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Uptown Saturday Night 1974

  • 0:24 - 0:28
    ♪ NEED A LITTLE SUGAR
    AFTER SUPPER ♪
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    ♪ NEED A LITTLE HONEY
    IN THE NIGHT ♪
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    ♪ NEED ANOTHER DOLLAR
    IN MY POCKET ♪
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    ♪ THEN I'M GONNA BE ALL RIGHT
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    ♪ WHEN I GO UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ UPTOWN
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    ♪ UPTOWN, UPTOWN
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    ♪ SATURDAY UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ GIVE ME LITTLE GOSPEL
    FOR MY SPIRIT ♪
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    ♪ GIVE ME LITTLE LOVIN'
    FOR MY SOUL ♪
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    ♪ GIVE ME LITTLE COMFORT
    FOR MY TROUBLES ♪
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    ♪ THEN I NEVER WILL GROW OLD
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    ♪ WHEN I GO UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ UPTOWN
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    ♪ UPTOWN, UPTOWN
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    ♪ SATURDAY UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ GONNA LIVE AS LONG
    AS I CAN MAKE IT ♪
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    ♪ MAKE IT
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    ♪ GONNA TAKE ENOUGH
    TO GET ME BY ♪
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    ♪ BY
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    ♪ GONNA KEEP TRYIN'
    TO GET LUCKY ♪
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    ♪ I BETCHA I'LL BE SMILIN'
    WHEN I DIE ♪
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    ♪ HEADIN' UP UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ YEAH, UPTOWN
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    ♪ UPTOWN, UPTOWN
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    ♪ SATURDAY UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ GOIN' UPTOWN
    SATURDAY NIGHT ♪
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    ♪ YEAH, UPTOWN
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    ♪ UPTOWN
    SATURDAY NIGHT ♪
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    ♪ OH, UPTOWN
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    ♪ UPTOWN, UPTOWN
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    ♪ SATURDAY UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ YEAH, I'LL GO UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ YEAH, UPTOWN
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    ♪ UPTOWN, UPTOWN
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    ♪ SATURDAY UPTOWN
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    ♪ UPTOWN SATURDAY NIGHT
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    ♪ YEAH,
    UPTOWN SATURDAY NIGHT ♪
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    [CAR HORNS HONK IN DISTANCE]
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    SARAH?
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    YES?
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    WOULD YOU MIND
    LIVING IN THE COUNTRY?
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    COURSE NOT. YOU'RE FORGETTING
    I WAS BORN IN THE COUNTRY.
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    IT'S IN MY BLOOD.
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    SOMEDAY MAYBE WE CAN MOVE
    BACK DOWN SOUTH SOMEPLACE.
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    I THINK THAT WOULD BE
    REAL NICE, BABY.
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    OK, I'M GOING TO
    KEEP THAT IN MIND.
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    YOU KNOW,
    I WAS JUST THINKING.
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    WHAT?
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    ABOUT WHEN WE FIRST MET.
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    YOU WERE LIVING ON SOMERSET
    STREET WITH YOUR SISTER LELA.
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    I WAS A YOUNG GIRL FRESH
    FROM THE COUNTRY THEN.
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    YEAH, AND YOU HAD
    THE BIGGEST BUTT I EVER SAW.
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    IF YOU DON'T STOP...
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    BUT IT'S THE TRUTH.
    GOOD-LOOKING BEHIND.
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    SAID TO MYSELF
    WHEN I FIRST SAW IT,
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    "SHE GOTTA BE
    FROM DOWN HOME
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    "'CAUSE THEY DON'T MAKE
    BEHINDS LIKE THAT
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    IN THE CITY."
    STEVE!
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    WELL, IT'S THE TRUTH.
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    DON'T YOU MEN EVER THINK
    ABOUT NOTHING BESIDES BEHINDS?
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    LEGS AND BOOBS,
    BUT MOSTLY BEHINDS.
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    OH, MAN!
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    I REMEMBER.
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    YOU SNEAKED THROUGH
    THE LIVING ROOM WINDOW
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    IN THE HOUSE
    WITH THAT CRAZY CHARLES
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    'CAUSE HE WANTED
    TO SURPRISE LELA.
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    YEAH, OLD CHARLES.
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    HE SURE WAS IN A HURRY
    TO GET HOME FROM THAT WAR.
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    HE WAS YOUR SISTER'S
    FIRST HUSBAND, WASN'T HE?
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    NO, HONEY, THIRD.
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    THIRD, THIRD!
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    AH, YOU ALL LOOKED SO GOOD IN
    YOUR UNIFORMS, ESPECIALLY YOU.
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    WELL, YOU KNOW...
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    I WAS SO TACKY, I DIDN'T
    WANT YOU TO SEE ME.
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    I SAW YOU. I COULDN'T
    MISS THAT BUTT.
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    HOWEVER, I KNEW
    THE NEXT TIME YOU SAW ME,
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    I'D HAVE IT TOGETHER AND YOU
    WOULDN'T BE ABLE TO RESISTME!
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    YEAH, I KNEW IT, TOO.
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    TOOK YOU OUT ON OUR
    FIRST DATE THAT VERY NIGHT.
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    YES, YOU DID.
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    THOSE WERE
    SOME BEAUTIFUL DAYS.
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    WEREN'T THEY?
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    THOSE WALKS WE USED
    TO TAKE IN THE PARK.
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    YOU WERE THE FRESHEST MAN.
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    I WAS ONLY DOING WHAT
    A MAN IS SUPPOSEDTO DO.
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    NO, YOU WERE FRESH,
    STEVE JACKSON.
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    WONDER IF THAT TREE'S
    STILL THERE?
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    [LAUGHING]
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    YOU AIN'T NO DAMN GOOD,
    YOU KNOW THAT?
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    I USED TO STOP BY THAT TREE
    AND WE USED TO KISS.
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    I DON'T WANT TO HEAR IT.
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    USED TO TAKE YOU BY THAT TREE,
    PRESS YOU AGAINST IT REAL HARD,
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    AND YOU USED TO LOVEIT.
    STOP!
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    IT'S THE TRUTH. YOU COULD
    HARDLY WAIT TILL I COME BY
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    AND TAKE YOU TO THAT TREE
    AND PRESS YOU AGAINST IT.
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    YOU USED TO SAY,
    "OH, STEVE, PRESS ME AGAIN.
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    PRESS ME AGAIN."
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    STEVE, YOU KNOW YOU LYING.
    YOU KNOW YOU ARE.
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    GIRL, YOU COULDN'T
    GET ENOUGH OF THAT TREE.
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    OH, MAN.
    THAT WAS ALL AN ACT.
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    AN ACT?
    YES, SIREE.
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    SARAH,
    YOU WAS HARDLY ACTING.
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    OH, YES, I WAS, TOO.
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    YOU JUST DIDN'T KNOW
    WHAT WAS GOING ON.
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    I KNEW IF I ACTED
    ALL SHY AND SCARED,
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    THAT WOULD MAKE YOU
    LIKE ME MORE.
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    WOMAN, YOU CAN'T FOOL ME
    WITH NO ACT.
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    I SEE YOU MARRIED TO ME.
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    I GOT TO ADMIT
    YOU GOT ME THERE, SARAH,
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    IF I'D TO DO IT ALL OVER AGAIN,
    I WOULDN'T CHANGE A THING.
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    YOU KNOW SOMETHING?
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    AFTER 20 YEARS OF MARRIAGE,
    2 KIDS, AND 3 JOBS,
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    YOU STILL GOT
    THE BIGGEST BUTT I EVERSAW.
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    [LAUGHING]
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    YOU'RE MY QUEEN, SARAH.
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    YOU'RE MY QUEEN.
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    THANK YOU,
    MY DEAR HUSBAND.
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    IT MAKES ME VERY HAPPY
    TO HEAR YOU SAY THAT.
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    [CAR HORN HONKING]
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    HEY, YOUNG BLOOD.
    WHAT'S HAPPENING?
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    SAME OLD,
    SAME AS OLD HERE.
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    VACATION STARTS TODAY, HUH?
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    YOU DECIDED
    WHAT YOU GONNA DO?
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    DON'T KNOW, I MIGHT JUST
    WALK THE STREETS FOR TWO WEEKS
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    BRINGING SUNSHINE
    TO LONELY DUDES LIKE YOU.
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    THAT'S NOT FUNNY.
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    COME ON.
    I'LL BUY YOU A DRINK.
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    [LAUGHING] OK.
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    HOW'S YOUR OTHER JOB?
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    ROTTEN, BORING, AND UNDERPAID...
    BUT THANK YOU, JESUS.
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    YES, LORD. SAME HERE.
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    SAY, MAN, LET'S GO
    TO ZENOBIA'S TONIGHT.
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    WHERE?
    ZENOBIA'S
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    WE AIN'T GOT
    THAT KIND OF MONEY.
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    WILL WE EVER? COME ON, MAN.
    I FEEL LIKE CUTTING LOOSE.
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    BOTTLE OF BEER
    COSTS $5 IN THAT PLACE.
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    YOU ONLY LIVE ONCE.
    WHAT YOU SAY, HOMEBOY?
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    NOTHING DOING.
    YOU EVER BEEN THERE?
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    YEAH...AND NO.
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    I DROPPED SOME PEOPLE OFF
    WITH THE CAB,
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    BUT THERE BE SOME FINE MAMAS
    COMING IN THAT PLACE.
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    COUNT ME OUT, YOUNG BLOOD.
    TOO FANCY FOR ME.
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    SOME FINE MAMAS
    COMING IN THERE.
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    NO!
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    TO YOUR VACATION.
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    HEY, FREDDY.
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    FREDDY, COME HERE.
    COME HERE, MAN.
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    HAVE YOU EVER BEEN
    TO ZENOBIA'S?
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    [LAUGHING]
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    WELL, WILL YOU TELL THIS MAN
    ABOUT ZENOBIA'S, PLEASE?
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    WHAT'S THERE TO TELL?
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    ONCE YOU GO IN, YOU DON'T
    NEVER WANT TO COME OUT.
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    IT'S THE HIPPEST PLACE
    IN THE WORLD!
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    YOU OUGHT TO
    CHECK IT OUT, STEVE.
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    [LAUGHS]
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    LET'S GO TONIGHT.
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    LET'S--
    SHALL WE CHECK IT OUT?
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    I'LL SEE HOW I FEEL
    AFTER SARAH GOES TO SLEEP.
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    AFTER SARAH GOES TO SLEEP?
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    YEAH.
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    YOU MEAN
    YOU GOT TO SNEAK OUT?
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    [LAUGHING]
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    THIS GUY...
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    YOU MEAN TO TELL ME
    YOU'RE SO HENPECKED
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    THAT YOU GOT TO SNEAK OUT
    THE HOUSE?
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    YOU BETTER TIGHTEN UP
    ON YOUR MARRIED LIFE, JACK.
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    SHOO...
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    YOU TELL HER YOU GOING OUT,
    AND THAT'S IT! YES!
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    YOU JUST GONNA LEAVE IRMA
    AND GO ON OUT, RIGHT?
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    THAT'S RIGHT, JACK. I'M BOSS
    IN MY HOUSE. I'M THE KING.
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    B-O-S-S.
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    [LAUGHING]
    SNEAKING OUT.
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    SHOO...
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    MAN, I SNAP MY FINGERS
    AND IRMA JUMP UP
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    AND DON'T COME DOWN
    TILL I TELL HER TO.
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    THAT'S RIGHT.
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    ALL RIGHT.
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    YOU NAME THE TIME.
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    ALL RIGHT,
    YOU MEET ME AT 1:00.
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    1:00.
    1:00.
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    AFTER IRMA...
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    GOES TO SLEEP.
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    [LAUGHING]
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    WE GOTTA BE A MEMBER
    OR SOMETHING TO GET IN HERE?
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    DON'T WORRY ABOUT THAT.
    YOU JUST LOOK IMPORTANT.
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    ACT LIKE
    WE INTO SOMETHING.
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    [DOORBELL BUZZES]
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    YOUR NAMES, PLEASE?
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    [LOUD MUSIC PLAYING]
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    WILL YOU WAIT HERE
    A MOMENT?
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    WHAT'S ON THAT PAPER?
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    OUR LETTER OF INTRODUCTION.
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    FROM WHO?
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    I WROTE IT MYSELF
    ON SOME STATIONERY
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    FROM THE LAW OFFICE
    WHERE IRMA WORKS.
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    WHAT IT SAY?
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    SAYS, "TO WHOM
    IT MAY CONCERN,
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    "THE BEARERS OF THIS LETTER
    ARE TWO VERY IMPORTANT MEN
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    "IN THE DIAMOND BUSINESS.
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    "ANY COURTESIES
    YOU CAN EXTEND TO THEM
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    "WOULD BE
    GREATLY APPRECIATED.
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    SIGNED JEROME
    MORDECHAI WILKENSON."
  • 12:27 - 12:29
    WHO'S JEROME
    MORDECHAI WILKENSON?
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    I HAVE NO IDEA,
    BUT I SURE HOPE
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    HE DON'T SHOW UP
    HERE TONIGHT.
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    GENTLEMEN.
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    HELLO, SUSIE.
    HOW ARE YOU?
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    I HEARD ABOUT YOU,DANIEL!
    YES, I DID.
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    GENTLEMEN, HOW DO YOU DO?
  • 13:14 - 13:15
    HOW DO YOUDO?
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    I'M MADAME ZENOBIA BUNIGHT.
  • 13:16 - 13:19
    I'M STEVE JACKSON.
    THIS IS WARDELL FRANKLIN.
  • 13:19 - 13:21
    NICE TO MEET YOU BOTH.
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    YOU LOOK LIKE YOU MUST BE
    NEW CUSTOMERS HERE.
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    THAT'S RIGHT.
    FIRST TIME.
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    I CERTAINLY HOPE YOU FELLAS
    ENJOY YOURSELVES ENOUGH
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    TO WANT TO COME BACK SOON.
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    YOU WILL FIND US CANDID
    AND TO THE POINT.
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    YOUR PLEASURE
    IS OUR BUSINESS,
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    AND YOU'LL FIND PLENTYHERE
    TO YOUR LIKING.
  • 13:40 - 13:42
    WELL, I--I ALREADY HAVE.
  • 13:42 - 13:44
    WHY, THANK YOU.
  • 13:44 - 13:47
    WHY DON'T YOU FELLAS MOVE AROUND
    FIND SOMETHING NICE TO DO?
  • 13:47 - 13:49
    IF YOU GET BORED AND YOU'RE
    LOOKING FOR REALEXCITEMENT,
  • 13:49 - 13:53
    THERE IS ALWAYS THE ROOM
    WITH THE RED DOOR IN THE BACK.
  • 13:54 - 13:55
    WHAT-- WHAT'S IN THERE?
  • 13:55 - 13:57
    HAPPINESS...
  • 13:57 - 13:58
    OR SADNESS.
  • 13:58 - 14:00
    WHAT DO YOU MEAN
    BY THAT?
  • 14:00 - 14:02
    WHY DON'T YOU GO BACK THERE
    AND FIND OUT?
  • 14:02 - 14:05
    AND, UH, MR. JACKSON,
    YOU BEHAVE YOURSELF, HEAR?
  • 14:13 - 14:17
    UH, MR. JACKSON, I THINK
    SHE WAS DIGGING ON YOU.
  • 14:17 - 14:19
    SHE SURE IS
    A FINE-LOOKING MAMA.
  • 14:19 - 14:21
    YEAH.
  • 14:21 - 14:24
    I THOUGHT I SAID THAT.
    HUH?
  • 14:24 - 14:26
    [NEW SONG BEGINS]
  • 16:11 - 16:13
    [MUSIC STOPS]
  • 16:13 - 16:14
    [CROWD APPLAUDS]
  • 16:17 - 16:18
    WHAT YOU THINK
    GOING ON BACK THERE?
  • 16:19 - 16:21
    I DON'T KNOW.
    HOOKERS MAYBE.
  • 16:23 - 16:25
    [MUSIC PLAYING]
  • 17:31 - 17:33
    OK, GET YOUR BETS DOWN.
    GET YOUR BETS DOWN.
  • 17:33 - 17:35
    COMING OUT. GET
    YOUR BETS DOWN.
  • 17:35 - 17:37
    DICE COMING OUT.
    LEGGY PEGGY ROLLING.
  • 17:37 - 17:40
    RIGHT.
    DICE HERE FOR 100.
  • 17:40 - 17:42
    YOU GOT IT. ANYBODY ELSE
    WANT SOME OF THIS?
  • 17:42 - 17:44
    I'LL TAKE $200
    OF THAT, PEG.
  • 17:44 - 17:47
    WHO ELSE THINK
    THE DICE IS WRONG?
  • 17:47 - 17:48
    ANYBODY ELSE?
  • 17:48 - 17:49
    GOT YOU.
  • 17:49 - 17:50
    GOT YOU. GOT YOU.
  • 17:50 - 17:52
    I'M GONNA GET
    IN THIS GAME.
  • 17:52 - 17:54
    YOU'RE GONNA GET
    YOUR FEELINGS HURT.
  • 17:54 - 17:56
    LOAN ME SOME MONEY.
    HELL, NO.
  • 17:56 - 17:59
    COME ON.
    You gotta be crazy!
  • 17:59 - 18:01
    LEND ME SOME MONEY.
    NO!
  • 18:03 - 18:06
    HEY, YOU BROTHERS GONNA
    PARTICIPATE OR TALK STUFF?
  • 18:06 - 18:07
    WE GONNA PLAY, MAN.
  • 18:07 - 18:10
    IT COST $150 TO GET
    IN THIS GAME.
  • 18:10 - 18:13
    NOW, IF YOU HAVEN'T GOT IT,
    AGITATE THE GRAVEL,
  • 18:13 - 18:15
    AND TAKE THIS LAME
    WITH YOU.
  • 18:26 - 18:28
    WE GOT THE MONEY, CHUMP.
  • 18:28 - 18:30
    WELL, GET DOWN WITH IT.
  • 18:32 - 18:34
    BET UP.
    NEW POINT COMING OUT.
  • 18:34 - 18:37
    THAT'S RIGHT. $50 ON
    THE DYNAMITE LADY!
  • 18:37 - 18:39
    THAT'S RIGHT,
    MY BROTHER!
  • 18:39 - 18:40
    THAT'S RIGHT!
  • 18:40 - 18:41
    Man: YOU AND ME.
  • 18:41 - 18:44
    I THOUGHT YOU SAID,
    "LET'S STAND."
  • 18:44 - 18:48
    LET'S GO, DARLING.
    HERE WE GO.
  • 18:48 - 18:50
    HELLO!
    SEVEN, A WINNER!
  • 18:50 - 18:52
    I'M LETTING IT
    ALL RIDE!
  • 18:52 - 18:54
    LET IT RIDE.
    THAT'S RIGHT.
  • 18:54 - 18:58
    $100 ON MISS
    PEGGY LEGGY.
  • 18:58 - 19:02
    THAT'S RIGHT.
    LET'S GO AGAIN.
  • 19:02 - 19:04
    HERE WE GO.
    ONE TIME MORE.
  • 19:05 - 19:06
    11. STILL ROLLING.
    STILL ROLLING.
  • 19:06 - 19:08
    WHOA!
  • 19:08 - 19:10
    DON'T TOUCH A THING!
  • 19:10 - 19:12
    DON'T TOUCH IT?
    IT'S ALL RIGHT.
  • 19:12 - 19:15
    IT'S ALL RIGHT? HOW ABOUT
    JUST A LITTLE BIT?
  • 19:15 - 19:17
    IT'S ALL RIDING AGAIN.
  • 19:17 - 19:20
    NOW ALL YOU BIG-TIME PLAYERS
    JUMP ON THAT
  • 19:20 - 19:22
    IF YOU THINK
    YOU CAN STAND THE STRAIN.
  • 19:22 - 19:25
    THAT'S RIGHT,
    MY SISTER,
  • 19:25 - 19:27
    AND WHILE YOU AT IT,
    JUMP ON THAT,
  • 19:27 - 19:29
    AND $5 MORE
    FOR THE CHURCH.
  • 19:32 - 19:33
    JUMP ON IT.
  • 19:33 - 19:34
    YOU'VE BEEN JUMPED ON.
  • 19:34 - 19:37
    JUMP ON IT
    SOME MORE THERE.
  • 19:37 - 19:40
    YOUR HAND MOVES
    EVERY TIME MINE MOVES.
  • 19:40 - 19:41
    ROLL THE DICE.
  • 19:41 - 19:43
    WHOO! AGAIN!
  • 19:43 - 19:44
    SEVEN, A WINNER!
  • 19:44 - 19:46
    THERE YOU GO!
    THERE YOU GO!
  • 19:46 - 19:48
    HOW LONG YOU ALL
    BEEN OPEN DOWN HERE?
  • 19:48 - 19:50
    I BEEN WORKING
    FOR A LIVING.
  • 19:50 - 19:52
    I KNOW, HONEY.
  • 19:52 - 19:55
    JUMP ON IT. JUMP ON IT.
    YOU'RE MY MAN.
  • 19:55 - 19:57
    I GOT YOUR NAME
    AND NUMBER.
  • 19:57 - 20:00
    GO AHEAD, BROTHER,
    BUT JUST BE CAREFUL.
  • 20:00 - 20:01
    PEGGY, ROLL IT.
  • 20:01 - 20:03
    HERE WE GO!
  • 20:03 - 20:04
    11, A WINNER!
  • 20:05 - 20:06
    ALL RIGHT!
  • 20:06 - 20:09
    WHAT I TELL YOU?
    I BELIEVE IN MIRACLES!
  • 20:09 - 20:12
    YES, INDEED,
    AND JESUS WEPT.
  • 20:12 - 20:14
    HERE WE GO.
  • 20:14 - 20:17
    MY GOODNESS, ARE YOU
    STILL HERE, BROTHER?
  • 20:17 - 20:19
    YOU MUST DON'T HAVE
    NO PLACE TO GO.
  • 20:19 - 20:21
    Peggy:
    HERE WE GO!
  • 20:21 - 20:22
    SEVEN!
  • 20:22 - 20:24
    HELLO, SEVEN!
  • 20:24 - 20:26
    [INDISTINCT SHOUTING]
  • 20:27 - 20:29
    NINE.
  • 20:29 - 20:30
    PLACE YOUR BETS.
  • 20:30 - 20:31
    NINE IS THE POINT,
    DARLING.
  • 20:31 - 20:33
    RIGHT, DARLING.
    HERE! NOW!
  • 20:33 - 20:35
    NINE, A WINNER!
  • 20:35 - 20:37
    ALL RIGHT! RESPECT
    A SISTER, SISTER.
  • 20:37 - 20:39
    SEND ALL THEM
    TO THE PAWN SHOP.
  • 20:39 - 20:40
    CHANGE THE DICE.
  • 20:40 - 20:42
    Man: YEAH, CHANGE THE DICE.
  • 20:42 - 20:44
    HELL, NO! IF YOU ALL
    CAN'T STAND THE HEAT,
  • 20:44 - 20:46
    GET OUT THE KITCHEN!
  • 20:46 - 20:49
    HARRY S. TRUMAN,
    DECEMBER 17, 1952.
  • 20:49 - 20:50
    THAT'S RIGHT.
  • 20:50 - 20:53
    I WAS IN THE KITCHEN
    WHEN HE SAID IT.
  • 20:59 - 21:00
    11!
  • 21:00 - 21:03
    HELLO! THE DICE HAVE
    NO SENSE WHATSOEVER.
  • 21:03 - 21:06
    Peggy: SOMETIMES I DON'T
    UNDERSTAND IT MYSELF.
  • 21:06 - 21:10
    HERE WE GO.
    TAP THIS. TAP IT!
  • 21:10 - 21:13
    WHOO!
    COME ON, SEVEN.
  • 21:13 - 21:16
    SEVEN AGAIN.
    HERE WE GO.
  • 21:16 - 21:18
    YOU ALL COME ON.
    PLEASE COVER THIS AREA
  • 21:18 - 21:20
    BECAUSE THIS MONEY
    IS WAITING FOR FRIENDS.
  • 21:20 - 21:23
    [KNOCK ON DOOR]
  • 21:27 - 21:29
    BE NICE AND LIVE.
  • 21:32 - 21:34
    [SNAPS]
  • 21:48 - 21:50
    ALL RIGHT, FREEZE!
  • 21:50 - 21:53
    AAH!
  • 21:55 - 21:58
    ANYBODY MAKES A WRONG MOVE
    GETS PUT FULL OF HOLES.
  • 21:58 - 22:00
    WE MEAN BUSINESS!
  • 22:00 - 22:03
    DO AS YOU'RE TOLD,
    AND YOU WON'T GET HURT.
  • 22:03 - 22:04
    I CAN'T
    BELIEVE THIS!
  • 22:04 - 22:07
    SHUT UP!
  • 22:07 - 22:08
    EVERYBODY, HANDS UP!
  • 22:08 - 22:10
    SLOWLY!
  • 22:10 - 22:13
    AS HIGH
    AS YOU CAN GET THEM!
  • 22:22 - 22:24
    THAT'S BETTER.
  • 22:24 - 22:28
    MOVE AWAY FROM THE TABLE!
    LINE UP OVER THERE!
  • 22:28 - 22:30
    HURRY UP!
  • 22:30 - 22:32
    MOVE IT!
  • 22:32 - 22:34
    MOVE IT!
  • 22:48 - 22:50
    Man: KEEP YOUR HANDS UP.
  • 22:55 - 22:57
    THIS AIN'T NO TIME
    TO GET BRAVE, TURKEY.
  • 23:02 - 23:03
    Man: PUT IT IN THE BAG.
  • 23:20 - 23:22
    GIVE ME THOSE RINGS.
  • 23:43 - 23:44
    KEEP THEM UP.
  • 23:54 - 23:57
    JUST IN CASE SOMEBODY'S
    WEARING A HEATER,
  • 23:57 - 23:59
    EVERYBODY STRIP DOWN
    TO THEIR UNDERWEAR,
  • 23:59 - 24:02
    LADIES INCLUDED.
  • 24:02 - 24:04
    MOVE IT!
  • 24:06 - 24:07
    YOU TOO, LADY.
  • 24:07 - 24:10
    I DON'T WEAR UNDERWEAR.
  • 24:11 - 24:13
    DON'T PLAY GAMES.
  • 24:13 - 24:14
    JUST GET IT OFF!
  • 24:25 - 24:26
    MMM, MMM, MMM.
  • 24:26 - 24:29
    LORD, HAVE MERCY.
  • 24:33 - 24:36
    [DOORBELL BUZZING]
  • 25:06 - 25:07
    [DOORBELL BUZZES]
  • 25:12 - 25:15
    [DOOR OPENS, CLOSES]
  • 25:31 - 25:32
    [SNAPS]
  • 25:40 - 25:43
    STAY WHERE YOU ARE
    FOR 10 MINUTES.
  • 25:43 - 25:47
    ANYBODY TRIES TO MOVE
    BEFORE THAT GETS SHOT.
  • 25:47 - 25:50
    THANK YOU, BROTHERS AND SISTERS,
    FOR A VERY LOVELY EVENING.
  • 25:51 - 25:54
    NEVER HAVE SO FEW
    OWED SO MUCH TO SO MANY.
  • 25:54 - 25:55
    GOOD NIGHT.
  • 26:00 - 26:04
    ♪ I'M GOIN' UP THE
    ROUGH SIDE OF THE MOUNTAIN ♪
  • 26:04 - 26:08
    ♪ ON MY WAY HOME
  • 26:08 - 26:12
    ♪ OH, I'M GOIN'
    OH, YEAH ♪
  • 26:12 - 26:16
    ♪ I'M GOIN' EACH
    AND EVERY DAY ♪
  • 26:16 - 26:19
    ♪ YOU KNOW
    THAT I'M CLIMBIN' ♪
  • 26:19 - 26:21
    ♪ I'M CLIMBIN'
  • 26:21 - 26:23
    ♪ HIGHER
  • 26:23 - 26:24
    ♪ HIGHER
  • 26:24 - 26:26
    ♪ MEET MY JESUS
  • 26:26 - 26:29
    ♪ HIGH, LORD
  • 26:29 - 26:31
    ♪ HIGHER
  • 26:31 - 26:33
    ♪ HIGHER, LORD
  • 26:33 - 26:35
    ♪ HIGHER, JESUS
  • 26:35 - 26:37
    ♪ TAKE US HIGHER
  • 26:37 - 26:38
    ♪ HIGHER
  • 26:38 - 26:40
    ♪ OH, HIGHER
  • 26:40 - 26:42
    ♪ OO-OOO-OOO-OO-OH
  • 26:42 - 26:45
    ♪ OH, LORD
  • 26:45 - 26:47
    ♪ HIGHER
  • 26:47 - 26:48
    ♪ HIGHER, JESUS
  • 26:48 - 26:51
    ♪ OH, I'M CLIMBIN'
  • 26:51 - 26:53
    ♪ HIGHER MOUNTAIN
  • 26:53 - 26:59
    ♪ TRYIN' TO GET HOME
  • 26:59 - 27:03
    All: ♪ HOME
  • 27:04 - 27:05
    [APPLAUSE]
  • 27:05 - 27:08
    AMEN! TRULY WONDERFUL!
  • 27:08 - 27:09
    BE SEATED,
    WOULD YOU PLEASE?
  • 27:10 - 27:11
    WE WANT
    TO THANK OUR CHOIR
  • 27:11 - 27:14
    FOR THAT BEAUTIFUL
    AND INSPIRING RENDITION
  • 27:14 - 27:16
    OF A SPIRITUAL VERY CLOSE
    TO OUR HEARTS.
  • 27:17 - 27:19
    NOW, I SHOULD LIKE,
    AT THIS TIME,
  • 27:19 - 27:20
    TO REMIND THOSE OF YOU
  • 27:20 - 27:23
    ATTENDING OUR CHURCH
    PICNIC NEXT SUNDAY
  • 27:23 - 27:26
    THAT BUSES WILL DEPART
    FROM THE FRONT OF THE CHURCH
  • 27:26 - 27:27
    AFTER THE SERVICE.
  • 27:27 - 27:30
    NOW, WE WANT TO TAKE
    A MOMENT ALSO
  • 27:30 - 27:34
    TO ASK THE WEAK AMONG YOU
    TO REFRAIN FROM BRINGING
  • 27:34 - 27:36
    BROWN PAPER BAGS
    TO THE PICNIC.
  • 27:36 - 27:38
    WE GONNA HAVE ENOUGH
    BROWN PAPER BAGS
  • 27:38 - 27:41
    WITH THE LUNCH IN THEM,
    YOU KNOW WHAT I MEAN?
  • 27:41 - 27:43
    I MEAN, AFTER ALL, WE ARE
    HAVING A CHURCH SOCIAL,
  • 27:43 - 27:45
    AND NOT A FRATERNITY
    BOAT RIDE.
  • 27:46 - 27:47
    [CONGREGATION LAUGHS]
  • 27:47 - 27:50
    NOW, I REPEAT,
    THERE WILL BE NO--
  • 27:50 - 27:52
    THERE WILL BE
    NO JOY JUICE ALLOWED.
  • 27:52 - 27:54
    Congregation: AMEN.
  • 27:54 - 27:56
    NOW, LET ME HEAR
    WHAT I SAID.
  • 27:56 - 27:58
    Congregation:
    NO JOY JUICE ALLOWED.
  • 27:58 - 28:01
    WOULD YOU REPEAT THAT
    FOR ME ONE MORE TIME?
  • 28:01 - 28:05
    Congregation:
    NO JOY JUICE ALLOWED.
  • 28:05 - 28:07
    NOW, WE WILL,
    RIGHT AFTER THE SERVICE,
  • 28:07 - 28:08
    SEARCH ALL OF
    THE CHOIR ROBES.
  • 28:08 - 28:10
    NOW, I WANT EVERYBODY
    TO UNDERSTAND,
  • 28:10 - 28:15
    THE BUSES WILLNOT LEAVE
    BEFORE THE SERVICE IS OVER,
  • 28:15 - 28:18
    AND HE WHO HESITATES
    WILL BE LEFT.
  • 28:18 - 28:21
    [ORGAN MUSIC PLAYING]
  • 28:30 - 28:32
    [TELEVISION PLAYING QUIETLY]
  • 28:43 - 28:45
    I WAS HOPING
    TO PAINT THE KIDS' ROOM
  • 28:45 - 28:47
    BEFORE THEY GOT HOME
  • 28:47 - 28:49
    SO THEY'D HAVE SOMEPLACE
    FRESH TO COME HOME TO.
  • 28:49 - 28:52
    AND MAYBE WE COULD SHOP
    FOR SOME NEW CARPETS,
  • 28:52 - 28:53
    CURTAINS, CANDLES.
  • 28:53 - 28:56
    WHAT YOU THINK, STEVE?
  • 28:56 - 28:59
    HONEY?
  • 28:59 - 29:01
    STEVE?
  • 29:03 - 29:05
    STEVE,
    I KNOW YOU HEAR ME.
  • 29:08 - 29:09
    [SNORES]
  • 29:10 - 29:12
    STEVE?
  • 29:39 - 29:41
    Having a good time,
    honey?
  • 29:43 - 29:45
    [SNORES]
  • 29:53 - 29:54
    Are you--
  • 29:54 - 29:58
    are you dreaming
    of me, baby?
  • 30:05 - 30:07
    Dreaming of a woman?
  • 30:23 - 30:26
    WHAT YOU HIT ME FOR?
  • 30:26 - 30:27
    YOU MUST HAVE
    BEEN DREAMING.
  • 30:34 - 30:36
    WHO WERE YOU
    DREAMING ABOUT?
  • 30:40 - 30:41
    YOU DIDHIT ME.
  • 31:10 - 31:11
    OH.
  • 31:13 - 31:15
    OOH!
  • 31:17 - 31:19
    HAH! SARAH!
  • 31:22 - 31:24
    STEVE, YOU ALL RIGHT?
  • 31:24 - 31:26
    SARAH! SARAH!
    WHAT IS IT, BABY?
  • 31:26 - 31:28
    SARAH! SARAH!
  • 31:28 - 31:30
    OH, MY GOD,
    HE'S HAVING AN ATTACK.
  • 31:30 - 31:32
    NO, NO, NO, SARAH.
  • 31:32 - 31:34
    SARAH.
  • 31:37 - 31:38
    STEVE.
    SARAH.
  • 31:38 - 31:39
    DID WE...
  • 31:39 - 31:40
    HAVE YOU...
  • 31:40 - 31:42
    D-D-D-DID...
  • 31:42 - 31:43
    SARAH.
  • 31:43 - 31:45
    THE LOTTERY TICKET
    I FOUND IN YOUR SUIT
  • 31:45 - 31:48
    WHEN I TOOK IT
    TO THE CLEANERS?
  • 31:48 - 31:49
    IS THAT A NINE?
  • 31:49 - 31:52
    IS THAT A ONE?
    AND IS THAT A FOUR?
  • 31:52 - 31:54
    AND IS THAT ANOTHER ONE
    AND ANOTHER NINE?
  • 31:54 - 31:58
    NINE-ONE-FOUR-ONE-NINE?
  • 31:58 - 32:01
    THAT'S MY--I WON.
    THAT'S M-MY TICKET.
  • 32:01 - 32:02
    MYTICKET!
  • 32:02 - 32:05
    HOW MUCH FOR?
    OH, MY GOODNESS.
  • 32:05 - 32:08
    $50,000.
    $50,000.
  • 32:16 - 32:17
    ♪ MONEY HONEY
  • 32:17 - 32:19
    ♪ MONEY HONEY
  • 32:19 - 32:20
    ♪ OH!
  • 32:20 - 32:22
    ♪ MONEY HONEY
  • 32:22 - 32:24
    ♪ MONEY HONEY
  • 32:30 - 32:32
    STEVE...WHAT'S WRONG?
  • 32:34 - 32:36
    THE LOTTERY TICKET...
  • 32:36 - 32:39
    IS IN YOUR WALLET?
  • 32:39 - 32:41
    THAT WAS STOLEN
    AT ZENOBIA'S?
  • 32:41 - 32:43
    DOES SARAH KNOW?
  • 32:43 - 32:46
    SHE MAD, AIN'T SHE?
    WELL, WHAT YOU GONNA DO?
  • 32:46 - 32:48
    I'M GOING TO FIND
    THAT WALLET, WARDELL.
  • 32:48 - 32:49
    HOW?
  • 32:49 - 32:50
    BY ANY MEANS NECESSARY,
  • 32:50 - 32:54
    A-AND I WANT YOU
    TO HELP ME, YOUNG BLOOD.
  • 32:54 - 32:58
    I'M YOUR MAN, HOMEBOY.
    WHAT'S YOUR FIRST STEP?
  • 32:58 - 33:00
    I AIN'T SURE, BUT WE GOT
    TO FIND THOSE ROBBERS.
  • 33:00 - 33:02
    WE CAN'T GO
    TO THE POLICE
  • 33:02 - 33:04
    'CAUSE W-WE DON'T KNOW
    IF WE CAN TRUST THEM
  • 33:04 - 33:07
    IF THEY KNOW WHAT'S IN THE
    WALLET, IF WE DON'T TELL THEM,
  • 33:07 - 33:09
    THEY AIN'T GOING TO
    WASTE TIME LOOKING,
  • 33:10 - 33:13
    SO I FIGURE WE GOING TO
    HAVE TO GET OUT IN THE STREET,
  • 33:13 - 33:16
    AND KIND OF KEEP OUR EARS
    AND EYES OPEN UNTIL WE
  • 33:16 - 33:17
    PICK UP SOME CLUES.
  • 33:17 - 33:20
    WELL, WE CAN'T GET
    OUT THERE OURSELVES.
  • 33:20 - 33:23
    FOR THAT KIND OF MONEY?
    THE HELL WE CAN'T!
  • 34:26 - 34:29
    HANDS UP! TURN AROUND
    AND FACE THE WALL.
  • 34:32 - 34:33
    AW, MAN, I--
  • 34:33 - 34:34
    FREEZE.
  • 34:34 - 34:36
    NAH, SEE,
    YOU ALL GOT THE WRONG--
  • 34:36 - 34:38
    YOU'RE WRONG, SEE?
    I HAVEN'T DONE ANYTHING.
  • 34:38 - 34:40
    I WANT A LAWYER.
  • 34:56 - 34:59
    I--
    DON'T SAY NOTHIN' TO ME!
  • 34:59 - 35:01
    YOU KNOW THEY WAS GOING TO
    SHOOT ME-- WARDELL.
  • 35:01 - 35:03
    I DID EXACTLY--
  • 35:03 - 35:05
    MISTOOK ME
    FOR SOME BIG UGLY CAT
  • 35:05 - 35:06
    WITH A BEARD
    AND A MOUSTACHE.
  • 35:06 - 35:08
    I CAN UNDERSTAND--
    SHUT UP!
  • 35:08 - 35:10
    WE'RE NOT GOING TO
    DO THIS STUFF NO MORE.
  • 35:10 - 35:13
    WE'RE GOING TO GET
    A PRIVATE DETECTIVE.
  • 35:13 - 35:15
    WHERE ARE WE GONNA
    FIND ONE?
  • 35:15 - 35:18
    IN THE YELLOW PAGES!
    I DON'T KNOW!
  • 36:02 - 36:04
    MR. WASHINGTON?
  • 36:06 - 36:08
    MR. WASHINGTON?
  • 36:16 - 36:19
    WHAT DO YOU WANT?!
  • 36:19 - 36:21
    WE'RE-- WE'RE LOOKING
    FOR SHARP EYE WASHINGTON.
  • 36:21 - 36:23
    WHO LOOKING FOR HIM?
  • 36:23 - 36:25
    STEVE JACKSON, AND THIS
    IS MY FRIEND WARDELL FRANKLIN.
  • 36:25 - 36:28
    WE WANT HIM FOR A JOB.
  • 36:28 - 36:29
    SOME PROPERTY
    OF OURS WAS STOLEN.
  • 36:29 - 36:32
    WE WANT HIM
    TO GET IT BACK FOR US.
  • 36:32 - 36:34
    COST YOU $500.
  • 36:34 - 36:37
    $500? OH, WE AIN'T GOT
    THAT KIND OF MONEY.
  • 36:37 - 36:39
    $400?
  • 36:39 - 36:40
    NAH.
  • 36:40 - 36:42
    I think
    we gonna have to...
  • 36:42 - 36:44
    HOW ABOUT $300?
  • 36:49 - 36:51
    YOU SURE YOU
    SHARP EYE WASHINGTON
  • 36:51 - 36:54
    THE PRIVATE DETECTIVE?
  • 36:54 - 36:56
    YEAH, I'M SHARP EYE WASHINGTON,
    THE ONE AND ONLY.
  • 36:56 - 36:57
    NEVER BE ANOTHER LIKE ME.
  • 36:57 - 36:59
    WE'RE WORKING PEOPLE.
  • 36:59 - 37:01
    SEE, I DRIVE A TAXI CAB,
  • 37:01 - 37:04
    AND I MEAN, LIKE,
    $300, MAN...
  • 37:04 - 37:07
    YOU DON'T KNOW WHAT IT'S LIKE
    TO BE A DETECTIVE. IT'S ROUGH.
  • 37:07 - 37:08
    THERE'S PEOPLE
    LOOKING FOR ME NOW.
  • 37:09 - 37:11
    WHO?
    NONE OF YOUR BUSINESS.
  • 37:11 - 37:13
    MAKE UP YOUR MIND
    'CAUSE I GOTTA SPLIT.
  • 37:13 - 37:14
    HOW ABOUT $200?
  • 37:17 - 37:18
    [ARGUING SOFTLY]
  • 37:18 - 37:20
    ALL YOU RISK IS $200,
  • 37:20 - 37:23
    BUT I PUT MY LIFE
    ON THE LINE.
  • 37:23 - 37:25
    IT'S A LONELY, DANGEROUS LIFE
    BEING A PRIVATE DETECTIVE.
  • 37:25 - 37:27
    ALL YOU DO IS
    RISK A LITTLE MONEY.
  • 37:27 - 37:30
    I SOLVE THE CASES,
    AND PEOPLE ARE AFTER ME!
  • 37:30 - 37:33
    LOOK AT MY EYE--
    MY RIGHT EYE.
  • 37:33 - 37:36
    SEE HOW BLOODSHOT IT IS?
    KNOW HOW IT GOT THAT WAY?
  • 37:36 - 37:38
    FROM SLEEPING
    WITH ONE EYE OPEN, BABY.
  • 37:38 - 37:40
    LIFE AIN'T EASY--
    ALWAYS ON THE MOVE,
  • 37:40 - 37:42
    PEOPLE AFTER ME WITH GUNS,
  • 37:42 - 37:44
    LOOKING UNDER THE HOOD
    OF YOUR CAR FOR BOMBS,
  • 37:44 - 37:47
    PEEKING OUT WINDOWS,
    PEERING DOWN HALLWAYS.
  • 37:47 - 37:48
    IN THE MOVIES, RIGHT?
  • 37:48 - 37:51
    YOU SEE THE MOVIES
    ALWAYS GOT SOME SUPER NIGGER
  • 37:51 - 37:53
    ALWAYS KILLING SOME
    WHITE BOY IN THE MAFIA,
  • 37:53 - 37:55
    BEATING UP
    THE CROOKED POLICE.
  • 37:55 - 37:57
    THAT'S NOT TRUE, AND IT
    DON'T HELP ME EITHER.
  • 37:57 - 38:01
    AND WOMEN--
    THEY ALL GOT WOMEN.
  • 38:01 - 38:03
    BLACK DETECTIVE IN THE MOVIE
    ALWAYS GOT A WOMAN.
  • 38:03 - 38:06
    WATCH YOURSELF.
  • 38:06 - 38:09
    WELL, I AIN'T HAD
    A WOMAN IN-- HOW LONG?
  • 38:09 - 38:11
    MONTHS! MONTHS.
  • 38:11 - 38:13
    I MIGHT AS WELL
    BE A MONK,
  • 38:13 - 38:15
    THAT'S WHAT IT'S LIKE
    BEING A DETECTIVE.
  • 38:15 - 38:18
    THAT'S THE REAL TRUTH OF IT.
    IT'S ALWAYS STEADY ON THE CASE.
  • 38:18 - 38:22
    STEADY ON THE CASE.
  • 38:22 - 38:24
    I'M GETTING MY THING
    TOGETHER, TOO, BABY,
  • 38:24 - 38:26
    'CAUSE I'M
    SHARP EYE WASHINGTON--
  • 38:26 - 38:28
    STEADY ON THE CASE.
  • 38:30 - 38:32
    WE-- WE GIVE YOU
    $50 DOWN,
  • 38:32 - 38:34
    AND THE REST WHEN
    YOU FIND OUR PROPERTY.
  • 38:35 - 38:37
    DEAL. JUST WRITE DOWN YOUR NAME,
    ADDRESS, AND PHONE NUMBER.
  • 38:37 - 38:39
    YOU GOT NOTHING TO WORRY ABOUT
  • 38:39 - 38:41
    'CAUSE I'M GOING TO
    FIND YOUR PROPERTY.
  • 38:52 - 38:56
    THE ADDRESS
    AND PHONE NUMBER.
  • 38:56 - 38:59
    $50...BUT--BUT--
  • 38:59 - 39:01
    WE AIN'T TOLD YOU
    WHAT WE LOST.
  • 39:01 - 39:05
    I WAS ABOUT TO BRING THAT UP.
    IT'S SOMETHING VERY VALUABLE.
  • 39:05 - 39:06
    YEAH.
  • 39:06 - 39:09
    AND IT'S MORE
    PRECIOUS THAN GOLD?
  • 39:09 - 39:10
    THAT'S RIGHT.
  • 39:10 - 39:11
    IT'S A...
  • 39:11 - 39:13
    WALLET.
  • 39:13 - 39:14
    I THOUGHT SO.
  • 39:14 - 39:16
    WHAT'S IN IT?
  • 39:18 - 39:20
    SOME FAMILY PICTURES
  • 39:20 - 39:24
    AND SOME--
    SOME SENTIMENTAL SOUVENIRS.
  • 39:24 - 39:26
    I THOUGHT IT WAS
    SOMETHING LIKE THAT.
  • 39:26 - 39:28
    WELL, STEADY
    ON THE CASE.
  • 39:28 - 39:29
    [LAUGHS NERVOUSLY]
  • 39:29 - 39:32
    Wardell: SAY, MAN. HEY!
  • 39:38 - 39:40
    IT'S JUST MY WAY
  • 39:40 - 39:43
    OF STAYING ONE STEP AHEAD
    OF THE THIEVES AND HUSTLERS.
  • 39:43 - 39:46
    HEY, WAIT!
  • 39:46 - 39:48
    I KNOW...A WALLET.
  • 39:48 - 39:49
    HEY, HEY, LISTEN!
  • 39:50 - 39:52
    LOOK, WAIT A MINUTE!
  • 39:52 - 39:53
    [FOOTSTEPS DESCEND]
  • 40:02 - 40:03
    [SIREN WAILING]
  • 40:03 - 40:06
    WHAT'S THAT?
  • 40:06 - 40:07
    [TIRES SCREECH]
  • 40:29 - 40:30
    [LAUGHS NERVOUSLY]
  • 40:31 - 40:34
    I'D LIKE TO GET 300 TICKETS
    TO THE POLICEMAN'S BALL.
  • 40:34 - 40:36
    YOUR CON DAYS
    ARE OVER, WASHINGTON.
  • 40:36 - 40:37
    HUH?
  • 40:40 - 40:41
    HE STOLE OUR MONEY.
  • 40:41 - 40:43
    HE STOLE A LOT
    OF PEOPLE'S MONEY, FELLA.
  • 40:43 - 40:45
    WE'VE BEEN ON YOUR
    TRAIL A LONG TIME.
  • 40:45 - 40:48
    I WAS FRAMED.
    YOU SAID THAT
    IN DES MOINES, IOWA,
  • 40:48 - 40:51
    WHERE YOU WERE
    CLEOPHUS WASHINGTON, A PREACHER.
  • 40:51 - 40:53
    YOU ESCAPED FROM CUSTODY.
  • 40:53 - 40:56
    YOU SAID THAT IN JERSEY CITY
    WHERE YOU WERE HENRY HAWTHORNE
  • 40:56 - 40:58
    A BOGUS LAWYER.
    YOU JUMPED BAIL.
  • 40:58 - 41:01
    YOUR CLIENTS ARE STILL WAITING
    FOR YOU TO HANDLE THEIR CASES.
  • 41:01 - 41:03
    THAT'S MY COUSIN
    CLARENCE WASHINGTON.
  • 41:03 - 41:06
    THAT'S NOT ME.
    THAT'S NOT ME.
  • 41:06 - 41:10
    DAMN, MAN, WE TRUSTED YOU!
    I MEAN, WHY US?
  • 41:10 - 41:11
    WHY NOTYOU, BROTHER?
  • 41:11 - 41:13
    TAKE HIM AWAY.
  • 41:14 - 41:16
    UH, WAIT A MINUTE.
    HE STOLE OUR MONEY.
  • 41:16 - 41:18
    W-W-WHAT DO WE DO
    ABOUT THAT?
  • 41:18 - 41:19
    GO TO THE STATION HOUSE
  • 41:20 - 41:22
    AND FILE A COMPLAINT FOR
    THE RETURN OF YOUR MONEY,
  • 41:22 - 41:25
    BUT LET ME WARN YOU, YOU'LL
    BE WAITING IN A LONG LINE.
  • 41:26 - 41:28
    IS THE GOVERNOR
    IN TOWN?
  • 41:28 - 41:30
    GET HIM DOWN HERE.
    I WANNA SEE HIM.
  • 41:58 - 42:00
    YES, MAY I HELP YOU?
  • 42:00 - 42:01
    WE'D LIKE TO SEE
    CONGRESSMAN LINCOLN.
  • 42:10 - 42:12
    EXCUSE ME,
    CONGRESSMAN LINCOLN,
  • 42:12 - 42:15
    THERE ARE TWO GENTLEMEN
    WAITING OUTSIDE TO SEE YOU.
  • 42:15 - 42:17
    YES, OF COURSE,
    FROM THE MAYOR'S OFFICE.
  • 42:17 - 42:18
    NO, SIR.
  • 42:18 - 42:20
    AH, THEN PERHAPS
    THE PRESS.
  • 42:20 - 42:22
    I THINK NOT, SIR.
  • 42:22 - 42:25
    THEY LOOK--
    WELL, RATHER ORDINARY.
  • 42:25 - 42:28
    UH-OH. CONSTITUENTS?
  • 42:28 - 42:29
    YES, SIR.
  • 42:29 - 42:31
    [SIGHS]
  • 42:39 - 42:42
    [AFRICAN MUSIC PLAYING]
  • 42:53 - 42:55
    SHOW THEM IN.
    YES, SIR.
  • 42:55 - 42:56
    AH, QUICK--
    THEIR NAMES.
  • 42:56 - 42:58
    MR. FRANKLIN.
    MR. JACKSON.
  • 42:58 - 42:59
    [MUMBLES]
  • 42:59 - 43:00
    RIGHT.
  • 43:00 - 43:02
    SEND THEM IN.
    YES, SIR.
  • 43:03 - 43:04
    [DOOR OPENS]
  • 43:05 - 43:07
    GENTLEMEN.
  • 43:07 - 43:10
    AH, BROTHERS.
  • 43:10 - 43:14
    BROTHERS, I AM
    SO GLAD TO SEE YOU.
  • 43:14 - 43:15
    MR. JACKSON,
    HOW DO YOU DO?
  • 43:15 - 43:18
    AND MR. FRANKLIN,
    I'M DELIGHTED TO SEE YOU.
  • 43:18 - 43:20
    I'M JACKSON,
    HE'S FRANKLIN.
  • 43:20 - 43:23
    OH, I'M SORRY
    ABOUT THAT.
  • 43:23 - 43:25
    BROTHERS, AH.
  • 43:25 - 43:27
    HA HA HA.
    HAVE A SEAT.
  • 43:30 - 43:31
    NOW, THEN,
    MR. WILSON--
  • 43:31 - 43:33
    JACKSON. JACKSON.
  • 43:33 - 43:34
    YES, OF COURSE.
  • 43:34 - 43:37
    YOU SEE, I AM
    SO GLADTO SEE YOU.
  • 43:37 - 43:40
    IT ISN'T OFTEN I'M PRIVILEGED
    TO SEE OUR MORE COMMON FOLK--
  • 43:40 - 43:43
    THE REAL SALT-OF-THE-EARTH
    FOLK, YOU KNOW.
  • 43:43 - 43:45
    AS I WAS JUST SAYING
    TO MY BELOVED WIFE,
  • 43:45 - 43:48
    IT IS BECAUSE OF KNOWING
    THE ORDINARY FOLK
  • 43:48 - 43:51
    IN OUR DAILY LIVES
    THAT WE CAN KEEP IN TOUCH
  • 43:51 - 43:54
    WITH THE PULSE
    OF THE GRASS ROOTS.
  • 43:54 - 43:58
    NOW, THEN, BROTHERS,
    WHAT CAN I DO FOR YOU?
  • 43:58 - 43:59
    SEE, WE HAVE
    THIS PROBLEM...
  • 43:59 - 44:03
    PROBLEM? YOUR PROBLEMS
    ARE MY PROBLEMS,
  • 44:03 - 44:04
    AND OUR PROBLEMS
  • 44:04 - 44:07
    ARE THE PROBLEMS
    OF ALL BLACK PEOPLE.
  • 44:07 - 44:09
    WE WERE ROBBED,
    CONGRESSMAN LINCOLN.
  • 44:09 - 44:11
    NO.
  • 44:11 - 44:13
    YES, AT GUNPOINT.
  • 44:13 - 44:15
    GUNPOINT?
  • 44:15 - 44:18
    WHAT A SHAME...SHAME!
  • 44:22 - 44:25
    IT, UM, WASN'T
    BROTHERS, WAS IT?
  • 44:25 - 44:27
    UH, UH, THEY WERE
    WEARING MASKS,
  • 44:27 - 44:30
    BUT WE ARE SURE
    THEY WERE BLACK.
  • 44:34 - 44:36
    OH.
  • 44:36 - 44:38
    MY PEOPLE.
  • 44:38 - 44:41
    MY PEOPLE.
  • 44:41 - 44:44
    HOW LONG, HMM?
  • 44:45 - 44:46
    HOW LONG?
  • 44:46 - 44:49
    WHY DO WE DOTHIS
    TO ONE ANOTHER?
  • 44:51 - 44:55
    NOW, YOU WERE SAYING
    YOU WERE ROBBED.
  • 44:55 - 44:56
    THE OTHER NIGHT--
  • 44:56 - 45:00
    OUR WALLETS,
    OUR JEWELRY,
  • 45:00 - 45:05
    AND SOME VERY VALUABLE
    MEMENTOS THAT WE KEPT--
  • 45:06 - 45:08
    NEVER FEAR.
  • 45:08 - 45:10
    HA HA HA HA.
  • 45:10 - 45:11
    NEVER FEAR.
  • 45:11 - 45:14
    JUST ONE SIMPLE PHONE CALL
    TO MY FRIEND--
  • 45:14 - 45:16
    MY GOOD FRIEND--
    LIEUTENANT HARDCASTLE
  • 45:16 - 45:18
    DOWN AT POLICE HEADQUARTERS
    OUGHTA GO A LONG WAY
  • 45:18 - 45:22
    IN CAPTURING THIS
    TRAITOR TO OUR RACE.
  • 45:22 - 45:24
    WHERE DID YOU SAY
    THIS ROBBERY TOOK PLACE?
  • 45:24 - 45:26
    MADAME ZENOBIA.
  • 45:33 - 45:35
    IS THE LINE BUSY?
  • 45:35 - 45:36
    MADAME ZENOBIA?
  • 45:36 - 45:38
    YOU KNOW THE PLACE?
  • 45:38 - 45:40
    WELL, YES!
  • 45:40 - 45:44
    THAT IS, I-- I'VE HEARD
  • 45:44 - 45:50
    OF THAT ILLEGAL, UM,
    AFTER-HOURS CLUB...
  • 45:50 - 45:51
    A DEN OF INIQUITY.
  • 45:51 - 45:53
    YES, A LOT OF HIP PEOPLE
    GO BY THERE,
  • 45:54 - 45:56
    PEOPLE FROM ALL DIFFERENT
    SIDES OF THE TRACK.
  • 45:56 - 45:58
    IRRESPONSIBLE INGRATES,
    BROTHERS.
  • 45:58 - 46:00
    YOU WOULD BE WELL ADVISED
  • 46:00 - 46:03
    NOT TO VENTURE
    DOWN THAT DARK PATH.
  • 46:03 - 46:05
    JUST LAST WEEK, I WAS
    SAYING TO MY BELOVED WIFE
  • 46:05 - 46:10
    THAT I WOULD NOT BE CAUGHT
    DEAD IN SUCH A PLACE.
  • 46:10 - 46:14
    HI, CHESLEY, HOW YOU
    DOING TODAY, SUGAR?
  • 46:14 - 46:15
    OH, I'M SORRY.
  • 46:15 - 46:17
    I DIDN'T REALIZE YOU
    WERE IN A CONFERENCE.
  • 46:22 - 46:25
    BROTHER MAN,
    WHAT'S HAPPENING?
  • 46:25 - 46:26
    PEGGY LEGGY.
  • 46:26 - 46:27
    NO, NO, NO.
  • 46:27 - 46:30
    AROUND HERE, FOLKS
    CALL ME MRS. LINCOLN.
  • 46:33 - 46:36
    YOU KNOW, IN SPITE
    OF THAT WHOLE RIP-OFF THING,
  • 46:36 - 46:40
    CHILD, I HAD ME A BALL,
    I WANT TO TELL YOU!
  • 46:40 - 46:42
    PEG, DEAR,
  • 46:42 - 46:44
    MUST YOU ALWAYS
    SPEAK DIALECT?
  • 46:44 - 46:46
    IT'S SO CONDESCENDING.
    WE MUST RID OURSELVES
  • 46:47 - 46:48
    OF THESE
    LINGUISTIC SHACKLES.
  • 46:48 - 46:51
    HONEY, HUSH.
  • 46:51 - 46:53
    YOU ALL HAVE GOT
    TO FORGIVE MY HUSBAND.
  • 46:53 - 46:55
    I LOVE HIS SWEET SELF
    TO DEATH,
  • 46:55 - 46:58
    BUT EVER SINCE HE GOT HIMSELF
    A LITTLE BIT OF POSITION,
  • 46:58 - 46:59
    HE THINK HE INTO SOMETHING.
  • 46:59 - 47:02
    THERE WAS A TIME WHEN
    HE STILL LIKED FRIED CHICKEN.
  • 47:02 - 47:06
    WHOO, I GET SO TIRED OF
    GOING TO THEM CORNY DANCES,
  • 47:06 - 47:08
    CORNY DINNERS WE KEEP
    GETTING INVITED TO--
  • 47:08 - 47:11
    THE ONE WHERE
    YOU BE THE TOKEN ONE
  • 47:11 - 47:12
    AND EVERYBODY STANDING
    AROUND LOOKING AT YOU
  • 47:13 - 47:14
    LIKE YOU SOMETHING
    IN THE ZOO.
  • 47:15 - 47:17
    WELL, I GOT TIRED!
  • 47:17 - 47:20
    ABOUT SIX MONTHS AGO, I GOT
    OLD SUPER BLACK OVER HERE
  • 47:20 - 47:23
    TO TAKE ME
    TO WHERE MYFOLKS IS.
  • 47:23 - 47:25
    WELL, I FIGURE HE'D
    TAKE ME TO A DINNER,
  • 47:25 - 47:27
    TAKE ME DANCING
    OR SOMETHING,
  • 47:27 - 47:30
    AND CHILD, HE COME
    TAKING ME TO ZENOBIA'S.
  • 47:30 - 47:32
    HE KNEW ALL ABOUT THIS,
  • 47:32 - 47:35
    ALL THE WAITRESSES
    BY THEIR FIRST NAME,
  • 47:35 - 47:38
    AND COME TO FIND OUT,
    HE A CHARTER MEMBER!
  • 47:40 - 47:42
    DAMN NEAR BLEW MY MIND.
  • 47:42 - 47:45
    THIS NIGGER'S
    SOMETHING ELSE, HONEY.
  • 47:45 - 47:47
    WELL, YOU SEE,
    I DISCOVERED
  • 47:47 - 47:49
    THAT A GREAT NUMBER
    OF MY CONSTITUENTS--
  • 47:49 - 47:51
    OH, HONEY, NOW,
    THAT AIN'T NOTHIN'
  • 47:51 - 47:53
    FOR YOU TO BE ASHAMED OF.
  • 47:53 - 47:55
    THEM POLITICIANS
    YOU BE HANGING OUT WITH
  • 47:55 - 47:57
    IN WASHINGTON BE GETTING
    INTO THEIR PLEASURES
  • 47:57 - 48:00
    A WHOLE LOT WORSE
    OF WAYS THAN THAT, HONEY.
  • 48:00 - 48:03
    HOW CAN ONE WORK FOR
    THE GOOD OF ONE'S PEOPLE
  • 48:03 - 48:05
    IF ONE'S WIFE CONTINUALLY
    AIRS IN PUBLIC
  • 48:05 - 48:06
    ONE'S DIRTY LAUNDRY?
  • 48:06 - 48:08
    THE PHRASE IS
  • 48:08 - 48:11
    "PUTTING ONE'S BUSINESS
    IN THE STREET."
  • 48:14 - 48:16
    YOU SEE WHAT I MEAN?
  • 48:16 - 48:18
    SO, WHAT BRINGS YOU ALL
    AROUND HERE VISITING?
  • 48:18 - 48:23
    UH, WELL, WE-- WE'RE
    TRYING TO GET SOME HELP,
  • 48:23 - 48:26
    UH, TO TRACK DOWN
    THEM STICK-UP FELLAS
  • 48:26 - 48:28
    'CAUSE WE LOST SOME
    VERY VALUABLE PROPERTY
  • 48:28 - 48:29
    THE OTHER NIGHT.
  • 48:29 - 48:33
    OH, I'M SORRY
    TO HEAR THAT...
  • 48:33 - 48:40
    AND THEM NIGGERS INTERRUPTED
    THE BEST ROLL I EVERHAD!
  • 48:40 - 48:41
    MMM!
  • 48:41 - 48:43
    LISTEN, THERE'S
    A BIG-TIME HOOD
  • 48:44 - 48:46
    NAMED GEECHIE DAN BEAUFORD
    YOU SHOULD SEE.
  • 48:46 - 48:48
    ALSO, GET A RUNDOWN
  • 48:48 - 48:50
    ON A LOCAL HUSTLER
    NAMED LITTLE SEYMOUR.
  • 48:50 - 48:52
    PERSONALLY, I THINK
    LITTLE SEYMOUR
  • 48:52 - 48:54
    THE ONE WHO DONE IT,
    BUT BE CAREFUL.
  • 48:54 - 48:56
    LITTLE SEYMOUR TRAVELS
    WITH A BODYGUARD
  • 48:56 - 48:58
    NAMED BIG PERCY,
    WHO CAN GET REALUGLY.
  • 48:58 - 49:00
    YOU SURE
    THIS IS THE PLACE?
  • 49:00 - 49:01
    YES, I'M SURE.
  • 49:01 - 49:04
    ALL WE GOT TO DO
    IS GO INSIDE,
  • 49:04 - 49:06
    SEE LITTLE SEYMOUR,
  • 49:06 - 49:08
    AND ASK HIM
    ABOUT OUR PROPERTY.
  • 49:29 - 49:30
    YOU SEE WHAT I SAW?
  • 49:30 - 49:32
    YES, I SAW
    WHAT YOU SAW,
  • 49:32 - 49:35
    DON'T BE WORRYING ABOUT NOTHING
    'CAUSE THE DUDE MESS WITH ME,
  • 49:35 - 49:36
    I'M GONNA KNOCK
    HIM OUT. KNOW WHY?
  • 49:36 - 49:39
    'CAUSE I'M FROM
    OFF THE CORNERS.
  • 49:39 - 49:40
    NOW, COME ON.
  • 49:54 - 49:56
    YOU JUST LET SOME CAT
    LOOK FUNNY AT ME
  • 49:56 - 49:58
    AND SEE IF I AIN'T
    ON HIS CASE.
  • 49:58 - 49:59
    THAT'S RIGHT!
  • 49:59 - 50:03
    'CAUSE MY MONEY IS
    IN THIS PLACE SOMEPLACE, TOO.
  • 50:03 - 50:07
    THAT'S RIGHT, AND WHERE MY MONEY
    IS CONCERNED, I DON'T PLAY.
  • 50:07 - 50:11
    I GET MEAN WHEN YOU MESS
    WITH MY GREEN.
  • 50:11 - 50:13
    NOW, YOU SEE
    IF I'M KIDDING.
  • 50:22 - 50:24
    SAY, MAN.
  • 50:26 - 50:28
    SAY, BROTHER.
  • 50:28 - 50:29
    SAY, I'M TALKING
    TO YOU, MAN.
  • 50:29 - 50:31
    WHAT YOU WANT?
  • 50:31 - 50:32
    YOU SEEN BIG PERCY
    AROUND HERE?
  • 50:33 - 50:34
    WHO WANTS TO KNOW?
  • 50:34 - 50:36
    I'MASKING
    THE QUESTIONS, SISSY.
  • 50:36 - 50:38
    SISSY?
    SI--
  • 50:46 - 50:49
    I ASKED YOU
    A QUESTION, CHUMP!
  • 50:49 - 50:50
    HE AIN'T HERE.
  • 50:50 - 50:55
    WHY DIDN'T YOU SAY THAT
    IN THE FIRST PLACE?!
  • 50:55 - 50:58
    YOU DIG IT? YOU KNOCK A DUDE
    DOWN, YOU GET SOME RESPECT.
  • 50:59 - 51:00
    YAAH!
  • 51:00 - 51:02
    YEAH. YEAH. YEAH.
  • 51:02 - 51:03
    COME ON.
  • 51:09 - 51:12
    YEAH. NOW YOU UNDERSTAND
    WHAT I'M TALKING ABOUT?
  • 51:12 - 51:15
    THAT'S THE ONLY WAY TO DO IT.
    THAT'S THE AMERICAN WAY.
  • 51:15 - 51:16
    YOU UNDERSTAND THAT?
  • 51:16 - 51:19
    NOW, THE DUDE SAID
    THAT BIG PERCY--
  • 51:19 - 51:21
    LITTLE SEYMOUR'S
    BODYGUARD--AIN'T HERE,
  • 51:21 - 51:25
    SO LET'S GO
    GET LITTLE SEYMOUR.
  • 51:25 - 51:27
    YOU UNDERSTAND?
    GO AHEAD.
  • 51:27 - 51:29
    LET'S GET HIM.
    GO AHEAD.
  • 51:29 - 51:33
    NOW--NOW LISTEN HERE,
    YOU ALL,
  • 51:33 - 51:36
    I'M LOOKING
    FOR A CORNY LITTLE RUNT
  • 51:36 - 51:39
    NAMED S-SEYMOUR PETTIGREW.
  • 51:43 - 51:46
    I KNOW YOU'RE IN HERE,
    SEYMOUR, SO COME ON OUT!
  • 51:49 - 51:51
    I HEAR YOU SO UGLY
  • 51:51 - 51:54
    TILL THE SUN REFUSE TO SHINE
    EVERY TIME YOU COME OUT.
  • 51:59 - 52:02
    YOU SO UGLY
  • 52:02 - 52:07
    TILL IT'S AGAINST THE LAW
    IN 20 STATES TO MARRY YOU.
  • 52:07 - 52:09
    Yeah, that's it, Steve.
    You cooking.
  • 52:09 - 52:12
    You just keep on talking.
    He's in here somewhere,
  • 52:12 - 52:14
    and just remember,
    I got your back.
  • 52:14 - 52:17
    And dig, say something
    about his mama.
  • 52:17 - 52:19
    GOTCHA.
    That'll get him.
  • 52:21 - 52:24
    I HEAR YOUR BREATH SO BAD
  • 52:24 - 52:26
    TILL YOU PUT THE THREE
    LEADING TOOTHPASTES
  • 52:26 - 52:27
    OUT OF BUSINESS.
  • 52:33 - 52:37
    SEYMOUR PETTIGREW...
    COME OUT!
  • 52:41 - 52:44
    I'M LITTLE SEYMOUR.
  • 52:59 - 53:01
    AND I'M BIG PERCY.
  • 53:09 - 53:12
    HI-YAH!
  • 53:46 - 53:48
    WHAT YOU TURKEYS WANT?
  • 54:16 - 54:18
    HAH.
  • 54:18 - 54:21
    HUH. MR. SEYMOUR,
    SEE, UM,
  • 54:21 - 54:23
    SEE, I JUST GOT
    OUT THE HOSPITAL.
  • 54:23 - 54:25
    SEE, I WAS--
    I WAS IN THE WAR.
  • 54:25 - 54:30
    VETERAN. AND, UH, SEE, I MEAN,
    EVERY ONCE IN A WHILE,
  • 54:30 - 54:33
    I HAVE THESE, UH, FITS,
    YOU KNOW.
  • 54:33 - 54:36
    AND THE FITS ARE, UM,
    I MEAN, I BE JUMPING BAD
  • 54:36 - 54:39
    AND TRY TO MAKE
    AN IMPRESSION ON PEOPLE.
  • 54:39 - 54:42
    BUT IT'S THEM FITS
    THAT'S DOING IT.
  • 54:42 - 54:43
    BUT THEN, EVERY ONCE
    IN A WHILE,
  • 54:43 - 54:48
    SEE, THEY JUST GO DOWN
    AND I BE MYSELF AGAIN,
  • 54:48 - 54:49
    AND I DON'T BE JUMPING BAD.
  • 54:49 - 54:52
    BUT IT'S NOT MY FAULT,
    MR. SEYMOUR.
  • 54:52 - 54:54
    BUT I'M NOT REACHING
    FOR A GUN.
  • 54:54 - 54:55
    I GOT A CARD.
  • 54:55 - 54:59
    SEE, THE CARD SAYS, UM,
    IF IN CASE OF A FIT,
  • 54:59 - 55:01
    PLEASE PUT THIS MAN
    UNHARMEDIN A CAB
  • 55:01 - 55:05
    AND SEND HIM HOME TO HIS WIFE.
    SHE PAY THE BILL.
  • 55:05 - 55:09
    SO, I DIDN'T WANT YOU
    TO GET THE WRONG IMPRESSION.
  • 55:09 - 55:11
    YOU LOUD-TALKED ME.
  • 55:11 - 55:13
    NOBODY LOUD-TALKS
    LITTLE SEYMOUR.
  • 55:13 - 55:17
    OH, NOW, SEE, MR. SEYMOUR,
    THAT'S-- SEE, I DIDN'T--
  • 55:17 - 55:19
    HE'S THE ONE.
  • 55:19 - 55:21
    BUT SEE, FIRST OF ALL,
  • 55:21 - 55:23
    YOU GOT TO UNDERSTAND
    ABOUT HIS GRANDMOTHER.
  • 55:23 - 55:29
    SEE, SEE, HIS GRANDMOTHER
    BROUGHT UP HIM ANDHIS SISTERS.
  • 55:29 - 55:31
    EVER SINCE THEY WAS DOWN--
  • 55:31 - 55:34
    THEY WAS DOWN THERE
    PICKING COTTON, MR. SEYMOUR.
  • 55:34 - 55:38
    I KNOW YOU CAN IDENTIFY
    WITH PICKING COTTON.
  • 55:38 - 55:41
    WELL, IF YOU CAN'T,
    THEN I CAN DIG THAT.
  • 55:41 - 55:43
    BUT ANYWAY,
    SEE, WHAT HAPPENS--
  • 55:43 - 55:46
    THE GRANDMOTHER'S
    OLD LADY, YOU DIG?
  • 55:46 - 55:50
    AND SO HIS SISTER'S BEEN
    KEEPING LIFE SAVINGS ON HER
  • 55:50 - 55:51
    'CAUSE SHE DON'T TRUST
    THE BANK.
  • 55:51 - 55:54
    BANKS ARE RIPPING
    PEOPLE OFF AND STUFF.
  • 55:54 - 55:56
    AND THEN, SHE WENT
    TO ZENOBIA'S, YOU DIG?
  • 55:56 - 56:03
    AND IN ZENOBIA'S--THEN,
    WAS ROBBED OF THE MONEY.
  • 56:03 - 56:05
    AND THE LIFE SAVINGS
    JUST WENT.
  • 56:05 - 56:08
    SO MY MAN SAID, "LET'S
    GO CHECK OUT MR. SEYMOUR."
  • 56:08 - 56:13
    'CAUSE YOU'RE HIGHLY THOUGHT
    OF IN OUR COMMUNITY, YOU DIG?
  • 56:13 - 56:17
    I MEAN, YOU EVEN BIGGER
    THAN GEECHIE DAN BEAUFORD,
  • 56:17 - 56:19
    YOU DIG?
  • 56:19 - 56:23
    SO, UH, ANYWAY, HE'S
    DESPERATE TO TALK TO YOU.
  • 56:23 - 56:25
    THAT'S WHY HE'S CALLING
    YOU ALL THEM NAMES.
  • 56:25 - 56:28
    BUT IF YOU NOTICE,
    UH, MR. SEYMOUR,
  • 56:28 - 56:30
    HE NEVER SAID NOTHIN'
    ABOUT YOUR MOTHER.
  • 56:34 - 56:36
    SO HE WASN'T
    THAT DESPERATE, YOU SEE?
  • 56:36 - 56:41
    SO, UH, STEVE, COME OVER HERE
    AND APOLOGIZE TO MR. SEYMOUR.
  • 56:41 - 56:45
    THIS IS MY FRIEND STEVE,
    WHO'S GONNA APOLOGIZE TO YOU.
  • 56:45 - 56:48
    LET'S GET A FEW
    THINGS STRAIGHT.
  • 56:48 - 56:51
    FIRST, WHOEVER HIT ZENOBIA
    IS GOING TO PAY FOR IT
  • 56:51 - 56:55
    WITH THE SKIN OFF THEIR TAIL
    WHEN I FIND OUT WHO IT IS,
  • 56:55 - 56:56
    'CAUSE ME AND HER IS TIGHT.
  • 56:56 - 56:58
    AND SECOND,
  • 56:58 - 57:01
    THAT STORY YOU JUST
    TOLD ME IS BULLSHIT.
  • 57:01 - 57:03
    YES, SIR.
  • 57:03 - 57:06
    AND THIRD,
    HERE'S A LITTLE SOMETHING
  • 57:07 - 57:10
    FOR NIGGERS WHO LOUD-TALK
    LITTLE SEYMOUR.
  • 57:10 - 57:12
    HEE YAH!
  • 57:20 - 57:21
    AAAAH!
  • 57:33 - 57:34
    AAH!
  • 57:36 - 57:40
    [DOORBELL RINGS]
  • 57:40 - 57:41
    Irma: HI.
    Sarah: HI, IRMA.
  • 57:41 - 57:43
    WHERE ARE THEY?
    IN THERE.
  • 57:50 - 57:52
    WHAT ARE WE GONNA
    DO WITH THESE FOOLS?
  • 57:52 - 57:53
    GIRL, I DON'T KNOW.
  • 57:53 - 57:54
    NO, NO, NO.
    WAIT A MINUTE.
  • 57:54 - 57:57
    FIRST OF ALL, THAT WAS
    THE HARDEST-HITTING,
  • 57:57 - 58:02
    FASTEST, BADDEST LITTLE
    BLACK MAN OF COLORED DESCENT
  • 58:02 - 58:05
    I HAVE EVER SEEN, BUT I HAD
    HIM ON THE RUN, DIDN'T I?
  • 58:05 - 58:06
    DIDN'T YOU?
  • 58:06 - 58:09
    DID HE HIT ME WITH
    HIS FOOT OR HAND?
  • 58:09 - 58:10
    BOTH AT THE SAME TIME.
  • 58:10 - 58:12
    WARDELL, HONEY.
  • 58:12 - 58:15
    YOUR IMAGINATION'S GONNA GET YOU
    KILLED ONE OF THESE DAYS!
  • 58:15 - 58:18
    NOW, LET ME TAKE YOU HOME
    AND TRY TO PATCH YOU UP.
  • 58:18 - 58:20
    I'LL TALK TO YOU TOMORROW.
  • 58:20 - 58:22
    DON'T FORGET, HOMEBOY,
    TOMORROW WE GOING AFTER
  • 58:22 - 58:25
    BIG-TIME
    GEECHIE DAN BEAUFORD.
  • 58:25 - 58:26
    Wardell: YOU GOT IT.
  • 60:11 - 60:14
    I--I'M HERE
    TO SEE MR. GEECHIE DAN.
  • 60:22 - 60:23
    WAIT HERE.
  • 60:25 - 60:26
    [AS VITO CORLEONE
    OF THE GODFATHER]22%.
  • 60:26 - 60:28
    I WANNA KNOW
    HOW YOU FEEL--
  • 60:28 - 60:30
    Man's here
    to see you, boss.
  • 60:34 - 60:36
    BRING HIM OVER HERE
    AND SIT HIM DOWN.
  • 60:38 - 60:40
    OK.
  • 60:49 - 60:50
    SIT DOWN.
  • 61:51 - 61:54
    [SIGHS]
  • 61:54 - 61:56
    NOW, WHAT DO YOU WANT?
  • 61:59 - 62:03
    WELL, SIR, UM,
    SEE, IT'S LIKE THIS.
  • 62:03 - 62:06
    SOME PROPERTY OF MINE
    WAS STOLEN,
  • 62:06 - 62:09
    AND I NEED SOME HELP.
  • 62:10 - 62:13
    SO WHAT YOU COMING
    TO ME FOR?
  • 62:13 - 62:16
    WELL...I HEARD THAT
    DON'T NOTHIN' GO DOWN
  • 62:17 - 62:20
    UNLESS YOUKNOW ABOUT IT.
  • 62:20 - 62:22
    MAN, GET OUT OF MY FACE.
  • 62:22 - 62:24
    NO, NO, NO, NO.
  • 62:24 - 62:26
    J-J-JUST A MINUTE,
    GEECHIE DAN.
  • 62:26 - 62:28
    UH, MR. BEAUFORD.
  • 62:28 - 62:30
    MR. BEAUFORD.
  • 62:30 - 62:32
    IF YOU DON'T GET AWAY
    FROM HERE SOON,
  • 62:32 - 62:37
    THEY GONNA BE PICKING UP YOUR
    HEAD FROM ACROSS THE STREET.
  • 62:37 - 62:39
    NOW MOVE OUT, SUCKER.
  • 62:41 - 62:43
    WAIT ONE DAMN MINUTE.
    DON'T BE PULLIN'--
  • 62:43 - 62:46
    MR. BEAUFORD, PLEASE, SIR.
    PLEASE, MR...
  • 62:48 - 62:50
    AAH!
  • 63:57 - 63:59
    MOVE IT!
  • 64:26 - 64:28
    [TIRES SCREECH]
  • 65:05 - 65:09
    Beauford: ALL RIGHT,
    LET'S START ALL OVER AGAIN.
  • 65:09 - 65:11
    YOU ALL GOING TO
    TELL ME SOMETHING.
  • 65:11 - 65:12
    WHAT?
  • 65:12 - 65:14
    ANYTHING I WANT TO KNOW.
  • 65:14 - 65:16
    WE DON'T KNOW NOTHIN'.
  • 65:16 - 65:19
    SOMEBODY HIRED YOU TO FINGER ME,
    AND I WANT TO KNOW WHO.
  • 65:19 - 65:21
    NOBODY HIRED US
    TO DO NOTHIN'.
  • 65:21 - 65:25
    I JUST CAME TO YOU BECAUSE
    I WAS LOOKING FOR HELP.
  • 65:25 - 65:27
    YOU'RE A LYING DOG,
    SUCKER.
  • 65:27 - 65:30
    WE TOLD YOU, WE DON'T KNOW
    NOTHIN' ABOUT THEM GUNS--
  • 65:30 - 65:32
    NIGGER!
  • 65:32 - 65:33
    AAH!
  • 65:36 - 65:37
    AND YOU, TOO, HOT LIPS.
  • 65:40 - 65:42
    I'LL TALK!
    I'LL TALK!
  • 65:48 - 65:50
    I-IF WE TALK, ARE YOU
    GOING TO LET US GO?
  • 65:55 - 65:57
    HOW WE KNOW
    YOU AIN'T LYING?
  • 65:59 - 66:03
    FIRST OFF,
    I DON'T WANT YOU.
  • 66:03 - 66:04
    I WANT YOUR BOSS.
  • 66:04 - 66:08
    AND SECOND, I LIKE YOU.
  • 66:08 - 66:11
    AND THIRD,
    IF YOU ALL DON'T TELL ME
  • 66:11 - 66:13
    EVERYTHING I WANT TO KNOW,
  • 66:13 - 66:16
    WE GONNA BEAT ALL THE BLACK
    OFF BOTH OF YOU.
  • 66:16 - 66:18
    WHAT YOU WANT TO KNOW?
  • 66:18 - 66:20
    SILKY SLIM SENT YOU,
    DIDN'T HE?
  • 66:20 - 66:22
    YEAH.
  • 66:25 - 66:29
    HE WANTS TO CONTROL
    ALL MY TERRITORY, DON'T HE?
  • 66:29 - 66:31
    YEAH.
  • 66:31 - 66:33
    THAT'S WHAT I FIGURED.
  • 66:33 - 66:36
    YOU ALL TAKE
    THESE 2 DOGS SOMEWHERE,
  • 66:36 - 66:38
    PUT THEM TO SLEEP.
  • 66:38 - 66:40
    YOU SAID YOU WAS
    GOING TO LET US GO.
  • 66:40 - 66:42
    YOU JUST CONFESSED,
    TURKEY.
  • 66:42 - 66:44
    YOUR ASS IS GRASS.
  • 66:44 - 66:46
    NO, NO, NO, NO.
  • 66:46 - 66:48
    I--I CAN PROVE
    WHO WE ARE.
  • 66:49 - 66:53
    THERE'S MY--MY STUB
    FROM MY PAYCHECK.
  • 66:53 - 66:57
    MY NAME IS ON IT.
    MY NAME.
  • 66:57 - 67:01
    MY BOWLING CLUB I.D. SEE?
  • 67:08 - 67:10
    SO YOU ARE ONLY
    FINGER MEN? SO WHAT?
  • 67:10 - 67:13
    YOU KNOW TOO MUCH.
    GET THEM OUT OF HERE.
  • 67:17 - 67:19
    WAH!
  • 67:56 - 67:59
    WHY DON'T WE GET SLIM?
  • 67:59 - 68:01
    I THOUGHT ABOUT IT...
  • 68:01 - 68:04
    BUT HE'S HARD AS HELL
    TO GET.
  • 68:04 - 68:07
    ANYONE CAN BE GOTTEN TO.
  • 68:07 - 68:08
    YEAH.
  • 68:13 - 68:15
    [CHUCKLES]
  • 68:15 - 68:17
    IT'S FUNNY, MAN.
  • 68:17 - 68:22
    ONE DAY,
    I'M ON TOP OF THE WORLD.
  • 68:22 - 68:27
    AND NOW THIS THING
    WITH SILKY SLIM.
  • 68:27 - 68:28
    HE MUST BE CRAZY!
  • 68:28 - 68:31
    THINK I'M GONNA LET HIM
    MOVE IN ON MY TERRITORY,
  • 68:31 - 68:33
    AND I'M NOT GONNA
    DO NOTHIN' ABOUT IT?
  • 68:33 - 68:34
    WHO DOES HE THINK HE IS?
  • 68:35 - 68:37
    HE'S MESSING WITH
    GEECHIE DAN BEAUFORD!
  • 68:37 - 68:39
    I WILL KILL THE PUNK!
  • 68:39 - 68:42
    TRYING TO OFF ME.
    I WILL MURDER THE SUCKER!
  • 69:04 - 69:10
    Slim: OK, GEECHIE,
    THAT WAS YOUR SHORTS.
  • 69:10 - 69:12
    NEXT TIME IT'S GOING
    TO BE YOUR LIFE.
  • 69:12 - 69:15
    YOU GOT A LIFE, TOO,
    SILKY SLIM.
  • 69:15 - 69:18
    I'M GIVING YOU
    TWO MINUTES.
  • 69:18 - 69:20
    WE MAKE A DEAL NOW
  • 69:20 - 69:22
    OR YOU'RE GOING TO BE
    WEARING WINGS.
  • 69:22 - 69:25
    TAKE YOUR BEST SHOT!
    NO DEAL!
  • 69:25 - 69:26
    AW, COME ON, MAN.
  • 69:26 - 69:29
    LET'S BE REASONABLE.
  • 69:29 - 69:31
    AIN'T NOTHING
    TO BE REASONABLE ABOUT.
  • 69:31 - 69:37
    LOOK, GEECHIE, I SAID
    LET'S TALK, MY MAN.
  • 69:37 - 69:39
    YOU TEAM UP WITH ME,
  • 69:39 - 69:42
    AND WE RULE THIS TOWN
    FROM RIVER TO RIVER.
  • 69:42 - 69:46
    NEVER WILL SO FEW
    OWE SO MUCH TO SO MANY.
  • 69:50 - 69:51
    THAT'S THE ONE!
  • 69:51 - 69:53
    HE-- HE-- HE'S THE ONE
    WE'RE AFTER.
  • 69:53 - 69:55
    SHUT UP OVER THERE!
  • 69:55 - 69:57
    BUT HE'S THE ONE WHO
    ROBBED MADAME ZENOBIA'S.
  • 69:57 - 69:59
    SO WHAT?
  • 69:59 - 70:01
    BUT HE STOLE SOMETHING
    THAT NIGHT
  • 70:01 - 70:02
    SOMETHING HE
    DON'T KNOW ABOUT,
  • 70:02 - 70:04
    SOMETHING THAT'S
    WORTH A LOT OF MONEY.
  • 70:04 - 70:06
    I TOLD YOU, SHUT UP.
  • 70:06 - 70:09
    DON'T BUG ME WITH THIS PENNY
    ANTE CRAP AT A TIME LIKE THIS.
  • 70:09 - 70:11
    YOU GOT ONE MINUTE, GEECHIE.
  • 70:11 - 70:14
    BUT THIS AIN'T NO PENNY
    ANTE, MR. GEECHIE DAN.
  • 70:14 - 70:15
    IT'S WORTH A FORTUNE.
  • 70:15 - 70:17
    MR. GEECHIE DAN,
    IT'S WORTH A FORTUNE.
  • 70:17 - 70:19
    WE'LL SHARE IT WITH YOU,
    MR. GEECHIE DAN.
  • 70:19 - 70:22
    YOU KNOW
    HOW MUCH IT'S WORTH?
  • 70:22 - 70:23
    $300,000.
  • 70:26 - 70:27
    WHAT'D YOU SAY?
  • 70:27 - 70:30
    $300,000
    IN DIAMONDS.
  • 70:30 - 70:32
    SLIM?
  • 70:32 - 70:37
    $300,000...IN DIAMONDS?
  • 70:37 - 70:39
    YEAH, BUT HE DON'T KNOW
    NOTHIN' ABOUT IT, SEE?
  • 70:46 - 70:48
    HOW YOU KNOW
    THEY KNOCKED OFF ZENOBIA'S?
  • 70:48 - 70:50
    GO ON, TALK FAST,
    TURKEY!
  • 70:50 - 70:52
    OR I'LL PUT A HOLE
    THROUGH YOUR EYES!
  • 70:52 - 70:55
    'CAUSE THAT'S WHAT HE SAID
    WHEN HE ROBBED THE PLACE.
  • 70:55 - 70:58
    HE SAID, "NEVER HAVE SO FEW
    OWED SO MUCH TO SO MANY."
  • 70:59 - 71:02
    AND-- AND HE HAD
    A MASK ON AT THE TIME,
  • 71:02 - 71:04
    BUT WE RECOGNIZE
    HIS VOICE.
  • 71:04 - 71:06
    YEAH. HE'S THE ONE.
  • 71:06 - 71:08
    WHAT ABOUT
    THE DIAMONDS?
  • 71:08 - 71:11
    YOUR TIME'S UP,
    GEECHIE.
  • 71:11 - 71:13
    GIVE ME A COUPLE
    OF MINUTES, SLIM.
  • 71:13 - 71:16
    I'M TALKING IT OVER
    WITH MY BOYS.
  • 71:16 - 71:17
    ONE MINUTE, MY MAN.
  • 71:17 - 71:21
    GO ON. GO ON.
    TALK, TALK.
  • 71:21 - 71:25
    ME AND MY MAN, WE WAS
    GOING TO MADAME ZENOBIA'S.
  • 71:25 - 71:28
    AND WE WAS BEHIND THESE
    TWO AFRICAN GENTLEMEN
  • 71:28 - 71:29
    WHO WAS GOING IN THERE.
  • 71:29 - 71:33
    FIRST, SEE, THE DOORMAN,
    HE WOULDN'T LET THEM IN.
  • 71:33 - 71:37
    THEN, THEY SHOWED HIM
    A LETTER FROM THEIR LAWYER
  • 71:37 - 71:39
    THAT SAID THEY WERE
    VERY IMPORTANT PEOPLE
  • 71:39 - 71:41
    IN THE DIAMOND BUSINESS.
  • 71:41 - 71:44
    SO, THE DOORMAN,
    HE APOLOGIZED TO THEM,
  • 71:44 - 71:46
    AND HE LET THEM IN.
  • 71:46 - 71:50
    SO, LATER ON THAT EVENING,
    I WAS IN THE JOHN.
  • 71:50 - 71:52
    I WAS RELIEVING MYSELF.
  • 71:52 - 71:56
    AND THE TWO AFRICANS
    CAME INTO THE BATHROOM.
  • 71:56 - 71:58
    THEY DIDN'T KNOW
    I WAS IN THERE
  • 71:58 - 72:00
    BECAUSE I WAS SITTING
    ON THE JOHN.
  • 72:00 - 72:04
    AND ONE OF THEM,
    I HEARD HIM SAY,
  • 72:04 - 72:08
    "WHAT DID YOU DO
    WITH THE DIAMONDS?"
  • 72:08 - 72:11
    SO, THE OTHER ONE SAID,
    "THEY IN MY LAWYER'S OFFICE.
  • 72:11 - 72:13
    "THEY'LL BE SAFE THERE
    FOR THE NEXT 10 DAYS
  • 72:14 - 72:16
    "TILL WE GET BACK
    FROM WASHINGTON.
  • 72:16 - 72:20
    THEN, THE BUYER WILL
    COME IN FROM CALIFORNIA."
  • 72:20 - 72:22
    THE OTHER AFRICAN SAID,
    "HOW MUCH YOU THINK
  • 72:22 - 72:24
    WE GOING TO GET
    FOR THESE STONES?"
  • 72:25 - 72:29
    SO, THE OTHER ONE SAID,
    "$300,000."
  • 72:29 - 72:32
    SO THEY LEFT,
  • 72:32 - 72:35
    AND I CAME RUNNING
    OUT TO TALK TO MY MAN
  • 72:35 - 72:37
    ABOUT GETTING
    TO THE LAWYER'S OFFICE
  • 72:37 - 72:39
    TO HIT THE PLACE
    AND GET THEM DIAMONDS.
  • 72:39 - 72:41
    THAT'S WHEN
    SILKY SLIM COME IN
  • 72:41 - 72:45
    AND HELD EVERYBODY UP AND
    TOOK THE WALLETS AND THE MONEY,
  • 72:45 - 72:47
    AND ALONG WITH IT,
    THE LAWYER'S LETTER
  • 72:47 - 72:51
    WITH THE ADDRESS
    OF WHERE THE DIAMONDS IS.
  • 72:51 - 72:53
    UH-HUH.
  • 72:53 - 72:56
    SO THAT'S WHY YOU'VE
    BEEN SNIFFING AROUND--
  • 72:56 - 72:58
    TO HELP YOU
    FIND THE LETTER.
  • 72:58 - 73:00
    YES, SIR.
  • 73:00 - 73:03
    OF COURSE, IF YOU'RE LYING,
  • 73:03 - 73:06
    THE UNDERTAKER GOING
    TO VISIT YOUR RELATIVES.
  • 73:06 - 73:10
    OK, GEECHIE,
    LET ME HEAR IT.
  • 73:13 - 73:14
    ALL RIGHT!
  • 73:18 - 73:20
    WE CAN MAKE
    SOME KIND OF DEAL.
  • 73:20 - 73:23
    COME ON IN.
    GOOD.
  • 73:23 - 73:27
    EVERYBODY KEEP THEIR HANDS
    WHERE WE CAN SEE THEM.
  • 73:30 - 73:33
    OK.
  • 73:33 - 73:37
    MAKE SURE YOU COME THROUGH
    THAT DOOR THE SAME WAY.
  • 73:37 - 73:39
    NAH, PUT THEM AWAY.
  • 74:48 - 74:50
    MY MAN.
  • 74:53 - 74:54
    WHAT'S HAPPENIN'?
  • 74:56 - 74:58
    DOWN TO BUSINESS, SLIM.
  • 74:58 - 75:01
    I DON'T LIKE YOUR BAG.
  • 75:01 - 75:04
    YOU GOT NO CLASS.
  • 75:04 - 75:07
    DRUG DEALING,
    PROSTITUTION,
  • 75:07 - 75:09
    VULGAR STICKUPS
    LIKE MADAME ZENOBIA'S
  • 75:09 - 75:11
    LAST SATURDAY NIGHT.
  • 75:11 - 75:12
    THAT AIN'T MY THING.
  • 75:12 - 75:15
    I WAS HOME IN BED
    LAST SATURDAY NIGHT.
  • 75:18 - 75:21
    NO SKIN OFF ME, MAN,
  • 75:21 - 75:23
    SO LET'S MOVE ON.
  • 75:23 - 75:28
    NOW, I GOT SOMETHING
    WE CANWORK ON TOGETHER.
  • 75:28 - 75:34
    IT'S A $300,000
    PROPOSITION.
  • 75:34 - 75:36
    I'M INTERESTED.
  • 75:36 - 75:38
    50/50.
  • 75:38 - 75:41
    AND IF WE WRAP IT UP,
    THEN WE CAN TALK MAYBE
  • 75:41 - 75:45
    ABOUT SOME TOGETHERNESS
    ON A PERMANENT BASIS.
  • 75:45 - 75:48
    WHAT'S THE DEAL?
  • 75:48 - 75:50
    YOU LEFT ZENOBIA'S
    THE OTHER NIGHT
  • 75:50 - 75:53
    LOADED DOWN
    WITH PERSONAL EFFECTS,
  • 75:53 - 75:58
    AMONG WHICH IS A DOCUMENT THAT
    WILL LEAD US TO THE $300,000.
  • 75:58 - 76:01
    NOW, IT'S A SIMPLE DOCUMENT.
    IT AIN'T GOT NO MEANING
  • 76:01 - 76:04
    UNTIL I TELL YOU
    WHAT IT CONNECTS UP WITH,
  • 76:04 - 76:07
    AND I AIN'T GOING TO TELL YOU
    UNTIL YOU BRING BACK EVERY BIT
  • 76:07 - 76:11
    OF THE PERSONAL PROPERTY
    YOU LIFTED.
  • 76:12 - 76:14
    [CHUCKLES]
  • 76:14 - 76:18
    YOU WON'T FIGURE IT OUT
    IN A MILLION YEARS, SLIM.
  • 76:18 - 76:20
    HOW DO I KNOW
    YOU AIN'T RUNNING A GAME?
  • 76:20 - 76:24
    MY WORD IS MY REP!
  • 76:24 - 76:26
    BUT, OF COURSE,
  • 76:26 - 76:28
    IF YOU DIDN'T
    HIT MADAME ZENOBIA'S
  • 76:28 - 76:29
    LAST SATURDAY NIGHT,
  • 76:29 - 76:33
    THEN THE WHOLE THING
    IS ACADEMIC.
  • 76:45 - 76:48
    YOU GOT A DEAL.
  • 76:48 - 76:50
    GOOD.
  • 76:50 - 76:51
    YEAH.
  • 76:57 - 77:03
    NOW...WE'LL MEET
    IN A NEUTRAL PLACE.
  • 77:03 - 77:04
    I'LL LET YOU KNOW WHERE
  • 77:04 - 77:07
    WHEN I CALL YOU
    AND TELL YOU WHAT TIME.
  • 77:07 - 77:09
    I'LL BE THERE
    WITH THREE OF MY BOYS,
  • 77:09 - 77:12
    AND YOU SHOW UP
    WITH THREE OF YOURS.
  • 77:14 - 77:17
    LOOK TO SEE YOU AROUND.
  • 77:17 - 77:18
    YOU WILL.
  • 77:18 - 77:19
    AND, UH...
  • 77:21 - 77:24
    ORDER ME A NEW CAR.
  • 77:24 - 77:27
    THAT IS, IF YOU
    WANT TO BE COMFORTABLE
  • 77:27 - 77:29
    RIDING AROUND IN YOUR OWN.
  • 77:29 - 77:32
    [LAUGHING]
  • 77:50 - 77:52
    ♪ OH, LORD
  • 77:52 - 77:54
    ♪ BACK IN WONDER
  • 77:54 - 77:57
    ♪ HOW I GOT OVER
  • 77:57 - 77:59
    ♪ HOW I GOT OVER
  • 77:59 - 78:02
    ♪ OH, LORD
  • 78:02 - 78:06
    ♪ OH, LORD
  • 78:06 - 78:08
    ♪ HOW I GOT OVER
  • 78:08 - 78:11
    ♪ ONE MORNING
    I'M AWARE OF DYIN', JIM ♪
  • 78:11 - 78:14
    ♪ IN THE NEW JERUSALEM
  • 78:14 - 78:17
    ♪ I'M GONNA WALK ME
    SOME STREETS OF GOLD ♪
  • 78:17 - 78:19
    ♪ IN A HOMELAND OF MY SOUL
  • 78:19 - 78:23
    ♪ I'M GONNA BE
    THE HOST IN WHITE ♪
  • 78:23 - 78:26
    ♪ I'M GONNA TRAVEL
    BOTH DAY AND NIGHT ♪
  • 78:26 - 78:28
    ♪ COMING UP FROM EVERY NATION
  • 78:28 - 78:31
    ♪ ON MY WAY
    TO A GREAT FOUNDATION ♪
  • 78:31 - 78:33
    ♪ I'M GONNA SING
  • 78:33 - 78:34
    ♪ HALLELUJAH
  • 78:34 - 78:37
    ♪ OH, I JUST MIGHT
    SHOUT THIS THING ♪
  • 78:37 - 78:39
    ♪ BECAUSE MY SOUL
    LOOKS BACK IN WONDER ♪
  • 78:39 - 78:42
    ♪ HOW I GOT OVER
  • 78:42 - 78:44
    ♪ HOW I GOT OVER
  • 78:44 - 78:47
    ♪ OVER
  • 78:47 - 78:51
    ♪ OOOH
  • 78:51 - 78:53
    ♪ HOW I GOT OVER
  • 78:53 - 78:56
    ♪ HOW I GOT OVER
  • 78:56 - 78:58
    ♪ OVER
  • 78:58 - 79:00
    ♪ OOOH
  • 79:00 - 79:02
    ♪ BACK IN WONDER
  • 79:02 - 79:04
    ♪ YOU KNOW MY SOUL
  • 79:04 - 79:07
    ♪ I'M ALL AFLAME
  • 79:07 - 79:11
    ♪ YEAH, HOW I GOT OVER
  • 79:11 - 79:12
    ♪ THANK YOU, JESUS
  • 79:13 - 79:14
    ♪ THANK YOU, LORD
  • 79:14 - 79:17
    ♪ THANK YOU, JESUS,
    THANK YOU, LORD ♪
  • 79:17 - 79:18
    ♪ JESUS
  • 79:18 - 79:19
    ♪ JESUS
  • 79:19 - 79:21
    ♪ JESUS
  • 79:21 - 79:23
    ♪ THANK YOU, JESUS,
    THANK YOU FOR MY FATHER ♪
  • 79:23 - 79:27
    ♪ THANK YOU, LORD,
    THANK YOU FOR MY MOTHER ♪
  • 79:27 - 79:28
    ♪ THANK YOU, LORD
  • 79:28 - 79:30
    ♪ THANK YOU FOR MY SISTER
  • 79:30 - 79:32
    ♪ THANK YOU, JESUS,
    FOR MY BROTHER ♪
  • 79:32 - 79:33
    ♪ THANK YOU, LORD
  • 79:33 - 79:35
    ♪ JESUS
  • 79:35 - 79:36
    ♪ JESUS
  • 79:36 - 79:37
    ♪ JESUS
  • 79:37 - 79:39
    ♪ OH, JESUS
  • 79:39 - 79:41
    ♪ THANK YOU, LORD
  • 79:41 - 79:43
    ♪ THANK YOU, JESUS
    THANK YOU, JESUS ♪
  • 79:43 - 79:45
    ♪ THANK YOU, LORD
  • 79:45 - 79:46
    ♪ THANK YOU, JESUS
  • 79:46 - 79:47
    ♪ THANK YOU, LORD
  • 79:47 - 79:49
    ♪ ALL DAY
  • 79:49 - 79:50
    ♪ ALL NIGHT
  • 79:50 - 79:51
    ♪ THANK YOU, LORD
  • 79:51 - 79:53
    ♪ FOR MY BIBLE
  • 79:53 - 79:54
    ♪ THANK YOU, LORD
  • 79:54 - 79:57
    ♪ YEAH, I'M GONNA SING
  • 79:57 - 79:58
    ♪ HALLELUJAH
  • 79:58 - 80:01
    ♪ OOH, I JUST MIGHT SHOUT
  • 80:01 - 80:03
    ♪ BECAUSE MY SOUL
    LOOKS BACK IN WONDER ♪
  • 80:03 - 80:07
    ♪ HOW I GOT OVER
  • 80:07 - 80:08
    ♪ HOW I GOT OVER
  • 80:08 - 80:10
    ♪ OVER
  • 80:10 - 80:11
    ♪ OVER
  • 80:11 - 80:15
    ♪ OH, NO
  • 80:15 - 80:18
    ♪ HOW I GOT OVER
  • 80:18 - 80:20
    ♪ HOW I GOT OVER
  • 80:20 - 80:22
    ♪ OH-HO-OH-HO
  • 80:22 - 80:24
    ♪ OH, YEAH, YEAH
  • 80:24 - 80:26
    ♪ OVER
  • 80:26 - 80:28
    ♪ HOW I GOT OVER
  • 80:28 - 80:31
    ♪ OH-HO-OH-HO
  • 80:31 - 80:32
    ♪ OH, YEAH, YEAH
  • 80:32 - 80:34
    ♪ SOUL LOOKS BACK
    IN WONDER ♪
  • 80:34 - 80:37
    ♪ YOU KNOW MY SOUL
  • 80:37 - 80:40
    ♪ MY SOUL LOOKS BACK
  • 80:40 - 80:46
    ♪ HOW I GOT OVER
  • 80:47 - 80:51
    AMEN! TRULY WONDERFUL.
  • 80:51 - 80:53
    AMEN!
  • 80:53 - 80:56
    TRULY WONDERFUL!
    TRULY WONDERFUL!
  • 80:56 - 80:59
    YES, YES, YES, YES!
  • 81:06 - 81:09
    WE GOT-- WE GOT--
    WE GOT TO THANK OUR CHOIR.
  • 81:09 - 81:13
    SISTER LOUISE, YOU ARE CERTAINLY
    IN RARE FORM TONIGHT...
  • 81:13 - 81:14
    Mr. Geechie Dan?
  • 81:14 - 81:16
    Hmm?
  • 81:16 - 81:17
    My wallet
    is in that bag
  • 81:17 - 81:19
    Mr. Silky Slim's
    got on his lap there.
  • 81:19 - 81:23
    And, please, sir,
    may I have it?
  • 81:23 - 81:26
    THIS THING GO ALL RIGHT, YOU
    CAN BUY YOURSELF A DOZEN WALLETS
  • 81:26 - 81:28
    AND FILL THEM ALL
    WITH $100 BILLS.
  • 81:28 - 81:31
    THAT ONE HAS FAMILY MEMENTOS.
    IF IT'S THE SAME TO YOU--
  • 81:31 - 81:32
    SHH.
  • 81:32 - 81:36
    NOW, BEFORE WE LEAVE
    ON OUR ANNUAL PICNIC,
  • 81:36 - 81:38
    I'D LIKE TO BRING
    TO YOUR ATTENTION...
  • 81:38 - 81:41
    We going on this picnic.
  • 81:41 - 81:45
    That way if anything happens,
    we got the perfect alibi.
  • 81:45 - 81:49
    AND THE SAYING THAT COMES BACK
    INTO MY MIND FROM THAT WAR
  • 81:49 - 81:54
    WAS "LOOSE LIPS SINK SHIPS."
  • 81:54 - 81:56
    SAID THAT--
    SECOND WORLD WAR--
  • 81:56 - 81:59
    'CAUSE THEY WANTED PEOPLE
    TO KEEP THEIR MOUTHS SHUT,
  • 81:59 - 82:01
    LISTEN A LITTLE MORE.
  • 82:01 - 82:05
    LOOSE LIPS SINK SHIPS!
  • 82:05 - 82:10
    AND THE LOOSER THE LIPS ARE,
    THE FASTER THE SHIP SINKS.
  • 82:10 - 82:12
    AND SOME OF THE LIPS
    IN THIS CONGREGATION
  • 82:12 - 82:15
    DONE SUNK AIRCRAFT CARRIERS.
  • 82:15 - 82:17
    FRIENDS,
    I SAY TO YOU TONIGHT,
  • 82:17 - 82:22
    IF WE WERE AS FAST ON THE HIP
    AS WE ARE ON THE LIP,
  • 82:22 - 82:24
    WE'D HAVE
    A BIGGER CHURCH HERE.
  • 82:24 - 82:26
    BETTER KNOW IT.
  • 82:26 - 82:28
    LEMME TELL YOU
    ABOUT SOME OF THE PEOPLE
  • 82:28 - 82:29
    IN THIS CONGREGATION,
    FRIENDS.
  • 82:29 - 82:32
    YOU KNOW WHAT THEY'RE DOING?
    A LOT OF THE PEOPLE
  • 82:32 - 82:34
    IN THIS CHURCH
    HAVE BEEN GOING AROUND
  • 82:34 - 82:36
    SPREADING FALSEHOODS,
    LIES, AND RUMORS,
  • 82:36 - 82:38
    TRYING TO RUIN
    THE REPUTATION
  • 82:38 - 82:41
    OF A LOT OF OTHERPEOPLE
    IN THIS CHURCH.
  • 82:41 - 82:44
    THEY GO AROUND TRYING TO
    ROCK SOMEBODY ELSE'S CRADLE,
  • 82:44 - 82:47
    TRYING TO GET A PIECE
    OF SOMEBODY ELSE'S PIE,
  • 82:48 - 82:52
    TRYING TO COVET SOMEBODY
    ELSE'S MATE FOR THEIR OWN.
  • 82:52 - 82:54
    AMEN.
    AMEN.
  • 82:54 - 82:55
    LOOSE LIPS--
  • 82:56 - 82:59
    FRIENDS PUT IN MOTION
    BY LECHERY AND SINFUL THOUGHT--
  • 82:59 - 83:01
    IS SINKING SOME OF
    THE GREAT SHIPS OF MARRIAGE.
  • 83:01 - 83:03
    THEY GOING DOWN
    ON THE ROCKS.
  • 83:03 - 83:06
    THAT'S WHAT THEY DOING--
    SINKING!
  • 83:06 - 83:08
    BUBLA-BUBLA-BUBLA.
  • 83:08 - 83:10
    AMEN.
    YEAH.
  • 83:10 - 83:14
    'CAUSE LIPS WON'T--
    WON'T SHUT UP
  • 83:14 - 83:17
    AND HELP THE BUOYANCY
    KEEP THEM FLOATING
  • 83:17 - 83:21
    ACROSS THE TOP OF
    THE RIVER OF HAPPINESS.
  • 83:21 - 83:24
    YOU ALL KNOW WHAT I'M
    TALKING ABOUT--THE LOOSE LIPS
  • 83:24 - 83:27
    THAT GO AROUND KISSING ON LIPS
    THAT DON'T BELONG TO THEM,
  • 83:27 - 83:29
    THAT GO AROUND LYING ON FOLKS,
  • 83:29 - 83:32
    THAT MAKE YOUNG GIRLS
    MAKE PROMISES
  • 83:32 - 83:34
    THEY KNOW THEIR BODIES
    CAN'T STAND.
  • 83:34 - 83:36
    THAT'S THE KINDA LIPS
    I'M TALKING ABOUT.
  • 83:36 - 83:38
    AMEN.
    AMEN.
  • 83:38 - 83:40
    WE GOT TO LEARN
    TO CONTROL THEM LIPS,
  • 83:40 - 83:44
    TIGHTEN UP THEM EARS TIGHTER! WE
    GOTTA LEARN TO CALL ON THE LORD
  • 83:44 - 83:48
    AND ASK HIM TO TEACH US
    SOME DISCIPLINE!
  • 83:48 - 83:52
    REMEMBER, CHILDREN,
    LOOSE LIPS ARE EVERYWHERE.
  • 83:52 - 83:56
    THERE'S NO ONE PLACE YOU CAN GO
    AND ALL THE LIPS ARE THERE.
  • 83:57 - 83:59
    LOOSE LIPS MOVE AROUND.
  • 83:59 - 84:01
    LOOSE LIPS ARE AMONG YOU
    IN THE PEWS.
  • 84:01 - 84:02
    Woman: AMEN.
  • 84:03 - 84:04
    THEY'RE AMONG YOU
    IN THE CHOIR.
  • 84:04 - 84:06
    AMEN.
    YES, SIR.
  • 84:06 - 84:08
    THERE ARE LOOSE LIPS
    AMONG THE DEACONS.
  • 84:09 - 84:10
    CERTAIN THINGS GOT OUT
  • 84:10 - 84:12
    ABOUT A MEETING WE HAD
    HERE LAST TUESDAY NIGHT
  • 84:12 - 84:14
    THAT NOBODY
    SHOULD HAVE KNOWN!
  • 84:14 - 84:17
    HADTO BE
    AMONG THE DEACONS.
  • 84:17 - 84:20
    IT'S AMONG THE CHILDREN
    IN THE SUNDAY SCHOOL.
  • 84:20 - 84:21
    I HEAR THE LOOSE LIPS
    SAYING,
  • 84:21 - 84:25
    "I AIN'T GONNA PUT THIS MONEY,
    I'M GONNA SPEND IT ON CANDY."
  • 84:25 - 84:28
    I DONE HEARD SO MANY BAD THINGS
    ABOUT SO MANY OF YOU ALL
  • 84:28 - 84:31
    TILL I WEPT WITH SADNESS
    LAST NIGHT.
  • 84:31 - 84:33
    LAST NIGHT MY HEART
    HUNG HEAVY, FRIENDS.
  • 84:33 - 84:37
    I FELT SO BAD, I ALMOST WENT
    OUT AND BOUGHT A BOTTLE.
  • 84:37 - 84:40
    WATCH OUT THERE, NOW.
    WATCH OUT THERE.
  • 84:40 - 84:43
    FRIENDS, I FOUGHT
    TEMPTATION,
  • 84:43 - 84:45
    AND THAT'S WHAT WE GONNA
    HAVE TO LEARN TO DO.
  • 84:46 - 84:49
    WHEN WE GET THE TEMPTATION
    TO LET OUR LOOSE LIPS LOOSE,
  • 84:49 - 84:52
    FIGHT IT! WE GOT TO LEARN
    TO GET OFF THE WRONGFOOT
  • 84:52 - 84:55
    AND STEP OUT ON
    THE GOOD FOOT.FEEL GOOD.
  • 84:55 - 84:58
    WHEN YOU FEEL GOOD,
    YOU LOOK GOOD,
  • 84:58 - 85:00
    AND YOU WANT
    TO DO GOOD THINGS.
  • 85:00 - 85:02
    YOU WANT TO
    MAKE OTHER PEOPLE HAPPY
  • 85:02 - 85:04
    'CAUSE IT MAKES YOU
    HAPPY YOURSELF.
  • 85:04 - 85:08
    FRIENDS, WE NEED MORE
    ROMANCE AND LESS HOT PANTS.
  • 85:08 - 85:10
    Woman: COME ON
    WITH IT NOW.
  • 85:10 - 85:13
    RUN SOME WATER
    ON THE HOT PANTS.
  • 85:13 - 85:15
    PUT YOUR SPRINKLER ON
    AND RUN THROUGH,
  • 85:15 - 85:17
    YOU WANT TO COOL
    YOUR HOT PANTS OFF.
  • 85:17 - 85:20
    WE NEED MORE MIDNIGHT SLEEPING
    AND LESS MIDNIGHT CREEPING.
  • 85:20 - 85:23
    YEAH.
    LAY IT ON US.
  • 85:23 - 85:25
    HELP US, O LORD! HELP US!
  • 85:25 - 85:29
    SOMEBODY GOT TO DO SOMETHING!
    CAN I GET AN AMEN?
  • 85:29 - 85:30
    AMEN!
    AMEN!
  • 85:30 - 85:32
    LET'S STAND HERE, BROTHER,
  • 85:32 - 85:34
    AS WE GET READY TO DISMISS
    OURSELVES FOR OUR PICNIC.
  • 85:34 - 85:37
    CAN I GET ONE MORE AMEN
    FOR THE LORD?
  • 85:37 - 85:39
    AMEN!
    AMEN!
  • 85:39 - 85:40
    TRULY WONDERFUL, BROTHER!
  • 85:40 - 85:43
    [ORGAN MUSIC PLAYING]
  • 85:51 - 85:54
    CALL YOUR BOSS AND TELL HIM
    THAT HIS OFFICE
  • 85:54 - 85:56
    IS GOING TO BE BURGLARIZED
    THIS AFTERNOON,
  • 85:56 - 85:58
    AND HAVE THE POLICE
    STAKE IT OUT, ALL RIGHT?
  • 85:58 - 85:59
    BUT--
  • 85:59 - 86:02
    JUST DO
    WHAT I ASKED YOU TO DO.
  • 86:29 - 86:32
    SOMETHING'S COME UP, BABY.
  • 86:32 - 86:34
    I GOTTA BE OUT OF THE CITY
    FOR A FEW HOURS.
  • 86:35 - 86:37
    KEEP EVERYTHING WARM.
    I'LL SEE YOU LATER.
  • 86:43 - 86:45
    WHAT IT IS.
    MOVE IT.
  • 86:52 - 86:54
    [ROCK MUSIC PLAYING]
  • 88:14 - 88:16
    [WHISPERING] No good.
  • 88:19 - 88:22
    Maybe we could get into
    the trunk through the back seat.
  • 88:25 - 88:29
    ALL RIGHT, YOU YOUNG 'UNS,
    BASEBALL GAME IS ABOUT TO START!
  • 88:29 - 88:31
    EVERYBODY ON THE FIELD!
  • 88:31 - 88:33
    COME ON NOW! BASEBALL GAME
    IS ABOUT TO START!
  • 88:33 - 88:35
    ALL YOU PLAYERS
    ON THE FIELD!
  • 88:40 - 88:43
    [APPLAUDING AND CHEERING]
  • 88:47 - 88:49
    [LAUGHING]
  • 88:50 - 88:53
    MAN, I AIN'T--I AIN'T
    HAD THIS MUCH FUN
  • 88:53 - 88:55
    SINCE I WAS
    IN REFORM SCHOOL.
  • 88:55 - 88:57
    YEAH?
    WHICH ONE WAS YOU IN?
  • 88:57 - 88:58
    WATERBURY.
  • 88:58 - 89:01
    NAH, I WAS
    IN CHARLOTTETOWN.
  • 89:01 - 89:03
    WATCH THIS.
  • 89:03 - 89:05
    I'M GOING TO STEAL SECOND
    ON YOU TURKEYS.
  • 89:05 - 89:06
    OH, YEAH?
    YEAH.
  • 89:06 - 89:07
    TRY IT.
  • 89:21 - 89:23
    SEE IF YOU CAN GET ME
    A CHISEL AND A HAMMER.
  • 89:23 - 89:25
    A WHAT?
    A CHISEL AND A HAMMER.
  • 89:25 - 89:27
    WHERE AM I
    GONNA GET A CHISEL?
  • 89:27 - 89:29
    LOOK IN THE TOOLBOX
    OF THE BUS, DODO!
  • 89:54 - 89:56
    COME AND GET IT!
  • 89:56 - 89:58
    [METAL CLANGING]
  • 90:41 - 90:45
    YOU KNOW, I HAD SUCH
    A TIME DANCING WITH YOU.
  • 90:45 - 90:47
    YOU'RE A DAINTY
    LITTLE THING.
  • 90:47 - 90:51
    I'D LIKE TO TAKE YOU
    TO GEECHIE DAN'S PLACE
  • 90:51 - 90:53
    AND HAVE A TIME.
    YES, I WOULD.
  • 90:56 - 90:58
    STEVE, DON'T YOU THINK
    IT'S TIME YOU TOLD ME
  • 90:59 - 91:02
    ABOUT WHAT'S GOING ON
    WITH YOUR NEW FRIENDS?
  • 91:02 - 91:05
    WE JUST WORKING WITH THEM
    TO GET THE TICKET, HONEY.
  • 91:05 - 91:06
    STEVE!
  • 91:07 - 91:09
    NOW, DON'T WORRY.
  • 91:09 - 91:12
    We're closer to that ticket
    than you realize.
  • 91:12 - 91:13
    Don't worry.
  • 91:13 - 91:15
    OK, IF YOU SAY SO.
  • 91:18 - 91:20
    I BETTER GO
    GET THE GIRLS READY
  • 91:20 - 91:22
    FOR THE AFRICAN
    CEREMONIAL PAGEANT.
  • 91:26 - 91:29
    GIVE ME A KISS.
    COME ON, GIVE ME A KISS.
  • 91:34 - 91:37
    [TELEPHONE BUZZING]
  • 91:44 - 91:46
    HELLO?
  • 91:46 - 91:49
    HEY, BABY,
    WHAT'S HAPPENING?
  • 91:49 - 91:51
    SURE, I CAN TALK.
  • 91:55 - 91:57
    ALL RIGHT, GIRLS.
    SPLIT!
  • 92:00 - 92:04
    OH? NO, NO, NO, NO.
    YOU STAY RIGHT WHERE YOU ARE.
  • 92:04 - 92:07
    NO, NO. I'LL GET BACK
    TO YOU LATER. HANG UP NOW.
  • 92:07 - 92:10
    WELL, I'LL BE
    A SON OF A...
  • 92:10 - 92:12
    EVERYTHING'S
    GONE WRONG.
  • 92:12 - 92:14
    THEY DIDN'T
    GET THE DIAMONDS?
  • 92:14 - 92:17
    NOT ONLY DIDN'T GET THEM,
    BUT THEY GOT BUSTED,
  • 92:17 - 92:20
    ALL OF THEM,
    AND ONE OF THEM TALKED!
  • 92:20 - 92:24
    NO. MM-MMM. NOT MY BOYS.
    THEY DON'T TALK.
  • 92:24 - 92:28
    MINE, NEITHER,
    BUT SOMEBODY DID,
  • 92:28 - 92:31
    'CAUSE THE COPS IS
    LOOKING FOR ME ANDYOU.
  • 92:31 - 92:35
    THEY BUSTED INTO MY APARTMENT
    WITH A WARRANT FOR BOTH OF US!
  • 92:35 - 92:37
    THEN SOMEBODY DID TALK.
  • 92:37 - 92:39
    WE BETTER GET OUTTA
    HERE SO WE CAN KINDA
  • 92:39 - 92:41
    TALK THIS THING OVER.
  • 92:41 - 92:43
    YEAH. LET'S ROLL.
  • 92:46 - 92:47
    MR. SILKY SLIM--
  • 92:47 - 92:50
    OUT OF MY WAY, FOOL!
  • 92:51 - 92:53
    HEY!
  • 92:53 - 92:58
    WE COULD HAVE BEEN SET UP.
    WHAT ABOUT THESE TWO?
  • 92:58 - 93:01
    MAYBE WE WERESET UP.
  • 93:01 - 93:03
    ROCK GONNA
    CHECK YOU OUT GOOD,
  • 93:03 - 93:05
    AND IF YOU AIN'T CLEAN,
  • 93:05 - 93:09
    I'LL COME ON BACK HERE
    AND PICK UP YOUR LIVER.
  • 93:09 - 93:10
    NOW MOVE OUT OF THERE,
    SUCKER.
  • 93:11 - 93:12
    GET THAT HEAP
    OUT OF THERE.
  • 93:12 - 93:14
    HEY, BOSS, LOOK!
  • 93:14 - 93:16
    TROUBLE!
  • 93:16 - 93:18
    [SIRENS WAILING]
  • 93:22 - 93:24
    LET'S GET
    THE HELL OUTTA HERE.
  • 93:24 - 93:26
    THERE'S ONLY ONE ROAD OUT,
    AND THAT'S IT!
  • 93:26 - 93:28
    WE'VE GOT TO THINK
    OF SOMETHING FAST.
  • 93:28 - 93:30
    YOU BETTER THINK
    OF SOMETHING FAST.
  • 93:30 - 93:32
    THIS WHOLE DUMB-ASS TRIP
    WAS YOURIDEA!
  • 93:32 - 93:36
    HANG ON TO YOUR COOL,
    SUCKER.
  • 93:36 - 93:38
    THERE'S GOT TO
    BE SOMETHING.
  • 93:38 - 93:41
    THERE'S GOTTO BE
    A WAY OUT.
  • 94:04 - 94:07
    OFFICER LEWIS,
    WHAT'S GOING ON?
  • 94:11 - 94:13
    WE HAVE A WARRANT
    FOR THE ARREST
  • 94:13 - 94:15
    OF ONE NICKADEMUS WILLIAMS,
    ALIAS SILKY SLIM,
  • 94:15 - 94:19
    AND ONE DANIEL BEAUFORD,
    ALIAS GEECHIE DAN.
  • 94:19 - 94:21
    WE DON'T HAVE ANYBODY
    IN OUR CONGREGATION
  • 94:21 - 94:23
    WITH NAMES LIKE THEM.
  • 94:23 - 94:25
    GEECHIE SLIM.
  • 94:25 - 94:27
    [LAUGHS]
    SILKY DAN. NO.
  • 94:27 - 94:29
    YOU MIND
    IF WE LOOK AROUND?
  • 94:29 - 94:31
    OH, NO, SIR, OFFICER.
    YOU GO RIGHT AHEAD.
  • 94:31 - 94:34
    GO RIGHT AHEAD.
  • 94:40 - 94:41
    THIS SLIM'S CAR?
  • 94:41 - 94:42
    YEAH.
  • 94:42 - 94:44
    OPEN IT.
  • 94:48 - 94:50
    JUST STAY WITH ME.
  • 95:26 - 95:28
    NOTHING HERE, SIR.
  • 95:40 - 95:42
    THEY'RE HERE SOMEPLACE.
  • 95:42 - 95:45
    ALL YOU GOT TO DO IS POINT
    THEM OUT. WE'LL DO THE REST.
  • 96:01 - 96:02
    [COCKS]
  • 96:36 - 96:38
    WELL?
  • 96:38 - 96:41
    I CAN'T. THEY'LL MURDER ME.
    I CAN'T. THEY'LL DO ME IN.
  • 96:41 - 96:43
    DON'T YOU UNDERSTAND?
    I CAN'T DO IT! NOW, MOVE!
  • 96:43 - 96:45
    GET OUT OF THE WAY!
  • 96:56 - 96:58
    MR. SILKY, WAIT!
  • 96:58 - 97:00
    MR. SILKY!
  • 97:02 - 97:04
    THERE THEY GO!
  • 97:31 - 97:33
    Beauford: HIT THE BRAKES.
  • 98:45 - 98:47
    THAT SUCKER'S
    GOING TO GET US KILLED.
  • 98:47 - 98:50
    YOU BETTER GET HIM
    OFF OF THERE.
  • 98:57 - 98:59
    [SIREN WAILING]
  • 100:00 - 100:02
    DOOR'S STUCK.
  • 100:12 - 100:15
    [SIRENS WAILING]
  • 100:39 - 100:40
    [TIRES SCREECH]
  • 100:58 - 101:01
    HEY, FOOL,
    YOU CAN'T SWIM!
  • 101:12 - 101:14
    AAH!
  • 101:47 - 101:48
    YOU ALL RIGHT, BABY?
  • 101:48 - 101:50
    I'M FINE.
  • 101:52 - 101:55
    I'M DOING ALL RIGHT.
    HOW'S-- HOW'S WARDELL?
  • 101:55 - 101:58
    HE'S IN ANOTHER WING.
    IRMA'S WITH HIM. HE'S OK.
  • 101:58 - 101:59
    AND THE TICKET?
  • 101:59 - 102:02
    IT'S SAFELY HIDDEN AWAY
    AT HOME.
  • 102:02 - 102:05
    HA HA HA HA.
  • 102:05 - 102:07
    WELL, SARAH,
    WE ON OUR WAY.
  • 102:07 - 102:09
    [CRYING]
  • 102:09 - 102:13
    OH, NOW, SARAH, DON'T YOU
    CLOUD UP ON ME, GIRL.
  • 102:16 - 102:18
    LOOKIE HERE.
  • 102:18 - 102:21
    YOU GOT TO GO
    SHOPPING FOR US--
  • 102:21 - 102:25
    A BACKYARD, A SOUTHERN ONE.
  • 102:25 - 102:27
    I KNOW THIS RESTAURANT
    ACROSS TOWN--
  • 102:27 - 102:28
    SEAFOOD RESTAURANT--
  • 102:28 - 102:31
    WHERE THEY GOT SOME
    OF THE BEST FOOD IN THE WORLD,
  • 102:31 - 102:35
    AND LIVE MUSIC AND DANCING.
    NOW THAT WE CAN AFFORD IT,
  • 102:35 - 102:38
    WE GONNA HAVE TO GO OUT
    AND DO THIS TOWN UP RIGHT.
  • 102:38 - 102:42
    YEAH. I GOT MY--
    MY RED DRESS
  • 102:42 - 102:46
    AND MY HIGH-HEELED SNEAKERS
    AT HOME WAITING, BABY.
  • 102:46 - 102:49
    ♪ OH, I JUST MIGHT
    SHOUT THIS THING ♪
  • 102:49 - 102:52
    ♪ BECAUSE MY SOUL
    LOOKS BACK IN WONDER ♪
  • 102:52 - 102:55
    ♪ HOW I GOT OVER
  • 102:55 - 102:57
    ♪ HOW I GOT OVER
  • 102:57 - 103:00
    ♪ OH, LORD
  • 103:00 - 103:01
    ♪ OH, LORD
  • 103:01 - 103:03
    ♪ SOUL LOOKS BACK
    IN WONDER ♪
  • 103:03 - 103:06
    ♪ HOW I GOT OVER
  • 103:06 - 103:09
    ♪ HOW I GOT OVER
  • 103:09 - 103:11
    ♪ OH, LORD
  • 103:11 - 103:13
    ♪ OOH, LORD
  • 103:13 - 103:15
    ♪ SOUL LOOKS BACK
    IN WONDER ♪
  • 103:15 - 103:17
    ♪ HOW I GOT OVER
  • 103:17 - 103:21
    ♪ ONE MORNING,
    I'M AWARE OF DYIN', JIM ♪
  • 103:21 - 103:23
    ♪ IN THE NEW JERUSALEM
  • 103:23 - 103:26
    ♪ I'M GONNA WALK ME
    SOME STREETS OF GOLD ♪
  • 103:26 - 103:29
    ♪ IN THE HOMELAND OF MY SOUL
  • 103:29 - 103:32
    ♪ I'M GONNA BE
    THE HOST IN WHITE ♪
  • 103:32 - 103:34
    ♪ I'M GONNA TRAVEL
    BOTH DAY AND NIGHT ♪
  • 103:34 - 103:37
    ♪ COMING UP FROM EVERY NATION
  • 103:37 - 103:40
    ♪ ON MY WAY
    TO A GREAT FOUNDATION ♪
  • 103:40 - 103:41
    ♪ I'M GONNA SING
  • 103:42 - 103:43
    ♪ HALLELUJAH
  • 103:43 - 103:46
    ♪ OH, I JUST MIGHT
    SHOUT THIS THING ♪
  • 103:46 - 103:48
    ♪ BECAUSE MY SOUL
    LOOKS BACK IN WONDER ♪
  • 103:48 - 103:51
    ♪ HOW I GOT OVER
  • 103:51 - 103:53
    ♪ HOW I GOT OVER
  • 103:53 - 103:56
    ♪ OVER
  • 103:56 - 103:58
    ♪ OVER
  • 103:58 - 104:00
    ♪ SOUL LOOKS BACK
    IN WONDER ♪
  • 104:00 - 104:06
    ♪ HOW I GOT OVER
  • 104:07 - 104:09
    AMEN.
Title:
Uptown Saturday Night 1974
Description:
more » « less
Video Language:
English
Duration:
01:44:12
ProjecteTransmate edited English subtitles for Uptown Saturday Night 1974

English subtitles

Revisions

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