EyeActing
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0:14 - 0:17Hi! Welcome to the Mikroteater
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0:17 - 0:20and the beautiful Chat Noir.
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0:20 - 0:21And right now,
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0:21 - 0:23it’s all happening at a theater,
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0:23 - 0:27because, people,
we're going to an audition! -
0:27 - 0:31Follow me, and follow
the arrows, to the audition. -
0:31 - 0:31Let's go.
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0:47 - 0:50For the last 6 or 7 years,
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0:50 - 0:54I've been developing
a new acting technique. -
0:55 - 0:58And I've simply called it "EyeActing."
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0:58 - 1:03It's based on the concept that
where you look in a room -
1:04 - 1:07affects how you feel.
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1:18 - 1:19OK, do you have sound?
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1:20 - 1:21Not yet.
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1:21 - 1:24Let me see. There.
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1:24 - 1:26Now you have sound.
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1:26 - 1:32You can put this there.
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1:34 - 1:39It turns out that through new research,
and neurology, -
1:39 - 1:43it turns out that where you look
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1:43 - 1:46in a room affects how you feel.
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1:47 - 1:52In other words, your gaze
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1:52 - 1:57has a direct connection
to your subconscious. -
1:58 - 2:01Tell me a little bit about Vera.
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2:03 - 2:06Vera is,
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2:06 - 2:09she is a girl who
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2:09 - 2:12hasn't had it easy growing up.
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2:12 - 2:16And together with five other girls,
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2:16 - 2:18she has found herself a pack. She lives
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2:20 - 2:22outside of normal society.
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2:22 - 2:24She's pretty young.
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2:25 - 2:27When you talk about Vera now,
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2:27 - 2:29can you feel her anywhere in your body?
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2:30 - 2:31In my mouth,
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2:31 - 2:33- Yes, good.
- Here, very much. -
2:33 - 2:34In your cheeks?
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2:34 - 2:37Yes. Almost like I can't open my mouth.
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2:37 - 2:39That's good.
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2:39 - 2:42Now if you look at the line,
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2:43 - 2:46a horizontal line
starting at the windows over there. -
2:47 - 2:50Can you feel Vera
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2:50 - 2:53strongest gazing to your left?
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2:54 - 2:56Or in the middle?
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2:57 - 2:59Or can you feel Vera
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2:59 - 3:02when you gaze to your right side?
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3:06 - 3:07On my left.
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3:08 - 3:09On your left?
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3:09 - 3:12Do you have an area, or a point?
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3:12 - 3:13I have an area.
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3:13 - 3:15You have an area.
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3:15 - 3:18When we work with EyeActing,
it's helpful to use -
3:18 - 3:21something called bilateral music.
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3:22 - 3:24It’s a kind of music
that we listen to with earphones. -
3:24 - 3:29And it alternates
between the left and right ear, -
3:30 - 3:34and it helps the actor concentrate.
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3:34 - 3:38When working on a scene,
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3:38 - 3:42you always start with the body,
finding a point -
3:42 - 3:47on what I call the line —
the horizon in your field of vision. -
3:47 - 3:50Then, you find the point
that corresponds to -
3:50 - 3:53how you feel in your body,
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3:54 - 3:57and this activates the subconscious.
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3:57 - 4:00Slowly,
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4:00 - 4:05you shift your focus from the conscious
to the subconscious, -
4:06 - 4:13and this allows the subconscious
to bring forth both emotions and physical behavior -
4:13 - 4:19sometimes you can see that actor
undergo a total physical transformation. -
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- Title:
- EyeActing
- Video Language:
- Norwegian Bokmal
- Duration:
- 23:49
![]() |
Anne Northrup edited English subtitles for EyeActing | |
![]() |
Anne Northrup edited English subtitles for EyeActing | |
![]() |
Anne Northrup edited English subtitles for EyeActing | |
![]() |
Anne Northrup edited English subtitles for EyeActing | |
![]() |
Anne Northrup edited English subtitles for EyeActing | |
![]() |
Anne Northrup edited English subtitles for EyeActing | |
![]() |
Anne Northrup edited English subtitles for EyeActing | |
![]() |
Anne Northrup edited English subtitles for EyeActing |