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Goodbye Again (1961) Ingrid Bergman, Anthony Perkins & Yves Montand

  • 2:24 - 2:27
    - Here it is. Thanks.
    - Thank you Madam.
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    - Good evening, Mrs. Tessier.
    - Hello. Is Gaby at my house?
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    Yes yes. She can go up.
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    Gaby!
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    - Gaby, I'm late. Did you call?
    - No, madam.
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    It was not possible to catch a taxi.
    Is the dress ready?
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    - Oui, madam.
    - Be good and draw me a bath.
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    Not too hot.
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    Oh, my zipper!
    Never go to... No, that's fine.
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    Oh, Gabby. Where did you put mine...?
    No, forget it, I already found it.
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    Tonight I will take the jacket.
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    - Did you sew the dress belt?
    - Oui, madam.
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    I didn't listen, madam. Yes ma'am. You
    You have to learn my language.
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    Oui...
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    Yes, ma'am.
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    Serve you. Say no
    I am, I just left.
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    Al ?
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    - Yes, sir. Oui, monsieur.
    - Okay, I'll answer!
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    - One moment please.
    - Take care of the water, Gaby.
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    Roger, darling...
    I'm sorry, but I'm going to be late.
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    Paris traffic this
    moment is really...
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    What?
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    Can't you? Oh no,
    Roger, not again.
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    I know it's work, but...
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    is that tonight
    It's very special.
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    It's our fifth anniversary.
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    From what? From the night when
    We found.
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    No, no, I understand.
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    Yes, tomorrow is great.
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    Goodnight darling.
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    Goodnight.
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    Men do a lot of good
    work meetings.
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    Yes, very good.
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    If I were you
    gave him an ultimatum.
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    What kind of ultimatum?
    Are we married? Because otherwise...
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    I already told you that we don't want
    to marry. He doesn't want to.
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    We've both been married, you
    he knows. And we learned the same thing.
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    People should be together
    because they want to, not because they have to.
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    - Freedom is something precious.
    - For him, not for you.
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    - Gaby!
    - He goes out with other girls.
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    - Yes.
    - You don't go out with other men.
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    I don't want to.
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    What freedom.
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    You care too much about me.
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    Mom says when
    if you're young it doesn't matter,
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    but when
    grows old, must get married.
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    - Gaby... So I'm old now?
    - No!...
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    But it's very lonely.
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    I'm sorry about last night.
    - It was a terrible week.
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    - Yes, I know, Roger.
    - I have an agreement in Ghana.
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    I keep trying to close in
    Denmark but the Dutch failed.
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    And there are no transfers from America
    for the strike. This is not fun at all.
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    No.
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    I should leave everything and live in the country
    in a cabin by the river?
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    You wouldn't know what
    do with yourself.
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    Couldn't live without your
    trucks, nor their tractors
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    or your life in the city with
    your nights in Paris...
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    But lately it's been
    driving too fast.
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    I know. This is a sign of what?
    Am I trying to look young?
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    You will never be old.
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    I adore you. You understand everything I say,
    answers all my questions.
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    - Yes, I am remarkable.
    - You are.
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    How many times have
    will I have done this?
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    Turn on the radio while you take me
    home after dinner.
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    Paula.
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    I'm being very
    selfish with you?
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    No, Roger.
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    It's just that sometimes I feel alone.
    I'm not that young
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    I miss you. But I know how much
    means your work to you.
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    - And do you know how much you mean to me?
    - I think so.
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    Oh, I forgot. Today
    I had lunch with Jacques Bunnell.
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    He has a friend who needs a
    decorator for the new apartment.
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    The name and address.
    He must go and see her tomorrow.
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    - Thanks.
    - It looks like there's money there.
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    He would come to me at a good time.
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    Well, good night.
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    I'll let you sleep.
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    Goodnight.
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    Goodnight.
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    - Listen, I...
    - What there was?
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    We were looking for you.
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    You like small things,
    Do you like nonsense?
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    Because if you like it, so do I.
    Good morning, Suzanne!
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    Good morning, Mr. Philip.
    Do you like walking?
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    So I like...
    to go for a walk.
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    Good morning.
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    - Good morning.
    - I'm Philip Van der Besh.
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    - Did you come to see my mother?
    - Yes.
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    - Don't you want to sit down?
    - I hope it's not too early.
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    Oh, no. It's already up.
    Is it through the apartment?
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    Yes.
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    It will do you good
    small tidying.
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    Well, I wonder where
    They sit when there are more than three.
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    I don't know. I work all day, and when
    When I arrive I go straight to bed.
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    - You must work a lot.
    - Yes, indeed. I'm a lawyer.
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    I never go to bed before midnight.
    And I get up before dawn.
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    Now it's almost 11am.
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    Yes well...
    Well, it's very rare...
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    My most important client
    He was guillotined today.
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    Guillotined! My
    God! Is he dead?
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    No, the truth is that I don't work
    very. Cigarette? Yes, thank you.
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    Where is...?
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    Thanks.
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    - Is it still raining?
    - No.
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    It's not raining anymore.
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    Well, there's not much to say, right?
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    I don't know her. If I knew, I would say
    I was delighted to see it again.
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    - Why?
    - I don't know. Just because.
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    - Suzanne, is Mr. Philip gone?
    - Quickly, Mommy. When were you born?
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    - Philip.
    - Yes, mom.
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    Oh, there it is. She should leave the house first
    11am from time to time.
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    Yes, mom, I'm going. I don't understand
    how Mr. Fleury supports it.
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    Oh, it's easy, you're his richest client.
    Goodbye. I hope to see you again.
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    Good luck.
    Excuse me, did you want to see me?
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    Mr. Bunnell asked me to come
    see her this morning. Jacques Bunnell.
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    - He said he spoke to you...
    - Oh yes. You are the decorator.
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    He spoke very highly of you.
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    Before anything else, there is
    something I want to make clear.
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    If there's anything I can't stand, it's
    people who try to take advantage...
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    Suzanne!
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    Suzanne!
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    You have to call thousands of
    times. Don't get me wrong.
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    I want the apartment to look good,
    but there are many ways to do it.
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    - There was a young man...
    - Madam?
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    - What?
    - Did you call me, madam?
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    What? Ah yes yes.
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    Suzanne, I already told you not to
    leave the windows open.
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    - Don't leave the windows open?
    - Oui, madam
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    - Well, remember.
    - Oui, madam.
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    You won't remember. They say that the
    servants are cheaper here.
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    But they make me nervous.
    What was I saying?
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    That there was a young man...
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    A youngster? Ah yes, the decorator.
    Well, it didn't last long.
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    I met Robbers in my time...
    Sit down, darling.
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    But he was a shameless thief.
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    - When were you born?
    - I'm sorry?
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    When were you born?
    Oh, you don't need to say the year.
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    I would never ask that.
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    - The month.
    - In June.
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    - What day in June?
    - 13.
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    Oh, twins. How interesting.
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    I suppose you don't remember
    so cool. No, no, I'm afraid not...
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    Oh, what a shame.
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    Well, we take care of the floor
    lower in Louis XV style?
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    It will cost a little more. If you want
    maintain the furniture you own.
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    Certainly. Come,
    I'll show you the house.
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    These things have already filled the space.
    It's time for them to pay their way.
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    My son studies law
    International and we travel a lot.
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    But now let's spend some time
    in Paris. Do you know Philip?
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    You have to know him.
    It's a charm. Yes...
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    And he's a brilliant boy, but not
    I understand what's going through your head.
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    - This is the dining room.
    - Yes.
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    - I'm sorry about your arm.
    - Arm? What arm?
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    What makes it so...
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    Yes? I hadn't noticed.
    I'll have to look into that.
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    As for the living room
    to have lunch. I believe that here...
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    - Taxi! -
    Can I take it?
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    Haven't you been here all this time?
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    No. She had things to do.
    But she passed by here.
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    I'm going to the Boulevard
    Haussmann. Great.
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    - He is sure?
    - Yes.
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    It's an art to get in here.
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    - All good?
    - It's nothing. It happens.
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    Am I too fast?
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    No, I'm used to it. I have a friend who
    drive like that. He says it helps him stay young.
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    - Does he want to be young?
    - Yes.
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    I don't. I think he was born under the sign
    Suitable for apartment decoration.
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    - I hope so.
    - Do you believe in the stars?
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    No. Your mother seems
    be governed by them.
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    This is convenient. If the stars rule you,
    You don't need to take responsibility.
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    Do they seem strange to you?
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    Yes, in a sense.
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    But I'm not that much. I'm acting.
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    It seems like a family thing.
    How's your arm?
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    Good.
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    Make mom pay in advance. She is rich
    and stingy, she doesn't like paying bills.
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    I shouldn't talk
    like your mother.
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    I say what I want, I'm not
    child. How old is?
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    25.
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    And you?
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    40.
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    What's the fun?
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    - The whistle of admiration.
    - It's more admiration than you think.
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    Thanks.
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    - Do you want to have lunch with me one day?
    - No.
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    So, without further ado? No?
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    So, without further ado.
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    Sorry. I didn't mean to be rude. But
    I have a lot of work to go out for lunch.
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    - And now with your mother's house...
    - I understand.
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    - Here, on the right, please.
    - Right.
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    - Well, thank you very much.
    - It was nothing.
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    Well, goodbye.
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    - Good morning.
    - Good morning, Mr. Van der Besh.
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    - Good morning, Mr. Philip.
    - Good morning, Helene.
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    - Good morning, Alice.
    - Good morning.
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    He called three times.
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    - Why?
    - How will I know?
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    It must be the Guillaut report.
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    - I gave it yesterday.
    - So that's why.
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    - What...? What it was? Are you injured?
    - No, I'm fine.
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    Well well. Let me go. No.
    You and your jokes.
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    This is serious!
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    Alice. I met someone this morning.
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    I know... The girl
    most beautiful in the world.
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    No, a woman.
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    Warm, charming, happy...
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    And yet sad. There was one
    deep sadness in his eyes.
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    Why?
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    - I don't know.
    - Your husband?
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    - What a husband?
    - Aren't you married?
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    - How will I know?
    - Don't you think you should find out?
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    - But what difference does it make?
    -Ah, sorry.
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    If so, it should not be
    a good marriage. Not happy.
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    No, she could only
    be happy with you. Exactly.
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    - Yes?
    - Mr Van der Besh.
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    Ah, good morning, sir. No, they are...
    six... six tens. Thanks.
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    - Pardon me. - I expect
    let you know what time it is.
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    Yes yes. Oh God. I am really sorry.
    I entertained myself at home.
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    In the morning, my mother
    I wasn't well.
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    I just called her 5 minutes ago,
    and seemed to be in perfect health.
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    Yes, well... it's much better already.
    Thanks. Thanks for asking.
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    I read the Guillaut report.
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    There is no need to talk about the
    consideration I feel for your family.
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    And you know I accepted it
    right in my office.
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    Yes.
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    But he doesn't seem to have ambition. No
    shows a desire to work. Why?
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    This is not a report.
    Does not make any citations,
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    nor does it present any
    law that supports the case.
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    What do you think you were doing?
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    - I don't know.
    - Don't you mind?
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    - Yes.
    - And then?
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    I don't know what I'm doing.
    Studying French legislation, I hope.
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    No. I mean what I'm doing,
    to prove that I'm alive.
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    Are you trying to be funny?
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    No.
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    I want to know... how you live.
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    For example, I just realized
    that I never fell in love.
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    Well, I have. Redo
    this report.
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    What is your name?
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    I don't know.
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    - Two whiskeys, please.
    - Yes, Claude.
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    You look beautiful tonight.
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    He always tells me that when I put it on
    this dress. It's not the dress.
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    - How are you, Roger?
    - Well thanks.
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    - How did you find out about this place?
    - I don't know.
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    I come here with people
    of business. Hello.
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    - Goodnight.
    - He seems to know everyone.
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    No, it was just one of those
    nights. That's all. Goodnight.
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    - They look very young, don't they?
    - Young people? I don't think so.
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    What do you say about him?
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    No, but try to be.
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    Waiter. I'm afraid I have to leave
    earlier tonight.
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    Didn't I tell you?
    I got the job.
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    Yes. That card you
    gave me, by Jacques Bunnell.
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    - Oh, did you go?
    - This morning. His name is Van der Besh.
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    She is a rich woman who travels
    the world, but they give you the feeling of...
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    Hello.
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    Hello. How curious.
    He is her son.
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    - Mr Van der Besh, Mr Desmarest.
    - Goodnight.
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    - I knew I would find her.
    - Were you looking for me?
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    - Yes.
    - Great.
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    I looked everywhere
    and it was here the whole time.
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    Not everywhere.
    We went to dinner in Berkeley.
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    I started to wonder if
    Was it real or just a dream.
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    Waiter, waiter. Two
    Whiskeys, please.
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    This place is
    becoming very popular.
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    Are you married?
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    I hoped it wouldn't be.
  • 20:51 - 20:52
    Check it out!
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    Oh, I'm sorry, sir. I think
    who said something he shouldn't have.
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    Hey!
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    Would you like a coffee?
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    No, I hate coffee.
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    I'll take one of these...
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    to lighten up the monotony.
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    It won't change much. I'll be right back.
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    This is a real man.
    Strong, confident, self-assured.
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    Nothing is that simple.
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    Do you love him?
  • 21:32 - 21:33
    That's none of your business.
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    Oh, sorry.
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    Funny, I didn't do anything else in
    all day besides apologizing.
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    Claude, Claude, three whiskeys,
    please. Yes, Mr. Desmarest.
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    Hello.
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    Why, hello.
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    What a small world.
    Full of delicious surprises.
  • 21:53 - 21:58
    - I'm afraid I don't remember where...
    - Honey, do you have my lighter?
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    Oh, darling,
    remember...? Mr. Cherel, Mr....
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    -Desmarest. Roger Desmarest.
    - Oh yeah.
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    - Goodnight.
    - Here you go, Mr. Desmarest.
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    Thank you, Claude.
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    I'm glad I saw you.
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    - See you later.
    - Goodnight.
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    I realized I don't know your name.
  • 22:17 - 22:18
    Well, here we are.
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    Sir,
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    sorry if I said something...
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    We all drink too much
    at any moment. Do you want to dance, dear?
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    I would love. Excuse me.
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    Do you mind?
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    Thanks.
  • 22:37 - 22:41
    - We'll be back, don't worry.
    - Let's go to Regina's. Want to come?
  • 22:41 - 22:42
    Come, Philip.
  • 22:44 - 22:47
    - A strange boy.
    - It's not strange.
  • 22:47 - 22:49
    Just very young and a little drunk.
  • 22:51 - 22:55
    I looked for her all over Paris and began to
    ask myself if it was real or just a dream.
  • 22:56 - 22:58
    Congratulations, Paula.
  • 22:59 - 23:01
    It's just a boy
    and terribly insecure.
  • 23:02 - 23:06
    Insecure? A young man looking for you
    all over Paris, take your hand
  • 23:06 - 23:10
    and asks if she is married?
    It's not my idea of ​​insecurity.
  • 23:10 - 23:14
    Well, it's been a long time since anyone
    he goes all over Paris looking for me.
  • 23:14 - 23:18
    - And you like it, don't you?
    - Of course.
  • 23:19 - 23:20
    Oh, he's gone.
  • 23:24 - 23:26
    Great, now I can
    finish my drink.
  • 23:27 - 23:28
    Excuse me.
  • 23:28 - 23:30
    Pardon me.
  • 23:32 - 23:33
    Excuse me.
  • 23:34 - 23:38
    Roger, I have to go. Otherwise,
    Tomorrow it will look like I'm 100 years old.
  • 23:38 - 23:40
    Come on, I was starting to like this.
  • 23:58 - 24:01
    Paula, he's going to break the window.
  • 24:25 - 24:27
    - Honey, please take him.
    - Right. Come come.
  • 24:27 - 24:31
    - I am fine. No, no, I'm fine.
    - Yes, whatever you say.
  • 24:31 - 24:33
    - I am fine.
    - Look for the key.
  • 24:33 - 24:34
    - I have my key.
    - Where is it?
  • 24:37 - 24:40
    - I won't tell you.
    - Oh, please.
  • 24:40 - 24:44
    Do you know that your little Van der
    Besh starts to bore me? Yes.
  • 24:44 - 24:47
    - Who is this?
    - Here it is.
  • 24:48 - 24:50
    - My keys.
    - Can you alone?
  • 24:51 - 24:52
    Of course.
  • 24:55 - 24:56
    Goodnight.
  • 24:58 - 24:59
    One moment!
  • 25:02 - 25:03
    Goodnight.
  • 25:06 - 25:08
    - All good.
    - Goodnight.
  • 25:08 - 25:10
    - Goodnight.
    - In other words, good night.
  • 25:13 - 25:14
    Roger!
  • 25:34 - 25:39
    - I'm sorry it was bad.
    - No, it was very funny.
  • 25:41 - 25:44
    - Well, good night, dear.
    - Can I come up for a drink?
  • 25:48 - 25:50
    One moment.
  • 26:17 - 26:20
    No, this is to cover a
    chair for Margo Glenville.
  • 26:20 - 26:24
    Margo Glenville can go to...
    I want it and I will have it. Then it's decided.
  • 26:25 - 26:30
    I have to go. Will it be my package?
    Here. But it won't be okay with your ardor.
  • 26:30 - 26:31
    Nothing will last.
  • 26:32 - 26:36
    - Am I coming tomorrow?
    - Yes, some dresses will arrive.
  • 26:36 - 26:38
    I came around 6am.
  • 26:39 - 26:40
    Bye my Love.
  • 26:42 - 26:44
    Hello.
  • 26:44 - 26:47
    - I came to apologize.
    - No need.
  • 26:48 - 26:51
    And please be thankful
    to your husband.
  • 26:52 - 26:56
    How's your head? I will survive.
    I'm not sure I want it.
  • 26:57 - 27:00
    Seems a bit...
    She should get some sleep.
  • 27:00 - 27:03
    - The fact is that I'm hungry.
    - Then eat.
  • 27:03 - 27:07
    That's why I came. I know you are
    busy, but would you eat with me?
  • 27:07 - 27:10
    - To compensate.
    - No need.
  • 27:10 - 27:11
    But I want.
  • 27:12 - 27:15
    What do you have in store for you?
    stars today? Did your mother say?
  • 27:15 - 27:16
    Yes.
  • 27:17 - 27:21
    I need to persevere in what I do,
    no matter how useless it seems.
  • 27:22 - 27:23
    He's acting again.
  • 27:24 - 27:25
    Please.
  • 27:27 - 27:31
    It's a beautiful day. We can have lunch
    in the field. I have a car.
  • 27:32 - 27:35
    Or in Bois. If you stay
    If you're bored, you can call a taxi.
  • 27:35 - 27:37
    Think about everything.
  • 27:48 - 27:52
    Ah, another sock. I think your
    girlfriends wear pants.
  • 27:53 - 27:56
    - I don't have any girlfriend.
    - Why not?
  • 27:56 - 27:57
    I don't know.
  • 28:04 - 28:09
    Try to think. When did this start
    your general abandonment?
  • 28:09 - 28:13
    Well, I've met many
    girls, but it never lasted.
  • 28:13 - 28:16
    I think it's mine
    fault. They are so young...
  • 28:16 - 28:20
    - What's wrong?
    - I don't know. It must be me.
  • 28:20 - 28:22
    For example, the last...
  • 28:22 - 28:26
    She was beautiful, and just like the
    older people imagine they are young people.
  • 28:26 - 28:29
    And how do you imagine
    older are the young?
  • 28:29 - 28:33
    You know. They try to appear
    wickedly decadent.
  • 28:33 - 28:37
    They run in their carts at full speed
    speed, with teeth clenched.
  • 28:37 - 28:40
    And light a cigarette when
    open your eyes in the morning.
  • 28:40 - 28:42
    And she kept telling me
  • 28:43 - 28:47
    that love was nothing more than
    than the contact of two skins.
  • 28:47 - 28:50
    - And you?
    - I think love is more than that.
  • 28:51 - 28:53
    She cried when I left her.
  • 28:54 - 28:59
    I'm not proud of that. I hate the end
    of things, the goodbyes, the goodbyes.
  • 29:00 - 29:02
    Then you shouldn't
    never fall in love.
  • 29:03 - 29:04
    True?
  • 29:05 - 29:07
    I hope not.
  • 29:08 - 29:10
    Do you love your husband?
  • 29:11 - 29:12
    I don't have a husband.
  • 29:17 - 29:20
    Here it is, sir, a dry double.
  • 29:21 - 29:24
    Thanks. After last night
    should drink water.
  • 29:24 - 29:28
    - I feel good. Give me courage.
    - Did I intimidate you?
  • 29:29 - 29:34
    No, but I'm afraid you'll get bored. You can
    to think I'm one of those spoiled young men
  • 29:34 - 29:37
    who find a pleasant job
    that your parents can afford
  • 29:37 - 29:40
    and that's what they're busy with
    trying to keep busy.
  • 29:40 - 29:44
    - Is that what you think of yourself?
    - No. I like my job.
  • 29:44 - 29:46
    Doesn't sound very enthusiastic.
  • 29:46 - 29:51
    Business Law? Nothing is more
    boring. But Criminal Law...
  • 29:51 - 29:53
    Why don't you dedicate yourself to this one?
  • 29:54 - 29:58
    In my family, we don't practice
    Criminal Law. That doesn't happen.
  • 29:59 - 30:02
    Have you ever seen anyone
    murder trial?
  • 30:02 - 30:06
    It's wonderful. In each country it is different, and
    equally exciting in its own way.
  • 30:06 - 30:11
    In America, it's Why did you lie?
    I didn't lie. I had the gun in my hand. "Protest."
  • 30:11 - 30:14
    Bullshit, O'Toole,
    you threatened to kill him.
  • 30:14 - 30:19
    It wasn't me. I was trapped.
    I protest . I accept . Excellence .
  • 30:22 - 30:24
    In France it's different.
  • 30:24 - 30:29
    The French have logic,
    sophistry and sense of drama.
  • 30:29 - 30:31
    I accuse...
    Forgiveness.
  • 30:33 - 30:37
    I accuse in the name of the dead, of running away
    of his duty as a human being.
  • 30:39 - 30:43
    The accusation of letting love pass by,
    of neglecting your duty to be happy,
  • 30:43 - 30:46
    living on the run, in
    subterfuge and resignation.
  • 30:48 - 30:52
    He should be sentenced to death.
    You will be condemned to solitude.
  • 30:54 - 30:57
    - A horrible sentence.
    - The worst.
  • 30:57 - 31:02
    The worst and scariest.
    Being alone, without love, right?
  • 31:04 - 31:05
    Yes.
  • 31:09 - 31:13
    I must seem more ridiculous to you
    than last night.
  • 31:13 - 31:15
    - No.
    - Or do you think I'm acting...?
  • 31:15 - 31:18
    No, I was thinking about myself.
  • 31:18 - 31:22
    But I also thought she was young
    too much to feel these things.
  • 31:22 - 31:27
    - Alone and without love.
    - Don't you know?
  • 31:27 - 31:28
    No.
  • 31:29 - 31:31
    Either way, it takes two.
  • 31:31 - 31:36
    It's not enough to love,
    You need to be loved.
  • 31:39 - 31:42
    - Looks sad.
    - No, I'm not.
  • 31:44 - 31:46
    I would like to...
  • 31:47 - 31:49
    I would like to...
  • 31:52 - 31:53
    I don't really know her,
  • 31:54 - 31:57
    but I would like
    believe that you are happy.
  • 32:05 - 32:06
    Here's good.
  • 32:11 - 32:13
    Well, thanks for the meal.
    Goodbye.
  • 32:14 - 32:16
    - Where are you going?
    - Make some calls.
  • 32:16 - 32:19
    Can I go with you? No. I am
    very good. Thanks again.
  • 32:19 - 32:22
    - Can't I accompany you?
    - No. Goodbye.
  • 32:29 - 32:30
    Hello.
  • 32:31 - 32:36
    I thought I could take your
    packages. Or accompany her to the store.
  • 32:36 - 32:38
    Please don't get tired
    of me. I couldn't bear it.
  • 32:38 - 32:42
    You really are a boy. Must have
    I was very spoiled as a child.
  • 32:42 - 32:45
    Oh yes. My mother gave me everything.
    It was easier than saying no.
  • 32:45 - 32:49
    - And your father?
    - We left him when I was 7 years old.
  • 32:49 - 32:52
    Since then we have been traveling, my mother
    and me. Your home is where your heart is.
  • 32:52 - 32:56
    - And it broadens your mind to travel.
    - You're right.
  • 32:56 - 33:00
    I have a lot of useless information,
    I made thousands of acquaintances...
  • 33:00 - 33:03
    without the weight of friendship.
    I've been to 27 different schools
  • 33:03 - 33:07
    and I can say "I love you"
    in 13 different languages.
  • 33:07 - 33:10
    - It's not bad. Good...
    - That's my favorite.
  • 33:10 - 33:14
    - Yes, I love you in Norwegian.
    - Was it a Norwegian who taught you?
  • 33:14 - 33:19
    Yes, this is the syllable that
    but it adds emotion.
  • 33:20 - 33:24
    - Well, we're here. Goodbye.
    - Wait, wait a minute.
  • 33:24 - 33:25
    Yes?
  • 33:27 - 33:30
    - Do you like Brahms?
    - What?
  • 33:30 - 33:34
    There will be a good concert,
    Sunday, at Salle Pleyel.
  • 33:35 - 33:36
    Brahms. Do you like Brahms?
  • 33:37 - 33:40
    What it was? The last time I
    They asked that when I was 17 years old.
  • 33:40 - 33:43
    - And what did you say?
    - Yes. She was in love.
  • 33:43 - 33:47
    We went to the concert and sat in the
    stage holding hands, listening to... Brahms?
  • 33:47 - 33:50
    Well, I don't have
    sure, but it was beautiful.
  • 33:50 - 33:53
    - So you like it.
    - I don't know. It was a long time ago.
  • 33:53 - 33:55
    Don't you want to come with me
    to find out?
  • 33:55 - 33:59
    This weekend I have plans.
    I'm trying to let myself be free.
  • 34:00 - 34:03
    It will be because of... the man with
    Who was there last night?
  • 34:04 - 34:06
    - Yes.
    - Is it permanent?
  • 34:06 - 34:08
    Yes bye.
    Thanks again.
  • 34:21 - 34:22
    How funny.
  • 34:22 - 34:25
    What? Men always
    smoke afterwards.
  • 34:25 - 34:29
    - Oh, huh? I never noticed.
    - Yes, they always smoke.
  • 34:29 - 34:30
    - Can I have one?
    - Yes.
  • 34:31 - 34:36
    Maisie, you know a lot of interesting things,
    Why do you insist on calling me Maisie?
  • 34:36 - 34:39
    I have a bad memory with names.
    It makes life easier.
  • 34:40 - 34:42
    - Do you call all your girls Maisie?
    - Yes.
  • 34:44 - 34:48
    It looks very nice.
    Which Maisie am I? Maisie number 7?
  • 34:48 - 34:50
    Maisie is 27?
  • 34:51 - 34:53
    Maisie number 127?
  • 34:54 - 34:55
    Maisie #1.
  • 34:55 - 34:59
    Oh, how gallant. A little more
    Champagne, please.
  • 35:01 - 35:05
    I was happy that you had
    Went to the cocktail party this afternoon.
  • 35:05 - 35:10
    Me too. But I don't know why
    chose among so many handsome men.
  • 35:10 - 35:12
    They are nothing more than children.
    They talk and talk.
  • 35:12 - 35:15
    They just like to talk.
  • 35:16 - 35:17
    But you...
  • 35:18 - 35:22
    The moment I saw you I knew
    what you had in mind.
  • 35:22 - 35:27
    Don't laugh. It's very rare lately.
    Ask any girl.
  • 35:27 - 35:31
    How did you get rid of Cherel?
    Oh, poor Andrew.
  • 35:32 - 35:36
    It's fun in the cinema, but if
    If you knew how boring it is...
  • 35:37 - 35:40
    I'll never know.
    Don't worry about him.
  • 35:40 - 35:41
    Rogers,
  • 35:41 - 35:46
    Let's go out at the weekend. You will certainly
    know beautiful places near Paris.
  • 35:46 - 35:48
    You're free, aren't you?
  • 35:50 - 35:55
    Someone told me that
    was committed. Is it true?
  • 35:56 - 35:58
    No, no. I am free.
  • 36:02 - 36:03
    Yes dear.
  • 36:04 - 36:08
    Yes. I was waiting to see what you
    I wanted to do it this weekend.
  • 36:10 - 36:11
    What?
  • 36:14 - 36:18
    I'm sorry, honey. But I can only
    take care of this business on the weekend.
  • 36:18 - 36:21
    The man is in Brussels
    and I have to go see him.
  • 36:21 - 36:25
    It could mean a sale of
    75 tractors. Yes I understand.
  • 36:26 - 36:27
    Of course.
  • 36:28 - 36:30
    Oh, I don't know.
  • 36:30 - 36:35
    I'm going to the cinema, I think. Yes, I know that
    There's a bridge game on Saturday.
  • 36:36 - 36:37
    Who?
  • 36:37 - 36:42
    No, I'm not calling Jimmy. Per
    What are you going to fix for me soon?
  • 36:42 - 36:45
    Roger, stop trying
    solve my weekend.
  • 36:46 - 36:49
    If you feel bad because
    I will, I will try to go back.
  • 36:49 - 36:54
    Don't be silly, obviously
    you have to go. And I'm going to work.
  • 36:54 - 36:58
    One of my clients asked me
    and I said no, but now...
  • 36:58 - 37:00
    Yes, we will work both.
  • 37:01 - 37:06
    Honey, when are you coming back? See well,
    I will be here. And drive carefully.
  • 37:07 - 37:09
    Yes, I will, darling.
  • 37:33 - 37:34
    Goodbye.
  • 37:36 - 37:37
    Hello.
  • 37:43 - 37:45
    I'm sorry, darling, I'm
    late, but you know how it is.
  • 37:56 - 38:01
    How much? What it was? Circulate, circulate.
    Now. C'mon C'mon.
  • 38:07 - 38:08
    12,000 francs.
  • 38:09 - 38:12
    Oh my God! It costs 24 per meter.
  • 38:13 - 38:13
    Yes.
  • 38:13 - 38:18
    Today I feel terrible.
    How much does this one cost?
  • 38:19 - 38:21
    This is 14,000.
  • 38:23 - 38:24
    I'll keep this one.
  • 38:25 - 38:28
    - All good.
    - There's nothing wrong, right?
  • 38:28 - 38:31
    - No, it's a very beautiful color.
    - You have great taste.
  • 38:31 - 38:34
    It has done wonders
    soon.
  • 38:35 - 38:37
    - Oh thank you.
    - Well, I can tell you that too.
  • 38:37 - 38:40
    I'm planning one
    dinner for the 19th.
  • 38:40 - 38:42
    It's on Friday next week.
  • 38:42 - 38:45
    - I probably won't be able to...
    - I'm sorry, but I've already sent the invitations.
  • 38:45 - 38:49
    - I'll do what I can.
    - And you have to come, naturally.
  • 38:49 - 38:52
    Thanks. Now look at these
    fabrics, Mrs. Van der Besh.
  • 38:53 - 38:54
    Sorry,
  • 38:55 - 38:57
    call me Teresa.
  • 38:57 - 39:00
    I chose this for your room
    and this one for your son's.
  • 39:00 - 39:04
    In fact, I sent
    an invitation to your friend.
  • 39:06 - 39:10
    Roger Desmarest.
    It's called that, right?
  • 39:12 - 39:16
    Honey, Paris is like a village.
  • 39:16 - 39:20
    Everyone knows about other people's lives.
    Do you want some tea?
  • 39:20 - 39:23
    No, thank you. But I would like
    look at these fabrics.
  • 39:23 - 39:27
    Oh, Paula. I couldn't
    look at nothing else today.
  • 39:27 - 39:30
    I trust you. But
    don't spend a lot of money.
  • 39:30 - 39:32
    - Madam. - Bring us one
    tea please, Suzanne.
  • 39:33 - 39:35
    - Oui, madam.
    - I thought of this for your son.
  • 39:35 - 39:39
    I don't know what you like
    Philip. Impossible.
  • 39:39 - 39:42
    It's not that difficult. Honey, it's impossible.
    He's almost a manic depressive.
  • 39:42 - 39:47
    Love the world, hate the
    world. Just like your father.
  • 39:48 - 39:50
    Do you know he drinks?
  • 39:51 - 39:54
    His father also drank,
    but it was charming...
  • 39:55 - 39:58
    Ah, there you are, darling.
    We were talking about you.
  • 39:59 - 40:03
    - How lucky. Hello.
    - Hello. I gotta go.
  • 40:03 - 40:07
    - Not without drinking tea.
    - Thank you, but I have things to do.
  • 40:07 - 40:11
    - I'll call on Friday.
    - Goodbye dear. Don't forget the 19th.
  • 40:11 - 40:14
    No. Goodbye.
  • 40:15 - 40:16
    I accompany her.
  • 40:20 - 40:22
    - What it was?
    - Anything.
  • 40:22 - 40:24
    - Something wrong?
    - No.
  • 40:24 - 40:26
    No, can I go down with you?
  • 40:33 - 40:36
    - I didn't expect
    see her today. - No.
  • 40:36 - 40:39
    - What happened to your weekend?
    - Roger went on a business trip.
  • 40:39 - 40:40
    I understand.
  • 40:53 - 40:55
    - Goodbye.
    - Goodbye.
  • 41:00 - 41:01
    The switch is behind you.
  • 41:10 - 41:11
    Move away.
  • 41:15 - 41:17
    Stay away, you're bothering me.
  • 41:23 - 41:24
    Philip,
  • 41:26 - 41:27
    please let me go.
  • 41:42 - 41:42
    Gaby.
  • 41:43 - 41:45
    - Oui, madam. I'm coming.
  • 41:47 - 41:49
    Good morning, Madame.
    - I love you every day,
  • 41:50 - 41:54
    - but especially on Sundays.
    - I could bring breakfast every day.
  • 41:54 - 41:56
    Very tempting, Gaby.
  • 41:56 - 41:59
    No strawberry jam left?
    What a shame. Well, I'll buy it tomorrow.
  • 42:00 - 42:02
    - There's a message for you.
    - Where?
  • 42:02 - 42:06
    He went to the phone. Too early.
    He said he didn't want to bother.
  • 42:07 - 42:09
    - Mr. Roger?
    - No, another man.
  • 42:09 - 42:13
    He didn't leave his name, but he made me
    repeat the message a thousand times.
  • 42:13 - 42:14
    See how?
  • 42:14 - 42:18
    And what is the message?
    I'm sorry about yesterday.
  • 42:19 - 42:20
    Do you like Brahms?
  • 42:22 - 42:23
    Did you understand?
  • 42:24 - 42:25
    Yes.
  • 42:26 - 42:29
    - Yes I understood.
    - But what are Brahms?
  • 42:30 - 42:31
    Look over there.
  • 42:33 - 42:35
    The second above.
  • 42:37 - 42:39
    Yes, that's it. Put it on.
  • 42:40 - 42:42
    Right. The first button.
  • 42:48 - 42:50
    That's Brahms.
  • 42:57 - 42:58
    It's better to get dressed.
  • 42:59 - 43:00
    Is it necessary?
    Yes.
  • 43:01 - 43:04
    - What time is it?
    - Almost 5:30am.
  • 43:04 - 43:07
    Why don't we stay here
    tonight and let's go tomorrow? No.
  • 43:08 - 43:09
    Why not?
  • 43:09 - 43:12
    - I have to be in Paris tonight.
    - Why?
  • 43:13 - 43:16
    - It's none of your business.
    - I'm not going.
  • 43:17 - 43:19
    - What?
    - I'm not going.
  • 43:22 - 43:23
    Maisie.
  • 43:24 - 43:25
    -Maisie.
    -No.
  • 43:26 - 43:29
    - Come on, Maisie.
    - I want to stay here.
  • 43:29 - 43:30
    - Enough, Maisie.
    - No.
  • 43:30 - 43:33
    - Please.
    - I want to stay.
  • 43:33 - 43:34
    He arrives! Maisie!
  • 43:52 - 43:55
    - Hello.
    - Hello.
  • 43:55 - 43:58
    I'm glad you like Brahms.
    I don't know if I really like it.
  • 43:58 - 44:01
    Anyway, it's here.
  • 44:12 - 44:14
    I can look, right?
  • 46:09 - 46:10
    Sorry.
  • 46:24 - 46:26
    - The dry martini.
    - Yes.
  • 46:28 - 46:29
    How much is everything?
  • 46:31 - 46:32
    Nine francs.
  • 46:33 - 46:35
    Thanks. Thanks.
  • 46:38 - 46:41
    There is no difference. He said
    especially extra-dry.
  • 46:42 - 46:44
    - What it was?
    - Anything.
  • 46:45 - 46:49
    The doorbell is ringing. We should
    to go back. The break is over.
  • 46:49 - 46:54
    Will you have dinner with me after the concert?
    I can't. I have to go home.
  • 46:54 - 46:57
    I didn't say I didn't work in the
    weekends? I expect Roger tonight.
  • 46:57 - 47:00
    - What if he doesn't show up?
    - Then, I'll have dinner alone.
  • 47:02 - 47:06
    Must be a great man
    to deserve such devotion.
  • 47:07 - 47:08
    I love him.
  • 47:09 - 47:09
    It's him?
  • 47:11 - 47:12
    - What about him?
    - He loves her?
  • 47:12 - 47:13
    Yes.
  • 47:14 - 47:16
    Certainly. Everything is better
    in the best of all worlds.
  • 47:17 - 47:21
    Don't be cynical, it doesn't fit
    with you. At your age, you...
  • 47:21 - 47:25
    Stop laughing at me. Stop talking
    like I was five years old.
  • 47:28 - 47:29
    Sorry.
  • 47:29 - 47:34
    I don't laugh at you, but at the papers
    who interprets. If it were you...
  • 47:35 - 47:36
    It's true.
  • 47:36 - 47:41
    I've made myself look brilliant
    lawyer, shy lover,
  • 47:42 - 47:46
    of a spoiled child, and he knows what else.
    But it was all for you, just for you.
  • 47:47 - 47:50
    Don't you think this is love?
    Let's hurry.
  • 48:09 - 48:11
    I am really sorry. It's afternoon.
    Silence.
  • 48:30 - 48:31
    Since when...
  • 48:33 - 48:35
    Since when have you been with Roger?
  • 48:37 - 48:38
    Five years.
  • 48:40 - 48:43
    - And have you been happy?
    - Yes, I have been.
  • 48:43 - 48:44
    Ever?
  • 48:45 - 48:47
    There is no Always .
  • 48:48 - 48:51
    I had five years of
    happiness, of doubts,
  • 48:51 - 48:52
    of heat and pain...
  • 48:54 - 48:56
    But all that matters is happiness.
  • 48:57 - 48:59
    Now he is not happy.
  • 48:59 - 49:01
    - Yes I am.
    - No.
  • 49:01 - 49:02
    I said I love him.
  • 49:03 - 49:06
    - And also mother, nanny, car.
    - What are you talking about?
  • 49:06 - 49:09
    She says she loves him, but she's alone.
    She's alone on Sundays.
  • 49:09 - 49:11
    How many times do you
    Do you sleep alone?
  • 49:11 - 49:13
    - You don't have the right...
    - Yes I have.
  • 49:16 - 49:20
    I'm in love and nothing will stop me,
    and I will make you leave him if I can.
  • 49:24 - 49:25
    I will do it,
  • 49:25 - 49:26
    I will do it.
  • 49:28 - 49:29
    Sir, please.
  • 49:45 - 49:47
    What is this?
  • 49:47 - 49:49
    - Brahms.
    - How do you know?
  • 49:51 - 49:53
    Well, the radio said.
  • 49:54 - 49:55
    Like that?
  • 49:59 - 50:01
    Sunday afternoon at
    radio is terrible.
  • 50:02 - 50:05
    - Leave it where it was.
    - Well, there's nothing more...
  • 50:07 - 50:08
    Funny.
  • 50:09 - 50:12
    At eight years old he dreamed of
    be an orchestra conductor.
  • 50:14 - 50:17
    I dreamed of being a
    movie star. And I will be.
  • 50:18 - 50:22
    Tomorrow I have dinner with
    Cherel. But I call you
  • 50:22 - 50:25
    when you can go, right?
    Yes yes.
  • 50:25 - 50:30
    I wouldn't want you to leave me
    tonight. I'll miss you.
  • 50:30 - 50:32
    Maisie, I can't drive.
  • 50:32 - 50:36
    Don't be silly, it's a
    excellent driver.
  • 50:37 - 50:39
    In fact, you
    It's excellent in everything.
  • 51:32 - 51:33
    Hello.
  • 51:37 - 51:40
    What it was? Anything. I'm just happy
    to see him. How was the trip?
  • 51:40 - 51:41
    Good.
  • 51:42 - 51:44
    - Just arrived?
    - Yes.
  • 51:45 - 51:48
    - Where were you?
    - At a concert at Salle Pleyel.
  • 51:48 - 51:50
    Oh, do you like Brahms?
  • 51:51 - 51:53
    Why do you ask?
  • 51:53 - 51:57
    I heard it on the radio while I was returning.
    How were you?
  • 51:58 - 52:00
    Young Van der Besh invited me,
  • 52:01 - 52:02
    I had nothing to do.
  • 52:02 - 52:06
    I didn't remember if I liked it
    or not by Brahms.
  • 52:06 - 52:10
    The young man asked me a silly question
    and I got no response. I had forgotten.
  • 52:11 - 52:15
    Lately I don't remember anything except
    that I love a man who is never with me.
  • 52:15 - 52:16
    Paula, what's wrong?
  • 52:17 - 52:21
    I already said. They made me one
    question, but I couldn't answer.
  • 52:21 - 52:23
    And suddenly the questions
    seem important to me.
  • 52:24 - 52:29
    Do I like Brahms? What is my color
    favorite? Do I like roses? I love you?
  • 52:29 - 52:32
    What happened? What
    Did that boy tell you?
  • 52:32 - 52:34
    What does it matter what he
    Said if I love you?
  • 52:34 - 52:37
    And you know the answer to
    that, right? What have you done?
  • 52:37 - 52:40
    - Listened to Brahms.
    - Stop talking about Brahms.
  • 52:40 - 52:43
    - I can't leave him out.
    - Was he talking about me?
  • 52:43 - 52:45
    Yes, from you and me.
  • 52:48 - 52:52
    - You know I love you.
    - No, I don't know. I don't know anything.
  • 52:52 - 52:55
    Roger, has time passed for me?
  • 52:56 - 52:58
    Already?
  • 52:59 - 53:02
    Paula, what can I say?
  • 53:03 - 53:06
    - What is most important to me?
    - May there be someone who is always there,
  • 53:07 - 53:10
    someone you can be with
    safe, someone to love, someone to trust.
  • 53:11 - 53:14
    Sometimes I wish I was one of the
    girls you pick up in bars.
  • 53:15 - 53:19
    It won't be this one you trust,
    whom you esteem, only the one you love.
  • 53:19 - 53:21
    They don't mean
    nothing for me.
  • 53:22 - 53:23
    - I know.
    - That's the way I am.
  • 53:23 - 53:27
    - I never tried to hide it.
    - No, you were always honest.
  • 53:27 - 53:30
    And you never cared.
    That's what he told me.
  • 53:32 - 53:34
    - Exactly...
    - As long as we are honest...
  • 53:34 - 53:38
    - We can be self-indulgent.
    - Paula, what's wrong?
  • 53:38 - 53:41
    I wish we fell in love
    Again, that's all.
  • 53:41 - 53:46
    - We were so confident in the future.
    - I still am, nothing has changed.
  • 53:46 - 53:48
    - And can we continue like this?
    - Clear.
  • 53:48 - 53:50
    - Forever?
    - Of course, why not?
  • 53:51 - 53:52
    I love you.
  • 54:00 - 54:02
    You had a bad weekend.
  • 54:03 - 54:06
    I'm sorry I left you.
  • 54:06 - 54:08
    I am fine.
  • 54:10 - 54:12
    - Where will we have dinner?
    - Where would you like?
  • 54:12 - 54:16
    Whatever. I'll change mine
    dress and retouch the face.
  • 54:17 - 54:19
    I won't be long. Look,
    his mask fell.
  • 54:24 - 54:27
    Nothing else. There it is.
  • 54:29 - 54:33
    - What do you think of L'Escargot?
    - Do you think we can get in?
  • 54:33 - 54:34
    I think so.
  • 54:35 - 54:37
    Want a drink?
  • 54:39 - 54:41
    - Do you want it?
    - No, thank you.
  • 54:42 - 54:46
    Well, tell me. What's Brussels like?
    Was the travel good?
  • 54:47 - 54:48
    Yes a lot.
  • 54:50 - 54:52
    He doesn't seem enthusiastic.
  • 54:52 - 54:56
    How about Chez Allard? No, I think
    which are not open on Sundays.
  • 54:56 - 54:59
    L'Escargot is fine.
  • 55:00 - 55:01
    Roger.
  • 55:02 - 55:04
    - Yes?
    - I'm glad you came today.
  • 55:04 - 55:07
    - Me too.
    - Was there a lot of traffic?
  • 55:07 - 55:11
    Sunday is always bad. But
    the avenue is always fast.
  • 55:12 - 55:14
    Avenue? There are none
    avenue in Brussels.
  • 55:16 - 55:19
    No, of course not.
    Did I say avenue?
  • 55:20 - 55:25
    They organized the road so
    Well, it looks like an avenue.
  • 55:26 - 55:27
    I was a little late.
  • 55:30 - 55:33
    - I am happy.
    - How about a place with music?
  • 55:33 - 55:35
    You may be right.
  • 55:37 - 55:41
    I don't know which one is open.
    Let's go for a drive.
  • 55:42 - 55:43
    All good.
  • 55:46 - 55:48
    - Is it the door?
    - Yes yes. I answer.
  • 55:56 - 55:58
    - Hello, Gaby.
    - Good evening, sir.
  • 55:58 - 55:59
    - Who is it?
    - Gaby.
  • 55:59 - 56:02
    - I have a letter for you.
    - A letter for you.
  • 56:02 - 56:03
    All good.
  • 56:03 - 56:06
    How's your English, Gaby?
    I haven't seen you in a while.
  • 56:06 - 56:07
    I am always here.
  • 56:12 - 56:14
    - Whose is it?
    - I don't know.
  • 56:16 - 56:18
    They brought it in their hands.
    Here.
  • 56:18 - 56:21
    Thanks. If it matters
    to read to me, dear?
  • 56:22 - 56:25
    - It could be personal.
    - I don't think so.
  • 56:28 - 56:29
    Yeah.
  • 56:29 - 56:31
    It's by young Van der Besh.
  • 56:33 - 56:34
    It doesn't matter.
  • 56:35 - 56:37
    We have no secrets
    between us, right?
  • 56:42 - 56:44
    I ask you to forgive me.
    I was jealous
  • 56:44 - 56:47
    and you can only have
    jealousy of what one owns.
  • 56:48 - 56:50
    Well, now get rid of
    me for a while.
  • 56:51 - 56:55
    I'm going to London tomorrow
    work on a case. It's very important,
  • 56:56 - 57:00
    but I don't care,
    because I will only think of you.
  • 57:02 - 57:06
    Please, even if you didn't want to
    see me again, remember
  • 57:07 - 57:09
    that I love her.
  • 57:12 - 57:13
    Your Philip.
  • 57:17 - 57:18
    I'm ready.
  • 57:19 - 57:24
    You haven't told me where you want to go. Any
    A place with music is good, right?
  • 57:24 - 57:25
    All good.
  • 57:29 - 57:34
    As my doctor friend suggested,
    the facts seem simple.
  • 57:34 - 57:37
    One day, the right one
    time and in a certain place,
  • 57:37 - 57:41
    two ships collided:
    one English and one French...
  • 57:41 - 57:44
    Here are the papers
    who ordered from Paris. Oh, right.
  • 57:44 - 57:46
    - How are you?
    - Good.
  • 57:46 - 57:48
    - He also received a letter.
    - Thanks.
  • 57:48 - 57:51
    I wonder how
    explain my friend doctor
  • 57:51 - 57:54
    in simple terms
    Sharp's testimony,
  • 57:55 - 57:56
    - which stated:
    - I'm sorry.
  • 57:59 - 58:01
    At no point in the 10
    minutes before the collision,
  • 58:01 - 58:05
    I heard no signal
    of the British ship.
  • 58:06 - 58:10
    Complication three complication.
    There is also the issue of fog.
  • 58:10 - 58:15
    Glenville declares that the
    fog was rising,
  • 58:15 - 58:19
    but Olivier claims
    categorically that it decreases.
  • 58:19 - 58:23
    There is also the testimony
    from Cape Belnapp...
  • 58:24 - 58:25
    Belnapp.
  • 58:28 - 58:32
    ...who admitted leaving
    the bridge moments before
  • 58:32 - 58:34
    to search more
    sugar for your coffee.
  • 58:35 - 58:39
    Allow me to remind you, Your Honor,
    Sailor Gendrin's statement...
  • 58:39 - 58:41
    I have to go back to Paris.
    important. Here.
  • 58:41 - 58:42
    I am really sorry.
  • 58:56 - 58:58
    Airport, please.
    But first stop in Dorchester.
  • 59:08 - 59:11
    It's beautiful. Don't believe it, Lucien?
  • 59:11 - 59:13
    - Yes my dear.
    - Thank you, Myrtle.
  • 59:13 - 59:16
    - Was it very expensive?
    - Not for me, darling.
  • 59:16 - 59:18
    - Who is he?
    - Who? He?
  • 59:18 - 59:21
    He's in the trucking business.
  • 59:21 - 59:25
    I think she told me that.
    I must say he looks like this.
  • 59:25 - 59:26
    Thanks.
  • 59:26 - 59:29
    - It looks quite attractive.
    - Do you think so?
  • 59:31 - 59:33
    Yes, actually, it's a lot.
  • 59:35 - 59:38
    - Roger, try not to look bored.
    - Bored?
  • 59:38 - 59:41
    How could I get bored with
    such a happy and charming group?
  • 59:41 - 59:44
    At least be nice to Mrs.
    Van der Besh. He didn't even talk to her.
  • 59:44 - 59:49
    Yes, I said it. I said: Good evening,
    Thank you for inviting me.
  • 59:49 - 59:50
    Please. Here she comes.
  • 59:50 - 59:54
    Paula, everyone loved it
    the apartment.
  • 59:54 - 59:55
    They are very excited.
  • 59:55 - 60:00
    You must be satisfied, sir.
    He should be proud of you, Paula.
  • 60:00 - 60:01
    I am, ma'am.
  • 60:01 - 60:05
    You deal with something
    related to trucks, right?
  • 60:05 - 60:05
    How interesting.
  • 60:05 - 60:10
    You buy trucks at
    America and sell them in Europe?
  • 60:10 - 60:14
    Sometimes it's the opposite.
    We are very flexible.
  • 60:15 - 60:18
    Fascinating. It's a pity that
    Philip isn't here.
  • 60:18 - 60:20
    You look beautiful.
  • 60:20 - 60:24
    Philip is my son. Will be furious
    When I know you came,
  • 60:24 - 60:28
    but he's in London for something
    terribly cool. Did you know?
  • 60:28 - 60:31
    Philip is crazy about Paula.
  • 60:31 - 60:33
    - It's moving.
    - Yes I know.
  • 60:33 - 60:36
    - Dinner is served, ma'am.
    - The dinner. Okay, Suzanne.
  • 60:36 - 60:39
    Marie-H l ne, Claude.
    Dinner is served.
  • 60:39 - 60:42
    Raymond, will you sit
    next to Mrs. Fleury.
  • 60:42 - 60:45
    Alain, my dear, you
    stays with Mrs. Tessier.
  • 60:45 - 60:50
    Paula, talk about modern painting.
    It has a fabulous collection.
  • 60:50 - 60:53
    And you to mine
    side, Mr. Desmarest.
  • 60:53 - 60:57
    Tell me all about trucks
    and what you do with them.
  • 60:57 - 61:00
    - You're from Leo, right?
    - I'm sorry?
  • 61:00 - 61:03
    Must have been born in the end
    July or early August.
  • 61:03 - 61:04
    No, at the beginning of May.
  • 61:04 - 61:08
    Oh, Taurus, Taurus.
    I should have imagined.
  • 61:08 - 61:10
    - The menu, ma'am.
    - Thanks.
  • 61:11 - 61:14
    This is the hardest thing, getting
    for people to find their place.
  • 61:14 - 61:15
    Françoise, here.
  • 61:17 - 61:21
    Marie-H l ne, there.
    Claude...
  • 61:21 - 61:23
    - Mr. Philip!
    - Good evening, Micheline.
  • 61:24 - 61:28
    And Paula, darling, you stay here.
    Oh, no, sorry. On the other side, there.
  • 61:28 - 61:33
    Alain is on his right and Raymond is on his left.
    Lucien next to Fran oise on the right...
  • 61:37 - 61:41
    Sorry, but I must be frank.
    It seems absurd to me.
  • 61:41 - 61:44
    They are called
    abstract expressionists
  • 61:44 - 61:47
    but what do they express?
    I wonder.
  • 61:49 - 61:50
    Well, right?
  • 61:53 - 61:57
    We were talking about Jean Dupr .
    Clear. Do you already know about your last affair?
  • 61:58 - 62:01
    I'm afraid I don't even know who
    It's the gentleman. Don't you know Jean?
  • 62:02 - 62:07
    No, I'm sorry. And I don't know why I
    I should care about your latest affair.
  • 62:07 - 62:08
    - Unless...
    - Unless what?
  • 62:09 - 62:11
    That this lady
    was my wife.
  • 62:12 - 62:16
    And luckily I'm not married. This is
    A very radical attitude, don't you think?
  • 62:16 - 62:19
    If everyone were like you
    What would we talk about?
  • 62:20 - 62:21
    Philip.
  • 62:22 - 62:23
    Goodnight.
  • 62:23 - 62:27
    I hope it doesn't bother you. But if not
    We waited until Saturday.
  • 62:28 - 62:32
    - I wanted to surprise you.
    - Philip, what happened?
  • 62:32 - 62:36
    - Is the case solved?
    - Oh, no. But it's going well.
  • 62:36 - 62:38
    Honey, have you eaten yet?
  • 62:38 - 62:41
    Yes, I took something on the plane.
    But I'll keep you company.
  • 62:42 - 62:44
    No, Marcelle, the
    Mr. Philip has already had dinner.
  • 62:45 - 62:47
    - Hello.
    - Hello.
  • 62:47 - 62:51
    ...that looks good. O
    hard work suits him well.
  • 62:53 - 62:56
    I received your message. As soon as
    I arrived, I came immediately.
  • 62:56 - 62:59
    - Any fruit?
    - No, thank you.
  • 63:01 - 63:03
    I never thought that
    I would hate London so much.
  • 63:18 - 63:22
    You're in luck, mom wants to talk
    with you. And do you want to talk to Paula?
  • 63:22 - 63:23
    Exactly.
    Wait a minute.
  • 63:25 - 63:28
    - There's something I want to ask.
    - What?
  • 63:29 - 63:29
    I...
  • 63:32 - 63:34
    I wonder if
    she would have a cigar.
  • 63:35 - 63:36
    Clear.
  • 63:40 - 63:43
    - What did you say to Philip?
    - I asked him for a cigar. Why?
  • 63:44 - 63:46
    - He seemed irritated.
    - I wasn't.
  • 63:47 - 63:49
    - Should be?
    - I don't know.
  • 63:50 - 63:51
    Here it is.
    Oh! Thank you.
  • 63:53 - 63:56
    - Do you like cigars?
    - Unfortunately, no.
  • 63:57 - 63:59
    - I'll bring you something to
    to drink? - No, thank you.
  • 63:59 - 64:02
    I think we should go.
    I have to wake up early.
  • 64:02 - 64:05
    Well, if Paula isn't tired
    I can take her home later.
  • 64:05 - 64:08
    I think so.
    Would you like that, dear?
  • 64:09 - 64:12
    No, it's getting
    afternoon. Goodnight.
  • 64:13 - 64:14
    Goodnight.
  • 64:20 - 64:22
    You lit up the party.
  • 64:23 - 64:27
    I was bored until
    when the boy arrived.
  • 64:28 - 64:30
    Now they will have something to talk about.
  • 64:32 - 64:36
    You already know about the decorator
    from Mrs. Van der Besh?
  • 64:36 - 64:40
    She decorated the apartment and seduced
    her son without any additional.
  • 64:42 - 64:44
    I think it's a good opportunity.
  • 64:45 - 64:50
    If you are going to make your young man's room
    Boss, why don't you take care of him too?
  • 64:51 - 64:53
    Make the work
    much more interesting.
  • 65:09 - 65:10
    - Are you going to travel tomorrow?
    - Yes.
  • 65:11 - 65:12
    To where?
  • 65:12 - 65:15
    I already said: Switzerland,
    Denmark, Germany.
  • 65:17 - 65:19
    How much time?
  • 65:19 - 65:20
    About ten days.
  • 65:23 - 65:24
    Roger, I...
  • 65:28 - 65:29
    Goodnight.
  • 65:47 - 65:48
    Philip?!
  • 65:49 - 65:52
    How did it arrive so quickly?
    He acted like a madman.
  • 65:52 - 65:56
    Come up, please.
    Why do you do these stupid things?
  • 65:56 - 65:57
    Please. Just a moment.
  • 66:02 - 66:05
    - Why did you come back from
    London? - To see her.
  • 66:05 - 66:06
    Why?
  • 66:07 - 66:09
    For your letter.
  • 66:10 - 66:12
    But it's ridiculous... What did it say?
  • 66:12 - 66:14
    Come back quickly.
    Oh, no.
  • 66:19 - 66:22
    My sweet Philip, his letter was
    very sad and bigger than they deserve.
  • 66:23 - 66:25
    I am feeling homesick.
    Come back quickly.
  • 66:27 - 66:28
    I didn't mean that.
  • 66:30 - 66:32
    I felt tired and unhappy.
  • 66:33 - 66:34
    And alone.
  • 66:35 - 66:38
    I am really sorry. I shouldn't have written.
  • 66:38 - 66:39
    But did you feel?
  • 66:41 - 66:43
    I think so. In that time.
  • 66:45 - 66:47
    Has anything changed since then?
  • 66:49 - 66:50
    No,
  • 66:51 - 66:54
    nothing changed.
    So...
  • 67:11 - 67:15
    Here it is. SAS 252.
    You can now board.
  • 67:15 - 67:17
    - This way, gentlemen, please.
    - Did you telegraph to Copenhagen?
  • 67:17 - 67:19
    - Yes, they will send a car.
    - Roger!
  • 67:20 - 67:21
    Paula!
  • 67:24 - 67:26
    - Go ahead, I'm coming.
    - We don't have much time.
  • 67:26 - 67:27
    Don't worry.
  • 67:31 - 67:32
    Paula, what are you doing here?
  • 67:32 - 67:36
    I called you at home but I already had
    gone. I wanted to see him.
  • 67:36 - 67:37
    Come here.
  • 67:38 - 67:42
    I'm sorry about last night.
    I was jealous. Oh, I called you, but...
  • 67:42 - 67:44
    - Roger, will you take me with you?
    - What?
  • 67:44 - 67:47
    - I want to go with you. Can I?
    - Paula, the plane leaves in two minutes.
  • 67:47 - 67:51
    I go home, pack a suitcase, and
    next to you tonight. Where will you be?
  • 67:51 - 67:54
    Honey, I'm going with two men
    from Chicago. How will I explain?
  • 67:54 - 67:58
    Tell them I'm your wife. The americans
    travel with their wives. You will understand.
  • 67:58 - 68:00
    Paula, this is crazy.
  • 68:01 - 68:02
    Is it for this boy?
  • 68:03 - 68:04
    It's for me. Please.
  • 68:04 - 68:07
    - Roger!
    - Yes, I'm coming.
  • 68:07 - 68:12
    Don't worry, I'll be back
    fast. It's only ten days.
  • 68:13 - 68:15
    Get rid of this boy,
    Paula. He worries you.
  • 68:16 - 68:19
    And don't worry. All
    It'll be fine, you'll see.
  • 68:22 - 68:26
    Paula, you know I love you. I call
    for you when you get back. Goodbye dear.
  • 68:26 - 68:29
    Attention please!
    Mr. Demoray...
  • 68:29 - 68:31
    Goodbye.
  • 68:31 - 68:32
    ...a passenger on flight 252...
  • 68:33 - 68:36
    ... they ask you to pass urgently
    through customs passport control.
  • 68:36 - 68:37
    Thanks.
  • 68:40 - 68:42
    I have been practicing the law for
    40 years, and in my life
  • 68:43 - 68:47
    I've never heard of anyone who
    left halfway through a trial.
  • 68:48 - 68:51
    I'll tell you something.
    If it weren't for your mother,
  • 68:51 - 68:56
    I would ask you to go
    although once...
  • 68:57 - 68:58
    Al ? Yes.
  • 69:00 - 69:01
    Who wants?
  • 69:02 - 69:06
    I am afraid that Mr Van der Besh
    be busy. One moment please.
  • 69:08 - 69:13
    Ah, here he is. Wait a minute.
    This time he didn't get away with it. What did you say?
  • 69:13 - 69:16
    - I don't know. I didn't listen. Who is it?
    - A personal call.
  • 69:16 - 69:19
    - A woman's voice, and it's not your mother.
    - Al ?
  • 69:20 - 69:21
    Yes, Paula.
  • 69:22 - 69:26
    Yes, of course we can talk.
    Tonight we could...
  • 69:26 - 69:28
    - Philip, I'm afraid I can't.
    - What do you mean?
  • 69:29 - 69:33
    I can't see you again,
    Philip. Try to understand, it will hurt you.
  • 69:33 - 69:38
    Don't try to see me, please.
    Do you promise? Phillip?
  • 69:39 - 69:41
    Philip, promise me, please.
  • 69:42 - 69:43
    Yes.
  • 69:43 - 69:45
    Yes of course.
  • 70:33 - 70:36
    Philip, come on, I'm done.
  • 70:36 - 70:40
    Let's go. It will take days like this.
  • 70:41 - 70:45
    You were ready to make sacrifices
    for love. I know I said it,
  • 70:45 - 70:49
    and I'm sorry.
    That was a long time ago.
  • 70:50 - 70:51
    Well, I'm in love.
  • 70:52 - 70:54
    - But she doesn't believe me.
    - I believe in you.
  • 70:54 - 70:59
    I've said it thousands of times.
    Let's go now
  • 70:59 - 71:00
    Philip, are you coming?
  • 71:01 - 71:02
    Well, I'll be right there.
  • 71:04 - 71:06
    - Will you be okay?
    - Yes.
  • 71:06 - 71:08
    We'll talk tomorrow. See you later.
  • 71:11 - 71:12
    Hello.
  • 71:15 - 71:17
    She's gone and left you, right?
  • 71:18 - 71:21
    Talk about love as if
    knew a lot about him.
  • 71:21 - 71:22
    Yeah, I know.
  • 71:23 - 71:24
    Invite me for a drink?
  • 71:25 - 71:26
    Clear.
  • 71:29 - 71:31
    - Two whiskeys.
    - Yes sir.
  • 71:32 - 71:35
    - Well, talk.
    - What?
  • 71:36 - 71:37
    Of love.
  • 71:38 - 71:43
    It's hard to explain... It's nothing.
    It's just a word in a song.
  • 71:43 - 71:46
    In millions of songs.
    You said it yourself.
  • 71:47 - 71:51
    It is the most used word in
    world and means nothing.
  • 71:51 - 71:53
    Just one word in a song.
  • 71:53 - 71:54
    Right,
  • 71:55 - 71:57
    for old love.
  • 71:58 - 72:00
    For old love.
  • 72:01 - 72:03
    Are you going to sing another one?
  • 72:08 - 72:09
    Good...
  • 72:10 - 72:14
    Love is nothing more than
    one word,
  • 72:15 - 72:17
    it doesn't mean anything.
  • 72:20 - 72:22
    it's a way
    extravagant to say
  • 72:24 - 72:27
    that two people
    want to be happy.
  • 72:29 - 72:31
    Love is no longer
    than a word.
  • 72:33 - 72:35
    And when the fun begins,
  • 72:37 - 72:42
    a word we use to
    cover a mountain of sins.
  • 72:44 - 72:49
    Love is nothing more than
    one word
  • 72:52 - 72:57
    that fell on the city...
  • 73:21 - 73:24
    - How long have you been here?
    - I don't know.
  • 73:29 - 73:33
    - It must be soaked.
    - I had to see her.
  • 73:33 - 73:36
    - I tried...
    - All good.
  • 73:36 - 73:40
    Since we talked, I don't know
    where I went or what I did.
  • 73:41 - 73:42
    - And you?
    - I? Working.
  • 73:44 - 73:47
    I went to a collection,
    I bought clothes.
  • 73:48 - 73:51
    They are opening a street
    in front of my house.
  • 73:51 - 73:54
    Yes I know. My car
    it almost stays there.
  • 73:55 - 73:57
    It will be repaired within
    of a few days.
  • 74:26 - 74:30
    Paula, are you sure you don't want to
    anything? There's a great-looking chicken.
  • 74:32 - 74:33
    How hungry I feel!
  • 74:36 - 74:37
    Where is the butter?
    Butter, butter.
  • 74:37 - 74:39
    What do you think, since I'm
    in love, don't I need to?
  • 74:40 - 74:43
    Is there any wine?
  • 74:46 - 74:48
    No, nothing. Great,
    I found a beer.
  • 74:50 - 74:53
    It's here, it's here.
  • 74:54 - 74:57
    Honey, can you flip the record?
    It doesn't matter, I'll do it myself.
  • 75:05 - 75:08
    Well, here I am. What
    such? Nice look, huh?
  • 75:08 - 75:11
    I feel like I don't have
    eaten over several days.
  • 75:12 - 75:14
    Hello, my love.
  • 75:19 - 75:22
    Gaby. Hang on. I forgot that
    I locked myself in last night.
  • 75:22 - 75:26
    Good morning. Okay, now me
    surprised. Give it to me.
  • 75:28 - 75:31
    - Do you want...?
    - Paula. Can you help me...?
  • 75:33 - 75:36
    Good morning. Can you help me with this?
  • 75:37 - 75:39
    Gaby, this is Philip...
  • 75:39 - 75:42
    - Mr. Van der Besh.
    - Good day sir.
  • 75:42 - 75:44
    Don't worry about coffee
    in the morning, I do it myself.
  • 75:48 - 75:49
    Thank you, Gabby.
  • 75:52 - 75:55
    Gaby. I'll call her if necessary.
  • 75:58 - 76:01
    - I was embarrassed.
    - Embarrassed, no: surprised.
  • 76:02 - 76:06
    Gaby is my defender and protector.
    She's older and wiser than me.
  • 76:06 - 76:10
    - Check the time. I'll be late.
    - I can take you to the store.
  • 76:10 - 76:13
    I don't want you to take me.
    You can pass the butter.
  • 76:13 - 76:15
    - Why not?
    - It's not necessary.
  • 76:16 - 76:19
    I can leave it on the corner if not
    want them to see us. Why?
  • 76:20 - 76:24
    I don't know, I thought... I don't know
    worry, you'll know quickly.
  • 76:24 - 76:28
    and you will have a lot of fun. You already know
    of Paula and her youngest son?
  • 76:29 - 76:34
    What vitality does this have?
    appetite for young people.
  • 76:34 - 76:35
    Do you mind?
  • 76:36 - 76:38
    - Not really.
    - Then nothing happens.
  • 76:39 - 76:42
    - What time will you leave?
    - About six hours.
  • 76:42 - 76:47
    At 6am? And what do I do until 6am?
    How do you know I won't be busy?
  • 76:50 - 76:51
    It's true, I don't know.
  • 76:52 - 76:53
    Let me do this.
  • 76:56 - 76:58
    - Tonight I will be free.
    - Right.
  • 76:59 - 77:02
    - But what will I do until 6am?
    - I don't know, work.
  • 77:02 - 77:05
    To work? Oh, I know.
  • 77:05 - 77:10
    I will wander through Paris thinking of you,
    and then I will eat thinking of you.
  • 77:10 - 77:12
    So I'll wait until 6am...
  • 78:40 - 78:42
    - How much?
    - 4.50 Cents.
  • 78:43 - 78:44
    Hey sir! Sir!
  • 78:52 - 78:54
    - You can go, I'll catch up with you later.
    - Why? Where are you going?
  • 78:54 - 78:57
    Use a telephone. Tell the doorman
    find a taxi.
  • 78:57 - 78:59
    What's your number?
    24.
  • 79:00 - 79:01
    Don't worry, I'll be right there.
  • 79:10 - 79:11
    - Al ?
    - Paula?
  • 79:14 - 79:17
    Al . I just arrived.
    I'm at the airport.
  • 79:17 - 79:19
    How are you? Had a good trip?
  • 79:20 - 79:22
    I want to see you. We can
    dinner tonight?
  • 79:23 - 79:26
    No. Dinner, no.
  • 79:27 - 79:32
    - Well, how about lunch?
    - Yes, lunch, yes.
  • 79:32 - 79:35
    Where would you like it? Whatever.
    A place where you don't see many people.
  • 79:35 - 79:39
    - Pre Catalão?
    - Okay, see you there.
  • 79:39 - 79:42
    - Don't you want me to pick you up?
    - No, see you there.
  • 79:42 - 79:43
    Right. Pre Catalão,
    1h.
  • 79:45 - 79:46
    Paula,
  • 79:46 - 79:47
    I...
  • 79:48 - 79:50
    I can't wait to see her.
  • 79:52 - 79:53
    Goodbye, Roger.
  • 80:09 - 80:13
    - Sorry I'm late.
    - No, I just arrived.
  • 80:15 - 80:17
    - Don't you feel well?
    - Why?
  • 80:17 - 80:22
    Well, it's not one to drink during the day.
    No, I felt a little tired.
  • 80:22 - 80:25
    So, I think I'll take
    a vermouth. A Noilly?
  • 80:25 - 80:27
    - Yes.
    - Right.
  • 80:29 - 80:32
    - It seems like we haven't seen each other for a long time.
    - Ten days.
  • 80:33 - 80:35
    It seems more.
  • 80:35 - 80:39
    I called a few times
    Germany, but I didn't find it.
  • 80:40 - 80:44
    I go out a lot. No
    I should have come back yet.
  • 80:48 - 80:51
    - Before you didn't do that.
    - Please, ma'am.
  • 80:51 - 80:52
    Here it is.
  • 80:53 - 80:54
    Thanks.
  • 80:55 - 80:57
    Did you see Jimmy?
  • 80:57 - 80:58
    No.
  • 80:59 - 81:01
    And what he does?
  • 81:03 - 81:05
    I saw a lot of Philip.
  • 81:07 - 81:09
    Ah, the young man.
  • 81:10 - 81:12
    To be continued
    crazy about you?
  • 81:14 - 81:17
    Do you still find him funny?
  • 81:19 - 81:20
    Yes.
  • 81:22 - 81:24
    Grace or more than that?
  • 81:26 - 81:27
    More.
  • 81:30 - 81:33
    Well, there's nothing to say, right?
  • 81:38 - 81:40
    He could say many things.
  • 81:42 - 81:45
    Roger, if I said that
    everything still depends on you,
  • 81:45 - 81:48
    - I wouldn't know what to say, would I?
    - I don't know.
  • 81:48 - 81:49
    But, I yes.
  • 81:51 - 81:56
    I would say you are very obsessed with
    his freedom, scared of losing it.
  • 81:56 - 82:00
    I said I don't know. I only know that I hate
    the idea that you and this boy...
  • 82:01 - 82:03
    - The same, please.
    - Yes sir.
  • 82:04 - 82:06
    I hope it's worth it.
  • 82:08 - 82:10
    It's not about that. He loves me.
  • 82:13 - 82:17
    When I invited you to lunch,
    I didn't imagine I would have to hear
  • 82:17 - 82:19
    about her romance with this boy.
  • 82:19 - 82:23
    You always made me
    know about yours with your girls.
  • 82:23 - 82:25
    At least that's normal.
  • 82:26 - 82:27
    Or better...
  • 82:29 - 82:30
    I say....
  • 82:36 - 82:37
    Goodbye, Roger.
  • 82:45 - 82:47
    Here it is, your Martini.
  • 82:57 - 82:58
    Thanks.
  • 83:05 - 83:07
    Paula.
  • 83:07 - 83:09
    I'm sorry, it was stupid.
    You know I didn't mean it.
  • 83:09 - 83:12
    No, it was my fault too.
  • 83:12 - 83:14
    Maybe we shouldn't
    see us for a while.
  • 83:15 - 83:19
    - Goodbye honey.
    - Paula, you know that I...
  • 83:20 - 83:22
    You mean a lot
    for me, Paula.
  • 83:25 - 83:26
    It's serious.
  • 84:34 - 84:35
    29. Black, odd, inside.
  • 84:36 - 84:37
    Love.
  • 84:40 - 84:41
    Thanks.
  • 84:43 - 84:46
    17 chips. The last 4,
  • 84:46 - 84:48
    the first 3. All 5.
  • 84:49 - 84:51
    - What is the fourth number?
    - What?
  • 84:51 - 84:54
    - Our room number.
    - I don't know.
  • 84:54 - 84:55
    You have the key.
  • 84:58 - 84:59
    425.
  • 84:59 - 85:02
    - The rest in 4 and 25.
    - Yes ma'am.
  • 85:17 - 85:19
    - A brandy, please.
    - Roger.
  • 85:20 - 85:22
    - Hi, Jimmy.
    - What are you doing in Deauville?
  • 85:22 - 85:26
    - I decided to leave for a while, you know.
    - Is Paula here? Where are you staying?
  • 85:26 - 85:28
    No, Paula is not here.
  • 85:29 - 85:33
    I haven't seen her for two months. I am really sorry,
    I didn't know. Well, it's a...
  • 85:34 - 85:36
    What I mean to say...
  • 85:37 - 85:38
    See you later, Roger.
  • 85:56 - 85:58
    Close the window, my love.
  • 86:01 - 86:03
    My love, close the window, it's cold.
  • 86:04 - 86:07
    - Stop calling me love.
    - What time is it?
  • 86:13 - 86:16
    God. Don't you understand
    What is it 5 am?
  • 86:17 - 86:21
    Why are you standing, my love?
    He's not rested yet.
  • 86:21 - 86:25
    - Stop calling me love.
    - Then don't call me Maisie.
  • 86:25 - 86:28
    - Stop using that word.
    - What it was?
  • 86:28 - 86:31
    Love love. Do you know
    what does that mean?
  • 86:33 - 86:34
    Do you know?
  • 86:35 - 86:39
    What is love? We came here to
    discuss my vocabulary?
  • 86:39 - 86:44
    Stop calling me love. He is
    good at night, but not in the morning.
  • 86:44 - 86:48
    Ah, now we get picky.
    Could you close the window?
  • 86:56 - 86:59
    - Mr. Desmarest, your car is here.
    - Thanks,
  • 86:59 - 87:02
    - Here's the bill and the change.
    - Thanks.
  • 87:02 - 87:05
    - Thank you, sir. Reception.
    - Yes, madam.
  • 87:06 - 87:09
    - Mr. Desmarest?
    - No, I didn't see him.
  • 87:10 - 87:13
    - Thanks.
    - Thanks. And your luggage?
  • 87:14 - 87:16
    - The young lady will take care of her.
    - Right, sir.
  • 87:16 - 87:17
    I hope so.
  • 88:21 - 88:22
    Philip!
  • 88:35 - 88:36
    Philip.
  • 88:56 - 88:57
    Philip!
  • 88:59 - 89:01
    - Hello.
    - I want to talk to you.
  • 89:02 - 89:07
    You can't continue, you have to work.
    Since when have you not been to the office?
  • 89:07 - 89:10
    - Since Tuesday.
    - And before that?
  • 89:12 - 89:17
    Say goodbye in the morning and wait
    come home at night.
  • 89:17 - 89:19
    And now she likes it
    in secret drinking.
  • 89:19 - 89:24
    It doesn't stay that way. I just washed the bottle
    because I know you hate mess.
  • 89:25 - 89:26
    Yes, I hate clutter.
  • 89:27 - 89:31
    And the lies and the weakness,
    and soon I will hate you.
  • 89:34 - 89:36
    It had to come to that, right?
  • 89:38 - 89:40
    Philip, I didn't mean
    say that. But...
  • 89:40 - 89:44
    I can't allow it to change
    in a stupid drunk for me.
  • 89:45 - 89:48
    I already told you to go to work
    thousand times. And this is the last one.
  • 89:49 - 89:53
    - And if I don't go, what? -
    I won't be able to see him again.
  • 89:54 - 89:56
    Could you leave me like this,
    just for that?
  • 89:56 - 89:57
    Yes.
  • 90:06 - 90:07
    Oh, Philip.
  • 90:09 - 90:11
    Philip, that's enough, you're acting.
  • 90:15 - 90:17
    Look at me. Look at me.
  • 90:19 - 90:20
    What's wrong?
  • 90:23 - 90:25
    You just don't love me.
  • 90:26 - 90:28
    And I can't do
    nothing about it.
  • 90:29 - 90:33
    From the beginning I knew
    that one day he would leave me,
  • 90:33 - 90:36
    but I always kept waiting
    that this would never happen.
  • 90:38 - 90:41
    And all the whiskey I
    I drank all the whiskey in the world
  • 90:43 - 90:46
    couldn't change anything
    because it had already happened.
  • 90:47 - 90:48
    That's it.
  • 90:49 - 90:50
    No, Philip,
  • 90:51 - 90:53
    You are a fool. A boy...
  • 90:54 - 90:56
    or a madman.
  • 90:56 - 91:01
    Play the rejected lover and do it
    so well that he even believes in himself.
  • 91:01 - 91:06
    I care. And you know, Philip.
    Come on, look at me. Look at me.
  • 91:06 - 91:09
    Don't you want me to come?
  • 91:10 - 91:13
    No, not today. But
    I want you to work.
  • 91:13 - 91:15
    I will work. I promise.
  • 91:17 - 91:19
    I was so scared.
  • 91:20 - 91:23
    You are a fool.
  • 91:49 - 91:53
    - What it was?
    - I wanted to know if you were here. I am really sorry.
  • 92:07 - 92:08
    Al ?
  • 92:09 - 92:11
    Who would like, please?
  • 92:11 - 92:13
    Oh yes. One moment please.
  • 92:15 - 92:16
    Mrs. Tessier.
  • 92:17 - 92:19
    - Yes?
    - Mr. Desmarest.
  • 92:30 - 92:31
    - Roger, Hi.
    - Paula?
  • 92:33 - 92:33
    Paula.
  • 92:34 - 92:37
    - How are you?
    - Well. And you?.
  • 92:38 - 92:39
    I am fine
  • 92:41 - 92:45
    Next week I will be on vacation.
    This time of year, you know...
  • 92:45 - 92:48
    Remember that always
    were we traveling for two weeks?
  • 92:48 - 92:51
    So I thought I'd call you and...
  • 92:51 - 92:55
    How am I buying my ticket
    Maybe you'd like me to get one for you.
  • 92:57 - 93:00
    - I don't think it's possible, Roger.
    - No?
  • 93:02 - 93:03
    No.
  • 93:04 - 93:06
    It's not that easy.
  • 93:07 - 93:12
    How could we go and pretend nothing...?
    We couldn't stop thinking...
  • 93:13 - 93:16
    No, that's why I'm going, to
    don't think. To not think about anything.
  • 93:16 - 93:19
    - That's not a good reason to go.
    - It's the best.
  • 93:20 - 93:22
    No, it's not that easy.
  • 93:23 - 93:26
    And I assure you that I do not
    you need me for that. Paula.
  • 93:26 - 93:30
    I'm sure it will be fine
    alone or with one of your...
  • 93:31 - 93:32
    - With any other.
    - What?
  • 93:33 - 93:34
    Anything.
  • 93:34 - 93:39
    They don't mean anything to me.
    As long as I'm here waiting for you.
  • 93:40 - 93:41
    So you don't want to go?
  • 93:42 - 93:44
    No, Roger. Goodbye.
  • 93:45 - 93:46
    Paula...
  • 93:47 - 93:49
    Take care, will you?
  • 93:49 - 93:51
    Yes, I will take care of myself.
  • 94:02 - 94:04
    Don't rush me. See?
  • 94:05 - 94:06
    It's not bad at all.
  • 94:06 - 94:11
    - Excuse me. Dinner is served.
    - Finally. It's already getting cold, right?
  • 94:11 - 94:14
    A little. Oh, waiter,
    Would you mind going up to 16...?
  • 94:15 - 94:17
    - What do you want, dear?
    - The yellow jacket on the bed.
  • 94:17 - 94:18
    - Yes ma'am.
    - Okay, let's go.
  • 94:18 - 94:20
    - Hang on.
    - Did you cheat?
  • 94:20 - 94:24
    No. I knew I would win. No
    Did you cheat by pushing with your foot?
  • 94:24 - 94:27
    Of course not.
    She should be ashamed.
  • 94:31 - 94:35
    It's wonderful to escape Paris.
    You look different, you transform.
  • 94:35 - 94:38
    Thanks. And if we stay another night
    and return in the morning?
  • 94:38 - 94:40
    - Of course, why not?
    - Philip.
  • 94:42 - 94:44
    - Good night Good Night.
    - Philip.
  • 94:45 - 94:49
    Do you already know Mrs.
    Tessier, right?
  • 94:49 - 94:51
    Mrs. Fleury, Mr. Fleury,
  • 94:52 - 94:54
    and these are Madeleine and Pierre.
  • 94:54 - 94:55
    Goodnight.
  • 94:56 - 95:01
    Did you come from Paris for dinner? It's a place
    wonderful, isn't it? How's the traffic?
  • 95:01 - 95:03
    We got a traffic jam
    yesterday in St. Cloud.
  • 95:05 - 95:08
    - Here it is.
    - Is this it, madam?
  • 95:08 - 95:11
    Yes, thank you. Sit down, children,
    the food is getting cold.
  • 95:11 - 95:12
    Lucien!
  • 95:14 - 95:16
    Your key, sir.
  • 95:23 - 95:26
    It was a pleasure to see you again.
  • 95:26 - 95:28
    - Goodbye.
    - Goodbye.
  • 95:28 - 95:31
    - Shall we have another drink to warm up?
    - How old is she?
  • 95:31 - 95:36
    Lucien, ask for the bill, everything
    It takes forever here.
  • 95:37 - 95:40
    - Over here, the table is ready.
    - Go ahead, I'll be right there.
  • 95:46 - 95:49
    Two dry.
  • 95:49 - 95:52
    Boys!
    Here it is.
  • 95:53 - 95:54
    Thanks.
  • 96:05 - 96:07
    - Where are you, madam?
    - She's gone.
  • 96:09 - 96:11
    But dinner is ready.
  • 96:20 - 96:23
    - I want to go back to Paris.
    - Right.
  • 96:23 - 96:26
    Paula, what do you care?
    what do people think?
  • 96:27 - 96:27
    Anything.
  • 96:28 - 96:30
    - How do things change?
    - Let's not talk about it.
  • 96:30 - 96:34
    - No. Let's talk and you'll listen to me.
    - No, please.
  • 96:34 - 96:38
    This is unworthy of you
    and humiliating for me.
  • 96:38 - 96:41
    - You're exaggerating.
    - No, you're exaggerating.
  • 96:41 - 96:44
    I'm not an idiot nor a boy
    for anyone who has to hide anything.
  • 96:44 - 96:49
    If you wanted, we would get married tomorrow.
    Don't be silly. I'm much older than...
  • 96:49 - 96:54
    Age is not a problem. I love you, I need
    of you and it doesn't matter what people say.
  • 96:56 - 96:59
    The only problem for
    You, for us, are Roger.
  • 97:02 - 97:06
    It's still there, isn't it? Inside of
    you. And you can't remove it.
  • 97:08 - 97:12
    What did you do even when someone
    Did you have a devil inside you?
  • 97:12 - 97:17
    Prayers, bells, lots of noise? If I
    If you did all this, would you take Roger away from you?
  • 97:17 - 97:18
    Perhaps.
  • 97:20 - 97:24
    I am really sorry. Never
    I imagined you...
  • 97:24 - 97:27
    I never imagined that you
    could think about it.
  • 97:36 - 97:40
    - Do you think we should continue?
    - It depends on you, the price remains low.
  • 97:40 - 97:44
    Who is this man who continues
    launching against us? It's another antique shop.
  • 97:44 - 97:48
    It will stop soon, I know it.
    I hope so, because I...
  • 97:56 - 97:57
    Okay, they're ours.
  • 97:58 - 97:59
    And for a good price.
  • 98:05 - 98:08
    - Here you go, Mrs. Tessier.
    - Thanks. I'll come and get it tomorrow.
  • 98:08 - 98:12
    They're a bargain, aren't they? I think that
    They will look great in the library.
  • 98:12 - 98:15
    Come to think of it, I could
    put them in Philip's room.
  • 98:16 - 98:18
    Surely, how is he?
  • 98:19 - 98:21
    Don't you see it?
  • 98:21 - 98:24
    Comes from time to time
    to pick up the clothes.
  • 98:25 - 98:28
    - I didn't know.
    - Honey, that's totally normal.
  • 98:28 - 98:32
    I always wished Philip would
    fall in love with an older woman.
  • 98:32 - 98:35
    Do you want me to pay you one
    commission for the chairs?
  • 98:35 - 98:39
    We have taken his time,
    It will have to be paid, right?
  • 98:39 - 98:41
    - Oh, please.
    - Well, if you insist...
  • 98:41 - 98:45
    Would you mind if I
    asked something about Philip?
  • 98:45 - 98:48
    Yes, I care.
    His car is here, madam.
  • 98:48 - 98:49
    Thank you.
  • 98:50 - 98:51
    Can I take her,
    Paula? I'm going to Dior.
  • 98:52 - 98:54
    No, thank you, I prefer to walk.
  • 98:54 - 98:56
    - He is sure?
    - Yes, thank you. Goodbye.
  • 98:56 - 98:57
    Goodbye.
  • 99:00 - 99:01
    Either way, you learned something from
    French laws while she was here.
  • 99:05 - 99:08
    But you will work in New York,
    where you will live.
  • 99:08 - 99:12
    I had a long conversation with
    your mother and we agree that,
  • 99:12 - 99:17
    In the current circumstances,
    It would be good for your career
  • 99:17 - 99:19
    return to New York.
  • 99:19 - 99:22
    It's very kind, but
    I'm not leaving here.
  • 99:22 - 99:26
    I'm afraid you haven't
    choice. Yes I have.
  • 99:26 - 99:30
    Well, you'll have to talk
    with your mother about it. Alice.
  • 99:32 - 99:36
    Mr. Fleury, if they find out
    who has a lover,
  • 99:36 - 99:40
    and I'm sure you have, to
    where will you send it? Goodbye, sir.
  • 99:40 - 99:43
    Bye Bye. Goodbye everyone.
  • 99:53 - 99:54
    Over here, please,
  • 99:54 - 99:58
    that table. Oh no,
    not that one. Not tonight.
  • 99:58 - 100:01
    - I'm afraid everything is booked.
    - And how about this?
  • 100:01 - 100:04
    - Sorry but...
    - No buts. What is your name?
  • 100:04 - 100:05
    François.
  • 100:05 - 100:10
    François, you don't know me, but this is a
    important night for us. We're left with this one.
  • 100:10 - 100:12
    - After you, ma'am.
    - You crazy.
  • 100:12 - 100:15
    - Did you send for me?
    - Yes, we want flowers, please.
  • 100:15 - 100:16
    You are crazy!
  • 100:16 - 100:19
    I want you to find the most
    beautiful for you lady. But, sir...
  • 100:19 - 100:22
    - Here.
    - Thank you, sir, I'll try.
  • 100:23 - 100:25
    - He's completely crazy.
    - Absolutely.
  • 100:25 - 100:27
    - What is all this for?
    - We're celebrating.
  • 100:27 - 100:28
    What?
  • 100:28 - 100:32
    My independence from the world
    and my dependence on you.
  • 100:32 - 100:34
    - François!
    - Yes sir?
  • 100:34 - 100:39
    To start, serve us the most delicious dish.
    luxury of your restaurant's history.
  • 100:39 - 100:43
    Want to start with
    foie gras pat ? No!
  • 100:43 - 100:46
    - No. Caviar?
    - Caviar.
  • 100:46 - 100:49
    - Caviar. With blinis?
    - Yes.
  • 100:51 - 100:54
    Will you grant me the pleasure of this dance?
    - Sir?
  • 100:54 - 100:58
    - Vodka. The best year.
    - Right, sir. And what wine do you want?
  • 100:58 - 101:01
    - No, no, no wine. Champagne.
    - Right, sir.
  • 101:03 - 101:05
    Can you tell me what
    does all this mean?
  • 101:07 - 101:10
    I left my job. Or
    Better yet, I exchanged it for Paris.
  • 101:10 - 101:12
    - Did you leave your job?
    - Yes.
  • 101:12 - 101:14
    - Why? - Iam
    send me to New York.
  • 101:14 - 101:18
    - But Philip...
    - No buts. Let's make a deal, shall we?
  • 101:18 - 101:22
    No, Philip. You can't do
    that. I won't allow it.
  • 101:23 - 101:24
    It's done.
  • 101:32 - 101:35
    - I saw her in Balenciaga...
    - Goodnight.
  • 101:35 - 101:37
    Goodnight.
  • 101:37 - 101:40
    I saw her in Balenciaga
    with a Balmain dress,
  • 101:40 - 101:45
    and the next day in Lauvin with a
    Givenchy. Aren't you curious? Waiter.
  • 101:45 - 101:50
    Today I was having lunch with
    Guy Laroche and wore Chanel.
  • 101:55 - 101:56
    Rogers...
  • 101:56 - 101:59
    - Roger, what are you thinking?
    - How stupid the world is.
  • 101:59 - 102:00
    What?
  • 102:01 - 102:02
    Anything.
  • 102:02 - 102:04
    Come,
    Maisie, let's dance.
  • 102:32 - 102:34
    I must confess something.
    I almost did something terrible.
  • 102:35 - 102:35
    What?
  • 102:35 - 102:39
    There is a precious abyss between your
    neck and his shoulder that I almost bit.
  • 102:39 - 102:41
    - Can I?
    - Why, Philip!
  • 102:41 - 102:44
    Well, think again and tell me.
  • 102:52 - 102:56
    - It's too far away tonight.
    - Oh, huh?
  • 102:56 - 102:59
    - Shall we go to Elephant Blanc?
    - I'm fine here.
  • 103:48 - 103:51
    - Let's go? I believe it's dinner.
    - Right.
  • 104:08 - 104:10
    Here's the caviar, gentlemen.
  • 104:12 - 104:13
    Sirs.
  • 104:13 - 104:15
    Blinis, ma'am? Sir, blinis?
  • 104:15 - 104:16
    Thanks.
  • 104:29 - 104:31
    Let's go somewhere else?
  • 104:33 - 104:34
    If you want...
  • 104:38 - 104:39
    Excuse me.
  • 104:40 - 104:42
    Whatever.
  • 104:58 - 104:59
    Good,
  • 105:00 - 105:01
    where do we go now?
  • 105:02 - 105:03
    I don't know.
  • 105:06 - 105:09
    - Good evening, Philip.
    - Paula.
  • 105:11 - 105:12
    I can see you...
  • 105:13 - 105:14
    tomorrow?
  • 105:15 - 105:16
    Yes of course.
  • 105:43 - 105:45
    - I can help with something?
    - Good morning.
  • 105:45 - 105:48
    Oh, Mr. Desmarest. There is
    I hadn't seen him for a long time.
  • 105:49 - 105:51
    - Yes. Is Paula?
    -Oh, yes, she is...
  • 105:52 - 105:54
    I was here a minute ago.
  • 105:54 - 105:55
    Mrs. Tessier!
  • 105:56 - 105:58
    Mrs. Tessier!
  • 106:04 - 106:07
    Yes, Mr. Steiner? Ah, Roger, hello.
  • 106:08 - 106:10
    Hi Paula.
  • 106:11 - 106:12
    Paula, I...
  • 106:14 - 106:17
    - Can we go somewhere?
    - Yes of course.
  • 106:24 - 106:26
    Paula, I planned a whole
    speech, but now...
  • 106:28 - 106:29
    Help me.
  • 106:33 - 106:36
    Last night I wanted
    cross the room and say:
  • 106:37 - 106:39
    Enough, let's go home.
  • 106:40 - 106:42
    Then go walking
    and walking...
  • 106:46 - 106:48
    This cannot continue like this.
  • 106:53 - 106:54
    I...
  • 106:56 - 106:59
    I can't live without
    you. There, i said it.
  • 107:01 - 107:03
    Well, it was so
    terrible to say?
  • 107:05 - 107:06
    It was all my fault.
  • 107:07 - 107:12
    I shouldn't have allowed you to see him.
    Should have stopped it from the beginning.
  • 107:12 - 107:15
    Honey, don't you
    It's very bright.
  • 107:16 - 107:18
    - No?
    - No, but that doesn't matter.
  • 107:18 - 107:20
    I'm at home.
  • 107:22 - 107:23
    Or whatever it is.
  • 107:34 - 107:35
    Here. Sugar?
  • 107:37 - 107:38
    Philip.
  • 107:39 - 107:41
    Philip, try to understand.
  • 107:42 - 107:45
    We met at a time when
    that they both needed each other.
  • 107:45 - 107:47
    And we were very lucky.
  • 107:48 - 107:52
    But this is not enough to maintain two
    people together. It couldn't last.
  • 107:53 - 107:57
    I selfishly wished
    that it would last, but it couldn't be.
  • 107:59 - 108:02
    All I had to do
    was to say please .
  • 108:05 - 108:09
    Well I guess I should feel
    proud in a sense.
  • 108:11 - 108:15
    If it weren't for me, you would probably
    we would have gotten married. You knew?
  • 108:15 - 108:20
    I'm a kind of... Cupid.
    Yes, that's what I am, a Cupid.
  • 108:22 - 108:25
    - Philip, you shouldn't...
    - But it's true. I was a kind...
  • 108:27 - 108:28
    interval.
  • 108:28 - 108:30
    Curse.
  • 108:30 - 108:33
    Damn him,
    and you, and all of us.
  • 108:34 - 108:38
    - Why couldn't you love me?
    - You said it yourself, Philip,
  • 108:39 - 108:42
    by the devil inside me
    and I can't exorcise it.
  • 109:16 - 109:17
    Philip.
  • 109:19 - 109:20
    Philip, I...
  • 109:21 - 109:23
    I will never forget him.
  • 109:24 - 109:25
    Clear.
  • 109:29 - 109:30
    Me neither.
  • 109:38 - 109:40
    Oh, Paula. What am I going to do?
  • 109:41 - 109:42
    What will become of me?
  • 109:43 - 109:44
    Philip, darling.
  • 109:46 - 109:50
    Return to New York. There you
    You have friends, your life is there.
  • 109:50 - 109:53
    Of course, you're right, of course.
  • 109:53 - 109:57
    I will find the right girl, I will
    get married and we will live happily ever after.
  • 110:00 - 110:02
    Where are my slippers?
  • 110:07 - 110:08
    Where is the other one?
  • 110:14 - 110:15
    Thanks.
  • 110:17 - 110:19
    Good,
  • 110:21 - 110:22
    I will come back to...
  • 110:23 - 110:24
    see her someday?
  • 110:25 - 110:26
    If you want, yes.
  • 110:28 - 110:30
    But I don't think we should.
  • 110:31 - 110:33
    No, we shouldn't.
  • 110:35 - 110:37
    What the hell am I doing?
  • 110:38 - 110:41
    Do you want to leave my things
    at the reception, please?
  • 110:41 - 110:43
    Yes, I'll take them all.
  • 110:56 - 110:57
    Philip!
  • 110:58 - 110:59
    Philip!
  • 110:59 - 111:01
    Oh, Philip, try to understand!
  • 111:02 - 111:03
    I am too old!
  • 111:04 - 111:06
    Very old! Very old!
  • 111:50 - 111:52
    You can come in,
    ladies and gentlemen.
  • 111:54 - 111:57
    Well, it wasn't that terrible.
  • 111:58 - 112:01
    Say it as if
    had gone to the dentist.
  • 112:05 - 112:06
    Gaby!
  • 112:07 - 112:09
    - Gaby!
    - Yes ma'am?
  • 112:09 - 112:12
    - I thought it would never arrive.
    - Are you at home?
  • 112:12 - 112:15
    - No, madam.
    - Do you want to draw me a bath?
  • 112:16 - 112:19
    What should I wear
    tonight? Let's see...
  • 112:20 - 112:24
    - The black one with lace?
    - No, it's too elegant for a cafe.
  • 112:25 - 112:28
    - This one?
    - No, it's too much... And this one next door?
  • 112:29 - 112:31
    - This one?
    - Yes, this one is good.
  • 112:32 - 112:33
    What a day!
  • 112:33 - 112:37
    The problem with decorators is that everyone
    They think they know their job.
  • 112:37 - 112:40
    Nobody tells a plumber
    how to fix a sink, but...
  • 112:41 - 112:43
    Gaby, the zipper!
  • 112:44 - 112:45
    No, it's okay, don't worry.
  • 112:46 - 112:49
    But start doing
    a curtain and all...
  • 112:49 - 112:51
    Gaby, did you call?
  • 112:51 - 112:53
    No, madam.
  • 112:54 - 112:59
    Not too hot. Tomorrow we will have dinner at home.
    Let's make you a good steak...
  • 112:59 - 113:03
    No, we ate this on Monday.
    So, lamb chops.
  • 113:05 - 113:06
    I'll take care of this, Gaby.
  • 113:09 - 113:10
    Al ?
  • 113:11 - 113:12
    Ah, Roger, where are you?
  • 113:19 - 113:21
    Yes, if there is no choice...
  • 113:22 - 113:23
    Yes I understand.
  • 113:24 - 113:25
    What?
  • 113:26 - 113:28
    I will probably eat
    something and go to bed.
  • 113:30 - 113:31
    All good.
  • 113:33 - 113:34
    Goodbye.
Title:
Goodbye Again (1961) Ingrid Bergman, Anthony Perkins & Yves Montand
Description:

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Video Language:
English
Duration:
01:55:12

English subtitles

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