..
  • 103:36 - 103:38
    ..what Raj and Anjali
    must be going through?
  • 103:38 - 103:41
    Europe is good but not as
    good as our Ulhasnagar.
  • 103:41 - 103:43
    Ulhasnagar is after all
    a beautiful place.
  • 103:43 - 103:45
    You are a very strange man.
  • 103:45 - 103:47
    When you are in Ulhasnagar you
    say that Europe is beautiful.
  • 103:47 - 103:49
    And now that you are
    in Europe you..
  • 103:49 - 103:49
    ..say that Ulhasnagar is
    beautiful.
  • 103:49 - 103:50
    At least stick to one thing.
  • 103:50 - 103:52
    He is not fit to go out anywhere.
  • 103:52 - 103:54
    Hey mister, you do your work.
  • 103:54 - 103:56
    Shall I tell you one thing?
  • 103:56 - 103:58
    Mr. Chaudhary, shall I say something?
    -Yes, please.
  • 103:58 - 104:01
    (Background Music)
  • 104:01 - 104:06
    (Flute)
  • 104:39 - 104:43
    "Hey Raju, do not fall in love."
  • 104:43 - 104:47
    "Beware, your heart breaks."
  • 104:50 - 104:58
    "Do not talk of love,
    beware, your heartbreaks."
  • 105:01 - 105:04
    "You crazy heart, you did not adhere."
  • 105:04 - 105:06
    "You at last fell in love."
  • 105:06 - 105:10
    "Hey Raju, do not fall in love."
  • 105:10 - 105:14
    "Beware, your heart breaks."
  • 105:36 - 105:41
    "I tried stopping my heart and
    my heart tried stopping me."
  • 105:42 - 105:47
    "Love is just a beautiful
    whiff of passing breeze."
  • 105:51 - 105:58
    "I tried stopping my heart and
    my heart tried stopping me."
  • 105:58 - 106:03
    "Love is just a beautiful
    whiff of passing breeze."
  • 106:03 - 106:09
    "A person who falls in
    love ruins his life."
  • 106:09 - 106:12
    "Hey Raju, do not fall in love."
  • 106:12 - 106:16
    "Beware, your heart breaks."
  • 106:33 - 106:38
    "In love you lose
    your own heart."
  • 106:38 - 106:41
    "The person who resides in your heart"
  • 106:41 - 106:44
    ultimately becomes a stranger."
  • 106:49 - 106:54
    "In love you lose your own heart."
  • 106:55 - 106:57
    "The person who resides in your heart"
  • 106:57 - 107:00
    ultimately becomes a stranger."
  • 107:00 - 107:06
    "I realized this when
    I was hurt in love."
  • 107:06 - 107:09
    "Hey Raju, do not fall in love."
  • 107:09 - 107:13
    "Beware, your heart breaks."
  • 107:14 - 107:21
    "Do not talk of love,
    beware, your heart breaks."
  • 107:22 - 107:25
    "You crazy heart, you did not adhere."
  • 107:25 - 107:27
    "You at last fell in love."
  • 107:42 - 107:46
    (Background music)
  • 107:59 - 108:02
    Oh, sister, welcome, welcome.
    We missed you so much.
  • 108:02 - 108:06
    How was your Europe tour?
    -I saw the world. Good experience.
  • 108:06 - 108:08
    Yes, this experience was
    lacking that is why last time
  • 108:08 - 108:10
    you refused to get married.
  • 108:10 - 108:12
    Tell me, now what is your
    opinion about marriage?
  • 108:12 - 108:14
    Don't talk about marriage.
  • 108:14 - 108:16
    Otherwise again my
    daughter will get angry
  • 108:16 - 108:18
    and go on a Europe tour.
  • 108:18 - 108:21
    No Daddy, now I will get
    married where you want me to.
  • 108:22 - 108:24
    I have no complaints.
    -Great!
  • 108:24 - 108:26
    If I would have known that
    my daughter would
  • 108:26 - 108:29
    change her thinking so much
    after going to Europe
  • 108:29 - 108:32
    then I would have
    educated her in Europe.
  • 108:33 - 108:36
    My daughter has agreed to get married.
  • 108:36 - 108:39
    All my tensions have waned away.
  • 108:42 - 108:43
    Brother
  • 108:43 - 108:45
    the marriage should be
    solemnized with great splendour.
  • 108:45 - 108:48
    You go and arrange everything
    for the wedding, that's it.
  • 108:48 - 108:49
    Brother, you just watch.
  • 108:49 - 108:52
    I will get the number one caterer
    and decorator of Delhi.
  • 108:53 - 108:56
    Shekhar, quickly unload all the stuff.
  • 108:57 - 108:59
    There is less time and
    there's a lot of work load.
  • 108:59 - 109:03
    Chaudhary!
    -Oh! Mr. Bhaidas, you?
  • 109:03 - 109:07
    Surprising! I missed you a
    lot after the Europe tour.
  • 109:07 - 109:10
    And I missed sister-in-law as well.
    -Sister-in-law?
  • 109:10 - 109:12
    She was repeatedly trying your
    number on the day of Rakhi.
  • 109:13 - 109:15
    I too tried calling up. I called
    up once, no one answered.
  • 109:16 - 109:17
    I called up twice,
    no one answered.
  • 109:17 - 109:18
    I called up thrice,
    no one answered.
  • 109:18 - 109:21
    And then sir, I...
    -How would you find someone?
  • 109:22 - 109:24
    I had given you the wrong number.
    -Oh, wrong number?
  • 109:25 - 109:28
    Isn't this Anjali?
    -Who Anjali?
  • 109:28 - 109:30
    The same one from the tour.
    Raj's Anjali.
  • 109:30 - 109:33
    From behind she looks like Anjali.
    Dear could you please turn around?
  • 109:33 - 109:36
    Hey, this is Anjali. Anjali!
  • 109:36 - 109:38
    See, I recognized her from
    behind. -Mr. Chaudhary, you?
  • 109:38 - 109:39
    Mr. Bhaidas, you?
  • 109:39 - 109:41
    My dear, how are you?
    -How are you?
  • 109:41 - 109:44
    You look the same as
    you were in Europe.
  • 109:44 - 109:45
    You know each other?
  • 109:45 - 109:47
    Not only know but we know
    each other very well.
  • 109:47 - 109:48
    We had met on the tour.
  • 109:49 - 109:51
    I am impatient to know what
    happened about the affair
  • 109:51 - 109:54
    between you and Raj?
  • 109:54 - 109:55
    (Background music)
  • 109:56 - 109:58
    Mr. Chaudhary, this is my Daddy
    and this is my Mummy.
  • 109:58 - 110:02
    Everyone has parents. But you first
    tell me have you and Raj patched up?
  • 110:03 - 110:04
    And who is getting married?
    -Hey!
  • 110:05 - 110:06
    Anjali is getting married, who else?
  • 110:06 - 110:09
    One minute. One minute.
    I am a little confused.
  • 110:09 - 110:10
    You met Raj during the tour, okay?
    -Yes.
  • 110:10 - 110:12
    Raj and you had a tiff?
    (Background music)
  • 110:12 - 110:15
    Now are you getting married
    to Raj or to someone else?
  • 110:15 - 110:15
    (Background music)
  • 110:16 - 110:18
    Who is this Raj?
    -I do not know anyone called Raj.
  • 110:18 - 110:21
    (Background music)
  • 110:21 - 110:22
    Who has called both of you here?
  • 110:22 - 110:24
    The owner of this bungalow.
    -Has called me for the decoration.
  • 110:24 - 110:26
    And me for the catering.
    -Okay.
  • 110:26 - 110:28
    Who are you?
    -Who am I?
  • 110:29 - 110:30
    I am the boss of this
    bloody bungalow.
  • 110:30 - 110:32
    He is the boss of this bungalow.
    -Okay.
  • 110:32 - 110:33
    Go and do your work.
  • 110:34 - 110:36
    And listen! There is no need
    for you to talk to anyone.
  • 110:36 - 110:38
    Is that clear? Wonder from where
    you got these specimens.
  • 110:38 - 110:40
    You told me to get Delhi's most famous...
  • 110:41 - 110:44
    He is a very strange man.
    He is calling me a specimen.
  • 110:44 - 110:47
    Tell me, Mr. Bhaidas. Do I look
    like a specimen from any angle?
  • 110:48 - 110:48
    Today is an auspicious day
  • 110:49 - 110:51
    please do not compel me to tell lies.
    (Background music)
  • 110:51 - 110:52
    Come on put up the tents quickly.
  • 110:52 - 110:56
    (Background music)
  • 111:01 - 111:05
    My child, since the time you
    have returned from Europe
  • 111:05 - 111:07
    you are looking so forlorn.
  • 111:08 - 111:11
    This isn't done. First tell
    me, what is the matter?
  • 111:11 - 111:13
    Do not talk much! Ask him nicely.
  • 111:14 - 111:16
    Tell me Raj, who has made
    your condition like this?
  • 111:16 - 111:18
    I will teach that one a lesson.
  • 111:19 - 111:23
    Who is dead?
    Where is that one? I will shoot him.
  • 111:23 - 111:26
    Keep quiet! You always are drunk.
  • 111:26 - 111:30
    Keep sleeping. And after getting
    intoxicated you talk rubbish.
  • 111:30 - 111:32
    "I will shoot him."
  • 111:32 - 111:35
    Is this the way?
    -Grandpa, what's happening?
  • 111:35 - 111:37
    What is wrong with my brother?
  • 111:37 - 111:40
    My child, is it that you
    have fallen in love?
  • 111:40 - 111:41
    (Background music)
  • 111:41 - 111:42
    (Phone Ringing)
  • 111:42 - 111:44
    Oh, my! The bell is ringing.
  • 111:45 - 111:47
    Definitely it is something to do
    with romance. (Phone Ringing)
  • 111:48 - 111:49
    (Phone Ringing)
  • 111:50 - 111:53
    Hello.
    -Raj, it is me, Chaudhary.
  • 111:54 - 111:57
    Who, Chaudhary? -That one"One
    bird said to another, what say?"
  • 111:57 - 112:00
    Chaudhary, from the Europe tour.
    -Yes, Mr. Chaudhary, tell me.
  • 112:01 - 112:04
    After the Europe tour we thought
    that Anjali will marry you
  • 112:04 - 112:06
    but Anjali is getting married
    to someone else here.
  • 112:06 - 112:09
    Anjali's wedding!
    Her parents are nice.
  • 112:09 - 112:11
    They are getting her married the
    second time with such a bang?
  • 112:11 - 112:13
    You fool, initially she will get
    married for the first time
  • 112:13 - 112:14
    and then she can get
    married the second time.
  • 112:14 - 112:17
    Instead she thinks that you
    are already married.
  • 112:17 - 112:19
    What? Anjali is still not married?
  • 112:19 - 112:21
    That means she is not
    my friend's wife?
  • 112:21 - 112:23
    Forget about your friend,
    she can only be your wife.
  • 112:23 - 112:25
    She cannot marry anyone else.
  • 112:25 - 112:27
    Quickly come to Delhi.
    You must be thinking
  • 112:28 - 112:29
    how will you reach your beloved?
  • 112:29 - 112:30
    So listen to me
  • 112:30 - 112:32
    it is my responsibility to take
    you to meet your beloved.
  • 112:32 - 112:35
    And if I cannot do that
    then you can abuse me.
  • 112:35 - 112:37
    Now you do not increase my mobile bill.
  • 112:37 - 112:38
    Quickly catch a flight
    and come here.
  • 112:38 - 112:41
    Leave aside flight. I will
    fly, run and swim and come.
  • 112:42 - 112:44
    Mummy, Daddy, Grandpa, Grandma,
    sister -Oh, wow!
  • 112:44 - 112:47
    I am going and bringing the
    daughter-in-law of this house.
  • 112:49 - 112:52
    See, go up these stairs,
    then turn to your right
  • 112:53 - 112:54
    and then turn to your left.
  • 112:55 - 112:58
    The girl's bedroom is there,
    open the door and go in. Okay?
  • 112:58 - 112:59
    Come, we will go.
    -Come on. -Brother Bhaidas
  • 112:59 - 113:01
    this is very bad. I spit on you.
  • 113:01 - 113:03
    Raju, you do not know her father.
  • 113:03 - 113:04
    He is a very stern man,
    he will cancel my tent.
  • 113:04 - 113:07
    Mr. Chaudhary,
    this is very bad, I spit on you.
  • 113:07 - 113:09
    Do not spit too much this
    is marble we will slip.
  • 113:09 - 113:11
    Then c'mon both of you.
    -C'mon. -C'mon.
  • 113:11 - 113:13
    Brother, I have done everything
    as per your instructions.
  • 113:13 - 113:14
    Listen!
  • 113:15 - 113:17
    I have covered my face, I cannot hear.
  • 113:17 - 113:19
    You will hear only
    when you turn around.
  • 113:19 - 113:21
    If you tell us to turn only
    then we will turn.
  • 113:21 - 113:23
    If you ask us to hear then
    how will we turn around?
  • 113:23 - 113:26
    Oh, this is the caterer, isn't it?
    -Yes.
  • 113:26 - 113:27
    And this is the decorator?
    -Yes, decorator.
  • 113:27 - 113:29
    And, who are you?
    -That I do not know.
  • 113:29 - 113:31
    That... that... the orchestra man here.
  • 113:31 - 113:34
    Will you play the orchestra on my head?
  • 113:34 - 113:35
    We just wanted to have a chat with you.
  • 113:35 - 113:38
    If you wanted to listen to a
    particular number which you like
  • 113:38 - 113:40
    and...
    -Keep quiet. Enough.
  • 113:40 - 113:43
    Uncle, I promise you, I will make
    you listen to any number.
  • 113:43 - 113:44
    What decorator?
  • 113:44 - 113:46
    Wonder from where you
    bring such specimen?
  • 113:46 - 113:48
    He is again calling us specimens.
    -Okay.
  • 113:48 - 113:52
    I have never been humiliated
    like this in my life. -Okay?
  • 113:52 - 113:54
    I have been humiliated before
    as well but in installments.
  • 113:54 - 113:57
    My father-in-law insulted
    me in front of everyone?
  • 113:57 - 113:59
    If I do not make his
    daughter stand against him
  • 113:59 - 114:01
    in front of everyone then
    I will change my name.
  • 114:01 - 114:04
    And Raj, you are great!
  • 114:05 - 114:06
    Really!
  • 114:33 - 114:37
    (Background music)
  • 114:54 - 114:57
    "I wish to say something to you."
  • 115:01 - 115:05
    "But my heart tells
    me to be quiet now."
  • 115:09 - 115:16
    "Now if we are silent our
    eyes will speak up."
  • 115:49 - 115:52
    Oh, my darling, my darling,
    my darling, I love you
  • 115:52 - 115:54
    I miss you man, I miss you.
  • 115:54 - 115:56
    You are looking so beautiful
    in these clothes.
  • 115:56 - 115:59
    Anjali, we both have
    misunderstood each other.
  • 115:59 - 116:01
    But believe me, my
    misunderstanding is cleared now.
  • 116:01 - 116:03
    And I take your oath and say
    that I am not a married man.
  • 116:03 - 116:05
    I am a bachelor,
    man, I am a bachelor.
  • 116:05 - 116:07
    And if you are ready then I am
    also ready to elope with you.
  • 116:07 - 116:09
    They are still talking.
  • 116:09 - 116:12
    Shall I put on the lights?
    -Anjali, Anjali, your hand
  • 116:12 - 116:14
    how come your hands
    are so rough? -On!
  • 116:15 - 116:16
    (Background music)
  • 116:16 - 116:17
    Who are you?
  • 116:17 - 116:20
    I am Raj, who are you?
    -I am Anjali's Mother.
  • 116:21 - 116:23
    What have you done?
  • 116:23 - 116:24
    Come here!
    -Come here!
  • 116:24 - 116:26
    Come here.
    -Come here in this corner.
  • 116:26 - 116:28
    Did you say what you wanted to?
  • 116:29 - 116:30
    Mother!
    -You said that to her Mother?
  • 116:30 - 116:31
    (Raj making a crowing sound)
  • 116:31 - 116:32
    Then you should have told me
    that you were interested
  • 116:32 - 116:34
    in the mother then we could
    have set it up that way.
  • 116:34 - 116:36
    Oh, Raj, what have you done?
  • 116:36 - 116:39
    Raj, tell me, if he gets so angry
    hearing his daughter's name.
  • 116:39 - 116:41
    When he hears his wife's
    name, he will shoot us.
  • 116:41 - 116:43
    Mr. Chaudhary, that
    bucktooth is coming here.
  • 116:43 - 116:45
    Where is he?
    -There he is.
  • 116:45 - 116:47
    He was saying that he is going
    to elope with our daughter.
  • 116:47 - 116:50
    (Background music)
  • 116:51 - 116:52
    (Drumming)
  • 116:52 - 116:55
    Hey you!
    What were you telling my wife?
  • 116:55 - 116:58
    You will elope with my daughter?
    -Yes!
  • 116:58 - 116:59
    You have heard it right.
    (Raj making a crowing sound)
  • 117:00 - 117:02
    If you try and get my Anjali
    married somewhere else
  • 117:03 - 117:04
    then I will elope with her.
  • 117:05 - 117:06
    You think you can do anything?
  • 117:06 - 117:09
    Yes, I am Raj! My name is Raj.
    And I am my father's Raj.
  • 117:09 - 117:11
    That is because my name is Raj.
  • 117:11 - 117:15
    Look here, I have seen many like you.
  • 117:16 - 117:18
    Now will you go from here
    or shall I call the police?
  • 117:20 - 117:23
    Okay!
    You want to call the police?
  • 117:23 - 117:25
    Then I will scream and tell
    all the people here
  • 117:25 - 117:27
    that your daughter
    and I had an affair.
  • 117:27 - 117:28
    And we were together in Europe for
  • 117:28 - 117:29
    sixteen days and sixteen nights.
  • 117:30 - 117:31
    After that no decent man will get
  • 117:31 - 117:33
    his son married to your daughter.
  • 117:33 - 117:35
    You are a strange man!
    -Yes.
  • 117:35 - 117:38
    You have no respect for the
    parents of the girl you love?
  • 117:38 - 117:41
    Look here, if you try and get
    Anjali married somewhere else
  • 117:41 - 117:43
    then I will humiliate you.
  • 117:43 - 117:45
    And if you get her married to
    me I will respect you a lot.
  • 117:45 - 117:46
    I will wash your feet.
  • 117:46 - 117:49
    Hey you lover boy,
    listen to me carefully.
  • 117:50 - 117:52
    I will not let my daughter marry you.
  • 117:52 - 117:54
    Look here, you too
    listen to me carefully.
  • 117:54 - 117:56
    That you only will be my father-in-law.
  • 117:56 - 118:00
    You will be, you will
    be and you will be!
  • 118:03 - 118:04
    Why hasn't he arrived yet?
  • 118:04 - 118:06
    Raju.
  • 118:06 - 118:07
    You are the only detective in the world
  • 118:07 - 118:09
    that has a donkey
    instead of a dog.
  • 118:09 - 118:11
    There's a transport strike in the city.
  • 118:11 - 118:12
    You didn't pick me up.
    If it wasn't for this donkey
  • 118:12 - 118:13
    I could have never reached.
  • 118:13 - 118:16
    I was thinking of climbing up
    from here. -Why will you climb up?
  • 118:16 - 118:17
    Of course, you are so heavy.
    How can you climb up?
  • 118:18 - 118:20
    I may be heavy, but that will
    just add weight to what I say.
  • 118:20 - 118:21
    How is that?
  • 118:21 - 118:24
    When I will tell her with all my
    weight that you are not married,
  • 118:24 - 118:28
    It will lend credence.
    -You are right.
  • 118:28 - 118:29
    We shouldn't wait any longer.
    Let's climb up.
  • 118:30 - 118:31
    Come on.
    -Yes, come.
  • 118:31 - 118:32
    The things that I have to do for you.
  • 118:32 - 118:34
    Do it, please. Someday I will
    be really useful to you.
  • 118:34 - 118:36
    I will help you as a detective.
  • 118:37 - 118:38
    Harder. Try harder.
  • 118:38 - 118:39
    (Background music)
  • 118:39 - 118:41
    Climb up.
    -Raj.
  • 118:43 - 118:44
    Climb up.
    (Chaudhary yelling)
  • 118:44 - 118:45
    Chaudhary.
  • 118:46 - 118:49
    Chaudhary sir, are you there?
  • 118:50 - 118:52
    If not, can I leave?
    -Hey.
  • 118:52 - 118:54
    Quiet. Don't disturb me.
  • 118:54 - 118:57
    Listen to me.
    -I can't hear the one I want to.
  • 118:57 - 118:59
    Look here.
    -There's nothing left to see now.
  • 118:59 - 119:02
    It's me.
    -It's me too, but he's no more.
  • 119:02 - 119:04
    It's me, Chaudhary. Look.
  • 119:04 - 119:05
    (Background music)
  • 119:06 - 119:08
    Run.
  • 119:08 - 119:09
    (Crickets chrping)
  • 119:18 - 119:20
    (Background music)
  • 119:22 - 119:23
    What's this?
  • 119:23 - 119:24
    (Background music)
  • 119:28 - 119:28
    (Door closing)
  • 119:28 - 119:30
    I am telling you,
    you are quite heavy.
  • 119:30 - 119:32
    I may be heavy, but that will
    just add weight to what I say.
  • 119:32 - 119:34
    But how will you climb up?
  • 119:35 - 119:36
    Oye.
  • 119:36 - 119:40
    Bring the rope hanging around her neck.
    -Excuse me.
  • 119:40 - 119:42
    Now fasten this.
  • 119:42 - 119:43
    Make it tight.
  • 119:44 - 119:46
    But why are you doing this?
  • 119:46 - 119:48
    Not around the neck, around the waist.
    -Oh!
  • 119:49 - 119:51
    Why do you want to fasten
    it around my neck?
  • 119:52 - 119:54
    Fasten it properly. I
    hope it's of my size?
  • 119:54 - 119:56
    I feel so.
    -Tie it quickly.
  • 119:56 - 119:57
    Here you go.
  • 119:58 - 119:58
    I have tied.
  • 119:59 - 120:00
    Now pull on this.
  • 120:00 - 120:01
    -I should right?
    -Yes.
  • 120:02 - 120:03
    Okay. All the best.
  • 120:04 - 120:05
    All the best.
  • 120:05 - 120:07
    (Background music)
  • 120:07 - 120:08
    All the best.
  • 120:09 - 120:09
    (Chaudary gasping)
  • 120:10 - 120:11
    All the very best.
  • 120:12 - 120:14
    (Chaudary gasping)
  • 120:16 - 120:17
    Slowly.
  • 120:17 - 120:19
    (Chaudary gasping)
  • 120:19 - 120:21
    Oh God, my hands are burning.
  • 120:22 - 120:23
    What was that sound?
  • 120:25 - 120:26
    Chaudhary sir, I am sorry.
  • 120:26 - 120:26
    (Chaudary gasping)
  • 120:26 - 120:29
    Pick me up.
    -Let me hold it.
  • 120:29 - 120:30
    Forget the rope, catch my hand.
    -Yeah, yeah.
  • 120:31 - 120:32
    I told you, you are very heavy.
  • 120:32 - 120:35
    I may be heavy, but that will
    just add weight to what I say.
  • 120:35 - 120:36
    Really?
    -Yes.
  • 120:37 - 120:39
    Let's try again.
    -Yes, let's try it. -Okay. -Fine.
  • 120:40 - 120:41
    Okay.
  • 120:41 - 120:42
    (Background music)
  • 120:42 - 120:43
    Chaudhary.
    (Chaudary gasping)
  • 120:44 - 120:45
    Chaudhary.
    (Chaudary gasping)
  • 120:46 - 120:50
    Chaudhary.
    (Background music)
  • 120:51 - 120:51
    (Chaudary gasping)
  • 120:52 - 120:53
    (Donkey Neighing)
  • 120:54 - 120:56
    (Donkey Neighing)
  • 120:58 - 120:59
    (Donkey Neighing)
  • 121:01 - 121:02
    Let me see you.
  • 121:02 - 121:03
    (Chaudhary yelling)
  • 121:03 - 121:04
    Okay.
  • 121:05 - 121:06
    Chaudhary.
    (Donkey Neighing)
  • 121:07 - 121:09
    Oh no. Oh shit.
  • 121:11 - 121:12
    Chaudhary, that man disturbed me.
  • 121:12 - 121:14
    I told you, you are very heavy.
  • 121:15 - 121:19
    I may be heavy, but that will
    just add weight to what I say.
  • 121:19 - 121:20
    What now?
  • 121:20 - 121:25
    I suggest. What do you call that? The
    one standing there. (Donkey Neighing)
  • 121:26 - 121:29
    It looks like a horse.
    -I even forgot its name.
  • 121:29 - 121:32
    Fasten the other end to this donkey.
  • 121:32 - 121:36
    Sit on it and then pull.
    It will balance the weight.
  • 121:36 - 121:39
    Okay. I will try to do that.
    Have faith in me.
  • 121:42 - 121:44
    Fasten it quickly.
  • 121:47 - 121:48
    Okay.
    -Hey!
  • 121:52 - 121:54
    (Background music)
  • 121:54 - 121:55
    (Raj making indistinct sound)
  • 121:55 - 121:56
    (Chaudhary gasping)
  • 121:58 - 121:59
    (Chaudhary gasping)
  • 121:59 - 122:00
    (Background music)
  • 122:00 - 122:01
    Raju.
    (Raj making indistinct sound)
  • 122:03 - 122:05
    A bit further.
  • 122:05 - 122:06
    (Donkey Neighing)
  • 122:06 - 122:08
    I will use that stick.
  • 122:08 - 122:11
    (Donkey Neighing)
    (Chaudhary gasping)
  • 122:11 - 122:13
    (Background music)
  • 122:15 - 122:16
    (Chaudhary falling down)
  • 122:17 - 122:22
    (Donkey Neighing)
  • 122:23 - 122:26
    Chaudhary.
    Chaudhary, are you still there?
  • 122:26 - 122:28
    I told you, you are very heavy.
  • 122:28 - 122:31
    What are you doing here?
    -Have you crossed 60?
  • 122:31 - 122:31
    60?
  • 122:31 - 122:34
    Why? -Don't you know the difference
    between a horse and donkey?
  • 122:34 - 122:36
    Donkey.
    -Donkey.
  • 122:37 - 122:38
    Donkey. What is it doing there?
  • 122:38 - 122:40
    There's a transportation
    strike in the city.
  • 122:40 - 122:42
    So I thought of eloping with
    your daughter on the donkey.
  • 122:42 - 122:44
    That will never happen.
    Will you leave now?
  • 122:44 - 122:46
    Fine, I will leave
    because I respect you.
  • 122:46 - 122:48
    But, I will take revenge tomorrow
    at your daughter's wedding.
  • 122:48 - 122:49
    What will you do?
  • 122:50 - 122:52
    Look, barking dogs seldom bite.
  • 122:52 - 122:54
    Thundering clouds seldom shower.
    -But I will bark
  • 122:54 - 122:55
    I will bite, I will thunder
    and I will shower.
  • 122:55 - 122:56
    You will understand,
    but still you won't.
  • 122:56 - 122:58
    But in the end you will
    understand everything.
  • 122:58 - 123:00
    Because that will be the
    beginning of our love.
  • 123:01 - 123:03
    Looks like he will do what he says.
    -Yes.
  • 123:03 - 123:04
    (Background music)
  • 123:05 - 123:08
    (Upbeat music)
  • 123:08 - 123:10
    Hi brother-in-law.
    -Hi.
  • 123:10 - 123:13
    Can I ask you a question?
    But you won't be able to answer it.
  • 123:13 - 123:14
    That's impossible.
  • 123:14 - 123:17
    Tell me, who is looking prettier?
    Sister or me?
  • 123:17 - 123:20
    (Background music)
  • 123:20 - 123:21
    Oh Raju.
    -Okay, all right.
  • 123:22 - 123:24
    What are you looking for?
  • 123:24 - 123:25
    I want a saw.
  • 123:25 - 123:27
    There's a saw in my tool box.
  • 123:27 - 123:30
    Here.
    -Wow. Thanks.
  • 123:30 - 123:31
    But I don't understand.
  • 123:31 - 123:34
    How can you stop this
    engagement with this saw?
  • 123:34 - 123:38
    No bamboos, no support,
    no tent, no engagement.
  • 123:38 - 123:43
    You will destroy my
    tents with my saw.
  • 123:44 - 123:45
    (Background music)
  • 123:47 - 123:49
    Raju, stop the saw.
  • 123:49 - 123:51
    (Background music)
  • 123:51 - 123:55
    Hello my father-in-law.
    -Fool, what are you doing?
  • 123:55 - 123:58
    Hey you, the tent will fall.
  • 123:59 - 124:00
    Will you stop this marriage or not?
  • 124:00 - 124:02
    No, this marriage cannot be stopped.
  • 124:02 - 124:04
    Then this saw won't stop either.
  • 124:04 - 124:06
    Catch it.
  • 124:07 - 124:09
    Why are you behaving
    like an ignorant man?
  • 124:09 - 124:11
    Think about my honour.
  • 124:11 - 124:13
    It won't fall right now.
  • 124:13 - 124:15
    After I break a few more, it will fall.
  • 124:16 - 124:17
    Hold it firmly.
    Don't let it fall.
  • 124:17 - 124:20
    Brother, mine is shaking.
    -Mine is too.
  • 124:20 - 124:22
    But hold it. -Your father
    is nowhere to be seen.
  • 124:22 - 124:25
    The auspicious hour is passing by.
    -He's on his way.
  • 124:25 - 124:28
    At least exchange the rings.
  • 124:28 - 124:31
    Where is the ring?
    -Mummy is getting it.
  • 124:31 - 124:34
    (Background music)
  • 124:35 - 124:37
    Why are you uprooting the tent?
  • 124:37 - 124:39
    Not me, it's him.
  • 124:39 - 124:42
    I have already done it.
    -Stop him.
  • 124:42 - 124:44
    What are you doing?
  • 124:44 - 124:45
    Where should I keep this?
  • 124:45 - 124:47
    Wow mother-in-law, give
    that thing in my hand.
  • 124:47 - 124:49
    And catch this bamboo.
  • 124:49 - 124:52
    Hold it.
    -By the way, what is this?
  • 124:52 - 124:54
    The groom's ring.
    -Wow, I will wear this one.
  • 124:54 - 124:56
    What are you doing?
    -Wearing the engagement ring.
  • 124:56 - 124:59
    Stop him. -Catch this bamboo,
    don't catch me.
  • 124:59 - 125:00
    Or else the tent will fall.
  • 125:01 - 125:03
    Now I am related to you.
  • 125:03 - 125:04
    Raj you are great.
  • 125:04 - 125:07
    Where are you going?
    -To break the fourth bamboo.
  • 125:07 - 125:09
    Who will hold that?
  • 125:09 - 125:11
    I won't. -Stop him.
    -Hey, stop.
  • 125:11 - 125:13
    Mummy will be here
    soon, brother-in-law.
  • 125:13 - 125:15
    Why don't you adorn her with the ring?
    -Why not.
  • 125:15 - 125:16
    Here, Son.
  • 125:17 - 125:20
    Sister, come on.
  • 125:23 - 125:25
    (Background music)
  • 125:25 - 125:27
    (People yelling)
  • 125:27 - 125:30
    Mr. Khanna! Mr. Khanna!
  • 125:30 - 125:32
    What nonsense is going on?
  • 125:32 - 125:34
    Don't push me. -They ate the
    sweets and brought the tent down.
  • 125:34 - 125:37
    This... all this is his doings.
    He is the one.
  • 125:37 - 125:39
    You wait, I will immediately
    call the police.
  • 125:39 - 125:41
    You just see, I will
    make you rot in jail.
  • 125:41 - 125:44
    I will rot in jail?
    I will rot in jail?
  • 125:44 - 125:46
    Why? What is my crime?
  • 125:46 - 125:47
    What is my mistake?
  • 125:48 - 125:50
    Have I stolen something?
    Have I looted someone?
  • 125:50 - 125:53
    She stole my heart.
    She made me fall in love with her.
  • 125:53 - 125:54
    And I will rot in jail? Why?
  • 125:55 - 125:59
    Have I ruined your daughter's
    life or have I eloped with her?
  • 125:59 - 125:59
    What have I done?
  • 125:59 - 126:01
    First you brought the tent down
    and now you are trying to burn it.
  • 126:01 - 126:03
    You keep quiet. This is not
    the time to crack jokes.
  • 126:03 - 126:05
    Yes, tell me, what did I do to you?
  • 126:05 - 126:09
    Did I garland you or
    did you garland me?
  • 126:09 - 126:11
    Or did I apply vermillion on her
    forehead like this? -Raj!
  • 126:11 - 126:14
    Keep quiet! Today I will
    speak and you will listen.
  • 126:14 - 126:16
    Where is your mother? -She is here.
    -Did I not ask you?
  • 126:16 - 126:17
    That I love your daughter
    and I wish to marry her?
  • 126:18 - 126:19
    Did I not ask you like a gentleman?
  • 126:19 - 126:21
    Where is your daddy?
    -Daddy is here.
  • 126:21 - 126:23
    Why can't I see him?
    Why is he not to be seen?
  • 126:23 - 126:25
    Yes, did I not ask you? Hello!
    Did I not ask you? -Yes, you had.
  • 126:25 - 126:27
    That I love your daughter
    and wish to marry her?
  • 126:27 - 126:29
    Didn't I ask you like a gentleman?
  • 126:29 - 126:32
    You can ask her. Ask her heart.
  • 126:32 - 126:34
    Ask the earth and the sky.
  • 126:34 - 126:35
    Ask the breeze and the ambience.
  • 126:35 - 126:37
    Ask the brightness and the darkness.
  • 126:37 - 126:39
    Ask the moon and the stars.
  • 126:39 - 126:41
    Ask the storm and the tempest.
  • 126:41 - 126:42
    Ask me and my father.
  • 126:42 - 126:44
    Ask her and her father.
  • 126:44 - 126:45
    Ask all the four cartoons in my house.
  • 126:46 - 126:48
    I say, you can even ask these leaves.
  • 126:48 - 126:50
    Ask the illuminated
    lights behind the leaves.
  • 126:50 - 126:54
    This... ask this carpet, the
    broken tent and the broken bamboo.
  • 126:54 - 126:58
    Ask each and every thing.
    How much I have loved her.
  • 126:58 - 127:01
    And now if she still does
    not have faith in my love,
  • 127:01 - 127:03
    then she can throw away
    this sacred necklace.
  • 127:03 - 127:05
    It makes no difference to me and now
    I am going to the airport from here.
  • 127:05 - 127:08
    Good riddance!
  • 127:08 - 127:10
    Listen,
    can we solemnize the wedding?
  • 127:11 - 127:12
    What is the use now?
  • 127:12 - 127:13
    What? -Your daughter has already
    taken the nuptial rounds.
  • 127:14 - 127:15
    And he has put the sacred
    necklace as well. -Yes.
  • 127:15 - 127:16
    Now only the giving away ceremony
    has to be performed.
  • 127:16 - 127:17
    That too you can perform.
  • 127:17 - 127:21
    You don't worry,
    l will shoot him. -Yes.
  • 127:21 - 127:22
    Now you shoot him or do
    anything else, we are going.
  • 127:22 - 127:24
    Come on, son. Come on all of you.
  • 127:24 - 127:25
    Go! Go!
  • 127:25 - 127:28
    Brother, they are going.
    -Yes.
  • 127:31 - 127:33
    (Background music)
  • 127:34 - 127:35
    Anjali
  • 127:35 - 127:37
    actually I wanted to tell you
    something very important.
  • 127:37 - 127:40
    That Raj Malhotra you fell
    in love with in Europe
  • 127:40 - 127:42
    is not my husband.
  • 127:42 - 127:43
    This is my husband.
    -What?
  • 127:43 - 127:46
    Yes! That Raj Malhotra is my friend.
  • 127:47 - 127:49
    And for your kind information,
    he is not married.
  • 127:49 - 127:50
    He is a bachelor.
  • 127:51 - 127:54
    And for your kind information
    your friend, Mr. Raj Malhotra
  • 127:54 - 127:56
    is not a bachelor anymore.
    He is a married man.
  • 127:56 - 127:59
    What? -He has just applied
    vermillion on my forehead
  • 127:59 - 128:00
    and put this sacred
    necklace on my neck.
  • 128:00 - 128:02
    And he also solemnized the
    nuptial rounds with me.
  • 128:03 - 128:06
    Daddy, before it is too late
    I want to go and stop him.
  • 128:07 - 128:08
    Go, my child.
  • 128:08 - 128:09
    Go!
  • 128:10 - 128:12
    (Background music)
  • 128:17 - 128:20
    She will come, she
    will definitely come.
  • 128:20 - 128:23
    (Background music)
  • 128:23 - 128:26
    'Passengers traveling to Mumbai
    kindly board the aircraft.'
  • 128:26 - 128:29
    'Thank you.' -She will come,
    she will have to come.
  • 128:31 - 128:32
    (Background music)
  • 128:32 - 128:35
    Hey! Stop the car! Stop the car!
  • 128:35 - 128:37
    (Background music)
  • 128:42 - 128:45
    You... how recklessly do you drive the
    car. I will teach her a lesson now.
  • 128:45 - 128:46
    'This is the last and final call'
  • 128:47 - 128:48
    'for Mr. And Mrs. Raj Malhotra.'
  • 128:48 - 128:51
    'Kindly board the aircraft
    immediately. Thank you.'
  • 128:52 - 128:54
    Hey girl, come out.
    -Inspector, please let me go.
  • 128:54 - 128:56
    I am in a hurry. -It is very important
    for me to reach the airport.
  • 128:56 - 128:58
    I will take you where required.
  • 128:58 - 129:00
    Deflate it!
    -What?
  • 129:00 - 129:01
    The car tyres. Then we will
    go to the police station.
  • 129:02 - 129:05
    Please, Inspector, it is important
    that I stop my husband.
  • 129:05 - 129:09
    First I will make a challan then
    I will take a chance. Then...
  • 129:09 - 129:10
    Shut up, Inspector.
    Mind your language.
  • 129:10 - 129:11
    You are speaking in English?
  • 129:12 - 129:13
    Come to the police station
    I will teach you Hindi.
  • 129:13 - 129:14
    Come on! Who is that?
  • 129:16 - 129:21
    I am intelligent like Shah
    Rukh Khan of 'Baazigar'.
  • 129:21 - 129:25
    I can fight like Durga's Salman Khan.
  • 129:25 - 129:28
    And I can shoot like Aamir
    Khan from 'Sarfarosh'.
  • 129:28 - 129:32
    Bastard, I will now show you who I am.
  • 129:32 - 129:35
    What will you show me?
    You are a nothing compared to me.
  • 129:35 - 129:39
    You are a lowly man, a derogatory
    man and a degraded man.
  • 129:39 - 129:41
    And you speak in front of me.
  • 129:41 - 129:43
    Come and catch me if you can.
    Come, come.
  • 129:43 - 129:45
    Go and catch that old man!
  • 129:45 - 129:48
    Catch me. Catch me. Catch me...
  • 129:48 - 129:51
    You are out. Out.
  • 129:51 - 129:52
    It is a double role, double role.
  • 129:52 - 129:54
    He is the father and I am the son.
  • 129:54 - 129:56
    In order to make money
    we fooled many people.
  • 129:57 - 129:58
    We've destroyed many families.
  • 129:58 - 130:01
    We were responsible in breaking
    your love. -What?
  • 130:01 - 130:03
    But now we will unite you.
  • 130:03 - 130:07
    You are out! Neem Carrey,
    take her to the airport.
  • 130:07 - 130:10
    Come on let's go on the
    motorbike. Come on.
  • 130:10 - 130:12
    (Background music)
  • 130:14 - 130:17
    'All the passengers are requested
    to fasten their seat belts.'
  • 130:17 - 130:18
    Oh, no!
  • 130:18 - 130:22
    'All the passengers are requested
    to fasten their seat belts.'
  • 130:22 - 130:23
    'Thank you.'
  • 130:24 - 130:26
    (Background music)
  • 130:34 - 130:37
    'To fasten your seat belts sign
    has been switched off now.'
  • 130:37 - 130:41
    'You may unfasten your seat belts.'
    -Tell me! How are you?
  • 130:41 - 130:43
    You look very sad.
    (Background music)
  • 130:44 - 130:46
    I know everything about you.
  • 130:46 - 130:50
    You are a very romantic man.
    You are a flirt.
  • 130:50 - 130:52
    Don't bore me.
  • 130:52 - 130:55
    You trouble the girls by
    going to their flats.
  • 130:55 - 130:58
    You pull their cheeks like this.
  • 130:58 - 131:00
    You beat like this on their thighs.
  • 131:00 - 131:02
    And you touch them like this...
  • 131:02 - 131:05
    I am telling you to
    behave yourself.
  • 131:05 - 131:09
    We Punjabis are very warm people.
  • 131:09 - 131:12
    When we go to see off a person
    we bid them farewell
  • 131:12 - 131:13
    and then we embrace them
    like this. -Stop it!
  • 131:14 - 131:18
    Like this! -Stop it! There is
    a limit to man to man touch.
  • 131:21 - 131:22
    It is very strange!
  • 131:22 - 131:24
    I have been touching
    you from a long time
  • 131:24 - 131:25
    and you cannot feel
    any current?
  • 131:26 - 131:27
    I am not that type of a man.
  • 131:27 - 131:29
    Then what type of a man are you?
  • 131:29 - 131:31
    I do not tease the girls like you do.
  • 131:31 - 131:32
    Then how?
  • 131:32 - 131:34
    I tease the girls like this.
  • 131:40 - 131:42
    Oh! What is this?
  • 131:42 - 131:43
    This is the limit!
  • 131:43 - 131:45
    (Background music)
  • 131:45 - 131:47
    You recognized me?
  • 131:48 - 131:53
    Yes, my dear, I recognized
    you a long time ago.
  • 131:56 - 131:57
    I knew you would surely come.
  • 131:58 - 132:00
    If you do not believe me
    then look at the back.
  • 132:00 - 132:03
    You will believe me. See at the back.
  • 132:04 - 132:06
    (Background music)
  • 132:21 - 132:24
    "This journey is short."
  • 132:24 - 132:26
    "Our companionship is
    for a short while."
  • 132:26 - 132:31
    "I just smiled and spoke to you."
  • 132:31 - 132:36
    "You thought I fell in love with you."
  • 132:36 - 132:38
    "You have crossed your limit."
  • 132:39 - 132:41
    "You have crossed your limit."
  • 132:41 - 132:43
    "You have crossed your limit."
  • 132:43 - 132:45
    "You have crossed your limit."
  • 132:46 - 132:48
    "This journey is short."
  • 132:48 - 132:50
    "Our companionship is
    for a short while."
  • 132:50 - 132:55
    "I just smiled and spoke to you."
  • 132:55 - 133:00
    "You came with a
    palanquin to my house."
  • 133:00 - 133:03
    "You have crossed your limit."
  • 133:03 - 133:05
    "You have crossed your limit."
  • 133:05 - 133:07
    "You have crossed your limit."
  • 133:08 - 133:10
    "You have crossed your limit."
  • 133:10 - 133:12
    "This journey is short."
  • 133:12 - 133:15
    "Our companionship is
    for a short while."
  • 133:15 - 133:19
    "I just smiled and spoke to you"
Title:
Hadh Kardi Aapne {HD} - Govinda - Rani Mukerji - Johnny Lever - Hindi Full Comedy Movie
Description:

more » « less
Video Language:
Hindi
Duration:
02:13:30

English subtitles

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