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Hi, this is Katie Jarvis with Managing the Mess.
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This video is part of a larger series that I'm creating on behavior management in the
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art room.
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This is my 21st year teaching, half of which has been in a Title I school.
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So I do not teach rainbow magical unicorn children.
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In fact, I've learned a lot of things the hard way.
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I'm creating this video for teachers that are starting out so that they can learn some tips and tricks to
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be successful, but also for teachers that have been around for a while.
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Teachers are lifelong learners and classroom management is something that you continually
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need to level up on to stay on top of your teaching game and make your job easier.
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In this video, we'll be taking a deep dive into how to encourage positive behavior in
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the art room.
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We're going to start by breaking down what you need to do before students even enter
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your room to improve classroom behavior.
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Now, the number one piece of classroom management advice that you've definitely heard is that
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you need to build relationships with students and where this is great advice,
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it looks very different in an art room when you're seeing hundreds of students each week.
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So how do you build those relationships when you've got that amount of students?
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Well, you need to make sure that students feel a certain way when they're in your classroom.
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So when you're planning things out about how you want your class to run, what you want
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your rules to be, what you want your procedures to be, you need to imagine what it's like
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to be a student in your class.
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Students need to feel that you are organized.
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They need to feel welcomed.
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They need to feel that they are important and cared for.
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So you need to set up a plan of how you're going to teach to students what those things
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are explicitly.
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Here's what we're going to do.
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Here's what we're not going to do.
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You can see my video about how I start art on my channel.
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Check that one out next if you haven't.
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But each week I revisit some of these behavior expectations and even when things are getting
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rusty with a certain rule or procedure, I will go over them during the school year at
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any time with all of my classes so that we are sure that we are on that same note.
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What you need to do as the art room teacher is defend your rules, defend your management
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plan.
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When I realized that I was having success with this was when I had a student that was
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new join the class and the student began to misbehave one day, started to use inappropriate
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language, kind of slid down in his chair like he was just going to blow this class period
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off.
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And the student next to him that had been my student for a long time, no means a perfect
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student said to him, we don't do that here.
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And that pressure of me being the one that was always telling students what to do and
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correcting and yelling, that pressure went away because I realized that my students cared
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about my classroom the same way that I did because I instilled that in them.
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And they were passing this on to that new student.
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So you need to come up with a plan.
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You need to come up with what is your behaviors that you're looking for, what are the behaviors
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you're not looking for, and make that very clear and very visual for students.
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You need to teach this explicitly.
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Now if you're in the beginning of the school year, you have a great opportunity of starting
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over.
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I love that fresh start every year for you.
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But if you are in a spot where the behavior is just not so good, you can take some time
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and plan out how do you want this to look.
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You can do a we're starting over the year day, where you just take back your classroom.
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It is never too late to pull a class back in and get them excited about art.
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Now your job also before they come in is to plan amazing lessons to motivate students.
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I always say that if I wasn't an art teacher, I would want to be in advertising.
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So what I like to do is convince my students that the lesson that I am presenting to them
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is amazing.
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It's awesome.
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By the time I'm done giving out all the directions, they literally cannot wait to get started.
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That type of feeling is what I want for my students and what I want for your students.
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So pick projects that you are excited about.
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Be organized and have things ready for when they walk in so that you feel good and you've
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got less stress on your shoulders and you are ready to welcome those students.
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Misbehaviors occur when you are looking for artwork or trying to figure out what class
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is this going to be doing today?
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Who are you guys?
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When your brain is doing that, you're not at your best.
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You've got to be organized.
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You've got to have your plans set out.
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You've got to have your focus on the students when they get there.
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So all the other crazy management things and materials and projects that already needs
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to be there.
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When the students arrive, that's your stage for performing and convincing them that what
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they're about to do today is the best project ever.
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So how do you increase positive student behavior during your lesson?
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Well, you teach what good listening looks like.
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Art teachers love that Mona Lisa listening where hands are still, eyes are forward and
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lips are zipped.
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But go a step further.
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Make sure you have a visual that you're referring to each and every class and make sure you're
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telling them what to do with the rest of their body.
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How do you want them to sit on the carpet?
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How should they be sitting in their stools?
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This is going to give a definition for students so that they're clear that they are doing
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what is required.
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Now, when a student is not showing you good listening, you need to make sure that you
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address that.
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One way that I make it clear for students that it's a time to listen is I have a sign
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with a yellow zone.
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And that's usually for when we're doing call and response on the carpet.
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And I have a red zone on the carpet.
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That's a time where they're looking and they're listening.
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If they have a question or a comment, they need to raise their hand.
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But that red zone visual is extremely helpful for my younger student and for my ESOL language
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learner.
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Now, when you have a student that begins talking during your lesson, you need to stop and address
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that.
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You've already defined what good listening is and they are not following that direction.
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You don't want this to snowball.
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You have to imagine what is
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it like to be a student in your class?
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Maybe art is your favorite class and you're sitting down in art and you're listening to
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your art teacher and you can't wait to get started.
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But she's allowing the people next to you to giggle and laugh and have a little side
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conversation.
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You start to not feel so good inside.
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You start to not feel so good about that art teacher and being in that class because the
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art teacher is not controlling the class so that you can all have fun together.
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She's saying one thing, but she's not following through.
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If you're saying this is good listening, then that's what you need to require from all of
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your students.
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High expectations can be met by all students.
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All students want to learn, especially art, when they come to your class.
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Now, there are things during your discussion that you can do to help facilitate the conversation
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moving about positively.
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Anything that you can do with different motion, students love to do.
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And also throughout your lesson, refocusing them back to that MONA helps a lot.
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I like to do something like, can I get a clap, clap, elbow tap?
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Now show me your MONA.
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And they'll do it back the same thing.
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And that just kind of refocuses as we're maybe shifting to a different slide or a different
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step in the direction.
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So they've got that good listening back and they are ready to move forward.
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Another thing that I like to do, and I noticed this every time that I see someone speak in
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front of students that doesn't normally speak in front of kids, they will just enthusiastically
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ask a question and students will just yell out the answer.
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Because experienced teachers know that we will ask a question by saying this, raise
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your hand if.
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So hands are already up.
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And then we state the question.
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So we already have that hand in the air.
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Students are already knowing what's expected.
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They know the answer.
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They know it's not a time to shout it out because we're saying raise your hand if.
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Another one that I like, especially when there's lots of questions going on in my class, especially
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in the younger grades, I feel like this happens is we do 1, 2, 3, and then back to me.
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So I'll take three questions or comments, but then at each and every time we move right
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back to my lesson and keep things moving forward.
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Another one that I like to do is tell students that we're not going to do what if questions.
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So you might start to get some questions of like, what if an elephant comes into the art
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room and what if I cut my hand and what if I spill some paint and it can just go on forever
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and ever.
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And you need to explain that to your students.
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We're not going to ask lots and lots of what if questions because that game literally never
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ends.
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So I usually just state this to my students, I kind of get what I'm talking about.
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And then we're able to move on with our lesson and it doesn't come up again.
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I like to also do a strategy that I believe I picked up from Dr. Jean, and that is good
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with the younger kids.
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If you know it, blow it.
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So I'll explain that if you know the answer, you're going to blow it into your hand.
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We're going to hold our hands up and then you're going to let the answer out.
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So it's allowing for a little bit of think time during that lesson.
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Now when your students are working on projects, it's probably the easiest time to get that
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positive student engagement.
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But here are some tips that I have found to help keep students on track and calm during
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the art making process.
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My number one tip would be keep the lights off.
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I typically have the lights dimmed.
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I have a lot of natural light in my classroom.
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I'm very lucky, but I keep the lights off just to get that calm mood.
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I help students to get that feeling of what is it like if we all just kind of get lost
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in our art and enjoy it.
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Sometimes I set this up by doing five minutes of silent art at the very beginning of the
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class.
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If you guys have had a rough time during the lesson, this is a great way to reset your
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class.
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If someone talks, you simply add a minute.
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Once they've gotten that feeling of what it feels like to work and be in control of themselves
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and enjoy and getting lost in their work, they will pull that into the rest of your
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class.
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So when you go back into allowing them to talk quietly, you'll notice that the noise
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level does go down.
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Now, throughout my class, if I do have students that get noisy, and I really have set this
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expectation so that I can't even remember the last time that this happened.
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And you'll find this too.
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As you get better with your classroom management, those routines and those procedures, your
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students will just do them automatically.
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They will take care of things for you and your job will be made easier.
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But if students are too loud in my class, I have a little electronic doorbell and I
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have a remote control that I'll press.
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And I don't let students see this.
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I hear that sound and I'll, oh my goodness, that sound goes off every time that a class
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is too loud.
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It's like a noise sensor, it's so annoying.
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And when that happens, I'll put a frown up because I keep a happy and sad board for student
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behavior.
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And if this happens twice in the same class, we will have five minutes of silent art.
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Wherever we are in the class period, we set a smaller visual timer so the students know
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that we will be silent for five minutes.
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Other things that I do to encourage students to work quietly that I've been really enjoying
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this year and my students have too is podcast.
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So I would encourage you to already have a quiet environment when you start.
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If you don't want to go from crazy chaos to trying to listen to a podcast because that's
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going to not work and you're just going to be shushing everyone.
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But when you already have that quiet environment and the students have decided they enjoy that
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and they get that feeling for what that is like, I introduced podcasts.
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So for my upper grades, we have been doing Whose Amazing Life, which is a podcast from
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Wondery.
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I'll be sure to link it in the description down below because my students are obsessed.
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Now I do this one with grades four through six and it's a podcast where you are hearing
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about someone's life, but you don't know who it is.
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So it starts in their childhood and it's in the first person.
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So if there is a female narrator, then you know that it's going to be a woman that you're
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hearing about.
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It could be someone that lived long ago.
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It could be someone that is famous and still alive today.
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And the students love this.
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What I have them do is if they think they knew who it is, they can raise their hand
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or come up to me and kind of whisper into my ear and I'll let them know if they've guessed
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correctly.
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So students are listening for those clues.
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And from week to week, they keep asking me for this podcast.
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The only issue I've had with this is some students are so excited about it that they've
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started to listen to this podcast at home with their families.
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And occasionally we'll listen to the same one here and then they've already heard it.
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But that's a really good problem to have that students are enjoying that, they're able to
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enjoy the podcast while they're working and it cuts down on talking.
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I do allow students to talk during the podcast, but I talk to them about it just being necessary
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talking.
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Now, this is something that I actually teach from the beginning of the year and I call
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it chicken nugget talk, which is kind of a funny name.
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But how I came up with it is that everyone's already been at a table or something when
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they're a kid and just some weird kid will just, I mean, it doesn't even matter where
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you are.
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You don't have to be in the cafeteria.
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But you remember a kid saying something like, if you like chicken nuggets, raise your hand.
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And right, you stopped everything you were doing and both your hands went up immediately.
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And that's what happens when kids hear a question like that.
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And that can happen in art.
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There are conversations that are chicken nuggets.
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They are so distracting that everybody has to stop what they're doing and respond.
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Now, I discourage that and we call it chicken nuggets.
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So kids will say, Hey, stop talking about chicken nuggets or I'll say, Oh, I'm hearing
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too much chicken nugget talk.
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And we talk about what kind of help talking is helpful.
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So talking is helpful if you're asking somebody a question, if you're quietly giving somebody
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a compliment, but it's done in like a whisper voice, you know, what is needed?
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What are those necessary conversations that you have to have?
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That's fine during our podcast, but we keep any other chitchat, any chicken nugget talk
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to a minimum.
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I'm popping back in here because I realized I forgot to add what podcasts I enjoy with
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my younger students.
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So as low as first grade, I have done this podcast has fleas, which is a super adorable
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podcast about a dog named waffles and a cat.
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And they all have their own podcast inside the house.
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And it's kind of a dueling podcast type of situation that is hilarious, has great sound
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effects that kind of tends to pull them back in with the listening.
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Unfortunately, that podcast only has one season.
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So we quickly kind of went through that.
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And now we're currently enjoying Melon's house party.
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I believe both of these are from Wondery Podcast.
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And again, I will link that down below.
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Now, you may be wondering, do I do a podcast every single week?
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I do think that that would kind of lose the novelty of enjoying the podcast to do it each
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and every week.
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Often, I will just, depending upon the project plan, if this is a podcast day or not.
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If it's a very high energy activity like clay, or maybe we're doing painting, but during
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one of the steps, they have to go wash their papers and come back with another color and
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there's a lot of movement to get different materials.
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That would probably be a day where I don't do a podcast.
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Days when we're more in our seats, doing quiet, focused work, doing planning.
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Those are my podcast days, and it's been a wonderful addition to my class this year.
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Other strategies that you can use to encourage positive behavior during working time is quiet
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critters.
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I know Cassie Stevens is a big fan of these.
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I sometimes do quiet contests where we do the warm colored tables versus the cool colored
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tables.
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And if someone's talking or one side is being louder than they get a point, we see which
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side wins.
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It's all just for fun.
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Another thing I like to do is point out energy shifts.
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So I say, oh, I've really noticed that people are getting very excited about painting and
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the noise level is getting to be a little bit too much.
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Or I notice that the people that are working quietly are producing the most beautiful artwork
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because they are focused and their hand is still and their eyes are looking at their
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paper.
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And this really encourages students to kind of slow down because they want to be part
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of those students that are receiving that praise.
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So any positive encouragement you can give, any praise will help students to stay on task.
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Creating fun projects, offering help to students when needed, also help them be engaged.
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Don't be afraid to have students help each other if they finish early.
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That's also another strategy that keeps people that work a little bit quicker still engaged
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in the lesson.
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Give them cleanup jobs if they finish early.
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I love to have students pre-clean because it makes our job easier in the end.
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When it comes to misbehavior during cleaning up and lining up, most all of this can be
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avoided by clearly giving directions, teaching where things go and what expectations are.
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Another tip that I have for cleaning up and lining up is also to have students give feedback
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with a thumbs up, a thumbs down, or thumbs to the side, reflecting upon how did it go
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for that day.
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So they know that you know they did a great job or that there's things that you need to
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revisit and work on when they come back the following week.
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I have more information about cleaning up and lining up and how to encourage positive
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behavior in separate videos.
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Be sure to check those out next.