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Trifles by Susan Glaspell, a Concrete Timbre & d'moiselles production in NYC

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    I'm not supposed to be here.
    I'm an actor representing Susan Glaspell.
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    I have no place in this play. I, Susan Glaspell, wrote this play in 1916.
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    I wrote it about something that happened in 1900,
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    something I covered in my career as journalist before I was a Pulitzer prize winning playwright.
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    You'll recall that in 1916, women in this country did not have the right to vote.
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    Yet, here I was writing this little play.
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    [p]
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    I hope you like this little play, Trifles.
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    It is the first play I ever wrote.
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    The play takes place in the kitchen of a very old farmhouse around 1900.
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    You'll see mister Henderson with the notebook, played by Seth. He's the county attorney.
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    Mister and missus Hale, they are neighbors, played by James and Sally.
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    Leading them is mister Peters, played by David, who is also the sheriff.
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    When I'm not in a play, my name is Melinda.
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    In addition to playing Susan Glaspell, I also play the sheriff's wife in Trifles.
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    And you can now call me, missus Peters.
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    [Atttorney] There's air through there. There's a high tide right there, which is invisible to the
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    eye. You alright, missus Peters?
    [Mrs. Peters] Oh, yes. We have ice and I've broken it.
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    [Sheriff] It should be warmer inside.
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    This feels good.
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    Step up to the fire, ladies.
    [Mrs. Peters] Oh, I'm not cold.
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    [Sherriff]now, mister Hale, before we move things about, you explained to mister Henderson just what
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    you saw when you came here yesterday morning.
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    [Henderson] By the way, has anything been moved?
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    Are things just as you left them yesterday? It's just the same.
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    [Hale] When I dropped below zero last night, I thought I'd better send Frank out this
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    morning to make a fire for us. No use to get pneumonia with a big case on. But I told him not
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    to touch anything except the stove, and you know Frank.
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    Somebody should have been left here yesterday. Oh, yesterday.
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    When I had to send Frank out to Morris Center for that man
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    who went crazy, I want you to know I had my hands full yesterday.
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    I knew you could get back from Omaha by today, and as long as I went over
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    everything here myself. Well, mister Hale, tell just what happened when you came
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    here yesterday morning. Well, Harry and I was headed to town with a load of
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    potatoes. We come a long road from my place, and when we got here, I
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    said I'm gonna go see if I can't get John Wright to go in with me on a party telephone.
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    I spoke to Wright about it before, but he put me off saying folks talk
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    too much anyway, and all he asked was peace and quiet.
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    I guess you know about how much he talked himself. But I thought maybe if I talked about it
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    before his wife, though I said to Harry, I didn't know what his wife wanted made much difference
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    to John. Let let let's talk about that later, mister. I do wanna talk about
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    it, but tell now just what happened when you got to the house. No. No.
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    I didn't see or hear anything. I I knocked at the door, and it was still it was all quiet inside.
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    I knew they must be up. It was past 08:00, so I knocked again.
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    And I thought I heard somebody say, come in. Mhmm. I wasn't sure. I'm not
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    sure yet, but I opened the door this door, and there in that rocker said missus Wright.
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    [Henderson] What was she doing?
    [Hale] She's rocking back and forth.
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    She had her apron in her hand and was kinda pleading at it. Mhmm. How'd
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    she look? Well, she looked queer.
    [Henderson] How do you mean queer?
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    Well, as if she didn't know what she's gonna do next. It it kinda done up.
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    [Henderson] How did she seem to feel about your coming?
    [hale] I don't think she minded one
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    way or another. She didn't pay much attention. I I said, how do, missus Wright? It's cold, ain't
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    it? She said, is it? And just went on and pleating at her apron.
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    Well, I was surprised. She didn't ask me to come up to the stove or to sit down, but just
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    sat there rocking back and forth, not looking at me. So I said I'd come to see
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    if John wanted to put in a telephone, and then she laughed. Now I I guess you'd call it a laugh.
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    I thought of Harry and the team outside, so I said a little sharp. Can't
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    I see John? No, she said. Kinda dull like. Why ain't he at home? Says
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    I. Yes, says she. He's at home. Well, then why can't I see him? I
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    asked her out of patience. Because he's dead, says she.
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    Dead, says I. And she just nodded her head, not getting a bit excited, but
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    roping back and forth. Well well, where is he? I says. And not knowing what
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    to say, she just pointed upstairs. Well, like that, I got up with the idea of going up there. I I
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    walked from there to here, and then I said, well, well, what did he die
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    of? He died of a rope around his neck, said she.
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    Just went on a pleating in her apron. Well, I thought I might need help. I went out and
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    called Harry. We went upstairs, and and there he was just a black. [Henderson]I think I'd rather you
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    point that upstairs when we get up there. Alright. Just go on now with the rest of
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    your story. [Hale] Well, my first thought was to get that rope off. It looked up.
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    But, Harry, he went up to him and he said, no. He's dead alright, and we'd
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    better not touch anything. So we come back downstairs, and she was still sitting that same
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    way. I said, is, has anybody been notified, missus Wright? No. She said, unconcerned.
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    Well, now who did this? Harry said, to missus Wright. I don't know, she says. You
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    don't know, says Harry. No, says she. Well, weren't you sleeping in the bed with him, says Harry?
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    Yes, says she. But I was on the inside. You mean somebody put a rope around his neck
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    and strangled him, and you didn't wake up, Harry said? I didn't wake up, she
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    said after him. But we must have looked as if we didn't see how that could be.
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    For for after a minute, she said, I sleep sound. Well, Harry was gonna ask her more
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    questions, but I said maybe we ought to let her tell her story first to the sheriff or
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    the coroner. Mhmm. So Harry went fast as he could to Rivers' place where there's a
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    telephone. Okay. [Henderson] And what did missus Wright do when she knew you'd gone for
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    the coroner? [Hale]Well well, she moved from that chair to this one right here, and
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    she just kinda sat there with her hands held together looking down. Mhmm. Now I got
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    the feeling that I'd make some conversation, so I said I'd come
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    see if John wanted to put in a telephone. Then she laughed,
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    Then she stopped. And she looked at me scared.
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    I don't know. Now maybe it wasn't scared. I I wouldn't like to say it was.
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    But soon Harry got back, and then doctor Lloyd came and and then you, mister
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    Peters. And I guess that's all I know that you don't.
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    [Henderson] Well, I guess we'll go upstairs and then out to the barn and around there.
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    You're convinced there was nothing important here? Nothing that would point to any motive?
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    [Sheriff] Nothing here but kitchen things.
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    [p]
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    Here's a nice mess.
    [Peters] Oh, her fruit. It did freeze.
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    She worried about that when it grew so cold. She said her fire would go
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    out and the jars would break. [Sheriff] Well, can you beat the women, help her murder
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    and worrying about her preserves? Well, I guess before we're through, she may have something
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    more important than preserves to worry about. [Hale] Well, women are used to worrying over trifles.
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    [Henderson] And yet, for all their troubles and worries, what will we do with other ladies?
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    Dirty towels. Not much of a housekeeper, would you say, ladies? There's a great deal of work
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    to be done on the farm. Well, to be sure. And yet I know of some Dixon County
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    farmhouses which do not have such roller towels. [Hale] Well, those towels get dirty awful quick.
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    Men's hands are not awful as as clean as they might be.
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    [Henderson] Loyal to your sex, I see. But you and missus Reitwood neighbors, I suppose you
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    were friends too? [Hale] I did not see much of her in late years. I've not been in this house
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    in my life. [Henderson] And why was that? You didn't like her? [Hale] Oh,
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    I liked her all well enough. Farmers wise have got their hands full, mister Henderson, and then
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    Yes. Never seemed a very cheerful person.
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    No. Not cheerful. I shouldn't say she had the home making instinct.
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    [Hale] Well, I don't know. It's not dirty.
    [henderson] You mean they didn't get on very well?
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    [hale] No. I don't mean anything. I just
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    I don't think it plays me any cheerful in her jaw rack.
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    [henderson]I'd like to talk to that later. I wanna go upstairs and get the light of things up there.
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    I suppose anything missus Peters does will be alright. She was to take in some
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    clothes for her, you know, and a few little things. We left in such a
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    hurry yesterday. Yes. But I'd like to see what you take, missus Peters, so I
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    can keep an eye out for anything that might be of use to us. Yes, missus Peters.
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    [p]
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    [p]
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    [Peters] Well, I would hate to have men coming into my kitchen, snooping around and criticizing.
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    Of course. It's no more than their duty. Duty's alright, but I'll guess that Deputy Sheriff that
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    came out to make the fire, he might have got a little of this on.
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    Wish I thought of that sooner. Seems mean to talk about her and not having
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    things slipped up when she had to come home in such a hurry.
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    She had bread set. Shame about her fruit.
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    I wonder if it's all gone. No. I think maybe there's some luck, missus Peters.
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    Look here. It's cherries too.
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    I declare I believe it's the old one.
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    She's gonna feel awful bad after all her hard work and the hot weather. I
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    remember the afternoon I put up my chairs.
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    Well, I really must get those things from the front room closet. Are you coming
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    with me, missus Hale? You can help me carry them.
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    [p]
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    My, it's cold in there. Right. It's close.
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    I think maybe that's why she kept so much to herself. You know, she didn't
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    even belong to the lady's aid. I suppose she thought she couldn't do her apartment.
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    When you don't enjoy things when you feel shabby.
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    She used to wear pretty clothes we lied with
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    back when she was Minnie Foster when the town girls sang in the choir.
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    Oh, my. That was thirty years ago. This all you was to take it? Well, she said she wanted an apron.
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    Funny thing to want because there isn't much to get you dirty in jail, Vivint's nose.
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    She said it was in the top drawer of that cabinet.
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    Yes. Here it is. And the little shawl that always hung behind the door.
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    Yes. There it is. Missus Peters. Yes, missus hale.
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    Do you think she did it? Oh, I don't know. Well, I don't think she did.
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    Asking about her apron and her little shawl and worrying about her fruit.
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    Mister Peters says it looks bad for her. Mister Henderson can be all sarcastic in
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    his speech, and he'll make fun of her saying she didn't wake up. Well, I
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    hope I guess John Wright didn't wake up when they threw that rope under his
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    neck. No. It's strange. They must have done it awful crafty and still.
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    They say it's such a funny way to kill a man making it all up like that. That's what
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    mister Hale says. He says there was a gun in the house, and that's what he can't understand.
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    [Peters] Mister Henderson said on the way over that what was needed for the case was a motive,
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    Something to show anger or sudden emotion.
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    [hale] Well, I don't see any signs of anger around here.
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    I wonder how the men are getting on upstairs. You know, it seems kind of a sneaky.
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    Locking her up and down and coming in here and trying to get her old house to turn against her. But,
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    [Peters] missus Hale, the law is the law.
    [hale] I suppose it is, mister Peters.
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    You know, you better lose somebody to think till you won't feel it and go
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    [p]
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    [p]
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    She was piecing a quilt. Oh, it's a mock camera pattern.
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    It's pretty, ain't it? I wonder, is she gonna quilt it or just knot it? They wonder if she was gonna
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    quilt it or just knot it.
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    [p]
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    Frank's fire didn't do very much good up there, did he?
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    [Henderson] Let's get out to the barn and get that cleared up.
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    [p]
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    [hale] I don't see this entrance so strange or taking up my time with
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    little things or waiting for them to get the evidence.
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    See something to laugh about. Of course. They have awful important things on their minds.
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    Missus Peevers, look at this. This is the part she was working on. And look
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    at the cellar. See, all the rest is nice and even. And look at this
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    here. It's all over the place. Why? It's as if she didn't know what she was up.
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    [Peters] Oh, what are you doing, missus Hale? Oh, I'm just fixing a stitcher too that's
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    not sewing very good. Bad sewing always make me fidgety.
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    I don't think we ought to touch things. Oh, I'll just finish up this little one here.
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    Missus Peters. Yes, missus Hailey. What does she thought she was so gross about? Oh, I don't know.
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    I don't know that she was nervous. I sometimes sew awful queer when I'm just tired.
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    Well, I really must get these things wrapped up. They may be through sooner than we think.
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    I wonder where I can find some paper and string.
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    In the cabin yet? [Peters] Why, here's a birdcage.
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    Did she have a bird, missus Hale? Why, I don't know what she did.
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    You know, there was a man who asked her to sell the canaries real cheap.
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    I don't know what she She took one. Maybe she did. She used to seem real pretty herself.
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    Seems strange to think of a bird here. But she must have
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    had one, or why would she have a cage? I wonder where it went.
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    Cat thought it meant it? No. She didn't have a cat. She's got that feeling
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    about cats some people have, being afraid of them. My cat got into her room
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    and she got real upset and asked me to take it out. My sister Bessie
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    was just like that. It was queried it.
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    Well, look at this door. It's broke. One hinges pulled apart.
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    It looks as if somebody been rough with it. Why, yes. The whole time, mister Hale?
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    Always should be able to find any evidence that'd be about it. I don't like this place.
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    Well, I sure am also glad you came with me, missus Hale. If you'd want
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    some for me sitting here alone. It would, wouldn't it?
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    I tell you what I do wish though, missus Peters.
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    I wish I had come out here sometime when she was here.
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    I wish I had. Of course, you were awful busy with your house and your children.
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    I could have come. I stayed away because I weren't cheerful. And that's why I ought to have clung.
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    I don't like this place.
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    Maybe because it's down in the highland, you don't see the milk.
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    I don't know what it is, but it's a known surprise. You know, it's
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    nice. But I sure wish I'd come see many foster sometime. I could see now
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    Oh, and you must have reproach yourself, missus Hale.
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    We often don't know how things are with other folks till something comes up. Not having children.
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    It makes less work, but it makes them all quiet. How's it right? No white
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    work and no coming in when they come in. Did you know John Wright, missus
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    Peterson? Not to know him. I've seen him in town a few times.
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    They say he was a good man. Good. Yes.
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    [p]
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    Well, he ate his dance and he didn't drink. He kept his word as good as well with most, I guess, but
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    he was a hard man,
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    [p]
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    low. Tell you what,
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    why don't you take that quilt in with the lingo? I take up her mind.
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    I think that's a nice idea, missus Hale.
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    There couldn't possibly be any objection to it, could there?
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    What just what would I take? I wonder if all her patches are in here and her things. Well,
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    here's some red. I bet some of her summer things are in here.
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    What a pretty box. Looks like something somebody might
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    have given you. I bet her scissors are in here.
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    Oh, now there's something wrapped up in a piece of silk. Oh, that's not her scissors.
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    Oh, missus Peters's. It's the bird. But missus Peters's neck.
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    Look at its neck. It's all other side too. Somebody wrung its neck.
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    [p]
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    [Henderson] Well, ladies, have we decided if she was going to quilt it or knot it?
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    [Peters] The way you think she was going to knot it?
    [Henderson] Well, that's interesting.
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    I'm sure. Does the bird flow?
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    [Hale] Cat died. Is there a cat?
    [Peters] Well, not now. They're superstitious,
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    you know. They leave.
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    [Henderson] No sign of anyone having come from the outside, their own rope.
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    Let's get upstairs again and go over it piece by piece.
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    It would have had to have been someone who knew exactly
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    exactly She was gonna bury it.
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    It was pretty bugs.
    [Peters] When I was a girl, my kitten,
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    there was a boy took a hatchet. And before my eyes and before I could
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    get there, if they hadn't held me back, I would have hurt him.
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    I wonder what it would feel like. Never had any any children in the house.
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    [Hale] Right when we left this bird, the thing inside,
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    she used to say, you killed that tooth. We don't know who killed the bird.
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    I mean, John right. It was an awful thing that happened here
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    that night, missus Hale. Killing a man while he slept.
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    Slipping a rope around his neck that choked the life out of him.
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    [Hale] His neck choked the life out of him?
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    We don't know who killed him. We don't know.
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    If there have been years and years of nothing and then a bird to send to you,
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    they also I know what stillness is.
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    [Peters] And we homesteaded in the Dakotas after my first baby died, and he was just two years old
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    and me with no other then.
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    [Hale] I assume these folks are gonna be through fond of the evidence.
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    [Peters] I know what stillness is.
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    The law has got to punish crime, missus Hale.
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    [Hale] I wish you would know Mimi Foster, but she wore a wet dress with grooves and stood
  • 19:46 - 19:49
    up on that choir and said, I
  • 19:49 - 19:54
    I wish I could come over and see what's on Johnson. That was a crime.
  • 19:54 - 19:59
    I just don't understand it. We musn't take on.
  • 19:59 - 20:05
    [Hale] Oh. [scoffs] She might have needed help. I know how things can be for women.
  • 20:05 - 20:10
    I tell you, it’s queer, Mrs. Peters.
  • 20:10 - 20:14
    We live close together and we live far apart. We all go through
  • 20:14 - 20:19
    the same things—it’s alljust a different kind of the same thing.
  • 20:19 - 20:24
    If I was you, I wouldn’t tell her her fruit was gone.
  • 20:24 - 20:30
    Tell her it ain’t. Tell her it’s all right. Take this in to show it to her.
  • 20:30 - 20:35
    She—she may never know whether it was broke or not.
  • 20:35 - 20:39
    [Peters] My, it's a good thing the men wouldn't hear. And they just laugh,
  • 20:39 - 20:43
    getting all stirred up about a little thing like a dead canary.
  • 20:43 - 20:49
    As if that could have anything to do with well, wouldn't they just laugh?
  • 20:49 - 20:55
    [Hale] Maybe they would. Maybe they would. No, Peters. It's all perfectly clear
  • 20:55 - 20:58
    except a reason for doing it.
  • 20:58 - 21:03
    [Henderson] But you know women and juries. There was some definite
  • 21:03 - 21:07
    thing, something to show, some
  • 21:07 - 21:11
    connection to this strange way of doing it.
  • 21:11 - 21:14
    [Sheriff] Well, I've got the team hooked up.
  • 21:14 - 21:18
    Pretty cold out there. Yeah. I'm gonna stay back here a while myself. You can
  • 21:18 - 21:24
    send Frank back for me, can't you? I wanna go over everything. I'm not satisfied we can't do better.
  • 21:24 - 21:29
    [Sheriff] You wanna see what missus Peters is gonna take in?
  • 21:29 - 21:33
    [Henderson] No. They're not very dangerous things the ladies have picked out, and
  • 21:33 - 21:39
    missus Peters doesn't need supervising. For that matter, a sheriff's wife is married to the law.
  • 21:39 - 21:44
    You ever think of it that way, missus Peters?
    [peters] Not just that way.
  • 21:44 - 21:47
    Married to the law.
  • 21:47 - 21:52
    [Sheriff] George, I just want you to come here for a minute. We ought to take a look at the windows.
  • 21:52 - 21:56
    [henderson] Oh. Windows. We'll be right out, mister Hale.
  • 21:56 - 22:01
    [p]
  • 22:01 - 22:07
    [p]
  • 22:07 - 22:13
    [p]
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    [p]
  • 22:16 - 22:20
    Well, Henry, at least we found out
  • 22:20 - 22:23
    She was not going to quilt it. She was going to,
  • 22:23 - 22:28
    what is it called ladies? We call it knotting, mister Henderson.
  • 22:28 - 22:34
    [p]
  • 22:34 - 22:39
    [p]
  • 22:39 - 22:46
    [p]
Title:
Trifles by Susan Glaspell, a Concrete Timbre & d'moiselles production in NYC
Description:

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Video Language:
English
Duration:
22:46

English subtitles

Revisions