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Gajjala Gurram (Climax 2013 Telugu dubbed) Full Movie | Sana Khan | Suresh Krishna | Aravind Akash | Berny Ignatius

  • 4:38 - 4:38
    Cut it!
  • 4:44 - 4:46
    Well done Shiva! Ok!
    – Thank you sir!
  • 4:46 - 4:47
    Pack up!
  • 4:51 - 4:55
    Sir, our next film producer
    Buchaiah Chowdary is waiting in the hotel.
  • 4:56 - 4:57
    He is asked you once to come to the room.
  • 4:59 - 4:59
    Ok!
  • 5:00 - 5:02
    For the anger I am getting into,
    he would be…
  • 5:03 - 5:06
    He saying to narrate a good story
    has wasted 2 hours of time.
  • 5:07 - 5:10
    How daring is he to make
    a mix of 3 to 4 films?
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    I generally eat others brains and
    he now has eaten my brain.
  • 5:16 - 5:19
    What happened?
    Is any story okayed for us?
  • 5:20 - 5:23
    We narrated many stories,
    but Chowdary sir did not like any.
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    All were without any matter sir.
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    Hope you know well about the tragedy
    now in our field. – Yes
  • 5:33 - 5:37
    They are making men with sticks
    stand before every theatre.
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    Why is that?
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    To charge and send people in,
    else nobody is coming in.
  • 5:45 - 5:48
    What we need now is a subject
    which attracts youth very much.
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    There should be some vulgar scenes and
    girls should speak a few filthy words in English.
  • 5:53 - 5:55
    Then our film would be a super hit.
  • 5:56 - 5:59
    Then you write a good subject
    yourself suitable to the youth.
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    I came this far to inform you the same.
    We got a beautiful story.
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    You would be stunned by listening to that.
  • 6:12 - 6:16
    You had introduced a charming girl
    as the heroine for a film, right?
  • 6:16 - 6:19
    Later she committed suicide.
    What was her name?
  • 6:20 - 6:21
    Supriya!
    – What? – Supriya!
  • 6:22 - 6:25
    Supriya or Soundarya, does not matter.
    Both are gone.
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    If you have no objection, we will make
    a film with the story of that Supriya.
  • 6:30 - 6:30
    What do you say?
  • 6:34 - 6:35
    No, not that story.
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    It is been a long time since all that happened.
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    Why should we do a post-mortem of all that?
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    How did you become a writer?
    Say something and make the director agree.
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    Sir, if you think the words of Chowdary sir
    with a business mind,
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    it has a scope as per the present trend.
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    If you somehow do a film with the story of Supriya
    such that youth likes it, would be great.
  • 7:11 - 7:12
    Yes sir.
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    Added as you know greatly about her,
    we can make wonders.
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    Do not confuse me saying all of this.
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    I am saying for your good sir.
    This would become a super hit.
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    Give me that hand and
    take this as my request.
  • 7:34 - 7:39
    We are doing this film for sure.
    You do not say no now, please.
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    I actually wanted to ask another thing.
  • 7:47 - 7:50
    What exactly is the life story of that Supriya?
  • 7:51 - 7:55
    Has anyone killed her or committed suicide?
  • 7:57 - 7:58
    It would be good if say those truths.
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    Why are you so happy today, dear?
  • 8:18 - 8:23
    I have never expected to get a call
    from Raghavendra Rao sir.
  • 8:23 - 8:27
    You need luck to act in his film.
    Have you asked about the character?
  • 8:30 - 8:36
    I have not asked about that at all.
    I am happy just for a small role in his film.
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    Oh, you are doing the film of a great director.
    It is difficult now to catch you.
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    In which hotel are you giving me the treat?
  • 8:45 - 8:49
    You tell. I have no objection,
    where ever you say.
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    Ok, come in side.
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    I am really very happy.
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    My treat should be very special.
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    Ok, sure. Will I say no for you?
  • 9:51 - 9:52
    You come.
  • 9:52 - 9:56
    Hey, who is that girl? She looks new.
    Is she your relative? You have not said me.
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    She is a servant in my house.
  • 9:58 - 10:01
    Even your servant is so cute.
    Wow, she is really beautiful.
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    She is wow!
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    Say whatever, it is wrong for you to go there
    when madam and Arun Kumar sir had come.
  • 10:15 - 10:19
    I have not thought it wrong.
    I like that hero a lot.
  • 10:20 - 10:25
    By seeing him, I forgot myself.
    Is it so very wrong?
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    Whatever, it is happened.
    Leave it now.
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    It is good for you to be calm.
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    Ok, go and do your work.
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    I too am observing from few days.
    Why is madam so angry on you?
  • 10:45 - 10:51
    I will not say all that,
    it would sound nasty.
  • 10:51 - 10:53
    What is so nasty? Tell me.
  • 10:54 - 11:00
    Daily in the nights,
    I have to press her feet before sleeping.
  • 11:01 - 11:05
    She says to press up and
    still up while pressing the legs.
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    May be I have not done so and
    thus she is angry on me.
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    Hey, you unfaithful donkey!
    What are you saying?
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    How many times have I said
    not to peak when someone is here?
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    Your mother worked here before.
    She knows well how to be here.
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    Shut up! You should not be seen
    in the next minute. Get out.
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    Get out you bloody!
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    Go, get out I say!
  • 11:45 - 11:48
    Get lost, you rascal!
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    I will kill you, bloody!
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    Flowers, flowers!
    Jasmines just for 2 rupees a hand length.
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    We are living so with the salary
    she is paying us monthly.
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    You have now ruined even that, idiot!
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    But, I have not done any mistake mom!
  • 12:18 - 12:23
    Let me say you a thing,
    she is not that good as you think.
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    Why do you need whether
    she is good or not?
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    I said you that she hit me.
  • 12:34 - 12:36
    You have not asked me
    whether I am hurt.
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    Instead of sitting here so,
    go and ask her why has she hit me.
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    If possible slap her and come and
    only then you are my mother.
  • 12:54 - 12:58
    I am not saying no to you,
    but I am not keeping healthy.
  • 12:58 - 13:00
    Tell me how do we live
    without an income?
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    How much are these snacks?
    – 30 rupees.
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    I asked for one and not for all these.
  • 13:11 - 13:13
    Hey, who is this? Purna, you?
  • 13:15 - 13:20
    I could not recognise seeing you.
    She is become ready.
  • 13:26 - 13:28
    You covered it? I will remove it.
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    Oh, you have got full glamour.
    Come on, she is feeling shy.
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    Ok, where are you both mother
    and daughter coming from?
  • 13:39 - 13:41
    Nothing, Purna is not feeling well.
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    That is not at all a problem,
    just a monthly problem of ladies.
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    That is not a problem.
    It is full danger if that does not come.
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    I thought of meeting you
    just today morning.
  • 13:54 - 13:57
    Is it? So glamour for meeting me?
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    It is ok, what is the matter?
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    Nothing, can you arrange for a chance
    for my daughter to act in films?
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    Last time when I asked, Purna has rejected.
    Why is this sudden change?
  • 14:16 - 14:19
    You do not stare me and
    bring in a temptation.
  • 14:20 - 14:23
    What does that mean?
    – That is the want.
  • 14:24 - 14:29
    They also call it as seduction.
    We shall talk about that later, ok.
  • 14:31 - 14:36
    You got to act in films now, right?
    A Telugu director had come to me.
  • 14:36 - 14:40
    I will bring that director to your
    house tomorrow. – Ok!
  • 14:42 - 14:47
    Time is up, I am very busy now. I will meet
    tomorrow at your house with director. Ok?
  • 14:48 - 14:48
    Please do not forget.
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    Shall we leave?
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    This is a slum, but the girl
    we are going to see is super.
  • 15:07 - 15:10
    Here, this is the house.
    Please come sir.
  • 15:18 - 15:20
    Sir, this is the girl I said about. Purna!
  • 15:40 - 15:44
    Subba Rao, I do not need
    a girl suffering from Polio.
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    Sir, no problem with her legs.
    Both are completely fit.
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    Purna, stand up fast.
    Sir wants to see you completely.
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    Look sir, are they not good?
    – Bloody!
  • 15:58 - 16:01
    Great legs looking good
    like made up of wax sir.
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    Shall I show you once again?
    – Not needed.
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    Thank God, you saved me.
  • 16:05 - 16:11
    Sir is just joking.
    Film director is here to see you.
  • 16:16 - 16:16
    Is it?
    - Yes
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    Greetings sir.
    – Hello.
  • 16:19 - 16:20
    Is mother inside?
    – Yes
  • 16:21 - 16:23
    Mom, come here once.
    - What?
  • 16:25 - 16:26
    Director it seems.
    – Is it you?
  • 16:27 - 16:27
    Yes, me.
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    Sir, this is Mangamma.
    Mother of Purna!
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    He is the director I said about,
    Ramgopal Sarma.
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    Greetings sir. – Greetings.
  • 16:36 - 16:38
    Madam, we need to take
    some photos of Purna.
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    Please take.
    Shall I change my dress and come.
  • 16:41 - 16:43
    This dress is fine. This is enough.
  • 17:19 - 17:20
    Oh God, what a heat?
    I have become black.
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    I will inform Subbarao
    after seeing the photos.
  • 17:24 - 17:26
    Ok sir!
    – Did you like me?
  • 17:26 - 17:29
    I will tell you that after developing
    the photos and seeing them.
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    Subbarao, let us start.
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    Wait sir, have some Tea and leave.
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    Nothing so, see you.
    – Ok sir.
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    Come on.
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    Sir, you keep going and
    I will just catch you up.
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    I think they would give you a chance.
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    He is liked Purna very much.
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    You will become a great star with this film.
  • 17:48 - 17:51
    Then this Subbarao is your manager.
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    Her face is very much photogenic and
    she would best fit our character.
  • 18:10 - 18:11
    Why have they still not come?
  • 18:11 - 18:14
    They will come sir. I said the room number too
    and they will come anytime.
  • 18:15 - 18:19
    Subbarao, it is been many days since you
    became a junior artiste supplier, right?
  • 18:19 - 18:21
    Yes! – Have you earned any money?
  • 18:21 - 18:26
    Nothing sir. What all I earned is marrying
    a girl who is two months pregnant.
  • 18:28 - 18:30
    Why have you married a pregnant lady?
  • 18:31 - 18:35
    Doctor is clearly said me
    not to do any hard works.
  • 18:37 - 18:37
    I think they are here.
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    Come on, why are you late?
    – Come.
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    Greet him.
    – Greetings sir.
  • 18:46 - 18:47
    Please sit.
    – Come on sit.
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    No problem sir,
    we shall stand here.
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    All the photos have come very good.
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    Do you have the confidence
    to act in a film?
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    I have a lot sir.
    – Ok!
  • 19:03 - 19:06
    Look, we need to change
    this name Purna.
  • 19:09 - 19:11
    You tell us which name would be good sir.
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    I have selected a name readily.
  • 19:19 - 19:22
    Supriya!
    – Wow, Supriya! Great name.
  • 19:23 - 19:24
    What, did you like it?
  • 19:26 - 19:29
    We liked sir.
    – I liked it very much sir.
  • 19:33 - 19:37
    Look Supriya, you should immediately
    start learning dance from today.
  • 19:38 - 19:39
    Is it required so urgently?
  • 19:40 - 19:43
    Why urgently, leave it. You can learn
    after 10 films. It would be good.
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    Supriya, I will give another advice. For you
    more important than dance is the manners.
  • 19:51 - 19:53
    Where do I find that sir?
    – I think I am better.
  • 19:54 - 19:59
    That is available here in the super market.
    Buy and take it twice a day and it is enough.
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    Wow, you said it great sir.
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    Anyway Supriya, you are very lucky.
  • 20:07 - 20:10
    Hey, go and take blessings
    from the director sir. Go baby.
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    God bless you.
  • 20:15 - 20:19
    Our shooting starts on 5th
    next month in Hyderabad.
  • 20:20 - 20:21
    All the best.
    – Thanks.
  • 20:24 - 20:27
    Mom!
    - It is all the grace of God.
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    This is the charm and grace
  • 21:08 - 21:11
    This is the want that you asked for.
  • 21:12 - 21:17
    Beauty has opened the curtain so.
  • 21:20 - 21:22
    Give the feast that does magic
    and fulfils the needs
  • 21:23 - 21:26
    I have the thirst hurting at heart,
    put the medicine
  • 21:27 - 21:31
    I came this evening for a small help dear
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    After the day is become night
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    Flower bed is waiting for us,
    Heart is blossomed in love
  • 22:12 - 22:18
    Your beauty would be hurt
    even by the sight dear
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    I am giving you wanted
    with the chains of my hug
  • 22:27 - 22:33
    With this day mixed
    with romance as the night
  • 22:34 - 22:40
    Age is drenched opening
    the doors of joy and is killing
  • 22:41 - 22:48
    With the hot events,
    this beauty says hello coming to you
  • 22:49 - 22:51
    Is this the winter or season of romance
  • 22:52 - 22:55
    This is the charm and grace
  • 22:56 - 22:59
    This is the want that you asked for.
  • 22:59 - 23:04
    Beauty has opened the curtain so.
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    How if you stall me catching
    my saree like a thief?
  • 23:48 - 23:54
    My body is getting
    heated up is tempting me
  • 23:56 - 23:59
    Will you cool down the heat
    of your beauty?
  • 23:59 - 24:03
    Will you pacify the problem
    of my age?
  • 24:03 - 24:09
    Serve the honey in your lips as a kiss
  • 24:10 - 24:17
    There is the jasmine garden, a word
    to share and our couple is set now
  • 24:17 - 24:24
    Here is a beauty like the Ellora statue
    and she is my companion
  • 24:24 - 24:28
    These are our heavens
    and dreams unlimited
  • 24:28 - 24:31
    This is the charm and grace
  • 24:32 - 24:35
    This is the want that you asked for.
  • 24:35 - 24:41
    Beauty has opened the curtain so.
  • 24:43 - 24:45
    Cut it. Is it ok?
    – Ok sir!
  • 24:47 - 24:47
    Pack up!
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    Excellent, you did more than
    what I expected. Keep it up!
  • 24:55 - 24:56
    It is all your grace sir.
  • 24:56 - 24:59
    Shoot for the day is done.
    You leave to the room now.
  • 24:59 - 25:01
    You should be ready by 7 in the morning.
    – Ok sir
  • 25:02 - 25:02
    Good night.
  • 25:08 - 25:11
    Supriya, dance is full great.
    – is it?
  • 25:12 - 25:15
    After watching this youth will be shaken.
  • 25:16 - 25:18
    They will not even sleep a day in peace.
  • 25:20 - 25:20
    Why?
  • 25:21 - 25:28
    I mean to say youth will have to
    twice a day drink Horlicks.
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    God, give the power of control to those
    watching this glamour. And also to me.
  • 25:51 - 25:53
    Hello madam.
    – Hello
  • 25:54 - 25:55
    This is the house of Suriya, right?
    – Yes
  • 25:56 - 25:58
    I came from Haripriya production.
  • 25:58 - 25:59
    I see, please come in and sit.
  • 26:00 - 26:02
    No madam, I need to say a thing
    and leave urgently.
  • 26:02 - 26:05
    Our producer Ramanatham sir said
    to see Supriya urgently.
  • 26:06 - 26:09
    Our company is starting a new movie.
    I will send the car by 4.
  • 26:10 - 26:11
    Is Supriya not at home?
  • 26:11 - 26:13
    She is gone out.
    She will be back anytime.
  • 26:14 - 26:16
    Ok, we shall meet there.
    – Ok
  • 26:16 - 26:17
    I will leave now. – Ok.
  • 26:26 - 26:29
    Please come madam, come.
    Come in and sit.
  • 26:31 - 26:32
    Come.
    – Please come
  • 26:32 - 26:39
    Come and be seated.
    – Okay
  • 26:40 - 26:41
    One second.
    – Ok
  • 26:56 - 26:58
    Please come
    – Come baby
  • 27:00 - 27:02
    You be seated here. You come baby.
  • 27:04 - 27:06
    You go and come baby.
    I will be right here.
  • 27:06 - 27:07
    Yes, come
  • 27:22 - 27:24
    Come, come. Be seated.
  • 27:30 - 27:32
    Do not fear baby, sit.
  • 27:49 - 27:52
    Supriya, you are very beautiful.
  • 27:54 - 27:55
    Do you know about me?
  • 27:57 - 28:04
    My name is Ramanatha Reddy. My company will be
    doing two big films with Chiranjeevi and Balakrishna.
  • 28:05 - 28:10
    I am thinking it would be good to
    book you opposite to those two.
  • 28:12 - 28:13
    Thanks a lot sir.
  • 28:14 - 28:21
    Risk is high for us who invest
    crores and do movies.
  • 28:24 - 28:30
    All money would be wasted like
    putting in dustbin if the movies are flop.
  • 28:31 - 28:38
    Inspiration then for us to invest
    again is young heroines like you.
  • 28:42 - 28:48
    Supriya, why all this beating in the bush?
    I will tell openly.
  • 28:51 - 28:54
    I really liked you very much.
  • 28:56 - 29:00
    There is an AC bedroom inside.
    Shall we go there and speak peacefully?
  • 29:01 - 29:05
    No sir, it is enough if you say right here.
    I am allergic to AC.
  • 29:07 - 29:16
    Joke! You do not fear, none outside
    would know about what happens here.
  • 29:17 - 29:21
    You will turn into a number one heroine
    with these films.
  • 29:24 - 29:28
    I just understood that just talent is not enough to act,
    but should surrender body to the producer.
  • 29:29 - 29:30
    You look for any other for that, bloody!
  • 29:32 - 29:38
    Supriya, stop! Listen to me.
    Come inside, there is AC.
  • 29:39 - 29:43
    No, leave me.
  • 29:46 - 29:47
    He is done many films like that.
  • 29:51 - 29:53
    What happened, has he fixed?
  • 29:54 - 29:56
    Purna!
    – Bloody rascal!
  • 29:56 - 29:59
    Have you brought me here
    to pimp me to him?
  • 30:00 - 30:01
    Come mother!
  • 30:05 - 30:09
    Why to hit that manager for the
    wrong behaviour of that producer?
  • 30:09 - 30:10
    What you did was wrong, baby.
  • 30:16 - 30:19
    You do not know about cinema,
    it will happen only by adjusting.
  • 30:20 - 30:23
    Else, we cannot stand here.
    Remember that.
  • 30:25 - 30:27
    You mean to say, I should go and
    sleep with that bloody fellow.
  • 30:30 - 30:33
    If you are my own mother,
    would you say this to me?
  • 31:01 - 31:01
    Purna!
  • 31:10 - 31:15
    When you were thrown on streets by
    your mother, I brought and grew you up.
  • 31:16 - 31:22
    Else being caught by some beggars,
    you would have been lame and begging.
  • 31:29 - 31:29
    Mom!
  • 31:38 - 31:41
    Whatever I say is for your good.
  • 31:44 - 31:48
    Forgive me if you feel
    anything I said is wrong.
  • 32:00 - 32:01
    Wait, I will just come.
  • 32:47 - 32:48
    Cut!
  • 32:52 - 32:54
    Give! I will wear it.
  • 33:05 - 33:06
    Hi Supriya, how are you?
  • 33:07 - 33:07
    Sir, I am fine.
    – Good
  • 33:08 - 33:09
    Please be seated. – Thank you.
  • 33:11 - 33:16
    You are a popular artiste today. I heard
    your recent Tamil movie is a blockbuster.
  • 33:17 - 33:19
    Congratulations.
    – Thank you sir.
  • 33:19 - 33:20
    Sit down.
  • 33:22 - 33:25
    I heard you committed a lot of movies.
    Is that true?
  • 33:26 - 33:26
    Yes.
    – Oh good.
  • 33:27 - 33:28
    It is all by the grace of God sir.
  • 33:29 - 33:31
    Supriya, one glad news.
    – What?
  • 33:32 - 33:35
    You are the heroine in the next film
    I would be acting.
  • 33:35 - 33:38
    I specially recommended to the producer.
    – Thank you sir.
  • 33:39 - 33:42
    It is a great luck to get a chance
    to act with you.
  • 33:43 - 33:46
    I arranged a get together tomorrow
    for the discussion of that film.
  • 33:47 - 33:48
    At the Taj hotel and
    you should come for sure.
  • 33:55 - 33:59
    It is enough if you come all alone, ok?
  • 34:03 - 34:07
    Sorry sir, I do not have the habit
    of such get together events.
  • 34:08 - 34:11
    What Supriya, all these are
    common things in this field.
  • 34:12 - 34:16
    It is all acting. Think even this as acting.
  • 34:18 - 34:19
    I have booked a suit room there.
  • 34:20 - 34:25
    Bloody, shall I strip at all for
    getting chances in movies?
  • 34:26 - 34:28
    Look any other for that.
  • 34:32 - 34:38
    All the heroines of today are at this position
    after agreeing to such small adjustments.
  • 34:39 - 34:41
    Why are you hating the men like this?
  • 34:41 - 34:49
    I have no objection to marry the man
    I like and become a mother.
  • 34:49 - 34:56
    But if anyone tries to touch me without
    my permission, I will ruin their manliness.
  • 35:11 - 35:14
    Hello! Yes, this is the house of Supriya.
  • 35:16 - 35:18
    Supriya is gone to Hyderabad for shooting.
  • 35:19 - 35:20
    She will be back only after two weeks.
  • 35:21 - 35:23
    Have you kept the balance shoot
    of Tamil film here?
  • 35:25 - 35:28
    How can that happen?
    You call and ask Supriya.
  • 35:30 - 35:31
    Ok, I am hanging up the phone.
  • 35:50 - 35:51
    Wear this shirt.
    – Ok sir.
  • 35:57 - 35:58
    Good morning sir.
    – Yes Good morning.
  • 35:59 - 36:01
    Sir, I need to speak with you.
    – Be seated.
  • 36:03 - 36:03
    Tell me.
  • 36:04 - 36:06
    I feel a bit hard to tell you.
  • 36:07 - 36:11
    I just got a call today that the shoot is
    tomorrow morning in Chennai.
  • 36:12 - 36:15
    It is only for a song.
    Even the release date is fixed.
  • 36:16 - 36:20
    You need to send me for two days.
    – But, Supriya
  • 36:22 - 36:24
    Shooting will be stalled if you leave.
  • 36:25 - 36:28
    Please do not say so sir.
    It will be a problem if I do not go.
  • 36:29 - 36:33
    Send me somehow for two days.
    This is my request. Please sir.
  • 36:34 - 36:38
    Ok, if you delay saying just two days,
    shoot here would stop.
  • 36:38 - 36:39
    All would be in waiting.
  • 36:40 - 36:41
    No sir, I will come back for sure.
  • 36:41 - 36:42
    Promise! – Promise.
  • 36:43 - 36:44
    Many thanks sir.
  • 36:44 - 36:47
    Supriya, someone from a film weekly magazine
    has come to meet you.
  • 36:47 - 36:48
    It seems they need an interview.
  • 36:49 - 36:52
    Oh no, I have not got the habit
    of giving interviews sir.
  • 36:52 - 36:53
    I feel frightened.
  • 36:54 - 36:57
    Why fear? It is enough if you answer
    what you know to the questions they ask.
  • 36:59 - 36:59
    Ok sir!
  • 37:01 - 37:02
    Ask me.
  • 37:02 - 37:05
    Madam, you acted very glamourous
    in 1st picture.
  • 37:05 - 37:08
    If you repeat the same you would
    get that image, right?
  • 37:09 - 37:14
    As all liked the 1st picture, all the directors
    are asking me to do such roles.
  • 37:15 - 37:18
    But, even I too will have the wish
    to do good characters.
  • 37:19 - 37:21
    Ok! Madam, do you believe in God?
    – Yes
  • 37:21 - 37:25
    This is the modern time, where women
    are in the front at all fields.
  • 37:25 - 37:27
    What is your opinion about Poolan Devi?
  • 37:29 - 37:31
    Goddess Parashakti is my favourite Goddess.
  • 37:32 - 37:35
    I go to that temple every Friday.
  • 37:39 - 37:45
    What justice is this to ask me for payment
    when the producer has not paid you?
  • 37:46 - 37:50
    I have to leave for Madras today
    without fail. Flight is 9:30 sir.
  • 37:51 - 37:52
    Madam, what all you said is true.
  • 37:52 - 37:54
    But, producer would come with the
    money only if you are stopped here.
  • 37:56 - 37:57
    He has to pay us
    one lach twenty thousand rupees.
  • 37:58 - 38:00
    Producer is not to be seen from three days.
  • 38:00 - 38:02
    What is the use by
    stopping me here for that?
  • 38:03 - 38:05
    It is not me, who has booked a room
    in your hotel.
  • 38:05 - 38:07
    This issue will be solved only
    by stopping you here.
  • 38:08 - 38:11
    Owner has ordered not to send you out
    unless the producer brings the money.
  • 38:12 - 38:12
    I am helpless.
  • 38:21 - 38:25
    Yes, I will give. Good morning sir.
    – Good morning.
  • 38:28 - 38:29
    You have got no other way madam.
  • 38:30 - 38:32
    If required pay the money
    we should get and go.
  • 38:33 - 38:34
    What is that issue there?
  • 38:34 - 38:36
    As the shooting party stayed here
    has not paid the money,
  • 38:37 - 38:39
    Heroine Supriya is stopped here sir
    and that is the issue sir.
  • 38:41 - 38:43
    Madam, I am saying you finally. You will not be
    allowed to leave till we get the money.
  • 38:44 - 38:44
    Supriya!
  • 38:44 - 38:46
    What is this, are you threatening me?
  • 38:47 - 38:50
    If you do not let me out,
    I will call the Police.
  • 38:50 - 38:52
    Please call, problem will be
    solved only then.
  • 38:52 - 38:54
    Anil, lock the room.
    – Sir.
  • 38:55 - 38:57
    Why are you saying to lock the room?
    I need to go.
  • 38:57 - 38:58
    What is the problem Radhakrishna?
  • 39:00 - 39:03
    Sir, producer of her movie has to
    pay us a big amount.
  • 39:04 - 39:05
    He is absconding from about 3 to 4 days.
  • 39:06 - 39:08
    We are saying not to let madam
    leave till amount is paid.
  • 39:19 - 39:22
    Still what is this? As producer has not paid,
    will stop the artiste who came to act?
  • 39:23 - 39:24
    It was not her who booked
    the room, right?
  • 39:31 - 39:36
    She is a celebrity. If she goes with law,
    you will have to see the court.
  • 39:39 - 39:41
    I have a shooting tomorrow at Madras Sir.
  • 39:42 - 39:45
    They will complain on me in
    the association, if I do not turn up.
  • 39:51 - 39:54
    How much should that producer pay?
    -1, 20,000
  • 39:55 - 39:57
    Okay, I will pay that amount.
    You let her go.
  • 39:58 - 40:00
    It is enough if you pay me back
    after the producer pays it.
  • 40:01 - 40:03
    Ok, thank you sir. Anil, come.
    – Sir
  • 40:07 - 40:07
    Many thanks sir.
  • 40:17 - 40:20
    Excuse me, I am not getting who you are.
  • 40:21 - 40:24
    I am Ramkumar, an exporter.
    I frequently come to Madras.
  • 40:25 - 40:27
    I even have an office in Mount Road.
    – Is it?
  • 40:28 - 40:29
    I keep watching all your films.
  • 40:30 - 40:33
    I like your Tamil films more than
    your Telugu films.
  • 40:34 - 40:36
    Thank you sir.
    – Here, madam.
  • 40:39 - 40:43
    Sir, it is time for my flight. You should call me
    for sure when you come to Madras.
  • 40:43 - 40:45
    Sure. – Ok, bye!
    – Bye
  • 41:14 - 41:17
    Hi Ramkumar sir.
  • 41:26 - 41:28
    Come sir, it is a surprise.
  • 41:30 - 41:33
    Please come and be seated.
  • 41:35 - 41:39
    Sorry! Oh no, all are kept here.
  • 41:41 - 41:47
    It would not be so comfortable here.
    Is the money given at the hotel back sir?
  • 41:48 - 41:51
    No, I did not find time to go that way again.
  • 41:52 - 41:56
    If you would not have given the money that day,
    it may have been a big problem for me.
  • 41:57 - 42:00
    All here were waiting for me.
  • 42:03 - 42:06
    Sir, any Tea or coffee for you?
  • 42:06 - 42:09
    Nothing, I just finished my breakfast and come.
  • 42:33 - 42:37
    See Supriya, you should not feel
    if I say something.
  • 42:39 - 42:40
    What sir?
  • 42:42 - 42:46
    It does not look good for a celebrity
    like you to stay in such a house.
  • 42:48 - 42:51
    That may not even be good
    for your career too.
  • 42:54 - 43:01
    I too am wishing to shift from
    this house to a bigger house.
  • 43:01 - 43:06
    But, I am not getting enough
    remuneration for that now.
  • 43:10 - 43:10
    Even this is a rented house.
  • 43:14 - 43:15
    Shall I give you an advice?
  • 43:16 - 43:18
    You shift to my bungalow immediately.
  • 43:24 - 43:30
    That is vacant for whole time except for
    the 2 or 3 days I come and stay.
  • 43:31 - 43:37
    Oh no, not required sir. It should be to
    my own house I would be shifting from here.
  • 43:39 - 43:39
    That is my wish.
  • 43:41 - 43:44
    That is it, feel that as your own house.
  • 43:47 - 43:53
    If you are not comfortable staying for free,
    pay me the rent. I will take it.
  • 43:55 - 43:57
    This house is a lucky house for me sir.
  • 44:00 - 44:06
    Ok, a lucky house! Either your mom or
    your relatives would stay in this house.
  • 44:07 - 44:07
    What do you say?
  • 44:11 - 44:14
    I need to speak to my mom in this regard.
  • 44:37 - 44:38
    Hey, come on!
  • 44:50 - 44:52
    Bring that box in.
    – Ok Sir.
  • 44:55 - 44:58
    All these are very good. Beautiful!
  • 44:59 - 45:01
    All these are not ordinary paintings,
    they are very expensive.
  • 45:07 - 45:10
    There is only one bedroom down.
    Master bedroom is up.
  • 45:11 - 45:11
    Catch!
  • 45:16 - 45:19
    These both are bedrooms. This is my
    office room. It is kept locked.
  • 45:29 - 45:30
    This is the master bedroom.
  • 45:33 - 45:36
    Look, I will leave tomorrow for
    Bombay by the evening flight.
  • 45:37 - 45:40
    I am back only after two days.
    Call me if you need anything.
  • 45:41 - 45:42
    This is my card.
  • 45:54 - 45:58
    I should give you an advice.
    – What?
  • 45:59 - 46:00
    It will not do if you are the same.
  • 46:01 - 46:02
    You need to concentrate more on the career.
  • 46:04 - 46:08
    After I am back from Bombay, let us call
    all the media and plan for a good coverage.
  • 46:09 - 46:11
    Ok!
    – Ok
  • 46:40 - 46:42
    It may rain. Supriya, are you ready?
  • 46:43 - 46:43
    Ready sir.
  • 47:10 - 47:13
    Heart asked for beauties like the lotus petals
  • 47:14 - 47:18
    The romance has created urgency coolly
  • 47:22 - 47:25
    Heart asked for beauties like the lotus petals
  • 47:26 - 47:30
    The romance has created urgency coolly
  • 47:31 - 47:34
    You have trapped this poor baby
  • 47:35 - 47:38
    I will offer you the beauties now
  • 47:39 - 47:42
    You are caught now baby,
    will not leave now
  • 47:43 - 47:46
    Let us make this entire river in to a flower bed
  • 47:49 - 47:52
    Heart asked for beauties like the lotus petals
  • 47:53 - 47:57
    The romance has created urgency coolly
  • 48:14 - 48:17
    Your beauties have pinched me
  • 48:18 - 48:21
    They have got naughty with me
  • 48:22 - 48:26
    You slowly made an entry into my heart
  • 48:26 - 48:30
    You raised a romantic feel in me
  • 48:30 - 48:34
    Shall I give you a swing and play with you
  • 48:35 - 48:38
    Shall I tranquilise you and do a magic
  • 48:39 - 48:42
    Shall I own all your beauties
  • 48:44 - 48:47
    Heart asked for beauties like the lotus petals
  • 48:48 - 48:52
    The romance has created urgency coolly
  • 49:17 - 49:21
    In a sweet and pleasurable moment
  • 49:21 - 49:25
    Shall I take over your honey like body
  • 49:26 - 49:29
    Wants in heart should be fulfilled at pace
  • 49:30 - 49:33
    My saree is singing a romantic tune
  • 49:34 - 49:38
    I am diverted at you and should own you
  • 49:38 - 49:42
    I will hide you in heart
    and welcome you
  • 49:42 - 49:45
    Then I will fulfil my hunger of you
  • 49:47 - 49:51
    Heart asked for beauties
    like the lotus petals
  • 49:52 - 49:56
    The romance has created urgency coolly
  • 49:57 - 50:00
    You have trapped this poor baby
  • 50:01 - 50:04
    I will offer you the beauties now
  • 50:04 - 50:08
    You are caught now baby,
    will not leave now
  • 50:09 - 50:12
    Let us make this entire river
    in to a flower bed
  • 50:13 - 50:16
    You are caught now baby,
    will not leave now
  • 50:17 - 50:20
    Let us make this entire river
    in to a flower bed
  • 50:26 - 50:27
    Vijay, cut that glare a bit
  • 50:29 - 50:30
    What is this?
  • 50:34 - 50:37
    Madam!
    – What? Are these of my size?
  • 50:39 - 50:40
    What is this? Go!
  • 50:52 - 50:53
    Bloody!
  • 51:03 - 51:04
    Ready sir!
  • 51:05 - 51:05
    Call the artistes. – Ok sir
  • 51:07 - 51:08
    What is this?
    Have you not washed it?
  • 51:08 - 51:09
    How many times shall I tell?
    – Madam, shot ready.
  • 51:10 - 51:11
    What is this shot and shot? Go!
  • 51:15 - 51:17
    Madam, shot ready.
    – Ok move.
  • 51:18 - 51:18
    You go and bring water.
  • 51:22 - 51:23
    Bloody!
  • 51:30 - 51:32
    This is continuation scene for
    what we shot yesterday night.
  • 51:33 - 51:36
    You do not like Supriya loving your brother.
  • 51:37 - 51:40
    Thus you will get into a fight now.
    – Ok
  • 51:41 - 51:44
    As you insult her, she would hit you.
  • 51:45 - 51:45
    Have you understood?
  • 51:46 - 51:50
    Murthy, dictate the dialogues once to both.
    – Ok sir.
  • 51:52 - 51:58
    Sir, is it required to hit me in this scene?
  • 51:58 - 51:59
    What, why?
  • 52:01 - 52:07
    If I act in this scene,
    my image will be gone sir.
  • 52:08 - 52:10
    Will the image go? How will it go?
  • 52:11 - 52:17
    If a new heroine hit me, who am
    a senior artiste, my fans will not like it sir.
  • 52:20 - 52:22
    What Aparna, this is only acting.
  • 52:23 - 52:27
    When an artiste comes to act, they have to do
    as per the demand of that character.
  • 52:28 - 52:29
    Only then they are called real artistes.
  • 52:30 - 52:34
    All that is true.
    But, this is my personal request.
  • 52:34 - 52:35
    Please avoid this scene.
  • 52:36 - 52:39
    Why are you talking so Aparna?
    What is your problem?
  • 52:40 - 52:46
    Sir, she was my servant maid.
    It is quite disgusting to get slapped from her.
  • 52:47 - 52:48
    Sir!
  • 52:53 - 53:02
    Whether she was my boss or I was her servant, when she
    comes for acting it is her duty to co-operate with her co-star.
  • 53:13 - 53:16
    You talking so being such a senior is very wrong.
  • 53:17 - 53:21
    The one hitting here is not Supriya,
    but the character in this movie.
  • 53:22 - 53:26
    Sir, please!
    – Impossible, make it fast without wasting time.
  • 53:27 - 53:29
    Else, I will have to complain on you
    at the artiste association.
  • 53:31 - 53:33
    Murthy, say the dialogues once.
    – Ok sir.
  • 53:33 - 53:34
    Ready!
    – Yes, ready sir.
  • 53:35 - 53:35
    All lights!
  • 53:40 - 53:41
    Start camera!
    – Rolling sir
  • 53:41 - 53:43
    13 by 1, take 1 – Action
  • 53:44 - 53:48
    What qualified are you
    to marry my brother?
  • 53:49 - 53:55
    I will not agree for him to marry a
    characterless girl like you till I am alive.
  • 54:02 - 54:03
    Get out, you dirty dog.
  • 54:05 - 54:07
    Cut! Good!
  • 54:14 - 54:14
    Lights off
  • 54:36 - 54:39
    Very costly foreign wine.
    A friend who met at Bombay gave me.
  • 54:40 - 54:41
    No, I do not want sir.
  • 54:41 - 54:43
    Hey, this has very less of Alcohol.
  • 54:44 - 54:48
    And also it is very good for health to take
    low quantity of wine every day.
  • 54:49 - 54:50
    Just have a sip and see. – No!
  • 54:51 - 54:54
    No need if you do not like the taste.
    Come on! - No sir
  • 54:54 - 54:56
    Please, have and see.
  • 55:00 - 55:00
    Come on, have it.
  • 55:05 - 55:06
    Come on, have some.
  • 55:12 - 55:13
    Slow, slow! Hey!
  • 55:16 - 55:16
    Oh my!
  • 55:19 - 55:22
    Hey, this tastes like the grape juice.
  • 55:26 - 55:29
    Give, have some more.
  • 55:55 - 55:57
    What, is it like water that you have the wine?
  • 56:37 - 56:38
    I feel very much tranquilised.
  • 56:40 - 56:41
    You just enjoy the feeling.
  • 56:42 - 56:43
    I will sleep after sometime.
  • 56:46 - 56:48
    It looks like, I may faint.
  • 60:34 - 60:36
    Good morning!
    - Good morning!
  • 60:37 - 60:38
    Supriya! Have you got up early?
  • 60:40 - 60:44
    No sir, I just got up.
    I will just bring coffee.
  • 60:45 - 60:45
    Supriya!
  • 60:57 - 60:58
    Many, many happy returns of the day!
  • 61:05 - 61:08
    Thank you Sir.
    Do you know my birthday Sir?
  • 61:10 - 61:14
    Will we so easily forget the birthday
    of a big star? Come on open it.
  • 61:17 - 61:22
    Wow! Diamond necklace?
    – Yes
  • 61:27 - 61:30
    This is the most valuable gift I got sir.
    Thank you sir.
  • 61:31 - 61:35
    No, you should not call me
    Sir from now onwards.
  • 61:37 - 61:42
    You call me RK.
    I like you calling me RK.
  • 61:47 - 61:49
    In a way, there is an importance for this day.
  • 61:52 - 61:55
    You have become a part of
    my life from today.
  • 62:00 - 62:07
    Not just that, you have also become
    an equal partner in my business too.
  • 62:15 - 62:19
    After Ramkumar stepped in to the life of Supriya,
    her career graph shot up fast.
  • 62:21 - 62:24
    She is acted in Hindi films too
    with his influence in Bombay.
  • 62:25 - 62:30
    With that Supriya is bagged a name
    as one of the greatest actresses of India.
  • 62:31 - 62:34
    This would run and become a megahit.
  • 62:34 - 62:38
    If you do not believe, I would write and
    sign on a bond, what do you say?
  • 62:40 - 62:42
    Say that after listening to the
    whole story Chowdary sir.
  • 62:42 - 62:43
    Listen to the rest of the story too.
  • 62:44 - 62:46
    Then what all you showed
    was just a trailer.
  • 62:47 - 62:51
    Main story starts here then.
    Come on open it up completely.
  • 62:51 - 62:52
    Why do you hide now sir?
  • 63:13 - 63:14
    Come fast!
  • 63:42 - 63:43
    Supriya!
  • 63:52 - 63:53
    Cut it!
  • 64:06 - 64:07
    Good evening.
    – Good evening.
  • 64:08 - 64:10
    I do not even miss a single movie of yours.
    I am a big fan of yours.
  • 64:11 - 64:12
    Thank you. Where have you come from?
  • 64:13 - 64:14
    We are MBA students
    coming from Visakhapatnam.
  • 64:16 - 64:19
    I am saying openly.
    To see you was a big dream for me.
  • 64:19 - 64:21
    This is a memorable day for me in my life.
  • 64:21 - 64:23
    Madam, autograph please.
    – Yes sure
  • 64:30 - 64:31
    Thank you madam.
  • 64:32 - 64:32
    Can you write on my heart please?
  • 64:33 - 64:35
    It will not be gone writing
    on the heart, right?
  • 64:57 - 65:00
    Tell the truth. It was to see Supriya,
    right for you to be going to Madras?
  • 65:01 - 65:04
    Will it be possible for me to avoid
    seeing my favourite actress Supriya as
  • 65:04 - 65:05
    and when I get a chance,
    if I go to Madras?
  • 65:05 - 65:07
    First of all you should be allowed in
    by her security guys, right?
  • 65:08 - 65:10
    This Rahul knows well
    what is to be done for that.
  • 65:11 - 65:13
    Look, we shall talk about
    the rest after I am back. Ok?
  • 65:14 - 65:15
    All the best, happy journey!
  • 65:15 - 65:16
    Thank you bro!
  • 65:41 - 65:42
    Who is it?
  • 66:00 - 66:01
    I am Rahul.
  • 66:06 - 66:11
    Have you forgotten me?
    Ooty, shooting spot, autograph!
  • 66:15 - 66:18
    Yes, I remember. Now I recollected.
  • 66:21 - 66:21
    You and here.
  • 66:22 - 66:23
    I came for the interview at
    American Conciliate.
  • 66:25 - 66:26
    I see!
    – Is it here that you stay?
  • 66:27 - 66:30
    Yes, why have you asked so?
  • 66:31 - 66:32
    Nothing, this is my house.
  • 66:37 - 66:40
    This is the house of Ramkumar sir, right?
  • 66:40 - 66:43
    Yes, he is my dad.
  • 67:08 - 67:09
    Come.
    – Yes
  • 67:14 - 67:15
    Sit.
  • 67:15 - 67:17
    I did not know that dad has given
    this bungalow on rent to you.
  • 67:20 - 67:22
    It is just been 2 weeks since I came here.
  • 67:23 - 67:28
    I am happy. You are in here means,
    Ramkumar bungalow too would become famous.
  • 67:28 - 67:32
    One minute, Rahul be seated.
    I will just be back. – Ok.
  • 68:18 - 68:19
    When did you come?
  • 68:21 - 68:21
    I came early morning.
  • 68:40 - 68:43
    I rented this bungalow
    to artiste Supriya.
  • 68:45 - 68:50
    Bungalow is locked except for the
    2 or 3 days when I come and stay.
  • 68:56 - 68:57
    Is Supriya not here?
  • 68:58 - 68:59
    She is there and has just gone up.
  • 69:01 - 69:02
    There she is come.
  • 69:20 - 69:20
    Hi Supriya!
  • 69:24 - 69:25
    This is my Son, Rahul.
  • 69:27 - 69:28
    I am already introduced to.
  • 69:31 - 69:34
    He has an interview at
    the American Conciliate.
  • 69:38 - 69:40
    He is in plans to be for US
    for his higher studies.
  • 69:47 - 69:48
    Do you not have a shoot today?
  • 69:51 - 69:53
    I have shoot only from afternoon today.
  • 69:55 - 69:59
    I had come to the Central excise office here.
    You said AC is not working here.
  • 70:00 - 70:01
    Shall I call up and say to the mechanic?
  • 70:05 - 70:09
    He is come and seen it.
    He left saying gas is leaking.
  • 70:10 - 70:14
    Ok! Rahul, we shall leave to the hotel.
    – Ok
  • 70:17 - 70:18
    We will leave then.
  • 70:26 - 70:26
    Come!
  • 70:45 - 70:47
    Why have you not come home, though
    study holidays were given before exams?
  • 70:49 - 70:51
    How is it possible to go home
    when there is project work?
  • 70:52 - 70:56
    You need to visit mom in the evening
    after the exam and then leave to Vizag.
  • 70:57 - 70:58
    Yes, come in.
  • 71:08 - 71:11
    Here, train is at 7:40.
  • 71:12 - 71:14
    While leaving lock the room and
    give the key at the counter.
  • 71:17 - 71:19
    I am leaving to Bombay by 8:30 flight.
  • 71:20 - 71:23
    I will leave early.
    I need to meet a person.
  • 71:35 - 71:39
    Yes, I will not leave today.
    I want to meet Supriya.
  • 71:52 - 71:56
    Hey Kiran, this is me Rahul.
    I have seen Supriya today.
  • 71:58 - 72:00
    You will fall down if I say another matter.
  • 72:01 - 72:03
    Hey, Supriya is presently staying
    in our bungalow.
  • 72:05 - 72:05
    Yes dude, it is true.
  • 72:06 - 72:08
    No, I am not coming there now.
  • 72:09 - 72:12
    I will come there only after acting
    in 2 to 3 films with Supriya.
  • 72:13 - 72:14
    Tell this to all our friends dude.
  • 72:16 - 72:18
    I will call you tomorrow
    after meeting Supriya, ok!
  • 72:56 - 72:56
    Supriya!
  • 73:05 - 73:06
    What, have you not been to Bombay?
  • 73:08 - 73:09
    I am leaving to the airport.
  • 73:11 - 73:14
    I came now to tell an important matter.
  • 73:14 - 73:15
    Ok, what is that?
  • 73:18 - 73:21
    Rahul should not get any hint
    of our relationship.
  • 73:24 - 73:26
    He should not get any sorts of doubts.
  • 73:31 - 73:33
    Why are you looking so upset?
  • 73:34 - 73:37
    You have not till date said me
    to be having so big son.
  • 73:38 - 73:44
    Oh, is that the matter? I informed you
    before to be having a son, right?
  • 73:47 - 73:50
    Small or big, son is a son, right?
  • 73:50 - 73:53
    I have not hidden anything at you.
    Do not take it serious.
  • 73:54 - 73:55
    Hey come on, cheer up.
  • 73:58 - 73:59
    See you! Good night.
  • 74:52 - 74:52
    Good morning!
  • 74:55 - 74:57
    Rahul, have you not left the city?
  • 74:58 - 75:00
    No, I have the interview even today.
  • 75:01 - 75:02
    I am leaving in the evening train.
  • 75:03 - 75:05
    Why have you come
    so early in the morning?
  • 75:05 - 75:09
    Madam! No, not so.
    I will stop calling you so from now.
  • 75:11 - 75:13
    I feel some distance calling you madam.
  • 75:14 - 75:14
    Are you not feeling so?
  • 75:17 - 75:21
    You are younger to me,
    if you want call me sister.
  • 75:21 - 75:23
    Sorry, I cannot call you sister.
  • 75:24 - 75:25
    I like to call you Supriya.
  • 75:37 - 75:38
    I came here to say about
    my wish in the heart.
  • 75:39 - 75:40
    It will be done if you give it a thought.
  • 75:41 - 75:43
    You should get me a chance
    to act in movies.
  • 75:44 - 75:44
    To act?
  • 75:45 - 75:47
    Do I not have the glamour
    required for films?
  • 75:48 - 75:51
    Talent is more required
    than glamour to act.
  • 75:52 - 75:54
    Oh, are all trained at Pune film institute
    and then acting?
  • 75:56 - 76:01
    In my opinion, you finish higher studies
    and then try for acting.
  • 76:02 - 76:04
    You can act in movies
    whenever you want to.
  • 76:04 - 76:07
    My ambition is to act as a hero
    opposite to you.
  • 76:13 - 76:16
    Train was at 7:40 and do you not know that
    train will not wait for you going at 8?
  • 76:17 - 76:22
    No dad, I started in time. Traffic was
    jammed heavily in Mount road.
  • 76:23 - 76:25
    Train has just moved by the time
    I went to station.
  • 76:26 - 76:30
    Reasons may be many, but starting early
    for journeys there will not be any problems.
  • 76:32 - 76:35
    Time is precious. It is not possible
    to earn it back, once you lose it.
  • 76:36 - 76:37
    Ticket was unnecessarily wasted, right?
  • 76:42 - 76:44
    Leave it, you do not go in train now.
  • 76:45 - 76:47
    I will tell for a flight ticket
    tomorrow morning.
  • 76:47 - 76:48
    Does that mean you are not coming?
  • 76:52 - 76:56
    No, I will be coming after two days.
    Tell this to mummy.
  • 77:00 - 77:03
    Hello! What Rahul?
  • 77:04 - 77:06
    I am going. I am right now at the airport.
  • 77:07 - 77:11
    I thought to come and tell you. But dad had
    directly dropped me in the airport.
  • 77:13 - 77:15
    I will come to Madras again.
    – Why?
  • 77:17 - 77:18
    Is the interview not done yet?
  • 77:19 - 77:20
    Nothing so, just for meeting you.
  • 77:21 - 77:24
    Rahul, I will not be in city for
    the entire coming month.
  • 77:25 - 77:25
    I am going for outdoor shooting.
  • 77:27 - 77:29
    Rahul, you hang the phone.
    Some guest has come.
  • 77:32 - 77:34
    Who was it?
    – Rahul from airport.
  • 77:36 - 77:36
    Why has he called?
  • 77:38 - 77:39
    It seems Rahul wants
    to act in movies.
  • 77:41 - 77:42
    He asked me to get him a chance.
  • 77:42 - 77:46
    Idiot! You do not encourage him.
    He has no sense at all.
  • 77:56 - 77:57
    Mr Mohan had called up today.
  • 77:58 - 77:59
    He said 2nd schedule would
    start from Friday.
  • 78:00 - 78:02
    He has not paid anything else
    other than the advance.
  • 78:02 - 78:05
    Ask him to send some amount.
    You can go after that.
  • 78:06 - 78:06
    Ok.
  • 78:13 - 78:15
    Are there any cheques or DDs
    to be deposited in bank?
  • 78:16 - 78:17
    Yes.
  • 78:29 - 78:34
    Come close.
  • 79:00 - 79:01
    You said to come yesterday itself, right?
  • 79:02 - 79:03
    I would have come
    but missed the train.
  • 79:04 - 79:04
    What happened to your interview?
  • 79:04 - 79:07
    It is done and some time will be taken
    to process the papers.
  • 79:11 - 79:12
    Has your daddy not come?
  • 79:12 - 79:15
    Daddy has some urgent work there and
    would come after two days.
  • 79:15 - 79:18
    You fresh up and come,
    I will prepare breakfast. – Ok
  • 79:26 - 79:28
    Good evening sir!
    – Artiste Supriya
  • 79:29 - 79:31
    Room number 109. This way sir.
    – Ok.
  • 79:40 - 79:41
    Hello!
    – Hey Rahul
  • 79:43 - 79:43
    What are you here?
  • 79:44 - 79:46
    My house is nearby,
    just an hour drive.
  • 79:47 - 79:48
    Oh, please come in.
  • 79:52 - 79:54
    You have not said me to be coming
    here for the shoot?
  • 79:54 - 79:56
    I had informed when
    you called me that day.
  • 79:56 - 79:57
    Oh I see.
    – Please sit.
  • 79:57 - 79:58
    I will just be back.
  • 80:19 - 80:20
    Oh God!
  • 80:25 - 80:26
    Oh no!
  • 80:27 - 80:28
    Supriya, what happened?
  • 80:29 - 80:29
    I slipped.
  • 80:45 - 80:45
    Getup!
  • 80:49 - 80:49
    Slowly!
  • 81:15 - 81:16
    Balm is there in that bag, Rahul!
  • 81:22 - 81:23
    Give it here.
  • 81:24 - 81:26
    No, I will apply it.
  • 81:42 - 81:43
    Better, you were not hurt on the head.
  • 82:02 - 82:03
    Enough now Rahul, enough.
  • 82:57 - 82:58
    Rahul, did you not leave?
  • 82:59 - 83:01
    No, how can I go leaving you
    in such a condition?
  • 83:02 - 83:06
    It is alright, pain is down now
    after applying the balm.
  • 83:06 - 83:08
    I did not talk as you were asleep.
  • 83:09 - 83:11
    It is better to take an X-ray in the morning
    at some hospital.
  • 83:12 - 83:12
    I will take you.
  • 83:13 - 83:16
    No, that is needed.
    There is no such requirement.
  • 83:16 - 83:17
    Oh God!
  • 83:19 - 83:20
    Yes, you have not eaten anything.
  • 83:21 - 83:23
    I am not feeling like to have
    anything, as it is late.
  • 83:24 - 83:25
    You eat something.
  • 83:25 - 83:28
    I do not want anything.
    Oh no, is it 12 now?
  • 83:29 - 83:30
    Mom would scold me if I go so late.
  • 83:33 - 83:34
    Then, go early in the morning tomorrow.
  • 83:35 - 83:37
    You sleep here in the sit out.
  • 83:37 - 83:39
    Good night!
    – Good night.
  • 84:56 - 85:01
    In my eyes dried out of sleep
  • 85:02 - 85:06
    My love is seen in the dreams
  • 85:07 - 85:12
    My dear has come down for me
  • 85:13 - 85:16
    Has sung a melody of love
  • 85:18 - 85:22
    Has sung a melody of love
  • 85:22 - 85:28
    In my eyes dried out of sleep
  • 85:29 - 85:33
    My love is seen in the dreams
  • 86:01 - 86:05
    In the kiss flowers blossoming in her lips
  • 86:06 - 86:10
    Shall I steal the nectar from those
  • 86:11 - 86:16
    In the kiss flowers blossoming in her lips
  • 86:17 - 86:20
    Shall I steal the nectar from those
  • 86:22 - 86:31
    Heat is cooled up the cold
    by the end of close romance
  • 86:31 - 86:36
    Heat is cooled of the cold of hugs
  • 86:37 - 86:42
    In my eyes dried out of sleep
  • 86:43 - 86:47
    My love is seen in the dreams
  • 87:15 - 87:20
    Tuning the jasmines in the
    company of moonlight
  • 87:21 - 87:24
    Shall I share the moonlight?
  • 87:26 - 87:31
    An experience never
    before is come across
  • 87:31 - 87:34
    Do not let this night end up
  • 87:35 - 87:40
    Dear sky, do not let this night end up
  • 87:41 - 87:46
    In my eyess dried out of sleep
  • 87:47 - 87:51
    My love is seen in the dream
  • 87:53 - 87:57
    My dear has come down for me
  • 87:58 - 88:02
    Has sung a melody of love
  • 88:03 - 88:07
    Has sung a melody of love
  • 88:32 - 88:33
    What is this so early in the morning?
  • 88:33 - 88:34
    Hello madam!
    – Hello
  • 88:35 - 88:36
    They said to get ready by
    7 in the morning.
  • 88:37 - 88:39
    It seems location is very far away.
  • 88:40 - 88:40
    Is it?
    – Yes madam.
  • 88:41 - 88:42
    I will get ready fast.
    – Okay
  • 89:06 - 89:08
    Do you know him?
    Son of RK sir.
  • 89:09 - 89:09
    I know madam.
  • 89:10 - 89:11
    You have shoot in the morning, right?
  • 89:11 - 89:14
    Yes, location today is a bit far it seems
  • 89:15 - 89:16
    I need to get ready fast.
  • 89:16 - 89:17
    Ok, I will leave.
    – Ok
  • 89:52 - 89:53
    Where is Supriya?
  • 89:54 - 89:55
    She is in the makeup room sir.
  • 90:09 - 90:12
    Oh my God! Is what I am seeing true?
  • 90:13 - 90:16
    I had been to your house. There I came to know
    that you are in a shoot here.
  • 90:16 - 90:18
    It is been so many years
    since I saw you sir.
  • 90:19 - 90:22
    I searched many times for you when
    I came for shoot in Hyderabad.
  • 90:23 - 90:25
    Someone said that you have
    shifted your house.
  • 90:26 - 90:26
    Please sit sir.
  • 90:29 - 90:32
    Those without own house
    do shift the house often.
  • 90:33 - 90:34
    There is no change at all in you.
  • 90:35 - 90:37
    But one thing, you have
    put up some weight.
  • 90:40 - 90:41
    You learned great to talk now.
  • 90:42 - 90:43
    This is all just your grace sir.
  • 90:45 - 90:46
    Ok, sit.
  • 90:49 - 90:50
    Sir, tell me. What is happening?
  • 90:51 - 90:56
    Special thing is that I am doing
    a small film after a long gap.
  • 90:57 - 90:59
    Is it a children film that you are doing?
  • 91:00 - 91:02
    Do I not have a role in that?
  • 91:04 - 91:07
    Though you became such a big heroine,
    your innocence is no way gone.
  • 91:11 - 91:13
    That is of course my basic character, right sir.
    How would that change?
  • 91:18 - 91:23
    Small film I said is a low budget film
    without big stars like you.
  • 91:25 - 91:30
    Is it an award movie sir? Then I do not need
    any remuneration to do that film.
  • 91:31 - 91:32
    You will let me get an award, right?
  • 91:39 - 91:40
    Have you bought that house?
  • 91:43 - 91:47
    No sir. That is the house of RK sir.
  • 91:50 - 91:59
    RK, Ramkumar! I know it all.
    A mistake done by innocent girls like you.
  • 92:05 - 92:08
    You do not know that he has
    a wife and kids, right?
  • 92:20 - 92:23
    No need if you do not like to answer.
    We will change the topic.
  • 92:25 - 92:32
    You are the one who made me suffering
    for food in to such a popular star.
  • 92:33 - 92:36
    I have no objection to say it to you.
  • 92:37 - 92:40
    Our friendship started
    with a small incident sir.
  • 92:42 - 92:48
    The involvement, care taken about the career
    of a lonely and normal actress Supriya.
  • 92:49 - 92:56
    I feel all these getting together have created a situation
    to build up the relation between RK and me.
  • 92:58 - 93:01
    With that I have not thought about
    whether RK is married or not.
  • 93:03 - 93:12
    A life being led as one without
    any social formalities and relation.
  • 93:14 - 93:18
    RK has not said me in the starting
    about having a wife and kids.
  • 93:20 - 93:23
    He repented heart fully
    after two years were passed.
  • 93:27 - 93:32
    Though I felt sad when heard,
    it was not possible for me to lose RK.
  • 93:39 - 93:44
    My expectations without knowing any calculation
    would at times be positive and sometimes negative.
  • 93:45 - 93:47
    I thought it as my fate.
  • 93:51 - 93:53
    What all you say maybe
    correct in your view.
  • 93:54 - 93:56
    But, I will just ask one thing.
  • 93:59 - 94:02
    You acted in so many films and
    what is there in your hands?
  • 94:03 - 94:09
    A house of your own, car, bank balance?
    Nothing!
  • 94:15 - 94:23
    This is cinema field. Once if you lose chances
    and glamour, there will not be anyone with you.
  • 94:24 - 94:25
    Even this RK will not be there.
  • 94:31 - 94:33
    I am not saying this to make you feel bad.
  • 94:34 - 94:35
    See to that it does not happen so.
  • 94:41 - 94:44
    At least from now,
    you think about your future.
  • 94:46 - 94:49
    Ok, I will call and inform about when
    and how many dates do I need.
  • 94:50 - 94:53
    Sir, it is enough if you can inform me
    about 10 days ahead.
  • 94:54 - 94:55
    I will come there.
    – Ok
  • 95:14 - 95:17
    What happened? Has the Hindi film producer
    called from Bombay?
  • 95:17 - 95:22
    No, manager said to call tomorrow
    after the director arrives.
  • 95:23 - 95:27
    Ok, it is better to definitely listen to the story
    and commit as this is the first film in Hindi.
  • 95:27 - 95:32
    As they said two heroines, there is no use
    doing a character without importance.
  • 95:33 - 95:35
    They said to send the synopsis from the office.
  • 95:35 - 95:37
    Let us leave it,
    if it is not a good character.
  • 95:40 - 95:43
    Today, director Ramgopal Sarma who
    introduced me had come and met.
  • 95:48 - 95:51
    He is doing a new film now.
  • 95:53 - 95:55
    You mean, has he come for your dates?
  • 95:55 - 95:58
    Yes, he is doing a film after a long gap.
  • 95:59 - 96:02
    I said him, I do not want any remuneration.
  • 96:02 - 96:03
    Why have you given such offer unnecessarily?
  • 96:04 - 96:06
    You have no such need.
  • 96:07 - 96:10
    It is enough to give a discount,
    if you have a gratitude.
  • 96:11 - 96:12
    I have given him a word.
  • 96:13 - 96:14
    This is the problem with you.
  • 96:16 - 96:17
    This is the time we need
    money very much.
  • 96:18 - 96:20
    Many cheques coming in are bouncing.
  • 96:21 - 96:26
    You have no dubbing work and are not listening
    to take the balance in cash after the shoot.
  • 96:27 - 96:31
    You have sentiments with all. You still have not
    become professional in terms of taking remuneration.
  • 96:52 - 96:54
    Is Mr Ramkumar there?
    – No, only madam is there.
  • 96:55 - 96:55
    Call her. – Ok
  • 96:59 - 97:02
    Madam, someone is here for you.
    They want to meet you.
  • 97:08 - 97:09
    Who is it?
  • 97:09 - 97:11
    Good morning madam.
    – Good morning
  • 97:11 - 97:13
    We are coming from Union bank.
    Is Mr Ramkumar there?
  • 97:14 - 97:18
    Mr RK is not here. He is out of station.
    What is the matter?
  • 97:18 - 97:21
    Madam, no payment came in from
    six months into the loan account.
  • 97:23 - 97:25
    No response for the repeated
    remainders sent.
  • 97:26 - 97:28
    If it is further delayed, we got to
    take over this house.
  • 97:33 - 97:35
    Thus ask Sir to meet the manager
    when he is back.
  • 97:36 - 97:37
    We will leave madam.
    – Ok, see you madam.
  • 98:10 - 98:12
    What happened,
    are you not feeling well?
  • 98:18 - 98:21
    Some people came from
    the Union bank today.
  • 98:26 - 98:33
    They said there was no response even after reminding
    and asked RK to meet the manager urgently.
  • 98:35 - 98:38
    They have got no other work.
    These are formalities for the bank people.
  • 98:46 - 98:48
    Have you taken the loan
    pawning this house and office?
  • 98:50 - 98:53
    Yes, will any bank sanction
    loan without security?
  • 98:54 - 98:55
    This is done by every business man.
  • 98:56 - 98:59
    You have withdrawn all the amount
    from my account, right?
  • 99:05 - 99:07
    I somehow am feeling very frightened.
  • 99:11 - 99:13
    I do not have even an own house
    on my name.
  • 99:16 - 99:23
    House? Why do you still need a house?
    This is for you, right?
  • 99:31 - 99:33
    There are other right holders
    for this at the village, right?
  • 99:40 - 99:41
    I am nothing to you legally, right?
  • 99:52 - 99:53
    Why did you feel so, all of a sudden?
  • 99:55 - 99:57
    Who has given a pinch of
    these doubts in you?
  • 99:59 - 100:01
    I have no such problems
    as you are thinking.
  • 100:02 - 100:06
    I will solve out all the bank matters.
    You do not worry about those.
  • 100:09 - 100:14
    Hey, come on!
    I am leaving for the village tomorrow.
  • 100:15 - 100:17
    I will be back only after 3 to 4 days.
  • 100:38 - 100:40
    Hello Supriya, this is me Rahul.
  • 100:41 - 100:42
    What Rahul?
  • 100:42 - 100:44
    I called doubting whether
    you would be there or not.
  • 100:45 - 100:46
    Do you not have the shooting today?
  • 100:47 - 100:48
    Shooting is only from afternoon today.
  • 100:50 - 100:52
    It is fine. Think thus
    it was possible to talk now.
  • 100:56 - 100:59
    I am speaking now from the village.
    I need to attend College on Monday.
  • 101:00 - 101:02
    But, I am not going.
    – Why are you not going?
  • 101:04 - 101:07
    I cannot concentrate on anything,
    even in my studies.
  • 101:08 - 101:10
    I have only Supriya in my mind.
  • 101:11 - 101:16
    Rahul, what are you saying? It is no way
    good to carry such thoughts in your mind.
  • 101:17 - 101:23
    Do not spoil your future by thinking of
    unnecessary things while studying.
  • 101:23 - 101:25
    Only you are my present, future
    and all Supriya.
  • 101:26 - 101:29
    I cannot control my heart anymore.
    I need you.
  • 101:31 - 101:32
    I love you Supriya.
  • 101:33 - 101:35
    Rahul, if you are going to talk this
    rubbish to me, I will tell this to your dad.
  • 101:38 - 101:41
    You are talking so to me,
    as I moved a bit closer with you.
  • 101:43 - 101:44
    Never call me again.
  • 101:46 - 101:47
    Supriya!
  • 101:48 - 101:48
    Supriya!
  • 102:01 - 102:02
    Bloody!
  • 102:19 - 102:21
    Why have you called to start immediately?
  • 102:21 - 102:23
    To say about our Rahul.
  • 102:24 - 102:25
    You could have said it over phone itself.
  • 102:26 - 102:27
    Not a matter to say on phone.
  • 102:28 - 102:30
    He is just left today,
    who had come a week back from hostel.
  • 102:31 - 102:33
    That too after knowing that you are coming.
  • 102:33 - 102:34
    What was he doing here all these days?
  • 102:35 - 102:39
    He has no interest at all on studies.
    Just go and have a look of his room.
  • 102:40 - 102:43
    He is pasted the pictures of a heroine
    named Supriya all over his room.
  • 102:53 - 102:57
    When I questioned,
    he is saying like is her fan and so on.
  • 103:00 - 103:04
    Last week he is gone to see her shoot in the
    nearby village and returned next day afternoon.
  • 103:08 - 103:09
    You are the reason for all this.
  • 103:14 - 103:16
    Why have you rented that
    Madras bungalow to that heroine?
  • 103:17 - 103:19
    He is got introduced to her
    just because of that, right?
  • 103:20 - 103:24
    What to say about these film people?
    They catch hold of those seen rich.
  • 103:25 - 103:29
    Added, our boy is a small kid.
    If we do not be careful…
  • 103:32 - 103:36
    I will speak with him.
    You go and get me Tea. – Ok
  • 104:54 - 104:54
    Oh no!
  • 105:09 - 105:11
    Hello, is Seethalu there?
    – Yes, I will call her sir.
  • 105:14 - 105:16
    Seethalu, this is me RK.
  • 105:17 - 105:18
    Hello, what sir?
  • 105:19 - 105:23
    Has my son Rahul come to
    Supriya at that outdoor location?
  • 105:25 - 105:26
    He came sir.
  • 105:27 - 105:28
    Was he in the room of
    Supriya that night?
  • 105:30 - 105:33
    That is… me…
  • 105:35 - 105:38
    I am speaking after knowing it all.
    Do not lie to me. Say the truth.
  • 105:39 - 105:43
    That is, he came in the evening
    and stayed there in the night.
  • 105:45 - 105:49
    He was there when I went into
    the room in the morning.
  • 105:51 - 105:57
    Later, he got dressed and went out.
    – Ok!
  • 105:59 - 106:03
    Sir, do not say to madam
    that I said you this. – Ok!
  • 106:13 - 106:17
    Avoid me for the opening sir.
    I have Tamil film shoot that day here.
  • 106:18 - 106:21
    I will be there from the first
    after you start the shoot.
  • 106:22 - 106:26
    Yes. Oh no! No problem!
  • 106:26 - 106:29
    I have got no objection to act
    with a new heroine.
  • 106:30 - 106:33
    Yes, of course I will do that.
    Oh definitely.
  • 106:33 - 106:38
    What more? Say me.
  • 106:45 - 106:47
    Yes, I think I would sometime…
    - Supriya!
  • 106:53 - 106:55
    Sir, I will call back later.
  • 107:08 - 107:10
    What Rahul, why did you come
    into the bedroom?
  • 107:11 - 107:12
    I would have come down, right?
  • 107:13 - 107:14
    Why did you cut my phone
    when I was speaking?
  • 107:17 - 107:21
    I felt that your words went out of control.
    Thus I cut the phone.
  • 107:22 - 107:27
    What wrong did I speak?
    I just said to be liking you.
  • 107:32 - 107:33
    Yes!
  • 107:35 - 107:38
    Yes, I love you. I need you.
  • 107:46 - 107:51
    Rahul, what is this?
    Have you come here now to tell this?
  • 107:53 - 107:58
    Rahul, leave from here immediately.
    Else, I will call daddy.
  • 107:59 - 107:59
    No, I will not leave.
  • 108:01 - 108:03
    You are filled all over in my heart
    and thoughts. I am crazy.
  • 108:04 - 108:06
    I am crazy about you. I love you.
  • 108:07 - 108:07
    I love you Supriya.
  • 108:10 - 108:14
    No bloody!
    – I want you.
  • 108:16 - 108:18
    Supriya!
    – No, leave.
  • 108:19 - 108:20
    I want you.
  • 108:22 - 108:24
    Supriya, I love you.
    – Leave me.
  • 108:25 - 108:29
    Supriya, I love you.
    – No
  • 108:31 - 108:32
    Come, I want you.
  • 108:34 - 108:38
    Get out! Go out.
    Else, I will call right away and say to your dad.
  • 108:39 - 108:39
    Get out!
  • 108:40 - 108:43
    Call, let dad come. Not just dad,
    I do not care whoever comes.
  • 108:44 - 108:46
    I cannot survive without you.
    Otherwise, I will kill myself.
  • 109:41 - 109:42
    Auto, will you come to Gandhinagar?
  • 109:42 - 109:42
    Get in sir.
  • 110:28 - 110:29
    Why did Rahul come?
  • 110:34 - 110:38
    If he came into your bedroom at this time,
    what is your relation with him?
  • 110:43 - 110:47
    Rahul? What is he to you?
    He is your son, right?
  • 110:48 - 110:51
    Son! Do you think me as such a fool?
  • 110:52 - 110:55
    What do you mean?
    I am not understanding anything.
  • 110:55 - 110:59
    You will not understand anything. They wrote
    clearly in this for you to understand.
  • 111:21 - 111:24
    Many such gossips do come as
    I am an artiste.
  • 111:25 - 111:32
    If you take all these seriously,
    I will not act any more.
  • 111:37 - 111:40
    This is a fake news created by
    Aparna and Arun Kumar.
  • 111:41 - 111:45
    Nonsense! Rahul was for a whole night in
    your room, when you went for outdoor shoot.
  • 111:49 - 111:51
    Can u say that this is not true?
  • 111:52 - 111:57
    Huh! You cannot say. I have a solid
    evidence for that with me.
  • 112:00 - 112:02
    What, is your mouth paralysed?
    Tell me!
  • 112:05 - 112:10
    True, I am not denying.
    Rahul was in my room.
  • 112:14 - 112:15
    Reason was because he is your son.
  • 112:16 - 112:20
    But, does that mean I spent with him?
  • 112:21 - 112:25
    No, I will not believe anything
    you say now.
  • 112:27 - 112:30
    I already have said many times
    not to have any contacts with him.
  • 112:32 - 112:34
    But still, you continued that
    without my knowledge.
  • 112:36 - 112:39
    You cheated me even after
    knowing that he is my son.
  • 112:39 - 112:41
    Enough stop it. What are you thinking?
  • 112:42 - 112:44
    Do you think I sleep with father
    and son without ethics?
  • 112:44 - 112:45
    I am not that bad lady.
  • 112:47 - 112:51
    Are you speaking about cheating?
    Not me, but you have cheated me.
  • 112:52 - 112:56
    You have not said in the start
    to have wife and a son.
  • 112:56 - 112:58
    Even after I came to know that
    you had such a big son,
  • 112:59 - 113:02
    I could not hate you because
    of the love I had on you.
  • 113:05 - 113:12
    If you now feel that I have no belief on me,
    let us break our relation with this.
  • 113:36 - 113:41
    Another thing. I handed over
    what all I earnt till date to you.
  • 113:45 - 113:47
    You need to repay me all that.
  • 114:28 - 114:30
    Rahul! Rahul!
  • 114:40 - 114:41
    Rahul!
  • 114:45 - 114:46
    Why had you been now
    to the house of Supriya?
  • 114:51 - 114:52
    What is the relation
    between you and her?
  • 115:00 - 115:01
    I want straight answer. Tell me.
  • 115:03 - 115:05
    I love Supriya. I want her to be mine.
  • 115:05 - 115:08
    Shut up! Are you gone any mad?
  • 115:09 - 115:11
    She is an actress and elder to you in age.
  • 115:12 - 115:14
    Have you thought of your future,
    you fool!
  • 115:15 - 115:15
    Daddy!
  • 115:16 - 115:19
    Is it enough if you like her?
    She too should have a like on you, right?
  • 115:20 - 115:21
    Supriya too likes.
    It is enough if you agree.
  • 115:22 - 115:24
    Impossible, that will never happen.
  • 115:25 - 115:26
    You are not staying here anymore.
  • 115:27 - 115:28
    Come, let us go to our village.
  • 115:30 - 115:32
    No, I will not come. – Rahul!
  • 115:33 - 115:34
    I cannot live without her.
    – Hey Rahul!
  • 115:35 - 115:37
    Hey, are you out of senses? Hey!
  • 115:38 - 115:39
    I will end my life.
  • 115:40 - 115:42
    Hey Rahul!
    – If I do not get her.
  • 115:43 - 115:44
    Hey, Listen to me.
  • 115:46 - 115:46
    Enough!
    – Rahul!
  • 115:47 - 115:48
    Rahul!
  • 115:52 - 115:52
    Rahul, stop!
  • 115:54 - 115:55
    I will not come.
  • 116:00 - 116:00
    Rahul!
  • 116:11 - 116:14
    What I heard after was the news
    that Supriya has died.
  • 116:17 - 116:19
    All said it was a murder in the beginning.
  • 116:20 - 116:22
    Later they converted that into a suicide.
  • 116:25 - 116:28
    I do not understand till now as to
    why she committed suicide.
  • 116:29 - 116:34
    One minute is enough to lose control
    as it is a human heart.
  • 116:34 - 116:39
    Listening to all this, I do not feel
    this is a suicide.
  • 116:39 - 116:43
    Whatever, but the climax
    should be a shocking one.
  • 116:44 - 116:45
    It should totally be different.
  • 116:46 - 116:48
    This is a case, where court
    decided this as a suicide.
  • 116:49 - 116:51
    How can we visualise that
    as a different one.
  • 116:52 - 116:53
    Why do you think about that?
  • 116:54 - 116:56
    Public should be thrilled by seeing
    the climax, that is it.
  • 116:57 - 117:00
    Look writer, you sit now
    only on the climax.
  • 117:01 - 117:07
    Ok, give me some time. I will give
    a climax not expected by anyone.
  • 118:03 - 118:03
    Supriya!
  • 118:13 - 118:15
    Do not keep the matter of
    yesterday in your mind.
  • 118:17 - 118:21
    I completely misunderstood you.
    I hurt you.
  • 118:24 - 118:26
    Sorry! Extremely sorry!
  • 118:33 - 118:40
    Rahul and his age! It was
    an infatuation for an actress.
  • 118:42 - 118:46
    With an interest from that has
    made one do unwanted deeds!
  • 118:49 - 118:50
    It will not happen so now.
  • 119:03 - 119:09
    Whatever, he is my son!
    I cannot leave him so.
  • 119:19 - 119:21
    You do not hate me.
  • 119:52 - 119:53
    No!
  • 119:55 - 119:55
    Hey!
  • 120:03 - 120:04
    No!
  • 120:52 - 120:53
    Leave me!
  • 120:56 - 120:56
    Leave me!
  • 121:00 - 121:11
    Leave me!
  • 122:44 - 122:51
    Sorry dear! I had to do this.
  • 122:54 - 122:57
    Because I have no other choice.
Title:
Gajjala Gurram (Climax 2013 Telugu dubbed) Full Movie | Sana Khan | Suresh Krishna | Aravind Akash | Berny Ignatius
Description:

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Duration:
02:04:48

English (India) subtitles

Revisions