Monty Python's Flying Circus - "Working Class Playwright"
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0:10 - 0:10- Aye
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0:14 - 0:18- Oh dad! Look who's come to see us. I'ts our Ken!
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0:19 - 0:21- Aye, and about bloody time if you ask me.
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0:22 - 0:24- Aren't you pleased to see me, father?
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0:24 - 0:26- Yes, 'course he's pleased to see you, Ken.
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0:27 - 0:31All right, woman, all right. I've got a tongue in my head. I'll do 'talkin'.
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0:32 - 0:37- Aye ... I like yer fancy suit. Is that what they're wearing up in Yorkshire now?
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0:37 - 0:42- It's just an ordinary suit, father... it's all I've got apart from the overalls.
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0:42 - 0:45- How are you liking it down the mine, Ken?
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0:45 - 0:46- Oh it's not too bad, mum...
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0:46 - 0:50We're using some new tungsten carbide drills for the preliminary coal-face scouring operations.
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0:50 - 0:52- Oh that sounds nice, dear...
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0:52 - 0:59- Tungsten carbide drills! What the bloody hell's tungsten carbide drills?
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0:59 - 1:01- It's something they use in coal-mining, father.
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1:01 - 1:05- 'It's something they use in coal-mining, father'. You' re bloody fancy talk since you left London.
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1:05 - 1:06- Oh not that again.
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1:07 - 1:11- He's had a hard day dear... his new play opens at National Theatre tomorrow.
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1:11 - 1:13- Oh that's good.
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1:13 - 1:16- Good! Good? What do you know about it?
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1:16 - 1:18What do you know about getting up at five o'clock in t'morning to fly to Paris...
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1:18 - 1:22back at the Old Vic for drinks at twelve, sweating the day through press interviews,
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1:22 - 1:25television interviews and getting back here at ten to wrestle with the problem of a
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1:25 - 1:30homosexual nymphomaniac drug-addict involved in the ritual murder of a well known Scottish footballer.
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1:30 - 1:34That's a full working day, lad, and don't you forget it!
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1:34 - 1:36- Oh, don't shout at the boy, father.
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1:36 - 1:39- Aye, 'ampstead wasn't good enough for you, was it?...
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1:39 - 1:42You had to go poncing off to Barnsley.
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1:44 - 1:46You and yer coal-mining friends.
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1:46 - 1:51- Coal-mining is a wonderful thing father, but it's something you'll never understand.
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1:51 - 1:52Just look at you!
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1:52 - 1:55- Oh Ken! Be careful! You know what he's like after a few novels.
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1:55 - 2:03- Oh come on lad! Come on, out wi' it! What's wrong wi' me?... ye tit!
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2:03 - 2:05- I'll tell you what's wrong with you.
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2:05 - 2:07Your head's addled with novels and poems,
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2:07 - 2:10you come home every evening reeling of Chateau La Tour...
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2:10 - 2:10- Oh don't, don't.
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2:11 - 2:12- And look what you've done to mother!
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2:12 - 2:16She's worn out with meeting film stars, attending premieres and giving gala luncheons...
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2:16 - 2:20- There's nowt wrong wi' gala luncheons, lad!
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2:20 - 2:23I've had more gala luncheons than you've had hot dinners!
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2:23 - 2:24- Oh please!
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2:24 - 2:25- Aaaaaaagh!
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2:25 - 2:26- Oh no!
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2:27 - 2:28- What is it?
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2:28 - 2:30- Oh, it's his writer's cramp!
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2:30 - 2:32- You never told me about this...
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2:32 - 2:34- No, we didn't like to, Kenny.
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2:34 - 2:36- I'm all right! I'm all right, woman. Just get him out of here.
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2:36 - 2:38- Oh Ken! You'd better go...
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2:38 - 2:40- All right. I'm going.
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2:40 - 2:40- After all we've done for him...
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2:40 - 2:45One day you'll realize there's more to life than culture... There's dirt, and smoke, and good honest sweat!
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2:45 - 2:48- Get out! Get out! Get OUT! You ... LABOURER!
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2:51 - 2:55- Hey, you know, mother, I think there's a play there.... get t'agent on t'phone.
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2:55 - 3:01Aye I think you're right, Frank, it could express, it could express a vital theme of our age...
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3:01 - 3:02- Aye.
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3:02 - 3:04Oh shut up!
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3:04 - 3:06Shut up!
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3:07 - 3:08Oh, that's better.
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3:08 - 3:11Now for something completely different... a man with three buttocks...
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3:11 - 3:13- We've done that!
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3:13 - 3:15Oh all right. All right!
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3:16 - 3:18A man with...
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3:18 - 3:20...nine legs.
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3:40 - 3:41- He ran away.
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3:49 - 3:51Oh... Bloody Hell! Er ... a Scotsman on a horse!
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3:51 -Harold! Come back, Harold! Harold! Come back, Harold! Oh, blast!
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