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Parizaad Episode 23 | Eng Subtitle | Presented By ITEL Mobile, NISA Cosmetics - 21 Dec 2021 - HUM TV

  • 0:06 - 0:09
    I just said that I’m hanging up!
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    And I won’t disturb you again!
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    My only prayer is….
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    that you are happy wherever you may be.
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    I know that your circumstances
    have broken you from inside.
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    But one’s situation being bad isn’t a good
    the reason to love someone.
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    In the midst of a jungle of desires
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    On a bed of hope
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    The bodies are of pure red blood
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    But the hearts are blackest of the black
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    How will they be true to love?
  • 0:59 - 1:04
    How will they appreciate beauty?
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    Those whose faces are grim and dark,
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    are unfortunate and unlucky…
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    Why grumble with one’s foes?
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    Why complain of one’s enemies?
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    These hidden enemies from within
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    We’re the ones who nurtured them
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    Don’t ask the ones of divine origin
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    How they’ve borne this separation…
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    This body that is riddled with wounds
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    And a soul that also carries blisters
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    Some evenings set in a way where our hearts also descent along with the sun…
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    The sun rises again the next morning…
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    But once the hearts that go into a descent…
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    Can never rise again…
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    How bereft am I
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    How fortunate am I
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    The smallest particle is like the desert
  • 2:48 - 2:50
    A drop is like the ocean
  • 3:22 - 3:24
    Why are you sitting there so sad and forlorn?
  • 3:24 - 3:28
    Why did you have to fight and argue with your Parizaad Sir?
  • 3:29 - 3:31
    What else was I supposed to do …
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    when what he said made me angry.
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    I think you got it wrong.
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    He must have been joking with you.
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    He was probably only teasing you.
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    And then you irritate him all day as well you know.
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    Yes, but that doesn’t mean that one should give such a harsh reply to someone.
  • 3:49 - 3:52
    You just wait and watch I’m never going to speak to him again either!
  • 3:54 - 3:56
    Fine, don’t speak to me if you don’t want to.
  • 3:58 - 4:00
    But at least keep the promise you made me of making my sculpture.
  • 4:12 - 4:14
    Greetings.
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    Or are you going to give me the silent treatment again?
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    How are you?
  • 4:25 - 4:25
    Have a seat... sit, sit son.
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    I will. You have a seat too..
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    I’ll go make you some coffee.
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    Okay..
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    Thank you, thank you, thank you.
  • 4:40 - 4:44
    You can thank me when the sculpture is complete.
  • 4:50 - 4:54
    Oh…oh gosh, I can tell you how excited I am.
  • 4:55 - 4:57
    I can’t believe
  • 4:58 - 5:01
    that you actually took time out to allow me to make your facial sculpture.
  • 5:03 - 5:04
    You have to believe me…
  • 5:04 - 5:08
    when I say that I want to tell my mother to get some sweets distributed as a celebration.
  • 5:08 - 5:10
    Okay look it isn’t that great a big deal.
  • 5:21 - 5:26
    I’d like to once again warn you not to waste your time because -
  • 5:26 - 5:27
    Silence!
  • 5:28 - 5:30
    You need to sit quietly
  • 5:30 - 5:32
    and allow me to do my work.
  • 7:35 - 7:37
    Hi Parizaad.
  • 7:38 - 7:39
    How are you?
  • 7:39 - 7:42
    It’s been so many days since I’ve heard from you or any news of how you’ve been.
  • 7:42 - 7:46
    Congratulations we’ve completed our movie’s pre-production and
  • 7:46 - 7:48
    we’re about to go on set.
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    I mean one does if nothing else, go and check whether the work’s even being done properly or not!
  • 7:53 - 7:58
    As I told you before, I have no experience in the business of showbiz.
  • 7:58 - 8:00
    You will have to do it all by yourself.
  • 8:01 - 8:03
    I’ll come to your movie’s premier…
  • 8:04 - 8:05
    to cut the tape.
  • 8:05 - 8:08
    That is if you invite me.
  • 8:08 - 8:12
    Oh really! So I have to invite you now, do I?!
  • 8:12 - 8:13
    Fine, fine.
  • 8:14 - 8:19
    But seriously on another note Parizaad, we’re getting our music together
  • 8:19 - 8:23
    and I really do desperately need your advice.
  • 8:23 - 8:26
    What advice could I possibly give you with regards to music for a movie?
  • 8:26 - 8:29
    You need to find a music director for that.
  • 8:29 - 8:31
    I have asked a music director to come across…
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    but I just thought that if you could perhaps advise me with regards to the lyrics and poetry…
  • 8:35 - 8:36
    that is…
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    if you could just comment something on that
  • 8:38 - 8:43
    because I mean you were also once a great poet yourself.
  • 8:43 - 8:46
    I mean you are one for me even now and you will always remain one I know.
  • 8:47 - 8:49
    No one can ever kill the poet that’s inside of you Parizaad.
  • 8:51 - 8:52
    But I -
  • 8:52 - 8:54
    I won’t accept any excuses today please.
  • 8:54 - 8:57
    Please Parizaad, I’m waiting for you. I’m right here at the studio.
  • 8:57 - 9:00
    Just come straight to this place whenever you get free, okay?
  • 9:00 - 9:01
    I’ll be waiting.
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    Okay.
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    Alright, I’m coming over.
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    Okay, bye!
  • 9:09 - 9:10
    Akbar.
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    Yes Sir?
  • 9:12 - 9:12
    Head to the studio.
  • 9:13 - 9:14
    Okay Sir.
  • 9:14 - 9:16
    Drive to the studio.
  • 9:38 - 9:41
    One, two, three, four, five, six, seven, eight…
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    ...nine, ten, eleven twelve…
  • 9:43 - 9:45
    ...thirteen, fourteen, fifteen, sixteen…
  • 9:45 - 9:48
    One, two, three, four, five, six, seven, eight…
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    nine, ten, eleven twelve…
  • 9:50 - 9:51
    ...thirteen, fourteen, fifteen, sixteen…
  • 9:51 - 9:55
    One, two, three, four, five, six, seven, eight…
  • 9:55 - 9:56
    ...nine, ten, eleven twelve…
  • 9:56 - 9:59
    Parizaad… Hi.
  • 9:59 - 10:00
    Greetings.
  • 10:00 - 10:01
    Greetings.
  • 10:01 - 10:02
    How are you?
  • 10:02 - 10:02
    I’m fine by the grace of God.
  • 10:03 - 10:05
    Please have a seat.
  • 10:05 - 10:06
    Please.
  • 10:07 - 10:08
    Mr. Surile,
  • 10:08 - 10:09
    please start.
  • 10:10 - 10:11
    Okay.
  • 10:12 - 10:15
    Madame, this is an old tune for your kind listening.
  • 10:15 - 10:16
    Have I your permission?
  • 10:16 - 10:17
    Please.
  • 10:17 - 10:18
    Thank you.
  • 10:18 - 10:19
    You may start my dear.
  • 10:29 - 10:33
    These dreamy eyes
  • 10:33 - 10:36
    The entire night...
  • 10:38 - 10:46
    Dreamt dreams the color of kohl
  • 10:47 - 10:52
    Colors are but just colors…
  • 10:52 - 10:53
    Wait! Stop!
  • 10:53 - 10:57
    Sir, what in the world is your singer singing?
  • 10:57 - 10:59
    Is she singing or crying?
  • 10:59 - 11:01
    The world’s moved way ahead.
  • 11:01 - 11:04
    It’s the day and age of the hip hop now.
  • 11:04 - 11:06
    What’s the name of that… what’s that name AD?
  • 11:06 - 11:07
    Rape Sir.
  • 11:08 - 11:09
    What?!
  • 11:10 - 11:11
    Rape.
  • 11:12 - 11:13
    Rap?
  • 11:13 - 11:14
    Yes rape.
  • 11:14 - 11:16
    Yes, yes Madame, the same, ‘Rap’.
  • 11:16 - 11:20
    If one doesn’t have these fast-slow paced numbers in one movies these days madame,
  • 11:20 - 11:22
    then people wont bother listening to it.
  • 11:23 - 11:24
    Isn’t that right Mr. Surile Khan?
  • 11:24 - 11:26
    I’m right, aren’t I?
  • 11:26 - 11:28
    What about some bhangra or some item song?
  • 11:29 - 11:30
    We are just….
  • 11:31 - 11:32
    traditional, classical singers, Madam.
  • 11:33 - 11:34
    We sing with the heart!
  • 11:35 - 11:36
    And this here my daughter Jharna,
  • 11:36 - 11:39
    she sings with her soul.
  • 11:39 - 11:40
    This noise …
  • 11:41 - 11:43
    and this storm of idiosyncrasy…
  • 11:43 - 11:45
    that you call music…
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    is not our cup of tea.
  • 11:48 - 11:49
    Oh hey Mister,
  • 11:50 - 11:51
    Oh hey Sir,
  • 11:51 - 11:53
    who writes this kind of poetry anymore?
  • 11:54 - 11:59
    The younger generation of today wants a faster beat and they also like remixes.
  • 12:00 - 12:02
    Beats that make you dance,
  • 12:02 - 12:05
    give a feeling of life and living, beats that set one afire!
  • 12:06 - 12:06
    Sir,
  • 12:07 - 12:10
    if you like I’ll show our ‘Item’ to the Producer Sir.
  • 12:11 - 12:14
    It’s a new jazz singer and he’s sitting outside.
  • 12:14 - 12:15
    Should I ask him in?
  • 12:16 - 12:17
    Call him inside.
  • 12:17 - 12:18
    Ask him to come in.
  • 12:26 - 12:27
    Madame..
  • 12:27 - 12:28
    this is ‘Tony the Rapper.’
  • 12:29 - 12:32
    He hasn’t got just one, a million or a thousand fans.
  • 12:32 - 12:33
    He has billions of fans ..
  • 12:33 - 12:35
    on Instagram and the social media.
  • 12:36 - 12:38
    If you like he can present you something?
  • 12:46 - 12:49
    Ooh la la, Ooh la la, Ooh la la!
  • 12:49 - 12:52
    Ooh la la, Ooh la la, Ooh la la!
  • 12:52 - 12:54
    Ooh la la, Ooh la la, Ooh la la!
  • 12:54 - 12:57
    Ooh la la, Ooh la la, Ooh la la!
  • 12:57 - 13:00
    From the moment I laid eyes on you
  • 13:00 - 13:03
    ...And you laid eyes on me
  • 13:03 - 13:06
    That’s when my heart said
  • 13:06 - 13:08
    Ooh la la, Ooh la la, Ooh la la
  • 13:10 - 13:12
    I won’t let you go anywhere now
  • 13:12 - 13:15
    I’ll fight with your father
  • 13:15 - 13:18
    I’ll take you home now
  • 13:18 - 13:21
    You’re the fire and I’m the flame
  • 13:21 - 13:23
    Ooh la la, Ooh la la, Ooh la la
  • 13:23 - 13:26
    Ooh la la, Ooh la la, Ooh la la
  • 13:26 - 13:28
    Ooh la la, Ooh la la, Ooh la la
  • 13:29 - 13:31
    Ooh la la, Ooh la la, Ooh la la
  • 13:58 - 13:59
    My dear,
  • 14:00 - 14:02
    you’ve been at this since yesterday.
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    At least get some rest now.
  • 14:08 - 14:09
    Hello?
  • 14:11 - 14:12
    What
  • 14:12 - 14:14
    Yes, I’m talking to you.
  • 14:14 - 14:15
    What were you saying?
  • 14:15 - 14:19
    I’m saying get some rest you’ve been at this since yesterday.
  • 14:19 - 14:19
    Finish this tomorrow.
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    Ma,
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    I’m not sleepy
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    and when I feel sleepy, I’ll go to bed myself.
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    Its night so why don’t you go…
  • 14:30 - 14:31
    go to bed and sleep.
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    Go to bed… go to sleep.
  • 14:33 - 14:36
    What’s… tch… what’s all this clay on your face!
  • 14:36 - 14:37
    What are you saying?
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    You’ve got all the clay on your face child.
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    Since I’m working with clay, the clay will obviously get on me as well Ma!
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    You always say the same thing.
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    Just go!
  • 14:47 - 14:48
    Okay, okay fine.
  • 14:48 - 14:49
    Just go.
  • 14:49 - 14:49
    Okay.
  • 14:49 - 14:51
    Just go… go
  • 14:51 - 14:54
    Alright but come soon because you know I can’t sleep without you there.
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    Just go, leave.
  • 15:17 - 15:18
    You’re out here.
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    How do you bear all this?
  • 15:28 - 15:30
    Maybe it’s
  • 15:30 - 15:31
    because this is the public demand
  • 15:31 - 15:32
    so I have no other choice.
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    It’s always this…
  • 15:36 - 15:38
    commercial angle that gets in the way!
  • 15:38 - 15:39
    Always!
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    But these are the people that
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    get the public used to such thing don’t they?
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    They will obviously only appreciate
  • 15:47 - 15:48
    that which they hear and see.
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    Its why I called you over Parizaad. Help me.
  • 15:54 - 15:57
    I want to make a classic film like…
  • 15:58 - 15:59
    something that’s very far off
  • 15:59 - 16:01
    from these flop hit things!
  • 16:01 - 16:04
    I want that my script should be strong.
  • 16:04 - 16:05
    I want my music, acting…
  • 16:06 - 16:09
    poetry… everything to be perfect!
  • 16:11 - 16:13
    Then give that girl a chance.
  • 16:14 - 16:16
    She has a lot of sorrow in her voice.
  • 16:17 - 16:20
    The words she sang
  • 16:20 - 16:22
    just now as an example of her singing…
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    you need to create the kind of atmosphere
  • 16:25 - 16:27
    for your movie with that kind of music.
  • 16:29 - 16:31
    So where do I find a poet who writes poetry like that?
  • 16:33 - 16:36
    Will you write the poetry for me, Parizaad?
  • 16:38 - 16:40
    If the need arises then I’ll do it
  • 16:40 - 16:41
    even though I’ve never written
  • 16:41 - 16:42
    anything for a movie to date…
  • 16:42 - 16:45
    but we’ll see.
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    But I do believe
  • 16:49 - 16:50
    that there are good poets out there…
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    all you need to do is find them.
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    But that was bad.
  • 16:59 - 17:02
    I’m sorry that was so… oh god!
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    I’m sorry.
  • 17:16 - 17:17
    Stop here a minute.
  • 17:18 - 17:21
    Greetings Mr. Khan. Why are you two still here?
  • 17:21 - 17:22
    It’s quite late at night.
  • 17:22 - 17:28
    We were just leaving… uh… the security guard’s son’s gone to hail a taxi for us.
  • 17:29 - 17:34
    You’re accompanied by a young girl and who knows whether you will even get a cab or not.
  • 17:34 - 17:38
    And then it’s quite a lonely stretch of a road with no one about at this hour.
  • 17:39 - 17:40
    Uh…
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    The thing is… we really did get quite late today.
  • 17:43 - 17:48
    Actually, the Director Sir stopped us to hear Jharna sing some more.
  • 17:48 - 17:49
    Its why we got late.
  • 17:49 - 17:50
    Okay.
  • 17:51 - 17:52
    Akbar…
  • 17:52 - 17:55
    take his harmonium and follow us in the other car.
  • 17:55 - 17:56
    I’ll sit in the front.
  • 17:56 - 17:57
    Please come.
  • 17:58 - 18:01
    Please come with me and I’ll drop you home.
  • 18:02 - 18:03
    You?
  • 18:03 - 18:06
    No, no Sir… please don’t bother yourself like this.
  • 18:06 - 18:07
    We’ll go somehow or the other.
  • 18:07 - 18:10
    I would have accepted it had you been on your own
  • 18:10 - 18:12
    but to go alone at this hour of the night accompanied by a young girl is…
  • 18:12 - 18:14
    Please sit inside and forget the formality.
  • 18:39 - 18:41
    Please stop the car here… right here.
  • 18:42 - 18:43
    This is where we live.
  • 18:48 - 18:49
    Thank you very much.
  • 18:49 - 18:50
    Not a problem.
  • 18:51 - 18:51
    Sir,
  • 18:51 - 18:54
    you being a big man gave me such respect today…
  • 18:54 - 18:56
    you cannot imagine how grateful I am to you for it.
  • 18:57 - 18:59
    It was my pleasure.
  • 19:00 - 19:06
    And by the way I’ve told Madame Mahpara that your daughter will sing the songs for her movie…
  • 19:07 - 19:08
    so don’t worry about anything.
  • 19:11 - 19:14
    You’ve won the heart of a performer today.
  • 19:15 - 19:19
    You’ve been very courteous and that’s why you are so fortunate..
  • 19:20 - 19:22
    and I pray that God blesses you with a lot more!
  • 19:22 - 19:23
    Amen.
  • 19:24 - 19:30
    The only thing you need to do now is find the poetry that suits your daughter’s voice.
  • 19:30 - 19:34
    This two-bit poetry they have these days wont sound good on her voice.
  • 19:35 - 19:37
    I have the poetry.
  • 19:37 - 19:38
    Uh… What I mean is ..
  • 19:39 - 19:41
    that I can introduce you to an excellent poet!
  • 19:42 - 19:44
    That is if you have a few minutes to spare.
  • 19:45 - 19:46
    At this hour its…
  • 19:46 - 19:49
    Sir look… please don’t say no.
  • 19:49 - 19:52
    You’ve already done us many kindnesses today.
  • 19:52 - 19:55
    And if you benefit us a few more minutes of your time,
  • 19:55 - 19:57
    I will remain grateful to you forever.
  • 19:59 - 20:04
    Who is this poet and where will you find him at this hour?
  • 20:05 - 20:06
    He’s right here, Sir.
  • 20:07 - 20:09
    It’s just that the world hasn’t recognized his talent as yet.
  • 20:09 - 20:10
    Believe me,
  • 20:11 - 20:17
    Like one needs a good ear to recognize a good voice and good music.
  • 20:17 - 20:19
    The same way, all he needs is an appreciative audience like you,
  • 20:19 - 20:21
    One who will understand his poetry …
  • 20:22 - 20:23
    And isn’t it also possible…
  • 20:23 - 20:24
    that it was because of his good luck…
  • 20:24 - 20:28
    that a big man like yourself has reached our door step?
  • 20:28 - 20:30
    Come with us Sir, please.
  • 20:30 - 20:32
    Please don’t refuse Sir.
  • 20:32 - 20:34
    Just come with us for two minutes.
  • 20:34 - 20:35
    Please come.
  • 20:35 - 20:36
    Alright fine, lets go.
  • 20:45 - 20:46
    Please come this way.
  • 20:47 - 20:48
    I’ll just be back.
  • 20:49 - 20:50
    This way Sir.
  • 20:54 - 20:55
    This way Sir,
  • 20:55 - 20:56
    come inside…
  • 20:57 - 20:58
    come inside…
  • 21:00 - 21:01
    Ahmed son,
  • 21:01 - 21:03
    we’ve brought him here to meet you.
  • 21:03 - 21:05
    Please have a seat.
  • 21:10 - 21:12
    Do you smoke?
  • 21:14 - 21:16
    I do, yes.
  • 21:19 - 21:21
    Then you must really be living it up.
  • 21:35 - 21:35
    Parizaad.
  • 21:48 - 21:49
    Where did you disappear to my friend?
  • 21:50 - 21:52
    Where all haven’t, I searched for you!
  • 21:55 - 21:56
    I’m still in search of myself.
  • 22:00 - 22:01
    Do let me know if you find me.
  • 22:03 - 22:05
    Oh hey this is really good news!
  • 22:05 - 22:07
    You two already know each other???
  • 22:07 - 22:08
    Oh, hey daughter,
  • 22:08 - 22:09
    these two already know each other!
  • 22:09 - 22:13
    Why don’t you do one thing, go and make the tea while I go get the harmonium out of the car!
  • 22:13 - 22:14
    Okay, I’ll just get it.
  • 22:15 - 22:17
    Have a seat.
  • 22:27 - 22:28
    Do you know something,
  • 22:28 - 22:32
    had you said all this to your old, neighbor Parizaad,
  • 22:34 - 22:37
    then perhaps he would have right here and now…
  • 22:37 - 22:39
    died of sheer happiness.
  • 22:41 - 22:44
    There was time when you were the cure for all my sorrows…
  • 22:45 - 22:46
    the balm for my every wound.
  • 22:48 - 22:50
    Always remember one thing Naheed,
  • 22:51 - 22:53
    whatever I have…
  • 22:54 - 22:56
    its value isn’t even worth one tear of yours.
  • 22:59 - 23:01
    I can give all this to you if you want.
  • 23:03 - 23:04
    You are very precious…
  • 23:06 - 23:08
    and all this is very cheap.
  • 23:14 - 23:16
    So that’s my story.
  • 23:19 - 23:20
    How are you here?…
  • 23:21 - 23:23
    and with these people?
  • 23:26 - 23:27
    I rent a room from them.
  • 23:28 - 23:29
    Hmm…
  • 23:30 - 23:31
    Uh…
  • 23:31 - 23:32
    What does one call it?
  • 23:32 - 23:33
    A paying guest.
  • 23:34 - 23:39
    Although the chance to pay is something I don’t get to do that often.
  • 23:41 - 23:43
    They’re real decent people.
  • 23:47 - 23:48
    Although…
  • 23:50 - 23:54
    I did note the girl’s eyes when you were being mentioned…
  • 23:55 - 23:58
    and it didn’t seem like the room is the only thing you’d usurped.
  • 24:00 - 24:03
    Sounds to me like she might be in love with you.
  • 24:06 - 24:07
    She’s very naive.
  • 24:10 - 24:11
    Very innocent.
  • 24:14 - 24:20
    Out here people have a tendency to eye her body more than they do listen to her voice.
  • 24:27 - 24:30
    First off, we need to get you treatment.
  • 24:30 - 24:31
    Let’s go,
  • 24:31 - 24:33
    we’ll talk more once we get home.
  • 24:35 - 24:36
    What will they say…
  • 24:38 - 24:40
    that the moment he got a wealthy friend he left them…
  • 24:43 - 24:44
    Na Saaz…
  • 24:45 - 24:46
    isn’t a selfish man.
  • 24:48 - 24:49
    You already know that.
  • 24:51 - 24:55
    Well then lets Jharna and the Mr. Khan with us.
  • 24:59 - 25:03
    I know that your intentions are well meant
  • 25:03 - 25:04
    but…
  • 25:06 - 25:08
    Mr. Khan is a very cultured man.
  • 25:10 - 25:11
    Sir.
  • 25:11 - 25:12
    Thank you very much.
  • 25:14 - 25:15
    Sir,
  • 25:15 - 25:19
    you’re his friend so you must have heard his poetry and read it as well.
  • 25:20 - 25:21
    Um…
  • 25:21 - 25:24
    Why don’t you tell him to write your film songs for you?
  • 25:25 - 25:27
    He never heeds me.
  • 25:30 - 25:31
    He doesn’t heed anyone.
  • 25:35 - 25:37
    But one thing is certain…
  • 25:39 - 25:42
    and that is that Na Saaz is the only one that will pen the songs for Mahpara’s movie.
  • 25:54 - 25:55
    How’s the tea?
  • 26:11 - 26:12
    That was really, really sweet.
  • 26:13 - 26:15
    I’ve gotten used to it.
  • 26:16 - 26:18
    And besides the only sweet I have left in my life is…
  • 26:19 - 26:20
    In the tea.
  • 26:30 - 26:31
    This is so very bad.
  • 26:32 - 26:37
    I kept calling you all night and you were sitting there gabbing with your friend?
  • 26:38 - 26:41
    There are some friends with whom you sit..
  • 26:42 - 26:44
    and the years go by like minutes.
  • 26:45 - 26:47
    And this was but just one night …
  • 26:48 - 26:51
    where I never realized when morning dawned.
  • 26:51 - 26:51
    Really?
  • 26:53 - 26:54
    Sighs..
  • 26:54 - 26:56
    Your friend is so very lucky.
  • 26:57 - 26:58
    Do you know something,
  • 26:58 - 27:02
    my mother can’t stand me for more than five minutes!
  • 27:02 - 27:03
    It could be…
  • 27:04 - 27:07
    that there’s someone out there who will enjoy your company as well.
  • 27:08 - 27:09
    Oh…
  • 27:09 - 27:11
    I wish, I wish, I wish.
  • 27:13 - 27:14
    Tell me something,
  • 27:15 - 27:16
    when are you coming across to my gallery?
  • 27:17 - 27:18
    I need to show you something.
  • 27:20 - 27:22
    I’ll try coming over soon.
  • 27:22 - 27:25
    You can’t only try, you have to come over today!
  • 27:25 - 27:26
    Please, please, please, please!
  • 27:27 - 27:27
    Okay
  • 27:28 - 27:29
    Fine…
  • 27:29 - 27:30
    I’ll come by today.
  • 27:32 - 27:33
    Thank you.
  • 27:33 - 27:35
    Thank you, thank you, thank you.
  • 27:35 - 27:38
    Okay, goodbye.
  • 27:57 - 27:58
    Yes Sir.
  • 27:58 - 27:59
    Come in.
  • 28:00 - 28:02
    You wanted to see me Sir?
  • 28:03 - 28:04
    Yes. Have a seat.
  • 28:09 - 28:11
    Kanwal you have to do something very important for me ..
  • 28:12 - 28:14
    but you need to maintain extreme secrecy for it.
  • 28:17 - 28:19
    Don’t worry Sir, I will do exactly that from now on.
  • 28:20 - 28:22
    Your every secret is my secret.
  • 28:25 - 28:26
    In the next few days …
  • 28:26 - 28:28
    an ad will be published in the newspaper.
  • 28:29 - 28:30
    It is the ad for a job vacancy.
  • 28:31 - 28:34
    You have to try and make sure Majid sees that ad any which way.
  • 28:35 - 28:39
    The vacancy is that of an executive manager at a company.
  • 28:40 - 28:41
    It will offer a good salary.
  • 28:42 - 28:43
    Sir,
  • 28:44 - 28:48
    you still lookout for sister Naheed even after all that’s happened.
  • 28:50 - 28:51
    It really amazes me.
  • 28:53 - 28:55
    You’re still too young to understand all this.
  • 28:56 - 28:58
    Just make sure you look after yourself and your family.
  • 29:00 - 29:02
    Sir, if you don’t mind,
  • 29:03 - 29:04
    may I say something?
  • 29:06 - 29:07
    Yes?
  • 29:10 - 29:13
    When you’d invited sister Naheed to your house,
  • 29:14 - 29:17
    my respect for you had really gone down.
  • 29:19 - 29:23
    was like you were nothing but some mediocre, selfish man out for what he could get.
  • 29:23 - 29:26
    But by not taking advantage of my sister’s helplessness,
  • 29:27 - 29:29
    you once again, proved all of us wrong about you.
  • 29:30 - 29:33
    I never wanted to prove anyone right or wrong.
  • 29:37 - 29:38
    Frankly speaking, it’s really very simple…
  • 29:40 - 29:44
    the reason for which the world’s giving me such importance today,
  • 29:47 - 29:49
    it holds very little significance for me.
  • 29:51 - 29:52
    I know that Sir.
  • 29:53 - 29:55
    And it’s the reason why …
  • 29:55 - 29:59
    my respect for you has grown so tremendously…
  • 29:59 - 30:02
    Sir, I cant tell you how I -
  • 30:02 - 30:02
    One second.
  • 30:02 - 30:03
    One second.
  • 30:05 - 30:06
    Yes?
  • 30:07 - 30:11
    Alright have them sit in the boardroom and I’ll come there once I’m free.
  • 30:15 - 30:17
    I’m sorry, you were saying?
  • 30:18 - 30:21
    It’s okay Sir… you’re busy right now.
  • 30:22 - 30:24
    I’ll speak to you about this some other time.
  • 30:25 - 30:26
    Please carry on.
  • 30:26 - 30:27
    Alright.
  • 30:27 - 30:30
    I’ll make sure brother Majid sees the ad.
  • 30:32 - 30:33
    Thank you.
  • 30:49 - 30:52
    No, tell me is there a problem?
  • 30:53 - 30:55
    When he’s said that he will come, then he will come.
  • 30:56 - 31:00
    Why are you going about pacing from one room to the other like some hysterical person?!
  • 31:00 - 31:03
    Mummy, you know how I dislike waiting!
  • 31:03 - 31:07
    Especially… especially when my work’s done.
  • 31:07 - 31:09
    Look he’s a busy man, a tycoon!
  • 31:09 - 31:11
    He must have a thousand and one things he needs to do.
  • 31:11 - 31:13
    He must be very busy.
  • 31:13 - 31:14
    And listen to me,
  • 31:14 - 31:16
    you need to stop irritating him now!
  • 31:17 - 31:20
    He’s really been tolerating you thus far!
  • 31:20 - 31:21
    Mummy, you’re just -
  • 31:21 - 31:22
    Alright enough!
  • 31:23 - 31:24
    Get a hold of yourself while you still have time my dear.
  • 31:26 - 31:27
    Behave yourself!
  • 32:26 - 32:27
    I’ll come with you, Sir.
  • 32:29 - 32:30
    Any particular reason?
  • 32:30 - 32:32
    This place is unsafe Sir.
  • 32:32 - 32:33
    I get the feeling we’re being watched out here.
  • 32:34 - 32:35
    No,
  • 32:35 - 32:36
    You all stay here.
  • 32:38 - 32:41
    The people I’m going to visit are simple people.
  • 32:41 - 32:43
    They’ll worry if they see so much security.
  • 32:43 - 32:45
    Don’t worry I’ll be careful.
  • 32:45 - 32:47
    Please be on the alert, Sir.
  • 33:16 - 33:17
    I knew it.
  • 33:18 - 33:20
    I knew that you would come even if you were late doing so.
  • 33:22 - 33:26
    And do you know, I’d a bet on this with my mother and see I’ve won.
  • 33:27 - 33:30
    At least show me what this thing is because of which you called me so many times.
  • 33:30 - 33:31
    Its a surprise.
  • 33:32 - 33:33
    But for me to show it to you,
  • 33:33 - 33:36
    you will have to first close your eyes and then come with me.
  • 33:36 - 33:37
    What do you mean?
  • 33:37 - 33:38
    Yes, yes its a surprise!
  • 33:38 - 33:40
    So please, please, please!
  • 33:40 - 33:40
    Okay.
  • 33:40 - 33:41
    Close your eyes.
  • 33:42 - 33:42
    Okay there.
  • 33:42 - 33:43
    Are they closed?
  • 33:43 - 33:44
    And no cheating.
  • 33:44 - 33:46
    Okay fine, they’re closed.
  • 33:46 - 33:49
    That’s it… now walk with me.
  • 34:10 - 34:11
    Keep coming …
  • 34:12 - 34:14
    and just follow my voice.
  • 34:22 - 34:23
    Are your eyes still closed?
  • 34:23 - 34:24
    Absolutely.
  • 34:25 - 34:26
    Now when I say 1, 2, 3...
  • 34:28 - 34:30
    You need to open your eyes..
  • 34:30 - 34:30
    Okay.
  • 34:30 - 34:32
    1, 2…
  • 34:35 - 34:36
    3……
  • 34:37 - 34:38
    Open them.
  • 35:17 - 35:18
    Parizaad Sir...
  • 35:20 - 35:23
    tell me, what you think of your sculpture?
  • 35:25 - 35:26
    Its lovely.
  • 35:29 - 35:30
    It’s beautiful.
  • 35:34 - 35:34
    But -
  • 35:34 - 35:35
    But what???
  • 35:40 - 35:42
    This is the vision of my perception of you.
  • 35:45 - 35:48
    It was something my thumbs touched and my fingers sculpted.
  • 35:52 - 35:54
    This is what you look like in my eyes.
  • 36:00 - 36:06
    This is exactly how you look in my heart….
Title:
Parizaad Episode 23 | Eng Subtitle | Presented By ITEL Mobile, NISA Cosmetics - 21 Dec 2021 - HUM TV
Description:

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Duration:
36:28

English (United States) subtitles

Revisions