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The Day They Robbed The Bank of England (1960) Classic Movie, Aldo Ray, Kay Kendall | Full Movie HD

  • 0:05 - 0:07
    [Snare drums playing]
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    Man: Escort
    for the colors...
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    Halt!
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    [Bass drum beating]
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    [March playing]
  • 1:22 - 1:24
    [Bagpipes playing Scotland the Brave]
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    Man: Among
    the peacetime duties
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    of her majesty's
    brigade of guards
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    is one known
    as the bank picket.
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    Every afternoon
    since the 8th of June, 1780,
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    the picket has marched
    across London
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    from Wellington Barracks
    to the Bank of England
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    to keep its nightly watch
    on the nation's gold.
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    One summer's day
    early in this century,
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    when Ireland
    was still struggling
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    against the might of England
    for independence,
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    a certain Irish-American
    presented himself
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    at the cashier's desk
    of the bank.
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    It was the beginning
    of a strange and daring venture.
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    Mr. Norgate.
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    Yes?
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    This draft is for the sum
    of $5,000 in your favor.
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    How would you
    like it paid, Sir?
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    In pounds sterling?
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    I'd like to open
    an account.
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    To open an account
    to the Bank of England,
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    a sponsor is required, Sir.
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    Some person
    known to the bank.
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    Is that so?
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    There are other
    banking houses,
    of course.
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    They're said
    to be adequate.
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    I'll find a sponsor.
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    As you wish.
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    We'll hold a draft
    until we have your
    further instructions.
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    Thank you.
    Good-bye.
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    Good-bye, Sir.
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    Man: Yes, Sir?
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    Nice building.
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    American gentleman,
    Sir?
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    Yes.
    How can you tell?
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    Who's that?
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    Well, that, Sir?
    That's Sir John Soane--
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    architect of the bank.
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    Did a very nice job.
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    Yes, Sir.
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    Is it all right
    if I take a look around?
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    Well, the bank
    closes at 4:00, Sir.
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    I'll see it
    some other time.
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    Good afternoon, Sir.
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    [Clock chimes]
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    Man: And from The Mint,
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    along Leadenhall Street,
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    down Cornhill
    past The Exchange,
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    to the Old Lady
    of Threadneedle Street herself.
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    He returns
    into the side entrance
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    and drives straight
    into the bullion yard.
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    Now, there's
    the escort--armed.
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    There's the watchman
    at The Mint,
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    the porters
    at the bank--
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    all armed.
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    There's
    not a chance,
    Mr. O'Shea.
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    If it's the bank
    itself you were
    thinking of,
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    we'd never
    get near it.
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    Oh, sure. It's fine
    for the boys
    in Dublin to say
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    do this
    and do that.
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    Why does it
    have to be a bank?
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    That's where
    the money is,
    Mr. Walsh.
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    But why the Bank of England?
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    Because there's
    more of it there
    than anywhere else.
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    Then it'll
    have to be
    the bullion van.
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    What's the capacity
    of the van, Dr. Hagen?
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    There are 4 bars
    to a box,
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    each 400 ounces
    Troy weight.
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    Just the value,
    Dr. Hagen.
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    £160,000.
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    That's a lot
    of anybody's money.
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    Yes...but not enough
    of England's.
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    What does
    the movement expect?
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    A million, maybe?
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    ?160,000 is a matter
    for the police.
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    A million is a political
    offensive.
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    It also lasts longer.
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    There are
    other places
    to find money.
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    Robbing grocers' tills
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    and blowing up
    public lavatories
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    will not make a nation
    out of Ireland, Mr. Walsh.
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    [Man coughs]
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    It disposes
    of a few englishmen.
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    Ha! They breed
    like rabbits.
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    Where are the vaults?
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    I'm sure
    there are arrows
    all over the place
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    pointing the way.
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    I'm telling you,
    it's a dream,
    Mr. O'Shea.
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    The Bank of England
    hasn't been robbed
    in all its history--
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    207 years.
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    Yeah? Finality,
    Mr. Walsh,
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    is not the language
    of politics.
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    [Hoofbeats]
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    [Doorbell rings]
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    Mrs. Muldoon,
    please?
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    Come in, Sir.
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    He was engaged
    in New York
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    on the advice
    of our friends there.
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    They have contributed
    towards his expenses.
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    Ehh, what
    does he care
    about Ireland?
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    His mother
    was Irish.
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    So was mine.
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    What else
    qualifies him
    for this job?
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    He's a professional,
    Mr. Walsh.
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    Ha. We need
    more than a set
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    of burglars'
    tools.
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    He has more.
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    He was
    a mining engineer,
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    but he found it easier
    to extract gold
    from banks
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    than from frozen streams.
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    You have a letter?
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    I understand
    you've taken a room
    at the strand hotel.
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    Isn't that
    conspicuous?
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    So I'm told.
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    Mr. O'Shea
    is waiting for you.
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    O'Shea:
    Ah, come in,
    Mr. Norgate.
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    This is
    Dr. Hagen,
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    Mr. Cohoun,
    Mr. Walsh,
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    and Mrs. Muldoon.
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    Mrs. Muldoon
    runs our little
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    intelligence
    service,
    as you know.
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    Yes. We've met.
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    Please sit down.
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    O'Shea:
    Well, Mr. Norgate,
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    did you have
    an interesting
    afternoon?
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    If you're thinking
    of the bullion van,
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    you're wasting
    your time and mine.
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    My own opinion
    exactly,
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    though for other
    reasons.
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    And the bank itself--
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    what is
    your impression?
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    I think it's as safe
    as it's said to be.
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    Walsh:
    Mr. Norgate,
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    what does
    home rule
    mean to you?
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    We may grow up
    in america, Mr. Walsh,
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    but some of us still
    have our roots in Ireland.
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    O'Shea: You're a man
    after my own heart,
    Mr. Norgate.
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    Have the funds
    arrived at the bank?
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    Mm-hmm.
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    I'll open an account
    as soon as I find a sponsor.
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    And then?
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    The security
    arrangements.
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    I understand the army's
    responsible.
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    The brigade
    of guards.
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    There's a nightly watch
    called the bank picket--
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    an officer, a sergeant,
    and 16 guardsmen.
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    Ehh, toy soldiers.
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    Then that's
    where we'll start
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    and see if they melt.
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    Good.
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    You will keep me
    informed, Mrs. Muldoon.
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    It won't be easy.
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    These walls
    are considered impregnable.
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    They have withstood
    wars, riots,
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    the dreams of thieves,
    and time,
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    but remember this,
    my talented children,
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    the brains that built them
    were human
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    and as fallible
    as yours and mine.
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    Somewhere, the old lady
    has a weakness.
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    [Knock on door]
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    Come in.
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    Mrs. Muldoon, Sir.
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    Good morning, Mr. Norgate.
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    I have the information
    you wanted.
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    Please sit down,
    Mrs. Muldoon.
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    No. Thanks.
    I'm rather busy.
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    You wanted to know
    where to find
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    guards' offices
    off-duty.
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    They go to a chophouse
    in the city called
    The Bombardier.
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    Is that all
    you came to tell me?
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    No, it isn't.
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    I want you to forget
    what happened
    in New York.
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    Who said
    I remembered?
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    So you just came
    to New York
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    to hire a man
    to rob a bank.
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    You understand
    perfectly.
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    Why did you
    pick me?
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    You were the best man
    for the job.
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    You know
    why I came here?
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    You were hired
    by the movement
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    for the movement
    at 10%.
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    20.
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    I never agreed
    to that.
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    O'Shea did.
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    So much the better.
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    There can be
    no personal claims.
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    And, incidentally,
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    no one knows it was I
    who came to New York
    except O'Shea,
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    and nobody
    needs to know.
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    So our account
    is settled then.
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    I think so.
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    We have a job to do.
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    There's nothing else
    between us.
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    What did you say
    the name of that
    chophouse was?
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    The Bombardier.
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    Good day, Mr. Norgate.
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    Good day,
    Mrs. Muldoon.
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    Waiter:
    Smoked salmon,
    Mr. Charles.
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    Charles:
    Very good, Sir.
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    Smoked salmon
    for Mr. Getty, Sir.
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    Glass of your
    best ale, please.
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    Yes, Sir.
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    I wonder if you
    could tell me, uh...
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    I'm an American,
    you see, and--
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    yes, Sir.
    I thought you were.
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    Enjoying your stay?
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    Very much.
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    I thought I might
    see the picket
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    marching to the bank
    this afternoon.
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    Any idea what time
    it happens?
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    Bank picket.
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    That gentleman
    over there
    will be able
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    to tell you
    all about that, Sir.
  • 11:47 - 11:49
    Lieutenant
    in the guards.
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    [Men laughing]
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    And there I was, as usual,
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    fishing in the stream.
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    The colonel
    gave me the devil
    of a blasting.
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    Uh, Charles,
    more drink.
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    Charles: Coming, Sir.
    Jenkins, give us a hand.
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    Man: There's more,
    you see.
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    Different man:
    I got her at dusk
    with a mayfly,
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    rising like
    mad things all over
    the place.
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    Uh, tight lines.
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    Oh, barman.
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    Are these edible?
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    What do you think
    they are, Sir?
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    Goldfish?
  • 12:14 - 12:16
    What about that one?
  • 12:16 - 12:18
    That's a pike,
    Sir.
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    Caught in the thames
    a long time ago.
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    You don't get them
    these days.
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    All those steamboats.
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    Now, wait a minute.
  • 12:23 - 12:25
    What about
    the little guy?
  • 12:25 - 12:26
    Is he used for bait?
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    No, Sir.
    Another gentleman
    caught that.
  • 12:32 - 12:33
    Presented it
    to the house.
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    Well, I had intended
    doing a little
    fishing here myself,
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    but, uh, if that's
    the best you have
    to offer, why--
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    good morning, Sir.
  • 12:40 - 12:41
    Excuse me, Sir.
  • 12:41 - 12:42
    Yes.
  • 12:42 - 12:45
    It appears you're interested
    in angling, Sir.
  • 12:45 - 12:46
    Yes.
    I am a little.
  • 12:47 - 12:48
    Really?
  • 12:48 - 12:50
    I didn't know they knew
    about fishing in america.
  • 12:50 - 12:53
    What do you use?
  • 12:53 - 12:55
    A rod. A line.
  • 12:55 - 12:57
    Lure, my dear Sir.
  • 12:57 - 12:59
    What do you
    lure them with?
  • 12:59 - 13:00
    Worms.
  • 13:00 - 13:02
    Worms.
  • 13:04 - 13:06
    But, of course,
    if you're fishing
    a dry fly
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    on a cloudy
    afternoon,
  • 13:08 - 13:11
    I would favor
    Mr. Hardy's butcher,
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    depending, naturally,
    on the mood of the fish.
  • 13:15 - 13:17
    Would you now?
  • 13:17 - 13:19
    Well, will you join us
    for a drink?
  • 13:19 - 13:20
    Certainly.
  • 13:20 - 13:21
    Charles, some claret
    for Mr., uh...
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    Norgate.
    Monty Fitch.
  • 13:23 - 13:24
    How do you do?
  • 13:24 - 13:26
    Lieutenants
    James and Pierce.
  • 13:41 - 13:43
    One misguided grayling.
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    Brace of trout.
    My dear fellow,
    congratulations.
  • 13:49 - 13:50
    Well, there have
    been many times
  • 13:51 - 13:52
    when I've had
    to catch fish
    in order to eat,
  • 13:52 - 13:53
    but not this way.
  • 13:54 - 13:55
    Not worms.
  • 13:55 - 13:56
    No. I'll show you.
  • 14:10 - 14:11
    Ha ha ha ha!
  • 14:11 - 14:12
    Marvelous.
  • 14:13 - 14:15
    You're unique, old boy.
  • 14:15 - 14:16
    How do you do it?
  • 14:16 - 14:19
    Just tickle a little
    and then up!
  • 14:19 - 14:21
    Oh, yes.
    Dear creatures.
  • 14:21 - 14:23
    Flossie! Maud!
  • 14:23 - 14:25
    Fitch: Walters.
  • 14:25 - 14:26
    Sir?
  • 14:26 - 14:27
    What happened to the girls?
  • 14:27 - 14:29
    They're picking blackberries, Sir.
  • 14:29 - 14:31
    Look. We'll have a drink now, huh?
  • 14:31 - 14:33
    And then tell them lunch is ready.
  • 14:33 - 14:34
    Sir.
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    Oh, what it is
    to get away
  • 14:39 - 14:42
    from that harrowing
    round of duties.
  • 14:42 - 14:44
    I thought you liked
    the guards.
  • 14:44 - 14:46
    Nothing wrong
    with the guards,
    old boy.
  • 14:46 - 14:48
    It's the guarding.
    Have a sandwich.
  • 14:48 - 14:49
    Me, I'm grateful.
  • 14:49 - 14:51
    You not only
    sponsor my account,
  • 14:51 - 14:53
    you then guard it
    with your life.
  • 14:53 - 14:54
    We try
    to accommodate
    our friends.
  • 14:54 - 14:56
    No mustard, Walters?
  • 14:56 - 14:58
    Yes, Sir.
  • 14:58 - 15:00
    One gets awfully
    tired, though,
  • 15:00 - 15:04
    pounding
    the same old beats
    year after year.
  • 15:04 - 15:06
    Beats to you,
    but it's pageantry to me.
  • 15:06 - 15:08
    Ha. There's
    not much pageantry
  • 15:08 - 15:10
    in a gloomy old vault
    two floors down.
  • 15:10 - 15:11
    Believe me.
  • 15:11 - 15:12
    Man: Morning,
    Mr. Fitch.
  • 15:14 - 15:15
    Oh, good morning.
  • 15:16 - 15:17
    Fishing the colonel's
    stream again, Sir?
  • 15:17 - 15:19
    Yes. Yes.
  • 15:22 - 15:25
    Blast the colonel's
    gatekeeper.
  • 15:25 - 15:28
    I must remember
    to double his tip.
  • 15:28 - 15:29
    Now, where were we?
  • 15:29 - 15:30
    Two floors down.
  • 15:30 - 15:32
    Oh, yes.
  • 15:32 - 15:33
    Odd how everybody's
    so interested
    in the place.
  • 15:33 - 15:35
    I never could
    understand it.
  • 15:35 - 15:37
    Well, I'm a sucker
    for architecture.
  • 15:37 - 15:38
    I even studied it once.
  • 15:39 - 15:41
    I'll tell you what.
  • 15:41 - 15:42
    There's a museum somewhere.
  • 15:42 - 15:44
    Fellow who
    rebuilt the bank.
  • 15:44 - 15:45
    Still got the old boy's
    designs there,
    I believe.
  • 15:46 - 15:47
    Might interest you.
  • 15:47 - 15:48
    It might at that.
  • 15:48 - 15:51
    Is that what you're
    over here for?
  • 15:51 - 15:53
    I mean, what are you
    actually in?
  • 15:53 - 15:55
    Metal.
  • 15:55 - 15:56
    [Women giggling]
  • 15:56 - 15:58
    Oh, here they are.
    Come on, girls!
  • 15:58 - 15:59
    We got lost.
  • 15:59 - 16:02
    Oh, Monty, you pig.
    You started before us.
  • 16:06 - 16:08
    Woman: Yes, indeed.
  • 16:08 - 16:11
    Sir John Soane was a great
    collector as well.
  • 16:12 - 16:13
    Notice this Venetian cup.
  • 16:13 - 16:14
    Very fine piece.
  • 16:14 - 16:16
    A poem, we may say.
  • 16:16 - 16:18
    Yes. A poem.
  • 16:19 - 16:22
    We now pass
    to the sepulchral chamber.
  • 16:22 - 16:24
    Man: It's always
    a pleasure to have a--
  • 16:24 - 16:26
    to have a real
    architect here...
    Thank you.
  • 16:26 - 16:29
    Because they do say
    that the bank
  • 16:29 - 16:31
    is built on the site
    of a Roman temple.
  • 16:32 - 16:33
    Oh, a myth.
  • 16:33 - 16:34
    Oh, really?
  • 16:34 - 16:36
    Yeah. I am--
    I'm afraid so.
  • 16:36 - 16:40
    Oh, my wife and I
    spend many an evening
  • 16:40 - 16:42
    browsing over
    these drawings.
  • 16:42 - 16:44
    I live above here,
    you know?
  • 16:44 - 16:46
    It's very convenient.
  • 16:46 - 16:48
    I can keep an eye
    on the place all the time.
  • 16:48 - 16:50
    Yes. Well,
    what have we here?
  • 16:50 - 16:53
    Ah, yes. This is
    the bank's stock office.
  • 16:53 - 16:55
    Very clever.
  • 16:55 - 16:56
    Could you please
    tell me about
    this urn?
  • 16:57 - 16:58
    Oh, yes. Of course.
  • 16:58 - 17:01
    Um, will you excuse me?
    I'll be back in a moment.
  • 17:01 - 17:02
    Now...
  • 17:02 - 17:03
    This is, uh...
  • 17:03 - 17:06
    It's a Roman urn
    but with Greek
    influences.
  • 17:06 - 17:08
    It may have been
    a Greek craftsman.
  • 17:08 - 17:11
    Of course,
    the romans did absorb
    a very great deal
  • 17:11 - 17:13
    of Greek culture
    and art.
  • 17:13 - 17:14
    It is charming,
    isn't it?
  • 17:14 - 17:16
    Muldoon: Charming.
  • 17:18 - 17:21
    You see,
    as an architect
    yourself,
  • 17:21 - 17:23
    you'd realize
    Sir John's problems.
  • 17:23 - 17:25
    Those foundations
    were laid in 1724.
  • 17:25 - 17:27
    Well, that's quite
    a time ago, you know?
  • 17:28 - 17:29
    I'd like to see
    how he coped with them.
  • 17:29 - 17:31
    Yes. Indeed. Well,
    that would include
    the vaults.
  • 17:31 - 17:34
    The--the vaults.
  • 17:34 - 17:37
    Oh, dear.
    Yes, I'm sorry.
    You must forgive me.
  • 17:37 - 17:39
    You see, those plans
    are not available
    for visitors.
  • 17:40 - 17:41
    No. The directors
    of the bank
  • 17:41 - 17:45
    insist that we keep them
    under lock and key.
  • 17:45 - 17:49
    Hmm. The most
    unenlightened body,
    I'm afraid.
  • 17:49 - 17:52
    However,
    most of the plans
    are here.
  • 17:52 - 17:55
    Now, look. Now,
    there's a design
    for the rotunda.
  • 17:55 - 17:57
    Very interesting.
    Here.
  • 17:58 - 18:01
    You see? Note the use
    of the doric orders
  • 18:01 - 18:04
    derived from the temple
    of theseus.
  • 18:04 - 18:08
    Yeah, and see how simply
    it's decorated.
  • 18:08 - 18:10
    It's very beautiful.
    A shallow flue, mind you.
  • 18:10 - 18:13
    All so effective
    and all in conjunction
  • 18:13 - 18:15
    with the arch construction.
  • 18:15 - 18:17
    You see, under light,
  • 18:17 - 18:19
    the light comes
    from 8 lunettes above--
  • 18:19 - 18:21
    can you tell me who painted
    this picture, please?
  • 18:22 - 18:23
    Oh, yes, indeed,
    dear lady.
  • 18:23 - 18:25
    Uh, would you forgive me
    for another moment?
  • 18:26 - 18:26
    Yes.
    Thank you.
  • 18:27 - 18:29
    This is an Italian picture.
  • 18:29 - 18:32
    Uh, probably the school
    of tintoretto.
  • 18:32 - 18:34
    One of Sir John's purchases
    while he was in Rome.
  • 18:34 - 18:35
    Muldoon: Thank you.
  • 18:35 - 18:39
    Not at all. Well...
  • 18:39 - 18:42
    Such a pleasure
    to have so many
    interested visitors.
  • 18:42 - 18:44
    So unusual, too.
  • 19:18 - 19:20
    [Vase hits table]
  • 19:43 - 19:44
    6-a.
  • 19:58 - 19:59
    The vaults.
  • 20:23 - 20:25
    There is no scale.
  • 20:25 - 20:28
    Are you sure?
  • 20:28 - 20:30
    There are some notes here.
  • 20:30 - 20:31
    Copy them.
  • 21:16 - 21:18
    [Dog barks]
  • 21:24 - 21:25
    [Hoofbeats]
  • 21:37 - 21:40
    [Dog barks]
  • 22:08 - 22:12
    Norgate: Down these stairs
    into this corridor,
  • 22:12 - 22:14
    make a right,
  • 22:14 - 22:17
    past the wine cellar.
  • 22:17 - 22:19
    Wine cellar?
  • 22:19 - 22:22
    And into this corridor,
  • 22:22 - 22:23
    and these steps
    lead up to the--
  • 22:23 - 22:25
    to the yard.
  • 22:25 - 22:29
    And along the corridor,
    at the other end,
  • 22:29 - 22:31
    the bullion vaults.
  • 22:34 - 22:37
    These are the doors.
    What's this, Hagen?
  • 22:37 - 22:39
    An iron grill
    across the corridor.
  • 22:39 - 22:42
    Can't we get in
    through the walls?
  • 22:42 - 22:44
    The other side
    of the wall
    is just solid earth.
  • 22:44 - 22:46
    And what's above them?
  • 22:46 - 22:47
    The kitchens.
  • 22:47 - 22:50
    They cook
    for the picket
    all night.
  • 22:50 - 22:52
    So then it must be
    the doors.
  • 22:52 - 22:53
    Walsh: And what
    do we know
    about them?
  • 22:54 - 22:55
    Or the size
    of the vaults?
  • 22:55 - 22:56
    Or the length
    of the corridors?
  • 22:56 - 22:57
    Two hours,
    it took you,
  • 22:57 - 22:59
    and you didn't
    even get a scale.
  • 22:59 - 23:00
    3 or 4 feet
    to an inch.
  • 23:00 - 23:02
    Oh, what's the use
    of guesswork?
  • 23:02 - 23:04
    One true
    measurement
    of any part
  • 23:04 - 23:05
    will give
    the scale.
  • 23:05 - 23:06
    Oh, sure. If they
    let us in one morning
  • 23:06 - 23:08
    to run over it
    with a yardstick.
  • 23:08 - 23:10
    "Reinforce
    and raise brickwork
  • 23:10 - 23:13
    of existing floor."
  • 23:13 - 23:15
    Soane thickened up
    the floor.
  • 23:15 - 23:17
    "Add 3/4-inch bessemer."
  • 23:17 - 23:19
    Plate steel.
  • 23:19 - 23:21
    Is the whole place
    steel-lined?
  • 23:21 - 23:23
    No.
    Just the floor.
  • 23:23 - 23:25
    These doors
    are built by
    specialists.
  • 23:25 - 23:27
    Give me half a dozen
    sticks of dynamite,
    and I'll blow--
  • 23:27 - 23:29
    listen!
  • 23:29 - 23:31
    You don't get
    into these vaults
    with dynamite.
  • 23:31 - 23:33
    You think
    your way in.
  • 23:33 - 23:35
    Imagine that.
  • 23:35 - 23:37
    And what do you
    suppose me and Hagen
    and Cohoun
  • 23:37 - 23:38
    have been doing
    the past 3 months?
  • 23:40 - 23:42
    Pick your fight with me
    some other time, Walsh.
  • 23:48 - 23:51
    The blind
    leading the blind.
  • 23:54 - 23:55
    [Door slams]
  • 24:03 - 24:06
    That man is going
    to get us 15 years
    apiece.
  • 24:06 - 24:09
    We'll give him
    a few more days.
  • 24:09 - 24:11
    Iris, listen.
  • 24:11 - 24:13
    I've had news
    from home.
  • 24:13 - 24:15
    Now, they're not
    going to hold that
    chestnut stallion
  • 24:15 - 24:16
    for me forever,
  • 24:16 - 24:17
    and he's a bargain,
    I know.
  • 24:17 - 24:20
    Breeding hunters
    was my job.
  • 24:20 - 24:22
    I want to clear
    out of this.
  • 24:22 - 24:24
    Come with me.
  • 24:28 - 24:29
    Iris, I tell you,
    the thing will
    never work.
  • 24:29 - 24:32
    The movement
    needs him...
  • 24:32 - 24:34
    And you and me.
  • 24:34 - 24:36
    Sure. It needed
    Michael Muldoon, too,
  • 24:36 - 24:38
    and it got him...
  • 24:38 - 24:40
    And left you a widow,
  • 24:40 - 24:43
    but he had you
    for one whole year first.
  • 24:43 - 24:46
    You're
    a horse coper.
  • 24:46 - 24:48
    You are...
  • 24:48 - 24:50
    You are a terrible one
    sometimes.
  • 24:50 - 24:53
    You can chill a man
    to the bone,
  • 24:53 - 24:57
    then you turn,
    take some little step,
    maybe, the way you move.
  • 24:57 - 24:59
    It starts the blood
    pounding in my throat
    with nothing--
  • 25:02 - 25:04
    I'm having a few
    personal words
    with Mrs. Muldoon.
  • 25:04 - 25:05
    Do you mind?
  • 25:05 - 25:08
    I want everything we've got
    on the alarm system.
  • 25:08 - 25:10
    I said I was talking
    to Mrs. Muldoon.
  • 25:10 - 25:12
    I heard you.
  • 25:12 - 25:14
    Hagen's making
    an overall plan
    of the vaults.
  • 25:14 - 25:16
    Go give him a hand.
  • 25:32 - 25:34
    There are 3 types
    in common use.
  • 25:34 - 25:36
    Two are new.
  • 25:39 - 25:42
    Third is the old
    spring type.
  • 25:42 - 25:46
    We don't yet know
    which kind
    the bank uses.
  • 25:46 - 25:47
    They tell me
    Michael Muldoon
  • 25:47 - 25:49
    was a leading member
    of the movement.
  • 25:49 - 25:51
    A fanatic, they say.
  • 25:51 - 25:53
    Didn't have time
    for much else.
  • 25:56 - 25:57
    He died for it.
  • 25:57 - 25:59
    Very rewarding.
  • 25:59 - 26:01
    For you, I mean.
  • 26:05 - 26:06
    Why don't you
    just take these
    and get out?
  • 26:13 - 26:15
    You're lonely.
  • 26:15 - 26:16
    You disgust me.
  • 26:20 - 26:23
    You sure you haven't
    got it the wrong way
    around?
  • 26:23 - 26:25
    Yes. That, too.
  • 26:25 - 26:26
    I disgust myself.
  • 26:29 - 26:31
    Come back to me,
    Iris.
  • 26:40 - 26:43
    You'll come back.
  • 26:43 - 26:46
    Why don't you get out
    and do the job
    you were hired for?
  • 26:46 - 26:48
    We're doing
    all right.
  • 26:48 - 26:52
    You've done nothing
    but hang around me
    and go fishing.
  • 26:52 - 26:53
    We've got the plans
    to the vaults.
  • 26:53 - 26:56
    They're useless
    without a scale.
  • 26:56 - 26:57
    I'll get
    the measurement
    of some corridor,
  • 26:58 - 26:59
    and that'll
    give us a scale.
  • 26:59 - 27:00
    Yes, and how are you
    gonna get in there
  • 27:00 - 27:01
    and get the measurement?
  • 27:03 - 27:05
    By invitation.
  • 27:08 - 27:10
    I caught it...
  • 27:10 - 27:11
    Fishing.
  • 27:22 - 27:24
    Number 4 post.
    All is well, Sir.
  • 27:28 - 27:31
    Number 5 post.
    All is well, Sir.
  • 27:39 - 27:40
    Thank you, Sir.
  • 27:47 - 27:49
    Has Mr. Norgate
    arrived yet?
  • 27:50 - 27:51
    He's about
    due now, Sir.
  • 27:51 - 27:54
    Guest for Mr. Fitch.
    Take him up.
  • 27:54 - 27:55
    Sir.
  • 28:09 - 28:10
    [Knock on door]
  • 28:13 - 28:14
    Guest for
    Mr. Fitch, Sir.
  • 28:14 - 28:16
    My dear fellow,
    good of you to come.
  • 28:16 - 28:17
    Nice to see you
    again.
  • 28:17 - 28:18
    Pleasure
    to have you.
  • 28:18 - 28:20
    I'm afraid there
    are no ladies
    here tonight.
  • 28:20 - 28:22
    That's highly irregular
    these days.
  • 28:22 - 28:23
    Wasn't it always?
  • 28:23 - 28:25
    Oh, yes.
  • 28:25 - 28:26
    Used to sneak
    them in, though,
    just the same--
  • 28:26 - 28:28
    do sit down--
  • 28:28 - 28:31
    until one of those
    beady-eyed civilians
    gave the show away.
  • 28:31 - 28:33
    Must have been
    the one who just
    looked me over.
  • 28:33 - 28:34
    Very likely.
  • 28:34 - 28:35
    Bank watchmen,
    they call
    themselves.
  • 28:36 - 28:36
    Happy days.
  • 28:37 - 28:38
    Health.
  • 28:40 - 28:41
    Many of them around?
  • 28:41 - 28:43
    Always a few
    snooping around
    at night.
  • 28:43 - 28:45
    The deputy
    chief cashier
    actually lives here.
  • 28:46 - 28:48
    How are things
    in the city?
  • 28:48 - 28:49
    About the same.
  • 28:49 - 28:51
    Forgotten what you
    said you were in.
  • 28:51 - 28:52
    Steel at the moment.
  • 28:53 - 28:54
    Oh, yes.
  • 28:54 - 28:56
    Paying a call
    to the foundries,
    then, eh?
  • 28:56 - 28:58
    Some of them,
    local ones.
  • 28:58 - 29:00
    They're
    very convenient.
  • 29:00 - 29:02
    Gives me
    a chance to pursue
    my own interests.
  • 29:02 - 29:03
    Fishing?
  • 29:03 - 29:05
    Architecture.
  • 29:06 - 29:07
    Oh, yes.
  • 29:07 - 29:08
    Let me top you off.
  • 29:08 - 29:10
    Thank you.
  • 29:13 - 29:15
    Won't find much
    to read there,
  • 29:15 - 29:16
    just a few
    dusty volumes
    on the bank.
  • 29:16 - 29:18
    Very boring.
  • 29:21 - 29:22
    Here, old boy.
  • 29:23 - 29:24
    Oh, yes. Thank you.
  • 29:24 - 29:26
    We'll crack
    another bottle
    later on.
  • 29:26 - 29:28
    Get an extra ration
    with a guest.
  • 29:28 - 29:29
    That's why
    we invite them.
  • 29:29 - 29:31
    I might have known.
  • 29:31 - 29:33
    That's very nice.
  • 29:33 - 29:35
    Oh, yes.
    Decent cellar
    downstairs.
  • 29:35 - 29:37
    Walters, fetch
    another bottle
    later on.
  • 29:37 - 29:38
    Sir.
  • 29:38 - 29:39
    Mind if I
    come along?
  • 29:39 - 29:40
    That will be
    a pleasure, Sir.
  • 29:40 - 29:42
    Nothing much
    to see.
  • 29:42 - 29:45
    Guess it's all
    in the eye
    of the beholder.
  • 29:45 - 29:46
    Oh. Well,
    I'll take you
    down myself.
  • 29:46 - 29:49
    Might be
    a little bother
    with the sentries.
  • 29:50 - 29:52
    Practically cut off
    from the outside world
  • 29:53 - 29:54
    once you're
    down there.
  • 29:54 - 29:55
    This is
    quite a place.
  • 29:55 - 29:56
    Alarm bell, eh?
  • 29:56 - 29:59
    Oh, lots of them,
    all over the place.
  • 29:59 - 30:01
    Connected
    to the doors of
    the vaults, I think.
  • 30:01 - 30:02
    I better go first.
  • 30:06 - 30:08
    Nothing much to it,
  • 30:08 - 30:11
    just a lot of stairs
    going down.
  • 30:11 - 30:12
    Good evening.
  • 30:12 - 30:14
    Good evening,
    Mr. Fitch.
  • 30:14 - 30:15
    And one more.
  • 30:18 - 30:21
    This, thank heaven,
    is the last.
  • 30:21 - 30:22
    Halt!
    Who goes there?
  • 30:23 - 30:23
    Friend.
  • 30:24 - 30:25
    Password?
  • 30:25 - 30:26
    Essex.
  • 30:26 - 30:28
    Advance and
    be recognized.
  • 30:31 - 30:32
    Pass, friend.
  • 30:32 - 30:33
    Everything
    all right, Gil?
  • 30:33 - 30:34
    Yes, Sir.
  • 30:34 - 30:35
    Beasties
    worry you?
  • 30:35 - 30:36
    It's not
    too bad, Sir.
  • 30:37 - 30:38
    Get under your
    feet sometimes.
  • 30:38 - 30:41
    My father used to get
    the same complaints when
    he was picket commander.
  • 30:41 - 30:42
    Yes, Sir.
  • 30:42 - 30:43
    Time something
    was done
    about them, eh?
  • 30:43 - 30:45
    I'll put in
    a report.
  • 30:45 - 30:46
    Yes, Sir.
    Thank you, Sir.
  • 30:46 - 30:48
    Good. Carry on.
  • 30:53 - 30:56
    I shouldn't go
    wandering around
    alone, old boy.
  • 30:56 - 31:00
    The sentries have
    orders to shoot if
    they don't know you.
  • 31:05 - 31:07
    I say.
    How did you know?
  • 31:07 - 31:09
    Is this
    the wine cellar?
  • 31:09 - 31:12
    Yes.
  • 31:12 - 31:14
    Yes, it is.
  • 31:14 - 31:16
    Now, what
    shall we have?
  • 31:16 - 31:18
    Some rather good
    '87 port.
  • 31:18 - 31:20
    Sounds fine.
  • 31:20 - 31:23
    Proper madeira,
    has got some body to it.
  • 31:23 - 31:24
    [Footsteps approaching]
  • 31:25 - 31:27
    [Fitch continues
    speaking indistinctly]
  • 31:28 - 31:30
    [Boots stamp loudly]
  • 31:31 - 31:33
    [Footsteps continue]
  • 31:42 - 31:43
    [Stamping loudly]
  • 31:54 - 31:55
    Halt!
    Who goes there?
  • 31:56 - 31:57
    Friend.
    Password.
  • 31:57 - 31:58
    Essex.
  • 31:58 - 32:00
    Pass, friend.
  • 32:17 - 32:18
    Fitch:
    There you are,
    old boy.
  • 32:18 - 32:20
    Wondered what
    had happened to you.
  • 32:24 - 32:27
    Taking a look
    at the Queen's
    cashbox, eh?
  • 32:28 - 32:31
    I dug up a bottle
    of '87 port.
  • 32:31 - 32:33
    Told you there's nothing
    to see down here.
  • 32:36 - 32:37
    The piper's
    reported, Sir.
  • 32:37 - 32:38
    Oh, splendid.
    Send him in,
    would you, Walters?
  • 32:38 - 32:40
    Sir.
  • 32:41 - 32:42
    Uh, have a cigar.
  • 32:42 - 32:43
    Well, thank you.
  • 32:45 - 32:49
    The floors get worn away
    when the sentries march,
    don't they?
  • 32:49 - 32:51
    What?
    Oh, down there.
  • 32:51 - 32:53
    Well, they've been
    patrolling this place
    since the Gordon riots,
  • 32:53 - 32:55
    1790-odd.
  • 32:55 - 32:57
    And always
    in exactly
    the same places.
  • 32:57 - 32:59
    Naturally.
  • 32:59 - 33:00
    Good evening.
  • 33:00 - 33:02
    Guardsmen always
    take the same pace,
  • 33:02 - 33:04
    trained to it
    from birth.
  • 33:04 - 33:06
    2'6".
  • 33:07 - 33:10
    Now tell me,
    who built the doors?
  • 33:10 - 33:12
    Doors?
  • 33:12 - 33:14
    Oh, you mean
    the cashbox.
  • 33:14 - 33:17
    No idea. Why?
  • 33:17 - 33:20
    Well, it's
    a very, very fine
    piece of welding.
  • 33:20 - 33:22
    Of course you know
    all about that,
    don't you?
  • 33:22 - 33:24
    The trouble
    with safes is
  • 33:24 - 33:26
    that you need another
    safe to keep the key
    to the first one in
  • 33:26 - 33:28
    and so on and so on.
  • 33:28 - 33:29
    Ha ha!
    Not this one.
  • 33:29 - 33:31
    This has 3 keys,
    so I'm told,
  • 33:31 - 33:33
    each kept
    by a different official,
  • 33:33 - 33:34
    on the person,
    as it were.
  • 33:34 - 33:37
    To get into
    the bullion vaults,
  • 33:37 - 33:41
    they'd have to get
    the 3 chaps here
    at the same time.
  • 33:43 - 33:47
    Oh, well, let's have
    some after-dinner
    music, shall we?
  • 33:47 - 33:48
    [Begins playing]
  • 34:15 - 34:17
    A weakness,
    he said.
  • 34:17 - 34:18
    Oh, let's stop
    fooling ourselves.
  • 34:18 - 34:20
    There is
    no way in.
  • 34:20 - 34:21
    Why did they
    reinforce the floor?
  • 34:21 - 34:23
    Simple.
    It wears out.
  • 34:23 - 34:26
    3 locks.
    Nicht gut.
  • 34:26 - 34:29
    We'd have to dispose
    of the picket,
  • 34:29 - 34:31
    and the watchmen,
    what about them--
  • 34:31 - 34:34
    30 men or more--
    and how would
    we get away?
  • 34:34 - 34:36
    There's a fault
    in it somewhere.
    There's got to be.
  • 34:36 - 34:37
    Sure.
  • 34:38 - 34:40
    We can go on
    telling ourselves
    that for 20 years.
  • 34:40 - 34:44
    In fact, we can
    climb into our coffins
    still saying it.
  • 34:53 - 34:54
    [Door slams]
  • 35:04 - 35:05
    Are you
    calling it off?
  • 35:05 - 35:07
    Why should I?
  • 35:07 - 35:10
    Because it's no use.
    We're beaten.
  • 35:15 - 35:17
    What are beasties?
  • 35:17 - 35:18
    Beasties?
  • 35:18 - 35:21
    Whatever they are,
    there's lots of them
    in the vaults,
  • 35:21 - 35:23
    get under these
    sentries' feet.
  • 35:23 - 35:25
    Beetles?
  • 35:25 - 35:27
    I don't know.
  • 35:27 - 35:29
    Doesn't matter.
  • 35:30 - 35:32
    Mice, maybe,
    or rats.
  • 35:32 - 35:35
    Rats.
  • 35:35 - 35:37
    I better
    telegraph O'Shea.
  • 35:37 - 35:40
    You all have wasted
    enough time.
  • 35:40 - 35:42
    Not yet.
  • 35:54 - 35:58
    Certainly problems with
    sewage are universal
    ones, Mr. Reynolds,
  • 35:58 - 36:01
    but that a distinguished
    expert like yourself
    should come to visit us,
  • 36:01 - 36:02
    that I find
    uncommonly pleasing.
  • 36:02 - 36:04
    My department
    is at your disposal.
  • 36:04 - 36:05
    Gudgeon.
  • 36:05 - 36:06
    Yes, Mr.--
  • 36:06 - 36:07
    stand by.
  • 36:07 - 36:08
    How is it
    in New York?
  • 36:08 - 36:10
    Rough. We're having
    trouble with
    the new system.
  • 36:10 - 36:12
    I know.
    The old one's
    in the way?
  • 36:12 - 36:14
    Dutch.
  • 36:14 - 36:16
    But you must have
    your own problems
    right here.
  • 36:16 - 36:17
    Oh, quite appalling.
  • 36:17 - 36:18
    I've passed
    my best years
    in the field,
  • 36:19 - 36:21
    and, candidly,
    I've never seen
    anything like it.
  • 36:21 - 36:23
    Under the city itself?
  • 36:23 - 36:26
    Labyrinthine,
    if you'll pardon
    the expression.
  • 36:26 - 36:28
    Do you know the route
    of the travel?
  • 36:28 - 36:29
    Underground rivers.
  • 36:29 - 36:30
    Gudgeon.
  • 36:30 - 36:32
    Yes, Mr. Benge.
  • 36:32 - 36:33
    Pass me those charts
  • 36:33 - 36:35
    of the Walbrook River
    in the 11th century,
  • 36:35 - 36:38
    and that
    will show you,
    Mr. Reynolds.
  • 36:38 - 36:40
    Oh, come along,
    gudgeon.
  • 36:40 - 36:41
    You'll never
    get on this way.
  • 36:41 - 36:45
    The Walbrook,
    of course, was used
    as a sewer itself,
  • 36:45 - 36:47
    noted for its rats,
    Mr. Reynolds.
  • 36:48 - 36:49
    What street
    does it run under?
  • 36:49 - 36:49
    Ah. Well, now
    I'll show you that,
    Mr. Reynolds,
  • 36:52 - 36:54
    when gudgeon
    finds the chart.
  • 36:54 - 36:55
    I'm looking,
    Mr. Benge.
  • 36:55 - 36:57
    I'm
    looking hard.
  • 36:59 - 37:02
    The first inquiry
    we've had in years,
    and this is the result.
  • 37:02 - 37:04
    Sir, have you been
    in the sewer yourself,
  • 37:04 - 37:06
    this Walbrook,
    I mean?
  • 37:06 - 37:08
    Oh, no, no, no.
    Nobody has.
  • 37:08 - 37:10
    It's been sealed up
    for 40 years.
  • 37:10 - 37:11
    Somebody must
    remember it.
  • 37:11 - 37:13
    I doubt it very much,
    Mr. Reynolds.
  • 37:13 - 37:15
    The only persons
    who'd know it would be
    the toshers,
  • 37:15 - 37:17
    and they're
    a dying breed.
  • 37:17 - 37:19
    Ah, this is it,
    no doubt.
  • 37:20 - 37:21
    Calcutta.
  • 37:21 - 37:23
    Uh, toshers?
    What are toshers?
  • 37:23 - 37:26
    Toshers?
    Scavengers
    of the thames,
  • 37:26 - 37:28
    sewer pickers.
  • 37:28 - 37:31
    Oddly enough,
    there's a paragraph
    about one of them
  • 37:31 - 37:33
    in the press
    only this morning,
    I believe.
  • 37:33 - 37:35
    Yes. Here it is.
  • 37:35 - 37:36
    The courts--
  • 37:36 - 37:38
    "Alfred Sparrow
    of Bow Creek
  • 37:38 - 37:39
    "was again taken
    into custody last night
  • 37:40 - 37:41
    "following
    his release yesterday
  • 37:41 - 37:43
    "for being drunk
    and disorderly.
  • 37:43 - 37:46
    "He will appear
    this morning at 10 A.M.
    at Taybridge,
  • 37:46 - 37:49
    "his 23rd appearance
    on a similar charge.
  • 37:49 - 37:53
    "Mr. Sparrow claims
    better acquaintance with
    the old sewers of London
  • 37:53 - 37:54
    than any living person."
  • 37:54 - 37:56
    Not a character
    you and I would wish
  • 37:56 - 37:58
    to associate with,
    Mr. Reynolds.
  • 37:58 - 38:00
    Thank you very much.
  • 38:02 - 38:03
    Mr. Benge,
  • 38:03 - 38:07
    you know our records
    don't go back
    to the 11th century.
  • 38:07 - 38:08
    What a pity.
  • 38:14 - 38:16
    Prognosticate me,
    your worship.
  • 38:16 - 38:18
    Ever hear of a stream
    called the Walbrook,
    tosher?
  • 38:19 - 38:22
    It's a disused
    sewer now,
  • 38:22 - 38:24
    under the city,
    remember?
  • 38:24 - 38:25
    Number 3.
  • 38:25 - 38:28
    Ruined my living,
    they did,
  • 38:28 - 38:30
    when the authorities
    sealed up the old number 3.
  • 38:30 - 38:32
    Best pickings
    in the city.
  • 38:33 - 38:34
    Where does
    the number 3 run?
  • 38:34 - 38:37
    I just said--
    under the city.
  • 38:37 - 38:41
    I mean, which street?
  • 38:43 - 38:45
    What's the game, your worship?
  • 38:45 - 38:47
    You paid me fine.
    You got me out of trouble.
  • 38:47 - 38:48
    Why me?
  • 38:48 - 38:50
    I, uh--
  • 38:50 - 38:51
    i'm an archeologist--
  • 38:51 - 38:55
    Roman ruins, temples.
  • 38:55 - 38:58
    Oh, I always had
    a feeling for them
    holy romans meself.
  • 38:59 - 39:00
    A couple more, please.
  • 39:00 - 39:02
    Best.
  • 39:04 - 39:05
    Who let you
    out again, tosher?
  • 39:05 - 39:11
    I'm talking
    to this here noted
    archeological philanthropist.
  • 39:11 - 39:13
    Continue,
    your worship.
  • 39:13 - 39:15
    Somewhere
    under the city,
    tosher,
  • 39:15 - 39:17
    there's
    a Roman temple.
  • 39:17 - 39:20
    Oh, them romans
    could be up to anything.
  • 39:20 - 39:22
    That temple is something
    I've wanted to get at
    all my life.
  • 39:22 - 39:24
    I asked the authorities
    for permission
    to excavate,
  • 39:24 - 39:26
    but they wouldn't
    even listen.
  • 39:26 - 39:28
    You could help me, tosher.
  • 39:29 - 39:30
    Me?
  • 39:30 - 39:31
    I need your help,
  • 39:31 - 39:34
    and I'd like your
    friendship, too.
  • 39:34 - 39:35
    How about it,
    tosher?
  • 39:36 - 39:38
    You and me?
  • 39:38 - 39:40
    Against
    the authorities.
  • 39:40 - 39:43
    [Sets down drinks]
  • 39:43 - 39:46
    Where does
    the number 3
    run, tosher?
  • 39:46 - 39:49
    Into the river
    by tollgate.
  • 39:49 - 39:50
    Any other way?
  • 39:50 - 39:52
    Straight line
    up under Prince's Street.
  • 39:53 - 39:54
    Prince's Street.
    Hmm.
  • 39:54 - 39:55
    The Bank of England.
  • 39:59 - 40:01
    [Children singing
    and shouting]
  • 40:04 - 40:06
    Tosher:
    Follow me,
    your worship.
  • 40:10 - 40:12
    Down here,
    your worship.
  • 40:24 - 40:25
    That's it.
  • 40:26 - 40:29
    Tosher: The outfall
    of the old number 3.
  • 40:29 - 40:31
    How did you get in?
  • 40:31 - 40:32
    Boat,
  • 40:32 - 40:34
    but you got
    to watch the tide.
  • 40:34 - 40:36
    Comes up over.
  • 40:36 - 40:39
    Norgate: Is that
    the only way in?
  • 40:39 - 40:41
    [Boat horn blows]
  • 40:41 - 40:43
    Follow me.
    Come on.
  • 41:02 - 41:05
    Down here,
    your worship.
    Mind your step.
  • 41:10 - 41:12
    Oh, this will do.
  • 41:12 - 41:14
    Over this way,
    your worship.
  • 41:14 - 41:15
    [Tapping]
  • 41:20 - 41:22
    There it is,
    your worship.
  • 41:22 - 41:23
    The sewer?
  • 41:23 - 41:25
    Number 3.
  • 41:25 - 41:26
    How far down?
  • 41:26 - 41:29
    There's a manhole
    right over it.
  • 41:29 - 41:31
    What's that?
  • 41:31 - 41:32
    Compass.
  • 41:51 - 41:53
    [Masonry falls]
  • 42:08 - 42:09
    Ugh!
  • 42:15 - 42:16
    [Sniffing deeply]
  • 42:19 - 42:20
    Ahhh.
  • 42:20 - 42:22
    Home.
  • 42:23 - 42:27
    Norgate: Now start from
    the river at the outfall
    of the sewer.
  • 42:27 - 42:29
    The sewer runs
    dead straight
    in a line
  • 42:29 - 42:32
    27 degrees east
    of true north.
  • 42:36 - 42:38
    Should run
    under the warehouse.
  • 42:40 - 42:41
    Yes.
  • 42:43 - 42:44
    Now continue
    the line.
  • 42:51 - 42:53
    Runs right
    under the bank.
  • 43:00 - 43:02
    Right
    under here.
  • 43:02 - 43:04
    Now the distance
  • 43:04 - 43:07
    from the vault doors
    to the end
    of the corridor
  • 43:07 - 43:09
    is 18
    guardsman's
    paces,
  • 43:09 - 43:12
    each 2'6".
  • 43:12 - 43:14
    See if that
    checks with
    your scale.
  • 43:17 - 43:20
    Yes.
    4 feet,
    to an inch.
  • 43:20 - 43:22
    Then
    how far is it
  • 43:22 - 43:25
    from the vaults
    to the sewer?
  • 43:28 - 43:30
    23 feet.
  • 43:31 - 43:34
    A tunnel...
  • 43:34 - 43:36
    30 feet long
  • 43:36 - 43:39
    that would take us
    under the floors
    of the vaults
  • 43:39 - 43:41
    with 7 feet
    to spare.
  • 43:41 - 43:42
    Check it, Hagen.
  • 43:42 - 43:44
    Fault it
    every way you can.
  • 43:44 - 43:45
    [Door opens]
  • 43:48 - 43:50
    Now you can
    telegraph
    Dublin.
  • 43:50 - 43:52
    Tell O'Shea
    he's right.
  • 43:52 - 43:53
    We found
    the old lady's
    weakness.
  • 43:59 - 44:00
    [Children shouting]
  • 44:24 - 44:25
    14 minutes.
  • 44:25 - 44:27
    Good.
  • 44:27 - 44:30
    I think
    we shall need
    a two-foot width
  • 44:30 - 44:33
    to get your
    shoulders through.
  • 44:51 - 44:53
    Good.
  • 44:53 - 44:59
    12-inch radius,
    2(Pi)R...
  • 44:59 - 45:02
    Circumference
    of 75 inches.
  • 45:02 - 45:05
    Two hours 50 minutes
    to cut a hole that size
  • 45:05 - 45:06
    through the floor
    of the vault.
  • 45:07 - 45:08
    Try it out.
  • 45:09 - 45:11
    Fancy a little
    boating?
  • 45:11 - 45:15
    Here's a spare copy of
    the high-water tables.
  • 45:15 - 45:16
    Thank you
    very much.
  • 45:18 - 45:19
    Tell me, then--
    how much clay
  • 45:19 - 45:21
    can a man dig
    in an hour?
  • 45:21 - 45:22
    11 cubic feet.
  • 45:24 - 45:26
    How do you want
    the timber cut, Sir?
  • 45:26 - 45:28
    In lengths of 4 feet.
  • 45:28 - 45:30
    Very good.
  • 45:30 - 45:34
    A tunnel 4 feet square
    by 30 feet long,
  • 45:34 - 45:37
    11 cubic feet
    of clay an hour...
  • 45:37 - 45:40
    43 1/2 hours.
  • 45:40 - 45:42
    3 hours to cut
    through the floor,
  • 45:42 - 45:44
    two hours
    for the shaft,
  • 45:44 - 45:45
    two hours
    loading.
  • 45:45 - 45:47
    Same whichever way--
    51 hours total.
  • 45:47 - 45:49
    Two days at least.
  • 45:51 - 45:53
    If we've got
    to finish on
    a Sunday night,
  • 45:53 - 45:55
    why can't we start earlier?
  • 45:55 - 45:57
    No. We'd be heard.
  • 45:57 - 45:59
    The bullion weighing
    office is open
    until noon on Saturday,
  • 46:00 - 46:01
    and the sewer runs
    right under it.
  • 46:01 - 46:02
    Clay doesn't carry sound.
  • 46:02 - 46:04
    Sewer's made of brick.
  • 46:04 - 46:06
    Iris: Bank holiday.
  • 46:06 - 46:08
    What's that?
  • 46:08 - 46:09
    It's the first
    Monday in August.
  • 46:09 - 46:13
    All the banks are
    closed for the day,
    a long weekend.
  • 46:13 - 46:17
    The vaults will
    be closed for nearly
    3 whole days.
  • 46:21 - 46:22
    August 3--
  • 46:22 - 46:25
    high tide at 10:32
    in the evening.
  • 46:25 - 46:27
    Reaches the bottom
    of the sewer,
    therefore, at...
  • 46:27 - 46:29
    9:45.
  • 46:29 - 46:34
    Dark at 9:50.
  • 46:34 - 46:37
    We'll dynamite
    the outfall
    at 10:00.
  • 46:37 - 46:40
    Tell O'Shea we'll
    need a freighter
    that night.
  • 46:45 - 46:47
    Do you know
    how to handle
    a tug, Sir?
  • 46:47 - 46:48
    I'll send
    a man who does.
  • 46:48 - 46:51
    Cost you a bit,
    the whole holiday
    weekend.
  • 46:51 - 46:53
    ?50?
  • 46:53 - 46:55
    There's
    the coal, Sir.
  • 46:55 - 46:57
    75?
  • 47:00 - 47:01
    O'Shea?
  • 47:01 - 47:03
    It came by hand.
  • 47:03 - 47:05
    In London, is he?
  • 47:05 - 47:06
    Potato ship Duncanan
  • 47:06 - 47:09
    will wait for the tug
    at Gravesend,
    reach you Monday night.
  • 47:14 - 47:17
    Well, we're
    ready to go.
  • 47:19 - 47:22
    The movement will be
    greatly beholden
    to you.
  • 47:22 - 47:25
    There's just one more thing.
  • 47:25 - 47:28
    Don't you think
    you better get
    some sleep?
  • 47:28 - 47:30
    I can sleep
    afterwards.
  • 47:30 - 47:34
    You'll be two whole
    days and nights
    in that tunnel.
  • 47:34 - 47:36
    I'm used to it.
    You ought to know that.
  • 47:36 - 47:38
    I'm a tramp,
    aren't I,
  • 47:38 - 47:41
    a muscleman, a bum?
  • 47:41 - 47:44
    Whatever you say,
    that's what I am,
  • 47:44 - 47:47
    but I've got
    something else besides.
  • 47:47 - 47:49
    I got a brain
    that talks to me,
  • 47:50 - 47:52
    tells me things
    about you.
  • 47:52 - 47:54
    You don't give a hoot
    for the movement.
  • 47:54 - 47:55
    I live for it.
  • 47:55 - 47:56
    You're trying
    to drown something else.
  • 47:56 - 47:57
    That's not true.
  • 47:57 - 47:59
    You're afraid
    if you stop what
    a dead man might think.
  • 47:59 - 48:02
    He was worth
    a thousand like you.
  • 48:30 - 48:32
    Hello, norgate.
  • 48:34 - 48:36
    Oh, I must have
    dropped off.
  • 48:36 - 48:38
    Oh, what's
    the time?
  • 48:38 - 48:40
    About 11:00.
  • 48:40 - 48:42
    Is something wrong?
  • 48:42 - 48:45
    Well, I came
    to apologize,
    as a matter of fact.
  • 48:45 - 48:48
    Actually,
    I can talk to you,
  • 48:48 - 48:51
    and not many people
    I can talk to
    in my world.
  • 48:51 - 48:52
    Have another drink.
  • 48:52 - 48:54
    Well, I've had
    a couple already, old--
  • 48:54 - 48:57
    still--
  • 48:57 - 48:59
    you remember
    our fishing trip?
  • 49:01 - 49:04
    Had we...
    Arranged one?
  • 49:04 - 49:05
    Oh, no, no, no.
  • 49:05 - 49:07
    It was to be
    a surprise.
  • 49:07 - 49:10
    Well, you know
    that gamekeeper fellow
    at the colonel's?
  • 49:10 - 49:12
    You forgot
    to double his tip.
  • 49:12 - 49:15
    Double it?
    I forgot
    to tip him at all.
  • 49:15 - 49:17
    Do you know
    what the colonel
    called me?
  • 49:18 - 49:19
    A poacher,
  • 49:19 - 49:22
    bloody poacher,
    if you please.
  • 49:22 - 49:25
    Well, I have a good mind
    to resign my commission.
  • 49:26 - 49:30
    That would be
    pretty foolish,
    wouldn't it?
  • 49:30 - 49:31
    Uh, well, yeah.
  • 49:32 - 49:33
    Suppose it would.
  • 49:33 - 49:35
    What on earth
    could I do?
  • 49:35 - 49:39
    See, there's
    nothing wrong
    with soldiering.
  • 49:39 - 49:43
    You see, I'm never
    called on to think
    in my profession,
  • 49:43 - 49:46
    and I'd rather
    like to just once,
  • 49:46 - 49:50
    and then I'd know.
  • 49:50 - 49:51
    Know what?
  • 49:51 - 49:54
    Whether I stay
    a soldier
  • 49:54 - 49:56
    because there's
    nothing else
    I can do
  • 49:56 - 49:58
    or because
    I choose to.
  • 50:00 - 50:03
    I'll probably
    make a fearful
    hash of it--
  • 50:03 - 50:05
    thinking, I mean.
  • 50:05 - 50:08
    Heh. Get myself
    court-martialed.
  • 50:08 - 50:10
    You'll come out
    all right.
  • 50:10 - 50:13
    Probably end up
    covered with medals.
  • 50:13 - 50:16
    I understand the guards
    never lose their battles.
  • 50:16 - 50:17
    Battles? Ha!
  • 50:17 - 50:19
    Lead me to one.
  • 50:19 - 50:20
    They'll come.
  • 50:20 - 50:22
    Ah, if the grenadiers
    don't hog them all.
  • 50:22 - 50:24
    Oh, talking too much.
  • 50:24 - 50:27
    Sorry about
    the fishing, old boy,
  • 50:27 - 50:31
    but the colonel's given me
    the entire weekend on duty.
  • 50:31 - 50:32
    That's rough.
  • 50:32 - 50:35
    Oh, it's
    bank holiday
    at the back.
  • 50:35 - 50:36
    [Door closes]
  • 50:57 - 51:00
    What are you
    doing here,
    Sparrow, eh?
  • 51:00 - 51:01
    Pickled herring road's
    your pitch,
  • 51:01 - 51:03
    across the river.
  • 51:03 - 51:07
    Oh, I got
    business interests
    in the city.
  • 51:10 - 51:12
    Scrap iron.
  • 51:12 - 51:13
    At it again, eh?
  • 51:13 - 51:16
    Who are you gonna
    get to pay your fine
    this time?
  • 51:23 - 51:25
    Well, that's it.
  • 51:25 - 51:27
    Let's have it
    again, Cohoun.
  • 51:27 - 51:30
    Move the tug
    from hammersmith,
  • 51:30 - 51:32
    tie up at a jetty here,
  • 51:32 - 51:36
    8:30 Monday night,
    maximum steam,
  • 51:36 - 51:37
    make for
    the sewer outfall
  • 51:37 - 51:39
    after you dynamite it.
  • 51:50 - 51:53
    And the best
    of luck to you.
  • 51:58 - 52:00
    Here, you can't
    go down there!
  • 52:00 - 52:01
    Can I not?
    I'm going.
  • 52:01 - 52:03
    Don't worry.
  • 52:03 - 52:05
    Ooh!
  • 52:05 - 52:07
    The constable's
    after you,
    your worship.
  • 52:07 - 52:08
    I drawed him away.
  • 52:08 - 52:10
    Then he
    followed me right--
  • 52:12 - 52:14
    constable: Hey, Sparrow.
    Where are you?
  • 52:15 - 52:17
    Excuse me, mate,
  • 52:17 - 52:20
    but you haven't seen
    anybody entering these
    premises unlawfully--
  • 52:20 - 52:23
    old boy,
    name of Sparrow?
  • 52:23 - 52:25
    Now, how would
    I know his name
  • 52:25 - 52:28
    if I never seen him
    in me life before, huh?
  • 52:57 - 52:59
    Must have been
    mistaken.
  • 53:00 - 53:01
    Constable: Working late Saturday?
  • 53:02 - 53:04
    Cohoun:
    Got to get the business
    on its feet, you know.
  • 53:04 - 53:06
    Well, watch out
    for that scrap iron
    up there.
  • 53:06 - 53:08
    Keep those gates
    locked.
  • 53:08 - 53:11
    Oh, they'd steal
    anything these days.
  • 53:16 - 53:18
    Now you're here,
    you better stay.
  • 53:18 - 53:22
    Walsh, make sure
    you count your paces,
    or you'll get too far.
  • 53:22 - 53:23
    Hagen,
    start measuring.
  • 53:24 - 53:27
    Here.
    Make yourself
    useful.
  • 53:27 - 53:30
    Thank you,
    your worship.
    I'll do that.
  • 53:32 - 53:36
    Ah, it's grand
    to be back
    in the old hole.
  • 53:36 - 53:39
    I know every brick in it.
  • 53:42 - 53:45
    I know exactly
    where we are now,
    your worship.
  • 53:45 - 53:49
    We're passing
    directly under
    Cannon street.
  • 53:49 - 53:51
    I know every foot of it.
  • 53:51 - 53:53
    Ah, it's
    a wonderful place.
  • 53:53 - 53:55
    The old number 3,
  • 53:55 - 53:57
    best toshing
    in London--
  • 53:57 - 54:00
    money, gold,
    ornaments,
  • 54:00 - 54:03
    all kinds
    of valuables.
  • 54:03 - 54:06
    We passed under
    the mansion house
    back there,
  • 54:06 - 54:08
    the official
    residence
  • 54:08 - 54:09
    of his majesty,
  • 54:09 - 54:11
    the lord mayor
    of London.
  • 54:11 - 54:14
    Close enough.
    Go help Walsh.
  • 54:15 - 54:17
    Your worship,
  • 54:17 - 54:19
    you're
    under the bank.
  • 54:21 - 54:22
    Your worship,
  • 54:22 - 54:24
    you're right
    under the bank.
  • 54:24 - 54:26
    That's where
    the temple is.
  • 54:26 - 54:29
    Oh, now fancy that.
  • 54:29 - 54:34
    Aye. Right under
    the old lady of
    Thread-me-needle Street.
  • 54:34 - 54:39
    Ah, you couldn't be
    after them holy romans,
    could you?
  • 54:39 - 54:41
    You know, my old woman
    would be surprised
  • 54:41 - 54:45
    if she saw me friends
    with a gentleman
    like you, your worship.
  • 54:47 - 54:48
    She's dead now.
  • 54:51 - 54:52
    Aye.
  • 55:02 - 55:04
    Can I tell you
    something?
  • 55:04 - 55:07
    His worship is
    a very old and dear
    friend of mine.
  • 55:07 - 55:09
    Why the blazes
    don't we get
    rid of him?
  • 55:09 - 55:13
    Leave him alone.
    He's safer here
    than by himself.
  • 55:14 - 55:16
    We're gonna
    work in shifts
    of an hour--
  • 55:16 - 55:19
    one man digging,
    one hauling,
    one resting.
  • 55:19 - 55:21
    Hagen, you take
    the slide.
  • 55:31 - 55:35
    Tosher: ♪ they say
    there's a boat on the river ♪
  • 55:35 - 55:39
    ♪ they say that
    it's loaded with beer ♪
  • 55:39 - 55:41
    ♪ oh ♪
  • 55:41 - 55:45
    ♪ they say it's the best
    find... ♪
  • 55:45 - 55:48
    your turn, Hagen.
  • 55:48 - 55:50
    Walsh, come out!
  • 55:50 - 55:56
    ♪ they say there's a boat
    on the river... ♪
  • 55:56 - 55:58
    can't you
    shut him up?
  • 55:58 - 56:01
    ♪ it's loaded
    with beer ♪
  • 56:01 - 56:03
    ♪ they say-- ♪
  • 56:03 - 56:07
    ah, you're a man
    after me own heart,
    your worship.
  • 56:08 - 56:09
    Ha ha!
  • 56:09 - 56:10
    Down the hatch.
  • 56:15 - 56:18
    5 A.M., Sir.
  • 56:18 - 56:19
    Ohhhh.
  • 56:19 - 56:23
    I brought you
    a cup of tea, Sir.
  • 56:23 - 56:23
    Are there any
    guests for dinner
    tonight, Sir?
  • 56:26 - 56:30
    Who'd want to spend
    Sunday evening
    in this place?
  • 56:30 - 56:32
    There's always
    Mr. Norgate, Sir.
  • 56:32 - 56:35
    He seems
    to like it here.
  • 56:35 - 56:38
    Mr. Norgate
    is probably spending
    a gaudy weekend
  • 56:38 - 56:40
    touring
    the iron foundries.
  • 56:40 - 56:43
    Oh, no, Sir.
    They're all closed
    for the holidays.
  • 56:43 - 56:46
    Besides, there
    are no foundries
    near London, Sir.
  • 56:46 - 56:48
    They're all
    in the north.
  • 56:48 - 56:51
    Must be some
    local ones.
  • 56:51 - 56:54
    Begging
    your pardon, Sir,
    I don't think so.
  • 56:54 - 56:56
    You see,
    my brother's
    a foundryman.
  • 57:01 - 57:02
    Tosher:
    ♪ down me hole ♪
  • 57:02 - 57:04
    ♪ down me hole ♪
  • 57:04 - 57:06
    ♪ down me hole,
    boy ♪
  • 57:06 - 57:08
    ♪ you'll have
    a drink ♪
  • 57:08 - 57:10
    ♪ I'll have
    a drink ♪
  • 57:10 - 57:15
    ♪ and we'll all
    have a drink
    together ♪
  • 57:15 - 57:16
    ♪ down me-- ♪
  • 57:16 - 57:17
    I told you
    to shut up!
  • 57:17 - 57:19
    ♪ hole-- ♪
  • 57:19 - 57:20
    yes.
  • 57:22 - 57:24
    You're on, Walsh.
  • 57:24 - 57:25
    If you'd
    listened to me
  • 57:25 - 57:26
    and used
    dynamite,
  • 57:26 - 57:27
    we'd be there.
  • 57:27 - 57:29
    Yeah...
  • 57:29 - 57:31
    With everybody
    waiting for us.
  • 57:31 - 57:32
    Go on.
  • 57:32 - 57:33
    Fine way
    to spend
  • 57:34 - 57:35
    a Sunday
    morning.
  • 57:54 - 57:57
    I shall want a cab...
  • 57:57 - 57:58
    To the strand.
  • 57:58 - 58:00
    I'll see to it
    right away, Sir.
  • 58:04 - 58:06
    Mr. Norgate, please.
  • 58:06 - 58:09
    Mr. Norgate
    checked out
    yesterday, Sir.
  • 58:09 - 58:10
    He's gone?
  • 58:10 - 58:11
    Yes, Sir.
  • 58:13 - 58:14
    Are you sure?
  • 58:14 - 58:15
    Quite sure, Sir.
  • 58:17 - 58:19
    Did he leave
    a forwarding
    address?
  • 58:19 - 58:20
    I can find out, Sir.
  • 58:25 - 58:27
    The Bank of England, Sir.
  • 58:38 - 58:40
    [Grunting]
  • 58:50 - 58:52
    [Coughing]
  • 58:56 - 58:57
    What time is it?
  • 59:03 - 59:06
    Almost 9:00...
  • 59:06 - 59:08
    Evening, Sunday.
  • 59:08 - 59:11
    You got 12 minutes
    to go, Walsh.
  • 59:17 - 59:19
    Number 6 post.
    All's well, Sir!
  • 59:24 - 59:26
    Number 7 post.
    All's well, Sir!
  • 59:30 - 59:32
    Number 8 post.
    All well, Sir!
  • 59:32 - 59:33
    Finch: Patrol...
  • 59:33 - 59:35
    Halt!
  • 59:35 - 59:36
    Everything
    all right,
    sentry?
  • 59:36 - 59:38
    Yes, Sir.
  • 59:38 - 59:40
    Usual beasties,
    I expect.
  • 59:40 - 59:41
    No, Sir.
  • 59:43 - 59:44
    No rats?
  • 59:44 - 59:45
    Not a sign
    of them, Sir.
  • 59:48 - 59:49
    You seen
    any rats?
  • 59:50 - 59:51
    No, Sir.
  • 60:01 - 60:03
    Know anything about
    the habits of rats,
    Walters?
  • 60:04 - 60:05
    Very little, Sir.
  • 60:07 - 60:09
    The rats
    in the vaults
    have disappeared.
  • 60:09 - 60:11
    Been there
    for 200 years.
  • 60:11 - 60:13
    So they say, Sir.
  • 60:14 - 60:17
    Were you expecting
    Mr. Norgate
    to dinner, Sir?
  • 60:18 - 60:20
    Mr. Norgate's left.
  • 60:20 - 60:23
    Very good, Sir.
  • 60:23 - 60:25
    We're in for another
    long night, Walter.
  • 60:25 - 60:27
    Oh, it will soon be
    Monday morning, Sir.
  • 60:58 - 61:01
    Your worship has...
    Been in there
    a long time.
  • 61:03 - 61:06
    He must want them
    ruins desperately,
    hmm?
  • 61:26 - 61:28
    7 more feet,
    then up.
  • 61:30 - 61:31
    Where are we
    going to come out?
  • 61:31 - 61:33
    If we ever do
    get out of
    this bloody tomb!
  • 61:33 - 61:34
    He's off
    his rocker!
  • 61:34 - 61:36
    Can't you see,
    Hagen? He's crazy!
  • 61:36 - 61:38
    Tosher:
    Your worship,
    don't get excited.
  • 61:39 - 61:39
    He's not worth it.
  • 61:44 - 61:45
    And while we're
    at it, norgate,
  • 61:45 - 61:46
    there's
    another matter
  • 61:46 - 61:47
    I'm going to
    settle with you.
  • 61:47 - 61:48
    I'll take
    his shift.
  • 61:51 - 61:52
    It's your shift,
    Walsh.
  • 62:18 - 62:20
    Fitch: About
    3 or so weeks ago...
  • 62:20 - 62:24
    A big fellow,
    fair hair.
  • 62:24 - 62:25
    Yes, I seem
    to remember--
  • 62:25 - 62:26
    an American.
  • 62:26 - 62:27
    Oh, yes.
    Of course, yes.
  • 62:27 - 62:29
    The one who was
    so interested
  • 62:29 - 62:32
    in Soane's designs
    for the bank.
  • 62:32 - 62:33
    Was he, now?
  • 62:33 - 62:35
    Yes. He wanted
    to see the plans
    for the vaults,
  • 62:35 - 62:36
    I remember.
  • 62:36 - 62:37
    Of course, we had
    to disappoint him,
  • 62:37 - 62:38
    but, well...
  • 62:38 - 62:39
    They're not
    available
  • 62:39 - 62:40
    to the general
    public.
  • 62:40 - 62:42
    You keep them
    here, though?
  • 62:42 - 62:44
    Oh, yes, yes,
    under lock and key.
  • 62:44 - 62:46
    We're obliged to
    by the bank.
  • 62:46 - 62:47
    Yes, of course.
    You can't leave...
  • 62:47 - 62:50
    Those things
    lying around,
    can you?
  • 62:50 - 62:54
    Of course, there
    are a great many
    other drawings.
  • 62:54 - 62:55
    Curator, would you
    do me a favor?
  • 62:55 - 62:56
    Assistant curator--
  • 62:56 - 62:58
    yes, of course,
    if I can.
  • 62:58 - 62:59
    My card.
  • 62:59 - 63:00
    Oh, thank you.
  • 63:00 - 63:01
    Ah, yes, Sir.
  • 63:01 - 63:02
    Would you see
    if the plans
    of the vaults
  • 63:02 - 63:04
    are where they
    should be?
  • 63:04 - 63:06
    Well, really,
    Mr.--Mr. Fitch...
  • 63:06 - 63:08
    I'm very busy,
  • 63:08 - 63:09
    and it's bank
    holiday Monday,
    and, uh,
  • 63:09 - 63:11
    besides, visitors
    are not--
  • 63:11 - 63:12
    I'll stand
    over here.
  • 63:15 - 63:17
    Well...
  • 63:17 - 63:19
    Of course they're
    in their place.
  • 63:19 - 63:21
    It's absolutely
    unthinkable.
  • 63:28 - 63:30
    Yes. Ha!
  • 63:30 - 63:31
    There they are.
  • 63:31 - 63:33
    6-a.
  • 63:33 - 63:34
    Take them out,
    would you?
  • 63:41 - 63:43
    There, naturally.
  • 63:43 - 63:44
    Mind counting?
  • 63:47 - 63:49
    1, 2, 3,
    4, 5, 6,
  • 63:49 - 63:52
    7, 8, 9--
  • 63:54 - 63:57
    10, 11...12.
  • 63:57 - 64:00
    There.
    All complete,
    as I said.
  • 64:00 - 64:03
    One out of
    its proper place?
  • 64:03 - 64:06
    This is a museum
    devoted to the arts,
    Mr. Fitch,
  • 64:06 - 64:08
    not the exact
    sciences.
  • 64:08 - 64:10
    Ahem.
  • 64:10 - 64:11
    Yes, of course.
    I'm sorry.
  • 64:11 - 64:13
    Uh, curator,
    how often do you
    open this window?
  • 64:13 - 64:15
    Window?
  • 64:15 - 64:16
    Oh, I don't think
    it's been touched
    for years.
  • 64:16 - 64:18
    I mean,
    it's quite a job
  • 64:18 - 64:19
    running a museum,
    you know.
  • 64:21 - 64:22
    Well, what's that?
  • 64:22 - 64:23
    Oil.
  • 64:36 - 64:37
    Norgate.
  • 64:37 - 64:38
    What is it?
  • 64:50 - 64:52
    Gas pipe.
  • 65:00 - 65:01
    Sergeant!
  • 65:03 - 65:04
    Sir.
  • 65:04 - 65:05
    Fitch: If anything
    unusual occurs,
  • 65:05 - 65:06
    I want to know.
  • 65:06 - 65:07
    Don't wait
    for the patrols.
  • 65:07 - 65:09
    Inform me at once.
    Understood?
  • 65:09 - 65:10
    Yes, Sir.
  • 65:10 - 65:12
    [Grunting]
  • 65:13 - 65:16
    It's no use.
  • 65:16 - 65:17
    It's no use,
    I say.
  • 65:19 - 65:20
    We're too deep.
  • 65:20 - 65:22
    Keep at it!
  • 65:22 - 65:24
    [Hissing]
  • 65:24 - 65:25
    Gas.
  • 65:37 - 65:39
    Guard: Call
    the officer
    of the guard!
  • 65:39 - 65:41
    [Coughing]
  • 65:43 - 65:45
    I'm getting out!
  • 66:06 - 66:08
    What about Walsh?
  • 66:08 - 66:10
    Don't worry
    about him.
  • 66:10 - 66:11
    He's in too deep
    himself.
  • 66:13 - 66:14
    Fitch: What happened?
  • 66:14 - 66:15
    Guard: The lights
    went out, Sir.
  • 66:15 - 66:16
    There was a sound.
  • 66:17 - 66:18
    The light went down.
  • 66:19 - 66:20
    Rats come back?
  • 66:20 - 66:21
    No, Sir.
  • 66:27 - 66:29
    [Coughing]
  • 66:47 - 66:48
    Sergeant.
  • 66:50 - 66:52
    Sir!
  • 66:52 - 66:53
    Turn out
    the guard--
  • 66:53 - 66:54
    emergency posts.
  • 66:54 - 66:57
    Yes, Sir.
  • 66:57 - 66:59
    My compliments
    to the deputy
    chief cashier.
  • 67:00 - 67:01
    Would he kindly
    come down to
    the bullion vaults?
  • 67:01 - 67:02
    Sir.
  • 67:02 - 67:03
    Double!
  • 67:11 - 67:13
    [Coughing]
  • 67:36 - 67:37
    Deputy chief
    cashier, Sir.
  • 67:37 - 67:38
    Carry on.
  • 67:39 - 67:40
    You wish to see
    me, mister--?
  • 67:40 - 67:41
    Fitch.
  • 67:41 - 67:42
    Green.
  • 67:42 - 67:43
    How do you do, Sir?
  • 67:43 - 67:45
    Mr. Green, I have
    reason to believe
  • 67:45 - 67:46
    an attempt
    is being made
  • 67:46 - 67:47
    to break into
    the bullion vaults.
  • 67:50 - 67:52
    You alarm me,
    Mr. Fitch.
  • 67:52 - 67:53
    Mr. Green,
  • 67:53 - 67:54
    I should like
    to inspect
    the bullion vaults.
  • 67:55 - 67:57
    Young man,
    your devotion to duty
  • 67:57 - 67:58
    does you
    the liveliest credit--
  • 67:58 - 67:59
    thank you, Sir.
  • 67:59 - 68:01
    I insist on
    inspecting
    the bullion vaults.
  • 68:02 - 68:05
    The bank has never
    been robbed, Mr. Fitch.
  • 68:05 - 68:07
    What makes you
    think it likely
    to happen now?
  • 68:07 - 68:09
    A number of things.
  • 68:09 - 68:10
    Separately,
    they're
    of no account.
  • 68:11 - 68:12
    Collectively,
  • 68:12 - 68:14
    they add up
    to a reasonable
    suspicion.
  • 68:14 - 68:16
    I'll take full
    responsibility.
  • 68:16 - 68:18
    No, Sir.
    The responsibility
    is mine.
  • 68:18 - 68:20
    I have no authority
    to delegate it.
  • 68:22 - 68:25
    Mr. Green,
    would you kindly
    open the vaults?
  • 68:27 - 68:29
    Mr. Fitch, there
    are 3 different keys
  • 68:29 - 68:30
    to that combination,
    as you know.
  • 68:30 - 68:31
    I have one.
  • 68:31 - 68:33
    The head watchman
    has a second,
  • 68:33 - 68:34
    and Mr. Peabody,
    head of the bullion
    weighing department,
  • 68:34 - 68:36
    has the third.
  • 68:36 - 68:37
    Mr. Peabody,
    very rightly,
  • 68:37 - 68:39
    is enjoying
    his bank holiday
    elsewhere.
  • 68:39 - 68:42
    Where does
    Mr. Peabody live?
  • 68:42 - 68:43
    Patna, I believe.
  • 68:43 - 68:44
    He must be sent for.
  • 68:46 - 68:48
    Mr. Fitch...
  • 68:49 - 68:50
    You may be
    starting something
  • 68:50 - 68:51
    you'll live to regret.
  • 69:02 - 69:03
    It's got
    to be there.
  • 69:48 - 69:49
    Bricks.
  • 69:49 - 69:50
    The floor.
  • 69:55 - 69:56
    Pretty soon,
    we'll be through
    to the--
  • 69:56 - 69:59
    the plate steel.
  • 69:59 - 70:01
    Go get
    the cylinders.
  • 70:16 - 70:17
    All ranks
    at emergency
    posts, Sir.
  • 70:17 - 70:18
    Thank you,
    sergeant.
  • 70:21 - 70:22
    Well, Mr. Green.
  • 70:22 - 70:23
    They left for patna
    half an hour ago.
  • 70:23 - 70:25
    Two watchmen.
  • 70:25 - 70:26
    You'll have
    a long wait.
  • 70:27 - 70:28
    I suggest you inform
    the police, also.
  • 70:28 - 70:30
    I'll do
    no such thing.
  • 70:30 - 70:31
    Do you want to make
    a laughingstock
  • 70:31 - 70:33
    of yourself, me,
    and the bank?
  • 70:33 - 70:36
    No, Sir. We'll keep
    this to ourselves.
  • 70:36 - 70:37
    Very well.
  • 70:37 - 70:39
    We'll wait
    for peabody.
  • 70:43 - 70:44
    Man: Good afternoon.
  • 70:44 - 70:45
    We're looking
    for Mr. Peabody.
  • 70:45 - 70:47
    Mr. Peabody,
    gentlemen?
  • 70:48 - 70:50
    He's out
    on the course
    somewhere.
  • 70:51 - 70:53
    Walk around.
    You'll find him.
  • 70:53 - 70:54
    Mr. Peabody?
  • 70:54 - 70:55
    Where do you
    think he is?
  • 70:55 - 70:58
    He hasn't missed
    this ruddy wood
    in 15 years.
  • 70:58 - 70:59
    Come on!
  • 71:03 - 71:05
    [Train whistle blows]
  • 71:07 - 71:08
    Now...
  • 71:08 - 71:10
    Tell me exactly
    what all this
    is about.
  • 71:10 - 71:11
    Well,
    Mr. Peabody...
  • 71:14 - 71:16
    I had enough,
    and I got out.
  • 71:16 - 71:18
    Where are they?
  • 71:18 - 71:19
    Still there.
  • 71:19 - 71:21
    Moles, that's
    what they are.
  • 71:21 - 71:22
    They'll never get
    into those vaults.
  • 71:23 - 71:23
    If they come up
    at all,
  • 71:24 - 71:26
    it'll be right under
    the sentries' feet.
  • 71:26 - 71:28
    Iris...
  • 71:28 - 71:30
    Why did you shift
    away from me?
  • 71:30 - 71:31
    There was a time--
  • 71:31 - 71:32
    oh, sure,
    I stink a little.
  • 71:32 - 71:34
    I stink of clay
    and sweat and sewers.
  • 71:34 - 71:36
    [Door opens]
  • 71:36 - 71:36
    Mr. O'Shea.
  • 71:37 - 71:39
    Where's
    norgate?
  • 71:39 - 71:40
    Digging
    his own grave.
  • 71:40 - 71:41
    Where do you
    think he is?
  • 71:41 - 71:42
    He must be
    stopped.
  • 71:42 - 71:43
    Stopped?
  • 71:43 - 71:44
    I was at
    the home office
    an hour ago.
  • 71:44 - 71:45
    The Irish
    home rule bill
  • 71:45 - 71:47
    is to be
    reintroduced.
  • 71:47 - 71:48
    Do you
    understand
    what that means?
  • 71:49 - 71:50
    Nothing must
    be allowed
    to jeopardize
  • 71:50 - 71:52
    the passage
    of that bill.
  • 71:52 - 71:54
    Norgate must
    be stopped
    at all costs.
  • 71:54 - 71:57
    But it was
    you yourself
    who set it going.
  • 71:57 - 71:58
    What may
    have been
    sound policy
  • 71:58 - 71:59
    yesterday,
    Mr. Walsh,
  • 71:59 - 72:00
    can today be
    inexpedient.
  • 72:00 - 72:01
    And what are we
    going to do
  • 72:01 - 72:03
    if it's too late
    to stop them?
  • 72:03 - 72:04
    Well, we shall
    have to...
  • 72:05 - 72:06
    Take the necessary
    steps,
  • 72:06 - 72:08
    a word
    in the right
    quarter.
  • 72:08 - 72:09
    The movement,
    of course,
  • 72:09 - 72:10
    will dissociate
    itself completely.
  • 72:10 - 72:12
    Of course.
  • 72:12 - 72:14
    It's the old
    story, isn't it?
  • 72:14 - 72:16
    This is what
    the movement did
    to Michael, my husband.
  • 72:16 - 72:19
    They let him
    break into the armory
  • 72:19 - 72:21
    and then
    dissociated
    themselves.
  • 72:21 - 72:23
    Walsh: Mr. O'Shea,
  • 72:23 - 72:26
    are you talking
    of ditching the boys
    down there?
  • 72:26 - 72:28
    All right.
    So I got out.
  • 72:28 - 72:29
    But I'm not going
    to inform on them.
  • 72:29 - 72:31
    Neither is he.
  • 72:31 - 72:32
    Come,
    Mrs. Muldoon.
  • 72:32 - 72:35
    What's norgate
    to you?
  • 72:35 - 72:37
    You owe him
    something.
  • 72:37 - 72:39
    I am involved
    in the struggle
  • 72:39 - 72:40
    for the independence
    of Ireland.
  • 72:40 - 72:41
    I have no other
    loyalties.
  • 72:41 - 72:42
    Neither have you.
  • 72:44 - 72:45
    Or have you?
  • 72:48 - 72:49
    Well?
  • 72:49 - 72:50
    Are you
    gonna stop him,
    or shall I?
  • 72:50 - 72:52
    Independence
    of Ireland?
  • 72:52 - 72:55
    All you want
    is to save
    your own skin!
  • 72:56 - 72:57
    I'll do it.
  • 72:57 - 72:58
    Remember, if you
    fail us now,
  • 72:58 - 73:00
    the movement
    is finished,
  • 73:00 - 73:01
    and that's
    the truth.
  • 73:01 - 73:02
    Truth?
  • 73:02 - 73:03
    We're nothing
    but puppets
    dancing on a string,
  • 73:03 - 73:05
    and that's
    the truth.
  • 73:05 - 73:07
    The answer to that,
    Mrs. Muldoon,
  • 73:07 - 73:10
    is that my truth
    is truer than yours.
  • 73:10 - 73:12
    You have rather
    less than an hour.
  • 73:14 - 73:15
    [Door closes]
  • 73:17 - 73:18
    You don't even know
    where they are!
  • 73:18 - 73:21
    I'll find them.
  • 73:21 - 73:22
    Why should I
    help him?
  • 73:23 - 73:25
    I hope he rots.
  • 73:25 - 73:26
    Come on.
  • 73:28 - 73:30
    [Clock chiming]
  • 73:44 - 73:45
    You know what to do.
  • 74:06 - 74:08
    Listen! You've
    got to stop!
  • 74:08 - 74:09
    Come on out!
  • 74:09 - 74:10
    It's no use,
    I tell you!
  • 74:12 - 74:13
    Fast!
  • 74:27 - 74:30
    You've done it.
  • 74:30 - 74:34
    Oh, mother mine,
    I'd like to see
    inside there.
  • 74:34 - 74:35
    You said something
    just now.
  • 74:35 - 74:36
    No, nothing
    that won't keep.
  • 74:36 - 74:38
    There's time
    for just one look.
  • 74:40 - 74:42
    Come on.
    Hurry, men.
  • 75:39 - 75:40
    Come on!
  • 75:47 - 75:48
    Quietly!
  • 75:48 - 75:49
    They can't hear us.
  • 75:49 - 75:51
    There's two feet
    of steel there.
  • 76:04 - 76:06
    [Clock chiming]
  • 76:31 - 76:32
    Come on,
    get out of there!
  • 76:32 - 76:33
    Tosher: Hey,
    wait a minute.
  • 76:33 - 76:34
    Wait a minute
    down there.
  • 76:34 - 76:35
    Come on!
  • 76:35 - 76:37
    [Muttering]
  • 77:15 - 77:16
    Have you counted?
  • 77:18 - 77:21
    ?900,000.
  • 77:21 - 77:23
    It's getting late.
  • 77:23 - 77:26
    I like
    a round figure.
  • 77:53 - 77:54
    You can go.
  • 77:55 - 77:56
    Thank you, ma'am.
  • 78:06 - 78:08
    Your worship,
    you've done it!
  • 78:08 - 78:11
    Your worship,
    where are you?
  • 78:11 - 78:12
    Where are you?
  • 78:12 - 78:13
    Look! A Roman ruin.
  • 78:13 - 78:14
    Oh, quit loitering!
  • 78:18 - 78:19
    Where are we now?
  • 78:19 - 78:21
    We're just approaching
    earls court, Sir.
  • 78:22 - 78:25
    Oh, where
    in the blazes
    is that man?
  • 78:25 - 78:28
    Chasing some other
    wild goose, perhaps.
  • 78:28 - 78:31
    Mr. Green,
    I heard them.
  • 78:31 - 78:33
    My dear chap,
    an air lock
    and a water pipe.
  • 78:33 - 78:36
    Does that
    gas bracket
    supply water?
  • 78:36 - 78:37
    Mr. Fitch,
  • 78:37 - 78:39
    you think too much
    for a soldier.
  • 78:42 - 78:44
    [Hammering]
  • 79:00 - 79:02
    The dynamite.
    Come on.
  • 79:12 - 79:13
    Get back.
  • 79:19 - 79:20
    [Strikes match]
  • 79:22 - 79:24
    Iris: You can
    stop that.
  • 79:24 - 79:26
    The tug's gone.
    Cohoun isn't there.
  • 79:34 - 79:36
    Who sent him away?
  • 79:36 - 79:38
    I did.
  • 79:50 - 79:52
    The robbery is
    no longer necessary.
  • 79:52 - 79:54
    O'Shea's been
    to the home office.
  • 79:54 - 79:56
    The home rule bill
    is coming up again.
  • 79:56 - 79:58
    We can get
    what we want
    without this.
  • 79:58 - 79:59
    Walsh: But, Iris,
    we've done it.
  • 79:59 - 80:01
    We've done it.
    The job's
    finished!
  • 80:01 - 80:02
    Come away.
  • 80:02 - 80:03
    Iris, look.
    We've got a million
    pounds right here--
  • 80:03 - 80:05
    a million in gold!
  • 80:08 - 80:09
    Through
    the warehouse.
  • 80:09 - 80:10
    The cart! Come on!
  • 80:10 - 80:11
    No.
  • 80:12 - 80:13
    The movement
    doesn't want it.
  • 80:13 - 80:14
    Did you hear?
  • 80:15 - 80:16
    Come on.
    Stop them!
  • 80:16 - 80:17
    You started
    this.
  • 80:17 - 80:18
    I'll
    finish it.
  • 80:18 - 80:20
    Iris:
    Don't do it.
  • 80:23 - 80:26
    You'll ruin
    everything we--
    we've worked for.
  • 80:26 - 80:27
    You're doing it
    for yourself.
  • 80:27 - 80:29
    It's greed,
    do you hear?
  • 80:29 - 80:30
    Stop them!
  • 80:30 - 80:31
    Get out
    of the way.
  • 80:35 - 80:36
    If you don't
    stop them now,
  • 80:36 - 80:38
    I'll inform the bank.
  • 80:38 - 80:41
    For the movement?
  • 80:41 - 80:43
    Yes.
  • 80:43 - 80:44
    You won't.
  • 80:46 - 80:48
    You wouldn't do it
    for the movement.
  • 80:48 - 80:50
    You'd do it just
    to get rid of me.
  • 80:51 - 80:53
    But you won't.
  • 80:53 - 80:54
    You know why?
  • 80:56 - 81:00
    Because you can't!
  • 81:00 - 81:02
    Go on home.
  • 81:05 - 81:08
    Cabby,
    can't you
    go faster?
  • 81:19 - 81:22
    Hurry! There's time
    for another load.
  • 81:24 - 81:25
    That's enough.
  • 81:25 - 81:27
    I'm telling you,
    there's plenty
    of time!
  • 81:27 - 81:29
    I said
    that's enough.
  • 81:29 - 81:30
    Where's tosher?
  • 81:30 - 81:32
    Oh, let's leave him.
  • 81:32 - 81:34
    He knows too much.
  • 81:34 - 81:36
    Get the cart away--
    through Limehouse,
  • 81:36 - 81:37
    tosher's cabin
    on Bow Creek.
  • 81:37 - 81:39
    Right you are,
    mate.
  • 81:49 - 81:50
    Your worship,
  • 81:50 - 81:52
    you found them--
  • 81:52 - 81:54
    the holy Roman ruins.
  • 81:54 - 81:56
    Where are you?
  • 81:59 - 82:00
    It won't
    take any more.
  • 82:00 - 82:01
    I'm not
    leaving this.
  • 82:03 - 82:04
    Come on!
    Let's get going!
  • 82:06 - 82:07
    Hurry up!
  • 82:12 - 82:13
    Your worship.
  • 82:16 - 82:17
    Tosher!
  • 82:25 - 82:28
    Wait right there
    till I show you this.
  • 82:28 - 82:30
    You'll get a surprise.
  • 82:30 - 82:32
    Ah, it surprised me.
  • 82:32 - 82:33
    I had some trouble
    getting it up.
  • 82:33 - 82:34
    But listen.
  • 82:34 - 82:37
    I--i just said
    you're--
  • 82:40 - 82:41
    tosher!
  • 82:46 - 82:47
    Norgate:
    Tosher!
  • 82:52 - 82:54
    It's the Queen's yellow.
  • 82:54 - 82:55
    Tosher!
  • 82:55 - 82:58
    Come out of here!
  • 83:01 - 83:02
    Still
    at it?
  • 83:02 - 83:04
    Just finishing off.
  • 83:43 - 83:45
    Your worship,
  • 83:45 - 83:47
    I thought you
    was a gentleman.
  • 84:16 - 84:18
    [Bagpipes playing]
Title:
The Day They Robbed The Bank of England (1960) Classic Movie, Aldo Ray, Kay Kendall | Full Movie HD
Description:

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Video Language:
English
Duration:
01:25:04

English subtitles

Revisions