-
I just said that I’m hanging up!
-
And I won’t disturb you again!
-
My only prayer is….
-
that you are happy wherever you may be.
-
I know that your circumstances
have broken you from inside.
-
But one’s situation being bad isn’t a good
the reason to love someone.
-
In the midst of a jungle of desires
-
On a bed of hope
-
The bodies are of pure red blood
-
But the hearts are blackest of the black
-
How will they be true to love?
-
How will they appreciate beauty?
-
Those whose faces are grim and dark,
-
are unfortunate and unlucky…
-
Why grumble with one’s foes?
-
Why complain of one’s enemies?
-
These hidden enemies from within
-
We’re the ones who nurtured them
-
Don’t ask the ones of divine origin
-
How they’ve borne this separation…
-
This body that is riddled with wounds
-
And a soul that also carries blisters
-
Some evenings set in a way where our hearts also descent along with the sun…
-
The sun rises again the next morning…
-
But once the hearts that go into a descent…
-
Can never rise again…
-
How bereft am I
-
How fortunate am I
-
The smallest particle is like the desert
-
A drop is like the ocean
-
Why are you sitting there so sad and forlorn?
-
Why did you have to fight and argue with your Parizaad Sir?
-
What else was I supposed to do …
-
when what he said made me angry.
-
I think you got it wrong.
-
He must have been joking with you.
-
He was probably only teasing you.
-
And then you irritate him all day as well you know.
-
Yes, but that doesn’t mean that one should give such a harsh reply to someone.
-
You just wait and watch I’m never going to speak to him again either!
-
Fine, don’t speak to me if you don’t want to.
-
But at least keep the promise you made me of making my sculpture.
-
Greetings.
-
Or are you going to give me the silent treatment again?
-
How are you?
-
Have a seat... sit, sit son.
-
I will. You have a seat too..
-
I’ll go make you some coffee.
-
Okay..
-
Thank you, thank you, thank you.
-
You can thank me when the sculpture is complete.
-
Oh…oh gosh, I can tell you how excited I am.
-
I can’t believe
-
that you actually took time out to allow me to make your facial sculpture.
-
You have to believe me…
-
when I say that I want to tell my mother to get some sweets distributed as a celebration.
-
Okay look it isn’t that great a big deal.
-
I’d like to once again warn you not to waste your time because -
-
Silence!
-
You need to sit quietly
-
and allow me to do my work.
-
Hi Parizaad.
-
How are you?
-
It’s been so many days since I’ve heard from you or any news of how you’ve been.
-
Congratulations we’ve completed our movie’s pre-production and
-
we’re about to go on set.
-
I mean one does if nothing else, go and check whether the work’s even being done properly or not!
-
As I told you before, I have no experience in the business of showbiz.
-
You will have to do it all by yourself.
-
I’ll come to your movie’s premier…
-
to cut the tape.
-
That is if you invite me.
-
Oh really! So I have to invite you now, do I?!
-
Fine, fine.
-
But seriously on another note Parizaad, we’re getting our music together
-
and I really do desperately need your advice.
-
What advice could I possibly give you with regards to music for a movie?
-
You need to find a music director for that.
-
I have asked a music director to come across…
-
but I just thought that if you could perhaps advise me with regards to the lyrics and poetry…
-
that is…
-
if you could just comment something on that
-
because I mean you were also once a great poet yourself.
-
I mean you are one for me even now and you will always remain one I know.
-
No one can ever kill the poet that’s inside of you Parizaad.
-
But I -
-
I won’t accept any excuses today please.
-
Please Parizaad, I’m waiting for you. I’m right here at the studio.
-
Just come straight to this place whenever you get free, okay?
-
I’ll be waiting.
-
Okay.
-
Alright, I’m coming over.
-
Okay, bye!
-
Akbar.
-
Yes Sir?
-
Head to the studio.
-
Okay Sir.
-
Drive to the studio.
-
One, two, three, four, five, six, seven, eight…
-
...nine, ten, eleven twelve…
-
...thirteen, fourteen, fifteen, sixteen…
-
One, two, three, four, five, six, seven, eight…
-
nine, ten, eleven twelve…
-
...thirteen, fourteen, fifteen, sixteen…
-
One, two, three, four, five, six, seven, eight…
-
...nine, ten, eleven twelve…
-
Parizaad… Hi.
-
Greetings.
-
Greetings.
-
How are you?
-
I’m fine by the grace of God.
-
Please have a seat.
-
Please.
-
Mr. Surile,
-
please start.
-
Okay.
-
Madame, this is an old tune for your kind listening.
-
Have I your permission?
-
Please.
-
Thank you.
-
You may start my dear.
-
These dreamy eyes
-
The entire night...
-
Dreamt dreams the color of kohl
-
Colors are but just colors…
-
Wait! Stop!
-
Sir, what in the world is your singer singing?
-
Is she singing or crying?
-
The world’s moved way ahead.
-
It’s the day and age of the hip hop now.
-
What’s the name of that… what’s that name AD?
-
Rape Sir.
-
What?!
-
Rape.
-
Rap?
-
Yes rape.
-
Yes, yes Madame, the same, ‘Rap’.
-
If one doesn’t have these fast-slow paced numbers in one movies these days madame,
-
then people wont bother listening to it.
-
Isn’t that right Mr. Surile Khan?
-
I’m right, aren’t I?
-
What about some bhangra or some item song?
-
We are just….
-
traditional, classical singers, Madam.
-
We sing with the heart!
-
And this here my daughter Jharna,
-
she sings with her soul.
-
This noise …
-
and this storm of idiosyncrasy…
-
that you call music…
-
is not our cup of tea.
-
Oh hey Mister,
-
Oh hey Sir,
-
who writes this kind of poetry anymore?
-
The younger generation of today wants a faster beat and they also like remixes.
-
Beats that make you dance,
-
give a feeling of life and living, beats that set one afire!
-
Sir,
-
if you like I’ll show our ‘Item’ to the Producer Sir.
-
It’s a new jazz singer and he’s sitting outside.
-
Should I ask him in?
-
Call him inside.
-
Ask him to come in.
-
Madame..
-
this is ‘Tony the Rapper.’
-
He hasn’t got just one, a million or a thousand fans.
-
He has billions of fans ..
-
on Instagram and the social media.
-
If you like he can present you something?
-
Ooh la la, Ooh la la, Ooh la la!
-
Ooh la la, Ooh la la, Ooh la la!
-
Ooh la la, Ooh la la, Ooh la la!
-
Ooh la la, Ooh la la, Ooh la la!
-
From the moment I laid eyes on you
-
...And you laid eyes on me
-
That’s when my heart said
-
Ooh la la, Ooh la la, Ooh la la
-
I won’t let you go anywhere now
-
I’ll fight with your father
-
I’ll take you home now
-
You’re the fire and I’m the flame
-
Ooh la la, Ooh la la, Ooh la la
-
Ooh la la, Ooh la la, Ooh la la
-
Ooh la la, Ooh la la, Ooh la la
-
Ooh la la, Ooh la la, Ooh la la
-
My dear,
-
you’ve been at this since yesterday.
-
At least get some rest now.
-
Hello?
-
What
-
Yes, I’m talking to you.
-
What were you saying?
-
I’m saying get some rest you’ve been at this since yesterday.
-
Finish this tomorrow.
-
Ma,
-
I’m not sleepy
-
and when I feel sleepy, I’ll go to bed myself.
-
Its night so why don’t you go…
-
go to bed and sleep.
-
Go to bed… go to sleep.
-
What’s… tch… what’s all this clay on your face!
-
What are you saying?
-
You’ve got all the clay on your face child.
-
Since I’m working with clay, the clay will obviously get on me as well Ma!
-
You always say the same thing.
-
Just go!
-
Okay, okay fine.
-
Just go.
-
Okay.
-
Just go… go
-
Alright but come soon because you know I can’t sleep without you there.
-
Just go, leave.
-
You’re out here.
-
How do you bear all this?
-
Maybe it’s
-
because this is the public demand
-
so I have no other choice.
-
It’s always this…
-
commercial angle that gets in the way!
-
Always!
-
But these are the people that
-
get the public used to such thing don’t they?
-
They will obviously only appreciate
-
that which they hear and see.
-
Its why I called you over Parizaad. Help me.
-
I want to make a classic film like…
-
something that’s very far off
-
from these flop hit things!
-
I want that my script should be strong.
-
I want my music, acting…
-
poetry… everything to be perfect!
-
Then give that girl a chance.
-
She has a lot of sorrow in her voice.
-
The words she sang
-
just now as an example of her singing…
-
you need to create the kind of atmosphere
-
for your movie with that kind of music.
-
So where do I find a poet who writes poetry like that?
-
Will you write the poetry for me, Parizaad?
-
If the need arises then I’ll do it
-
even though I’ve never written
-
anything for a movie to date…
-
but we’ll see.
-
But I do believe
-
that there are good poets out there…
-
all you need to do is find them.
-
But that was bad.
-
I’m sorry that was so… oh god!
-
I’m sorry.
-
Stop here a minute.
-
Greetings Mr. Khan. Why are you two still here?
-
It’s quite late at night.
-
We were just leaving… uh… the security guard’s son’s gone to hail a taxi for us.
-
You’re accompanied by a young girl and who knows whether you will even get a cab or not.
-
And then it’s quite a lonely stretch of a road with no one about at this hour.
-
Uh…
-
The thing is… we really did get quite late today.
-
Actually, the Director Sir stopped us to hear Jharna sing some more.
-
Its why we got late.
-
Okay.
-
Akbar…
-
take his harmonium and follow us in the other car.
-
I’ll sit in the front.
-
Please come.
-
Please come with me and I’ll drop you home.
-
You?
-
No, no Sir… please don’t bother yourself like this.
-
We’ll go somehow or the other.
-
I would have accepted it had you been on your own
-
but to go alone at this hour of the night accompanied by a young girl is…
-
Please sit inside and forget the formality.
-
Please stop the car here… right here.
-
This is where we live.
-
Thank you very much.
-
Not a problem.
-
Sir,
-
you being a big man gave me such respect today…
-
you cannot imagine how grateful I am to you for it.
-
It was my pleasure.
-
And by the way I’ve told Madame Mahpara that your daughter will sing the songs for her movie…
-
so don’t worry about anything.
-
You’ve won the heart of a performer today.
-
You’ve been very courteous and that’s why you are so fortunate..
-
and I pray that God blesses you with a lot more!
-
Amen.
-
The only thing you need to do now is find the poetry that suits your daughter’s voice.
-
This two-bit poetry they have these days wont sound good on her voice.
-
I have the poetry.
-
Uh… What I mean is ..
-
that I can introduce you to an excellent poet!
-
That is if you have a few minutes to spare.
-
At this hour its…
-
Sir look… please don’t say no.
-
You’ve already done us many kindnesses today.
-
And if you benefit us a few more minutes of your time,
-
I will remain grateful to you forever.
-
Who is this poet and where will you find him at this hour?
-
He’s right here, Sir.
-
It’s just that the world hasn’t recognized his talent as yet.
-
Believe me,
-
Like one needs a good ear to recognize a good voice and good music.
-
The same way, all he needs is an appreciative audience like you,
-
One who will understand his poetry …
-
And isn’t it also possible…
-
that it was because of his good luck…
-
that a big man like yourself has reached our door step?
-
Come with us Sir, please.
-
Please don’t refuse Sir.
-
Just come with us for two minutes.
-
Please come.
-
Alright fine, lets go.
-
Please come this way.
-
I’ll just be back.
-
This way Sir.
-
This way Sir,
-
come inside…
-
come inside…
-
Ahmed son,
-
we’ve brought him here to meet you.
-
Please have a seat.
-
Do you smoke?
-
I do, yes.
-
Then you must really be living it up.
-
Parizaad.
-
Where did you disappear to my friend?
-
Where all haven’t, I searched for you!
-
I’m still in search of myself.
-
Do let me know if you find me.
-
Oh hey this is really good news!
-
You two already know each other???
-
Oh, hey daughter,
-
these two already know each other!
-
Why don’t you do one thing, go and make the tea while I go get the harmonium out of the car!
-
Okay, I’ll just get it.
-
Have a seat.
-
Do you know something,
-
had you said all this to your old, neighbor Parizaad,
-
then perhaps he would have right here and now…
-
died of sheer happiness.
-
There was time when you were the cure for all my sorrows…
-
the balm for my every wound.
-
Always remember one thing Naheed,
-
whatever I have…
-
its value isn’t even worth one tear of yours.
-
I can give all this to you if you want.
-
You are very precious…
-
and all this is very cheap.
-
So that’s my story.
-
How are you here?…
-
and with these people?
-
I rent a room from them.
-
Hmm…
-
Uh…
-
What does one call it?
-
A paying guest.
-
Although the chance to pay is something I don’t get to do that often.
-
They’re real decent people.
-
Although…
-
I did note the girl’s eyes when you were being mentioned…
-
and it didn’t seem like the room is the only thing you’d usurped.
-
Sounds to me like she might be in love with you.
-
She’s very naive.
-
Very innocent.
-
Out here people have a tendency to eye her body more than they do listen to her voice.
-
First off, we need to get you treatment.
-
Let’s go,
-
we’ll talk more once we get home.
-
What will they say…
-
that the moment he got a wealthy friend he left them…
-
Na Saaz…
-
isn’t a selfish man.
-
You already know that.
-
Well then lets Jharna and the Mr. Khan with us.
-
I know that your intentions are well meant
-
but…
-
Mr. Khan is a very cultured man.
-
Sir.
-
Thank you very much.
-
Sir,
-
you’re his friend so you must have heard his poetry and read it as well.
-
Um…
-
Why don’t you tell him to write your film songs for you?
-
He never heeds me.
-
He doesn’t heed anyone.
-
But one thing is certain…
-
and that is that Na Saaz is the only one that will pen the songs for Mahpara’s movie.
-
How’s the tea?
-
That was really, really sweet.
-
I’ve gotten used to it.
-
And besides the only sweet I have left in my life is…
-
In the tea.
-
This is so very bad.
-
I kept calling you all night and you were sitting there gabbing with your friend?
-
There are some friends with whom you sit..
-
and the years go by like minutes.
-
And this was but just one night …
-
where I never realized when morning dawned.
-
Really?
-
Sighs..
-
Your friend is so very lucky.
-
Do you know something,
-
my mother can’t stand me for more than five minutes!
-
It could be…
-
that there’s someone out there who will enjoy your company as well.
-
Oh…
-
I wish, I wish, I wish.
-
Tell me something,
-
when are you coming across to my gallery?
-
I need to show you something.
-
I’ll try coming over soon.
-
You can’t only try, you have to come over today!
-
Please, please, please, please!
-
Okay
-
Fine…
-
I’ll come by today.
-
Thank you.
-
Thank you, thank you, thank you.
-
Okay, goodbye.
-
Yes Sir.
-
Come in.
-
You wanted to see me Sir?
-
Yes. Have a seat.
-
Kanwal you have to do something very important for me ..
-
but you need to maintain extreme secrecy for it.
-
Don’t worry Sir, I will do exactly that from now on.
-
Your every secret is my secret.
-
In the next few days …
-
an ad will be published in the newspaper.
-
It is the ad for a job vacancy.
-
You have to try and make sure Majid sees that ad any which way.
-
The vacancy is that of an executive manager at a company.
-
It will offer a good salary.
-
Sir,
-
you still lookout for sister Naheed even after all that’s happened.
-
It really amazes me.
-
You’re still too young to understand all this.
-
Just make sure you look after yourself and your family.
-
Sir, if you don’t mind,
-
may I say something?
-
Yes?
-
When you’d invited sister Naheed to your house,
-
my respect for you had really gone down.
-
was like you were nothing but some mediocre, selfish man out for what he could get.
-
But by not taking advantage of my sister’s helplessness,
-
you once again, proved all of us wrong about you.
-
I never wanted to prove anyone right or wrong.
-
Frankly speaking, it’s really very simple…
-
the reason for which the world’s giving me such importance today,
-
it holds very little significance for me.
-
I know that Sir.
-
And it’s the reason why …
-
my respect for you has grown so tremendously…
-
Sir, I cant tell you how I -
-
One second.
-
One second.
-
Yes?
-
Alright have them sit in the boardroom and I’ll come there once I’m free.
-
I’m sorry, you were saying?
-
It’s okay Sir… you’re busy right now.
-
I’ll speak to you about this some other time.
-
Please carry on.
-
Alright.
-
I’ll make sure brother Majid sees the ad.
-
Thank you.
-
No, tell me is there a problem?
-
When he’s said that he will come, then he will come.
-
Why are you going about pacing from one room to the other like some hysterical person?!
-
Mummy, you know how I dislike waiting!
-
Especially… especially when my work’s done.
-
Look he’s a busy man, a tycoon!
-
He must have a thousand and one things he needs to do.
-
He must be very busy.
-
And listen to me,
-
you need to stop irritating him now!
-
He’s really been tolerating you thus far!
-
Mummy, you’re just -
-
Alright enough!
-
Get a hold of yourself while you still have time my dear.
-
Behave yourself!
-
I’ll come with you, Sir.
-
Any particular reason?
-
This place is unsafe Sir.
-
I get the feeling we’re being watched out here.
-
No,
-
You all stay here.
-
The people I’m going to visit are simple people.
-
They’ll worry if they see so much security.
-
Don’t worry I’ll be careful.
-
Please be on the alert, Sir.
-
I knew it.
-
I knew that you would come even if you were late doing so.
-
And do you know, I’d a bet on this with my mother and see I’ve won.
-
At least show me what this thing is because of which you called me so many times.
-
Its a surprise.
-
But for me to show it to you,
-
you will have to first close your eyes and then come with me.
-
What do you mean?
-
Yes, yes its a surprise!
-
So please, please, please!
-
Okay.
-
Close your eyes.
-
Okay there.
-
Are they closed?
-
And no cheating.
-
Okay fine, they’re closed.
-
That’s it… now walk with me.
-
Keep coming …
-
and just follow my voice.
-
Are your eyes still closed?
-
Absolutely.
-
Now when I say 1, 2, 3...
-
You need to open your eyes..
-
Okay.
-
1, 2…
-
3……
-
Open them.
-
Parizaad Sir...
-
tell me, what you think of your sculpture?
-
Its lovely.
-
It’s beautiful.
-
But -
-
But what???
-
This is the vision of my perception of you.
-
It was something my thumbs touched and my fingers sculpted.
-
This is what you look like in my eyes.
-
This is exactly how you look in my heart….