< Return to Video

The Year of Living Dangerously | Full Movie Starring Mel Gibson | Warner Classics

  • 1:43 - 1:46
    June 25, 1965.
  • 1:47 - 1:51
    Dossier H-10: Hamilton, Guy.
  • 1:51 - 1:56
    Born 1936,
    under the sign of Capricorn.
  • 1:56 - 2:00
    Occupation: Journalist with the
    Australian Broadcasting Service.
  • 2:01 - 2:05
    Jakarta. First assignment
    as foreign correspondent.
  • 2:22 - 2:26
    You're an enemy here, Hamilton,
    like all Westerners.
  • 2:26 - 2:29
    President Sukarno
    tells the West to go to hell...
  • 2:29 - 2:33
    and today Sukarno
    is the voice of the Third World.
  • 2:33 - 2:35
    - Where you get visa?
    - Sydney.
  • 2:42 - 2:44
    Something wrong with that?
  • 2:49 - 2:51
    Mr. Hamilton? Mr. Hamilton?
  • 2:53 - 2:55
    - Welcome to Indonesia.
    - Thanks. You're...
  • 2:55 - 2:57
    Kumar, from Jakarta office.
  • 2:57 - 2:59
    Hortono. Driver.
  • 2:59 - 3:02
    - Where's Potter?
    - Mr. Potter has gone. He left this.
  • 3:02 - 3:03
    Where's he gone?
  • 3:03 - 3:05
    Back to Australia.
  • 3:05 - 3:07
    Please follow me.
  • 3:17 - 3:20
    He was supposed to stay
    and brief me.
  • 3:20 - 3:22
    He said he was sorry.
    His wife was sick.
  • 3:22 - 3:24
    Of what? Him?
  • 3:24 - 3:26
    No, of Jakarta, boss.
  • 3:43 - 3:45
    Our first air-conditioned hotel.
  • 3:45 - 3:48
    Here, Americans and Europeans
    pay to be kept cold.
  • 3:54 - 3:56
    Who's this?
  • 3:56 - 3:58
    CIA.
  • 3:58 - 4:00
    Nah, he's an embassy office boy.
    Look at him.
  • 4:01 - 4:04
    You're both wrong.
    He's the new A.B.S. Man.
  • 4:04 - 4:06
    How did our diminutive friend
    know that?
  • 4:06 - 4:08
    That little twerp knows everything.
  • 4:08 - 4:10
    Guy Hamilton, right?
  • 4:11 - 4:13
    - Right.
    - Billy Kwan.
  • 4:13 - 4:15
    I did a lot of film work
    for Potter.
  • 4:15 - 4:16
    How do you do?
  • 4:17 - 4:19
    I felt sorry for you.
  • 4:19 - 4:22
    Dumped in your first posting
    without contacts.
  • 4:22 - 4:25
    Adrift, hoping to
    bluff your way through.
  • 4:25 - 4:27
    Wally O'Sullivan, Sydney Herald.
  • 4:27 - 4:29
    - Read your stuff.
    - Mere trifles, dear boy.
  • 4:29 - 4:31
    Kevin Condon,
    photo journo for Theta.
  • 4:31 - 4:34
    - And Pete Curtis, Washington Post.
    - Hi.
  • 4:34 - 4:35
    - Pleasant flight?
    - Yeah, it was all right.
  • 4:35 - 4:37
    - This your first overseas post?
    - Yes, it is. Yeah.
  • 4:39 - 4:42
    Pity about Potter takin' off.
    Can be hard here without contacts.
  • 4:42 - 4:44
    I'll survive.
  • 4:47 - 4:49
    - Taxi, sir?
    - No, thanks.
  • 4:49 - 4:52
    You should take a taxi.
    It's dangerous walking there.
  • 4:54 - 4:56
    - Taxi, sir?
    - No.
  • 5:03 - 5:07
    Most of us become children again
    when we enter the slums of Asia.
  • 5:07 - 5:11
    Last night I watched you
    walk back into childhood...
  • 5:11 - 5:14
    in all its opposite intensities...
  • 5:14 - 5:18
    laughter and misery,
    the crazy and the grim...
  • 5:18 - 5:21
    toy town and a city of fear.
  • 5:24 - 5:26
    Hey, English, huh?
  • 5:39 - 5:40
    Hey, capitalist.
  • 5:40 - 5:42
    Is it always like that here?
  • 5:42 - 5:45
    Don't take it personally.
    You're just a symbol of the West.
  • 5:46 - 5:48
    Feel more like a spittoon.
  • 5:49 - 5:52
    - Where are we going?
    - This is a little market for the poor.
  • 5:57 - 6:01
    "And the people asked Him, saying,
    'What shall we do then?"'
  • 6:01 - 6:03
    - What's that?
    - It's from Luke.
  • 6:03 - 6:04
    Chapter 3, verse 10.
  • 6:04 - 6:08
    "What then must we do?"
    Tolstoy asked the same question.
  • 6:08 - 6:10
    He wrote a book with that title.
  • 6:10 - 6:14
    He got so upset
    about the poverty in Moscow...
  • 6:14 - 6:16
    that he went one night
    into the poorest section...
  • 6:17 - 6:19
    and just gave away
    all his money.
  • 6:20 - 6:22
    You could do that now.
  • 6:23 - 6:25
    Five American dollars would be a fortune
    to one of these people.
  • 6:25 - 6:28
    Wouldn't do any good.
    Just be a drop in the ocean.
  • 6:28 - 6:32
    Ah. That's the same conclusion
    Tolstoy came to.
  • 6:32 - 6:35
    - I disagree.
    - What's your solution?
  • 6:35 - 6:39
    Well, I support the view that you just
    don't think about the major issues.
  • 6:39 - 6:43
    You do whatever you can about
    the misery that's in front of you.
  • 6:43 - 6:45
    Add your light
    to the sum of light.
  • 6:47 - 6:49
    - You think that's naive?
    - Yup.
  • 6:49 - 6:52
    - It's all right. Most journalists do.
    - We can't afford to get involved.
  • 6:52 - 6:54
    Typical journo's answer.
  • 6:55 - 6:57
    Good luck for tomorrow.
    You'll need it.
  • 6:58 - 7:00
    Go home. Get some sleep.
  • 7:06 - 7:08
    Take the one behind me.
  • 7:08 - 7:12
    You're ambitious, self-contained...
  • 7:12 - 7:17
    moderate to conservative in politics,
    and despite your naïveté...
  • 7:17 - 7:22
    I sense a potential,
    something immediately apparent.
  • 7:22 - 7:24
    A possibility.
  • 7:25 - 7:27
    Could you be the unmet friend?
  • 7:46 - 7:50
    Boss, take off your sunglasses
    when you go in.
  • 7:50 - 7:53
    Palace guards say they can
    tell assassin by his eyes.
  • 8:32 - 8:34
    - Good morning.
    - Good morning.
  • 8:34 - 8:36
    Missed anything?
  • 8:36 - 8:39
    Yeah, 63 minutes
    of excruciating boredom.
  • 8:39 - 8:42
    I got a feeling he's gonna make
    a pronouncement this morning.
  • 8:42 - 8:44
    Oh, really, Kevin?
    What makes you say that?
  • 8:44 - 8:47
    - Just a thought.
    - Yeah?
  • 8:47 - 8:50
    When a thought crosses your mind, it's
    been on the shortest trip in Jakarta.
  • 8:51 - 8:52
    What happens next?
  • 8:52 - 8:54
    Soon as Sukarno's finished breakfast,
    we go up.
  • 8:54 - 8:59
    - How do you know when he's finished?
    - He throws his scraps to us.
  • 9:02 - 9:03
    Sorry, chaps.
    Age before beauty.
  • 9:20 - 9:22
    One, two, three.
    Testing, testing.
  • 9:25 - 9:27
    It'll do his image a world of good.
  • 9:27 - 9:29
    The president will act...
  • 9:29 - 9:32
    - Of course I will...
    - General?
  • 9:32 - 9:33
    No, not now.
  • 9:34 - 9:35
    Just come up here for a minute.
  • 9:41 - 9:43
    Are you gonna leave the U.N. Or not?
  • 9:44 - 9:47
    Korea respect Sukarno.
    Not like...
  • 9:48 - 9:52
    Let me put it this way. If you
    don't leave, what are you gonna do?
  • 9:52 - 9:54
    Can I come to your place?
  • 9:55 - 9:57
    If you leave the U.N.,
    what are you gonna do?
  • 9:57 - 10:01
    In short, Jakarta is a city where
    the questions outnumber the answers...
  • 10:01 - 10:03
    but one thing is certain:
  • 10:03 - 10:07
    That Sukarno's tightrope shuffle
    between the Communist P.K. I...
  • 10:07 - 10:09
    and the right-wing military...
  • 10:09 - 10:13
    is looking more precarious
    as the hours tick by.
  • 10:13 - 10:17
    This is Guy Hamilton
    in Jakarta for A.B.S. News.
  • 10:17 - 10:20
    - Is that all?
    - What do you mean?
  • 10:21 - 10:24
    - You could have written that from here.
    - What about the tightrope image?
  • 10:24 - 10:27
    Everyone else thinks Sukarno
    is in control.
  • 10:27 - 10:30
    Guy, that wasn't news.
    It was travelogue.
  • 10:30 - 10:32
    Sydney out.
  • 10:43 - 10:45
    - Didn't like it, eh, boss?
    - Stop callin' me boss.
  • 10:49 - 10:50
    Sorry.
  • 10:50 - 10:52
    Have one of these.
  • 11:56 - 11:59
    - Why are you creepin' around?
    - I'm sorry. I didn't hear you come in.
  • 11:59 - 12:01
    - Geez.
    - I keep equipment here.
  • 12:01 - 12:04
    Potter gave me a key.
    Do you want it back?
  • 12:05 - 12:07
    Huh! Keep it.
  • 12:11 - 12:13
    - Did you get an interview today?
    - What?
  • 12:13 - 12:16
    - Did you get an interview?
    - No, I didn't.
  • 12:18 - 12:20
    You're in trouble.
    Do you realize that?
  • 12:20 - 12:21
    It's early days yet.
  • 12:21 - 12:24
    All the top doors are shut
    to Western journalists.
  • 12:24 - 12:27
    - Curtis got an interview.
    - Curtis and Wally have got reputations.
  • 12:27 - 12:31
    They can't be ignored.
    Your only way in is personal contacts.
  • 12:31 - 12:33
    Potter sabotaged you.
  • 12:34 - 12:36
    You want me to shoot myself?
  • 12:43 - 12:46
    Ten years I've waited for this,
    and if I mess it up...
  • 12:46 - 12:49
    they'll send me back to the news room
    in Sydney, and that's a graveyard.
  • 12:53 - 12:56
    If you could get
    any interview you want...
  • 12:56 - 12:59
    excluding one with Sukarno,
    who would it be?
  • 13:00 - 13:03
    - The leader of the Communist Party.
    - I'll get it.
  • 13:03 - 13:05
    I can get you to him tomorrow.
  • 13:06 - 13:09
    - He doesn't give interviews.
    - He does when he needs to.
  • 13:09 - 13:12
    He's a friend of mine.
    I've already spoken to him about you.
  • 13:12 - 13:15
    - Why are you on speaking terms with...
    - lf you want it...
  • 13:15 - 13:17
    it's yours.
  • 13:17 - 13:19
    It should make quite a stir
    internationally.
  • 13:21 - 13:24
    If you can get me to Aidit, I'll give
    you all the film work you can handle.
  • 13:25 - 13:26
    Exclusive.
  • 13:28 - 13:31
    That's great, old man. That's what
    I've always wanted, a real partnership.
  • 13:32 - 13:35
    Why the break to me?
    Why not Potter?
  • 13:37 - 13:38
    I didn't like him.
  • 13:41 - 13:43
    We'll make a great team.
  • 13:45 - 13:47
    You, for the words;
    me, for the pictures.
  • 13:48 - 13:49
    I can be your eyes.
  • 13:54 - 13:56
    - Thank you very much, Mr. Aidit.
    - Let's go, Guy!
  • 13:56 - 13:57
    We'll keep in touch!
  • 13:59 - 14:01
    I'll take this straight
    to the airport.
  • 14:01 - 14:04
    - You'll be rushing to catch the flight.
    - I'll make it.
  • 14:05 - 14:07
    If you shot that out of focus,
    I'll kill you.
  • 14:07 - 14:09
    You worry about the words,
    Hamilton.
  • 14:11 - 14:15
    Identification: Guy Hamilton
    in Jakarta. Lead-in for story.
  • 14:16 - 14:19
    Exclusive interview with head
    of the Indonesian Communist Party.
  • 14:19 - 14:21
    Piece begins in five seconds.
  • 14:23 - 14:25
    "Sukarno has yielded to the
    demands of Communist Party members...
  • 14:26 - 14:28
    "in Indonesian cabinet that
    a 'Fifth Force' is to be established."
  • 14:28 - 14:31
    - That's bullshit!
    - The worrying thing is...
  • 14:31 - 14:34
    it's well-written bullshit,
    and it's right here in my paper.
  • 14:34 - 14:36
    My paper wants me to match it.
  • 14:39 - 14:42
    Here they are now.
    Sir Guy and the Black Dwarf.
  • 14:42 - 14:44
    Congratulations, Hamilton.
  • 14:44 - 14:46
    You've squeezed the test match
    into two columns.
  • 14:47 - 14:49
    Sorry about that.
  • 14:52 - 14:53
    - Want a beer?
    - Great.
  • 14:54 - 14:55
    Ali!
  • 14:59 - 15:02
    You really think Sukarno's gonna let
    the Commies have their own army?
  • 15:02 - 15:04
    - That's what Aidit said.
    - Aidit's lying.
  • 15:04 - 15:05
    - Maybe.
    - Why report it?
  • 15:06 - 15:08
    - Maybe he isn't.
    - You know why he let you interview him?
  • 15:08 - 15:10
    No. Tell us, Pete.
  • 15:10 - 15:13
    Because he knew a more experienced
    journalist wouldn't have even filed it.
  • 15:13 - 15:14
    Really, Pete?
  • 15:14 - 15:17
    If Aidit told you he had a toothache,
    you'd file it.
  • 15:17 - 15:20
    You've been after him for months
    trying to get him to tell you something.
  • 15:20 - 15:24
    The story stinks, and you know it.
    Sukarno's not stupid.
  • 15:24 - 15:27
    He lets the Communists have arms, and
    we'll have a civil war here tomorrow.
  • 15:27 - 15:29
    - Yeah, that's right.
    - There better not be.
  • 15:29 - 15:33
    - I'm gettin' married in December.
    - Don't lose any sleep over it.
  • 15:33 - 15:35
    This story's bullshit,
    and when I file...
  • 15:35 - 15:38
    I'm gonna piss on it
    from a great height, mate.
  • 15:38 - 15:40
    You do that, buddy.
    It's about the only...
  • 15:41 - 15:44
    - Guy! No!
    - Simmer down! Stop it!
  • 15:44 - 15:46
    - Did you see that?
    - Forget it.
  • 15:46 - 15:48
    Next time, pal.
  • 15:49 - 15:50
    Jesus!
  • 15:50 - 15:52
    I must confess, Hamilton...
  • 15:52 - 15:56
    that I probably would have infused it
    with a little more skepticism...
  • 15:56 - 15:59
    but bitter resentment won't prevent me
    from admitting it was a good piece.
  • 15:59 - 16:02
    Well done.
    Now smile and shake hands.
  • 16:14 - 16:16
    Beauty among the squalor.
  • 16:16 - 16:19
    I took that with a 200 millimeter.
    Got a natural elegance, haven't they?
  • 16:21 - 16:23
    All I ever see you shoot are tits.
  • 16:24 - 16:27
    Quit trying to sell us
    the pursuit of abstract beauty...
  • 16:27 - 16:29
    and admit you're a pervert.
  • 16:29 - 16:33
    Billy, you're a professional.
    Is that pornography or art?
  • 16:33 - 16:36
    If it's in focus, it's pornography.
    If it's out of focus, it's art.
  • 16:36 - 16:38
    Definitely art. Mmm.
  • 16:38 - 16:41
    They really are
    exquisite creatures, aren't they?
  • 16:41 - 16:44
    Let me ask you something. I've
    worried about this since you got here.
  • 16:44 - 16:47
    - What do you do for sex?
    - You're worried about that?
  • 16:47 - 16:49
    Whenever I hit the front page,
    I get a hard-on.
  • 16:49 - 16:52
    - So what do you do?
    - I go up to the cemetery.
  • 16:52 - 16:54
    Are you a necrophiliac?
  • 16:56 - 16:57
    It's where the prostitutes hang out.
  • 16:57 - 16:59
    Fantastic girls, Hamilton.
  • 16:59 - 17:01
    Best value-for-your-money ass
    in Asia.
  • 17:01 - 17:03
    I'll take you up there
    right now, huh?
  • 17:03 - 17:05
    - Some other time.
    - Wise man.
  • 17:05 - 17:08
    - They're riddled with VD.
    - You never heard of penicillin?
  • 17:08 - 17:10
    You will love this action.
  • 17:10 - 17:12
    You want to spend the night?
    Costs you one dollar.
  • 17:13 - 17:15
    Starvation's a great aphrodisiac.
  • 17:15 - 17:19
    Keep it up, Billy. We'll just
    nail you to the old cross, huh?
  • 17:20 - 17:22
    He can afford to be virtuous.
  • 17:22 - 17:25
    He's holding hands
    with the best-lookin' chick in town.
  • 17:25 - 17:26
    She's a friend.
  • 17:27 - 17:29
    Sure she is, Billy.
  • 17:29 - 17:32
    You'd find that kind of relationship
    hard to understand.
  • 17:32 - 17:33
    Get me the nails.
  • 17:33 - 17:36
    I'm gonna hang the little bastard up
    right now.
  • 17:36 - 17:38
    You've been holdin' out on me.
  • 17:38 - 17:40
    Here we are. Come on.
  • 17:41 - 17:43
    Not too much, Hamilton.
    Take it easy.
  • 17:45 - 17:48
    All right. That's enough.
  • 17:48 - 17:52
    Hey, Billy, grab one of these.
    Go on! Go on.
  • 17:52 - 17:55
    Come on. Out of the way.
    We're trying to eat here.
  • 17:56 - 17:58
    You ever have these?
    This stuff is terrific.
  • 18:00 - 18:02
    I want you to meet your new best friend.
    I bought him for you.
  • 18:04 - 18:06
    Dance for my pal.
  • 18:07 - 18:09
    - Do a dance for my pal.
    - Okay.
  • 18:20 - 18:23
    - Get him outta here.
    - I bought him for you, pal.
  • 18:32 - 18:34
    He's yours.
    He goes wherever you go.
  • 18:44 - 18:45
    Oh, God.
  • 18:50 - 18:53
    - It was just a joke.
    - Just a joke.
  • 18:53 - 18:55
    - Hey, Wally...
    - Forget it.
  • 18:55 - 18:58
    - Sorry.
    - Billy, it was a joke.
  • 19:00 - 19:01
    Forget it.
  • 19:05 - 19:07
    Billy, what's that weird noise?
  • 19:07 - 19:11
    It's the bamboo,
    but there is a spirit here.
  • 19:11 - 19:13
    I hear him outside at night.
  • 19:14 - 19:18
    He came inside one night and spilled
    some bottles of developer.
  • 19:18 - 19:21
    - Do you really believe that stuff?
    - Absolutely, old man.
  • 19:21 - 19:23
    The unseen is all around us...
  • 19:23 - 19:25
    particularly here in Java.
  • 19:31 - 19:33
    G'day, sport.
  • 19:33 - 19:34
    G'day.
  • 19:34 - 19:36
    One of us.
  • 19:41 - 19:44
    Air-conditioning, huh? I thought you
    were living like the people.
  • 19:44 - 19:47
    I keep a lot of film stock here.
    It's kinder to it.
  • 19:47 - 19:48
    Kinder to you too, eh?
  • 19:48 - 19:53
    Okay, okay. But everything else here
    is your basic Indonesia.
  • 20:00 - 20:04
    A normal man
    of normal intelligence...
  • 20:04 - 20:06
    capable of having
    normal children...
  • 20:06 - 20:07
    but whose body is a joke.
  • 20:09 - 20:11
    But the one great advantage
    of being a dwarf...
  • 20:11 - 20:15
    is that you can be wiser than
    other people and no one envies you.
  • 20:16 - 20:17
    You're not a dwarf.
  • 20:19 - 20:21
    That's what I like
    about you, Guy.
  • 20:24 - 20:26
    You don't care, do you?
  • 20:27 - 20:29
    Or maybe you just don't see.
  • 20:32 - 20:34
    - Want some tea?
    - Love some.
  • 20:59 - 21:00
    This picture of Sukarno...
  • 21:00 - 21:02
    - It's me.
    - It's you. Yeah.
  • 21:02 - 21:04
    I dressed for the part.
  • 21:05 - 21:09
    He's quite a hero of mine.
    I think he's a genius.
  • 21:10 - 21:13
    He's really trying to do
    something for his people.
  • 21:13 - 21:14
    To them, he's a god.
  • 21:24 - 21:26
    That's the real Jakarta.
  • 21:27 - 21:31
    Scrounging for handfuls of rice
    to keep alive another day.
  • 21:31 - 21:34
    That's a story you journos
    don't tell in your reports.
  • 21:34 - 21:37
    - Nobody wants to hear it.
    - Tell them anyway.
  • 21:40 - 21:42
    Why don't you exhibit these?
  • 21:42 - 21:45
    I don't care about the photographs.
    I care about the content.
  • 21:45 - 21:47
    I'm not very aesthetically minded.
  • 21:47 - 21:50
    That explains all those
    terrible shirts you get around in.
  • 21:56 - 21:57
    You like my puppets?
  • 21:58 - 22:00
    If you want to understand Java...
  • 22:00 - 22:02
    you have to understand
    the wajang...
  • 22:02 - 22:04
    the sacred shadow play.
  • 22:04 - 22:06
    The puppet master was a priest.
  • 22:06 - 22:08
    That's why they call Sukarno
    the great puppet master...
  • 22:08 - 22:11
    balancing the left
    with the right.
  • 22:13 - 22:17
    Their shadows are souls,
    and the screen is heaven.
  • 22:17 - 22:19
    You must watch their shadows...
  • 22:20 - 22:21
    not the puppets.
  • 22:21 - 22:25
    The right in constant struggle
    with the left.
  • 22:25 - 22:29
    The forces of light and darkness
    in endless balance.
  • 22:29 - 22:32
    In the West, we want answers
    for everything.
  • 22:32 - 22:35
    Everything is right or wrong
    or good or bad.
  • 22:35 - 22:39
    But in the wajang, no such
    final conclusions exist.
  • 22:41 - 22:43
    Look at Prince Arjuna.
  • 22:44 - 22:46
    He's a hero.
  • 22:47 - 22:50
    But he can also be fickle
    and selfish.
  • 22:50 - 22:52
    Krishna says to him...
  • 22:53 - 22:56
    "All is clouded
    by desire, Arjuna...
  • 22:56 - 22:59
    "as a fire by smoke...
  • 22:59 - 23:01
    "as a mirror by dust.
  • 23:01 - 23:05
    "Through these,
    it blinds the soul."
  • 23:06 - 23:08
    Pretty good stuff.
  • 23:09 - 23:12
    This is the Princess Srikandi.
  • 23:12 - 23:16
    Noble and proud but headstrong.
  • 23:16 - 23:18
    Arjuna will fall in love with her.
  • 23:21 - 23:23
    Who's this one?
  • 23:25 - 23:26
    He's very special.
  • 23:27 - 23:30
    The dwarf, Semar.
  • 23:31 - 23:32
    What does he do?
  • 23:33 - 23:35
    He serves the prince.
  • 23:43 - 23:44
    That's my Jilly.
  • 23:49 - 23:51
    There's someone
    you should get to know.
  • 23:51 - 23:54
    - Who?
    - The chap with the mustache.
  • 23:54 - 23:56
    He's British military attaché.
  • 23:57 - 23:59
    - Colonel.
    - Ah, Kwan.
  • 23:59 - 24:01
    This is Guy Hamilton from A.B.S.
  • 24:01 - 24:02
    - Colonel Ralph Henderson.
    - How are you?
  • 24:03 - 24:05
    Been listening to your broadcasts.
  • 24:05 - 24:07
    - More interesting than your predecessor.
    - Thank you.
  • 24:07 - 24:08
    Jilly.
  • 24:08 - 24:10
    Billy, what are you doing here?
  • 24:10 - 24:13
    - You never come to the pool.
    - I brought someone to meet you.
  • 24:13 - 24:15
    - Really?
    - I knew I'd find you here.
  • 24:18 - 24:21
    This is my special friend,
    Jilly Bryant. Guy Hamilton.
  • 24:23 - 24:25
    - Drinks all around?
    - Yes, please.
  • 24:25 - 24:28
    Gin and tonics for everyone?
  • 24:28 - 24:29
    - Four.
    - Yes, sir.
  • 24:30 - 24:32
    You're staying at the hotel?
    You're lucky. It's delightful.
  • 24:32 - 24:36
    We're at the ambassador's residence
    since the locals destroyed our embassy.
  • 24:36 - 24:39
    - I hear they tore the place apart.
    - Yes, they seemed to have fun.
  • 24:39 - 24:42
    - It was all rather droll.
    - It was anything but droll.
  • 24:42 - 24:45
    Didn't some clown keep playing
    the bagpipes the whole time?
  • 24:45 - 24:47
    That was Ralph.
  • 24:49 - 24:50
    It helped the morale.
  • 24:54 - 24:56
    I bet you're counting
    the days now, Jilly.
  • 24:56 - 24:58
    - Oh, three weeks.
    - 'Til what?
  • 24:58 - 25:00
    - 'Til I go home.
    - Where's that?
  • 25:00 - 25:03
    - London.
    - Had enough of the tropics?
  • 25:03 - 25:06
    I've been on the move five years.
    I'd like to go someplace and stay.
  • 25:11 - 25:12
    Oh, here are the drinks.
  • 25:14 - 25:17
    - What's this?
    - Gin and tonic, sir.
  • 25:17 - 25:20
    - Gin, tonic and ice.
    - Gin and tonic always with ice, sir.
  • 25:20 - 25:22
    Gin and tonic
    does not always have ice.
  • 25:22 - 25:24
    - Americans always use ice.
    - Ralph.
  • 25:24 - 25:26
    - Get me another.
    - I'll take it.
  • 25:38 - 25:41
    - Who's for a swim?
    - Not me.
  • 25:41 - 25:43
    I promised myself
    an afternoon of laziness.
  • 25:43 - 25:46
    - How about you, Jilly?
    - No. I've only just come out.
  • 25:46 - 25:48
    - Come in again.
    - No.
  • 25:48 - 25:50
    Stay here. Keep Billy company.
  • 25:52 - 25:55
    - Hamilton, I'll give you a race.
    - A race?
  • 25:55 - 25:57
    You Australians are supposed to be
    able to swim, aren't you?
  • 25:57 - 26:01
    I hope you're fit.
    When Ralph says race, he means it.
  • 26:01 - 26:03
    There's no sense being halfhearted.
  • 26:03 - 26:06
    Games are a serious business
    with the English. Right, Colonel?
  • 26:06 - 26:07
    They have their place.
  • 26:09 - 26:12
    - Come on, Hamilton.
    - Is he serious?
  • 26:12 - 26:13
    All right.
  • 26:14 - 26:16
    Wish me luck.
  • 26:22 - 26:23
    What do you think?
  • 26:24 - 26:26
    - About what?
    - Hamilton.
  • 26:26 - 26:28
    Oh. Cheeky.
  • 26:39 - 26:41
    Come on, Colonel.
    Keep pace.
  • 26:41 - 26:44
    - Paddle!
    - Come on, Ralph!
  • 26:44 - 26:45
    Don't turn back now.
  • 26:45 - 26:48
    Up the A.B.S., Hamilton!
  • 26:50 - 26:51
    Go, go, go.
  • 26:53 - 26:55
    Well done, Ralph.
  • 26:55 - 26:57
    The nearest anyone's
    come to beating him.
  • 26:57 - 27:01
    - He had you worried, didn't he, Colonel?
    - Indeed he did.
  • 27:01 - 27:02
    Congratulations.
  • 27:05 - 27:07
    I find we have
    something else in common.
  • 27:09 - 27:11
    We are divided men.
  • 27:11 - 27:14
    Your father, American;
    mine, Chinese.
  • 27:15 - 27:18
    We're not really certain
    we're Australian, you and I.
  • 27:19 - 27:22
    We're not quite at home
    in the world.
  • 27:47 - 27:49
    Oh, thanks.
  • 27:49 - 27:50
    Tiger Lily?
  • 27:51 - 27:53
    What's the matter with him?
  • 27:53 - 27:56
    He's having troubles
    with the military.
  • 27:56 - 27:58
    What sort of trouble?
  • 28:00 - 28:02
    His father has a small shop.
  • 28:02 - 28:04
    Each week the military comes
    to ask for money.
  • 28:04 - 28:07
    He has no more money,
    and he's afraid.
  • 28:14 - 28:16
    No, boss. I'm not
    looking for handouts.
  • 28:16 - 28:18
    I get more than that each week...
  • 28:18 - 28:20
    exchanging dollars
    on the black market.
  • 28:21 - 28:23
    Don't be stupid, Kumar.
    Keep the dough.
  • 28:31 - 28:33
    For my father,
    I'll play the beggar.
  • 28:35 - 28:37
    - American embassy.
    - Who is it?
  • 28:37 - 28:38
    P.K.I.
  • 28:39 - 28:41
    - Got the Bell and Howell loaded?
    - Chockablock.
  • 28:42 - 28:43
    Any hairs on the lens?
  • 28:43 - 28:46
    You worry about the words.
    I'll take care of the pictures.
  • 28:46 - 28:49
    See that you do.
    Hey, you, come on. You're driving.
  • 28:50 - 28:52
    Me... me driving?
  • 29:15 - 29:16
    Camera!
  • 29:33 - 29:35
    P.K.I. Demand complete break
    with America.
  • 29:35 - 29:37
    They're getting pretty confident,
    aren't they?
  • 29:37 - 29:38
    They have a lot of support.
  • 29:39 - 29:40
    Enough to take over?
  • 29:41 - 29:42
    Perhaps.
  • 29:50 - 29:51
    P.K.I.!
  • 30:10 - 30:11
    Camera!
  • 30:13 - 30:15
    At least they would
    give us discipline.
  • 30:15 - 30:17
    Stalin had good discipline.
  • 30:17 - 30:19
    He wiped out ten million.
  • 30:21 - 30:24
    Hey, Hortono.
    Take us up closer to the gates.
  • 32:17 - 32:20
    - Christ, what do we do now?
    - I think we get out.
  • 32:24 - 32:27
    Better not, boss! Boss!
  • 32:35 - 32:37
    Up! Hamilton, get me up!
  • 32:39 - 32:41
    You don't take no photo!
  • 32:41 - 32:43
    - No photo!
    - Foreign press!
  • 32:43 - 32:45
    - Foreign press!
    - Don't take no photo!
  • 32:45 - 32:47
    Australian press!
  • 32:48 - 32:49
    Get off him!
  • 32:50 - 32:51
    Get back here!
  • 32:54 - 32:55
    - Come on!
    - Let go, you bastard!
  • 32:56 - 32:57
    Oh, shit!
  • 32:58 - 33:00
    Get out!
  • 33:05 - 33:07
    Get back!
  • 33:07 - 33:09
    Bastards!
  • 33:10 - 33:12
    Shit! The bastard cut me!
  • 33:19 - 33:21
    - Are you all right?
    - Yeah. Did you get the shot?
  • 33:22 - 33:23
    Yes!
  • 33:30 - 33:32
    Is that all right?
  • 33:32 - 33:34
    Yeah, fine.
  • 33:37 - 33:39
    What do you think of her?
  • 33:40 - 33:41
    Who?
  • 33:44 - 33:46
    Not my type.
  • 33:46 - 33:48
    Oh. Why's that?
  • 33:49 - 33:52
    It's her attitude. You know how
    the British can be so damn superior?
  • 33:52 - 33:55
    It's like the colonel
    with his gin, tonic and ice.
  • 33:55 - 33:57
    - Jill is not like that at all.
    - No?
  • 33:58 - 33:59
    Who's that
    in the photograph with her?
  • 34:00 - 34:03
    Philippe. He's a French journalist.
    He was working here for a while.
  • 34:07 - 34:10
    - Were they, uh...
    - Yeah, they were.
  • 34:10 - 34:14
    Then he got transferred. It's difficult
    for a woman like Jilly here.
  • 34:14 - 34:15
    Why?
  • 34:15 - 34:18
    Every guy she meets
    wants to get her into bed.
  • 34:18 - 34:21
    And it's your job
    to keep 'em at bay?
  • 34:23 - 34:25
    Sorry.
  • 34:26 - 34:28
    I asked her to marry me once.
  • 34:28 - 34:30
    She turned me down.
  • 34:36 - 34:38
    What about the colonel?
  • 34:38 - 34:40
    I don't know.
    She's fond of him.
  • 34:40 - 34:43
    You gotta watch that sort of thing
    in the tropics.
  • 34:43 - 34:45
    I'm gonna get you
    a penicillin tablet.
  • 34:46 - 34:48
    I guess I'll survive. Thanks.
  • 35:00 - 35:02
    What is all this stuff?
  • 35:10 - 35:12
    Thank you.
  • 35:15 - 35:17
    - Who you workin' for, Billy?
    - For you.
  • 35:17 - 35:19
    - The Communists? The CIA?
    - Stop it.
  • 35:19 - 35:21
    Why do you keep a file on me?
  • 35:21 - 35:23
    - I keep files on everybody.
    - What for?
  • 35:23 - 35:24
    That's my business.
  • 35:24 - 35:26
    - Lf you're an operative...
    - I'm not.
  • 35:26 - 35:28
    How am I supposed to know that?
  • 35:28 - 35:30
    You're gonna have to trust me,
    aren't you?
  • 35:37 - 35:39
    We're friends, aren't we?
  • 35:40 - 35:43
    We make a good team.
    We even look alike.
  • 35:44 - 35:46
    It's true.
    It's been noticed.
  • 35:46 - 35:49
    We got the same color eyes.
  • 35:51 - 35:54
    Here. Take one of these
    every four hours.
  • 36:07 - 36:11
    Here, on the quiet page,
    I'm master...
  • 36:11 - 36:13
    just as I'm master
    in the darkroom...
  • 36:13 - 36:17
    stirring my prints
    in the magic developing bath.
  • 36:17 - 36:20
    I shuffle like cards
    the lives I deal with.
  • 36:21 - 36:23
    Their faces stare out at me.
  • 36:23 - 36:26
    People who will become
    other people.
  • 36:26 - 36:30
    People who will become old,
    betray their dreams...
  • 36:31 - 36:32
    become ghosts.
  • 38:54 - 38:55
    Ibu?
  • 38:57 - 39:00
    Doctor. Ibu, doctor.
  • 39:00 - 39:02
    You understand?
  • 39:23 - 39:25
    Can't make her understand
    that the canal...
  • 39:25 - 39:28
    which she and Udin bathe in
    and drink from carries disease.
  • 39:29 - 39:33
    In another country,
    she would be a decent woman.
  • 39:33 - 39:36
    Here she begs
    and perhaps sells herself.
  • 39:38 - 39:41
    Her tragedy is repeated
    a million times in this city.
  • 39:42 - 39:44
    "What then must we do?"
  • 39:45 - 39:50
    "We must give with love to whomever
    God has placed in our path."
  • 39:52 - 39:55
    - What is it?
    - What's the big occasion?
  • 39:55 - 39:58
    Gentlemen,
    an important announcement.
  • 39:58 - 40:02
    I have secured me
    a portion of Indonesia.
  • 40:02 - 40:04
    So have I. She's waiting
    for me in my room.
  • 40:04 - 40:08
    A beachhead of tranquility,
    a private domain, a haven.
  • 40:08 - 40:10
    I have taken me a bungalow.
  • 40:11 - 40:13
    - What?
    - A bungalow?
  • 40:13 - 40:16
    - What'd you do that for?
    - Nobody lives here.
  • 40:18 - 40:20
    Let's see how long you last in this...
  • 40:35 - 40:37
    Where is your drink?
    Come along.
  • 40:46 - 40:48
    Up!
  • 40:48 - 40:50
    Who do I look like?
  • 40:50 - 40:52
    A Chinese-Australian
    in a pitji cap.
  • 40:52 - 40:54
    That's right!
  • 40:54 - 40:56
    I'll say one thing for you.
  • 40:56 - 40:58
    Anglo-Saxons are better...
  • 40:58 - 41:00
    in the tropics!
  • 41:01 - 41:04
    Anglo-Saxons better in the tropics
  • 41:04 - 41:06
    Anglo-Saxons are better
    in the tropics
  • 41:11 - 41:12
    Let's hit it, baby.
  • 41:44 - 41:45
    They were hollowed out.
  • 42:00 - 42:03
    Hello, Peter.
    Are you enjoying the party?
  • 42:03 - 42:06
    - Mora... Merva...
    - Moira. Moira.
  • 42:14 - 42:17
    I'd enjoy it a lot more if we
    got outta here. What do you say?
  • 42:17 - 42:19
    - What?
    - Hold this, will you, Pete?
  • 42:19 - 42:20
    Thanks, mate.
  • 42:23 - 42:24
    Cut a rug, Kevin.
  • 42:28 - 42:30
    Wanna dance?
    Come on. Let's dance.
  • 42:53 - 42:54
    Oops! I'm sorry.
  • 43:04 - 43:08
    Anglo-Saxons
    are better in the tropics
  • 43:08 - 43:10
    Anglo-Saxons...
  • 43:15 - 43:16
    You spoil me, Hadji.
  • 43:17 - 43:18
    I would never do that.
  • 43:43 - 43:45
    - Curfew time.
    - Oh, no.
  • 43:45 - 43:48
    Come on. One more.
    Let's put a record on.
  • 43:53 - 43:54
    - Hello.
    - Hello.
  • 43:54 - 43:56
    - Enjoying yourself?
    - Let's see here.
  • 43:56 - 43:58
    - Hmm. And you?
    - Fine.
  • 43:59 - 44:01
    - Do you know Sri?
    - Yes. How do you do?
  • 44:01 - 44:04
    Colonel Henderson,
    this is Jill, uh, Bryant...
  • 44:04 - 44:05
    and Billy Kwan.
  • 44:05 - 44:06
    Heard your piece on Lombok.
  • 44:07 - 44:09
    - Interesting.
    - Interesting?
  • 44:09 - 44:13
    Yes, you're still young enough
    and brave enough to speculate.
  • 44:14 - 44:17
    The Lombok famine
    wasn't exactly speculation.
  • 44:19 - 44:21
    I'll get my coat.
  • 44:21 - 44:24
    Let me hear it, Jill.
    What did you think?
  • 44:24 - 44:27
    I found it
    a bit melodramatic.
  • 44:28 - 44:30
    That's only my opinion.
    My flatmate was moved to tears.
  • 44:31 - 44:32
    So there you are.
  • 44:33 - 44:36
    What does it take
    to move you to tears?
  • 44:43 - 44:45
    - Curfew.
    - Good night.
  • 44:45 - 44:46
    Good night.
  • 44:49 - 44:52
    Right, everyone. Curfew.
  • 45:05 - 45:07
    So it begins.
  • 45:12 - 45:13
    Jesus!
  • 45:15 - 45:16
    - Put it back.
    - But, boss...
  • 45:16 - 45:18
    I like the challenge.
    Put it back.
  • 45:31 - 45:33
    - Hello. Is Billy here?
    - No, I'm sorry.
  • 45:33 - 45:35
    He hasn't been in all day.
  • 45:35 - 45:38
    - We were to meet here and go for lunch.
    - Maybe he's on his way.
  • 45:38 - 45:40
    Unless he's later than I am.
  • 45:42 - 45:45
    You wanna stick around and wait for him?
    You want a coffee?
  • 45:45 - 45:47
    No, thank you.
    I've interrupted you.
  • 45:47 - 45:49
    I'm glad you did.
    It's been a high-wastage day.
  • 45:55 - 45:57
    If Billy does come back...
  • 45:57 - 45:59
    tell him I've gone back
    to the embassy.
  • 45:59 - 46:01
    You got a car?
  • 46:01 - 46:04
    - I'll take a taxi.
    - I can give you a lift if you like.
  • 46:04 - 46:06
    That's all right.
    I can get a taxi.
  • 46:06 - 46:08
    I really did wanna get hold
    of Billy myself.
  • 46:08 - 46:11
    Maybe we could drive over
    to his place and wait there.
  • 46:11 - 46:12
    He's bound to turn up.
  • 46:14 - 46:18
    - I'll get my jacket.
    - In back of the door.
  • 46:18 - 46:20
    Boss? Have you forgotten?
    The circuit to Sydney.
  • 46:20 - 46:22
    - What time?
    - 2:00.
  • 46:22 - 46:24
    The Subandrio piece.
    It's not important. Cancel it.
  • 46:24 - 46:26
    - What about Priok?
    - Ah, Jesus.
  • 46:26 - 46:28
    - You have to be there by 3:00.
    - 4:00.
  • 46:28 - 46:31
    - 3:00, boss.
    - Okay, I'll make it.
  • 46:31 - 46:33
    And stop callin' me boss, will you?
  • 46:47 - 46:50
    I'm sorry if I offended you last night.
    About your famine story?
  • 46:50 - 46:54
    Oh, no. A bit of constructive
    criticism never goes astray.
  • 46:56 - 46:59
    What did you think
    was melodramatic about it?
  • 46:59 - 47:01
    - I did offend you.
    - No, you didn't.
  • 47:01 - 47:03
    - Yes, I did.
    - It was a good piece.
  • 47:03 - 47:07
    I know what you were talking about.
    I was there for two months in Lombok.
  • 47:07 - 47:09
    I thought there was
    one reference too many to children...
  • 47:09 - 47:11
    with gaunt rib cages
    and dull, listless eyes.
  • 47:11 - 47:14
    - The rest of it was fine.
    - You were there.
  • 47:14 - 47:16
    Rib cages and eyes
    are the real thing, eh?
  • 47:16 - 47:18
    Perhaps you only needed
    to mention it once.
  • 48:13 - 48:15
    - They always do that.
    - What?
  • 48:16 - 48:18
    They wanna touch
    your white skin.
  • 48:21 - 48:23
    I'm curious about something.
  • 48:23 - 48:25
    What's that?
  • 48:25 - 48:27
    Why did you let Ralph
    win that swimming race?
  • 48:27 - 48:29
    You're observant, aren't you?
  • 48:29 - 48:32
    - Why'd you do it?
    - It seemed important to him.
  • 48:32 - 48:35
    - Are you always that generous?
    - Oh, no.
  • 48:36 - 48:38
    - So why?
    - I don't know.
  • 48:38 - 48:41
    I guess he reminded me of my father.
    Same bald head, mustache.
  • 48:42 - 48:45
    - He was killed in the war.
    - How'd you know that?
  • 48:45 - 48:48
    - Billy told me.
    - Billy told you.
  • 48:51 - 48:54
    Billy? Anyone home?
  • 49:10 - 49:13
    Was Philippe a good journalist?
  • 49:14 - 49:17
    - One of the best.
    - Where is he now?
  • 49:17 - 49:18
    Saigon.
  • 49:19 - 49:22
    - Did Billy tell you?
    - Yeah.
  • 49:22 - 49:24
    You and he have become
    quite a team.
  • 49:25 - 49:27
    He thinks the world of you.
  • 49:27 - 49:29
    God, I don't know why.
  • 49:29 - 49:33
    - You're everything he'd like to be.
    - He's a strange little guy, you know?
  • 49:33 - 49:36
    How does he get me an interview
    with the top Communist in Indonesia?
  • 49:38 - 49:41
    - You think he's an agent?
    - Well, maybe.
  • 49:41 - 49:43
    You don't know him very well.
  • 49:43 - 49:46
    He's a cameraman.
    How does he get such good contacts?
  • 49:46 - 49:47
    I don't know.
  • 49:48 - 49:50
    People trust him.
  • 49:50 - 49:54
    He breezes into every embassy reception
    whether he's invited or not.
  • 49:54 - 49:56
    No one can get up the courage
    to ask him to leave.
  • 49:57 - 50:01
    He's keeping a file on me. Why does he
    do that if he's not an agent?
  • 50:01 - 50:03
    - He keeps files on many people.
    - What kind of people?
  • 50:04 - 50:05
    People he cares about.
  • 50:06 - 50:09
    - Has he told you about lbu?
    - Who's that?
  • 50:09 - 50:11
    A woman he's adopted
    from the Kampong.
  • 50:11 - 50:12
    Billy's got a woman?
  • 50:12 - 50:14
    More than that.
  • 50:16 - 50:19
    - That's not his kid, is it?
    - No.
  • 50:19 - 50:21
    He gives them food
    and money, that's all.
  • 50:21 - 50:23
    The old boy.
  • 50:25 - 50:28
    - Would you like a cup of tea?
    - Better not.
  • 50:28 - 50:30
    I got interviews to do at Priok.
  • 50:30 - 50:32
    You wanna come?
  • 50:32 - 50:33
    To Priok?
  • 50:34 - 50:36
    You can keep an eye
    on the melodrama.
  • 51:00 - 51:02
    What do you do at the embassy?
  • 51:02 - 51:04
    Apart from socializing.
  • 51:04 - 51:05
    I work with Ralph.
  • 51:05 - 51:06
    You a spy?
  • 51:10 - 51:11
    You're a spook, aren't you?
  • 51:12 - 51:15
    If I were, I'd hardly
    tell you, would I?
  • 51:19 - 51:22
    What agency did Philippe work for?
  • 51:25 - 51:27
    When did he go to Saigon?
  • 51:29 - 51:30
    A long time ago.
  • 51:31 - 51:33
    Arrogant lot, aren't they?
  • 51:33 - 51:34
    - Who?
    - The French.
  • 51:36 - 51:38
    I find them absolutely charming.
  • 51:57 - 51:59
    - Hey!
    - Don't you love the tropics?
  • 51:59 - 52:02
    Torrential. I got it.
  • 52:02 - 52:04
    - Did you order these?
    - I must have.
  • 52:05 - 52:07
    Let's take 'em with us.
  • 52:28 - 52:29
    Oh, God!
  • 52:31 - 52:33
    - Cheers.
    - Cheers.
  • 52:34 - 52:36
    My hat!
  • 52:38 - 52:39
    What's this?
  • 52:40 - 52:42
    It's green stuff.
  • 52:42 - 52:43
    Green stuff usually has ice,
    doesn't it?
  • 52:45 - 52:46
    Get me another.
  • 52:59 - 53:00
    Don't you have an interview?
  • 53:09 - 53:11
    - Let's go to the interview.
    - Looks better on you.
  • 53:12 - 53:14
    Does it?
    Maybe I should buy one.
  • 53:14 - 53:16
    - You can have this one cheap.
    - Oh, really?
  • 53:28 - 53:31
    - Well, look, I had a...
    - When are you leaving?
  • 53:31 - 53:33
    - Two weeks.
    - What about dinner tonight?
  • 53:33 - 53:35
    - No, I'm...
    - Tomorrow night?
  • 53:35 - 53:37
    I'm busy all week.
  • 53:37 - 53:38
    Don't you ever eat?
  • 53:38 - 53:40
    Good-bye.
  • 53:42 - 53:44
    I just wanna
    see you again, all right?
  • 53:46 - 53:50
    I'm leaving so soon. What's the point
    of complicating things now?
  • 53:50 - 53:52
    What's complicated about eating?
  • 53:55 - 53:57
    Good-bye, for the second time.
  • 53:57 - 53:59
    Good-bye, beautiful.
  • 54:04 - 54:06
    Watch out for the melodrama.
  • 54:07 - 54:09
    - I'll call you.
    - No, don't.
  • 54:09 - 54:11
    I will.
  • 54:40 - 54:44
    The situation, surviving on
    a few handfuls of rice...
  • 54:44 - 54:47
    on this famine-stricken island
    of Lombok.
  • 54:47 - 54:50
    But it's the faces
    you can't forget.
  • 54:50 - 54:52
    Like images
    in a recurring nightmare...
  • 54:52 - 54:54
    they just keep coming back.
  • 54:54 - 54:56
    Haunted faces...
  • 54:56 - 55:00
    staring blankly back from the windows
    of tumbledown hovels...
  • 55:00 - 55:03
    the hollow, lifeless eyes,
    skin stretched tight across bones...
  • 55:04 - 55:08
    hands outstretched,
    dull, listless eyes imploring.
  • 55:08 - 55:11
    I move as if in a dream...
  • 55:11 - 55:14
    through the agony
    that is famine.
  • 55:14 - 55:18
    This is Guy Hamilton in Lombok
    for A.B.S. Magazine.
  • 55:20 - 55:22
    Hello? Hello?
  • 55:25 - 55:28
    Oh, I'm sorry, Mr. Hamilton.
  • 55:30 - 55:33
    She's out this evening.
    Any message?
  • 55:36 - 55:38
    I'll tell her you called.
    Good night.
  • 55:41 - 55:42
    Are you sure?
  • 56:01 - 56:03
    Listen to this, Guy.
  • 57:01 - 57:05
    Guy, I'm not gonna be here
    for a few days.
  • 57:05 - 57:08
    Use the bungalow.
    Have some peace and quiet.
  • 57:08 - 57:09
    Sure.
  • 57:19 - 57:21
    What are you grinning at,
    you fox?
  • 57:22 - 57:23
    These are good.
  • 57:31 - 57:33
    Jilly, you've only got
    ten days to go.
  • 57:36 - 57:37
    Ten days.
  • 57:40 - 57:41
    Any regrets?
  • 57:50 - 57:51
    None.
  • 57:51 - 57:52
    Her Britannic Majesty's Ambassador,
    Sir Andrew Watt and Lady Watt...
  • 57:52 - 57:55
    Her Britannic Majesty's Ambassador,
    Sir Andrew Watt and Lady Watt...
  • 57:55 - 57:58
    request the pleasure of the company
    of G.S. Hamilton, Esquire.
  • 58:03 - 58:04
    You going to this?
  • 58:05 - 58:06
    You joking?
  • 58:06 - 58:07
    You might learn something.
  • 58:07 - 58:10
    I doubt it.
    The British don't let much slip.
  • 58:10 - 58:13
    Yes, they do. They're just more subtle.
    You gotta listen harder.
  • 58:13 - 58:14
    Come again?
  • 58:16 - 58:18
    Jill will be there.
  • 58:44 - 58:48
    Ladies and gentlemen,
    music from Henderson...
  • 58:48 - 58:49
    oysters from Qantas.
  • 59:14 - 59:16
    Ladies and gentlemen.
  • 59:17 - 59:19
    Ladies and gentlemen,
    could I remind those of you...
  • 59:19 - 59:23
    driving back to Jakarta this evening,
    the curfew hour approaches.
  • 59:34 - 59:36
    - Good night, sir.
    - Good night.
  • 59:36 - 59:37
    Good night.
  • 59:37 - 59:40
    Excuse me, sir.
    It's terribly late.
  • 59:40 - 59:42
    The ambassador's already
    asked me to close up.
  • 59:42 - 59:44
    - Good night.
    - Good night.
  • 60:19 - 60:22
    Good evening. Are you
    enjoying yourself? I must apologize.
  • 60:22 - 60:25
    I must speak to Miss Bryant.
    It's about that interview.
  • 60:28 - 60:30
    You don't answer my phone calls.
  • 60:41 - 60:43
    - Let's go.
    - I can't.
  • 60:43 - 60:45
    So what?
  • 60:45 - 60:47
    I can't leave with you.
    Everyone in Jakarta...
  • 60:52 - 60:54
    I'm leaving in less than a week.
  • 61:06 - 61:08
    Good-bye.
  • 61:19 - 61:21
    Start, you bastard.
  • 61:22 - 61:24
    Shit!
  • 61:29 - 61:31
    Not the Hotel Indonesia.
  • 61:31 - 61:32
    All right?
  • 61:42 - 61:44
    Jill! What the hell
    are you doing?
  • 61:44 - 61:46
    The curfew!
  • 62:18 - 62:20
    Damn it! A roadblock.
  • 62:31 - 62:33
    Okay, get down.
  • 64:03 - 64:04
    Good morning.
  • 64:08 - 64:10
    - Good morning.
    - Good morning, Jill.
  • 64:22 - 64:23
    Ralph, I'm so sorry...
  • 64:23 - 64:24
    So am I.
  • 64:30 - 64:32
    I hope you know
    what you're doing.
  • 64:44 - 64:45
    Morning.
  • 64:50 - 64:51
    Sorry I'm late.
  • 64:56 - 64:59
    Bryant, Jillian Edith.
  • 64:59 - 65:04
    Nationality: British.
    Born: 1938, under the sign of Pisces.
  • 65:05 - 65:06
    I must be mad.
  • 65:06 - 65:10
    Occupation:
    Assistant to military attaché...
  • 65:10 - 65:13
    British Embassy, Jakarta.
  • 65:13 - 65:16
    Former postings:
    Brussels, Singapore.
  • 65:17 - 65:19
    Little religious feeling...
  • 65:19 - 65:21
    yet has a reverence for life.
  • 65:22 - 65:25
    This is a spirit
    like a wavering flame...
  • 65:25 - 65:28
    which only needs care
    to burn high.
  • 65:28 - 65:32
    If this does not happen, she could
    lapse into the promiscuity...
  • 65:33 - 65:35
    and bitterness
    of the failed romantic.
  • 65:49 - 65:50
    What's funny?
  • 65:51 - 65:52
    You're looking pooped, kid.
  • 65:54 - 65:56
    Good luck to you.
    They're only jealous.
  • 65:58 - 66:01
    I hear she really
    turns it on, huh?
  • 66:02 - 66:03
    That what you heard?
  • 66:11 - 66:13
    You saw it.
    The guy's a lunatic.
  • 66:14 - 66:16
    I think our boy's in love.
  • 66:20 - 66:23
    Okay, start her up.
  • 66:29 - 66:31
    Switch her off.
  • 66:32 - 66:33
    Yes, sir.
  • 66:37 - 66:38
    Why London?
  • 66:38 - 66:41
    - Why are you transferrin' there?
    - Why do you want to go to Saigon?
  • 66:41 - 66:44
    It's the center of things.
  • 66:44 - 66:47
    I'll be able to find out what's really
    going on in the world...
  • 66:47 - 66:50
    not have to read about it
    in the yellow press like most people.
  • 67:01 - 67:02
    Why don't you stay?
  • 67:06 - 67:07
    Why should I?
  • 67:09 - 67:10
    Hmm, Mr. Hamilton?
  • 68:39 - 68:41
    What is it?
  • 68:47 - 68:48
    You're soaking.
  • 68:56 - 68:58
    What is it? What's wrong?
  • 70:12 - 70:16
    We got a coded message through
    from Singapore this morning.
  • 70:16 - 70:20
    A ship left Shanghai a few days ago
    with arms for the P.K.I.
  • 70:25 - 70:26
    Civil war.
  • 70:26 - 70:27
    Yes.
  • 70:29 - 70:32
    I'm not giving you some scoop.
    I want you to save your life.
  • 70:32 - 70:34
    - I know, but you can't expect...
    - lf the P.K.I. Take over...
  • 70:34 - 70:36
    they'll slaughter
    every European in Jakarta.
  • 70:38 - 70:40
    I can get you out on a plane.
  • 70:40 - 70:42
    - I'll talk to Ralph.
    - No, Jill, I'm staying.
  • 70:47 - 70:49
    Nothing will keep the Communists
    and the Muslims apart now.
  • 70:49 - 70:51
    Not even Sukarno.
  • 70:59 - 71:01
    I wonder how they're
    gonna get the stuff in.
  • 71:03 - 71:06
    Probably a port up north.
    Yeah, they'll come in up north.
  • 71:07 - 71:10
    Under a false bill of lading.
    Tennis rackets, toilet seats.
  • 71:10 - 71:11
    You can't use this.
  • 71:13 - 71:15
    Then you shouldn't have told me.
  • 71:28 - 71:30
    Hello, Billy.
    What are you doing here?
  • 71:30 - 71:32
    Waiting for you.
  • 71:32 - 71:36
    Should be more work for you soon.
    I'm trackin' something down.
  • 71:36 - 71:38
    - About an arms shipment?
    - Jill told you.
  • 71:40 - 71:41
    Getting nowhere on it.
  • 71:41 - 71:43
    You shouldn't even be looking.
  • 71:44 - 71:45
    Why not?
  • 71:45 - 71:48
    She told you in confidence,
    the same as she told me.
  • 71:48 - 71:50
    If you break the story,
    everyone will know it came from her.
  • 71:51 - 71:54
    - I'll only run it with my own evidence.
    - That should ease your conscience.
  • 71:54 - 71:57
    Everyone will still know
    where it came from.
  • 71:57 - 72:00
    I can't let a story
    like that just lie.
  • 72:00 - 72:03
    I'm not running any story until
    I get independent confirmation.
  • 72:03 - 72:05
    That's the best I can do.
  • 72:05 - 72:10
    If the Communists have the slightest
    idea what you're after, you're dead.
  • 72:10 - 72:13
    When that arms shipment comes in,
    this whole country blows up.
  • 72:15 - 72:16
    I'm talking to you.
  • 72:17 - 72:19
    If I don't follow
    something like this...
  • 72:19 - 72:22
    I might as well go
    and grow watermelons!
  • 72:22 - 72:23
    You have changed.
  • 72:25 - 72:27
    You are capable of betrayal.
  • 72:29 - 72:32
    Is it possible
    I was wrong about you?
  • 72:33 - 72:37
    You abuse your position as journalist
    and grow addicted to risk.
  • 72:37 - 72:41
    You attempt to rule neat lines
    around yourself...
  • 72:41 - 72:42
    making a fetish of your career...
  • 72:42 - 72:45
    and making all relationships
    temporary...
  • 72:45 - 72:47
    lest they disturb that career.
  • 72:48 - 72:51
    Why can't you give yourself?
  • 72:51 - 72:53
    Why can't you learn to love?
  • 72:53 - 72:57
    A shipment that size does not come into
    the country without somebody noticing.
  • 72:57 - 72:58
    Perhaps there is no such shipment.
  • 72:59 - 73:01
    No such shipment.
  • 73:06 - 73:09
    - Come back in two days.
    - Keep an eye peeled.
  • 73:12 - 73:15
    Be careful who you talk to
    about this matter.
  • 73:15 - 73:18
    I'm not P.K.I.,
    but I might have been.
  • 73:33 - 73:35
    - No luck, boss?
    - Not a bloody thing.
  • 74:35 - 74:38
    - Why are we stopped here?
    - It's getting late.
  • 74:38 - 74:41
    - We'll have a rest and a swim.
    - No, we got too much work to do.
  • 74:41 - 74:42
    Tomorrow.
  • 74:46 - 74:48
    What is this place?
  • 74:48 - 74:51
    An old Dutch villa. Tiger Lily
    is a friend. We stay here sometimes.
  • 75:09 - 75:10
    Cheers.
  • 75:40 - 75:41
    I'll see you after siesta.
  • 75:43 - 75:45
    You are in old Java now, boss.
  • 78:08 - 78:10
    You're P.K.I., aren't you?
  • 78:23 - 78:27
    My country suffers under a great weight
    of poverty and corruption.
  • 78:28 - 78:30
    Is it wrong to want to change that?
  • 78:34 - 78:36
    When the killing starts,
    are you gonna be part of it?
  • 78:36 - 78:39
    - Sometimes there's no other way.
    - Yeah, sure, Kumar.
  • 78:42 - 78:44
    You must not ask anymore
    about the shipment.
  • 78:46 - 78:48
    - You know when it's arriving?
    - Maybe it's already here.
  • 78:49 - 78:52
    - That's the confirmation I need.
    - Listen to me!
  • 78:52 - 78:56
    I am unimportant in the Party.
    Even Tiger Lily's more highly placed.
  • 78:57 - 78:58
    They have a death list.
  • 78:59 - 79:01
    You are on it.
  • 79:04 - 79:05
    Come on.
  • 79:08 - 79:10
    For craps sake.
  • 79:11 - 79:12
    Hello. Are you there?
  • 79:12 - 79:14
    - Hello?
    - I'm sorry.
  • 79:14 - 79:18
    Miss Bryant is still unavailable.
    May I take a message?
  • 79:18 - 79:20
    Shit!
  • 79:37 - 79:39
    I got something to show you!
  • 79:42 - 79:46
    Well, be-bop-a-lula
    She's my baby
  • 79:47 - 79:49
    Be-bob-a-lula
    I don't mean maybe
  • 79:49 - 79:52
    I got that bitch, baby.
    Saigon. Huh?
  • 79:52 - 79:54
    Be-bop-a-lula
    She's my baby
  • 79:54 - 79:56
    I'll be blastin' gooks
    and kickin' ass.
  • 79:57 - 79:58
    Want another shot?
  • 79:58 - 80:00
    Yeah.
  • 80:04 - 80:07
    The thing is this. I don't want
    any ill feelings about this.
  • 80:07 - 80:10
    I know it's hard to squash
    those pangs of envy...
  • 80:10 - 80:13
    when you're sitting in the presence
    of talent like mine.
  • 80:13 - 80:14
    Think of it this way.
  • 80:14 - 80:17
    If there weren't guys like me in
    this business, what would you aspire to?
  • 80:17 - 80:19
    I'm glad you're going
    to Saigon, shithead.
  • 80:19 - 80:21
    I know.
    You told me that four times.
  • 80:22 - 80:24
    You are gonna miss out on
    the biggest story of your life.
  • 80:25 - 80:27
    - Like what?
    - Just wait and see.
  • 80:27 - 80:30
    You terrify me.
    I mean, there I am.
  • 80:30 - 80:34
    I'm waiting to announce that
    China's entering the war. Right?
  • 80:34 - 80:36
    Along comes young Hamilton.
  • 80:36 - 80:39
    Blows me out of the water
    with an update on Sukarno's pile.
  • 80:44 - 80:47
    You are pretty good.
    You had me runnin' there.
  • 80:54 - 80:55
    Check this out.
  • 81:05 - 81:07
    Hey, yeah.
    Misters, right.
  • 81:07 - 81:10
    Hey, yeah.
    Okay, you bevy of beauties.
  • 81:10 - 81:12
    Come on, baby.
  • 81:22 - 81:24
    Let me show you how it's done.
  • 81:33 - 81:35
    No dance!
  • 81:37 - 81:38
    You! Stop dance!
  • 81:40 - 81:42
    - Take it easy.
    - Out!
  • 81:42 - 81:44
    We're on the way.
    We're just leavin'.
  • 81:44 - 81:46
    Good night, everybody.
    We had a lot of laughs.
  • 81:47 - 81:48
    Adiós.
  • 81:52 - 81:56
    - Is this reefer?
    - No, it's a Mars bar.
  • 81:58 - 82:00
    Get the windows up!
    Lock the door!
  • 82:02 - 82:04
    See anybody you like?
  • 82:10 - 82:12
    Let's get a little light
    on the subject.
  • 82:12 - 82:14
    Do you like her?
  • 82:15 - 82:17
    She likes you!
  • 82:17 - 82:19
    This is what you call "yellow fever."
  • 82:19 - 82:21
    Me do it.
  • 82:21 - 82:22
    - Mister?
    - Me cheap.
  • 82:23 - 82:25
    I think I'm in love.
  • 82:25 - 82:28
    I'm good, mister.
  • 82:28 - 82:31
    - Me cheap.
    - Oh, yeah, baby!
  • 82:32 - 82:33
    Yes. Hey!
  • 82:34 - 82:36
    What are you doing?
    What's the matter with you?
  • 82:36 - 82:38
    - It's a meat market.
    - Come on.
  • 82:38 - 82:40
    - I'm goin'. Are you staying?
    - I'm stayin'.
  • 82:40 - 82:42
    - Okay. Get out.
    - Take it easy.
  • 82:42 - 82:44
    - Have a nice time.
    - Yeah.
  • 82:44 - 82:46
    Girls. Huh?
  • 82:48 - 82:50
    It's your old pal, Pistol Pete.
  • 83:00 - 83:02
    Yeah, yeah, okay.
  • 83:06 - 83:08
    Sorry, Miss Bryant's
    not available.
  • 83:13 - 83:14
    Thanks.
  • 86:32 - 86:35
    Billy, come over here.
    Been looking everywhere for you.
  • 86:35 - 86:36
    What is all this?
  • 86:36 - 86:38
    Bulgarian Independence Day.
  • 86:38 - 86:41
    Not a crucial day in modern history,
    but Sukarno's coming...
  • 86:41 - 86:42
    in a couple of hours.
  • 86:42 - 86:44
    We think he'll use
    the occasion for a speech.
  • 86:45 - 86:48
    - I'm sure he will.
    - Later. Right now we're celebrating.
  • 86:48 - 86:51
    - What are you celebrating?
    - Curtis got Saigon.
  • 86:53 - 86:55
    Curtis got Saigon.
  • 86:55 - 86:58
    Well, we must all drink to that.
  • 86:58 - 87:00
    Don't give me this crap tonight.
  • 87:00 - 87:04
    Wherever human misery is at its worst,
    the press will be there in force.
  • 87:04 - 87:07
    - To Saigon!
    - Give me a break.
  • 87:07 - 87:09
    People are out there fighting
    in the streets for rice.
  • 87:09 - 87:12
    I shot some footage.
    Does anybody want it?
  • 87:12 - 87:13
    It's a temporary shortage.
  • 87:13 - 87:16
    Why don't you tell them
    the true story, gentlemen?
  • 87:16 - 87:19
    Why don't you tell them that Sukarno
    makes empty speeches...
  • 87:19 - 87:22
    and builds monuments to his vanity
    while his people starve to death.
  • 87:22 - 87:24
    Tell them that he says,
    "Eat rats!"
  • 87:24 - 87:28
    You were the one who told us
    he was a great man.
  • 87:28 - 87:31
    He was. That's why
    his betrayal is so hideous.
  • 87:31 - 87:32
    Steady on, Billy.
  • 87:32 - 87:34
    I've never agreed with you...
  • 87:34 - 87:36
    on just how much the people
    mean to Sukarno.
  • 87:36 - 87:39
    The only thing he wanted to do for
    his people was to go to bed with them.
  • 87:39 - 87:41
    The female ones, that is.
  • 87:42 - 87:47
    You're right. He does use his people
    as objects of pleasure, but so do you.
  • 87:47 - 87:49
    Only you do it with boys!
  • 87:50 - 87:52
    What did you say?
    You little bastard!
  • 87:55 - 87:58
    - They'll throw him out of the country!
    - You're no better, you and your girls!
  • 87:58 - 88:00
    Put him down!
  • 88:13 - 88:15
    I'll have my bags packed tonight.
  • 88:24 - 88:26
    I want to talk to you!
  • 88:36 - 88:37
    Billy, stop!
  • 88:38 - 88:40
    - What's the matter with you?
    - What do you want?
  • 88:46 - 88:50
    - You made the broadcast.
    - I didn't source that back to Jill.
  • 88:50 - 88:53
    - Doesn't matter. That's not the point.
    - Yes, it is the point.
  • 88:53 - 88:56
    When this thing breaks, it could change
    the political shape of Southeast Asia.
  • 88:56 - 88:58
    How far are my loyalties
    to Jill supposed to go?
  • 88:58 - 89:01
    I would have given up the world for her.
    You won't give up one story.
  • 89:01 - 89:04
    It's not just a story.
    It's the bloody story.
  • 89:04 - 89:06
    Can't you understand that?
  • 89:06 - 89:09
    Don't you understand?
    You've lost Jill.
  • 89:09 - 89:11
    What have you told her?
  • 89:11 - 89:15
    I gave her to you. I'm taking
    her back. Do you understand?
  • 89:15 - 89:17
    You gave her to me?
  • 89:17 - 89:18
    For Christ's sake.
  • 89:18 - 89:20
    You mad little bastard!
  • 89:20 - 89:24
    You think you can control people's lives
    just 'cause you got 'em in your files?
  • 89:27 - 89:31
    I believed in you.
    I thought you were a man of light.
  • 89:31 - 89:34
    That's why I gave you those stories
    you think are so important.
  • 89:34 - 89:36
    I made you see things.
  • 89:36 - 89:39
    I made you feel something
    about what you write.
  • 89:39 - 89:42
    I gave you my trust.
    So did Jill.
  • 89:44 - 89:46
    I created you.
  • 90:41 - 90:42
    Oh, my God.
  • 90:44 - 90:45
    My God.
  • 90:45 - 90:47
    My God.
  • 91:33 - 91:35
    What then must we do?
  • 91:42 - 91:44
    What then must we do?
  • 91:49 - 91:50
    What then...
  • 91:52 - 91:55
    must we do?
  • 92:00 - 92:02
    We must...
  • 92:23 - 92:24
    Very nice.
  • 92:24 - 92:26
    719, please.
  • 92:28 - 92:29
    Room 719?
  • 92:36 - 92:37
    Excuse me.
  • 93:40 - 93:42
    - I made the broadcast.
    - Yes, I know.
  • 93:42 - 93:44
    I got it confirmed
    straight from the P.K.I.
  • 93:44 - 93:46
    I decided to tell you.
  • 93:46 - 93:48
    You're a journalist.
  • 94:03 - 94:05
    - Who is it?
    - Mr. Davis, security check.
  • 94:06 - 94:07
    What's going on?
  • 94:09 - 94:11
    You see the notice
    on the door here?
  • 95:33 - 95:34
    Hey, Guy! Come on!
  • 96:27 - 96:29
    I didn't mean to frighten you.
  • 96:30 - 96:32
    You shouldn't be here.
    Security men are all over.
  • 96:32 - 96:34
    I know. I don't
    want them to get his files.
  • 96:48 - 96:50
    He was murdered, wasn't he?
  • 96:50 - 96:52
    Yeah.
  • 96:52 - 96:55
    Over a banner, and Sukarno
    didn't even see it.
  • 97:12 - 97:14
    - Who took this?
    - He did.
  • 97:16 - 97:20
    Self-timer, outside that grotty little
    restaurant he always used to drag me to.
  • 97:20 - 97:23
    "Best food in Jakarta, old man."
  • 97:25 - 97:27
    God, I loved him.
  • 97:33 - 97:35
    When you leaving?
  • 97:40 - 97:41
    Tomorrow.
  • 97:41 - 97:43
    What time?
  • 97:44 - 97:45
    2:00.
  • 97:47 - 97:49
    I never wanted to hurt you
    by running that story.
  • 97:52 - 97:54
    I wanted to talk to you about it.
  • 97:54 - 97:56
    I don't want to lose you.
  • 98:07 - 98:09
    You go first. Back door.
  • 98:09 - 98:11
    - What about you?
    - I'll be right behind you. Go!
  • 98:17 - 98:19
    Jill. I'll be on that plane.
  • 98:45 - 98:47
    What's going on?
    I gotta get to the airport.
  • 98:54 - 98:56
    What is it?
  • 98:56 - 98:58
    What's going on?
  • 98:58 - 99:00
    Some people have
    taken over government.
  • 99:00 - 99:01
    Troops have moved...
  • 99:01 - 99:03
    to the president's palace.
  • 99:10 - 99:11
    Let's go.
  • 99:14 - 99:16
    Broadcast say
    we should not go out.
  • 99:16 - 99:20
    It's okay. They won't touch us.
    Come on. Come on!
  • 99:38 - 99:40
    I think you better keep
    the engine running, eh?
  • 99:48 - 99:50
    Press. Foreign press.
  • 99:50 - 99:52
    A.B.S. Press.
  • 99:55 - 99:58
    I don't understand you.
    I want to go to the palace.
  • 100:46 - 100:47
    Take me to the airport.
  • 100:47 - 100:49
    Can't, boss. Roadblock.
  • 100:51 - 100:54
    - Take me to Billy Kwan's.
    - Okay, boss.
  • 101:11 - 101:15
    The retina is detached.
    You must lie very still.
  • 101:15 - 101:18
    - How long?
    - A week, maybe. Ten days.
  • 101:18 - 101:21
    If you wish to save your eye,
    you will lie still.
  • 101:22 - 101:24
    You have to bandage both eyes?
  • 101:24 - 101:26
    - I'll be helpless.
    - I'm sorry.
  • 101:44 - 101:46
    Your eye will be better?
  • 101:47 - 101:49
    Maybe not.
  • 101:51 - 101:54
    Lucky still got one.
  • 101:59 - 102:01
    But men might come soon, I think.
  • 102:03 - 102:05
    I must go home to family.
  • 102:06 - 102:08
    I'm sorry, boss.
  • 102:10 - 102:11
    Good-bye, Hortono.
  • 102:11 - 102:13
    Good-bye, boss.
  • 103:00 - 103:02
    Krishna says to him...
  • 103:02 - 103:06
    "All is clouded by desire, Arjuna...
  • 103:06 - 103:11
    "as a fire by smoke,
    as a mirror by dust.
  • 103:11 - 103:14
    "Through these,
    it blinds the soul."
  • 103:18 - 103:20
    Who is that?
  • 103:21 - 103:23
    Hortono? Who's that?
  • 103:23 - 103:24
    It's me, boss.
  • 103:26 - 103:28
    Have you been sent to kill me?
  • 103:29 - 103:30
    We have failed.
  • 103:34 - 103:37
    We have been overcome
    by the Muslim generals.
  • 103:37 - 103:39
    What about Sukarno?
  • 103:39 - 103:42
    He is finished. He will
    become a puppet of the Right.
  • 103:42 - 103:43
    And you?
  • 103:43 - 103:45
    I'm a dead man.
  • 103:48 - 103:50
    I'm sorry about your eye.
  • 103:53 - 103:56
    There should be a packet of cigarettes
    on the table. Help yourself.
  • 104:02 - 104:04
    Still the good cigarettes, boss.
  • 104:14 - 104:16
    Thank you.
  • 104:21 - 104:22
    Tell me something.
  • 104:23 - 104:24
    Sure.
  • 104:24 - 104:25
    Am I a stupid man?
  • 104:29 - 104:31
    Then why should I live
    like a poor man all my life...
  • 104:31 - 104:33
    when stupid people
    in your country live well?
  • 104:34 - 104:36
    Good question.
  • 104:36 - 104:38
    - Then please answer it.
    - I can't.
  • 104:38 - 104:40
    Then why do you condemn
    those in my country...
  • 104:40 - 104:42
    who try to do something about it?
  • 104:48 - 104:51
    Mister Billy Kwan was right.
  • 104:51 - 104:53
    Westerners do not have
    answers anymore.
  • 104:59 - 105:00
    Water from the moon.
  • 105:02 - 105:03
    What does that mean?
  • 105:03 - 105:05
    It's an old Javanese saying.
  • 105:06 - 105:08
    Means something
    one cannot ever have.
  • 105:11 - 105:12
    What time is it?
  • 105:13 - 105:14
    Just past 1:00.
  • 105:16 - 105:18
    - The airport closed?
    - Not yet...
  • 105:18 - 105:21
    but everything will close down
    when the army proclaims martial law.
  • 105:23 - 105:25
    Drive me there.
  • 105:26 - 105:29
    They have roadblocked the city.
  • 105:29 - 105:30
    Never stopped us before.
  • 105:34 - 105:35
    They will arrest me.
  • 105:35 - 105:38
    You can wait here to die,
    or you can drive me to the airport...
  • 105:38 - 105:40
    and then take the car
    up into the hills.
  • 105:40 - 105:43
    Why do you have to leave now?
  • 105:43 - 105:45
    You can stay and write
    all the stories you want.
  • 106:01 - 106:03
    I hope to catch a plane
    is worth losing your eye.
  • 106:09 - 106:11
    Go around, Kumar. Go up.
  • 106:38 - 106:43
    Easy. Don't show them
    anything, Kumar.
  • 106:43 - 106:45
    You go up to the...
  • 106:50 - 106:52
    Calmly. Calm.
  • 106:53 - 106:55
    Easy.
  • 107:06 - 107:08
    - What's he want?
    - Papers.
  • 107:09 - 107:11
    Corporal, here's my papers.
  • 107:11 - 107:14
    Australian Broadcasting Service.
    I'm a journalist. He's my assistant.
  • 107:14 - 107:16
    We must go to the airport.
  • 107:42 - 107:44
    Thank you very much.
  • 108:16 - 108:18
    - I'm sorry...
    - Don't worry.
  • 108:18 - 108:20
    We will win because
    we believe in something.
  • 108:23 - 108:24
    - Good-bye.
    - Think of me, Guy...
  • 108:24 - 108:26
    when you're sitting
    in some nice cafe in Europe.
  • 108:27 - 108:30
    In my dreams, I'm always
    sitting at the table...
  • 108:30 - 108:31
    by the footpath,
    drinking coffee.
  • 108:34 - 108:36
    - Good luck.
    - Now go.
  • 108:36 - 108:37
    Quickly!
  • 108:46 - 108:49
    - No!
    - I got a ticket, asshole!
  • 108:54 - 108:56
    No bags. See? Okay?
  • 108:58 - 109:01
    Hey! Royal Netherlands.
    You got it? Right.
  • 109:03 - 109:05
    Royal Netherlands, 2:00,
    all right?
  • 109:36 - 109:37
    Thank you.
  • 109:41 - 109:43
    Hey, stop! You!
  • 109:46 - 109:48
    - What?
    - You bring that here!
  • 110:02 - 110:03
    This is Guy Hamilton...
  • 110:03 - 110:06
    reporting from Jakarta,
    where a coup attempt...
  • 110:06 - 110:08
    by the Communist P.K. I...
Title:
The Year of Living Dangerously | Full Movie Starring Mel Gibson | Warner Classics
Description:

more » « less
Video Language:
English
Duration:
01:54:44

English subtitles

Revisions Compare revisions