-
Gabby.
-
Oh, Gabby. I'm late.
-
- Has monsieur called?
- No, madame.
-
I couldn't find a taxi with the traffic.
Is the dress ready?
-
Be an angel and draw me a bath.
-
Not too hot. Oh, no. My zip...
-
It never works when... It's all right.
-
Oh, Gabby, where did you put my...
-
Oh, never mind. I found it.
-
I think I'll wear my mink jacket tonight.
-
Gabby, did you fix the belt to the dress?
-
- Oui madame.
- Not oui madame, yes, ma'am.
-
- You're learning to speak English.
- Oui, madame. Yes, ma'am.
-
Would you answer it, Gabby?
-
Say, I just left.
I just walked out the door.
-
Hello. Yes, I mean, oui monsieur
-
All right, I'll take it.
-
Watch the water, Gabby.
Roger, darling.
-
Oh, I'm sorry, but I'm going to be late.
-
Well, really, the traffic in Paris
this time of day is something...
-
You what? You can't? Oh, no, Roger,
not again. I know it's business,
-
but it's just that tonight
is a very special night.
-
It's our fifth anniversary. Of what?
-
Of the night we met.
-
No, no, I understand.
-
Yes, tomorrow will be all right.
-
Good night, darling.
Good night.
-
It's very useful for a man this business.
-
Yes, very useful.
-
I would give him an ultimatum.
-
What kind of an ultimatum?
-
We are going to get married or out?
-
No, Gabby. I've told you
we don't want to get married.
-
He doesn't want to.
-
We were both married before.
-
You know that.
We both learned the same thing.
-
People should be together
because they want to be,
-
not because they have to be.
-
- Freedom is such a precious thing.
- For him, not for you.
-
- Oh, Gabby.
- He goes out with other girls.
-
Yes, he does.
-
- You don't go out with other men.
- I don't want to.
-
Some freedom.
-
You worry too much about me, Gabby.
-
My mom says it doesn't matter
when you are young,
-
but when you are old,
you want to be married.
-
Oh, Gabby, am I that old?
-
No, but you are too much alone.
-
Sorry about last night.
-
- This has been a terrible week.
- Yes, I know, Roger.
-
I'm still trying to close
a deal in Denmark,
-
but one in Holland fell through
-
and I have no shipments from America
because of the strike.
-
- It's not very gay all that.
- No.
-
Shall we give it up, Paula?
-
I could live quietly in the country
in the small house by river.
-
You wouldn't know
what to do with yourself.
-
You couldn't live without
your trucks and your tractors
-
and the life of your city,
your long Paris nights.
-
But you've taken
to driving very fast lately.
-
I know. What's that a sign of?
-
- Trying to stay young.
- Oh, you'll never be old.
-
Je t'adore.
-
Whatever I say, you understand.
-
Whatever I ask, you can answer.
-
- Oh, I am remarkable.
- You are.
-
I wonder how many times I've done this.
-
Leaned forward to turn on the radio
as you drove me home from dinner.
-
Paula.
-
Well, am I very selfish? I mean, with you.
-
No. It's true I feel alone sometimes.
Not quite so young. And I miss you.
-
But I know how much
your your business means to you.
-
- Do you know how much you mean to me?
- I think so.
-
Oh, I forgot.
I had lunch with Jack Vanette today.
-
He has a friend who needs a decorator.
-
A rich American woman
with a new apartment.
-
Here's the name and address.
-
You're supposed to see her
tomorrow morning.
-
Oh, thank you.
-
Sounds like there may be some money in it.
-
I could use it.
-
Well, good night. I'll let you sleep.
-
Well, what happened?
We were looking for you.
-
Good morning, Suzanne.
-
Would you like to take a walk?
Then I'd like to take a walk.
-
- Morning.
- Oh, good morning.
-
I'm Philip Van der Besh.
-
- Have you come to see my mother?
- Yes.
-
- Won't you sit down?
- I hope I'm not too early.
-
Oh, no. No. Mother's up, I'm sure.
-
Is it about doing the apartment?
-
- Yes.
- Well, it could stand a bit of doing.
-
Well, I did wonder where you sit
when you're more than three.
-
Oh, well, I wouldn't know about that.
-
I work all day, and when I come home,
I go straight to bed.
-
Oh, you must work very hard.
-
Yes, I do. I do. I'm a lawyer.
Never get to bed before midnight.
-
Up and out of the break of dawn.
-
- It's almost 11 now.
- Yes. Well, yes.
-
Well, it's uh unusual.
-
I may as well tell you
my most important client
-
went to the guillotine this morning.
-
The guillotine? Good heavens! Is he dead?
-
No. Actually, I don't do much work.
-
Not enough really.
-
- Would you like a cigarette?
- Yes, thank you.
-
Where did... Oh, thank you.
Is it still raining?
-
No, it's not still raining.
-
Well, there really isn't
anything else to say, is there?
-
I don't know you.
-
If I did, I'd tell you how happy
I was to see you again.
-
- Why?
- I don't know. I just would.
-
Suzanne, has Mr. Phillip gone?
-
Quick, there's another.
When were you born?
-
What day? What month?
-
- Phillip.
- Yes, mother.
-
Oh, there you are.
-
I do think you might get out
of the house before 11 once in a while.
-
Uh, yes, ma. I was just gone.
-
I can't see why monsieur Fleury
puts up with you?
-
Oh, that's easy.
You're his richest client. Goodbye.
-
I do hope I'll see you again.
Good luck.
-
I'm sorry. Did you want to see me?
-
Mr. Bunnell asked me to stop in
and see you this morning.
-
Jack Bunell,
he said he'd spoken to you about...
-
Oh, yes, yes.
About the apartment.
-
You're the decorator.
-
Well, he said some
very nice things about you.
-
Now, before we begin,
-
there's one thing I want you
to understand very clearly.
-
If there's one thing I can't stand,
-
it's people who try
to take advantage...
-
Suzanne.
-
You have to tell them
everything a dozen times.
-
Don't misunderstand me, my dear.
-
I want the apartment to look well,
but there are ways of doing it, aren't there?
-
- I had a young man....
- Madame?
-
What?
-
What? Oh, oh, yes.
-
I've told you not to leave
the windows open.
-
Well, kindly remember.
-
She won't, you know
-
They say servants are cheaper over here
but they strain on the nerves.
-
Now what was I saying?
-
- You had a young man.
- Young man. Oh yes, of course.
-
The decorator. Well, he didn't last long.
-
I've met robbers in my time.
-
Oh, do sit down, my dear.
-
But for sheer thievery,
he was...
-
- When were you born, dear?
- Oh, I beg you pardon.
-
When were you born?
Oh, you don't have to tell me the year.
-
I wouldn't dream of asking you that.
-
- But the month?
- June.
-
- Oh, what part of June?
- The 13th.
-
Oh, Gemini.
-
Oh, how interesting. I don't suppose
you remember the time of day.
-
- No, no, I'm afraid.
- Oh, that's too bad.
-
Well now, shall we do
the downstairs in Louis XV?
-
It'll cost quite a bit more.
-
And if you want to keep
the pieces you already have...
-
I most certainly do.
-
Come along. I'll show you around.
-
You know, these things have been
eating their heads off in storage.
-
It's about what time
they paid for their keep.
-
But my son is studying
international law, you see,
-
and we travel a lot, but now
we have to stay in Paris for a while.
-
Oh, did you meet Phillip?
Oh, you must meet him.
-
He's quite charming
and really quite right.
-
The trouble is I haven't the faintest idea
-
what goes on in this mind.
-
Oh, this is the dining room.
-
- I am sorry about his arm.
- Arm? What arm?
-
The one that goes like this.
-
Really? I hadn't noticed it.
I must have a look.
-
Oh, about the dining room.
Now, I thought over here...
-
Taxi!
-
But you haven't been
here all this time.
-
No, I had some things to do.
I just happened to drop by this way.
-
- I'm going to Boulevard Haussmann.
- Fine.
-
- Are you sure?
- Sure.
-
Thank you.
-
There's an art to getting into this thing.
-
- You all right?
- Oh, nothing. Just my stuff.
-
- Am I driving too fast?
- Oh, no. I'm used to it.
-
I have a friend who drives very fast.
-
He says it keeps him young.
-
Does he want to stay young?
-
- Oh, yes.
- Not me.
-
I take it you were born
into the right sign to do the apartment.
-
I hope so.
-
- Do you believe in the stars?
- No, but your mother seems to be ruled by.
-
It's very convenient, too.
If you're ruled by the stars,
-
you don't have to feel responsible
for the things you do.
-
Did you find her vague?
-
- Yes, in a way.
- She's not a bit vague.
-
It's an act.
-
Oh, it seems that acting runs
in your family.
-
- How's your arm?
- Pretty good.
-
Listen, make mother pay as you go along.
-
She's rich and stingy
and she hates to pay bills.
-
You shouldn't talk like that
about your mother.
-
- I'm not a child.
- Oh, that's why. How old are you?
-
- 25.
- How old are you?
-
40.
-
- What's so funny?
- The admiring whistle.
-
I was more admiring than you think.
-
Thank you.
-
Will you have lunch with me one day?
-
Nope.
-
Just like that. No?
-
Just like that.
-
Sorry, I didn't mean to be rude,
-
but it's difficult for me
to plan lunch the way I work
-
- and now with your mother's apartment...
- I understand.
-
- Here to the right, please.
- Okay.
-
- Well, thank you very much.
- Not at all.
-
Well, goodbye.
-
Hello.
-
Good morning.
-
- Morning, Alex.
- Good morning.
-
He's rung for you three times.
-
- No. What about?
- How should I know?
-
- Probably the Guillaut brief.
- I gave him that yesterday.
-
That's probably why.
-
What is it? What's the matter?
Have you hurt yourself?
-
No, it's all right.
-
Oh, no. No, no, no, no.
Let me go. Let me go.
-
You and your play acting. Really.
-
Alice? I met someone this morning.
-
I know.
The most beautiful girl in the world.
-
No, a woman.
-
Warm, charming,
-
gay, and yet sad.
-
- There was a deep sadness in her eyes.
- From what?
-
I don't know.
-
- The husband.
- What husband?
-
- Isn't she married?
- How would I know?
-
Don't think you ought to find out?
-
- What difference would it make?
- Oh, excuse me.
-
Well, if she is,
it can't be a good marriage.
-
She's not happy.
-
- No, she could only be happy with you.
- Right.
-
Yes.
-
Good morning, sir.
No, that'll be fine.
-
Six. Six. Six dozen.
Thank you.
-
- Sorry.
- I hope you know what time it is.
-
Yes. Yes.
-
Oh, dear. I'm sorry about that.
-
I was delayed at home this morning.
-
My mother's not well.
-
I talked to your mother
on the telephone exactly 5 minutes ago
-
and she seemed to be in perfect health.
-
Yes. Well, she she is uh
she's much better now.
-
Thank you for inquiring.
-
I've read the Guillaut brief.
-
- Yes.
- I do not think I need tell you
-
of the high regard
in which I hold your family.
-
And I'm sure you know how pleased
I was to take you into my office.
-
Yes.
-
But you seem to have no ambition.
-
You show no desire to work.
-
Why? This is not a brief.
It gives no citations.
-
It presents no body of law
to support our case.
-
What did you think you were doing?
-
- I don't know.
- Don't you care?
-
- Yes.
- Well, then.
-
I just don't know what I'm doing.
-
You're studying French law, I hope.
-
No, I mean, um, what am I doing?
-
What have I done to prove I'm alive?
-
- You understand?
- Are you trying to be funny?
-
No, I want to know how does one do it.
-
For instance, I've just realized that
-
I've never even been in love.
-
Well, I have. Do that brief.
-
What's her name?
-
I don't know.
-
You look wonderful tonight.
-
You always say that
when I wear this dress,
-
I'll have to have it copied.
-
No, no, it's not the dress.
-
How did you ever find this place?
-
I don't know.
Probably came here with business people.
-
Hello.
-
You seem to know everybody.
-
No, it's just one of those nights.
That's all.
-
What's up?
-
They seem awfully young, don't they?
-
Young? I don't think so.
What about him?
-
No, but he's trying.
-
I'm afraid I have to go home
early tonight.
-
Oh, I didn't tell you. I got the job.
-
Yes. That card you gave me
from Jacques Bunnell.
-
- Oh, you went there
- This morning.
-
Her name is Van Der Besh.
She's one of those rich women
-
who live all over the world
-
and still give you the feeling that...
-
- Hello.
- Hello. It is funny. That is her son.
-
Mr. Van Der Besh. Mr Desmarest.
-
- I knew I'd find you.
-Oh, you were looking for me?
-
- Yeah.
- How nice.
-
I looked for you everywhere.
All the time you were here.
-
Not quite all the time.
We had dinner at the Berkeley.
-
I finally began to wonder
if you were real or just a dream.
-
This place is getting too popular.
-
Are you married? I hoped you weren't.
-
- Oh?
- Oh, I'm sorry, sir.
-
I think I said something
I shouldn't have said.
-
Hey, would you like some coffee?
-
No, I hate coffee.
I'll have one of the....
-
Don't make any difference now.
-
I'll be right back.
-
There's a man for you. A real man.
-
Strong, confident, sure of himself.
-
I don't think it's that simple.
-
- Do you love him?
- It's none of your business.
-
Oh. Oh, I apologize.
-
It's funny. I've done nothing
all day but apologize.
-
Claude. Claude.
Three whiskeys, s'il vous plaît.
-
Hello.
-
Well, hello.
-
- Small world, isn't it?
- And full of charming surprises.
-
I'm afraid I don't quite
remember where I am.
-
Chéri, I forgot my lighter.
-
- Oh, darling. You remember Mr...?
- Desmarais.
-
Oh, yes.
-
Nice to see you again.
-
And then I found out
I didn't know your name.
-
Well, here you are.
-
Sir, I I want to apologize
if I said anything...
-
Oh, well, we've all had too much
to drink at one time or another.
-
- Would you like to dance, darling?
- I'd love to. Excuse me.
-
Do you mind? Thank you.
-
We'll be back. Don't worry.
-
Hey, Philip, we're going to Régine.
You coming?
-
Come on, Phillip.
-
Ah, strange boy.
-
Not strange. Just very young
and a little drunk.
-
"I have looked for you all over Paris.
-
"I've begun to wonder
if you're real or just a dream."
-
Congratultions for that.
-
Oh, he's just a boy
and I think terribly unsure.
-
Unsure? A young man who looks for you
-
all over Paris and takes your hand
-
and says, "Are you married?"
It's not my idea of unsure.
-
Well, it's been a long time
since anyone chased all over Paris
-
looking for me.
-
And you like it, huh?
-
- Yeah.
- Yes, of course I do.
-
Oh, he's gone.
-
Good. Now I can finish my drink.
-
Excuse me.
-
I really must go home.
-
If I stay up like this,
I'll look 100 tomorrow.
-
Oh, come on.
I'm just beginning to like it here.
-
Poor! He is going to break the window.
-
Darling, please take him.
-
- Hey, come on.
- I'm all right. No, no, I'm all right.
-
I'm all right.
-
Find his key.
-
- I got my key.
- Where is it?
-
- I won't tell you.
- Oh, please.
-
There. There you are.
-
- My key.
- Can you make it all right?
-
Certainly.
-
Good night.
-
Wait a minute.
-
Good night.
-
- Good night.
- Good night.
-
Roger!!
-
I'm sorry you had a bad time.
-
No, it was quite amusing.
-
Oh, well, good night, darling.
-
May I come up for a drink?
-
Wait a minute.
-
Oh, no. You can't have that.
-
I'm covering a chair for Margo Glenville.
-
Maro Glennville can go to... I want this.
I adore it. And I shall have it.
-
Now that's settled.
I love you passionately.
-
I have to run. Where's my packet?
-
There. But it won't go
with your apricot walls.
-
We'll make them oyster white.
-
Uh, do you want me tomorrow? Yes.
-
Yes. I have a pair of lamps coming in
that I want you to look at.
-
I'll be in around 6:00.
-
Goodbye, my love.
-
Hello.
-
- I came to apologize.
- Oh, you needn't.
-
And please,
thank your husband for me for...
-
- How is your head?
- I'll live, I think,
-
but I'm not sure I want to.
-
Oh, you do look a bit um...
You ought to get some sleep.
-
- Well, the thing is I'm hungry.
- Well, then go and eat.
-
That's why I'm here.
-
I know you said you were busy,
but would you have lunch with me?
-
I just want to make up for last night.
-
- Oh, there's no need.
- But I want to.
-
What do the stars hold
in store for you today?
-
- Did your mother tell you?
- Yes.
-
I must persevere in whatever I'm doing,
-
no matter how hopeless it may seem.
-
You're acting again.
-
Please.
-
It's a beautiful day.
-
We could lunch in the country.
I have my car
-
Or in the Bois.
-
Then if you get bored,
you can phone for a taxi.
-
You think of everything.
-
Oh, another run. I suppose
all your girlfriends wear slacks.
-
- I haven't any.
- No girlfriends. Why not?
-
I don't know.
-
Try to think. When did this general
falling away from you begin?
-
Oh, I've known lots of girls,
but it just doesn't last.
-
It's my fault, I guess.
But they're so young.
-
- What's wrong with that?
- Oh, I don't know. It must be me.
-
Still, I take this last girl.
Now, she was pretty
-
and exactly the way older people
imagine the young to be.
-
How do older people
imagine the young to be?
-
Oh, you know,
they try to look wickedly decadent.
-
They they drive their little cars
at top speed, clenching their teeth.
-
They light cigarettes the moment
they open their eyes in the morning.
-
And she kept telling me that love was
no more than the touching of two skins.
-
- And?
- Well, I think love is more than that.
-
She cried when I left her.
-
I'm not proud of that.
I hate the breaking up of things,
-
partings and goodbyes.
-
Well, then you must never fall in love.
-
Is that true?
-
I hope not.
-
Are you in love with your husband?
-
I have no husband.
-
Good.
-
After the last night,
you should be drinking water.
-
I feel fine, but I need this for courage.
-
- Do I intimidate you?
- But I'm afraid you'll get bored.
-
You probably think I'm one of those
spoiled insipid young men
-
who gets pushed into polite jobs
-
that their parents can pay for, and
from then on are busy trying to keep busy.
-
Is that how you think of yourself?
-
No, I like my job.
-
You don't sound very enthusiastic.
-
Corporation law, there's nothing duller,
-
not criminal law.
-
Well, then why don't you do that?
-
One doesn't practice criminal law
in my family. It isn't done.
-
Have you ever seen a murder trial?
Ah, it's wonderful.
-
They're so different
in each country
-
and always so exciting in its own way.
-
In America, it's like a football game.
-
- Why did you lie?
- I didn't. I didn't.
-
- We know you had the gun in your hand.
- I object.
-
- Overruled.
- Answer the question.
-
- I didn't. I didn't.
- You're lying.
-
- You threatened to kill him.
- I didn't. I didn't.
-
You stood in the corner
of Howard and Mason.
-
- I object.
- Sustained.
-
- Your honor...
- Sustained.
-
Oh, in France it's different.
-
The French have a logic
and a sophistry and a true sense of drama.
-
J'accuse... Sorry.
I accuse in the name of the dead.
-
I accuse you of avoiding
your duty as a human being.
-
I accuse you of letting love go by,
of neglecting your duty to be happy,
-
of living on evasion
and subtrifusion, resignation.
-
You should be sentenced to death.
-
You will be sentenced to solitude.
-
- A horrible sentence.
- The worst.
-
The worst and the most frightening.
To be alone and without love. Isn't it?
-
Yes.
-
You must find me even
more ridiculous than last night.
-
No.
-
Or do you think I'm acting again?
-
I was thinking of myself,
-
but I was thinking too that
you're far too young to feel that way.
-
- Alone without love.
- You don't know.
-
No.
-
Anyway, it takes two. It's not enough
to love. One must be loved.
-
- You look sad.
- Oh, no. I'm not.
-
I should like...
I should like...
-
I don't really know you,
but I should like to think you are happy.
-
Here's fine.
-
Here we are.
Well, thank you for lunch.
-
- Goodbye.
- Where are you going?
-
Oh, just to do a few errands.
-
- Can I come with you?
- No, I really had a good time.
-
Thank you again.
-
- Can I just walk with you?
- No. Goodbye.
-
Hello. I thought I could carry
your packages.
-
Well, then I can
take you back to your shop.
-
Oh, please don't be mad at me.
I don't think I could stand that.
-
Really? You are a child.
You must have been terribly spoiled
-
- when you were young.
- Oh yes. Mother gave me everything.
-
Much easier than saying no.
-
What about your father?
-
Oh, we ditched him when I was seven.
And from then on, we traveled.
-
Just mother and I.
-
Home is where the heart is.
-
And travel broadens the mind.
-
Oh, you're so very right.
-
I have an amazing fund
of useless information
-
which serves me very well
at dinner parties.
-
I have thousands of acquaintances
without the burden of friendship.
-
I've been in and out of 27 schools.
-
And I can say I love you
in 13 different languages.
-
Not bad at all.
-
That's my favorite. It's "I love you"
in Norwegian.
-
Did you learn that from a Norwegian girl?
-
Yes. It's the extra syllable
that gives it the emotion.
-
Well, here I am. Goodbye.
-
- Wait a minute.
- Yes.
-
Do you like Brahms?
-
What?
-
There's a wonderful concert
at South Playel Sunday afternoon.
-
Brahms?
-
Do you like Brahms?
-
What's the matter?
-
I haven't been asked that since I was 17.
-
- And what did you answer?
- Yes.
-
Of course I was in love
and we went to the concert
-
and we sat high up in the balcony
-
and held hands and listened to Brahms.
-
Well, I'm not quite sure.
Anyway, it was lovely.
-
- Then you do like it.
- I don't know. It was so long ago.
-
Well, will you come to the concert
with me and find out?
-
I am busy this weekend.
I'm sorry.
-
I try to keep my weekends free.
-
Is it the man you were with last night?
-
- Yes.
- Is it permanent?
-
Yes.
-
Goodbye. Thank you again.
-
- Funny.
- What?
-
Men always smoke afterwards.
-
Do they? I never thought of that.
-
Oh, yes, they always do.
Could I have one?
-
Yeah. You know
such interesting things, Maisy.
-
I wish you'd tell me
why you call me Maisie.
-
I have very poor memory for names.
-
- It makes life easier.
- Do you call all your girls Maisie?
-
Yes.
-
Oh, I think that's cute.
Which Maisie am I? Maisie 7?
-
Maisie 27?
Maisy 127?
-
- Maisy number one.
- Oh, how galant.
-
A little more champagne, please.
-
You know, I'm awfully glad you were
at that cocktail party this afternoon.
-
So am I. But I don't know
why you picked on me
-
with all those good-looking boys around.
-
Oh, those kids. They talk and talk.
They just love to talk.
-
But you, the moment I saw you,
I knew what you had on your mind.
-
Don't laugh.
That's very rare these days.
-
Honest. Ask any girl.
-
How did you get rid of Cheryl?
-
Oh, poor André.
He's awfully important in movies,
-
but if you only knew what a boy he is.
-
- I never will.
- Don't worry about him.
-
Roger, let's go away for the weekend.
-
I'll bet you know some wonderful places
around Paris, shall we?
-
You're free, aren't you?
-
I heard somewhere that you were
sort of tied up. Is it true?
-
No. No. I'm free.
-
Yes, darling. Yes.
-
Well, no. I was waiting to hear from you
to see what you want to do this weekend.
-
What?
-
Oh, I'm sorry, darling,
-
but the weekend is the only chance
I can get to work on this deal.
-
The man is in Brussels,
and I've got to go see him.
-
- It may mean a sale of 75 tractors.
- Yes, I understand.
-
Of course, I do.
Oh, I don't know.
-
I'll go to a movie, I guess.
-
Yes, I know she has
a bridge game on Saturdays.
-
Who? No, no, I'm not going to call Jimmy.
-
Why should he take me out?
-
Oh, Roger, will you please stop
trying to arrange my weekend?
-
Oh, no. Really, dear.
If you feel badly about my going,
-
I'll see what I can do.
-
Oh, don't be silly.
Of course you have to go.
-
I'll probably work this afternoon.
One of my clients asked me to.
-
I said no, but I may as well now.
-
Yes, we'll both work. All right, darling.
When will you get back?
-
Well, if you do, I'll be here.
-
And drive carefully.
Yes, I will. Yeah.
-
Goodbye.
-
Hey.
-
Hello.
-
Sorry, darling.
I'm late, but you know how it is.
-
Come here.
-
12,000 francs? Good grief!
-
- That's $24 a yard.
- Yes.
-
Oh, I feel awful today.
How much is that one?
-
- It's 14,000.
- I'll take that one.
-
All right.
-
Well, there's nothing wrong
with it, is there?
-
No, no, no. I like it.
-
Oh my. I am pleased
with the way things are going.
-
You've done wonders in a short time.
-
Thank you.
-
Now, I may as well tell you
I'm planning a dinner party on the 19th.
-
Well, that's a week from Wednesday.
-
Oh, but I couldn't.
-
Sorry, but I've already
sent out the invitations.
-
Well, I'll do my best.
-
- And of course, you must come.
- Thank you.
-
Now, if you look at these materials,
Madame Van Der Besh...
-
Excuse me. I...
Do call me Teresa.
-
I have picked this for your bedroom
and this for your son's room.
-
As a matter of fact, I've sent an
invitation to your friend, Roger Desmarais.
-
That's his name, isn't it?
-
I hear he's most attractive.
-
Oh, my dear, Paris is like a small town.
-
Really. Everyone knows
everyone's business.
-
Now, would you like some tea?
No, thank you.
-
But I do wish you'd look
at these materials.
-
Oh, Paula,
I couldn't look at another thing today.
-
I trust you implicitly.
Only just don't spend too much money.
-
Madame.
-
- Will you bring us some tea, please?
- Oui. madame.
-
I thought this for your son.
-
I couldn't possibly tell you
what Philip would like.
-
Not possibly.
-
He's not that difficult.
-
He's impossible. He's practically
a manic depressive.
-
Loves the world, hates the world.
-
Just like his father.
He drinks, you know.
-
Oh, his father drank, too.
-
But charming.
Oh, there you are, darling.
-
We were just talking about you.
-
- I'm in luck. Hello.
- Hello. I'm sorry. I have to go.
-
But you haven't had your tea.
-
Thank you, but I have things to do,
-
and thank you for giving me the time.
-
- I'll call you on Friday.
- Goodbye, my dear.
-
- Don't forget the 19th.
- No, I won't.
-
Goodbye.
-
I'll see you out.
-
- What is it?
- Nothing.
-
Anything wrong?
-
No. Can I come down with you?
-
- I didn't expect to see you today.
- No.
-
- What happened to your weekend?
- Roger was called away on business.
-
I see.
-
- Goodbye.
- Goodbye.
-
The switch is behind you.
-
Let me go.
-
Let me go. You're annoying me.
-
Phillip, please let me go.
-
- Gabby.
- I'm coming.
-
Good morning, madame.
-
I love you every day of the week,
but on Sunday mornings, I adore you.
-
I could bring you breakfast every morning.
-
Too sinful, Gabby. Too sinful.
-
Oh, is there no more black cherry jam?
-
What a shame.
-
I'll get some tomorrow.
-
- There's a message for you.
- Where is it?
-
It was on the telephone. Very early.
-
- He said he didn't want to disturb you.
- Monsieur?
-
No, another monsieur.
-
He wouldn't give his name, but he made
me say the message over and over.
-
Oh, and what is the message?
-
I'm sorry about yesterday.
Do you like Brahms?
-
You understand it?
-
- Yes. Yes, I understand it.
- But what are Brahms?
-
Look over there.
The second album from the top.
-
Yes, that's it. Put it on. Fine.
-
Now the first switch.
-
Those are Brahms music.
-
You'd better get dressed.
-
Do I have to?
What time is it?
-
About 5:30.
-
Why don't we stay over tonight
and go in tomorrow?
-
- Nope.
- Why not?
-
- I have to be in Paris tonight.
- Why?
-
- None of your business.
- I'm not going.
-
- What?
- I'm not going,
-
Maisy.
-
- Maisy.
- No.
-
- Come on, Misy.
- I want to stay here.
-
- Stop. Maisy, will you?
- No.
-
- Please, M...
- I want to stay here.
-
Stop.
-
- Hello.
- Hello.
-
I'm glad you decided
that you like Brahms.
-
Do I? Well, I don't really know.
-
It doesn't matter so long as you're here.
-
I can look, can't I?
-
Sorry.
-
Makes no difference.
I especially said extra dry.
-
- What's the matter?
- Oh, nothing.
-
Oh, there's the bell. Don't you think
we should be getting back?
-
Intermission is almost over.
-
Will you have dinner
with me after the concert?
-
I can't. I have to get home.
-
I thought you said he'd gone away
for the weekend on business.
-
I expect Roger back tonight.
-
What if he doesn't show up?
-
Well, then I'll have dinner alone.
-
He must be quite a man
to deserve such devotion.
-
Such blind self-sacrifice.
-
- I love him.
- What about him?
-
- What about him?
- Does he love you?
-
Yes, of course. All is for the best
in his best of all worlds.
-
Don't play the cynic.
It doesn't suit you.
-
At your age,
you ought to believe in such things.
-
Stop making fun of me. Stop talking down
to me as if I were 5 years old.
-
Sorry.
-
I'm not making fun of you,
but of the parts you keep playing.
-
- If you would just be yourself.
- It's true.
-
Since I've known you, I've played
the brilliant young lawyer,
-
the bashful lover, the spoiled child,
-
God knows what else.
-
But it's all been for you, only for you.
-
Don't you think that's love?
-
We'd better hurry.
-
I am sorry we are late.
-
How long has...
How long have you and Roger...?
-
5 years.
-
- And you've been happy.
- Yes, I have.
-
- Always?
- There's no always.
-
I've had 5 years of happiness
and doubt and warmth and pain...
-
But only the happiness matters.
-
You're not happy now.
-
- Yes, I am.
- No, I know you're not.
-
I told you I love him.
-
And I love my mother
and my old nurse and my...
-
- I don't see what that's got to do.
- No, you say you love him, but you're alone.
-
You spend your Sundays alone.
You're dying alone.
-
- How often do you sleep alone?
- You have no right.
-
I have the right.
-
I have the right to fall in love with you
and nothing can stop me,
-
and I shall take you away
from him if I can.
-
I will.
-
I will.
-
What's that?
-
- Brahms.
- How do you know?
-
- Well, the announcer said so.
- Do you like it?
-
Oh, Sunday afternoon
so awful on the radio.
-
Put it back where it was.
-
Oh, well, there's nothing else.
-
Funny. When I was eight,
I wanted to be a conductor.
-
I wanted to be a movie star,
and I'm going to be.
-
I've got to have dinner with Charelle
tomorrow night,
-
but I'll call you
as soon as I can get away.
-
- All right?
- Yeah. Yeah.
-
It's not nice of you to leave me tonight.
-
I'm going to miss you.
-
- Maisy, I can't drive.
- Don't be silly.
-
You're a wonderful driver.
-
As a matter of fact,
you do everything well.
-
Hello.
-
Hey.
-
- What's the matter?
- Nothing. I'm just so glad to see you.
-
- How was your trip?
- Fine.
-
- Did you just come in?
- Yes.
-
Where have you been?
-
- I've been to a concert at Salle Pleyel.
- Oh, do you like Brahms?
-
Why did you ask that?
-
I heard it on the radio driving back.
-
Oh, how did you happen to go?
-
- I... Young Van Der Besh asked me.
- Oh.
-
And I had nothing to do and I couldn't
remember whether I liked Brahms or not.
-
A young boy asked me
a silly trite question
-
and I didn't have an answer.
I'd forgotten.
-
I can't keep my mind on anything lately
except the man I love is never around.
-
Well, what is it?
-
I told you someone asked me a question.
-
But I have no answers anymore.
-
And all the questions seem
so important suddenly.
-
Do I like Brahms?
What is my favorite color?
-
Do I like roses? Do I love you?
-
What's happened?
What's that boy been saying to you?
-
What difference does it make
as long as I love you?
-
And you know the answer
to that one, don't you?
-
- What have you been doing?
- Listening to Brahms.
-
Oh, stop talking about Brams.
-
I can't leave him out.
-
- Well, what's this about? Is it me?
- Yes, you and me.
-
- You know that I love you.
- No, I don't.
-
I don't know anything anymore.
-
Oh, Roger, has time
caught up with me already?
-
Already?
-
Paula, what do you want me to tell you?
-
That you're the most important thing
in the world to me?
-
Well, that someone was always there.
-
The one that you can be sure of,
to love, and to trust when you want to.
-
Sometimes I wish I was one
of the sluts you pick up in bars,
-
not to be trusted or esteemed or admired.
Just to be loved.
-
You know they mean nothing to me.
-
Yes I know.
-
It's how I am.
I've never tried to hide it.
-
- Oh, you've been honest.
- You don't really care.
-
You've said so.
-
That's right.
-
- Well, then as long as we're honest...
- We can be self-indulgent.
-
Well, then what's wrong?
-
I wish you and I were
falling in love again.
-
That's all.
-
We were so sure of the future then.
-
I'm sure of it now. Nothing has changed.
-
Well, we can go on just as we are?
-
- Of course.
- For ever?
-
Sure, why not? I love you.
-
You've had a bad weekend, Paula.
-
I should not have left you.
I'm sorry I had to.
-
It's all right.
-
- Where should we dine?
- Where would you like?
-
Oh, I don't care. I'll just change
into another dress and fix my face.
-
It won't take a minute.
Oh, look. Your mask fell down.
-
No harm done.
-
Tell me, what about L'Escargot?
-
- Do you think we can get in?
- I think so.
-
Don't you want a drink?
-
- Would you like one?
- No, thank you.
-
Well, tell me, how was Brussels?
Was your trip successful?
-
Yes, fine.
-
You don't sound very enthusiastic.
-
- What about Chez Allard?
- I don't think they're open on Sundays.
-
No, no. L'Escargot go will be fine.
-
- Roger.
- Yes.
-
I'm glad you came home tonight.
-
- So am I.
- Was the traffic awful?
-
It's always bad on Sunday, but the parkway
is quick, even when it's crowded.
-
Parkway, but there's
no parkway from Brussels.
-
No, of course not.
-
Did I say parkway?
-
They fit their road so well,
it seems like a parkway now.
-
I made wonderful time.
-
- Well, that's good.
- What about some place with music?
-
Might be nice.
-
I don't know which ones are open.
We can drive around and see.
-
All right.
-
- Is that the door?
- Yes. Yes, I'll go.
-
- Hello, Gabby.
- What's wrong with you?
-
Who is this?
-
Gabby.
-
- A letter for you.
- All right.
-
How's your English, Gabby?
I haven't seen you for a long time.
-
I've been here.
-
- Who is it from?
- I don't know. It came by hand.
-
- Here.
- Thank you.
-
Do you mind reading it to me, darling?
-
- It may be personal.
- I don't think so.
-
It is. It's from young Van der Besh.
-
It doesn't matter.
-
We have no secrets
from each other, have we?
-
I ask you to forgive me. I was jealous.
-
And you can only be jealous
of things that you own.
-
Well, now you'll be rid of me for a while.
-
I'm leaving for London tomorrow to work
on a case and it's very important.
-
But I don't really care because
all of the time I'll be thinking of you.
-
Please, please remember, even if you never
want to see me again, that I love you.
-
Your Phillip.
-
- I'm ready.
- You haven't said where you want to go.
-
Oh, I think some place with music
would be nice, don't you?
-
It is true, Milord,
-
as my learned friend suggested,
that the facts do seem simple.
-
On a certain day,
-
at a certain time, in a certain place,
-
two ships collided.
One English, one French.
-
- The papers you asked for in Paris.
- Good. How's it going?
-
- Fine.
- Here's a letter for you too.
-
I wonder how my learned friend
will explain away
-
in simple terms the testimony
of witness Sharp, who stated that,
-
at no time during the 10 minutes
-
preceding the collision,
did I hear a signal from the English ship.
-
Complication upon complication.
There is too the question of the fog.
-
Witness Glennville states that the fog
-
was lifting, but witness Olivier states
-
emphatically that the fog was thickening.
-
There is too the testimony
of the quartermaster Bellnap,
-
who was forced to admit that
he had left the bridge a few moments
-
earlier to get more sugar for his coffee.
-
Let me recall to your memory, Milord,
the statement of Seaman Jeandran,
-
- What?
- I'm sorry.
-
...radar screen at a distance
of three miles.
-
London airport, please.
Butt first up at Doorchester.
-
It's beautifully done.
Don't you think so, Lucien?
-
Yes, my dear.
-
Well, thank you, Myrtle.
Is she expensive?
-
Not with me, my dear. Not with me.
-
- And who is he?
- Who?
-
- He.
- He's in the truck business or something.
-
- I think that's what she told me.
- I must say he looks it.
-
Is he?
-
He seems rather attractive.
-
You think so?
-
Yes, as a matter of fact, he is rather.
-
Please, Roger, don't be bored.
-
Bored? How could I possibly be bored
with such a charming gay crowd?
-
At least try to be nice to
Madame Van der Besh.
-
You haven't even talked to her.
-
Yes, I have. I said "Good evening."
And "It was nice of you to ask me."
-
Please, here she comes.
-
Paula, dear, everyone
adores the apartment.
-
I've never heard people rave so.
-
I'm glad.
-
- He should be very proud of you, Paula.
- Oh, I am, madame.
-
And you have something
to do with trucks, haven't you?
-
Oh, how interesting.
-
You buy trucks in America,
then sell them in Europe.
-
And sometimes we buy them in Europe
and sell them in America.
-
We are very flexible.
-
Fascinating. Isn't it sad
Philillip isn't here to see you?
-
You do look so lovely.
Philip's my son.
-
He'll be furious when he hears
he's missed you,
-
but he had to go to London
on something terribly legal.
-
Did he tell you?
Philip's mad about Paula, you know?
-
- It's really quite touching.
- Yes, I know.
-
All right, Suzanne.
-
Marianne and Claude.
-
Dinner. Dinner. Everybody.
-
Raymond, you're sitting
next to Madame Fleury.
-
Alain, you're sitting with Madame Tessier.
-
Paula, dear. Talk to him
about modern paintings.
-
He has a fabulous collection.
-
And you're next to me, Mr Desmarest.
-
And you're going to tell me all about
your trucks and what you do with them.
-
You're a Leo, aren't you?
-
I beg you pardon.
-
Well, you must have been born
in late July or early August.
-
- No, early May.
- Oh, Taurus the bull.
-
Well, I suppose I should have guessed.
-
This is always the most difficult part,
-
trying to get people
to find the right places.
-
I can never read my own writing.
-
Françoise, you're here.
-
Mariline, over there.
Claude, you're next. Oh, here.
-
Oh, yes. Yes. And Paula dear, you're here.
Oh, no. No. I'm sorry, darling.
-
You're on the other side over there.
-
Alain, you're on her right.
Raymond on her left. That's right.
-
Lucien, you're next to Françoise
on her right there.
-
I'm sorry, but I must be frank with you.
-
I think it's all nonsensical.
-
They call themselves
abstract expressionists,
-
but what do they express?
That's what I want to know.
-
Yes. Yes. Isn't it?
-
We were just talking about Jean Duprey.
-
Of course, you know about
his latest affair.
-
I'm afraid I don't even know
who the gentleman is.
-
You don't know Jean?
-
No. I'm sorry. No.
-
And I can't think why
his latest affair should interest me.
-
- Unless...
- Unless?
-
Unless the lady's my wife.
-
And happily, I'm not married.
-
Oh, that's rather a narrow
point of view, don't you think?
-
If everyone were like you,
what would it be all about?
-
Phillip.
-
Good evening.
Hope I'm not disturbing you.
-
Well, Philip, we didn't expect
you until Saturday.
-
Well, I uh I thought I'd surprise you.
-
Philip, what's happened?
-
- Was the case settled?
- No, but it's it's going very well.
-
It's going very well indeed.
-
Well, darling, have you had your dinner?
-
Oh, yes. I had something on the plane.
I'll just sit here and keep you company.
-
No, no, no, no. Marcel,
Mr. Phillip's had dinner.
-
Hello.
-
Hello.
-
I must say that Phillip is looking well.
Hard work agrees with him.
-
Yes. I don't think hard work...
-
I got your note. Just caught up with me.
I came straight back.
-
- Would you like some fruit?
- Oh, no. No, thank you.
-
I never thought I could
hate London so much.
-
Well, you're in luck.
Mother would like to talk to you.
-
- And you would like to talk to Paula.
- That's right.
-
Wait a minute.
There's something I want to ask you.
-
What?
-
I wonder if I could have a cigar.
-
Of course.
-
- What did you say to Philillip?
- I asked him for a cigar. Why?
-
He looked angry.
-
He wasn't.
-
- Should he have been?
- Well, I don't know.
-
- Here we are.
- Oh, thank you.
-
- Do you like cigars?
- No. No, unfortunately.
-
- Can I get you something to drink?
- No, no, thank you.
-
I think we should be going home.
I have to get up early.
-
If Paula isn't tired,
I can drive her home later.
-
I suppose you could.
Would you like that, darling?
-
No. It's getting late. Good night.
-
Good night.
-
You certainly brightened up that party.
-
It was dying until young love came along.
-
Now they've got something to talk about.
-
Have you heard about one of
Van der Besh's interior decorator?
-
You did over the apartment
and seduce her son at no extra charge.
-
I think you've got something there, Paula.
-
If you're going to do
the young master's bedroom,
-
why not do the young master?
-
Makes the work so much more interesting.
-
- You're going away tomorrow?
- Yes.
-
Where?
-
I told you. Switzerland, Denmark, Germany.
-
- How long will you be gone?
- About 10 days.
-
Roger...
-
Good night.
-
Philip.
-
But how did you get here?
-
- You must have driven like a fool.
- Get in, please.
-
Why do you do such idiotic things?
-
Please, just for a moment.
-
Why did you come back from London?
-
-To see you.
- Oh, but why?
-
Why? Your letter.
-
Well, that's ridi... What did I say?
-
- "Come back soon."
- Oh, no.
-
"My sweet Phillip."
-
"Your letter was too sad
and more than I deserve."
-
"I miss you."
-
"Come back soon."
-
I didn't mean it that way.
-
I was tired and unhappy
and lonely and... oh, I'm sorry.
-
I shouldn't have written it.
-
But you meant it.
-
I suppose so.
-
Then.
-
Has anything changed since then?
-
No, nothing has changed.
-
Wow.
-
Here you are.
-
SAS 252.
Now you can board the aircraft.
-
This way, please, gentlemen.
-
Did you telegraph Copenhagen
to meet us?
-
Yeah, they'll have a car.
-
Roger.
-
Scandinavian Airlines announce
the departure of flight...
-
- You go ahead. I'll catch up.
- We haven't got much time.
-
Don't worry.
-
All passengers are kindly requested
to proceed to customs and passport...
-
What are you doing here?
-
I called you at home,
but you'd already gone.
-
- I wanted to see you.
- Come over here.
-
I'm sorry about last night. I was angry.
-
I was actually jealous.
-
I wanted to call you and...
-
Will you take me with you?
-
- What?
- I want to come with you. Can I?
-
Paula, make sense.
The plane is leaving in...
-
Yes, I know.
-
But I'll go home and pack a bag and
I'll join you wherever you are tonight.
-
Where will you be?
-
I have two men with me
from the home office in Chicago.
-
How would I explain?
-
But say I'm your wife.
Americans always travel with their wives.
-
They'll understand.
-
Paula, this is crazy.
-
Is it because of that boy?
-
Because of me.
Please.
-
Hey.
-
Yes. I'm coming.
Paula, don't worry.
-
I'll come back to you soon.
10 days no more.
-
Get rid of that boy, Paula,
he bothers you.
-
And don't worry,
everything will be all right. You'll see.
-
Paula, you know I love you.
I'll call you when I get back.
-
Goodbye, darling.
-
Attention, please. Will monsieur Desmarais
SAS passenger on flight 252
-
please proceed immediately to customs
and passport control? Thank you.
-
...law for 40 years and never
did I hear of anyone
-
walking out in the middle of a case.
-
Let me tell you something.
-
If it were not for your mother
I would ask you to leave at once.
-
As it is I'm ready to put you
to work on research.
-
Hello. Yes.
Who's calling?
-
No, I'm afraid Mr. Van der Besh
is occupied at the moment.
-
Oh, just a minute, please.
-
Oh, here he is now.
Hold the line, please.
-
Well, you certainly caught it that time.
-
- What did he say?
- I don't know. I wasn't listening.
-
- What's this?
- It's personal call for you.
-
A woman's voice, and it's not your mother.
-
Hello. Yes, Paula.
Yes, of course we can talk.
-
- Listen, tonight, I thought we could...
- I'm afraid I can't.
-
- What do you mean?
- I can't see you again, Philip.
-
Please try to understand that.
-
Whatever happens would only hurt you.
-
Don't try to see me.
-
Please. Will you promise me that, Phillip?
-
You must promise me, please.
-
Yes. Yes. Of course.
-
Say no more.
-
It's goodbye as before.
-
It's goodbye.
-
I can tell.
-
Save the lie.
-
It's farewell and goodbye again, my love.
-
So why deny you...
-
Let's go. I've had it.
-
Come on, will you?
-
We've been going like this for days.
-
You said you'd give two years
of your life to be really in love.
-
Yeah, I know I said it.
-
I'm sorry I said it.
-
That was way back.
-
Well, I am in love,
but she won't believe me.
-
I believe you.
-
You told me a thousand times.
-
Now, let's go, huh?
-
Philip, come on.
I'm going.
-
- You'll be all right?
- Yeah.
-
I'll check you tomorrow. So long.
-
Hello.
-
Your pal's gone. Left you, huh?
-
You talk about love
as if you knew all about love.
-
I do. You going to buy me a drink?
-
Sure.
-
Well, tell me.
-
- Tell you what?
- About love.
-
- It's kind of hard to explain unless...
- It's nothing.
-
It's just a word in a song.
-
It's in a million songs.
-
You've said it just right.
-
It's the most used word in the world
and it doesn't mean a thing.
-
Just a word in a song.
-
Well, here's to little old love.
-
Here's to a little old love.
-
Going to sing me another?
-
Well...
-
Love is just a word.
-
It doesn't mean a thing.
-
It's a fancy way of saying
two people want to swing.
-
Love is just a word.
-
And when the fun begins,
-
a word we use to cover
a multitude of sins.
-
Love is just a word
-
that's dropped all over town.
-
How long have you been here?
-
I don't know.
-
You must be wet through.
-
I had to see you. I tried not to, but...
-
It's all right.
-
Since you sent me away,
-
I don't know where I've been
or what I've done.
-
- How about you?
- Oh, me?
-
I worked. I went to a collection.
-
Bought a new dress.
-
They're tearing up the street
in front of my house.
-
Oh, I know.
-
I almost got stuck in my car.
-
It'll be fixed in a few days.
-
Paula, are you sure
you don't want anything?
-
Some good-looking
cold chicken in the ice box.
-
Boy, am I hungry.
-
Where's the butter?
-
Have you got any wine left?
-
Oh, here. Wait.
Oh, right. I found a bottle of beer.
-
Some cucumber salad left over.
-
I can't find any.
Oh, wait. Here it is. Here it is.
-
Darling, the record.
-
Can you turn it over?
Never mind. I'll get it.
-
Well, here we are. How does it look?
Pretty good, huh?
-
I don't know why I feel
as if I haven't eaten in days.
-
Hello, my love.
-
Oh, Gabby, wait.
I forgot I put the chain on last night.
-
It's all right. I'll take it.
-
Would you like me to get...
-
Paula? Can you help...?
-
Good morning.
-
Can you help me with this thing?
-
Gabby, this is Philip... Mr. Van der Besh,
-
Don't worry about breakfast.
I'll do that.
-
Well, thank you, Gabby.
-
Gabby, I'll call you if I need you.
-
- She was embarrassed.
- Not embarrassed.
-
Surprised.
-
Gabby is my guardian, my protector.
-
She's much older and wiser
than I am, my Gabby.
-
Look at the time.
I'm going to be late.
-
Don't worry. I can drive you to the shop.
-
No, I don't want you to.
Could you get the butter?
-
Well, why shouldn't I take you?
-
Oh, there's no need.
-
I can let you off at the corner
if you don't want anybody to see us.
-
Why?
-
I don't know. I just thought...
-
Don't worry.
-
They'll know soon enough
and they'll have such fun.
-
Have you heard about Paula
and her new young men?
-
Oh, she must have such vitality, Paula.
-
Such an appetite for life and young men.
-
Does it matter?
-
- Not really.
- All right, then.
-
- What time are you through?
- About 6.
-
6? What am I going to do till 6?
-
Well, how do you know
that I'm not busy tonight?
-
That's true. No, I don't.
-
Let me do that.
-
I'm not busy tonight.
-
Good.
-
Still, what will I do till 6?
I don't know. Work.
-
Work? Oh, I know what I'll do.
-
I'll wander around Paris thinking of you.
-
And then I'll have lunch alone
thinking of you.
-
And well, then I'll wait for 6:00 to come.
-
You go ahead. I'll catch up with you.
-
Why? Where are you going?
-
To make a phone call.
-
Tell the porter to get us a cab.
-
- What's his number?
- 24. Don't worry, I'll be there.
-
Hello.
-
Paula?
-
Hello.
-
I just got in. I'm at the airport.
-
How are you? Did you have a good trip?
-
I want to see you.
Are you free for dinner tonight?
-
No, no, I can't have dinner.
-
- Well, can you manage lunch?
- Yes. Yes.
-
Yes. Let's have lunch. Where?
-
- Where would you like?
- Oh, it doesn't matter.
-
A place that's not too crowded.
-
Pré Catean?
-
Fine. All right. I'll meet you there.
-
Do you want me to pick you up?
-
- No. No. I'll meet you there.
- All right.
-
I'm looking forward to seeing you.
-
Goodbye, Roger.
-
- I'm sorry I'm late.
- No, it's me. I was early.
-
- Don't you feel well?
- Why?
-
You don't usually drink
in the middle of the day.
-
Oh, that I felt a bit tired.
-
Oh, well then I think
I'll have a vermouth.
-
It seems a long time since I've seen you.
-
10 days?
-
Seems longer.
-
I called you a couple of times
from Germany, but I couldn't get you.
-
I've been out quite a bit.
-
Or maybe I turned off my phone.
-
You never used to.
-
- Thank you.
- Have you seen Jimmy?
-
No.
-
What have you done?
-
I've been seeing Philip quite a lot.
-
Oh, the young...
Still mad about you?
-
And you? Do you still find him amusing?
-
Yes.
-
Amusing or more than that?
-
More.
-
Well, there's nothing
to say to that, is there?
-
There's so much you could have said.
-
Roger. If I were to tell you
that everything still depends on you,
-
you wouldn't know
how to say it, would you?
-
- I don't know.
- But I do.
-
You would say that you were
too obsessed with your freedom,
-
too frightened of losing it.
-
I said I don't know.
-
All I know is that I detest the idea
of you and that young....
-
I hope it's worth your time.
-
It isn't a matter of that. He loves me.
-
It never occurred to me
when I asked you to lunch
-
that I would have to listen to the story
of your love life with that boy.
-
Since you've always made sure
I knew all about yours with your girls...
-
At least that's normal.
-
I mean...
-
Goodbye, Roger.
-
Paula,
-
I'm sorry. That was stupid of me.
-
You know I didn't mean it.
-
Oh, it it was just as much my fault.
-
Perhaps we shouldn't see
each other for a while.
-
- Goodbye, darling.
- Paula, you know that I...
-
You mean so much to me, Paula.
-
You do.
-
Thank you.
-
17. The last four.
-
First three.
-
All by five.
-
- Love, what's our room number?
- What?
-
Our room number?
-
I don't know.
-
You've got the key.
-
- 425.
- All the rest on 4 and 25.
-
It's too much.
-
Roger!
-
- Hello. Jimmy.
- What are you doing in Dauville?
-
- I just decided to get away, you know.
- Is Paula here? Where are you staying?
-
No, Paula's not here.
Oh, I haven't seen Paula in 2 months.
-
Oh, I'm sorry. I didn't know.
-
Well, that's stupid.
-
Well, I mean...
-
See you later, Roger.
-
Close the window, love.
-
Love, please close the window. It's cold.
-
Stop calling me love.
-
What time is this?
-
Gosh, do you realize it's only 5:00?
-
What are you doing up, love?
-
Hey, you haven't been to bed yet.
-
Stop calling me love.
-
Why? You call me Maisy.
-
Just stop using that word.
-
What's the matter with you?
-
Love. Love. Love.
-
Do you know what it means?
-
Well, do you?
-
What does it mean, love?
-
Did we come here
to discuss my vocabulary?
-
Just stop calling me love.
-
It's all right at night,
but not in the morning.
-
We're getting particular now.
-
Will you kindly close the window?
-
Here's your bill, sir. And your change.
-
- Thank you.
- Thanks.
-
Concierge speaking. Yes, madame.
-
Mr. Desmarais?
I haven't seen him, madam.
-
- Thank you.
- Thank you, sir.
-
But how about your luggage, sir?
-
Madam will bring it.
-
- Very good, sir.
- I hope.
-
Philip.
-
Phllip.
-
Philip.
-
Hello. I want to talk to you.
-
Well, Philip, this can't go on.
-
You have to work. When was
the last time you went to the office?
-
- Tuesday.
- Tuesday.
-
And when before?
-
You've reached a point
where you do nothing at all.
-
You see me off in the morning and then
you wait for me to come home at night.
-
And now you're taking to sneaking drinks.
-
Oh, no, that's not so.
-
I just rinsed out that glass
because I know you hate untidiness.
-
Yes. I hate untidiness and I hate lies
and I hate weakness
-
and pretty soon I'll hate you.
-
That was bound to come, wasn't it?
-
Oh, Phillip, I didn't mean it that way.
-
But I can't have you become
a stupid sodden lump because of me.
-
I've told you to go to work a hundred
times and this is the last. That's all.
-
- And if I don't what?
- I won't be able to see you anymore.
-
You could send me away just like that?
-
Yes.
-
Oh, Philip. Stop it.
-
You're acting.
-
Look at me. Look at me.
-
Now what is it?
-
It's just that you don't love me and
-
there's nothing I can do about it. I
-
knew from the beginning that you would
-
send me away someday, but all all the
-
time I kept hoping that it that it never
-
would happen.
-
And all the whiskey I've drunk, all the
-
whiskey in the world, couldn't make any
-
difference because now it has
-
happened. And that's it. Oh no,
-
Phillip. You're such a fool. Such a
-
child. Oh, such a
-
fool. You've played at being the
-
abandoned lover, and you've done it so
-
well. You believe it yourself. I do care
-
about you. You know that,
-
Philillip. Look at me now. Look at me.
-
You don't want me to go?
-
No, not today. But I want you to work.
-
I will. I promise I will.
-
I was so afraid.
-
Were you such a fool?
-
What is it? I just wanted to see if you
-
were in. Sorry.
-
Hello. Who's calling please? Oh yes. Uh
-
one moment please.
-
Madame Tessier.
-
Yes.
-
Dear Hello Roa.
-
How are you? I'm all right. And you?
-
Yes, I'm fine.
-
Well, I'm taking a holiday next week.
-
This is a time of year, you know.
-
Remember, we always went away for a week
-
or so. So, I thought I'd call you and as
-
long as I'm getting my ticket, I thought
-
if you want me to get a ticket for you,
-
I don't think it's possible. RJ, you
-
don't?
-
It's just not that easy.
-
Well, how how could we go away and
-
pretend that
-
not we couldn't help thinking? Oh,
-
that's why I'm going not to think to
-
think of nothing. But there's not a very
-
good reason for going. The best.
-
It isn't that easy. And I'm sure you
-
don't need me for that. For that? I'm
-
sure you'll be all right.
-
by yourself or with some of
-
your someone else. What? Well, nothing.
-
Nothing. They never meant anything to
-
me. You know that. As long as you had me
-
to come back to then you won't come. No,
-
no, no. Ro, goodbye. Hold on.
-
Take care of yourself, will you?
-
Yes, sir. I will.
-
Oh, wait. Come on. Come on. Come on.
-
Don't rush me there. See?
-
Not bad. Excuse me, sir. Good, sir. Oh,
-
at last. Say it's getting cold, isn't
-
it? Yes, a bit. Oh, wait. Would you mind
-
going up to room 16? What would you
-
like, darling? Oh, there's a yellow
-
cardigan on the bed. Yes, ma'am. All
-
right, let's go. No, wait a minute. Wait
-
a little. But no, I did not. Look at
-
that. I knew I would have won. Didn't
-
you cheat pushing him with your foot a
-
little? No, I did not. Oh, you ought to
-
be ashamed of yourself.
-
Oh, it's wonderful getting you away from
-
Paris. You're a different person. You
-
shed your skin. Thank you. Why don't we
-
stay over another night and go back in
-
the morning? Yes. Why don't we live?
-
Oh, good evening. Good. Good evening.
-
You uh you uh know Madame Tessier, don't
-
you?
-
Madame Flurry, Mercio Flurry, and this
-
is Meline and this is Pierre. Good
-
evening. H Did uh you uh drive out from
-
Paris for dinner? It's a wonderful
-
place, isn't it? How was the traffic? We
-
we got stuck in Slooh yesterday. And
-
oh, here we are. Is there a one out?
-
Yes. Thank you. Do sit down, children.
-
Your food is getting cold. Lucian,
-
your key, sir.
-
Well, nice to have seen you. Goodbye.
-
Goodbye. Goodbye. Should we have another
-
drink? It'll warm us up. How old is she?
-
Oh, please. Lucy and Deal. You better
-
start asking for the bill. It takes an
-
eternity here.
-
This way, madam. Your table is ready.
-
You go ahead. I'll be right there.
-
to dry.
-
Children's here. I see.
-
Where's madame? I don't know. She went
-
out, but your dinner is ready, sir.
-
I'd like to go back to Paris. All right,
-
Paula. What do you care what people like
-
that think? I don't. But what difference
-
does it make? It doesn't. Well, then.
-
Well, let's not talk about it. No, we
-
will talk about it and you'll listen.
-
Oh, please don't. This is This is
-
unworthy of you and humiliating for me.
-
You're making too much of it. No, you're
-
making too much of it. I'm not a fool,
-
you know. I'm not a child you have to
-
hide things from. If you'd agree, I'd
-
marry you tomorrow. Oh, don't be silly.
-
I'm so much older. That's not the
-
problem. Age has nothing to do with it.
-
I love you. I need you. And nothing that
-
people say can make any
-
difference. The only problem for you,
-
for us, is
-
Roger. He's still there, isn't he? Deep
-
inside you, and you can't drive him out.
-
What is it they used to do when someone
-
had a demon inside? Say prayers, burn
-
incense, ring bells, make noise. If I
-
did all that, would it drive Roger out
-
of you?
-
I'm sorry. Somehow it never occurred to
-
me that you It just never occurred to
-
you that I could think that.
-
Do you think we should keep going? It's
-
up to you. The price is still low. Who
-
is that revolting man who keeps bidding
-
against us? It's another dealer. He'll
-
stop soon. I know him. Well, it better
-
be soon because
-
there we have them. Well, and a very
-
good prize.
-
Oh, they are a bargain, aren't they? I
-
think they'll go very well in the
-
library. Come to think of it, I may put
-
them in Philip's room. Uh, by the way,
-
uh, how is he? Why don't you see him?
-
Oh, he comes home from time to time to
-
pick up his laundry.
-
Oh, I didn't know. My dear, it's
-
perfectly normal. As a matter of fact, I
-
always hoped Philip would fall in love
-
with an older woman. Do you want me to
-
pay you a commission on those chairs?
-
Well, after all, you took the time, and
-
your time is worth something. Uh, isn't
-
it? Oh, please. Well, if you insist.
-
Now, do you mind if I ask you something
-
about Phillip? Yes, I do. Your car's
-
here, madam. Oh, uh, thank you. Can I
-
give you a lift, Paula? I'm going to do
-
yours. Thank you. No, I'd rather walk.
-
Are you sure? Yes. Thank you. Goodbye.
-
Goodbye.
-
Still, you have learned a certain amount
-
of French law since you've been here.
-
But New York is where you will work. It
-
is where you will live. I've had a long
-
talk with your mother, and we agree that
-
under the circumstances, your career
-
will profit from your immediate return
-
to New York. That's very nice of you,
-
but I'm not going.
-
I'm afraid you have no choice. Oh, yes,
-
I have. Well, you'll have to talk to
-
your mother about that. Ellis,
-
Mr. Flurry, were they to discover that
-
you have a mistress, and I'm sure you
-
have, where would they send you?
-
Goodbye, sir.
-
Goodbye. Goodbye.
-
Goodbye. All
-
this way, please. That table over there.
-
No, no, no. Not that one. Not tonight.
-
I'm afraid everything is reserved. Well,
-
how about this one? Oh, I'm sorry. No
-
butts. No butts. Uh, what's your name?
-
Fras. You don't know me, but this is a
-
night we're both going to remember.
-
We'll take this one. Madame,
-
you asked for me, Mrs. Yes. Yes. We'd
-
like some flowers. No, no, I'd like you
-
to find the most beautiful bouquet you
-
can
-
from. here.
-
You're completely mad. Absolutely. What
-
is this all about? We're celebrating
-
what? My independence. My independence
-
of the world. My dependence on you.
-
Prosa. Yes. We would like to start with
-
something just great. Followed by the
-
most marvelous dinner ever served in the
-
history of Maxine. Would you like to
-
start with some fresh? Yeah. No. No.
-
Caviar.
-
Caviar. Caviar with benise. Yes. and
-
vodka to go with it. Madam, will you
-
dance? May I have the pleasure of this
-
dance?
-
Vodka, the best and lots of it.
-
No, no, no. Champagne, a magnet.
-
Will you please tell me what this is all
-
about?
-
I've quit my job. Or rather, I've traded
-
it in for Paris. You've quit your job?
-
Yep. Why? They were going to send me
-
away to New York. Oh, but spill it. No,
-
but not from you. Let's have a packed.
-
All right. No, Phillip, you can't do
-
this. I won't let you do it.
-
It's done.
-
I saw her at Balenciaga
-
Bis. I saw her at Balenciaga in a dress
-
from Belma and the next day at
-
Lingi. Isn't it funny?
-
Today she was having lunch with Kilar
-
Rosh wearing a Chanel and now here she
-
is holding you. I almost wore that belt.
-
You like it?
-
H what are you thinking? How stupid the
-
world is. What? Nothing. Come on. Let's
-
dance.
-
I have a confession to make. I almost
-
did something terrible. What? Well, it's
-
a beautiful place between your neck and
-
your shoulder which I almost bit.
-
May I? I'll fill it. Well, you think
-
about it and let me know.
-
You are very far away tonight, Sherry.
-
Oh, am I? Shall we go to the elephant?
-
Why? I may be
-
here.
-
Heat.
-
Heat.
-
Here we go back. I think our food is
-
he's there. Okay.
-
Phoenix.
-
Shall we go somewhere else?
-
If you like to.
-
Doesn't really matter.
-
Well,
-
where do we go from here?
-
I don't know.
-
Good night, Philip. Paul,
-
can
-
I see you tomorrow?
-
Yes, of course.
-
Yes. May I help you? Oh, Mr. Mar, I
-
haven't seen you for some time. Yes. Is
-
Paula here? Oh, yes. She's uh she was
-
here a minute ago. Madame Tier. Madame
-
Tessier.
-
Yes, Mr. Stana. Oh, hello. Hello,
-
Paul. Well, I
-
am. Could we go somewhere? Yes, of
-
course.
-
Well, I've been making up speeches, but
-
now I
-
can help
-
me. Last night, I wanted to walk across
-
the room and
-
say, "This is enough. Let's go home."
-
And then later I walked and walked
-
and it can't go on like
-
this.
-
I I can live without you. There. Now
-
I've said it.
-
Why was it such a terrible thing to say?
-
It was all my fault.
-
I shouldn't have let you get involved. I
-
should have stopped you right at the
-
beginning. Oh, my darling, you're not
-
very bright. I'm not. But it doesn't
-
matter. I'm
-
home. for whatever it
-
is there
-
sugar. Oh, Phillip. Phillip tried to
-
understand. We met at the time when you
-
needed me and I needed you and we were
-
very
-
lucky. But it isn't enough to keep two
-
people together. It couldn't
-
last. I kept hoping selfishly that it
-
would, but it couldn't.
-
And all he had to do was say,
-
"Please." Well, I don't know. I suppose
-
I ought to feel proud in a
-
way. I mean, if it wasn't for me, you
-
probably wouldn't be getting married,
-
you know. No, I'm kind of a a Cupid.
-
Yes, that's what I am. A cupid. Look,
-
Phillip, you shouldn't It's true, isn't
-
it? I was sort of a an
-
interlude. Damn
-
it. Damn him. Damn you. Damn us
-
all. Why couldn't you love me? You said
-
it yourself, Phillip. The demon inside
-
of me. I can't drive him out.
-
Phillip. Phillip, I
-
I'll never forget.
-
Sure.
-
Me
-
neither. Well, Paula, what am I going to
-
do? What's going to happen to me?
-
Oh, Phillip, darling,
-
you'll be going back to New York. You
-
have friends there, and your life is
-
there. Sure. No, you're right. You're
-
right. I'll I'll meet the right girl,
-
get married, live happily ever
-
after. Um, where's where's my
-
slippers? Where's the other one?
-
Thank
-
you. Well,
-
uh, am am
-
I ever going to see you again? You can
-
if you want
-
to. I don't think we should.
-
No. No, we
-
shouldn't. What the hell am I doing?
-
Will you leave all this stuff with your
-
concier, please? Yes, I'll get it all
-
together. Phillip.
-
Phillip. Oh, Phillip try to
-
understand. I am old. I am old. I am
-
old. I'm old.
-
Please, Ore.
-
Well, well, that wasn't so bad, was it?
-
You talk as if you just been to your
-
dentist.
-
Gabby. Gabby. Yes, madame. Oh, I thought
-
I'd never get here. Isn't Miss your home
-
yet? No, madame. Oh, would you please
-
throw him your bath? And uh what shall I
-
wear tonight? Let's see.
-
Oh, the black chiffon. No, it's too
-
dressy. We're just going to a small
-
beastro for dinner.
-
This one? No, no, that one is What is
-
that next to it? That? Yes, that's fine.
-
What a day. The trouble with being an
-
interior decorator is that everyone
-
thinks he knows your job. But nobody
-
ever thinks of telling a plumber how to
-
fix a sink. But oh, Gabby, my zipper.
-
No, no, no. It's all right. Never
-
mind. But you just start making a
-
curtain and everybody will Gabby. Did
-
Miss call? No, madam.
-
Not too hot, Gabby. I think we need in
-
tomorrow night, Gabby. Let's get a good
-
steak for Miss No, we had that on
-
Monday. Well, let's get some lamb chops
-
and tell Madame Fu to make me one of her
-
beautiful Oh, I'll
-
take
-
Hello. Oh, Roier, where are
-
you? Yes, I suppose if you have
-
to. Yes, I
-
understand.
-
What? Oh, I'll probably have something
-
to eat and go to bed.
-
All
-
right. Goodbye.
-
Heat.
-
Heat. Heat.
-
Heat.
-
Heat. Heat.