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The Year of Living Dangerously | Full Movie Starring Mel Gibson | Warner Classics

  • 1:54 - 1:57
    June 25, 1965.
  • 1:58 - 2:02
    Dossier H-10: Hamilton, Guy.
  • 2:02 - 2:07
    Born 1936,
    under the sign of Capricorn.
  • 2:08 - 2:11
    Occupation: Journalist with the
    Australian Broadcasting Service.
  • 2:12 - 2:16
    Jakarta. First assignment
    as foreign correspondent.
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    You're an enemy here, Hamilton,
    like all Westerners.
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    President Sukarno
    tells the West to go to hell...
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    and today Sukarno
    is the voice of the Third World.
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    - Where you get visa?
    - Sydney.
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    Something wrong with that?
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    Mr. Hamilton? Mr. Hamilton?
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    - Welcome to Indonesia.
    - Thanks. You're...
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    Kumar, from Jakarta office.
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    Hortono. Driver.
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    - Where's Potter?
    - Mr. Potter has gone. He left this.
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    Where's he gone?
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    Back to Australia.
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    Please follow me.
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    He was supposed to stay
    and brief me.
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    He said he was sorry.
    His wife was sick.
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    Of what? Him?
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    No, of Jakarta, boss.
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    Our first air-conditioned hotel.
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    Here, Americans and Europeans
    pay to be kept cold.
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    Who's this?
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    CIA.
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    Nah, he's an embassy office boy.
    Look at him.
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    You're both wrong.
    He's the new A.B.S. Man.
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    How did our diminutive friend
    know that?
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    That little twerp knows everything.
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    Guy Hamilton, right?
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    - Right.
    - Billy Kwan.
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    I did a lot of film work
    for Potter.
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    How do you do?
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    I felt sorry for you.
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    Dumped in your first posting
    without contacts.
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    Adrift, hoping to
    bluff your way through.
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    Wally O'Sullivan, Sydney Herald.
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    - Read your stuff.
    - Mere trifles, dear boy.
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    Kevin Condon,
    photo journo for Theta.
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    - And Pete Curtis, Washington Post.
    - Hi.
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    - Pleasant flight?
    - Yeah, it was all right.
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    - This your first overseas post?
    - Yes, it is. Yeah.
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    Pity about Potter takin' off.
    Can be hard here without contacts.
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    I'll survive.
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    - Taxi, sir?
    - No, thanks.
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    You should take a taxi.
    It's dangerous walking there.
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    - Taxi, sir?
    - No.
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    Most of us become children again
    when we enter the slums of Asia.
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    Last night I watched you
    walk back into childhood...
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    in all its opposite intensities...
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    laughter and misery,
    the crazy and the grim...
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    toy town and a city of fear.
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    Hey, English, huh?
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    Hey, capitalist.
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    Is it always like that here?
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    Don't take it personally.
    You're just a symbol of the West.
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    Feel more like a spittoon.
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    - Where are we going?
    - This is a little market for the poor.
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    "And the people asked Him, saying,
    'What shall we do then?"'
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    - What's that?
    - It's from Luke.
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    Chapter 3, verse 10.
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    "What then must we do?"
    Tolstoy asked the same question.
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    He wrote a book with that title.
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    He got so upset
    about the poverty in Moscow...
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    that he went one night
    into the poorest section...
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    and just gave away
    all his money.
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    You could do that now.
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    Five American dollars would be a fortune
    to one of these people.
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    Wouldn't do any good.
    Just be a drop in the ocean.
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    Ah. That's the same conclusion
    Tolstoy came to.
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    - I disagree.
    - What's your solution?
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    Well, I support the view that you just
    don't think about the major issues.
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    You do whatever you can about
    the misery that's in front of you.
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    Add your light
    to the sum of light.
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    - You think that's naive?
    - Yup.
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    - It's all right. Most journalists do.
    - We can't afford to get involved.
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    Typical journo's answer.
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    Good luck for tomorrow.
    You'll need it.
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    Go home. Get some sleep.
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    Take the one behind me.
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    You're ambitious, self-contained...
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    moderate to conservative in politics,
    and despite your naïveté...
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    I sense a potential,
    something immediately apparent.
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    A possibility.
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    Could you be the unmet friend?
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    Boss, take off your sunglasses
    when you go in.
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    Palace guards say they can
    tell assassin by his eyes.
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    - Good morning.
    - Good morning.
  • 8:46 - 8:47
    Missed anything?
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    Yeah, 63 minutes
    of excruciating boredom.
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    I got a feeling he's gonna make
    a pronouncement this morning.
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    Oh, really, Kevin?
    What makes you say that?
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    - Just a thought.
    - Yeah?
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    When a thought crosses your mind, it's
    been on the shortest trip in Jakarta.
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    What happens next?
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    Soon as Sukarno's finished breakfast,
    we go up.
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    - How do you know when he's finished?
    - He throws his scraps to us.
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    Sorry, chaps.
    Age before beauty.
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    One, two, three.
    Testing, testing.
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    It'll do his image a world of good.
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    The president will act...
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    - Of course I will...
    - General?
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    No, not now.
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    Just come up here for a minute.
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    Are you gonna leave the U.N. Or not?
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    Korea respect Sukarno.
    Not like...
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    Let me put it this way. If you
    don't leave, what are you gonna do?
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    Can I come to your place?
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    If you leave the U.N.,
    what are you gonna do?
  • 10:09 - 10:13
    In short, Jakarta is a city where
    the questions outnumber the answers...
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    but one thing is certain:
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    That Sukarno's tightrope shuffle
    between the Communist P.K. I...
  • 10:19 - 10:20
    and the right-wing military...
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    is looking more precarious
    as the hours tick by.
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    This is Guy Hamilton
    in Jakarta for A.B.S. News.
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    - Is that all?
    - What do you mean?
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    - You could have written that from here.
    - What about the tightrope image?
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    Everyone else thinks Sukarno
    is in control.
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    Guy, that wasn't news.
    It was travelogue.
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    Sydney out.
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    - Didn't like it, eh, boss?
    - Stop callin' me boss.
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    Sorry.
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    Have one of these.
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    - Why are you creepin' around?
    - I'm sorry. I didn't hear you come in.
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    - Geez.
    - I keep equipment here.
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    Potter gave me a key.
    Do you want it back?
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    Huh! Keep it.
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    - Did you get an interview today?
    - What?
  • 12:25 - 12:28
    - Did you get an interview?
    - No, I didn't.
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    You're in trouble.
    Do you realize that?
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    It's early days yet.
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    All the top doors are shut
    to Western journalists.
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    - Curtis got an interview.
    - Curtis and Wally have got reputations.
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    They can't be ignored.
    Your only way in is personal contacts.
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    Potter sabotaged you.
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    You want me to shoot myself?
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    Ten years I've waited for this,
    and if I mess it up...
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    they'll send me back to the news room
    in Sydney, and that's a graveyard.
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    If you could get
    any interview you want...
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    excluding one with Sukarno,
    who would it be?
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    - The leader of the Communist Party.
    - I'll get it.
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    I can get you to him tomorrow.
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    - He doesn't give interviews.
    - He does when he needs to.
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    He's a friend of mine.
    I've already spoken to him about you.
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    - Why are you on speaking terms with...
    - lf you want it...
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    it's yours.
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    It should make quite a stir
    internationally.
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    If you can get me to Aidit, I'll give
    you all the film work you can handle.
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    Exclusive.
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    That's great, old man. That's what
    I've always wanted, a real partnership.
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    Why the break to me?
    Why not Potter?
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    I didn't like him.
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    We'll make a great team.
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    You, for the words;
    me, for the pictures.
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    I can be your eyes.
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    - Thank you very much, Mr. Aidit.
    - Let's go, Guy!
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    We'll keep in touch!
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    I'll take this straight
    to the airport.
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    - You'll be rushing to catch the flight.
    - I'll make it.
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    If you shot that out of focus,
    I'll kill you.
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    You worry about the words,
    Hamilton.
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    Identification: Guy Hamilton
    in Jakarta. Lead-in for story.
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    Exclusive interview with head
    of the Indonesian Communist Party.
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    Piece begins in five seconds.
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    "Sukarno has yielded to the
    demands of Communist Party members...
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    "in Indonesian cabinet that
    a 'Fifth Force' is to be established."
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    - That's bullshit!
    - The worrying thing is...
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    it's well-written bullshit,
    and it's right here in my paper.
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    My paper wants me to match it.
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    Here they are now.
    Sir Guy and the Black Dwarf.
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    Congratulations, Hamilton.
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    You've squeezed the test match
    into two columns.
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    Sorry about that.
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    - Want a beer?
    - Great.
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    Ali!
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    You really think Sukarno's gonna let
    the Commies have their own army?
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    - That's what Aidit said.
    - Aidit's lying.
  • 15:16 - 15:17
    - Maybe.
    - Why report it?
  • 15:17 - 15:20
    - Maybe he isn't.
    - You know why he let you interview him?
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    No. Tell us, Pete.
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    Because he knew a more experienced
    journalist wouldn't have even filed it.
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    Really, Pete?
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    If Aidit told you he had a toothache,
    you'd file it.
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    You've been after him for months
    trying to get him to tell you something.
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    The story stinks, and you know it.
    Sukarno's not stupid.
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    He lets the Communists have arms, and
    we'll have a civil war here tomorrow.
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    - Yeah, that's right.
    - There better not be.
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    - I'm gettin' married in December.
    - Don't lose any sleep over it.
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    This story's bullshit,
    and when I file...
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    I'm gonna piss on it
    from a great height, mate.
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    You do that, buddy.
    It's about the only...
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    - Guy! No!
    - Simmer down! Stop it!
  • 15:56 - 15:58
    - Did you see that?
    - Forget it.
  • 15:58 - 16:00
    Next time, pal.
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    Jesus!
  • 16:02 - 16:04
    I must confess, Hamilton...
  • 16:04 - 16:08
    that I probably would have infused it
    with a little more skepticism...
  • 16:08 - 16:11
    but bitter resentment won't prevent me
    from admitting it was a good piece.
  • 16:11 - 16:14
    Well done.
    Now smile and shake hands.
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    Beauty among the squalor.
  • 16:28 - 16:31
    I took that with a 200 millimeter.
    Got a natural elegance, haven't they?
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    All I ever see you shoot are tits.
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    Quit trying to sell us
    the pursuit of abstract beauty...
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    and admit you're a pervert.
  • 16:41 - 16:45
    Billy, you're a professional.
    Is that pornography or art?
  • 16:45 - 16:48
    If it's in focus, it's pornography.
    If it's out of focus, it's art.
  • 16:48 - 16:50
    Definitely art. Mmm.
  • 16:50 - 16:53
    They really are
    exquisite creatures, aren't they?
  • 16:53 - 16:56
    Let me ask you something. I've
    worried about this since you got here.
  • 16:56 - 16:59
    - What do you do for sex?
    - You're worried about that?
  • 16:59 - 17:01
    Whenever I hit the front page,
    I get a hard-on.
  • 17:01 - 17:04
    - So what do you do?
    - I go up to the cemetery.
  • 17:04 - 17:06
    Are you a necrophiliac?
  • 17:08 - 17:09
    It's where the prostitutes hang out.
  • 17:09 - 17:11
    Fantastic girls, Hamilton.
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    Best value-for-your-money ass
    in Asia.
  • 17:13 - 17:15
    I'll take you up there
    right now, huh?
  • 17:15 - 17:17
    - Some other time.
    - Wise man.
  • 17:17 - 17:20
    - They're riddled with VD.
    - You never heard of penicillin?
  • 17:20 - 17:22
    You will love this action.
  • 17:22 - 17:25
    You want to spend the night?
    Costs you one dollar.
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    Starvation's a great aphrodisiac.
  • 17:27 - 17:31
    Keep it up, Billy. We'll just
    nail you to the old cross, huh?
  • 17:32 - 17:34
    He can afford to be virtuous.
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    He's holding hands
    with the best-lookin' chick in town.
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    She's a friend.
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    Sure she is, Billy.
  • 17:41 - 17:44
    You'd find that kind of relationship
    hard to understand.
  • 17:44 - 17:45
    Get me the nails.
  • 17:45 - 17:48
    I'm gonna hang the little bastard up
    right now.
  • 17:48 - 17:50
    You've been holdin' out on me.
  • 17:51 - 17:52
    Here we are. Come on.
  • 17:53 - 17:55
    Not too much, Hamilton.
    Take it easy.
  • 17:57 - 18:00
    All right. That's enough.
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    Hey, Billy, grab one of these.
    Go on! Go on.
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    Come on. Out of the way.
    We're trying to eat here.
  • 18:08 - 18:10
    You ever have these?
    This stuff is terrific.
  • 18:12 - 18:14
    I want you to meet your new best friend.
    I bought him for you.
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    Dance for my pal.
  • 18:19 - 18:21
    - Do a dance for my pal.
    - Okay.
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    - Get him outta here.
    - I bought him for you, pal.
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    He's yours.
    He goes wherever you go.
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    Oh, God.
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    - It was just a joke.
    - Just a joke.
  • 19:05 - 19:07
    - Hey, Wally...
    - Forget it.
  • 19:07 - 19:10
    - Sorry.
    - Billy, it was a joke.
  • 19:12 - 19:14
    Forget it.
  • 19:17 - 19:19
    Billy, what's that weird noise?
  • 19:19 - 19:23
    It's the bamboo,
    but there is a spirit here.
  • 19:23 - 19:25
    I hear him outside at night.
  • 19:26 - 19:30
    He came inside one night and spilled
    some bottles of developer.
  • 19:30 - 19:33
    - Do you really believe that stuff?
    - Absolutely, old man.
  • 19:33 - 19:35
    The unseen is all around us...
  • 19:35 - 19:37
    particularly here in Java.
  • 19:44 - 19:45
    G'day, sport.
  • 19:45 - 19:46
    G'day.
  • 19:46 - 19:48
    One of us.
  • 19:53 - 19:56
    Air-conditioning, huh? I thought you
    were living like the people.
  • 19:56 - 19:59
    I keep a lot of film stock here.
    It's kinder to it.
  • 19:59 - 20:01
    Kinder to you too, eh?
  • 20:01 - 20:06
    Okay, okay. But everything else here
    is your basic Indonesia.
  • 20:13 - 20:16
    A normal man
    of normal intelligence...
  • 20:16 - 20:18
    capable of having
    normal children...
  • 20:18 - 20:20
    but whose body is a joke.
  • 20:21 - 20:24
    But the one great advantage
    of being a dwarf...
  • 20:24 - 20:27
    is that you can be wiser than
    other people and no one envies you.
  • 20:28 - 20:30
    You're not a dwarf.
  • 20:31 - 20:33
    That's what I like
    about you, Guy.
  • 20:36 - 20:38
    You don't care, do you?
  • 20:39 - 20:41
    Or maybe you just don't see.
  • 20:44 - 20:46
    - Want some tea?
    - Love some.
  • 21:11 - 21:12
    This picture of Sukarno...
  • 21:12 - 21:14
    - It's me.
    - It's you. Yeah.
  • 21:14 - 21:16
    I dressed for the part.
  • 21:17 - 21:21
    He's quite a hero of mine.
    I think he's a genius.
  • 21:22 - 21:25
    He's really trying to do
    something for his people.
  • 21:25 - 21:27
    To them, he's a god.
  • 21:36 - 21:38
    That's the real Jakarta.
  • 21:39 - 21:43
    Scrounging for handfuls of rice
    to keep alive another day.
  • 21:43 - 21:46
    That's a story you journos
    don't tell in your reports.
  • 21:47 - 21:49
    - Nobody wants to hear it.
    - Tell them anyway.
  • 21:52 - 21:54
    Why don't you exhibit these?
  • 21:54 - 21:57
    I don't care about the photographs.
    I care about the content.
  • 21:57 - 21:59
    I'm not very aesthetically minded.
  • 21:59 - 22:03
    That explains all those
    terrible shirts you get around in.
  • 22:08 - 22:10
    You like my puppets?
  • 22:10 - 22:12
    If you want to understand Java...
  • 22:12 - 22:14
    you have to understand
    the wajang...
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    the sacred shadow play.
  • 22:16 - 22:18
    The puppet master was a priest.
  • 22:18 - 22:20
    That's why they call Sukarno
    the great puppet master...
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    balancing the left
    with the right.
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    Their shadows are souls,
    and the screen is heaven.
  • 22:30 - 22:32
    You must watch their shadows...
  • 22:32 - 22:34
    not the puppets.
  • 22:34 - 22:38
    The right in constant struggle
    with the left.
  • 22:38 - 22:41
    The forces of light and darkness
    in endless balance.
  • 22:41 - 22:44
    In the West, we want answers
    for everything.
  • 22:44 - 22:48
    Everything is right or wrong
    or good or bad.
  • 22:48 - 22:52
    But in the wajang, no such
    final conclusions exist.
  • 22:53 - 22:55
    Look at Prince Arjuna.
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    He's a hero.
  • 22:59 - 23:02
    But he can also be fickle
    and selfish.
  • 23:02 - 23:05
    Krishna says to him...
  • 23:05 - 23:09
    "All is clouded
    by desire, Arjuna...
  • 23:09 - 23:11
    "as a fire by smoke...
  • 23:11 - 23:14
    "as a mirror by dust.
  • 23:14 - 23:17
    "Through these,
    it blinds the soul."
  • 23:18 - 23:20
    Pretty good stuff.
  • 23:21 - 23:25
    This is the Princess Srikandi.
  • 23:25 - 23:28
    Noble and proud but headstrong.
  • 23:28 - 23:31
    Arjuna will fall in love with her.
  • 23:34 - 23:35
    Who's this one?
  • 23:37 - 23:39
    He's very special.
  • 23:40 - 23:42
    The dwarf, Semar.
  • 23:43 - 23:45
    What does he do?
  • 23:46 - 23:47
    He serves the prince.
  • 23:55 - 23:57
    That's my Jilly.
  • 24:01 - 24:04
    There's someone
    you should get to know.
  • 24:04 - 24:06
    - Who?
    - The chap with the mustache.
  • 24:07 - 24:08
    He's British military attaché.
  • 24:10 - 24:12
    - Colonel.
    - Ah, Kwan.
  • 24:12 - 24:13
    This is Guy Hamilton from A.B.S.
  • 24:13 - 24:15
    - Colonel Ralph Henderson.
    - How are you?
  • 24:15 - 24:17
    Been listening to your broadcasts.
  • 24:17 - 24:19
    - More interesting than your predecessor.
    - Thank you.
  • 24:19 - 24:20
    Jilly.
  • 24:20 - 24:22
    Billy, what are you doing here?
  • 24:23 - 24:26
    - You never come to the pool.
    - I brought someone to meet you.
  • 24:26 - 24:28
    - Really?
    - I knew I'd find you here.
  • 24:31 - 24:34
    This is my special friend,
    Jilly Bryant. Guy Hamilton.
  • 24:35 - 24:38
    - Drinks all around?
    - Yes, please.
  • 24:38 - 24:40
    Gin and tonics for everyone?
  • 24:40 - 24:42
    - Four.
    - Yes, sir.
  • 24:42 - 24:45
    You're staying at the hotel?
    You're lucky. It's delightful.
  • 24:45 - 24:48
    We're at the ambassador's residence
    since the locals destroyed our embassy.
  • 24:48 - 24:51
    - I hear they tore the place apart.
    - Yes, they seemed to have fun.
  • 24:51 - 24:54
    - It was all rather droll.
    - It was anything but droll.
  • 24:54 - 24:57
    Didn't some clown keep playing
    the bagpipes the whole time?
  • 24:57 - 24:59
    That was Ralph.
  • 25:01 - 25:03
    It helped the morale.
  • 25:07 - 25:08
    I bet you're counting
    the days now, Jilly.
  • 25:09 - 25:11
    - Oh, three weeks.
    - 'Til what?
  • 25:11 - 25:13
    - 'Til I go home.
    - Where's that?
  • 25:13 - 25:15
    - London.
    - Had enough of the tropics?
  • 25:15 - 25:18
    I've been on the move five years.
    I'd like to go someplace and stay.
  • 25:23 - 25:25
    Oh, here are the drinks.
  • 25:27 - 25:30
    - What's this?
    - Gin and tonic, sir.
  • 25:30 - 25:33
    - Gin, tonic and ice.
    - Gin and tonic always with ice, sir.
  • 25:33 - 25:35
    Gin and tonic
    does not always have ice.
  • 25:35 - 25:37
    - Americans always use ice.
    - Ralph.
  • 25:37 - 25:39
    - Get me another.
    - I'll take it.
  • 25:51 - 25:53
    - Who's for a swim?
    - Not me.
  • 25:53 - 25:56
    I promised myself
    an afternoon of laziness.
  • 25:56 - 25:59
    - How about you, Jilly?
    - No. I've only just come out.
  • 25:59 - 26:01
    - Come in again.
    - No.
  • 26:01 - 26:03
    Stay here. Keep Billy company.
  • 26:04 - 26:07
    - Hamilton, I'll give you a race.
    - A race?
  • 26:07 - 26:10
    You Australians are supposed to be
    able to swim, aren't you?
  • 26:10 - 26:13
    I hope you're fit.
    When Ralph says race, he means it.
  • 26:13 - 26:15
    There's no sense being halfhearted.
  • 26:15 - 26:18
    Games are a serious business
    with the English. Right, Colonel?
  • 26:18 - 26:20
    They have their place.
  • 26:21 - 26:24
    - Come on, Hamilton.
    - Is he serious?
  • 26:24 - 26:26
    All right.
  • 26:27 - 26:28
    Wish me luck.
  • 26:34 - 26:36
    What do you think?
  • 26:36 - 26:38
    - About what?
    - Hamilton.
  • 26:39 - 26:41
    Oh. Cheeky.
  • 26:51 - 26:53
    Come on, Colonel.
    Keep pace.
  • 26:53 - 26:56
    - Paddle!
    - Come on, Ralph!
  • 26:56 - 26:58
    Don't turn back now.
  • 26:58 - 27:01
    Up the A.B.S., Hamilton!
  • 27:02 - 27:04
    Go, go, go.
  • 27:05 - 27:08
    Well done, Ralph.
  • 27:08 - 27:10
    The nearest anyone's
    come to beating him.
  • 27:10 - 27:13
    - He had you worried, didn't he, Colonel?
    - Indeed he did.
  • 27:13 - 27:15
    Congratulations.
  • 27:18 - 27:20
    I find we have
    something else in common.
  • 27:21 - 27:24
    We are divided men.
  • 27:24 - 27:26
    Your father, American;
    mine, Chinese.
  • 27:27 - 27:30
    We're not really certain
    we're Australian, you and I.
  • 27:32 - 27:34
    We're not quite at home
    in the world.
  • 28:00 - 28:02
    Oh, thanks.
  • 28:02 - 28:03
    Tiger Lily?
  • 28:04 - 28:06
    What's the matter with him?
  • 28:06 - 28:09
    He's having troubles
    with the military.
  • 28:09 - 28:11
    What sort of trouble?
  • 28:13 - 28:15
    His father has a small shop.
  • 28:15 - 28:17
    Each week the military comes
    to ask for money.
  • 28:17 - 28:19
    He has no more money,
    and he's afraid.
  • 28:27 - 28:29
    No, boss. I'm not
    looking for handouts.
  • 28:29 - 28:31
    I get more than that each week...
  • 28:31 - 28:33
    exchanging dollars
    on the black market.
  • 28:34 - 28:36
    Don't be stupid, Kumar.
    Keep the dough.
  • 28:44 - 28:46
    For my father,
    I'll play the beggar.
  • 28:47 - 28:49
    - American embassy.
    - Who is it?
  • 28:49 - 28:51
    P.K.I.
  • 28:52 - 28:54
    - Got the Bell and Howell loaded?
    - Chockablock.
  • 28:54 - 28:56
    Any hairs on the lens?
  • 28:56 - 28:59
    You worry about the words.
    I'll take care of the pictures.
  • 28:59 - 29:02
    See that you do.
    Hey, you, come on. You're driving.
  • 29:03 - 29:05
    Me... me driving?
  • 29:28 - 29:29
    Camera!
  • 29:45 - 29:47
    P.K.I. Demand complete break
    with America.
  • 29:48 - 29:49
    They're getting pretty confident,
    aren't they?
  • 29:50 - 29:51
    They have a lot of support.
  • 29:52 - 29:53
    Enough to take over?
  • 29:54 - 29:55
    Perhaps.
  • 30:03 - 30:04
    P.K.I.!
  • 30:23 - 30:24
    Camera!
  • 30:25 - 30:28
    At least they would
    give us discipline.
  • 30:28 - 30:30
    Stalin had good discipline.
  • 30:30 - 30:32
    He wiped out ten million.
  • 30:34 - 30:36
    Hey, Hortono.
    Take us up closer to the gates.
  • 32:30 - 32:33
    - Christ, what do we do now?
    - I think we get out.
  • 32:37 - 32:40
    Better not, boss! Boss!
  • 32:48 - 32:50
    Up! Hamilton, get me up!
  • 32:52 - 32:54
    You don't take no photo!
  • 32:54 - 32:56
    - No photo!
    - Foreign press!
  • 32:56 - 32:58
    - Foreign press!
    - Don't take no photo!
  • 32:58 - 33:00
    Australian press!
  • 33:01 - 33:02
    Get off him!
  • 33:03 - 33:04
    Get back here!
  • 33:06 - 33:08
    - Come on!
    - Let go, you bastard!
  • 33:09 - 33:10
    Oh, shit!
  • 33:11 - 33:13
    Get out!
  • 33:18 - 33:20
    Get back!
  • 33:20 - 33:22
    Bastards!
  • 33:23 - 33:25
    Shit! The bastard cut me!
  • 33:32 - 33:34
    - Are you all right?
    - Yeah. Did you get the shot?
  • 33:35 - 33:36
    Yes!
  • 33:43 - 33:45
    Is that all right?
  • 33:45 - 33:47
    Yeah, fine.
  • 33:50 - 33:52
    What do you think of her?
  • 33:53 - 33:54
    Who?
  • 33:57 - 33:59
    Not my type.
  • 33:59 - 34:01
    Oh. Why's that?
  • 34:02 - 34:05
    It's her attitude. You know how
    the British can be so damn superior?
  • 34:05 - 34:08
    It's like the colonel
    with his gin, tonic and ice.
  • 34:08 - 34:11
    - Jill is not like that at all.
    - No?
  • 34:11 - 34:13
    Who's that
    in the photograph with her?
  • 34:13 - 34:16
    Philippe. He's a French journalist.
    He was working here for a while.
  • 34:20 - 34:23
    - Were they, uh...
    - Yeah, they were.
  • 34:23 - 34:27
    Then he got transferred. It's difficult
    for a woman like Jilly here.
  • 34:27 - 34:28
    Why?
  • 34:29 - 34:31
    Every guy she meets
    wants to get her into bed.
  • 34:31 - 34:34
    And it's your job
    to keep 'em at bay?
  • 34:36 - 34:38
    Sorry.
  • 34:39 - 34:41
    I asked her to marry me once.
  • 34:41 - 34:43
    She turned me down.
  • 34:49 - 34:51
    What about the colonel?
  • 34:51 - 34:53
    I don't know.
    She's fond of him.
  • 34:54 - 34:56
    You gotta watch that sort of thing
    in the tropics.
  • 34:56 - 34:58
    I'm gonna get you
    a penicillin tablet.
  • 34:59 - 35:01
    I guess I'll survive. Thanks.
  • 35:13 - 35:15
    What is all this stuff?
  • 35:23 - 35:25
    Thank you.
  • 35:28 - 35:30
    - Who you workin' for, Billy?
    - For you.
  • 35:30 - 35:33
    - The Communists? The CIA?
    - Stop it.
  • 35:33 - 35:35
    Why do you keep a file on me?
  • 35:35 - 35:36
    - I keep files on everybody.
    - What for?
  • 35:36 - 35:38
    That's my business.
  • 35:38 - 35:39
    - Lf you're an operative...
    - I'm not.
  • 35:39 - 35:41
    How am I supposed to know that?
  • 35:41 - 35:44
    You're gonna have to trust me,
    aren't you?
  • 35:50 - 35:52
    We're friends, aren't we?
  • 35:53 - 35:56
    We make a good team.
    We even look alike.
  • 35:57 - 36:00
    It's true.
    It's been noticed.
  • 36:00 - 36:02
    We got the same color eyes.
  • 36:04 - 36:07
    Here. Take one of these
    every four hours.
  • 36:20 - 36:24
    Here, on the quiet page,
    I'm master...
  • 36:24 - 36:26
    just as I'm master
    in the darkroom...
  • 36:26 - 36:30
    stirring my prints
    in the magic developing bath.
  • 36:30 - 36:34
    I shuffle like cards
    the lives I deal with.
  • 36:34 - 36:36
    Their faces stare out at me.
  • 36:36 - 36:39
    People who will become
    other people.
  • 36:39 - 36:43
    People who will become old,
    betray their dreams...
  • 36:44 - 36:45
    become ghosts.
  • 39:07 - 39:09
    Ibu?
  • 39:11 - 39:13
    Doctor. Ibu, doctor.
  • 39:13 - 39:15
    You understand?
  • 39:36 - 39:38
    Can't make her understand
    that the canal...
  • 39:38 - 39:42
    which she and Udin bathe in
    and drink from carries disease.
  • 39:43 - 39:46
    In another country,
    she would be a decent woman.
  • 39:46 - 39:50
    Here she begs
    and perhaps sells herself.
  • 39:51 - 39:54
    Her tragedy is repeated
    a million times in this city.
  • 39:56 - 39:58
    "What then must we do?"
  • 39:59 - 40:03
    "We must give with love to whomever
    God has placed in our path."
  • 40:06 - 40:08
    - What is it?
    - What's the big occasion?
  • 40:08 - 40:11
    Gentlemen,
    an important announcement.
  • 40:11 - 40:15
    I have secured me
    a portion of Indonesia.
  • 40:15 - 40:17
    So have I. She's waiting
    for me in my room.
  • 40:17 - 40:21
    A beachhead of tranquility,
    a private domain, a haven.
  • 40:21 - 40:24
    I have taken me a bungalow.
  • 40:24 - 40:27
    - What?
    - A bungalow?
  • 40:27 - 40:29
    - What'd you do that for?
    - Nobody lives here.
  • 40:31 - 40:34
    Let's see how long you last in this...
  • 40:49 - 40:51
    Where is your drink?
    Come along.
  • 40:59 - 41:01
    Up!
  • 41:01 - 41:03
    Who do I look like?
  • 41:03 - 41:05
    A Chinese-Australian
    in a pitji cap.
  • 41:05 - 41:07
    That's right!
  • 41:07 - 41:09
    I'll say one thing for you.
  • 41:09 - 41:11
    Anglo-Saxons are better...
  • 41:11 - 41:13
    in the tropics!
  • 41:14 - 41:18
    Anglo-Saxons better in the tropics
  • 41:18 - 41:20
    Anglo-Saxons are better
    in the tropics
  • 41:24 - 41:26
    Let's hit it, baby.
  • 41:57 - 41:59
    They were hollowed out.
  • 42:13 - 42:16
    Hello, Peter.
    Are you enjoying the party?
  • 42:16 - 42:20
    - Mora... Merva...
    - Moira. Moira.
  • 42:27 - 42:30
    I'd enjoy it a lot more if we
    got outta here. What do you say?
  • 42:30 - 42:32
    - What?
    - Hold this, will you, Pete?
  • 42:32 - 42:34
    Thanks, mate.
  • 42:36 - 42:38
    Cut a rug, Kevin.
  • 42:42 - 42:44
    Wanna dance?
    Come on. Let's dance.
  • 43:06 - 43:08
    Oops! I'm sorry.
  • 43:18 - 43:22
    Anglo-Saxons
    are better in the tropics
  • 43:22 - 43:23
    Anglo-Saxons...
  • 43:28 - 43:30
    You spoil me, Hadji.
  • 43:30 - 43:32
    I would never do that.
  • 43:57 - 43:59
    - Curfew time.
    - Oh, no.
  • 43:59 - 44:01
    Come on. One more.
    Let's put a record on.
  • 44:06 - 44:07
    - Hello.
    - Hello.
  • 44:08 - 44:10
    - Enjoying yourself?
    - Let's see here.
  • 44:10 - 44:12
    - Hmm. And you?
    - Fine.
  • 44:13 - 44:15
    - Do you know Sri?
    - Yes. How do you do?
  • 44:15 - 44:17
    Colonel Henderson,
    this is Jill, uh, Bryant...
  • 44:17 - 44:18
    and Billy Kwan.
  • 44:19 - 44:20
    Heard your piece on Lombok.
  • 44:20 - 44:22
    - Interesting.
    - Interesting?
  • 44:22 - 44:26
    Yes, you're still young enough
    and brave enough to speculate.
  • 44:28 - 44:31
    The Lombok famine
    wasn't exactly speculation.
  • 44:33 - 44:35
    I'll get my coat.
  • 44:35 - 44:38
    Let me hear it, Jill.
    What did you think?
  • 44:38 - 44:40
    I found it
    a bit melodramatic.
  • 44:41 - 44:44
    That's only my opinion.
    My flatmate was moved to tears.
  • 44:44 - 44:46
    So there you are.
  • 44:47 - 44:49
    What does it take
    to move you to tears?
  • 44:57 - 44:59
    - Curfew.
    - Good night.
  • 44:59 - 45:00
    Good night.
  • 45:03 - 45:05
    Right, everyone. Curfew.
  • 45:19 - 45:20
    So it begins.
  • 45:25 - 45:27
    Jesus!
  • 45:29 - 45:30
    - Put it back.
    - But, boss...
  • 45:30 - 45:32
    I like the challenge.
    Put it back.
  • 45:44 - 45:47
    - Hello. Is Billy here?
    - No, I'm sorry.
  • 45:47 - 45:49
    He hasn't been in all day.
  • 45:49 - 45:52
    - We were to meet here and go for lunch.
    - Maybe he's on his way.
  • 45:52 - 45:53
    Unless he's later than I am.
  • 45:56 - 45:59
    You wanna stick around and wait for him?
    You want a coffee?
  • 45:59 - 46:00
    No, thank you.
    I've interrupted you.
  • 46:00 - 46:03
    I'm glad you did.
    It's been a high-wastage day.
  • 46:09 - 46:11
    If Billy does come back...
  • 46:11 - 46:13
    tell him I've gone back
    to the embassy.
  • 46:13 - 46:15
    You got a car?
  • 46:15 - 46:17
    - I'll take a taxi.
    - I can give you a lift if you like.
  • 46:17 - 46:19
    That's all right.
    I can get a taxi.
  • 46:19 - 46:22
    I really did wanna get hold
    of Billy myself.
  • 46:22 - 46:24
    Maybe we could drive over
    to his place and wait there.
  • 46:24 - 46:26
    He's bound to turn up.
  • 46:28 - 46:31
    - I'll get my jacket.
    - In back of the door.
  • 46:31 - 46:34
    Boss? Have you forgotten?
    The circuit to Sydney.
  • 46:34 - 46:36
    - What time?
    - 2:00.
  • 46:36 - 46:38
    The Subandrio piece.
    It's not important. Cancel it.
  • 46:38 - 46:40
    - What about Priok?
    - Ah, Jesus.
  • 46:40 - 46:42
    - You have to be there by 3:00.
    - 4:00.
  • 46:42 - 46:44
    - 3:00, boss.
    - Okay, I'll make it.
  • 46:44 - 46:47
    And stop callin' me boss, will you?
  • 47:01 - 47:04
    I'm sorry if I offended you last night.
    About your famine story?
  • 47:04 - 47:08
    Oh, no. A bit of constructive
    criticism never goes astray.
  • 47:10 - 47:12
    What did you think
    was melodramatic about it?
  • 47:12 - 47:15
    - I did offend you.
    - No, you didn't.
  • 47:15 - 47:17
    - Yes, I did.
    - It was a good piece.
  • 47:17 - 47:21
    I know what you were talking about.
    I was there for two months in Lombok.
  • 47:21 - 47:23
    I thought there was
    one reference too many to children...
  • 47:23 - 47:25
    with gaunt rib cages
    and dull, listless eyes.
  • 47:25 - 47:27
    - The rest of it was fine.
    - You were there.
  • 47:28 - 47:30
    Rib cages and eyes
    are the real thing, eh?
  • 47:30 - 47:32
    Perhaps you only needed
    to mention it once.
  • 48:27 - 48:29
    - They always do that.
    - What?
  • 48:30 - 48:32
    They wanna touch
    your white skin.
  • 48:35 - 48:37
    I'm curious about something.
  • 48:37 - 48:38
    What's that?
  • 48:39 - 48:41
    Why did you let Ralph
    win that swimming race?
  • 48:41 - 48:43
    You're observant, aren't you?
  • 48:43 - 48:46
    - Why'd you do it?
    - It seemed important to him.
  • 48:46 - 48:49
    - Are you always that generous?
    - Oh, no.
  • 48:50 - 48:52
    - So why?
    - I don't know.
  • 48:52 - 48:55
    I guess he reminded me of my father.
    Same bald head, mustache.
  • 48:56 - 48:59
    - He was killed in the war.
    - How'd you know that?
  • 48:59 - 49:01
    - Billy told me.
    - Billy told you.
  • 49:05 - 49:08
    Billy? Anyone home?
  • 49:24 - 49:26
    Was Philippe a good journalist?
  • 49:28 - 49:31
    - One of the best.
    - Where is he now?
  • 49:31 - 49:32
    Saigon.
  • 49:33 - 49:36
    - Did Billy tell you?
    - Yeah.
  • 49:36 - 49:38
    You and he have become
    quite a team.
  • 49:39 - 49:41
    He thinks the world of you.
  • 49:41 - 49:43
    God, I don't know why.
  • 49:43 - 49:47
    - You're everything he'd like to be.
    - He's a strange little guy, you know?
  • 49:47 - 49:50
    How does he get me an interview
    with the top Communist in Indonesia?
  • 49:51 - 49:55
    - You think he's an agent?
    - Well, maybe.
  • 49:55 - 49:57
    You don't know him very well.
  • 49:57 - 50:00
    He's a cameraman.
    How does he get such good contacts?
  • 50:00 - 50:01
    I don't know.
  • 50:02 - 50:04
    People trust him.
  • 50:04 - 50:08
    He breezes into every embassy reception
    whether he's invited or not.
  • 50:08 - 50:10
    No one can get up the courage
    to ask him to leave.
  • 50:11 - 50:15
    He's keeping a file on me. Why does he
    do that if he's not an agent?
  • 50:15 - 50:17
    - He keeps files on many people.
    - What kind of people?
  • 50:18 - 50:19
    People he cares about.
  • 50:20 - 50:23
    - Has he told you about lbu?
    - Who's that?
  • 50:23 - 50:25
    A woman he's adopted
    from the Kampong.
  • 50:25 - 50:26
    Billy's got a woman?
  • 50:26 - 50:28
    More than that.
  • 50:30 - 50:33
    - That's not his kid, is it?
    - No.
  • 50:33 - 50:35
    He gives them food
    and money, that's all.
  • 50:35 - 50:37
    The old boy.
  • 50:39 - 50:42
    - Would you like a cup of tea?
    - Better not.
  • 50:42 - 50:44
    I got interviews to do at Priok.
  • 50:44 - 50:46
    You wanna come?
  • 50:46 - 50:47
    To Priok?
  • 50:48 - 50:50
    You can keep an eye
    on the melodrama.
  • 51:14 - 51:16
    What do you do at the embassy?
  • 51:16 - 51:18
    Apart from socializing.
  • 51:18 - 51:19
    I work with Ralph.
  • 51:19 - 51:20
    You a spy?
  • 51:24 - 51:25
    You're a spook, aren't you?
  • 51:26 - 51:29
    If I were, I'd hardly
    tell you, would I?
  • 51:33 - 51:36
    What agency did Philippe work for?
  • 51:39 - 51:41
    When did he go to Saigon?
  • 51:43 - 51:44
    A long time ago.
  • 51:45 - 51:47
    Arrogant lot, aren't they?
  • 51:47 - 51:48
    - Who?
    - The French.
  • 51:50 - 51:52
    I find them absolutely charming.
  • 52:11 - 52:13
    - Hey!
    - Don't you love the tropics?
  • 52:13 - 52:16
    Torrential. I got it.
  • 52:16 - 52:19
    - Did you order these?
    - I must have.
  • 52:19 - 52:21
    Let's take 'em with us.
  • 52:42 - 52:44
    Oh, God!
  • 52:45 - 52:48
    - Cheers.
    - Cheers.
  • 52:49 - 52:50
    My hat!
  • 52:52 - 52:53
    What's this?
  • 52:54 - 52:56
    It's green stuff.
  • 52:56 - 52:58
    Green stuff usually has ice,
    doesn't it?
  • 52:59 - 53:00
    Get me another.
  • 53:13 - 53:14
    Don't you have an interview?
  • 53:23 - 53:26
    - Let's go to the interview.
    - Looks better on you.
  • 53:26 - 53:28
    Does it?
    Maybe I should buy one.
  • 53:28 - 53:30
    - You can have this one cheap.
    - Oh, really?
  • 53:42 - 53:45
    - Well, look, I had a...
    - When are you leaving?
  • 53:45 - 53:47
    - Two weeks.
    - What about dinner tonight?
  • 53:48 - 53:49
    - No, I'm...
    - Tomorrow night?
  • 53:50 - 53:51
    I'm busy all week.
  • 53:51 - 53:52
    Don't you ever eat?
  • 53:53 - 53:54
    Good-bye.
  • 53:57 - 53:58
    I just wanna
    see you again, all right?
  • 54:00 - 54:04
    I'm leaving so soon. What's the point
    of complicating things now?
  • 54:04 - 54:06
    What's complicated about eating?
  • 54:09 - 54:11
    Good-bye, for the second time.
  • 54:11 - 54:13
    Good-bye, beautiful.
  • 54:18 - 54:20
    Watch out for the melodrama.
  • 54:21 - 54:23
    - I'll call you.
    - No, don't.
  • 54:24 - 54:25
    I will.
  • 54:55 - 54:58
    The situation, surviving on
    a few handfuls of rice...
  • 54:58 - 55:01
    on this famine-stricken island
    of Lombok.
  • 55:01 - 55:04
    But it's the faces
    you can't forget.
  • 55:04 - 55:06
    Like images
    in a recurring nightmare...
  • 55:06 - 55:09
    they just keep coming back.
  • 55:09 - 55:10
    Haunted faces...
  • 55:10 - 55:14
    staring blankly back from the windows
    of tumbledown hovels...
  • 55:14 - 55:18
    the hollow, lifeless eyes,
    skin stretched tight across bones...
  • 55:18 - 55:23
    hands outstretched,
    dull, listless eyes imploring.
  • 55:23 - 55:25
    I move as if in a dream...
  • 55:25 - 55:28
    through the agony
    that is famine.
  • 55:28 - 55:32
    This is Guy Hamilton in Lombok
    for A.B.S. Magazine.
  • 55:34 - 55:37
    Hello? Hello?
  • 55:39 - 55:42
    Oh, I'm sorry, Mr. Hamilton.
  • 55:45 - 55:47
    She's out this evening.
    Any message?
  • 55:50 - 55:52
    I'll tell her you called.
    Good night.
  • 55:55 - 55:57
    Are you sure?
  • 56:16 - 56:17
    Listen to this, Guy.
  • 57:15 - 57:19
    Guy, I'm not gonna be here
    for a few days.
  • 57:19 - 57:22
    Use the bungalow.
    Have some peace and quiet.
  • 57:22 - 57:23
    Sure.
  • 57:33 - 57:35
    What are you grinning at,
    you fox?
  • 57:37 - 57:38
    These are good.
  • 57:45 - 57:48
    Jilly, you've only got
    ten days to go.
  • 57:50 - 57:52
    Ten days.
  • 57:54 - 57:56
    Any regrets?
  • 58:04 - 58:05
    None.
  • 58:05 - 58:06
    Her Britannic Majesty's Ambassador,
    Sir Andrew Watt and Lady Watt...
  • 58:06 - 58:09
    Her Britannic Majesty's Ambassador,
    Sir Andrew Watt and Lady Watt...
  • 58:09 - 58:13
    request the pleasure of the company
    of G.S. Hamilton, Esquire.
  • 58:17 - 58:19
    You going to this?
  • 58:19 - 58:20
    You joking?
  • 58:20 - 58:22
    You might learn something.
  • 58:22 - 58:24
    I doubt it.
    The British don't let much slip.
  • 58:24 - 58:27
    Yes, they do. They're just more subtle.
    You gotta listen harder.
  • 58:27 - 58:29
    Come again?
  • 58:31 - 58:33
    Jill will be there.
  • 58:59 - 59:02
    Ladies and gentlemen,
    music from Henderson...
  • 59:02 - 59:04
    oysters from Qantas.
  • 59:29 - 59:30
    Ladies and gentlemen.
  • 59:32 - 59:34
    Ladies and gentlemen,
    could I remind those of you...
  • 59:34 - 59:37
    driving back to Jakarta this evening,
    the curfew hour approaches.
  • 59:49 - 59:50
    - Good night, sir.
    - Good night.
  • 59:51 - 59:52
    Good night.
  • 59:52 - 59:54
    Excuse me, sir.
    It's terribly late.
  • 59:54 - 59:56
    The ambassador's already
    asked me to close up.
  • 59:56 - 59:58
    - Good night.
    - Good night.
  • 60:34 - 60:36
    Good evening. Are you
    enjoying yourself? I must apologize.
  • 60:37 - 60:39
    I must speak to Miss Bryant.
    It's about that interview.
  • 60:42 - 60:44
    You don't answer my phone calls.
  • 60:55 - 60:58
    - Let's go.
    - I can't.
  • 60:58 - 60:59
    So what?
  • 61:00 - 61:02
    I can't leave with you.
    Everyone in Jakarta...
  • 61:07 - 61:09
    I'm leaving in less than a week.
  • 61:21 - 61:22
    Good-bye.
  • 61:34 - 61:35
    Start, you bastard.
  • 61:37 - 61:38
    Shit!
  • 61:44 - 61:46
    Not the Hotel Indonesia.
  • 61:46 - 61:47
    All right?
  • 61:56 - 61:58
    Jill! What the hell
    are you doing?
  • 61:59 - 62:00
    The curfew!
  • 62:33 - 62:35
    Damn it! A roadblock.
  • 62:46 - 62:48
    Okay, get down.
  • 64:18 - 64:19
    Good morning.
  • 64:23 - 64:25
    - Good morning.
    - Good morning, Jill.
  • 64:36 - 64:38
    Ralph, I'm so sorry...
  • 64:38 - 64:39
    So am I.
  • 64:45 - 64:47
    I hope you know
    what you're doing.
  • 64:58 - 65:00
    Morning.
  • 65:04 - 65:06
    Sorry I'm late.
  • 65:11 - 65:14
    Bryant, Jillian Edith.
  • 65:14 - 65:19
    Nationality: British.
    Born: 1938, under the sign of Pisces.
  • 65:19 - 65:21
    I must be mad.
  • 65:21 - 65:25
    Occupation:
    Assistant to military attaché...
  • 65:25 - 65:27
    British Embassy, Jakarta.
  • 65:27 - 65:31
    Former postings:
    Brussels, Singapore.
  • 65:32 - 65:34
    Little religious feeling...
  • 65:34 - 65:36
    yet has a reverence for life.
  • 65:37 - 65:40
    This is a spirit
    like a wavering flame...
  • 65:40 - 65:43
    which only needs care
    to burn high.
  • 65:43 - 65:47
    If this does not happen, she could
    lapse into the promiscuity...
  • 65:47 - 65:50
    and bitterness
    of the failed romantic.
  • 66:04 - 66:05
    What's funny?
  • 66:06 - 66:07
    You're looking pooped, kid.
  • 66:08 - 66:11
    Good luck to you.
    They're only jealous.
  • 66:13 - 66:16
    I hear she really
    turns it on, huh?
  • 66:17 - 66:18
    That what you heard?
  • 66:26 - 66:28
    You saw it.
    The guy's a lunatic.
  • 66:29 - 66:31
    I think our boy's in love.
  • 66:35 - 66:38
    Okay, start her up.
  • 66:44 - 66:46
    Switch her off.
  • 66:47 - 66:48
    Yes, sir.
  • 66:52 - 66:53
    Why London?
  • 66:53 - 66:56
    - Why are you transferrin' there?
    - Why do you want to go to Saigon?
  • 66:56 - 66:59
    It's the center of things.
  • 66:59 - 67:02
    I'll be able to find out what's really
    going on in the world...
  • 67:02 - 67:05
    not have to read about it
    in the yellow press like most people.
  • 67:16 - 67:17
    Why don't you stay?
  • 67:21 - 67:22
    Why should I?
  • 67:24 - 67:26
    Hmm, Mr. Hamilton?
  • 68:54 - 68:56
    What is it?
  • 69:02 - 69:03
    You're soaking.
  • 69:11 - 69:13
    What is it? What's wrong?
  • 70:28 - 70:31
    We got a coded message through
    from Singapore this morning.
  • 70:31 - 70:35
    A ship left Shanghai a few days ago
    with arms for the P.K.I.
  • 70:40 - 70:41
    Civil war.
  • 70:42 - 70:43
    Yes.
  • 70:44 - 70:47
    I'm not giving you some scoop.
    I want you to save your life.
  • 70:47 - 70:49
    - I know, but you can't expect...
    - lf the P.K.I. Take over...
  • 70:50 - 70:51
    they'll slaughter
    every European in Jakarta.
  • 70:53 - 70:55
    I can get you out on a plane.
  • 70:55 - 70:57
    - I'll talk to Ralph.
    - No, Jill, I'm staying.
  • 71:02 - 71:05
    Nothing will keep the Communists
    and the Muslims apart now.
  • 71:05 - 71:06
    Not even Sukarno.
  • 71:14 - 71:16
    I wonder how they're
    gonna get the stuff in.
  • 71:18 - 71:21
    Probably a port up north.
    Yeah, they'll come in up north.
  • 71:22 - 71:25
    Under a false bill of lading.
    Tennis rackets, toilet seats.
  • 71:25 - 71:26
    You can't use this.
  • 71:28 - 71:30
    Then you shouldn't have told me.
  • 71:43 - 71:45
    Hello, Billy.
    What are you doing here?
  • 71:46 - 71:48
    Waiting for you.
  • 71:48 - 71:51
    Should be more work for you soon.
    I'm trackin' something down.
  • 71:51 - 71:54
    - About an arms shipment?
    - Jill told you.
  • 71:55 - 71:57
    Getting nowhere on it.
  • 71:57 - 71:58
    You shouldn't even be looking.
  • 71:59 - 72:00
    Why not?
  • 72:01 - 72:03
    She told you in confidence,
    the same as she told me.
  • 72:03 - 72:06
    If you break the story,
    everyone will know it came from her.
  • 72:06 - 72:10
    - I'll only run it with my own evidence.
    - That should ease your conscience.
  • 72:10 - 72:12
    Everyone will still know
    where it came from.
  • 72:12 - 72:15
    I can't let a story
    like that just lie.
  • 72:15 - 72:18
    I'm not running any story until
    I get independent confirmation.
  • 72:18 - 72:20
    That's the best I can do.
  • 72:20 - 72:25
    If the Communists have the slightest
    idea what you're after, you're dead.
  • 72:25 - 72:28
    When that arms shipment comes in,
    this whole country blows up.
  • 72:30 - 72:31
    I'm talking to you.
  • 72:32 - 72:34
    If I don't follow
    something like this...
  • 72:34 - 72:37
    I might as well go
    and grow watermelons!
  • 72:37 - 72:39
    You have changed.
  • 72:40 - 72:42
    You are capable of betrayal.
  • 72:44 - 72:47
    Is it possible
    I was wrong about you?
  • 72:48 - 72:52
    You abuse your position as journalist
    and grow addicted to risk.
  • 72:52 - 72:56
    You attempt to rule neat lines
    around yourself...
  • 72:56 - 72:58
    making a fetish of your career...
  • 72:58 - 73:00
    and making all relationships
    temporary...
  • 73:00 - 73:02
    lest they disturb that career.
  • 73:04 - 73:06
    Why can't you give yourself?
  • 73:07 - 73:09
    Why can't you learn to love?
  • 73:09 - 73:12
    A shipment that size does not come into
    the country without somebody noticing.
  • 73:12 - 73:14
    Perhaps there is no such shipment.
  • 73:14 - 73:16
    No such shipment.
  • 73:21 - 73:24
    - Come back in two days.
    - Keep an eye peeled.
  • 73:28 - 73:30
    Be careful who you talk to
    about this matter.
  • 73:30 - 73:33
    I'm not P.K.I.,
    but I might have been.
  • 73:48 - 73:51
    - No luck, boss?
    - Not a bloody thing.
  • 74:50 - 74:53
    - Why are we stopped here?
    - It's getting late.
  • 74:53 - 74:56
    - We'll have a rest and a swim.
    - No, we got too much work to do.
  • 74:56 - 74:57
    Tomorrow.
  • 75:02 - 75:03
    What is this place?
  • 75:03 - 75:06
    An old Dutch villa. Tiger Lily
    is a friend. We stay here sometimes.
  • 75:24 - 75:25
    Cheers.
  • 75:55 - 75:57
    I'll see you after siesta.
  • 75:58 - 76:00
    You are in old Java now, boss.
  • 78:24 - 78:25
    You're P.K.I., aren't you?
  • 78:39 - 78:42
    My country suffers under a great weight
    of poverty and corruption.
  • 78:44 - 78:46
    Is it wrong to want to change that?
  • 78:50 - 78:52
    When the killing starts,
    are you gonna be part of it?
  • 78:52 - 78:55
    - Sometimes there's no other way.
    - Yeah, sure, Kumar.
  • 78:58 - 79:00
    You must not ask anymore
    about the shipment.
  • 79:02 - 79:04
    - You know when it's arriving?
    - Maybe it's already here.
  • 79:05 - 79:07
    - That's the confirmation I need.
    - Listen to me!
  • 79:07 - 79:12
    I am unimportant in the Party.
    Even Tiger Lily's more highly placed.
  • 79:13 - 79:14
    They have a death list.
  • 79:15 - 79:17
    You are on it.
  • 79:19 - 79:21
    Come on.
  • 79:24 - 79:26
    For craps sake.
  • 79:27 - 79:28
    Hello. Are you there?
  • 79:28 - 79:30
    - Hello?
    - I'm sorry.
  • 79:30 - 79:34
    Miss Bryant is still unavailable.
    May I take a message?
  • 79:34 - 79:35
    Shit!
  • 79:53 - 79:55
    I got something to show you!
  • 79:57 - 80:02
    Well, be-bop-a-lula
    She's my baby
  • 80:02 - 80:05
    Be-bob-a-lula
    I don't mean maybe
  • 80:05 - 80:08
    I got that bitch, baby.
    Saigon. Huh?
  • 80:08 - 80:10
    Be-bop-a-lula
    She's my baby
  • 80:10 - 80:12
    I'll be blastin' gooks
    and kickin' ass.
  • 80:12 - 80:14
    Want another shot?
  • 80:14 - 80:16
    Yeah.
  • 80:20 - 80:23
    The thing is this. I don't want
    any ill feelings about this.
  • 80:23 - 80:26
    I know it's hard to squash
    those pangs of envy...
  • 80:26 - 80:29
    when you're sitting in the presence
    of talent like mine.
  • 80:29 - 80:30
    Think of it this way.
  • 80:30 - 80:33
    If there weren't guys like me in
    this business, what would you aspire to?
  • 80:33 - 80:35
    I'm glad you're going
    to Saigon, shithead.
  • 80:35 - 80:37
    I know.
    You told me that four times.
  • 80:37 - 80:40
    You are gonna miss out on
    the biggest story of your life.
  • 80:40 - 80:43
    - Like what?
    - Just wait and see.
  • 80:43 - 80:46
    You terrify me.
    I mean, there I am.
  • 80:46 - 80:50
    I'm waiting to announce that
    China's entering the war. Right?
  • 80:50 - 80:52
    Along comes young Hamilton.
  • 80:52 - 80:55
    Blows me out of the water
    with an update on Sukarno's pile.
  • 81:00 - 81:03
    You are pretty good.
    You had me runnin' there.
  • 81:10 - 81:11
    Check this out.
  • 81:21 - 81:23
    Hey, yeah.
    Misters, right.
  • 81:23 - 81:26
    Hey, yeah.
    Okay, you bevy of beauties.
  • 81:26 - 81:28
    Come on, baby.
  • 81:38 - 81:40
    Let me show you how it's done.
  • 81:49 - 81:50
    No dance!
  • 81:52 - 81:54
    You! Stop dance!
  • 81:56 - 81:58
    - Take it easy.
    - Out!
  • 81:58 - 82:00
    We're on the way.
    We're just leavin'.
  • 82:00 - 82:02
    Good night, everybody.
    We had a lot of laughs.
  • 82:03 - 82:04
    Adiós.
  • 82:08 - 82:11
    - Is this reefer?
    - No, it's a Mars bar.
  • 82:14 - 82:15
    Get the windows up!
    Lock the door!
  • 82:18 - 82:20
    See anybody you like?
  • 82:26 - 82:28
    Let's get a little light
    on the subject.
  • 82:28 - 82:30
    Do you like her?
  • 82:31 - 82:32
    She likes you!
  • 82:33 - 82:35
    This is what you call "yellow fever."
  • 82:35 - 82:37
    Me do it.
  • 82:37 - 82:38
    - Mister?
    - Me cheap.
  • 82:39 - 82:41
    I think I'm in love.
  • 82:41 - 82:44
    I'm good, mister.
  • 82:44 - 82:47
    - Me cheap.
    - Oh, yeah, baby!
  • 82:48 - 82:49
    Yes. Hey!
  • 82:49 - 82:52
    What are you doing?
    What's the matter with you?
  • 82:52 - 82:54
    - It's a meat market.
    - Come on.
  • 82:54 - 82:56
    - I'm goin'. Are you staying?
    - I'm stayin'.
  • 82:56 - 82:58
    - Okay. Get out.
    - Take it easy.
  • 82:58 - 83:00
    - Have a nice time.
    - Yeah.
  • 83:00 - 83:02
    Girls. Huh?
  • 83:04 - 83:06
    It's your old pal, Pistol Pete.
  • 83:16 - 83:18
    Yeah, yeah, okay.
  • 83:22 - 83:24
    Sorry, Miss Bryant's
    not available.
  • 83:29 - 83:30
    Thanks.
  • 86:48 - 86:51
    Billy, come over here.
    Been looking everywhere for you.
  • 86:51 - 86:53
    What is all this?
  • 86:53 - 86:54
    Bulgarian Independence Day.
  • 86:54 - 86:57
    Not a crucial day in modern history,
    but Sukarno's coming...
  • 86:57 - 86:59
    in a couple of hours.
  • 86:59 - 87:01
    We think he'll use
    the occasion for a speech.
  • 87:01 - 87:04
    - I'm sure he will.
    - Later. Right now we're celebrating.
  • 87:04 - 87:07
    - What are you celebrating?
    - Curtis got Saigon.
  • 87:09 - 87:11
    Curtis got Saigon.
  • 87:12 - 87:14
    Well, we must all drink to that.
  • 87:14 - 87:16
    Don't give me this crap tonight.
  • 87:16 - 87:20
    Wherever human misery is at its worst,
    the press will be there in force.
  • 87:20 - 87:23
    - To Saigon!
    - Give me a break.
  • 87:23 - 87:25
    People are out there fighting
    in the streets for rice.
  • 87:26 - 87:28
    I shot some footage.
    Does anybody want it?
  • 87:28 - 87:29
    It's a temporary shortage.
  • 87:30 - 87:33
    Why don't you tell them
    the true story, gentlemen?
  • 87:33 - 87:35
    Why don't you tell them that Sukarno
    makes empty speeches...
  • 87:36 - 87:38
    and builds monuments to his vanity
    while his people starve to death.
  • 87:38 - 87:41
    Tell them that he says,
    "Eat rats!"
  • 87:41 - 87:44
    You were the one who told us
    he was a great man.
  • 87:44 - 87:47
    He was. That's why
    his betrayal is so hideous.
  • 87:47 - 87:48
    Steady on, Billy.
  • 87:48 - 87:50
    I've never agreed with you...
  • 87:50 - 87:52
    on just how much the people
    mean to Sukarno.
  • 87:52 - 87:56
    The only thing he wanted to do for
    his people was to go to bed with them.
  • 87:56 - 87:57
    The female ones, that is.
  • 87:59 - 88:03
    You're right. He does use his people
    as objects of pleasure, but so do you.
  • 88:03 - 88:06
    Only you do it with boys!
  • 88:07 - 88:09
    What did you say?
    You little bastard!
  • 88:11 - 88:15
    - They'll throw him out of the country!
    - You're no better, you and your girls!
  • 88:15 - 88:16
    Put him down!
  • 88:29 - 88:31
    I'll have my bags packed tonight.
  • 88:41 - 88:43
    I want to talk to you!
  • 88:52 - 88:54
    Billy, stop!
  • 88:54 - 88:57
    - What's the matter with you?
    - What do you want?
  • 89:03 - 89:06
    - You made the broadcast.
    - I didn't source that back to Jill.
  • 89:06 - 89:09
    - Doesn't matter. That's not the point.
    - Yes, it is the point.
  • 89:09 - 89:12
    When this thing breaks, it could change
    the political shape of Southeast Asia.
  • 89:12 - 89:14
    How far are my loyalties
    to Jill supposed to go?
  • 89:14 - 89:17
    I would have given up the world for her.
    You won't give up one story.
  • 89:17 - 89:21
    It's not just a story.
    It's the bloody story.
  • 89:21 - 89:23
    Can't you understand that?
  • 89:23 - 89:25
    Don't you understand?
    You've lost Jill.
  • 89:25 - 89:27
    What have you told her?
  • 89:27 - 89:31
    I gave her to you. I'm taking
    her back. Do you understand?
  • 89:31 - 89:33
    You gave her to me?
  • 89:33 - 89:35
    For Christ's sake.
  • 89:35 - 89:37
    You mad little bastard!
  • 89:37 - 89:41
    You think you can control people's lives
    just 'cause you got 'em in your files?
  • 89:43 - 89:47
    I believed in you.
    I thought you were a man of light.
  • 89:47 - 89:50
    That's why I gave you those stories
    you think are so important.
  • 89:51 - 89:53
    I made you see things.
  • 89:53 - 89:55
    I made you feel something
    about what you write.
  • 89:55 - 89:58
    I gave you my trust.
    So did Jill.
  • 90:00 - 90:02
    I created you.
  • 90:57 - 90:58
    Oh, my God.
  • 91:00 - 91:02
    My God.
  • 91:02 - 91:04
    My God.
  • 91:49 - 91:51
    What then must we do?
  • 91:59 - 92:01
    What then must we do?
  • 92:05 - 92:07
    What then...
  • 92:08 - 92:11
    must we do?
  • 92:16 - 92:18
    We must...
  • 92:40 - 92:41
    Very nice.
  • 92:41 - 92:43
    719, please.
  • 92:44 - 92:46
    Room 719?
  • 92:52 - 92:54
    Excuse me.
  • 93:57 - 93:59
    - I made the broadcast.
    - Yes, I know.
  • 93:59 - 94:01
    I got it confirmed
    straight from the P.K.I.
  • 94:01 - 94:02
    I decided to tell you.
  • 94:03 - 94:05
    You're a journalist.
  • 94:20 - 94:22
    - Who is it?
    - Mr. Davis, security check.
  • 94:22 - 94:24
    What's going on?
  • 94:25 - 94:27
    You see the notice
    on the door here?
  • 95:49 - 95:51
    Hey, Guy! Come on!
  • 96:44 - 96:46
    I didn't mean to frighten you.
  • 96:47 - 96:49
    You shouldn't be here.
    Security men are all over.
  • 96:49 - 96:51
    I know. I don't
    want them to get his files.
  • 97:05 - 97:07
    He was murdered, wasn't he?
  • 97:07 - 97:09
    Yeah.
  • 97:09 - 97:11
    Over a banner, and Sukarno
    didn't even see it.
  • 97:29 - 97:31
    - Who took this?
    - He did.
  • 97:32 - 97:36
    Self-timer, outside that grotty little
    restaurant he always used to drag me to.
  • 97:37 - 97:39
    "Best food in Jakarta, old man."
  • 97:41 - 97:43
    God, I loved him.
  • 97:50 - 97:51
    When you leaving?
  • 97:56 - 97:58
    Tomorrow.
  • 97:58 - 98:00
    What time?
  • 98:00 - 98:02
    2:00.
  • 98:03 - 98:06
    I never wanted to hurt you
    by running that story.
  • 98:09 - 98:11
    I wanted to talk to you about it.
  • 98:11 - 98:13
    I don't want to lose you.
  • 98:23 - 98:25
    You go first. Back door.
  • 98:25 - 98:28
    - What about you?
    - I'll be right behind you. Go!
  • 98:34 - 98:36
    Jill. I'll be on that plane.
  • 99:02 - 99:04
    What's going on?
    I gotta get to the airport.
  • 99:11 - 99:13
    What is it?
  • 99:13 - 99:15
    What's going on?
  • 99:15 - 99:17
    Some people have
    taken over government.
  • 99:17 - 99:18
    Troops have moved...
  • 99:18 - 99:20
    to the president's palace.
  • 99:27 - 99:28
    Let's go.
  • 99:31 - 99:33
    Broadcast say
    we should not go out.
  • 99:33 - 99:37
    It's okay. They won't touch us.
    Come on. Come on!
  • 99:54 - 99:57
    I think you better keep
    the engine running, eh?
  • 100:05 - 100:07
    Press. Foreign press.
  • 100:07 - 100:09
    A.B.S. Press.
  • 100:12 - 100:15
    I don't understand you.
    I want to go to the palace.
  • 101:03 - 101:04
    Take me to the airport.
  • 101:05 - 101:07
    Can't, boss. Roadblock.
  • 101:08 - 101:11
    - Take me to Billy Kwan's.
    - Okay, boss.
  • 101:28 - 101:32
    The retina is detached.
    You must lie very still.
  • 101:32 - 101:35
    - How long?
    - A week, maybe. Ten days.
  • 101:35 - 101:38
    If you wish to save your eye,
    you will lie still.
  • 101:39 - 101:41
    You have to bandage both eyes?
  • 101:41 - 101:43
    - I'll be helpless.
    - I'm sorry.
  • 102:01 - 102:03
    Your eye will be better?
  • 102:05 - 102:06
    Maybe not.
  • 102:08 - 102:11
    Lucky still got one.
  • 102:16 - 102:18
    But men might come soon, I think.
  • 102:20 - 102:22
    I must go home to family.
  • 102:23 - 102:25
    I'm sorry, boss.
  • 102:27 - 102:28
    Good-bye, Hortono.
  • 102:28 - 102:30
    Good-bye, boss.
  • 103:17 - 103:19
    Krishna says to him...
  • 103:19 - 103:23
    "All is clouded by desire, Arjuna...
  • 103:23 - 103:28
    "as a fire by smoke,
    as a mirror by dust.
  • 103:28 - 103:31
    "Through these,
    it blinds the soul."
  • 103:35 - 103:37
    Who is that?
  • 103:38 - 103:40
    Hortono? Who's that?
  • 103:40 - 103:41
    It's me, boss.
  • 103:43 - 103:45
    Have you been sent to kill me?
  • 103:46 - 103:47
    We have failed.
  • 103:51 - 103:54
    We have been overcome
    by the Muslim generals.
  • 103:54 - 103:56
    What about Sukarno?
  • 103:56 - 103:59
    He is finished. He will
    become a puppet of the Right.
  • 103:59 - 104:00
    And you?
  • 104:01 - 104:02
    I'm a dead man.
  • 104:06 - 104:07
    I'm sorry about your eye.
  • 104:11 - 104:14
    There should be a packet of cigarettes
    on the table. Help yourself.
  • 104:19 - 104:21
    Still the good cigarettes, boss.
  • 104:32 - 104:33
    Thank you.
  • 104:38 - 104:39
    Tell me something.
  • 104:40 - 104:41
    Sure.
  • 104:41 - 104:43
    Am I a stupid man?
  • 104:46 - 104:49
    Then why should I live
    like a poor man all my life...
  • 104:49 - 104:51
    when stupid people
    in your country live well?
  • 104:52 - 104:53
    Good question.
  • 104:53 - 104:55
    - Then please answer it.
    - I can't.
  • 104:55 - 104:57
    Then why do you condemn
    those in my country...
  • 104:58 - 104:59
    who try to do something about it?
  • 105:06 - 105:08
    Mister Billy Kwan was right.
  • 105:08 - 105:10
    Westerners do not have
    answers anymore.
  • 105:16 - 105:18
    Water from the moon.
  • 105:19 - 105:20
    What does that mean?
  • 105:20 - 105:22
    It's an old Javanese saying.
  • 105:23 - 105:25
    Means something
    one cannot ever have.
  • 105:28 - 105:29
    What time is it?
  • 105:30 - 105:31
    Just past 1:00.
  • 105:33 - 105:35
    - The airport closed?
    - Not yet...
  • 105:35 - 105:38
    but everything will close down
    when the army proclaims martial law.
  • 105:41 - 105:42
    Drive me there.
  • 105:43 - 105:46
    They have roadblocked the city.
  • 105:46 - 105:47
    Never stopped us before.
  • 105:51 - 105:52
    They will arrest me.
  • 105:52 - 105:55
    You can wait here to die,
    or you can drive me to the airport...
  • 105:55 - 105:57
    and then take the car
    up into the hills.
  • 105:58 - 106:00
    Why do you have to leave now?
  • 106:00 - 106:03
    You can stay and write
    all the stories you want.
  • 106:18 - 106:21
    I hope to catch a plane
    is worth losing your eye.
  • 106:26 - 106:28
    Go around, Kumar. Go up.
  • 106:56 - 107:00
    Easy. Don't show them
    anything, Kumar.
  • 107:00 - 107:03
    You go up to the...
  • 107:07 - 107:09
    Calmly. Calm.
  • 107:11 - 107:13
    Easy.
  • 107:24 - 107:25
    - What's he want?
    - Papers.
  • 107:27 - 107:28
    Corporal, here's my papers.
  • 107:28 - 107:32
    Australian Broadcasting Service.
    I'm a journalist. He's my assistant.
  • 107:32 - 107:34
    We must go to the airport.
  • 108:00 - 108:01
    Thank you very much.
  • 108:33 - 108:35
    - I'm sorry...
    - Don't worry.
  • 108:36 - 108:38
    We will win because
    we believe in something.
  • 108:40 - 108:42
    - Good-bye.
    - Think of me, Guy...
  • 108:42 - 108:44
    when you're sitting
    in some nice cafe in Europe.
  • 108:44 - 108:47
    In my dreams, I'm always
    sitting at the table...
  • 108:47 - 108:49
    by the footpath,
    drinking coffee.
  • 108:51 - 108:53
    - Good luck.
    - Now go.
  • 108:53 - 108:55
    Quickly!
  • 109:04 - 109:06
    - No!
    - I got a ticket, asshole!
  • 109:12 - 109:14
    No bags. See? Okay?
  • 109:15 - 109:19
    Hey! Royal Netherlands.
    You got it? Right.
  • 109:21 - 109:23
    Royal Netherlands, 2:00,
    all right?
  • 109:54 - 109:55
    Thank you.
  • 109:58 - 110:00
    Hey, stop! You!
  • 110:03 - 110:05
    - What?
    - You bring that here!
  • 110:20 - 110:21
    This is Guy Hamilton...
  • 110:21 - 110:23
    reporting from Jakarta,
    where a coup attempt...
  • 110:23 - 110:25
    by the Communist P.K. I...
Title:
The Year of Living Dangerously | Full Movie Starring Mel Gibson | Warner Classics
Description:

more » « less
Video Language:
English
Duration:
01:54:44

English subtitles

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