Goodbye Again (1961) Ingrid Bergman, Anthony Perkins & Yves Montand
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2:37 - 2:38Gabby.
-
2:38 - 2:40Oh, Gabby. I'm late.
-
2:40 - 2:42- Has monsieur called?
- No, madame. -
2:42 - 2:45I couldn't find a taxi with the traffic.
Is the dress ready? -
2:46 - 2:48Be an angel and draw me a bath.
-
2:48 - 2:54Not too hot. Oh, no. My zip...
-
2:54 - 2:57It never works when... It's all right.
-
2:57 - 2:59Oh, Gabby, where did you put my...
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2:59 - 3:01Oh, never mind. I found it.
-
3:02 - 3:05I think I'll wear my mink jacket tonight.
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3:05 - 3:07Gabby, did you fix the belt to the dress?
-
3:07 - 3:10- Oui madame.
- Not oui madame, yes, ma'am. -
3:10 - 3:14- You're learning to speak English.
- Oui, madame. Yes, ma'am. -
3:14 - 3:16Would you answer it, Gabby?
-
3:16 - 3:19Say, I just left.
I just walked out the door. -
3:20 - 3:24Hello. Yes, I mean, oui monsieur.
-
3:24 - 3:25All right, I'll take it.
-
3:27 - 3:29Watch the water, Gabby.
Roger, darling. -
3:29 - 3:31Oh, I'm sorry, but I'm going to be late.
-
3:31 - 3:35Well, really, the traffic in Paris
this time of day is something... -
3:35 - 3:43You what? You can't? Oh, no, Roger,
not again. I know it's business, -
3:43 - 3:46but it's just that tonight
is a very special night. -
3:48 - 3:51It's our fifth anniversary. Of what?
-
3:52 - 3:54Of the night we met.
-
3:56 - 3:58No, no, I understand.
-
3:58 - 4:00Yes, tomorrow will be all right.
-
4:01 - 4:05Good night, darling.
Good night. -
4:07 - 4:11It's very useful for a man this business.
-
4:11 - 4:12Yes, very useful.
-
4:13 - 4:15I would give him an ultimatum.
-
4:16 - 4:17What kind of an ultimatum?
-
4:17 - 4:20We are going to get married or out?
-
4:20 - 4:23No, Gabby. I've told you
we don't want to get married. -
4:23 - 4:24He doesn't want to.
-
4:24 - 4:25We were both married before.
-
4:25 - 4:28You know that.
We both learned the same thing. -
4:28 - 4:30People should be together
because they want to be, -
4:30 - 4:32not because they have to be.
-
4:32 - 4:36- Freedom is such a precious thing.
- For him, not for you. -
4:36 - 4:39- Oh, Gabby.
- He goes out with other girls. -
4:39 - 4:40Yes, he does.
-
4:40 - 4:43- You don't go out with other men.
- I don't want to. -
4:44 - 4:45Some freedom.
-
4:46 - 4:48You worry too much about me, Gabby.
-
4:49 - 4:52My mom says it doesn't matter
when you are young, -
4:53 - 4:56but when you are old,
you want to be married. -
4:57 - 5:00Oh, Gabby, am I that old?
-
5:00 - 5:03No, but you are too much alone.
-
5:17 - 5:19Sorry about last night.
-
5:19 - 5:22- This has been a terrible week.
- Yes, I know, Roger. -
5:22 - 5:25I'm still trying to close
a deal in Denmark, -
5:25 - 5:26but one in Holland fell through
-
5:26 - 5:29and I have no shipments from America
because of the strike. -
5:30 - 5:33- It's not very gay all that.
- No. -
5:33 - 5:35Shall we give it up, Paula?
-
5:35 - 5:38I could live quietly in the country
in the small house by the river. -
5:38 - 5:40You wouldn't know
what to do with yourself. -
5:40 - 5:43You couldn't live without
your trucks and your tractors -
5:43 - 5:46and the life of your city,
your long Paris nights. -
5:47 - 5:50But you've taken
to driving very fast lately. -
5:50 - 5:53I know. What's that a sign of?
-
5:53 - 5:56- Trying to stay young?
- Oh, you'll never be old. -
5:56 - 5:57Je t'adore.
-
5:58 - 6:00Whatever I say, you understand.
-
6:00 - 6:02Whatever I ask, you can answer.
-
6:02 - 6:05- Oh, I am remarkable.
- You are. -
6:09 - 6:11I wonder how many times I've done this.
-
6:11 - 6:14Leaned forward to turn on the radio
as you drove me home from dinner. -
6:15 - 6:16Paula.
-
6:17 - 6:20Well, am I very selfish? I mean, with you.
-
6:21 - 6:28No. It's true I feel alone sometimes.
Not quite so young. And I miss you. -
6:29 - 6:32But I know how much
your your business means to you. -
6:32 - 6:36- Do you know how much you mean to me?
- I think so. -
6:44 - 6:47Oh, I forgot.
I had lunch with Jack Vanette today. -
6:47 - 6:49He has a friend who needs a decorator.
-
6:49 - 6:51A rich American woman
with a new apartment. -
6:51 - 6:52Here's the name and address.
-
6:52 - 6:54You're supposed to see her
tomorrow morning. -
6:54 - 6:55Oh, thank you.
-
6:55 - 6:57Sounds like there may be some money in it.
-
6:57 - 6:58I could use it.
-
7:00 - 7:05Well, good night. I'll let you sleep.
-
8:02 - 8:06Well, what happened?
We were looking for you. -
8:22 - 8:24Good morning, Suzanne.
-
8:25 - 8:33Would you like to take a walk?
Then I'd like to take a walk. -
8:51 - 8:53- Morning.
- Oh, good morning. -
8:53 - 8:55I'm Philip Van der Besh.
-
8:56 - 8:58- Have you come to see my mother?
- Yes. -
8:58 - 9:00- Won't you sit down?
- I hope I'm not too early. -
9:00 - 9:02Oh, no. No. Mother's up, I'm sure.
-
9:02 - 9:04Is it about doing the apartment?
-
9:04 - 9:06- Yes.
- Well, it could stand a bit of doing. -
9:07 - 9:10Well, I did wonder where you sit
when you're more than three. -
9:10 - 9:12Oh, well, I wouldn't know about that.
-
9:12 - 9:14I work all day, and when I come home,
I go straight to bed. -
9:14 - 9:16Oh, you must work very hard.
-
9:16 - 9:19Yes, I do. I do. I'm a lawyer.
Never get to bed before midnight. -
9:19 - 9:21Up and out at the break of dawn.
-
9:22 - 9:26- It's almost 11 now.
- Yes. Well, yes. -
9:26 - 9:28Well, it's uh unusual.
-
9:29 - 9:31I may as well tell you
my most important client -
9:31 - 9:33went to the guillotine this morning.
-
9:33 - 9:36The guillotine? Good heavens! Is he dead?
-
9:38 - 9:40No. Actually, I don't do much work.
-
9:40 - 9:41Not enough really.
-
9:41 - 9:44- Would you like a cigarette?
- Yes, thank you. -
9:44 - 9:53Where did... Oh, thank you.
Is it still raining? -
9:54 - 9:57No, it's not still raining.
-
9:57 - 10:00Well, there really isn't
anything else to say, is there? -
10:00 - 10:01I don't know you.
-
10:01 - 10:05If I did, I'd tell you how happy
I was to see you again. -
10:05 - 10:07- Why?
- I don't know. I just would. -
10:07 - 10:08Suzanne, has Mr. Philip gone?
-
10:08 - 10:11Quick, there's another.
When were you born? -
10:11 - 10:12What day? What month?
-
10:12 - 10:14- Philip.
- Yes, mother. -
10:16 - 10:17Oh, there you are.
-
10:17 - 10:20I do think you might get out
of the house before 11 once in a while. -
10:20 - 10:22Uh, yes, ma. I was just gone.
-
10:22 - 10:24I can't see why monsieur Fleury
puts up with you? -
10:24 - 10:26Oh, that's easy.
You're his richest client. Goodbye. -
10:26 - 10:29I do hope I'll see you again.
Good luck. -
10:29 - 10:32I'm sorry. Did you want to see me?
-
10:32 - 10:34Mr. Bunnell asked me to stop in
and see you this morning. -
10:34 - 10:37Jack Bunnell,
he said he'd spoken to you about... -
10:37 - 10:38Oh, yes, yes.
About the apartment. -
10:38 - 10:39You're the decorator.
-
10:39 - 10:42Well, he said some
very nice things about you. -
10:42 - 10:43Now, before we begin,
-
10:43 - 10:46there's one thing I want you
to understand very clearly. -
10:46 - 10:48If there's one thing I can't stand,
-
10:48 - 10:50it's people who try
to take advantage... -
10:51 - 10:52Suzanne.
-
10:54 - 10:56You have to tell them
everything a dozen times. -
10:56 - 10:57Don't misunderstand me, my dear.
-
10:57 - 11:02I want the apartment to look well,
but there are ways of doing it, aren't there? -
11:02 - 11:04- I had a young man....
- Madame? -
11:04 - 11:04What?
-
11:06 - 11:08What? Oh, oh, yes.
-
11:09 - 11:11I've told you not to leave
the windows open. -
11:16 - 11:18Well, kindly remember.
-
11:19 - 11:20She won't, you know?
-
11:20 - 11:24They say servants are cheaper over here
but they strain on the nerves. -
11:24 - 11:25Now what was I saying?
-
11:25 - 11:30- You had a young man.
- Young man? Oh yes, of course. -
11:30 - 11:33The decorator. Well, he didn't last long.
-
11:33 - 11:34I've met robbers in my time.
-
11:35 - 11:37Oh, do sit down, my dear.
-
11:37 - 11:41But for sheer thievery,
he was... -
11:42 - 11:45- When were you born, dear?
- Oh, I beg your pardon. -
11:45 - 11:48When were you born?
Oh, you don't have to tell me the year. -
11:49 - 11:51I wouldn't dream of asking you that.
-
11:51 - 11:53- But the month?
- June. -
11:53 - 11:57- Oh, what part of June?
- The 13th. -
11:57 - 11:59Oh, Gemini.
-
11:59 - 12:02Oh, how interesting. I don't suppose
you remember the time of day. -
12:02 - 12:06- No, no, I'm afraid.
- Oh, that's too bad. -
12:06 - 12:10Well now, shall we do
the downstairs in Louis XV? -
12:10 - 12:12It'll cost quite a bit more.
-
12:12 - 12:14And if you want to keep
the pieces you already have... -
12:14 - 12:15I most certainly do.
-
12:15 - 12:17Come along. I'll show you around.
-
12:17 - 12:19You know, these things have been
eating their heads off in storage. -
12:19 - 12:21It's about time
they paid for their keep. -
12:21 - 12:24But my son is studying
international law, you see, -
12:24 - 12:28and we travel a lot, but now
we have to stay in Paris for a while. -
12:28 - 12:31Oh, did you meet Philip?
Oh, you must meet him. -
12:31 - 12:34He's quite charming
and really quite right. -
12:34 - 12:36The trouble is I haven't the faintest idea
-
12:36 - 12:37what goes on in this mind.
-
12:37 - 12:39Oh, this is the dining room.
-
12:39 - 12:43- I am sorry about his arm.
- Arm? What arm? -
12:44 - 12:46The one that goes like this.
-
12:46 - 12:49Really? I hadn't noticed it.
I must have a look. -
12:50 - 12:53Oh, about the dining room.
Now, I thought over here... -
12:59 - 13:00Taxi!
-
13:01 - 13:03But you haven't been
here all this time. -
13:03 - 13:06No, I had some things to do.
I just happened to drop by this way. -
13:06 - 13:09- I'm going to Boulevard Haussmann.
- Fine. -
13:09 - 13:10- Are you sure?
- Sure. -
13:10 - 13:11Thank you.
-
13:11 - 13:14There's an art to getting into this thing.
-
13:14 - 13:18- You all right?
- Oh, nothing. Just my stuff. -
13:28 - 13:31- Am I driving too fast?
- Oh, no. I'm used to it. -
13:31 - 13:33I have a friend who drives very fast.
-
13:33 - 13:34He says it keeps him young.
-
13:34 - 13:36Does he want to stay young?
-
13:36 - 13:38- Oh, yes.
- Not me. -
13:38 - 13:41I take it you were born
into the right sign to do the apartment. -
13:41 - 13:42I hope so.
-
13:43 - 13:46- Do you believe in the stars?
- No, but your mother seems to be ruled by. -
13:47 - 13:50It's very convenient, too.
If you're ruled by the stars, -
13:50 - 13:52you don't have to feel responsible
for the things you do. -
13:53 - 13:54Did you find her vague?
-
13:55 - 13:58- Yes, in a way.
- She's not a bit vague. -
13:58 - 13:59It's an act.
-
14:00 - 14:02Oh, it seems that acting runs
in your family. -
14:02 - 14:04- How's your arm?
- Pretty good. -
14:06 - 14:08Listen, make mother pay as you go along.
-
14:08 - 14:10She's rich and stingy
and she hates to pay bills. -
14:10 - 14:13You shouldn't talk like that
about your mother. -
14:14 - 14:17- I'm not a child.
- Oh, that's why. How old are you? -
14:17 - 14:20- 25.
- How old are you? -
14:24 - 14:2540.
-
14:34 - 14:37- What's so funny?
- The admiring whistle. -
14:37 - 14:40I was more admiring than you think.
-
14:44 - 14:45Thank you.
-
14:47 - 14:48Will you have lunch with me one day?
-
14:49 - 14:50Nope.
-
14:50 - 14:52Just like that. No?
-
14:53 - 14:54Just like that.
-
14:56 - 14:58Sorry, I didn't mean to be rude,
-
14:58 - 15:01but it's difficult for me
to plan lunch the way I work -
15:01 - 15:04- and now with your mother's apartment...
- I understand. -
15:05 - 15:08- Here to the right, please.
- Okay. -
15:19 - 15:21- Well, thank you very much.
- Not at all. -
15:21 - 15:23Well, goodbye.
-
15:43 - 15:44Hello.
-
15:46 - 15:48Good morning.
-
15:54 - 15:56- Morning, Alex.
- Good morning. -
15:57 - 15:59He's rung for you three times.
-
15:59 - 16:02- No. What about?
- How should I know? -
16:02 - 16:06- Probably the Guillaut brief.
- I gave him that yesterday. -
16:06 - 16:08That's probably why.
-
16:11 - 16:14What is it? What's the matter?
Have you hurt yourself? -
16:14 - 16:15No, it's all right.
-
16:16 - 16:18Oh, no. No, no, no, no.
Let me go. Let me go. -
16:19 - 16:22You and your play acting. Really.
-
16:25 - 16:27Alice? I met someone this morning.
-
16:28 - 16:30I know.
The most beautiful girl in the world. -
16:30 - 16:31No, a woman.
-
16:33 - 16:34Warm, charming,
-
16:34 - 16:37gay, and yet sad.
-
16:38 - 16:42- There was a deep sadness in her eyes.
- From what? -
16:43 - 16:44I don't know.
-
16:44 - 16:46- The husband.
- What husband? -
16:47 - 16:49- Isn't she married?
- How would I know? -
16:49 - 16:51Don't think you ought to find out?
-
16:51 - 16:53- What difference would it make?
- Oh, excuse me. -
16:54 - 16:57Well, if she is,
it can't be a good marriage. -
16:57 - 16:57She's not happy.
-
16:57 - 17:01- No, she could only be happy with you.
- Right. -
17:02 - 17:02Yes.
-
17:02 - 17:05Good morning, sir.
No, that'll be fine. -
17:05 - 17:06Six. Six. Six dozen.
Thank you. -
17:06 - 17:10- Sorry.
- I hope you know what time it is. -
17:10 - 17:11Yes. Yes.
-
17:11 - 17:14Oh, dear. I'm sorry about that.
-
17:14 - 17:16I was delayed at home this morning.
-
17:16 - 17:17My mother's not well.
-
17:17 - 17:20I talked to your mother
on the telephone exactly 5 minutes ago -
17:20 - 17:22and she seemed to be in perfect health.
-
17:22 - 17:25Yes. Well, she she is uh
she's much better now. -
17:25 - 17:27Thank you for inquiring.
-
17:27 - 17:29I've read the Guillaut brief.
-
17:29 - 17:32- Yes.
- I do not think I need tell you -
17:32 - 17:34of the high regard
in which I hold your family. -
17:34 - 17:38And I'm sure you know how pleased
I was to take you into my office. -
17:38 - 17:39Yes.
-
17:40 - 17:42But you seem to have no ambition.
-
17:42 - 17:44You show no desire to work.
-
17:44 - 17:49Why? This is not a brief.
It gives no citations. -
17:49 - 17:51It presents no body of law
to support our case. -
17:51 - 17:53What did you think you were doing?
-
17:54 - 17:56- I don't know.
- Don't you care? -
17:56 - 17:58- Yes.
- Well, then. -
18:01 - 18:03I just don't know what I'm doing.
-
18:03 - 18:05You're studying French law, I hope.
-
18:05 - 18:07No, I mean, um, what am I doing?
-
18:07 - 18:10What have I done to prove I'm alive?
-
18:10 - 18:13- You understand?
- Are you trying to be funny? -
18:14 - 18:20No, I want to know how does one do it.
-
18:20 - 18:22For instance, I've just realized that
-
18:22 - 18:24I've never even been in love.
-
18:24 - 18:26Well, I have. Do that brief.
-
18:32 - 18:34What's her name?
-
18:38 - 18:39I don't know.
-
19:16 - 19:17You look wonderful tonight.
-
19:18 - 19:20You always say that
when I wear this dress, -
19:20 - 19:22I'll have to have it copied.
-
19:22 - 19:23No, no, it's not the dress.
-
19:26 - 19:28How did you ever find this place?
-
19:28 - 19:31I don't know.
Probably came here with business people. -
19:31 - 19:32Hello.
-
19:34 - 19:35You seem to know everybody.
-
19:35 - 19:38No, it's just one of those nights.
That's all. -
19:46 - 19:48They seem awfully young, don't they?
-
19:48 - 19:51Young? I don't think so.
What about him? -
19:55 - 19:57No, but he's trying.
-
19:59 - 20:01I'm afraid I have to go home
early tonight. -
20:01 - 20:02Oh, I didn't tell you. I got the job.
-
20:02 - 20:06Yes. That card you gave me
from Jacques Bunnell. -
20:06 - 20:08- Oh, you went there.
- This morning. -
20:08 - 20:11Her name is Van der Besh.
She's one of those rich women -
20:11 - 20:13who live all over the world
-
20:13 - 20:15and still give you the feeling that...
-
20:16 - 20:20- Hello.
- Hello. It is funny. That is her son. -
20:21 - 20:23Mr. Van der Besh. Mr Desmarest.
-
20:24 - 20:27- I knew I'd find you.
-Oh, you were looking for me? -
20:27 - 20:28- Yeah.
- How nice. -
20:28 - 20:32I looked for you everywhere.
All the time you were here. -
20:32 - 20:35Not quite all the time.
We had dinner at the Berkeley. -
20:35 - 20:40I finally began to wonder
if you were real or just a dream. -
20:44 - 20:46This place is getting too popular.
-
20:47 - 20:51Are you married? I hoped you weren't.
-
20:52 - 20:56- Oh?
- Oh, I'm sorry, sir. -
20:56 - 21:00I think I said something
I shouldn't have said. -
21:03 - 21:07Hey, would you like some coffee?
-
21:07 - 21:12No, I hate coffee.
I'll have one of the.... -
21:15 - 21:17Don't make any difference now.
-
21:17 - 21:19I'll be right back.
-
21:23 - 21:25There's a man for you. A real man.
-
21:25 - 21:29Strong, confident, sure of himself.
-
21:29 - 21:31I don't think it's that simple.
-
21:31 - 21:34- Do you love him?
- It's none of your business. -
21:36 - 21:38Oh. Oh, I apologize.
-
21:40 - 21:43It's funny. I've done nothing
all day but apologize. -
21:44 - 21:47Claude. Claude.
Three whiskeys, s'il vous plaît. -
21:47 - 21:48Hello.
-
21:49 - 21:50Well, hello.
-
21:51 - 21:54- Small world, isn't it?
- And full of charming surprises. -
21:54 - 21:56I'm afraid I don't quite
remember where I am. -
21:56 - 21:59Chéri, I forgot my lighter.
-
21:59 - 22:04- Oh, darling. You remember Mr...?
- Desmarets. -
22:04 - 22:06Oh, yes.
-
22:09 - 22:11Nice to see you again.
-
22:14 - 22:18And then I found out
I didn't know your name. -
22:18 - 22:19Well, here you are.
-
22:19 - 22:23Sir, I I want to apologize
if I said anything... -
22:23 - 22:27Oh, well, we've all had too much
to drink at one time or another. -
22:27 - 22:30- Would you like to dance, darling?
- I'd love to. Excuse me. -
22:33 - 22:36Do you mind? Thank you.
-
22:38 - 22:40We'll be back. Don't worry.
-
22:40 - 22:42Hey, Philip, we're going to Régine.
You coming? -
22:42 - 22:43Come on, Philip.
-
22:43 - 22:46Ah, strange boy.
-
22:47 - 22:51Not strange. Just very young
and a little drunk. -
22:51 - 22:53"I have looked for you all over Paris.
-
22:53 - 22:56"I've begun to wonder
if you're real or just a dream." -
22:57 - 22:58Congratultions for that.
-
22:59 - 23:02Oh, he's just a boy
and I think terribly unsure. -
23:02 - 23:05Unsure? A young man who looks for you
-
23:05 - 23:07all over Paris and takes your hand
-
23:07 - 23:10and says, "Are you married?"
It's not my idea of unsure. -
23:11 - 23:14Well, it's been a long time
since anyone chased all over Paris -
23:14 - 23:15looking for me.
-
23:15 - 23:16And you like it, huh?
-
23:16 - 23:19- Yeah.
- Yes, of course I do. -
23:20 - 23:22Oh, he's gone.
-
23:25 - 23:27Good. Now I can finish my drink.
-
23:29 - 23:31Excuse me.
-
23:34 - 23:36I really must go home.
-
23:36 - 23:39If I stay up like this,
I'll look 100 tomorrow. -
23:39 - 23:41Oh, come on.
I'm just beginning to like it here. -
23:59 - 24:01Poor! He is going to break the window.
-
24:24 - 24:25Darling, please take him.
-
24:27 - 24:30- Hey, come on.
- I'm all right. No, no, I'm all right. -
24:30 - 24:32I'm all right.
-
24:33 - 24:34Find his key.
-
24:34 - 24:36- I got my key.
- Where is it? -
24:38 - 24:40- I won't tell you.
- Oh, please. -
24:46 - 24:48There. There you are.
-
24:49 - 24:51- My key.
- Can you make it all right? -
24:52 - 24:53Certainly.
-
24:55 - 24:57Good night.
-
24:58 - 24:59Wait a minute.
-
25:03 - 25:04Good night.
-
25:08 - 25:10- Good night.
- Good night. -
25:13 - 25:14Roger!!
-
25:36 - 25:37I'm sorry you had a bad time.
-
25:37 - 25:39No, it was quite amusing.
-
25:41 - 25:43Oh, well, good night, darling.
-
25:43 - 25:46May I come up for a drink?
-
25:49 - 25:50Wait a minute.
-
26:17 - 26:19Oh, no. You can't have that.
-
26:19 - 26:21I'm covering a chair for Margo Glenville.
-
26:21 - 26:24Margo Glennville can go to... I want this.
I adore it. And I shall have it. -
26:24 - 26:27Now that's settled.
I love you passionately. -
26:27 - 26:28I have to run. Where's my packet?
-
26:28 - 26:31There. But it won't go
with your apricot walls. -
26:31 - 26:33We'll make them oyster white.
-
26:33 - 26:34Uh, do you want me tomorrow? Yes.
-
26:34 - 26:37Yes. I have a pair of lamps coming in
that I want you to look at. -
26:37 - 26:38I'll be in around 6:00.
-
26:39 - 26:41Goodbye, my love.
-
26:43 - 26:44Hello.
-
26:45 - 26:48- I came to apologize.
- Oh, you needn't. -
26:48 - 26:51And please,
thank your husband for me for... -
26:53 - 26:56- How is your head?
- I'll live, I think, -
26:56 - 26:57but I'm not sure I want to.
-
26:57 - 27:00Oh, you do look a bit um...
You ought to get some sleep. -
27:01 - 27:03- Well, the thing is I'm hungry.
- Well, then go and eat. -
27:03 - 27:04That's why I'm here.
-
27:04 - 27:08I know you said you were busy,
but would you have lunch with me? -
27:08 - 27:09I just want to make up for last night.
-
27:09 - 27:12- Oh, there's no need.
- But I want to. -
27:12 - 27:14What do the stars hold
in store for you today? -
27:14 - 27:16- Did your mother tell you?
- Yes. -
27:18 - 27:20I must persevere in whatever I'm doing,
-
27:20 - 27:22no matter how hopeless it may seem.
-
27:22 - 27:24You're acting again.
-
27:25 - 27:26Please.
-
27:28 - 27:29It's a beautiful day.
-
27:29 - 27:31We could lunch in the country.
I have my car. -
27:32 - 27:33Or in the Bois.
-
27:33 - 27:36Then if you get bored,
you can phone for a taxi. -
27:36 - 27:38You think of everything.
-
27:49 - 27:53Oh, another run. I suppose
all your girlfriends wear slacks. -
27:54 - 27:57- I haven't any.
- No girlfriends. Why not? -
27:57 - 27:58I don't know.
-
28:06 - 28:09Try to think. When did this general
falling away from you begin? -
28:10 - 28:13Oh, I've known lots of girls,
but it just doesn't last. -
28:13 - 28:16It's my fault, I guess.
But they're so young. -
28:17 - 28:20- What's wrong with that?
- Oh, I don't know. It must be me. -
28:21 - 28:24Still, I take this last girl.
Now, she was pretty -
28:24 - 28:26and exactly the way older people
imagine the young to be. -
28:27 - 28:30How do older people
imagine the young to be? -
28:30 - 28:33Oh, you know,
they try to look wickedly decadent. -
28:33 - 28:37They they drive their little cars
at top speed, clenching their teeth. -
28:37 - 28:40They light cigarettes the moment
they open their eyes in the morning. -
28:41 - 28:47And she kept telling me that love was
no more than the touching of two skins. -
28:48 - 28:51- And?
- Well, I think love is more than that. -
28:52 - 28:54She cried when I left her.
-
28:54 - 28:58I'm not proud of that.
I hate the breaking up of things, -
28:58 - 28:59partings and goodbyes.
-
29:00 - 29:02Well, then you must never fall in love.
-
29:03 - 29:05Is that true?
-
29:06 - 29:07I hope not.
-
29:08 - 29:10Are you in love with your husband?
-
29:12 - 29:13I have no husband.
-
29:19 - 29:20Good.
-
29:22 - 29:25After the last night,
you should be drinking water. -
29:25 - 29:27I feel fine, but I need this for courage.
-
29:27 - 29:32- Do I intimidate you?
- But I'm afraid you'll get bored. -
29:32 - 29:35You probably think I'm one of those
spoiled insipid young men -
29:35 - 29:36who gets pushed into polite jobs
-
29:36 - 29:41that their parents can pay for, and
from then on are busy trying to keep busy. -
29:41 - 29:43Is that how you think of yourself?
-
29:43 - 29:45No, I like my job.
-
29:45 - 29:47You don't sound very enthusiastic.
-
29:47 - 29:50Corporation law, there's nothing duller,
-
29:50 - 29:51not criminal law.
-
29:52 - 29:54Well, then why don't you do that?
-
29:55 - 29:59One doesn't practice criminal law
in my family. It isn't done. -
29:59 - 30:03Have you ever seen a murder trial?
Ah, it's wonderful. -
30:04 - 30:05They're so different
in each country -
30:05 - 30:08and always so exciting in its own way.
-
30:08 - 30:09In America, it's like a football game.
-
30:09 - 30:10- Why did you lie?
- I didn't. I didn't. -
30:10 - 30:12- We know you had the gun in your hand.
- I object. -
30:12 - 30:13- Overruled.
- Answer the question. -
30:13 - 30:15- I didn't. I didn't.
- You're lying. -
30:15 - 30:16- You threatened to kill him.
- I didn't. I didn't. -
30:16 - 30:17You stood in the corner
of Howard and Mason. -
30:17 - 30:18- I object.
- Sustained. -
30:18 - 30:20- Your honor...
- Sustained. -
30:23 - 30:24Oh, in France it's different.
-
30:24 - 30:29The French have a logic
and a sophistry and a true sense of drama. -
30:30 - 30:35J'accuse... Sorry.
I accuse in the name of the dead. -
30:35 - 30:38I accuse you of avoiding
your duty as a human being. -
30:39 - 30:43I accuse you of letting love go by,
of neglecting your duty to be happy, -
30:44 - 30:47of living on evasion
and subtrifusion, resignation. -
30:48 - 30:50You should be sentenced to death.
-
30:50 - 30:53You will be sentenced to solitude.
-
30:54 - 30:57- A horrible sentence.
- The worst. -
30:58 - 31:03The worst and the most frightening.
To be alone and without love. Isn't it? -
31:05 - 31:06Yes.
-
31:10 - 31:13You must find me even
more ridiculous than last night. -
31:13 - 31:14No.
-
31:15 - 31:17Or do you think I'm acting again?
-
31:17 - 31:18I was thinking of myself,
-
31:19 - 31:22but I was thinking too that
you're far too young to feel that way. -
31:24 - 31:27- Alone without love.
- You don't know. -
31:28 - 31:29No.
-
31:29 - 31:35Anyway, it takes two. It's not enough
to love. One must be loved. -
31:40 - 31:43- You look sad.
- Oh, no. I'm not. -
31:45 - 31:50I should like...
I should like... -
31:52 - 31:57I don't really know you,
but I should like to think you are happy. -
32:05 - 32:07Here's fine.
-
32:08 - 32:12Here we are.
Well, thank you for lunch. -
32:14 - 32:15- Goodbye.
- Where are you going? -
32:15 - 32:17Oh, just to do a few errands.
-
32:17 - 32:19- Can I come with you?
- No, I really had a good time. -
32:19 - 32:20Thank you again.
-
32:20 - 32:22- Can I just walk with you?
- No. Goodbye. -
32:30 - 32:33Hello. I thought I could carry
your packages. -
32:33 - 32:36Well, then I can
take you back to your shop. -
32:36 - 32:39Oh, please don't be mad at me.
I don't think I could stand that. -
32:39 - 32:41Really. You are a child.
You must have been terribly spoiled -
32:41 - 32:44- when you were young.
- Oh yes. Mother gave me everything. -
32:44 - 32:46Much easier than saying no.
-
32:46 - 32:47What about your father?
-
32:47 - 32:50Oh, we ditched him when I was seven.
And from then on, we traveled. -
32:50 - 32:51Just mother and I.
-
32:51 - 32:53Home is where the heart is.
-
32:53 - 32:55And travel broadens the mind.
-
32:55 - 32:56Oh, you're so very right.
-
32:56 - 32:58I have an amazing fund
of useless information -
32:58 - 33:00which serves me very well
at dinner parties. -
33:00 - 33:03I have thousands of acquaintances
without the burden of friendship. -
33:03 - 33:04I've been in and out of 27 schools.
-
33:04 - 33:07And I can say I love you
in 13 different languages. -
33:07 - 33:09Not bad at all.
-
33:10 - 33:13That's my favorite. It's "I love you"
in Norwegian. -
33:13 - 33:15Did you learn that from a Norwegian girl?
-
33:15 - 33:18Yes. It's the extra syllable
that gives it the emotion. -
33:20 - 33:22Well, here I am. Goodbye.
-
33:22 - 33:25- Wait a minute.
- Yes. -
33:28 - 33:29Do you like Brahms?
-
33:30 - 33:30What?
-
33:31 - 33:34There's a wonderful concert
at South Playel Sunday afternoon. -
33:34 - 33:35Brahms?
-
33:35 - 33:37Do you like Brahms?
-
33:38 - 33:39What's the matter?
-
33:39 - 33:41I haven't been asked that since I was 17.
-
33:41 - 33:43- And what did you answer?
- Yes. -
33:43 - 33:45Of course I was in love
and we went to the concert -
33:45 - 33:46and we sat high up in the balcony
-
33:46 - 33:48and held hands and listened to it.
-
33:48 - 33:51Brahms? Well, I'm not quite sure.
Anyway, it was lovely. -
33:51 - 33:53- Then you do like it.
- I don't know. It was so long ago. -
33:53 - 33:56Well, will you come to the concert
with me and find out? -
33:56 - 33:58I am busy this weekend.
I'm sorry. -
33:58 - 33:59I try to keep my weekends free.
-
34:00 - 34:04Is it the man you were with last night?
-
34:04 - 34:06- Yes.
- Is it permanent? -
34:06 - 34:07Yes.
-
34:08 - 34:10Goodbye. Thank you again.
-
34:22 - 34:23- Funny.
- What? -
34:23 - 34:25Men always smoke afterwards.
-
34:25 - 34:27Do they? I never thought of that.
-
34:28 - 34:31Oh, yes, they always do.
Could I have one? -
34:31 - 34:34Yeah. You know
such interesting things, Maisy. -
34:34 - 34:37I wish you'd tell me
why you call me Maisie. -
34:37 - 34:39I have very poor memory for names.
-
34:39 - 34:42- It makes life easier.
- Do you call all your girls Maisie? -
34:42 - 34:44Yes.
-
34:44 - 34:49Oh, I think that's cute.
Which Maisie am I? Maisie 7? -
34:49 - 34:53Maisie 27?
Maisy 127? -
34:54 - 34:57- Maisy number one.
- Oh, how galant. -
34:58 - 35:00A little more champagne, please.
-
35:01 - 35:05You know, I'm awfully glad you were
at that cocktail party this afternoon. -
35:05 - 35:08So am I. But I don't know
why you picked on me -
35:08 - 35:11with all those good-looking boys around.
-
35:11 - 35:16Oh, those kids. They talk and talk.
They just love to talk. -
35:17 - 35:22But you, the moment I saw you,
I knew what you had on your mind. -
35:23 - 35:26Don't laugh.
That's very rare these days. -
35:26 - 35:28Honest. Ask any girl.
-
35:28 - 35:29How did you get rid of Cheryl?
-
35:30 - 35:34Oh, poor André.
He's awfully important in movies, -
35:34 - 35:36but if you only knew what a boy he is.
-
35:37 - 35:40- I never will.
- Don't worry about him. -
35:40 - 35:43Roger, let's go away for the weekend.
-
35:43 - 35:47I'll bet you know some wonderful places
around Paris, shall we? -
35:47 - 35:48You're free, aren't you?
-
35:50 - 35:55I heard somewhere that you were
sort of tied up. Is it true? -
35:57 - 35:59No. No. I'm free.
-
36:02 - 36:05Yes, darling. Yes.
-
36:05 - 36:09Well, no. I was waiting to hear from you
to see what you want to do this weekend. -
36:11 - 36:12What?
-
36:13 - 36:16Oh, I'm sorry, darling,
-
36:16 - 36:19but the weekend is the only chance
I can get to work on this deal. -
36:19 - 36:22The man is in Brussels,
and I've got to go see him. -
36:22 - 36:26- It may mean a sale of 75 tractors.
- Yes, I understand. -
36:26 - 36:30Of course, I do.
Oh, I don't know. -
36:31 - 36:32I'll go to a movie, I guess.
-
36:33 - 36:36Yes, I know she has
a bridge game on Saturdays. -
36:36 - 36:40Who? No, no, I'm not going to call Jimmy.
-
36:40 - 36:42Why should he take me out?
-
36:43 - 36:46Oh, Roger, will you please stop
trying to arrange my weekend? -
36:46 - 36:49Oh, no. Really, dear.
If you feel badly about my going, -
36:49 - 36:50I'll see what I can do.
-
36:50 - 36:52Oh, don't be silly.
Of course you have to go. -
36:52 - 36:56I'll probably work this afternoon.
One of my clients asked me to. -
36:56 - 36:58I said no, but I may as well now.
-
36:59 - 37:04Yes, we'll both work. All right, darling.
When will you get back? -
37:04 - 37:06Well, if you do, I'll be here.
-
37:06 - 37:09And drive carefully.
Yes, I will. Yeah. -
37:09 - 37:10Goodbye.
-
37:34 - 37:35Hey.
-
37:37 - 37:38Hello.
-
37:42 - 37:45Sorry, darling.
I'm late, but you know how it is. -
37:46 - 37:47Come here.
-
38:08 - 38:1112,000 francs? Good grief!
-
38:12 - 38:14- That's $24 a yard.
- Yes. -
38:14 - 38:19Oh, I feel awful today.
How much is that one? -
38:20 - 38:25- It's 14,000.
- I'll take that one. -
38:25 - 38:26All right.
-
38:27 - 38:29Well, there's nothing wrong
with it, is there? -
38:29 - 38:30No, no, no. I like it.
-
38:30 - 38:33Oh my. I am pleased
with the way things are going. -
38:33 - 38:35You've done wonders in a short time.
-
38:35 - 38:36Thank you.
-
38:36 - 38:40Now, I may as well tell you
I'm planning a dinner party on the 19th. -
38:40 - 38:42Well, that's a week from Wednesday.
-
38:42 - 38:43Oh, but I couldn't.
-
38:43 - 38:46Sorry, but I've already
sent out the invitations. -
38:46 - 38:48Well, I'll do my best.
-
38:48 - 38:50- And of course, you must come.
- Thank you. -
38:50 - 38:54Now, if you look at these materials,
Madame Van der Besh... -
38:54 - 38:58Excuse me. I...
Do call me Teresa. -
38:58 - 39:01I have picked this for your bedroom
and this for your son's room. -
39:01 - 39:08As a matter of fact, I've sent an
invitation to your friend, Roger Desmarets. -
39:08 - 39:10That's his name, isn't it?
-
39:10 - 39:12I hear he's most attractive.
-
39:13 - 39:16Oh, my dear, Paris is like a small town.
-
39:16 - 39:19Really. Everyone knows
everyone's business. -
39:19 - 39:22- Now, would you like some tea?
- No, thank you. -
39:22 - 39:24But I do wish you'd look
at these materials. -
39:24 - 39:27Oh, Paula,
I couldn't look at another thing today. -
39:27 - 39:31I trust you implicitly.
Only just don't spend too much money. -
39:31 - 39:32Madame.
-
39:32 - 39:34- Will you bring us some tea, please?
- Oui, madame. -
39:34 - 39:36I thought this for your son.
-
39:36 - 39:39I couldn't possibly tell you
what Philip would like. -
39:39 - 39:40Not possibly.
-
39:40 - 39:41He's not that difficult.
-
39:41 - 39:45He's impossible. He's practically
a manic depressive. -
39:45 - 39:47Loves the world, hates the world.
-
39:47 - 39:50Just like his father.
He drinks, you know. -
39:51 - 39:53- Oh.
- His father drank, too. -
39:53 - 39:57But charming.
Oh, there you are, darling. -
39:57 - 39:59We were just talking about you.
-
39:59 - 40:03- I'm in luck. Hello.
- Hello. I'm sorry. I have to go. -
40:03 - 40:05But you haven't had your tea.
-
40:05 - 40:06Thank you, but I have things to do,
-
40:06 - 40:08and thank you for giving me the time.
-
40:08 - 40:10- I'll call you on Friday.
- Goodbye, my dear. -
40:10 - 40:14- Don't forget the 19th.
- No, I won't. -
40:14 - 40:15Goodbye.
-
40:15 - 40:17I'll see you out.
-
40:21 - 40:23- What is it?
- Nothing. -
40:23 - 40:24Anything wrong?
-
40:24 - 40:26No. Can I come down with you?
-
40:34 - 40:37- I didn't expect to see you today.
- No. -
40:37 - 40:40- What happened to your weekend?
- Roger was called away on business. -
40:40 - 40:41I see.
-
40:54 - 40:56- Goodbye.
- Goodbye. -
41:00 - 41:02The switch is behind you.
-
41:11 - 41:13Let me go.
-
41:16 - 41:19Let me go. You're annoying me.
-
41:25 - 41:28Philip, please let me go.
-
41:43 - 41:46- Gabby.
- I'm coming. -
41:47 - 41:48Good morning, madame.
-
41:49 - 41:53I love you every day of the week,
but on Sunday mornings, I adore you. -
41:53 - 41:55I could bring you breakfast every morning.
-
41:55 - 41:57Too sinful, Gabby. Too sinful.
-
41:57 - 41:59Oh, is there no more black cherry jam?
-
41:59 - 42:00What a shame.
-
42:00 - 42:01I'll get some tomorrow.
-
42:01 - 42:03- There's a message for you.
- Where is it? -
42:03 - 42:05It was on the telephone. Very early.
-
42:05 - 42:08- He said he didn't want to disturb you.
- Monsieur? -
42:08 - 42:10No, another monsieur.
-
42:10 - 42:13He wouldn't give his name, but he made
me say the message over and over. -
42:14 - 42:16Oh, and what is the message?
-
42:17 - 42:21I'm sorry about yesterday.
Do you like Brahms? -
42:23 - 42:25You understand it?
-
42:25 - 42:30- Yes. Yes, I understand it.
- But what are Brahms? -
42:31 - 42:36Look over there.
The second album from the top. -
42:38 - 42:41Yes, that's it. Put it on. Fine.
-
42:41 - 42:43Now the first switch.
-
42:49 - 42:52Those are Brahms music.
-
42:58 - 42:59You'd better get dressed.
-
43:00 - 43:03Do I have to?
What time is it? -
43:03 - 43:04About 5:30.
-
43:05 - 43:08Why don't we stay over tonight
and go in tomorrow? -
43:08 - 43:10- Nope.
- Why not? -
43:10 - 43:13- I have to be in Paris tonight.
- Why? -
43:14 - 43:17- None of your business.
- I'm not going. -
43:18 - 43:20- What?
- I'm not going, -
43:23 - 43:24Maisy.
-
43:25 - 43:26- Maisy.
- No. -
43:27 - 43:29- Come on, Misy.
- I want to stay here. -
43:30 - 43:31- Stop. Maisy, will you?
- No. -
43:31 - 43:33- Please, M...
- I want to stay here. -
43:34 - 43:35Stop.
-
43:53 - 43:55- Hello.
- Hello. -
43:55 - 43:57I'm glad you decided
that you like Brahms. -
43:57 - 43:59Do I? Well, I don't really know.
-
43:59 - 44:01It doesn't matter so long as you're here.
-
44:12 - 44:14I can look, can't I?
-
46:10 - 46:10Sorry.
-
46:39 - 46:42Makes no difference.
I especially said extra dry. -
46:43 - 46:45- What's the matter?
- Oh, nothing. -
46:46 - 46:48Oh, there's the bell. Don't you think
we should be getting back? -
46:48 - 46:50Intermission is almost over.
-
46:50 - 46:52Will you have dinner
with me after the concert? -
46:52 - 46:54I can't. I have to get home.
-
46:54 - 46:57I thought you said he'd gone away
for the weekend on business. -
46:57 - 46:58I expect Roger back tonight.
-
46:58 - 46:59What if he doesn't show up?
-
47:00 - 47:02Well, then I'll have dinner alone.
-
47:03 - 47:05He must be quite a man
to deserve such devotion. -
47:05 - 47:07Such blind self-sacrifice.
-
47:07 - 47:10- I love him.
- What about him? -
47:11 - 47:13- What about him?
- Does he love you? -
47:13 - 47:14Yes.
-
47:14 - 47:17Of course, all is for the best
in his best of all worlds. -
47:17 - 47:20Don't play the cynic.
It doesn't suit you. -
47:20 - 47:22At your age,
you ought to believe in such things. -
47:22 - 47:25Stop making fun of me. Stop talking down
to me as if I were 5 years old. -
47:29 - 47:30Sorry.
-
47:30 - 47:33I'm not making fun of you,
but of the parts you keep playing. -
47:33 - 47:36- If you would just be yourself.
- It's true. -
47:36 - 47:39Since I've known you, I've played
the brilliant young lawyer, -
47:39 - 47:42the bashful lover, the spoiled child,
-
47:42 - 47:44God knows what else.
-
47:44 - 47:47But it's all been for you, only for you.
-
47:47 - 47:49Don't you think that's love?
-
47:50 - 47:51We'd better hurry.
-
48:10 - 48:12I am sorry we are late.
-
48:31 - 48:36How long has...
How long have you and Roger...? -
48:38 - 48:405 years.
-
48:41 - 48:44- And you've been happy.
- Yes, I have. -
48:44 - 48:47- Always?
- There's no always. -
48:47 - 48:53I've had 5 years of happiness
and doubt and warmth and pain... -
48:55 - 48:57But only the happiness matters.
-
48:58 - 48:59You're not happy now.
-
49:00 - 49:02- Yes, I am.
- No, I know you're not. -
49:02 - 49:03I told you I love him.
-
49:03 - 49:05And I love my mother
and my old nurse and my... -
49:05 - 49:08- I don't see what that's got to do.
- No, you say you love him, but you're alone. -
49:08 - 49:11You spend your Sundays alone.
You're dying alone. -
49:11 - 49:13- How often do you sleep alone?
- You have no right. -
49:13 - 49:15I have the right.
-
49:16 - 49:19I have the right to fall in love with you
and nothing can stop me, -
49:19 - 49:21and I shall take you away
from him if I can. -
49:24 - 49:25I will.
-
49:26 - 49:27I will.
-
49:46 - 49:47What's that?
-
49:48 - 49:50- Brahms.
- How do you know? -
49:51 - 49:56- Well, the announcer said so.
- Do you like it? -
49:59 - 50:02Oh, Sunday afternoon
so awful on the radio. -
50:03 - 50:04Put it back where it was.
-
50:04 - 50:06Oh, well, there's nothing else.
-
50:08 - 50:12Funny. When I was eight,
I wanted to be a conductor. -
50:15 - 50:18I wanted to be a movie star,
and I'm going to be. -
50:19 - 50:22I've got to have dinner with Charelle
tomorrow night, -
50:22 - 50:24but I'll call you
as soon as I can get away. -
50:24 - 50:26- All right?
- Yeah. Yeah. -
50:26 - 50:28It's not nice of you to leave me tonight.
-
50:28 - 50:30I'm going to miss you.
-
50:31 - 50:34- Maisy, I can't drive.
- Don't be silly. -
50:34 - 50:36You're a wonderful driver.
-
50:36 - 50:39As a matter of fact,
you do everything well. -
51:33 - 51:34Hello.
-
51:36 - 51:36Hey.
-
51:37 - 51:40- What's the matter?
- Nothing. I'm just so glad to see you. -
51:40 - 51:41- How was your trip?
- Fine. -
51:43 - 51:45- Did you just come in?
- Yes. -
51:46 - 51:47Where have you been?
-
51:47 - 51:50- I've been to a concert at Salle Pleyel.
- Oh, do you like Brahms? -
51:52 - 51:53Why did you ask that?
-
51:54 - 51:56I heard it on the radio driving back.
-
51:56 - 51:58Oh, how did you happen to go?
-
51:58 - 52:02- I... Young Van der Besh asked me.
- Oh. -
52:02 - 52:06And I had nothing to do and I couldn't
remember whether I liked Brahms or not. -
52:06 - 52:08A young boy asked me
a silly trite question -
52:08 - 52:10and I didn't have an answer.
I'd forgotten. -
52:11 - 52:15I can't keep my mind on anything lately
except the man I love is never around. -
52:15 - 52:17Well, what is it?
-
52:18 - 52:20I told you someone asked me a question.
-
52:21 - 52:22But I have no answers anymore.
-
52:22 - 52:25And all the questions seem
so important suddenly. -
52:25 - 52:27Do I like Brahms?
What is my favorite color? -
52:27 - 52:29Do I like roses? Do I love you?
-
52:30 - 52:32What's happened?
What's that boy been saying to you? -
52:32 - 52:35What difference does it make
as long as I love you? -
52:35 - 52:37And you know the answer
to that one, don't you? -
52:37 - 52:39- What have you been doing?
- Listening to Brahms. -
52:39 - 52:41Oh, stop talking about Brahms.
-
52:41 - 52:42I can't leave him out.
-
52:42 - 52:46- Well, what's this about? Is it me?
- Yes, you and me. -
52:48 - 52:51- You know that I love you.
- No, I don't. -
52:51 - 52:53I don't know anything anymore.
-
52:53 - 52:56Oh, Roger, has time
caught up with me already? -
52:57 - 52:58Already?
-
53:00 - 53:03Paula, what do you want me to tell you?
-
53:03 - 53:05That you're the most important thing
in the world to me? -
53:05 - 53:07Well, that someone was always there.
-
53:07 - 53:11The one that you can be sure of,
to love, and to trust when you want to. -
53:12 - 53:15Sometimes I wish I was one
of the sluts you pick up in bars, -
53:15 - 53:19not to be trusted or esteemed or admired.
Just to be loved. -
53:19 - 53:21You know they mean nothing to me.
-
53:22 - 53:23Yes I know.
-
53:23 - 53:26It's how I am.
I've never tried to hide it. -
53:26 - 53:29- Oh, you've been honest.
- You don't really care. -
53:30 - 53:31You've said so.
-
53:32 - 53:33That's right.
-
53:34 - 53:37- Well, then as long as we're honest...
- We can be self-indulgent. -
53:37 - 53:39Well, then what's wrong?
-
53:39 - 53:41I wish you and I were
falling in love again. -
53:41 - 53:42That's all.
-
53:42 - 53:44We were so sure of the future then.
-
53:44 - 53:47I'm sure of it now. Nothing has changed.
-
53:47 - 53:49Well, we can go on just as we are?
-
53:49 - 53:50- Of course.
- For ever? -
53:50 - 53:53Sure, why not? I love you.
-
54:00 - 54:02You've had a bad weekend, Paula.
-
54:03 - 54:06I should not have left you.
I'm sorry I had to. -
54:08 - 54:09It's all right.
-
54:10 - 54:13- Where should we dine?
- Where would you like? -
54:13 - 54:16Oh, I don't care. I'll just change
into another dress and fix my face. -
54:17 - 54:21It won't take a minute.
Oh, look. Your mask fell down. -
54:25 - 54:26No harm done.
-
54:30 - 54:32Tell me, what about L'Escargot?
-
54:32 - 54:35- Do you think we can get in?
- I think so. -
54:35 - 54:37Don't you want a drink?
-
54:39 - 54:42- Would you like one?
- No, thank you. -
54:43 - 54:47Well, tell me, how was Brussels?
Was your trip successful? -
54:48 - 54:49Yes, fine.
-
54:50 - 54:52You don't sound very enthusiastic.
-
54:53 - 54:57- What about Chez Allard?
- I don't think they're open on Sundays. -
54:57 - 55:00No, no. L'Escargot will be fine.
-
55:01 - 55:03- Roger.
- Yes. -
55:03 - 55:05I'm glad you came home tonight.
-
55:05 - 55:08- So am I.
- Was the traffic awful? -
55:08 - 55:12It's always bad on Sunday, but the parkway
is quick, even when it's crowded. -
55:12 - 55:15Parkway, but there's
no parkway from Brussels. -
55:17 - 55:19No, of course not.
-
55:19 - 55:20Did I say parkway?
-
55:21 - 55:25They fit their road so well,
it seems like a parkway now. -
55:25 - 55:28I made wonderful time.
-
55:30 - 55:33- Well, that's good.
- What about some place with music? -
55:34 - 55:35Might be nice.
-
55:38 - 55:41I don't know which ones are open.
We can drive around and see. -
55:42 - 55:43All right.
-
55:46 - 55:49- Is that the door?
- Yes. Yes, I'll go. -
55:56 - 55:58- Hello, Gabby.
- What's wrong with you? -
55:58 - 55:59Who is this?
-
56:00 - 56:00Gabby.
-
56:01 - 56:03- A letter for you.
- All right. -
56:03 - 56:07How's your English, Gabby?
I haven't seen you for a long time. -
56:07 - 56:09I've been here.
-
56:13 - 56:18- Who is it from?
- I don't know. It came by hand. -
56:19 - 56:20- Here.
- Thank you. -
56:20 - 56:23Do you mind reading it to me, darling?
-
56:23 - 56:26- It may be personal.
- I don't think so. -
56:29 - 56:32It is. It's from young Van der Besh.
-
56:33 - 56:35It doesn't matter.
-
56:35 - 56:38We have no secrets
from each other, have we? -
56:42 - 56:45I ask you to forgive me. I was jealous.
-
56:45 - 56:48And you can only be jealous
of things that you own. -
56:49 - 56:51Well, now you'll be rid of me for a while.
-
56:51 - 56:55I'm leaving for London tomorrow to work
on a case and it's very important. -
56:56 - 57:00But I don't really care because
all of the time I'll be thinking of you. -
57:02 - 57:09Please, please remember, even if you never
want to see me again, that I love you. -
57:12 - 57:14Your Philip.
-
57:19 - 57:22- I'm ready.
- You haven't said where you want to go. -
57:23 - 57:25Oh, I think some place with music
would be nice, don't you? -
57:30 - 57:31It is true, Milord,
-
57:31 - 57:35as my learned friend suggested,
that the facts do seem simple. -
57:35 - 57:36On a certain day,
-
57:36 - 57:38at a certain time, in a certain place,
-
57:38 - 57:41two ships collided.
One English, one French. -
57:41 - 57:45- The papers you asked for in Paris.
- Good. -
57:45 - 57:46How's it going?
-
57:46 - 57:48- Fine.
- Here's a letter for you too. -
57:49 - 57:52I wonder how my learned friend
will explain away -
57:52 - 57:57in simple terms the testimony
of witness Sharp, who stated that, -
58:00 - 58:02at no time during the 10 minutes
-
58:02 - 58:06preceding the collision,
did I hear a signal from the English ship. -
58:07 - 58:11Complication upon complication.
There is too the question of the fog. -
58:11 - 58:15Witness Glennville states that the fog
-
58:15 - 58:17was lifting, but witness Olivier states
-
58:17 - 58:20emphatically that the fog was thickening.
-
58:20 - 58:24There is too the testimony
of the quartermaster Bellnap, -
58:29 - 58:33who was forced to admit that
he had left the bridge a few moments -
58:33 - 58:35earlier to get more sugar for his coffee.
-
58:36 - 58:40Let me recall to your memory, Milord,
the statement of Seaman Jeandran, -
58:42 - 58:43- What?
- I'm sorry. -
58:43 - 58:45...radar screen at a distance
of three miles. -
58:56 - 58:59London airport, please.
But first up at Doorchester. -
59:10 - 59:12It's beautifully done.
Don't you think so, Lucien? -
59:12 - 59:13Yes, my dear.
-
59:13 - 59:15Well, thank you, Myrtle.
Is she expensive? -
59:15 - 59:17Not with me, my dear. Not with me.
-
59:17 - 59:19- And who is he?
- Who? -
59:19 - 59:23- He.
- He's in the truck business or something. -
59:23 - 59:26- I think that's what she told me.
- I must say he looks it. -
59:26 - 59:27Is he?
-
59:27 - 59:29He seems rather attractive.
-
59:29 - 59:31You think so?
-
59:32 - 59:34Yes, as a matter of fact, he is rather.
-
59:36 - 59:37Please, Roger, don't be bored.
-
59:38 - 59:41Bored? How could I possibly be bored
with such a charming gay crowd? -
59:41 - 59:44At least try to be nice to
Madame Van der Besh. -
59:44 - 59:45You haven't even talked to her.
-
59:45 - 59:50Yes, I have. I said "Good evening."
And "It was nice of you to ask me." -
59:50 - 59:51Please, here she comes.
-
59:51 - 59:54Paula, dear, everyone
adores the apartment. -
59:54 - 59:56I've never heard people rave so.
-
59:56 - 59:57I'm glad.
-
59:59 - 60:02- He should be very proud of you, Paula.
- Oh, I am, madame. -
60:02 - 60:06And you have something
to do with trucks, haven't you? -
60:06 - 60:08Oh, how interesting.
-
60:08 - 60:11You buy trucks in America,
then sell them in Europe. -
60:11 - 60:14And sometimes we buy them in Europe
and sell them in America. -
60:14 - 60:16We are very flexible.
-
60:17 - 60:20Fascinating. Isn't it sad
Philip isn't here to see you? -
60:20 - 60:22You do look so lovely.
Philip's my son. -
60:22 - 60:25He'll be furious when he hears
he's missed you, -
60:25 - 60:28but he had to go to London
on something terribly legal. -
60:28 - 60:31Did he tell you?
Philip's mad about Paula, you know? -
60:32 - 60:34- It's really quite touching.
- Yes, I know. -
60:36 - 60:37All right, Suzanne.
-
60:37 - 60:39Marianne and Claude.
-
60:39 - 60:40Dinner. Dinner. Everybody.
-
60:40 - 60:43Raymond, you're sitting
next to Madame Fleury. -
60:43 - 60:46Alain, you're sitting with Madame Tessier.
-
60:46 - 60:49Paula, dear. Talk to him
about modern paintings. -
60:49 - 60:50He has a fabulous collection.
-
60:51 - 60:53And you're next to me, Mr Desmarest.
-
60:53 - 60:58And you're going to tell me all about
your trucks and what you do with them. -
60:58 - 61:00You're a Leo, aren't you?
-
61:00 - 61:01I beg your pardon.
-
61:01 - 61:04Well, you must have been born
in late July or early August. -
61:04 - 61:07- No, early May.
- Oh, Taurus the bull. -
61:07 - 61:10Well, I suppose I should have guessed.
-
61:11 - 61:13This is always the most difficult part,
-
61:13 - 61:15trying to get people
to find the right places. -
61:15 - 61:18I can never read my own writing.
-
61:18 - 61:20Françoise, you're here.
-
61:20 - 61:22Mariline, over there.
Claude, you're next. Oh, here. -
61:24 - 61:28Oh, yes. Yes. And Paula dear, you're here.
Oh, no. No. I'm sorry, darling. -
61:28 - 61:30You're on the other side over there.
-
61:30 - 61:33Alain, you're on her right.
Raymond on her left. That's right. -
61:33 - 61:36Lucien, you're next to Françoise
on her right there. -
61:38 - 61:41I'm sorry, but I must be frank with you.
-
61:41 - 61:42I think it's all nonsensical.
-
61:42 - 61:45They call themselves
abstract expressionists, -
61:45 - 61:49but what do they express?
That's what I want to know. -
61:50 - 61:52Yes. Yes. Isn't it?
-
61:54 - 61:57We were just talking about Jean Duprey.
-
61:57 - 61:59Of course, you know about
his latest affair. -
61:59 - 62:01I'm afraid I don't even know
who the gentleman is. -
62:01 - 62:03You don't know Jean?
-
62:03 - 62:05No. I'm sorry. No.
-
62:05 - 62:08And I can't think why
his latest affair should interest me. -
62:08 - 62:10- Unless...
- Unless? -
62:10 - 62:13Unless the lady's my wife.
-
62:13 - 62:14And happily, I'm not married.
-
62:14 - 62:17Oh, that's rather a narrow
point of view, don't you think? -
62:17 - 62:20If everyone were like you,
what would it be all about? -
62:21 - 62:22Philip.
-
62:23 - 62:26Good evening.
Hope I'm not disturbing you. -
62:26 - 62:29Well, Philip, we didn't expect
you until Saturday. -
62:29 - 62:31Well, I uh I thought I'd surprise you.
-
62:31 - 62:33Philip, what's happened?
-
62:33 - 62:36- Was the case settled?
- No, but it's it's going very well. -
62:36 - 62:37It's going very well indeed.
-
62:37 - 62:39Well, darling, have you had your dinner?
-
62:39 - 62:43Oh, yes. I had something on the plane.
I'll just sit here and keep you company. -
62:43 - 62:46No, no, no, no. Marcel,
Mr. Philip's had dinner. -
62:46 - 62:47Hello.
-
62:47 - 62:48Hello.
-
62:48 - 62:52I must say that Philip is looking well.
Hard work agrees with him. -
62:52 - 62:54Yes. I don't think hard work...
-
62:54 - 62:57I got your note. Just caught up with me.
I came straight back. -
62:57 - 63:00- Would you like some fruit?
- Oh, no. No, thank you. -
63:02 - 63:05I never thought I could
hate London so much. -
63:19 - 63:21Well, you're in luck.
Mother would like to talk to you. -
63:21 - 63:24- And you would like to talk to Paula.
- That's right. -
63:24 - 63:28Wait a minute.
There's something I want to ask you. -
63:28 - 63:29What?
-
63:30 - 63:35I wonder if I could have a cigar.
-
63:36 - 63:37Of course.
-
63:41 - 63:45- What did you say to Philip?
- I asked him for a cigar. Why? -
63:45 - 63:46He looked angry.
-
63:46 - 63:48He wasn't.
-
63:48 - 63:51- Should he have been?
- Well, I don't know. -
63:51 - 63:53- Here we are.
- Oh, thank you. -
63:54 - 63:57- Do you like cigars?
- No. No, unfortunately. -
63:57 - 64:00- Can I get you something to drink?
- No, no, thank you. -
64:01 - 64:03I think we should be going home.
I have to get up early. -
64:03 - 64:06If Paula isn't tired,
I can drive her home later. -
64:06 - 64:09I suppose you could.
Would you like that, darling? -
64:10 - 64:13No. It's getting late. Good night.
-
64:14 - 64:16Good night.
-
64:22 - 64:24You certainly brightened up that party.
-
64:25 - 64:28It was dying until young love came along.
-
64:29 - 64:32Now they've got something to talk about.
-
64:33 - 64:36Have you heard about one of
Van der Besh's interior decorator? -
64:37 - 64:41You did over the apartment
and seduce her son at no extra charge. -
64:43 - 64:46I think you've got something there, Paula.
-
64:47 - 64:50If you're going to do
the young master's bedroom, -
64:50 - 64:51why not do the young master?
-
64:52 - 64:54Makes the work so much more interesting.
-
65:10 - 65:12- You're going away tomorrow?
- Yes. -
65:12 - 65:13Where?
-
65:14 - 65:17I told you. Switzerland, Denmark, Germany.
-
65:18 - 65:21- How long will you be gone?
- About 10 days. -
65:24 - 65:25Roger...
-
65:29 - 65:30Good night.
-
65:48 - 65:49Philip.
-
65:50 - 65:52But how did you get here?
-
65:52 - 65:55- You must have driven like a fool.
- Get in, please. -
65:55 - 65:57Why do you do such idiotic things?
-
65:57 - 65:58Please, just for a moment.
-
66:03 - 66:05Why did you come back from London?
-
66:05 - 66:08-To see you.
- Oh, but why? -
66:09 - 66:10Why? Your letter.
-
66:11 - 66:13Well, that's ridi... What did I say?
-
66:13 - 66:15- "Come back soon."
- Oh, no. -
66:20 - 66:21"My sweet Philip."
-
66:21 - 66:24"Your letter was too sad
and more than I deserve." -
66:24 - 66:25"I miss you."
-
66:25 - 66:27"Come back soon."
-
66:28 - 66:30I didn't mean it that way.
-
66:31 - 66:37I was tired and unhappy
and lonely and... oh, I'm sorry. -
66:37 - 66:39I shouldn't have written it.
-
66:39 - 66:41But you meant it.
-
66:42 - 66:43I suppose so.
-
66:44 - 66:45Then.
-
66:46 - 66:48Has anything changed since then?
-
66:51 - 66:54No, nothing has changed.
-
66:55 - 66:56Wow.
-
67:12 - 67:13Here you are.
-
67:13 - 67:16SAS 252.
Now you can board the aircraft. -
67:16 - 67:17This way, please, gentlemen.
-
67:17 - 67:19Did you telegraph Copenhagen
to meet us? -
67:19 - 67:20Yeah, they'll have a car.
-
67:20 - 67:21Roger.
-
67:22 - 67:25Scandinavian Airlines announce
the departure of flight... -
67:25 - 67:27- You go ahead. I'll catch up.
- We haven't got much time. -
67:27 - 67:28Don't worry.
-
67:28 - 67:32All passengers are kindly requested
to proceed to customs and passport... -
67:32 - 67:34What are you doing here?
-
67:34 - 67:35I called you at home,
but you'd already gone. -
67:35 - 67:38- I wanted to see you.
- Come over here. -
67:39 - 67:41I'm sorry about last night. I was angry.
-
67:41 - 67:42I was actually jealous.
-
67:42 - 67:44I wanted to call you and...
-
67:44 - 67:45Will you take me with you?
-
67:45 - 67:46- What?
- I want to come with you. Can I? -
67:46 - 67:48Paula, make sense.
The plane is leaving in... -
67:48 - 67:49Yes, I know.
-
67:49 - 67:51But I'll go home and pack a bag and
I'll join you wherever you are tonight. -
67:51 - 67:52Where will you be?
-
67:52 - 67:54I have two men with me
from the home office in Chicago. -
67:54 - 67:56How would I explain?
-
67:56 - 67:59But say I'm your wife.
Americans always travel with their wives. -
67:59 - 68:00They'll understand.
-
68:00 - 68:01Paula, this is crazy.
-
68:02 - 68:03Is it because of that boy?
-
68:04 - 68:06Because of me.
Please. -
68:06 - 68:07Hey.
-
68:08 - 68:11Yes. I'm coming.
Paula, don't worry. -
68:11 - 68:13I'll come back to you soon.
10 days no more. -
68:14 - 68:16Get rid of that boy, Paula,
he bothers you. -
68:17 - 68:20And don't worry,
everything will be all right. You'll see. -
68:24 - 68:27Paula, you know I love you.
I'll call you when I get back. -
68:27 - 68:28Goodbye, darling.
-
68:28 - 68:34Attention, please. Will monsieur Desmarets
SAS passenger on flight 252 -
68:34 - 68:38please proceed immediately to customs
and passport control? Thank you. -
68:42 - 68:46...law for 40 years and never
did I hear of anyone -
68:46 - 68:48walking out in the middle of a case.
-
68:49 - 68:51Let me tell you something.
-
68:51 - 68:54If it were not for your mother
I would ask you to leave at once. -
68:54 - 68:58As it is I'm ready to put you
to work on research. -
68:58 - 69:02Hello. Yes.
Who's calling? -
69:03 - 69:06No, I'm afraid Mr. Van der Besh
is occupied at the moment. -
69:06 - 69:08Oh, just a minute, please.
-
69:10 - 69:12Oh, here he is now.
Hold the line, please. -
69:12 - 69:14Well, you certainly caught it that time.
-
69:14 - 69:16- What did he say?
- I don't know. I wasn't listening. -
69:16 - 69:17- What's this?
- It's personal call for you. -
69:17 - 69:19A woman's voice, and it's not your mother.
-
69:19 - 69:24Hello. Yes, Paula.
Yes, of course we can talk. -
69:24 - 69:28- Listen, tonight, I thought we could...
- I'm afraid I can't. -
69:29 - 69:31- What do you mean?
- I can't see you again, Philip. -
69:31 - 69:33Please try to understand that.
-
69:33 - 69:34Whatever happens would only hurt you.
-
69:34 - 69:36Don't try to see me.
-
69:36 - 69:39Please. Will you promise me that, Philip?
-
69:40 - 69:42You must promise me, please.
-
69:43 - 69:46Yes. Yes. Of course.
-
70:00 - 70:04Say no more.
-
70:06 - 70:12It's goodbye as before.
-
70:14 - 70:16It's goodbye.
-
70:17 - 70:19I can tell.
-
70:21 - 70:24Save the lie.
-
70:24 - 70:29It's farewell and goodbye again, my love.
-
70:31 - 70:34So why deny you...
-
70:35 - 70:36Let's go. I've had it.
-
70:38 - 70:39Come on, will you?
-
70:39 - 70:41We've been going like this for days.
-
70:42 - 70:45You said you'd give two years
of your life to be really in love. -
70:45 - 70:47Yeah, I know I said it.
-
70:47 - 70:48I'm sorry I said it.
-
70:49 - 70:50That was way back.
-
70:50 - 70:54Well, I am in love,
but she won't believe me. -
70:54 - 70:55I believe you.
-
70:55 - 70:58You told me a thousand times.
-
70:58 - 71:00Now, let's go, huh?
-
71:00 - 71:03Philip, come on.
I'm going. -
71:05 - 71:07- You'll be all right?
- Yeah. -
71:07 - 71:09I'll check you tomorrow. So long.
-
71:12 - 71:13Hello.
-
71:16 - 71:19Your pal's gone. Left you, huh?
-
71:19 - 71:22You talk about love
as if you knew all about love. -
71:22 - 71:25I do. You going to buy me a drink?
-
71:27 - 71:28Sure.
-
71:33 - 71:35Well, tell me.
-
71:35 - 71:38- Tell you what?
- About love. -
71:38 - 71:42- It's kind of hard to explain unless...
- It's nothing. -
71:42 - 71:43It's just a word in a song.
-
71:44 - 71:46It's in a million songs.
-
71:46 - 71:48You've said it just right.
-
71:48 - 71:51It's the most used word in the world
and it doesn't mean a thing. -
71:51 - 71:53Just a word in a song.
-
71:55 - 71:58Well, here's to little old love.
-
71:59 - 72:01Here's to a little old love.
-
72:02 - 72:04Going to sing me another?
-
72:10 - 72:11Well...
-
72:11 - 72:15Love is just a word.
-
72:16 - 72:18It doesn't mean a thing.
-
72:21 - 72:27It's a fancy way of saying
two people want to swing. -
72:30 - 72:32Love is just a word.
-
72:33 - 72:35And when the fun begins,
-
72:38 - 72:43a word we use to cover
a multitude of sins. -
72:45 - 72:51Love is just a word
-
72:52 - 72:59that's dropped all over town.
-
73:23 - 73:24How long have you been here?
-
73:24 - 73:26I don't know.
-
73:31 - 73:32You must be wet through.
-
73:33 - 73:35I had to see you. I tried not to, but...
-
73:35 - 73:36It's all right.
-
73:37 - 73:38Since you sent me away,
-
73:38 - 73:40I don't know where I've been
or what I've done. -
73:40 - 73:43- How about you?
- Oh, me? -
73:43 - 73:46I worked. I went to a collection.
-
73:47 - 73:48Bought a new dress.
-
73:49 - 73:52They're tearing up the street
in front of my house. -
73:52 - 73:53Oh, I know.
-
73:53 - 73:55I almost got stuck in my car.
-
73:56 - 73:58It'll be fixed in a few days.
-
74:30 - 74:32Paula, are you sure
you don't want anything? -
74:32 - 74:34Some good-looking
cold chicken in the ice box. -
74:35 - 74:36Boy, am I hungry.
-
74:39 - 74:40Where's the butter?
-
74:42 - 74:44Have you got any wine left?
-
74:44 - 74:48Oh, here. Wait.
Oh, right. I found a bottle of beer. -
74:49 - 74:52Some cucumber salad left over.
-
74:53 - 74:57I can't find any...
Oh, wait. Here it is. Here it is. -
74:58 - 74:58Darling, the record.
-
74:58 - 75:01Can you turn it over?
Never mind. I'll get it. -
75:07 - 75:10Well, here we are. How does it look?
Pretty good, huh? -
75:10 - 75:12I don't know why I feel
as if I haven't eaten in days. -
75:14 - 75:15Hello, my love.
-
75:20 - 75:23Oh, Gabby, wait.
I forgot I put the chain on last night. -
75:25 - 75:27It's all right. I'll take it.
-
75:27 - 75:29Would you like me to get...
-
75:29 - 75:32Paula? Can you help...?
-
75:33 - 75:34Good morning.
-
75:34 - 75:36Can you help me with this thing?
-
75:37 - 75:41Gabby, this is Philip... Mr. Van der Besh.
-
75:42 - 75:44Don't worry about breakfast.
I'll do that. -
75:47 - 75:49Well, thank you, Gabby.
-
75:52 - 75:54Gabby, I'll call you if I need you.
-
75:57 - 76:00- She was embarrassed.
- Not embarrassed. -
76:01 - 76:02Surprised.
-
76:02 - 76:04Gabby is my guardian, my protector.
-
76:04 - 76:06She's much older and wiser
than I am, my Gabby. -
76:06 - 76:08Look at the time.
I'm going to be late. -
76:08 - 76:10Don't worry. I can drive you to the shop.
-
76:10 - 76:12No, I don't want you to.
Could you get the butter? -
76:12 - 76:14Well, why shouldn't I take you?
-
76:14 - 76:15Oh, there's no need.
-
76:15 - 76:18I can let you off at the corner
if you don't want anybody to see us. -
76:18 - 76:19Why?
-
76:20 - 76:22I don't know. I just thought...
-
76:22 - 76:23Don't worry.
-
76:23 - 76:26They'll know soon enough
and they'll have such fun. -
76:26 - 76:28Have you heard about Paula
and her new young men? -
76:29 - 76:31Oh, she must have such vitality, Paula.
-
76:31 - 76:34Such an appetite for life and young man.
-
76:34 - 76:35Does it matter?
-
76:36 - 76:39- Not really.
- All right, then. -
76:39 - 76:41- What time are you through?
- About 6. -
76:42 - 76:446? What am I going to do till 6?
-
76:45 - 76:47Well, how do you know
that I'm not busy tonight? -
76:50 - 76:51That's true. No, I don't.
-
76:52 - 76:53Let me do that.
-
76:56 - 76:57I'm not busy tonight.
-
76:58 - 76:59Good.
-
76:59 - 77:01- Still, what will I do till 6?
- I don't know. Work. -
77:01 - 77:05Work? Oh, I know what I'll do.
-
77:05 - 77:07I'll wander around Paris thinking of you.
-
77:07 - 77:09And then I'll have lunch alone
thinking of you. -
77:09 - 77:12And well, then I'll wait for 6:00 to come.
-
78:51 - 78:53You go ahead. I'll catch up with you.
-
78:53 - 78:54Why? Where are you going?
-
78:54 - 78:56To make a phone call.
-
78:56 - 78:57Tell the porter to get us a cab.
-
78:57 - 79:01- What's his number?
- 24. Don't worry, I'll be there. -
79:10 - 79:11Hello.
-
79:11 - 79:12Paula?
-
79:14 - 79:15Hello.
-
79:15 - 79:17I just got in. I'm at the airport.
-
79:18 - 79:19How are you? Did you have a good trip?
-
79:20 - 79:23I want to see you.
Are you free for dinner tonight? -
79:24 - 79:26No, no, I can't have dinner.
-
79:27 - 79:31- Well, can you manage lunch?
- Yes. Yes. -
79:31 - 79:32Yes. Let's have lunch. Where?
-
79:32 - 79:34- Where would you like?
- Oh, it doesn't matter. -
79:34 - 79:36A place that's not too crowded.
-
79:36 - 79:37Pré Catelan?
-
79:37 - 79:38Fine. All right. I'll meet you there.
-
79:39 - 79:41Do you want me to pick you up?
-
79:41 - 79:43- No. No. I'll meet you there.
- All right. -
79:47 - 79:50I'm looking forward to seeing you.
-
79:52 - 79:54Goodbye, Roger.
-
80:10 - 80:13- I'm sorry I'm late.
- No, it's me. I was early. -
80:15 - 80:16- Don't you feel well?
- Why? -
80:17 - 80:19You don't usually drink
in the middle of the day. -
80:19 - 80:21Oh, that I felt a bit tired.
-
80:22 - 80:24Oh, well then I think
I'll have a vermouth. -
80:29 - 80:31It seems a long time since I've seen you.
-
80:31 - 80:3210 days?
-
80:33 - 80:34Seems longer.
-
80:35 - 80:39I called you a couple of times
from Germany, but I couldn't get you. -
80:40 - 80:41I've been out quite a bit.
-
80:42 - 80:44Or maybe I turned off my phone.
-
80:48 - 80:49You never used to.
-
80:53 - 80:56- Thank you.
- Have you seen Jimmy? -
80:57 - 80:58No.
-
80:59 - 81:00What have you done?
-
81:03 - 81:05I've been seeing Philip quite a lot.
-
81:07 - 81:11Oh, the young...
Still mad about you? -
81:14 - 81:17And you? Do you still find him amusing?
-
81:19 - 81:20Yes.
-
81:22 - 81:24Amusing or more than that?
-
81:26 - 81:26More.
-
81:30 - 81:32Well, there's nothing
to say to that, is there? -
81:38 - 81:40There's so much you could have said.
-
81:41 - 81:44Roger. If I were to tell you
that everything still depends on you, -
81:45 - 81:47you wouldn't know
how to say it, would you? -
81:47 - 81:49- I don't know.
- But I do. -
81:51 - 81:54You would say that you were
too obsessed with your freedom, -
81:54 - 81:56too frightened of losing it.
-
81:56 - 81:57I said I don't know.
-
81:57 - 82:01All I know is that I detest the idea
of you and that young.... -
82:04 - 82:06I hope it's worth your time.
-
82:08 - 82:11It isn't a matter of that. He loves me.
-
82:13 - 82:15It never occurred to me
when I asked you to lunch -
82:15 - 82:18that I would have to listen to the story
of your love life with that boy. -
82:19 - 82:22Since you've always made sure
I knew all about yours with your girls... -
82:22 - 82:25At least that's normal.
-
82:29 - 82:30I mean...
-
82:35 - 82:37Goodbye, Roger.
-
83:03 - 83:04Paula,
-
83:05 - 83:07I'm sorry. That was stupid of me.
-
83:07 - 83:09You know I didn't mean it.
-
83:09 - 83:11Oh, it it was just as much my fault.
-
83:12 - 83:14Perhaps we shouldn't see
each other for a while. -
83:15 - 83:19- Goodbye, darling.
- Paula, you know that I... -
83:20 - 83:22You mean so much to me, Paula.
-
83:25 - 83:26You do.
-
84:40 - 84:41Thank you.
-
84:43 - 84:4617. The last four.
-
84:46 - 84:47First three.
-
84:48 - 84:48All by five.
-
84:49 - 84:51- Love, what's our room number?
- What? -
84:51 - 84:52Our room number?
-
84:52 - 84:53I don't know.
-
84:53 - 84:55You've got the key.
-
84:58 - 85:01- 425.
- All the rest on 4 and 25. -
85:18 - 85:19Roger!
-
85:19 - 85:21- Hello. Jimmy.
- What are you doing in Deauville? -
85:22 - 85:26- I just decided to get away, you know.
- Is Paula here? Where are you staying? -
85:26 - 85:30No, Paula's not here.
Oh, I haven't seen Paula in 2 months. -
85:30 - 85:32Oh, I'm sorry. I didn't know.
-
85:32 - 85:34Well, that's stupid.
-
85:34 - 85:35Well, I mean...
-
85:37 - 85:38See you later, Roger.
-
85:56 - 85:58Close the window, love.
-
86:01 - 86:04Love, please close the window. It's cold.
-
86:04 - 86:05Stop calling me love.
-
86:06 - 86:08What time is this?
-
86:12 - 86:16Gosh, do you realize it's only 5:00?
-
86:17 - 86:19What are you doing up, love?
-
86:19 - 86:21Hey, you haven't been to bed yet.
-
86:21 - 86:22Stop calling me love.
-
86:22 - 86:24Why? You call me Maisy.
-
86:24 - 86:26Just stop using that word.
-
86:26 - 86:27What's the matter with you?
-
86:28 - 86:29Love. Love. Love.
-
86:29 - 86:30Do you know what it means?
-
86:33 - 86:34Well, do you?
-
86:35 - 86:36What does it mean, love?
-
86:36 - 86:39Did we come here
to discuss my vocabulary? -
86:39 - 86:41Just stop calling me love.
-
86:41 - 86:43It's all right at night,
but not in the morning. -
86:43 - 86:45We're getting particular now.
-
86:45 - 86:47Will you kindly close the window?
-
86:59 - 87:01Here's your bill, sir. And your change.
-
87:01 - 87:03- Thank you.
- Thanks. -
87:03 - 87:06Concierge speaking. Yes, madame.
-
87:06 - 87:10Mr. Desmarais?
I haven't seen him, madam. -
87:10 - 87:12- Thank you.
- Thank you, sir. -
87:12 - 87:13But how about your luggage, sir?
-
87:14 - 87:15Madam will bring it.
-
87:15 - 87:17- Very good, sir.
- I hope. -
88:21 - 88:22Philip.
-
88:35 - 88:36Phllip.
-
88:56 - 88:57Philip.
-
88:59 - 89:01Hello. I want to talk to you.
-
89:02 - 89:04Well, Philip, this can't go on.
-
89:04 - 89:07You have to work. When was
the last time you went to the office? -
89:07 - 89:09- Tuesday.
- Tuesday. -
89:09 - 89:10And when before?
-
89:12 - 89:14You've reached a point
where you do nothing at all. -
89:14 - 89:16You see me off in the morning and then
you wait for me to come home at night. -
89:16 - 89:18And now you're taking to sneaking drinks.
-
89:19 - 89:20Oh, no, that's not so.
-
89:20 - 89:24I just rinsed out that glass
because I know you hate untidiness. -
89:25 - 89:28Yes. I hate untidiness and I hate lies
and I hate weakness -
89:28 - 89:31and pretty soon I'll hate you.
-
89:34 - 89:35That was bound to come, wasn't it?
-
89:38 - 89:40Oh, Philip, I didn't mean it that way.
-
89:40 - 89:44But I can't have you become
a stupid sodden lump because of me. -
89:45 - 89:48I've told you to go to work a hundred
times and this is the last. That's all. -
89:49 - 89:52- And if I don't what?
- I won't be able to see you anymore. -
89:54 - 89:56You could send me away just like that?
-
89:56 - 89:57Yes.
-
90:07 - 90:09Oh, Philip. Stop it.
-
90:10 - 90:11You're acting.
-
90:15 - 90:17Look at me. Look at me.
-
90:19 - 90:21Now what is it?
-
90:23 - 90:25It's just that you don't love me
-
90:26 - 90:28and there's nothing I can do about it.
-
90:28 - 90:32I knew from the beginning
that you would send me away someday, -
90:32 - 90:36but all the time I kept hoping
that it never would happen. -
90:38 - 90:41And all the whiskey I've drunk,
all the whiskey in the world, -
90:42 - 90:45couldn't make any difference
because now it has happened. -
90:47 - 90:48And that's it.
-
90:48 - 90:54Oh no, Philip.
You're such a fool. Such a child. -
90:54 - 90:56Oh, such a fool.
-
90:56 - 90:58You've played
at being the abandoned lover, -
90:58 - 91:01and you've done it so well
you believe it yourself. -
91:01 - 91:03I do care about you.
You know that, Philip. -
91:04 - 91:06Look at me now. Look at me.
-
91:07 - 91:08You don't want me to go?
-
91:09 - 91:12No, not today.
But I want you to work. -
91:14 - 91:16I will. I promise I will.
-
91:17 - 91:19I was so afraid.
-
91:22 - 91:23Were you such a fool?
-
91:49 - 91:52- What is it?
- I just wanted to see if you were in. -
91:52 - 91:53Sorry.
-
92:07 - 92:13Hello. Who's calling please?
Oh yes. Uh one moment please. -
92:15 - 92:16Madame Tessier.
-
92:17 - 92:18Yes. Monsieur Desmarest.
-
92:29 - 92:31Hello, Roger.
-
92:31 - 92:32Paula.
-
92:34 - 92:37- How are you?
- I'm all right. And you? -
92:38 - 92:39Yes, I'm fine.
-
92:40 - 92:42Well, I'm taking a holiday next week.
-
92:43 - 92:45This is the time of the year, you know.
-
92:45 - 92:48Remember, we always went away
for a week or so. -
92:48 - 92:52So I thought I'd call you and
as long as I'm getting my ticket, -
92:52 - 92:55I thought if you want me
to get a ticket for you. -
92:57 - 93:00- I don't think it's possible, Roger.
- You don't? -
93:04 - 93:06It's just not that easy.
-
93:07 - 93:10Well, how could we go away
and pretend that not... -
93:11 - 93:12We couldn't help thinking...
-
93:13 - 93:16Oh, that's why I'm going.
Not to think. To think of nothing. -
93:16 - 93:19But there's not
a very good reason for going. -
93:19 - 93:20The best.
-
93:21 - 93:22It isn't that easy.
-
93:22 - 93:24And I'm sure
you don't need me for that. -
93:25 - 93:25Paula.
-
93:26 - 93:29I'm sure you'll be all right by yourself.
-
93:29 - 93:31Or with some of your... someone else.
-
93:31 - 93:33- What?
- Well, nothing. Nothing. -
93:34 - 93:37They never meant anything to me.
You know that. -
93:37 - 93:40As long as you had me
to come back to. -
93:40 - 93:44- Then you won't come.
- No, no, no, Roger. Goodbye. -
93:44 - 93:45Paula.
-
93:46 - 93:48Take care of yourself, will you?
-
93:49 - 93:51Yes, I will.
-
94:00 - 94:02- Oh, wait.
- Come on. Come on. -
94:02 - 94:03Don't rush me there. See?
-
94:05 - 94:06Not bad.
-
94:07 - 94:08Excuse me, sir.
-
94:08 - 94:10- Dinner is served.
- At last. -
94:10 - 94:12- It's getting cold, isn't it?
- Yes, a bit. -
94:12 - 94:14Oh, waiter. Would you mind
going up to room 16? -
94:14 - 94:15What would you like, darling?
-
94:15 - 94:17Oh, there's a yellow cardigan on the bed.
-
94:17 - 94:18Yes, ma'am.
-
94:18 - 94:19- All right, let's go.
- No, wait a minute. Wait a little. -
94:19 - 94:21But no, I did not. Look at that.
-
94:21 - 94:22I knew I would have won.
-
94:22 - 94:24Didn't you cheat pushing it
with your foot a little? -
94:24 - 94:26No, I did not.
-
94:27 - 94:30Oh, you ought to be ashamed of yourself.
-
94:31 - 94:34Oh, it's wonderful getting you
away from Paris. -
94:34 - 94:35You're a different person.
-
94:35 - 94:36You shed your skin.
-
94:36 - 94:37Thank you.
-
94:37 - 94:38Why don't we stay over another night
and go back in the morning? -
94:38 - 94:40Yes.
-
94:40 - 94:40Philip.
-
94:41 - 94:44- Oh, good evening.
- Good evening. -
94:46 - 94:49You uh you uh know
Madame Tessier, don't you? -
94:49 - 94:51Madame Fleury, Monsieur Fleury,
-
94:51 - 94:53and this is Madeleine and this is Pierre.
-
94:54 - 94:55Good evening.
-
94:55 - 94:58Did uh you uh drive out
from Paris for dinner? -
94:58 - 95:00It's a wonderful place, isn't it?
-
95:00 - 95:01How was the traffic?
-
95:01 - 95:03We got stuck in St. Cloud yesterday.
-
95:05 - 95:07Ah, here we are.
Is there the one, madame? -
95:07 - 95:09Yes. Thank you.
-
95:09 - 95:10Do sit down, children.
-
95:10 - 95:12Your food is getting cold.
-
95:12 - 95:13Lucien.
-
95:14 - 95:16Your key, sir.
-
95:23 - 95:26- Well, nice to have seen you.
- Goodbye. -
95:26 - 95:27- Goodbye.
- Goodbye. -
95:28 - 95:30Shall we have another drink?
It'll warm us up. -
95:30 - 95:32How old is she?
-
95:32 - 95:34Oh, please. Lucien, dear.
-
95:34 - 95:37You better start asking for the bill.
It takes an eternity here. -
95:37 - 95:39This way, madame. Your table is ready.
-
95:39 - 95:41You go ahead.
I'll be right there. -
95:47 - 95:48Two dry.
-
95:51 - 95:52Children!
-
96:05 - 96:06Where's madame?
-
96:06 - 96:08I don't know. She went out.
-
96:09 - 96:11But your dinner is ready, sir.
-
96:21 - 96:23- I'd like to go back to Paris.
- All right. -
96:23 - 96:24Paula.
-
96:24 - 96:26What do you care
what people like that think? -
96:27 - 96:29- I don't.
- But what difference does it make? -
96:29 - 96:30- It doesn't.
- Well, then? -
96:30 - 96:31Well, let's not talk about it.
-
96:31 - 96:33No, we will talk about it
and you'll listen. -
96:34 - 96:35Oh, please don't.
-
96:35 - 96:38This is... This is unworthy of you
and humiliating for me. -
96:38 - 96:41- You're making too much of it.
- No, you're making too much of it. -
96:41 - 96:44I'm not a fool, you know. I'm not
a child you have to hide things from. -
96:44 - 96:47If you'd agree, I'd marry you tomorrow.
-
96:47 - 96:49Oh, don't be silly. I'm so much older.
-
96:49 - 96:51That's not the problem.
Age has nothing to do with it. -
96:51 - 96:52I love you. I need you.
-
96:52 - 96:55And nothing that people say
can make any difference. -
96:56 - 96:59The only problem for you,
for us, is Roger. -
97:02 - 97:03He's still there, isn't he?
-
97:03 - 97:06Deep inside you,
and you can't drive him out. -
97:08 - 97:11What is it they used to do
when someone had a demon inside? -
97:11 - 97:15Say prayers, burn incense,
ring bells, make noise? -
97:15 - 97:17If I did all that,
would it drive Roger out of you? -
97:17 - 97:18It might.
-
97:21 - 97:22I'm sorry.
-
97:22 - 97:24Somehow it never occurred
to me that you... -
97:24 - 97:27It just never occurred
to you that I could think that. -
97:37 - 97:38Do you think we should keep going?
-
97:38 - 97:40It's up to you. The price is still low.
-
97:40 - 97:43Who is that revolting man
who keeps bidding against us? -
97:43 - 97:46It's another dealer.
He'll stop soon. I know him. -
97:46 - 97:48Well, it better be soon because...
-
97:56 - 97:57There. We have them.
-
97:57 - 97:59- Well.
- And a very good price. -
98:08 - 98:10Oh, they are a bargain, aren't they?
-
98:10 - 98:12I think they'll go very well
in the library. -
98:12 - 98:15Come to think of it,
I may put them in Philip's room. -
98:15 - 98:19Uh, by the way, uh, how is he?
-
98:19 - 98:21Why? Don't you see him?
-
98:21 - 98:25Oh, he comes home from time to time
to pick up his laundry. -
98:25 - 98:26Oh, I didn't know.
-
98:26 - 98:28My dear, it's perfectly normal.
-
98:28 - 98:29As a matter of fact,
-
98:29 - 98:32I always hoped Philip would fall in love
with an older woman. -
98:32 - 98:35Do you want me to pay you
a commission on those chairs? -
98:35 - 98:38Well, after all, you took the time,
and your time is worth something. -
98:38 - 98:40- Uh, isn't it?
- Oh, please. -
98:40 - 98:42Well, if you insist.
-
98:42 - 98:45Now, do you mind if I ask you
something about Philip? -
98:46 - 98:47Yes, I do.
-
98:47 - 98:49- Your car's here, madam.
- Oh, uh, thank you. -
98:50 - 98:52Can I give you a lift, Paula?
-
98:52 - 98:54- I'm going to....
- Thank you. No, I'd rather walk. -
98:54 - 98:56- Are you sure?
- Yes. Thank you. Goodbye. -
98:56 - 98:58Goodbye.
-
99:01 - 99:05Still, you have learned a certain amount
of French law since you've been here. -
99:06 - 99:08But New York is where you will work.
-
99:08 - 99:10It is where you will live.
-
99:10 - 99:12I've had a long talk with your mother,
-
99:12 - 99:15and we agree that under the circumstances,
-
99:15 - 99:19your career will profit
from your immediate return to New York. -
99:19 - 99:22That's very nice of you,
but I'm not going. -
99:23 - 99:24I'm afraid you have no choice.
-
99:24 - 99:26Oh, yes, I have.
-
99:26 - 99:29Well, you'll have to talk
to your mother about that. -
99:29 - 99:30Alice.
-
99:32 - 99:35Monsieur Fleury, were they to discover
that you have a mistress, -
99:35 - 99:37and I'm sure you have,
-
99:37 - 99:38where would they send you?
-
99:39 - 99:40Goodbye, sir.
-
99:41 - 99:43Goodbye. Goodbye.
-
99:43 - 99:44Goodbye, all.
-
99:53 - 99:55This way, please. That table over there.
-
99:56 - 99:58No, no, no. Not that one. Not tonight.
-
99:58 - 100:00I'm afraid everything is reserved.
-
100:00 - 100:01Well, how about this one?
-
100:01 - 100:02Oh, I'm sorry.
-
100:02 - 100:04No buts. No buts.
Uh, what's your name? -
100:04 - 100:06François. You don't know me,
-
100:06 - 100:08but this is a night
we're both going to remember. -
100:08 - 100:10We'll take this one.
-
100:11 - 100:12You're mad.
-
100:12 - 100:15- You asked for me, Monsieur?
- Yes. Yes. We'd like some flowers. -
100:15 - 100:19No, no, I'd like you to find the most
beautiful bouquet you can for Madame. -
100:23 - 100:26- You're completely mad.
- Absolutely. -
100:26 - 100:28- What is this all about?
- We're celebrating. -
100:28 - 100:29- What?
- My independence. -
100:29 - 100:32My independence of the world.
My dependence on you. -
100:32 - 100:33François.
-
100:34 - 100:37We would like to start
with something just great. -
100:37 - 100:40Followed by the most marvelous dinner
ever served in the history of Maxim's. -
100:40 - 100:43Would you like to start
with some fresh paté de foie gras? -
100:43 - 100:43- No.
- No. -
100:44 - 100:44Caviar.
-
100:46 - 100:47Caviar.
-
100:47 - 100:48With blinis?
-
100:48 - 100:50Yes, and vodka to go with it.
-
100:50 - 100:51Sommelier?
-
100:51 - 100:54Madame, will you dance?
May I have the pleasure of this dance? -
100:54 - 100:56Vodka, the best and lots of it.
-
100:58 - 101:01No, no, no. Champaign, a magnum.
-
101:04 - 101:06Will you please tell me
what this is all about? -
101:07 - 101:10I've quit my job. Or rather,
I've traded it in for Paris. -
101:10 - 101:12You've quit your job?
-
101:12 - 101:13- Yep.
- Why? -
101:13 - 101:15They were going to send me
away to New York. -
101:15 - 101:16Oh, but Philip.
-
101:16 - 101:18No buts, not from you.
Let's have a pact, all right? -
101:18 - 101:20No, Philip, you can't do this.
-
101:20 - 101:22I won't let you do it.
-
101:23 - 101:24It's done.
-
101:33 - 101:35I saw her at Balenciaga.
-
101:37 - 101:43I saw her at Balenciaga in a dress
from Belma and the next day at Givenchy. -
101:43 - 101:44Isn't it funny?
-
101:45 - 101:49Today she was having lunch
with Guy Laroche wearing a Chanel. -
101:54 - 101:55You like it?
-
101:55 - 101:58Roger, what are you thinking?
-
101:58 - 102:00How stupid the world is.
-
102:00 - 102:04- What?
- Nothing. Come on. Let's dance. -
102:32 - 102:33I have a confession to make.
-
102:33 - 102:35- I almost did something terrible.
- What? -
102:35 - 102:39It's a beautiful place between your neck
and your shoulder which I almost bit. -
102:40 - 102:42May I?
-
102:42 - 102:42Oh, Philip!
-
102:42 - 102:45Well, you think about it and let me know.
-
102:52 - 102:55You are very far away tonight, chéri.
-
102:55 - 102:57- Oh, am I?
- Shall we go to the Eléphant Blanc? -
102:57 - 102:59Why? I like it here.
-
103:48 - 103:51Shall we go back?
I think our food is there. -
103:51 - 103:52Okay.
-
104:29 - 104:31Shall we go somewhere else?
-
104:33 - 104:35If you like to.
-
104:40 - 104:42Doesn't really matter.
-
104:58 - 105:01Well, where do we go from here?
-
105:03 - 105:04I don't know.
-
105:06 - 105:08- Good night, Philip.
- Paula. -
105:11 - 105:14Can I see you tomorrow?
-
105:15 - 105:17Yes, of course.
-
105:43 - 105:45Yes. May I help you?
-
105:45 - 105:48Oh, Mr. Desmarets,
I haven't seen you for some time. -
105:48 - 105:50- Yes. Is Paula here?
- Oh, yes. She's... -
105:52 - 105:53She was here a minute ago.
-
105:54 - 105:57Madame Tessier. Madame Tessier.
-
106:04 - 106:07Yes, Mr. Stana. Oh, Roger, hello.
-
106:08 - 106:10Hello, Paula.
-
106:11 - 106:13Paula, I am...
-
106:14 - 106:17- Could we go somewhere?
- Yes, of course. -
106:23 - 106:26Well, I've been making up speeches,
but now I can't... -
106:28 - 106:29Help me.
-
106:33 - 106:36Last night, I wanted to walk across
the room and say, -
106:37 - 106:39"This is enough. Let's go home."
-
106:40 - 106:42And then later I walked and walked and...
-
106:46 - 106:48It can't go on like this.
-
106:56 - 106:58I can't live without you.
-
106:58 - 107:00There. Now I've said it.
-
107:01 - 107:04Why was it such a terrible thing to say?
-
107:05 - 107:07It was all my fault.
-
107:08 - 107:10I shouldn't have let you get involved.
-
107:10 - 107:12I should have stopped you
right at the beginning. -
107:12 - 107:15Oh, my darling, you're not very bright.
-
107:15 - 107:18- I'm not?
- But it doesn't matter. -
107:18 - 107:23I'm home, or whatever it is.
-
107:33 - 107:35There. Sugar?
-
107:37 - 107:41Oh, Philip. Philip, try to understand.
-
107:41 - 107:43We met at the time when you needed me
-
107:43 - 107:47and I needed you and we were very lucky.
-
107:48 - 107:50But it isn't enough
to keep two people together. -
107:50 - 107:52It couldn't last.
-
107:53 - 107:58I kept hoping selfishly
that it would, but it couldn't. -
107:59 - 108:01And all he had to do was say,
-
108:02 - 108:03"Please."
-
108:05 - 108:10Well, I don't know. I suppose
I ought to feel proud in a way. -
108:11 - 108:15If it wasn't for me, you probably
wouldn't be getting married, you know. -
108:15 - 108:18No, I'm kind of a Cupid.
-
108:18 - 108:21Yes, that's what I am. A cupid.
-
108:21 - 108:23Look, Philip, you shouldn't...
-
108:23 - 108:28It's true, isn't it?
I was sort of an interlude. -
108:29 - 108:33Damn it. Damn him. Damn you. Damn us all.
-
108:34 - 108:36Why couldn't you love me?
-
108:37 - 108:40You said it yourself, Philip.
The demon inside of me. -
108:40 - 108:42I can't drive him out.
-
109:16 - 109:17Philip.
-
109:19 - 109:23Philip... I'll never forget.
-
109:24 - 109:25Sure.
-
109:29 - 109:30Me neither.
-
109:38 - 109:41Well, Paula, what am I going to do?
-
109:41 - 109:43What's going to happen to me?
-
109:43 - 109:45Oh, Philip, darling.
-
109:47 - 109:48You'll be going back to New York.
-
109:48 - 109:51You have friends there,
and your life is there. -
109:51 - 109:53Sure. No, you're right. You're right.
-
109:53 - 109:54I'll meet the right girl,
-
109:54 - 109:57get married, live happily ever after.
-
109:59 - 110:02Um, where's... where's my slippers?
-
110:07 - 110:10Where's the other one?
-
110:14 - 110:15Thank you.
-
110:18 - 110:24Well, uh, am am I ever going
to see you again? -
110:25 - 110:27You can if you want to.
-
110:28 - 110:30I don't think we should.
-
110:30 - 110:32No. No, we shouldn't.
-
110:34 - 110:37What the hell am I doing?
-
110:38 - 110:41Will you leave all this stuff
with your concierge, please? -
110:41 - 110:44Yes, I'll get it all together.
-
110:57 - 110:58Philip.
-
110:58 - 110:59Philip.
-
111:00 - 111:01Oh, Philip try to understand.
-
111:02 - 111:07I am old. I am old. I am old. I'm old.
-
111:54 - 111:57Well, it wasn't so bad, was it?
-
111:58 - 112:01You talk as if you just been
to your dentist. -
112:06 - 112:09- Gabby. Gabby.
- Yes, madame. -
112:09 - 112:12Oh, I thought I'd never get here.
Isn't Monsieur home yet? -
112:12 - 112:13No, madame.
-
112:13 - 112:15Oh, would you please
draw me a bath? -
112:16 - 112:17And uh what shall I wear tonight?
-
112:18 - 112:19Let's see.
-
112:20 - 112:22- The black chiffon.
- No, it's too dressy. -
112:22 - 112:24We're just going
to a small bistrot for dinner. -
112:25 - 112:27- This one?
-No, no, that one is... -
112:27 - 112:29- What is that next to it?
- That? -
112:29 - 112:31Yes, that's fine.
-
112:32 - 112:33What a day.
-
112:33 - 112:35The trouble with being an interior decorator
-
112:35 - 112:37is that everyone thinks he knows your job.
-
112:37 - 112:41But nobody ever thinks of telling
a plumber how to fix a sink. -
112:41 - 112:42Oh, Gabby, my zipper.
-
112:43 - 112:45No, no. It's all right. Never mind.
-
112:46 - 112:49But you just start making
a curtain and everybody will... -
112:49 - 112:50Gabby.
-
112:50 - 112:52- Did Monsieur call?
- No, Madame. -
112:54 - 112:55Not too hot, Gabby.
-
112:55 - 112:57I think we'll eat in
tomorrow night, Gabby. -
112:57 - 112:59Let's get a good steak for Monsieur.
-
112:59 - 113:00No, we had that on Monday.
-
113:00 - 113:02Well, let's get some lamb chops
-
113:02 - 113:05and tell Madame Frojus to make
me one of her beautiful... -
113:05 - 113:07Oh, I'll take it, Gaby.
-
113:09 - 113:10Hello.
-
113:10 - 113:12Oh, Roger, where are you?
-
113:19 - 113:21Yes, I suppose, if you have to.
-
113:22 - 113:24Yes, I understand.
-
113:24 - 113:25What?
-
113:26 - 113:29Oh, I'll probably have something
to eat and go to bed. -
113:30 - 113:31All right.
-
113:33 - 113:34Goodbye.
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