< Return to Video

Cambridge Footlights Revue 2/5

  • 0:03 - 0:05
    Ah, wha's he done that for?
  • 0:05 - 0:07
    Was all nice before that, it went
  • 0:07 - 0:08
    black-white-black-white all the way down
  • 0:08 - 0:10
    in a kind of zig-zag.
  • 0:10 - 0:12
    Well, I gotta balance it up, haven't I.
  • 0:12 - 0:14
    I gotta balance it up.
  • 0:14 - 0:17
    I'll move this tall thrusting one.
  • 0:17 - 0:23
    Of course! Now he attacks my queen and gains tempo.
  • 0:23 - 0:26
    What a good move. What to do, what to do?
  • 0:26 - 0:31
    I must generate play on the black squares.
  • 0:31 - 0:34
    I play queen C7 with the idea of rook C8 doubling on the C file,
  • 0:34 - 0:38
    exercising pressure on his isolated queen's bishop's pawn.
  • 0:38 - 0:43
    Yes, this is fine. Queen C7.
  • 0:43 - 0:45
    Well, he's a bleedin' anarchist, this one!
  • 0:45 - 0:47
    What's the point of havin' even squares like that,
  • 0:47 - 0:49
    if you're then gonna go all anarchisty?
  • 0:49 - 0:51
    I'll have to move this haughty one here.
  • 0:51 - 0:58
    Oh. His is in the way. ... Weell, he won't notice.
  • 0:58 - 1:01
    He takes on F6 check. Of course!
  • 1:01 - 1:06
    This is genius. Now he threatens bishop F6, followed by bishop H7 check,
  • 1:06 - 1:11
    king H7, queen E4 check, my king side is destroyed, and it gives mate in ...
  • 1:11 - 1:14
    fourteen moves!
  • 1:14 - 1:17
    Borzoy vernotgt, what a player! I have nothing.
  • 1:17 - 1:22
    I must resign.
  • 1:22 - 1:24
    [clunk]
  • 1:24 - 1:57
    Oi! you knocked your king over!
  • 1:57 - 2:05
    The day the letter arrived, I was due in court on the intricate case of Melchett vs. the Vatican,
  • 2:05 - 2:10
    which was coming to a delicate and potentially explosive stage.
  • 2:10 - 2:13
    The letter, then, came as a welcome diversion,
  • 2:13 - 2:18
    and I tipped the delivery boy out of the window with more than ordinary generosity.
  • 2:18 - 2:25
    Even then, I fancy I gave a momentary shudder as I unfolded the letter.
  • 2:25 - 2:27
    But it was a cold morning,
  • 2:27 - 2:32
    and in accordance with Mr. Tulkinghorne's instructions with regard to Melchett vs. the Vatican,
  • 2:32 - 2:36
    I was naked.
  • 2:36 - 2:40
    The letter read as follows:
  • 2:40 - 2:45
    If Mr. John Lawson-Particle will travel immediately to Transsylvania
  • 2:45 - 2:48
    as the honoured guest of Count Dracula,
  • 2:48 - 2:52
    to personally advise His Excellency on a matter of great legal delicacy,
  • 2:52 - 2:56
    Mr. Lawson-Particle will be handsomely remunerated.
  • 2:56 - 2:58
    He is to bring on his journey:
  • 2:58 - 3:01
    No garlic, no crucifixes,
  • 3:01 - 3:05
    no wooden stakes.
  • 3:05 - 3:07
    Neither is he to look up in a dictionary
  • 3:07 - 3:11
    the word vampire.
  • 3:11 - 3:15
    It seemed innocent enough.
  • 3:15 - 3:18
    Excited at the prospect of escaping a dreary London August,
  • 3:18 - 3:21
    I rushed to Mr. Tulkinghorne's office.
  • 3:21 - 3:24
    He read the letter through, and eyed me carefully.
  • 3:24 - 3:27
    Then he looked at my face.
  • 3:27 - 3:35
    "You don't find anything strange in this letter, Mr. Lawson-Particle?"
  • 3:35 - 3:40
    "Ah, you noticed it too, Sir. The split infinitive in the first sentence, yes."
  • 3:40 - 3:43
    "No, I was thinking ... never mind.
  • 3:43 - 3:47
    You plan to go on this suic ... on this fascinating journey?"
  • 3:47 - 3:53
    "With your permission, Sir, I will go straight home, dress, and take the first train to Southhampton."
  • 3:53 - 4:02
    Four days later saw me standing at the gates of Castle Dracula,
  • 4:02 - 4:05
    weary and travel-stained.
  • 4:05 - 4:11
    Prudence had demanded that I leave her behind, so I was alone.
  • 4:11 - 4:14
    Night was just falling as i knocked on the mighty oaken door
  • 4:14 - 4:18
    and heard the answering echoes ring through the castle.
  • 4:18 - 4:20
    After what seemed a cliché,
  • 4:20 - 4:25
    iron bolts were drawn back, the portals swung open,
  • 4:25 - 4:30
    and Count Dracula's manservant stood before me.
  • 4:30 - 4:35
    Of all the hideously disfigured spectacles I have ever beheld,
  • 4:35 - 4:37
    those perched on the end of this man's nose
  • 4:37 - 4:47
    remain forever pasted into the album of my memory.
  • 4:47 - 4:52
    Bowing low, this loathsome wretch introduced himself:
  • 4:52 - 4:56
    "Travolta, Sir.
  • 4:56 - 4:58
    At your servile.
  • 4:58 - 5:02
    If you will follow me, I shall tell the master you have arrived."
  • 5:02 - 5:04
    Walking with a pronounced limp
  • 5:04 - 5:07
    -- L - I - M - P; pronounced "limp" --
  • 5:07 - 5:12
    he showed me into a waiting room ...
  • 5:12 - 5:15
    sorry: into a waiting-room, and vanished.
  • 5:15 - 5:18
    Presently he returned with his master.
  • 5:18 - 5:20
    "Ah! Mr. Lawson-Particle." cried the Count.
  • 5:20 - 5:24
    "Welcome to Castle Dracula! Dinner is in half an hour,
  • 5:24 - 5:29
    if you would care to change. We can leave business until tomorrow.
  • 5:29 - 5:32
    Travolta will show you to your room. ... Tell me,
  • 5:32 - 5:35
    what blood type are you?"
  • 5:35 - 5:37
    "A?"
  • 5:37 - 5:39
    "I said, what blood type are you?"
  • 5:39 - 5:42
    "O!" I said.
  • 5:42 - 5:44
    "B."
  • 5:44 - 5:53
    I tried to question Travolta as I dressed for dinner.
  • 5:53 - 5:54
    I asked him the nature of the Count's business,
  • 5:54 - 5:58
    but he made the sign of the cross and said nothing.
  • 5:58 - 6:01
    I asked him why there were no mirrors in the castle,
  • 6:01 - 6:10
    but this time he made the sign of the very cross indeed and spat.
  • 6:10 - 6:14
    This was puzzling. I couldn't see myself spending a month
  • 6:14 - 6:20
    in a house with no mirrors.
  • 6:20 - 6:29
    The man was either mad or both.
  • 6:29 - 6:35
    "Capon for dinner", said Travolta as we descended the vast stairway.
  • 6:35 - 6:38
    "Capon, yummy!" I replied.
  • 6:38 - 6:42
    "No, Sir, the Count always insists that his guests put a cape on for dinner."
  • 6:42 - 6:48
    And what a dismal repast it was!
  • 6:48 - 6:51
    I passed a fitful night in my vast bedroom.
  • 6:51 - 6:55
    Below me I could hear the Count's footsteps echoing in the hallway.
  • 6:55 - 6:58
    I arose early, made my toilet,
  • 6:58 - 7:01
    sat on it and then came down for breakfast.
  • 7:01 - 7:10
    Travolta informed me that his master had gone to bed at dawn,
  • 7:10 - 7:12
    and would expect in his study later that evening.
  • 7:12 - 7:16
    It was a dreary morning. The greatest excitement I had to look forward to
  • 7:16 - 7:21
    was the prospect of a total eclipse of the sun which was expected during the afternoon.
  • 7:21 - 7:25
    When the time came, I watched through a fragment of smoked glass
  • 7:25 - 7:28
    as the moon slid slowly across the surface of the sun,
  • 7:28 - 7:31
    and darkness shrouded the earth.
  • 7:31 - 7:34
    I started at a sound behind me.
  • 7:34 - 7:37
    By the dim light of a candle I had prudently placed on the table
  • 7:37 - 7:43
    I could see that it was Count Dracula, my client.
  • 7:43 - 7:46
    He seemed a little excited.
  • 7:46 - 7:50
    A tendril of spaghetti appeared to be protruding from either side of his mouth.
  • 7:50 - 7:57
    "Why good afternoon, Count!" I cried. "I wasn't expecting you until this evening.
  • 7:57 - 8:00
    Have you come to enjoy the spectacle?"
  • 8:00 - 8:01
    "... spectacle?" -- "The solar eclipse."
  • 8:01 - 8:07
    He looked out of the window. "... solar eclipse?"
  • 8:07 - 8:12
    "Yes. It's the first total eclipse I've ever seen! Exciting, isn't it?"
  • 8:12 - 8:21
    "Oooh shit."
  • 8:21 - 8:24
    "Is there something wrong, Count?"
  • 8:24 - 8:26
    "How much longer is it going to last?" he cried,
  • 8:26 - 8:28
    and I could see fear in his blood-red eyes.
  • 8:28 - 8:32
    "Well, it's just ending now," I replied. "Look at that! Splendid, isn't it?"
  • 8:32 - 8:35
    I turned in time to watch the moon moving slowly away from the sun,
  • 8:35 - 8:39
    and light once more flooding the scene.
  • 8:39 - 8:46
    "Have you ever seen anything so ... Oh. Count?"
  • 8:46 - 8:51
    But he had disappeared, leaving his cape behind him.
  • 8:51 - 8:59
    In his hurry he must have upset the ashtray on the floor beside us.
  • 8:59 - 9:13
    I never saw him again.
Title:
Cambridge Footlights Revue 2/5
Video Language:
English
Duration:
09:15

English subtitles

Revisions