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[film reel sound]
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Based on a short story
by Damon Knight
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and adapted for television by Rod
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Serling, this Twilight Zone story is
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arguably one of the best and most
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remembered of the
entire series. And
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that's saying something, as Rod
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Serling's The Twilight Zone is one of
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the most respected and probably the best
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anthology series of all time.
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Originally published in Galaxy Science
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Fiction magazine in November of 1950, the
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short story, To Serve Man, differed
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somewhat from the TV adaptation, but the
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story was basically the same.
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A race of alien beings lands on Earth
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and offers to bring mankind the peace
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and plenty, which they themselves enjoy
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and which they have in the past, brought
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to other races throughout the galaxy. In
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Knight's short story, the aliens or
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Kanimits, as they're called, are short,
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hairy pig-like creatures that walk
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upright. But in The Twilight Zone episode,
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they are nine-foot-tall giants with
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enormous heads and telepathic powers of
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communication.
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It's great re-watching these classic
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Twilight Zone episodes, as they are, in my
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opinion, much better than anything on
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television today. The effects may be
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dated, but the stories and
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characterizations are solid.
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There are some minor plot holes, but the
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writing and the dialogue are so good,
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that they don't affect the basic story.
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The story opens on board the Kanamit
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spaceship in a framing sequence which
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was later added by Rod Serling.
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The main character, Michael Chambers, is
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seen lying down, smoking a cigarette,
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while a voice on the intercom tells him,
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"It is the meal time. Kindly state your
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preference."
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Chambers then narrates the scene, as we
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flash back to the Kanamit's first
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appearance on Earth. There's a shot of
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New York's Times Square and the United
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Nations building and then a shot of a
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UFO flying overhead.
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It's footage taken from the 1951 film,
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"The Day the Earth Stood Still."
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Inside the U.N., they announce that the
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first official arrival of alien
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creatures from outer space has happened.
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The air is filled with tension as the
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alien enters the building. We don't
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actually see the alien in this scene,
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just his tall shadow, the shocked looks on
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the delegates' faces, and the back of the
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alien's head.
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After that, we get the great Rod Serling
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monologue that brings us to the first
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break.
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Respectfully submitted for your perusal,
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a Kanamit.
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Height a little over nine feet. Weight in
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the neighborhood of 350 pounds.
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Origin unknown.
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An intriguing story with a shocking
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twist ending, To Serve Man had its share
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of production problems.
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There were two
different versions
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that were shot.
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Then the footage from both versions was
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combined to make the episode that we see
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today.
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Richard Kiel, later of James Bond
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villain fame, plays the nine foot tall
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Kanamit that first addresses the U.N. and
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then he plays every Kanamit that was
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seen after that.
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Kiel was just over seven feet tall in
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real life and wore a large prosthetic
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appliance on his head to give the
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appearance of a large brain
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and he also wore thick soled platform
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shoes to increase his height even more.
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Kiel was in the
middle of filming the
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movie, Eegah, a 1962
indie horror film, but
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Director Richard Bare was able to shoot
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around his filming schedule.
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Pioneering makeup artist William Tuttle,
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who also did the makeup for the classic
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Twilight Zone episodes Nightmare at
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20,000 Feet, Eye of the Beholder,
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and The Masks, also created the
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prosthetics used for the alien's head
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and it's still very creepy to look at.
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When we come back from break, we see that
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the Kanamit is speaking, but his mouth
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isn't moving, voicing instead through
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some sort of telepathy. He says that they
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come in peace and friendship and that
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their intentions are honorable.
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They wish above all things to help the
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people of Earth.
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They promise cheap unlimited energy, an
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end to famine, and an end to all wars.
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They only ask us to trust them, as they
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have no ulterior motives. They just want
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to help us.
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After answering some questions from the
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delegates, the Kanimit leaves behind a
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book written in their alien language.
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We then see our main character, Michael
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Chambers, a government cryptographer who
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was given the assignment of translating
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the book.
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People are naturally distrustful of the
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Kanamit's intentions, but are slowly
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persuaded to change their minds, as the
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aliens begin to deliver on their
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promises to put an end to world hunger,
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energy shortages, and the arms race.
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At this point, Patty,
a member of Chambers'
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team, enters the room and happily
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announces that they've
licked the book's
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title. She presents a sheet of paper with
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the title printed in English to Chambers
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and two representatives
of the Army, who
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are also there.
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It's revealed that the title of the book
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is To Serve Man
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and Chamber seems to think that this
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proves the intention of the aliens.
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The Army reps are still skeptical, but
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hopeful and Chambers tells them that if
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true, they'll all be out of a job.
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We then switch to a scene where a
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Kanamit is taking a lie detector test.
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They ask him questions while monitoring
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the results.
How did you get to this
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planet?
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Walked.
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Once again, how did you get to this
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planet?
In a spaceship.
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After the scientists are convinced that
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the detector is working,
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they ask what is the motive of the
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Kanamit people in offering such great
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gifts to the people of the Earth?
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To bring to you the peace and plenty,
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which we ourselves enjoy
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and which we have in the past
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brought to other races throughout the
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galaxy.
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After winning humanity's trust, the
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aliens begin an exchange program with
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the Kanamits coming to Earth while
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humans go to the Kanamit homeworld to
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enjoy a long vacation.
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They don't know just how long it's going
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to be. Everyone is excited to leave on
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the alien spaceship, as they think
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they're going off to some sort of
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paradise. There's a great shot of people
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stepping on a large scale before
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boarding the spaceship and the Kanamit,
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in great foreshadowing, has a really
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creepy smile on his face.
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After the famous "it's a cookbook" scene,
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Chambers tries to run down the stairs of
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the spacecraft, but is blocked by the
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Kanamit and forced onto the ship.
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The rest of the book, To Serve Man,
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it's a cookbook!
[dramatic music]
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No! No!
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As the ship takes off, there's a shot of
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a flying saucer taken from the 1956 film,
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Earth Versus the Flying Saucers. Famous
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special effects artist Ray Harryhausen
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created the original effect, but is never
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credited in the episode.
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When Serling first watched the rough
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cut of the episode, he wasn't happy with
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it. Serling told the author, Damon Knight,
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that they were going
to re-shoot some
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scenes. And it was Rod's hope to at least
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come within a few hundred yards of
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Damon's great story.
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They made plans to film additional
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footage, rewrite the alien's dialogue, and
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re-record the voice-over tracks.
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In the original cut of the ending, when
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Patty shouts "To Serve Man, it's a
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cookbook!"
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there was a close-up of Chamber's
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shocked face as the alien's hand reaches
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up to pinch his cheek, feeling for
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tenderness, before shoving Chambers up
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the stairs and closing the door.
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Serling wrote the two additional scenes
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at the beginning and ending with
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Chambers on board the spacecraft as a
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framing device to tie the episode
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together.
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They then used
the rest of the footage
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that was already in the can as flashback
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sequences with Chambers narrating.
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It was the only Twilight Zone episode
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where a character in the story directly
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speaks to the viewers, other than
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Serling himself.
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Serling also rewrote his opening and
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closing monologues to better reflect the
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final episode. By the time the script
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revisions were made, Kiel wasn't
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available to re-record them, so Joseph
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Ruskin stepped in to do the voiceover.
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Ruskin had played
the genie in the
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Twilight Zone episode, The Man in the
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Bottle, but he was never credited in this
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episode. Kiel himself stated he was so
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tired after driving all night from one
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job to another and then doing brutal
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makeup, that when they gave him the
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script for his lines, he wasn't prepared
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and didn't do a
very good job on the
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voiceover.
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He wasn't surprised
that they
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re-recorded his lines, just disappointed
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in himself.
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Serling left on a five-week vacation
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and when he got
back and viewed the
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results, he agreed it was much better
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than before.
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A number of scenes were deleted and the
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order of some scenes was switched for
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better clarity of storytelling.
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Author Damon Knight was extremely
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pleased with the episode's outcome and
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shot off a note to Serling, thanking him
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for making a dandy show that his kids
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loved, but that they thought there should
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have been more to the story.
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Serling replied, telling Knight that he
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wasn't sure that they did justice to his
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story but every effort was made to do so
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and he hoped they
were able to work
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together again. That was not to be the
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case though, as none of Damon's other
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scripts ever made it into production. Was
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this one of your
favorite Twilight Zone
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episodes? If not, what are some of your
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favorite episodes of this classic series?
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I have so many
favorites, it would take
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me a long time to write them all down.
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But let me know
your thoughts in the
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comments below and, as always, this is
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Rich from Rerun Zone signing off.
Please,
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Mr. Chambers, eat.
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We wouldn't want you to lose weight.
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[music]