< Return to Video

Top 5 Lettering Rules in Comic Books

  • 0:00 - 0:02
    bad lettering can make really good
  • 0:02 - 0:03
    comics look like trash. And I think most
  • 0:03 - 0:04
    of the time people don't even realize
  • 0:04 - 0:06
    that they're making these mistakes. And
  • 0:06 - 0:09
    they're super simple to fix. So with
  • 0:09 - 0:10
    these rules you'll be able to take your
  • 0:10 - 0:16
    comic and make it look pro spec. Hey,
  • 0:16 - 0:18
    Walter here, and today i'm joined by my
  • 0:18 - 0:21
    crazy hair. Yeah, I have no idea what I
  • 0:21 - 0:23
    want to do with this. I'm just growing
  • 0:23 - 0:25
    out until I have an idea. Regardless,
  • 0:25 - 0:27
    we're both here today to talk to you
  • 0:27 - 0:29
    about comic book lettering. So I think a
  • 0:29 - 0:31
    lot of people think they just take some
  • 0:31 - 0:32
    letters, some balloons, throw it on top of
  • 0:32 - 0:34
    comic book art, and they're good to go.
  • 0:34 - 0:37
    But no, there is a method to the madness.
  • 0:37 - 0:39
    It's kind of a subtle art form. Luckily,
  • 0:39 - 0:41
    if you follow some basic rules, you'll be
  • 0:41 - 0:43
    well along the way to making your comic
  • 0:43 - 0:46
    look pro spec. Now, before we start I want
  • 0:46 - 0:48
    to say these are kind of more guidelines
  • 0:48 - 0:50
    than rules. So if you're doing something
  • 0:50 - 0:52
    different or even the complete opposite
  • 0:52 - 0:54
    of this, that's fine. Just make sure you
  • 0:54 - 0:56
    have a reason for doing it. But if you
  • 0:56 - 0:58
    don't have a reason, just follow these
  • 0:58 - 1:00
    guidelines. It's gonna make your comic
  • 1:00 - 1:03
    look a lot better, and more importantly,
  • 1:03 - 1:06
    be a lot easier to read. Side note: I
  • 1:06 - 1:07
    learned a lot of this stuff from
  • 1:07 - 1:09
    blambot.com. It's a website run by a
  • 1:09 - 1:12
    professional comic book letterer. He has a
  • 1:12 - 1:15
    bunch of tips, tutorials up there. He has
  • 1:15 - 1:18
    a ton, a ton, a ton of free fonts, sound
  • 1:18 - 1:21
    effects, dialogue. He also has some paid
  • 1:21 - 1:22
    fonts up there, but there's a ton of free
  • 1:22 - 1:25
    ones. It's all the fonts I used for all
  • 1:25 - 1:26
    the comics I ever did. So make sure you
  • 1:26 - 1:28
    check out blambot.com. All right, rule
  • 1:28 - 1:30
    number one is don't cover up the art.
  • 1:30 - 1:31
    This should be obvious, but it still
  • 1:31 - 1:34
    happens. Do whatever you can to avoid it.
  • 1:34 - 1:36
    And the reason is, is because we want to
  • 1:36 - 1:37
    see the artwork. Alright,
  • 1:37 - 1:42
    rule number two is fit. We want the words
  • 1:42 - 1:45
    to fit well inside the balloon. It should
  • 1:45 - 1:47
    fit like a glove. You don't want the top
  • 1:47 - 1:49
    to be wider than the bottom, you don't
  • 1:49 - 1:50
    want the bottom to be wider than the top.
  • 1:50 - 1:52
    And the reason is, if you do that you're
  • 1:52 - 1:54
    gonna be wasting space in the balloon.
  • 1:54 - 1:56
    And if you're wasting space in the
  • 1:56 - 1:57
    balloon, that means the balloon has to be
  • 1:57 - 1:59
    bigger to hold the same amount of text.
  • 1:59 - 2:01
    And if you're doing that, you're covering
  • 2:01 - 2:03
    up more artwork than you need to. See
  • 2:03 - 2:06
    rule number one. And this is probably
  • 2:06 - 2:08
    like one of my biggest pet peeves when
  • 2:08 - 2:10
    it comes to lettering. Alright, rule
  • 2:10 - 2:10
    number three.
  • 2:10 - 2:12
    So with comic book lettering there are
  • 2:12 - 2:13
    two types of "I"s you
  • 2:13 - 2:16
    have your regular "I", and your crossbar
  • 2:16 - 2:18
    "I"s. Now crossbar "I" should only be used
  • 2:18 - 2:20
    by characters when they're referring to
  • 2:20 - 2:23
    themselves, like "I like ice cream." You
  • 2:23 - 2:25
    shouldn't use it at either the start of
  • 2:25 - 2:26
    the sentence or in the middle of a word,
  • 2:26 - 2:29
    like "It has a tail." Nothing in there has
  • 2:29 - 2:32
    a crossbar "I". So the reason for this
  • 2:32 - 2:35
    is the, the crossbar "I" versus a regular
  • 2:35 - 2:38
    "I," the regular "I" takes up less room.
  • 2:38 - 2:40
    So if you're taking up less room, that
  • 2:40 - 2:42
    means the word balloon's smaller, which
  • 2:42 - 2:43
    means you're covering up less artwork.
  • 2:43 - 2:47
    See rule number one. Tied to this is
  • 2:47 - 2:50
    upper case versus mixed case. Now,
  • 2:50 - 2:53
    personally I prefer upper case, but there
  • 2:53 - 2:55
    are comics that use mixed case and it
  • 2:55 - 2:57
    looks great. But if you're doing mixed
  • 2:57 - 2:59
    case, which, you know, mix of upper case,
  • 2:59 - 3:01
    lower case, then this rule probably
  • 3:01 - 3:02
    doesn't apply to you. You're gonna have
  • 3:02 - 3:05
    to capitalize correctly. Another
  • 3:05 - 3:08
    exception to this is for clarity's sake.
  • 3:08 - 3:10
    Like, for me, I have a character named
  • 3:10 - 3:14
    Iso, I..S.O, and I thought non crossbar
  • 3:14 - 3:17
    "I" Iso looked weird, couldn't really
  • 3:17 - 3:19
    tell what it said. So I changed it to
  • 3:19 - 3:22
    crossbar "I" and it looked a lot better.
  • 3:22 - 3:23
    So this is, that's one of those
  • 3:23 - 3:25
    situations where you can change the
  • 3:25 - 3:25
    rules.
  • 3:25 - 3:29
    Alright, rule number four, four? Four is
  • 3:29 - 3:32
    placement. So you want to make sure that
  • 3:32 - 3:33
    the balloons are going in order that the
  • 3:33 - 3:35
    reader needs to read them. So if we're
  • 3:35 - 3:36
    talking, like, English comics, we're going
  • 3:36 - 3:38
    from left to right. If it's manga, we're
  • 3:38 - 3:40
    going in the opposite direction. So make
  • 3:40 - 3:43
    sure that there's a flow to the letter
  • 3:43 - 3:45
    balloons, and make sure it's going in the
  • 3:45 - 3:46
    correct order that you want the readers
  • 3:46 - 3:48
    to read them. If they start reading stuff
  • 3:48 - 3:49
    out of order, they're gonna get confused,
  • 3:49 - 3:51
    they're not gonna enjoy themselves,
  • 3:51 - 3:54
    they're not gonna like your comic. The
  • 3:54 - 3:55
    other stuff that goes along with
  • 3:55 - 3:56
    placement is making sure that you don't
  • 3:56 - 3:59
    have the outside of the balloon rubbing
  • 3:59 - 4:01
    up against any other line. Like, you
  • 4:01 - 4:02
    wouldn't want it up against somebody's
  • 4:02 - 4:05
    face, up against the panel border, even
  • 4:05 - 4:06
    like next to another balloon. This
  • 4:06 - 4:08
    creates a tangent ,which is basically
  • 4:08 - 4:10
    where two lines meet, and then the viewer
  • 4:10 - 4:13
    can't really tell where one line ends or
  • 4:13 - 4:15
    the other one begins. And it just makes
  • 4:15 - 4:17
    for a confusing image. So try to stay
  • 4:17 - 4:19
    away from that stuff. Then there's a
  • 4:19 - 4:20
    couple other things too, like you
  • 4:20 - 4:23
    wouldn't want to put like a stack of
  • 4:23 - 4:25
    word balloons between two characters,
  • 4:25 - 4:26
    because it kind of separates the two
  • 4:26 - 4:28
    characters,
  • 4:28 - 4:29
    and kind of creates a wall between the
  • 4:29 - 4:31
    two of them. Unless you were trying to do
  • 4:31 - 4:33
    it on purpose for some reason, then feel
  • 4:33 - 4:35
    free to do that. The other thing you do
  • 4:35 - 4:37
    not want to do is have like word
  • 4:37 - 4:40
    balloon tails, like, crossing. Don't cross
  • 4:40 - 4:43
    the streams. And yeah, so that is rule
  • 4:43 - 4:43
    number four.
  • 4:43 - 4:46
    All right, so, rule number five is
  • 4:46 - 4:48
    consistency. Whatever you decide to do,
  • 4:48 - 4:50
    make sure you stay consistent with it, so
  • 4:50 - 4:52
    that the reader can get into the flow of
  • 4:52 - 4:54
    what you're putting down. So that goes
  • 4:54 - 4:56
    with the, the outline of the word balloon,
  • 4:56 - 4:59
    or as it's called the stroke, is the same
  • 4:59 - 5:00
    thickness throughout the entire thing.
  • 5:00 - 5:02
    Yes, if they're yelling or something, you
  • 5:02 - 5:04
    can change the color or how thick it is,
  • 5:04 - 5:06
    but in general you want to keep it the
  • 5:06 - 5:08
    same size. You want the space around the
  • 5:08 - 5:10
    lettering and the word balloon to be
  • 5:10 - 5:13
    about the same. The tails should look
  • 5:13 - 5:15
    fairly similar, maybe a little longer
  • 5:15 - 5:18
    shorter, but the overall thickness of the
  • 5:18 - 5:19
    tail should be the same. If you're using,
  • 5:19 - 5:22
    like, straight tails versus, like, swoopy
  • 5:22 - 5:24
    tails, like, you kind of want to keep all
  • 5:24 - 5:26
    that stuff consistent. Use the same font,
  • 5:26 - 5:30
    stay with the same font size. Sure, if
  • 5:30 - 5:31
    they're yelling, you might want to make
  • 5:31 - 5:32
    the font bigger, but you don't want to
  • 5:32 - 5:36
    overdo it. It can become a little tiring
  • 5:36 - 5:38
    and redundant with the reader. Plus, I
  • 5:38 - 5:40
    don't need huge text to realize that
  • 5:40 - 5:42
    someone is yelling. It doesn't have to be
  • 5:42 - 5:44
    huge. Sure, there's things you can do.
  • 5:44 - 5:46
    Change it to a grungy font, and maybe a
  • 5:46 - 5:48
    red balloon if it's an evil demonic
  • 5:48 - 5:50
    character. There's stuff like that you
  • 5:50 - 5:52
    can do, but whatever it is that you're
  • 5:52 - 5:55
    doing, keep it consistent and don't make
  • 5:55 - 5:57
    it too weird. Otherwise, the reader is
  • 5:57 - 5:59
    gonna realize that they're reading a
  • 5:59 - 6:02
    comic. And they're not gonna be able to
  • 6:02 - 6:04
    engage fully with the story, the
  • 6:04 - 6:06
    characters, and the artwork. Alright, so
  • 6:06 - 6:08
    there you go, some simple rules to make
  • 6:08 - 6:09
    your comics in your lettering look
  • 6:09 - 6:10
    better. And if you want some more
  • 6:10 - 6:12
    guidelines and some comic book fonts,
  • 6:12 - 6:15
    make sure you go check out blambot.com.
  • 6:15 - 6:17
    So how about it? Are you breaking some of
  • 6:17 - 6:18
    these rules but have your reasons, or
  • 6:18 - 6:20
    just think these rules are stupid? Or
  • 6:20 - 6:22
    maybe have some of your own lettering
  • 6:22 - 6:24
    pet peeves? Be sure to leave a comment
  • 6:24 - 6:25
    below, so I can check them out. Otherwise,
  • 6:25 - 6:28
    be sure to like, link, love, hug, and sub
  • 6:28 - 6:30
    for more sweet sweet goodness.
  • 6:30 - 6:32
    Peace.
Title:
Top 5 Lettering Rules in Comic Books
Description:

more » « less
Video Language:
English
Duration:
06:34

English subtitles

Revisions Compare revisions