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Aditya 369 Full Length Telugu Movie 4K | Balakrishna, Mohini | TeluguOne

  • 4:06 - 4:07
    Darn.
  • 4:15 - 4:17
    Hello. Professor Ramdas here.
  • 4:18 - 4:21
    Oh. Professor Ramdas.
    I'm museum's curator here.
  • 4:21 - 4:22
    Good morning.
  • 4:22 - 4:25
    What did you do about my request?
  • 4:25 - 4:28
    You need some information
    about aeronautics, right?
  • 4:29 - 4:31
    I don't know if this will help...
  • 4:31 - 4:34
    ...but we have some ancient manuscripts.
  • 4:34 - 4:35
    Are you interested in referring to them?
  • 4:36 - 4:37
    Shall I come tomorrow?
  • 4:37 - 4:40
    You can come any time you want.
    You are always welcome.
  • 4:40 - 4:41
    Okay.
  • 4:41 - 4:42
    Sir.
    - Sir.
  • 4:44 - 4:46
    Oh, you two. What's up?
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    Is Mr. Raja Varma in town?
  • 4:47 - 4:50
    Yes. He asked you to meet
    him at 3:30 pm tomorrow...
  • 4:50 - 4:52
    ...at Nadaswaram Musical Shop.
    - No, it's Nadamuni.
  • 4:52 - 4:54
    Yes, he asked you to meet him there.
  • 4:54 - 4:57
    I'm a museum curator.
    What do I have to do with music?
  • 4:57 - 4:58
    We don't know, sir.
  • 4:58 - 4:59
    We are just here to pass the message.
  • 5:00 - 5:00
    That's it.
  • 5:00 - 5:02
    Mr. Raja Varma asked me to come here.
  • 5:03 - 5:04
    I don't know why.
  • 5:04 - 5:05
    He asked you to meet him here?
    - Yes.
  • 5:07 - 5:08
    Are you the proprietor
    of this musical shop?
  • 5:08 - 5:09
    Yes.
  • 5:11 - 5:13
    [Rapid gunfire]
  • 5:16 - 5:17
    What? What are you doing?
  • 5:17 - 5:20
    Mr. Raja Varma asked us
    to bring you with us. Let's go.
  • 5:20 - 5:21
    Curator! You too.
  • 5:21 - 5:24
    Of course we'll come.
    You don't have to use guns.
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    Let's go.
    - Move.
  • 5:32 - 5:34
    [Violin playing]
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    Good morning, Raja sir.
  • 5:50 - 5:52
    How are you, curator?
  • 5:52 - 5:53
    Oh, fine. Thank you.
  • 5:53 - 5:56
    How is your museum?
  • 5:56 - 5:59
    What can I say, sir?
    Looking at the things here...
  • 5:59 - 6:02
    ...your mansion is
    better than ten museums.
  • 6:02 - 6:04
    If you ask me,
    I'll say that you are greater than...
  • 6:04 - 6:06
    ...the emperor of Salar
    Jung in collecting things.
  • 6:07 - 6:10
    He used to collect things
    but you acquire things.
  • 6:10 - 6:12
    Instead of being a curator there...
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    ...I would've been
    better off working for you.
  • 6:15 - 6:16
    [Laughs]
  • 6:16 - 6:19
    Come on, I'll show you my new collection.
  • 6:19 - 6:20
    New collection?
    - Hmm.
  • 6:20 - 6:24
    This is the crown that
    Queen Victoria of England wore...
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    ...on her coronation day. It is original.
  • 6:30 - 6:34
    I spent 20 million to steal it.
  • 6:35 - 6:41
    And I have something that
    belonged to Lord Dalhousie.
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    Guess what it is.
  • 6:42 - 6:46
    Raja sir, you are capable of anything.
    I can't guess it...
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    ...so I won't even try. Please tell me.
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    The coat that I'm weaning.
  • 6:49 - 6:51
    Huh?
    - [Laughs]
  • 6:52 - 6:54
    It is worth 20 million rupees.
    - [Gasps]
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    This is original.
  • 6:59 - 7:04
    Thanjavur's great Raghunath
    Nayak played this 'veena'.
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    That's what he told me.
    But this is not original.
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    [Laughs]
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    Peddapuram Papayamma
    played it in a music concert.
  • 7:21 - 7:22
    Right?
  • 7:40 - 7:45
    This is the pistol that General
    Dyer used in Jallianwala Bagh.
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    This is original.
  • 7:59 - 8:00
    No!
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    Stop! Stop right there!
  • 8:05 - 8:06
    [Gunshot]
  • 8:13 - 8:14
    Curator!
  • 8:20 - 8:27
    Now tell me about the
    rare diamond in your museum.
  • 8:27 - 8:29
    It is from the 16th century...
  • 8:29 - 8:30
    ...when Sri Krishnadevaraya
    ruled our nation.
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    I heard that it has magical powers.
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    That's what the palm-leaf
    manuscripts say.
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    But I don't think it's reliable.
  • 8:41 - 8:44
    I believe that it's a very rare diamond.
  • 8:45 - 8:49
    It's only fair that I own that diamond.
  • 8:49 - 8:51
    Of course.
    I brought you the swords and spears...
  • 8:51 - 8:53
    ...when you asked for them.
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    But it's not possible for
    me to get everything you want.
  • 8:55 - 8:58
    There's a lot of tight
    security in the museum.
  • 8:58 - 9:00
    No. You deserve to have it.
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    [Laughs]
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    Everyone stay together.
  • 9:09 - 9:11
    Kishore, get down! I said get down!
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    You'll be punished if
    you do any mischief here.
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    Everyone stand in a straight line.
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    Look, children.
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    Come here. - This diamond
    belonged to the Vijayanagara empire.
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    It has been famous from the
    time of Krishnadevaraya's grandfather.
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    It's the second most precious
    diamond after Kohinoor.
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    Why did they leave it out in the open?
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    Won't someone steal it?
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    Nobody can steal it.
  • 9:39 - 9:41
    If anyone puts their
    hand inside to steal it...
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    ...the alarm will go
    off and sentries will come in.
  • 9:43 - 9:44
    Look.
  • 9:48 - 9:50
    Where are the sentries?
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    He's a clever child, teacher.
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    Yes. He's very mischievous.
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    Kishore! Come on, let's go!
    - Come on, let's go.
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    Come on. Move, children.
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    See that side.
  • 10:01 - 10:02
    Move.
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    Look at those things.
  • 10:09 - 10:10
    Come on, walk.
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    Time is up.
    - Look carefully.
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    Everyone leave. Time is up.
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    Come on, children. Hurry.
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    Come on, walk. Hurry up.
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    Teacher! Teacher!
  • 10:37 - 10:39
    Teacher! Teacher!
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    Get in. Get in.
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    [Groans]
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    Did you see one of our school kids here?
  • 11:11 - 11:13
    No. Everyone left some time ago.
  • 11:14 - 11:16
    We checked on the way.
    He was not on the bus.
  • 11:16 - 11:19
    Maybe he's still inside.
    Can you please open the doors?
  • 11:19 - 11:20
    There's nobody inside.
  • 11:20 - 11:22
    We look the doors only
    after checking all the rooms.
  • 11:57 - 11:58
    [Footsteps approaching]
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    Help!
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    Help! Help!
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    Help! Help!
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    Help! Help!
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    Hold it tight. I'm coming.
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    Hurry! Help!
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    Help!
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    Hurry up!
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    Give me your hand.
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    Wait, I'll try.
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    Okay, okay. Don't be scared.
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    Who are you? What's your name?
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    Doctor!
  • 14:12 - 14:12
    How is he?
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    Nothing to worry.
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    What were you doing
    at the museum at that hour?
  • 14:18 - 14:19
    I got delayed at the factory.
  • 14:19 - 14:21
    On my way back,
    I found this boy hanging...
  • 14:22 - 14:25
    ...from the museum terrace.
    I wonder why he was there.
  • 14:25 - 14:27
    He's very lucky.
  • 14:27 - 14:29
    If we know who his parents are...
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    I informed them.
    He had a wallet in his pocket.
  • 14:32 - 14:35
    Maybe he gets lost often.
    I found a note in the wallet.
  • 14:35 - 14:37
    Contact this address if you find him.
  • 14:37 - 14:39
    [Laughs]
  • 14:41 - 14:43
    Hello, Dr.
    Lalitha. We are Kishore's parents.
  • 14:43 - 14:44
    Oh, it's you.
  • 14:44 - 14:45
    What happened to our son?
  • 14:45 - 14:47
    Don't worry. I gave him an injection.
  • 14:47 - 14:50
    He's under sedation. He has a head injury.
  • 14:50 - 14:52
    It's better to keep him
    under observation for 15 days.
  • 14:53 - 14:54
    You can see him but don't disturb him.
  • 14:55 - 14:56
    Thank you so much, doctor.
  • 14:56 - 14:58
    Daddy! Daddy!
  • 14:58 - 15:00
    Krishna is in the papers.
  • 15:01 - 15:04
    What's wrong? Did it overflow again?
  • 15:04 - 15:06
    I'm not talking of
    the Krishna river, daddy.
  • 15:06 - 15:07
    It's about Krishna Kumar.
  • 15:08 - 15:11
    Oh, I see.
    Your good friend. What did he do?
  • 15:11 - 15:12
    Look.
  • 15:12 - 15:16
    He heroically saved a small
    kid from danger last night.
  • 15:17 - 15:19
    Good. He's handsome.
  • 15:19 - 15:22
    This is a black and white photo.
    He looks better in color.
  • 15:22 - 15:25
    Instead of just talking
    about him all the time...
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    ...why don't you bring
    him to our house one day?
  • 15:27 - 15:30
    He said he'll suddenly come home one day.
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    Hello.
    - Hello.
  • 15:35 - 15:35
    How are you, Kishore?
  • 15:37 - 15:39
    Did you save me?
    - Yes.
  • 15:40 - 15:41
    You are?
    - Krishna Kumar.
  • 15:42 - 15:44
    I'm Kishore Kumar. How do you do?
  • 15:44 - 15:46
    Fine. Look here.
  • 15:46 - 15:49
    They printed our photos
    and names in the papers.
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    How you went missing and how I saved you.
  • 15:51 - 15:54
    A detailed article. Read for yourself.
  • 15:55 - 15:57
    Why didn't they mention
    the diamond robbery?
  • 15:57 - 15:58
    What?
  • 15:59 - 16:00
    It's a secret.
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    Come closer.
  • 16:02 - 16:03
    More closer.
  • 16:04 - 16:06
    Krishnadevaraya's diamond
    was in the museum, right?
  • 16:06 - 16:09
    Yes.
    - It's gone. The thieves took it.
  • 16:10 - 16:12
    Oh. I see.
  • 16:13 - 16:15
    Good. Who stole it?
  • 16:15 - 16:17
    Thieves. Isn't that obvious?
  • 16:18 - 16:20
    I saw them myself. Promise.
  • 16:21 - 16:23
    Do you see too many action movies?
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    Believe me, uncle.
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    Look, Kishore.
    Nobody can touch that diamond. If they...
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    I know. The alarm will go off.
  • 16:31 - 16:33
    But that alarm is erratic
    just like our school bell.
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    So, it didn't go off
    when the thieves took it.
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    But you don't believe me.
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    I'll believe you if you rest for 15 days.
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    Give me the screwdriver.
  • 16:46 - 16:48
    Hello.
    - Hi.
  • 16:48 - 16:50
    Krishna.
    - Yes?
  • 16:50 - 16:51
    You are the proprietor, right?
    - Hello.
  • 16:51 - 16:53
    Why are you dressed like the workers?
  • 16:54 - 16:55
    Everyone here is a
    proprietor and a worker.
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    What do you mean?
  • 16:57 - 16:59
    "Young people want to hit centuries"
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    "Yeah"
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    "Our hearts want to cross boundaries"
  • 17:04 - 17:06
    "Yeah"
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    [Music]
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    "Young people want to hit centuries"
  • 17:30 - 17:33
    "Our hearts want to cross boundaries"
  • 17:33 - 17:36
    "Young people want to hit centuries"
  • 17:36 - 17:39
    "Our hearts want to cross boundaries"
  • 17:39 - 17:42
    "We want to have fun
    even while working hard"
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    "Sing a solo song... In audio"
  • 17:45 - 17:48
    "In video... With your girl on the side"
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    "Young people want to hit centuries"
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    "Our hearts want to cross boundaries"
  • 17:55 - 17:58
    [Music]
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    "With antennas touching the clouds"
  • 18:40 - 18:43
    "Strum the lightning and start dancing"
  • 18:43 - 18:46
    "When soft twilight meets the moonlight"
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    "Play the flute of love and pay homage"
  • 18:49 - 18:52
    "Sing the tunes of rain during the spring"
  • 18:53 - 18:56
    "Create a storm as a blissful couple"
  • 18:56 - 18:59
    "A young girl's coy
    look is a jolt to the heart"
  • 18:59 - 19:02
    "Young guys start
    whistling with excitement"
  • 19:02 - 19:05
    "Create new tunes to match
    the strange dance of life"
  • 19:05 - 19:08
    "Science tells us to
    enjoy this one chance at life"
  • 19:08 - 19:14
    "Cool breeze is creating
    soft tunes for us"
  • 19:14 - 19:17
    "Young people want to hit centuries"
  • 19:17 - 19:20
    "Our hearts want to cross boundaries"
  • 19:20 - 19:23
    "We want to have fun
    even while working hard"
  • 19:23 - 19:26
    "Sing a solo song... In audio"
  • 19:26 - 19:29
    "In video... With your girl on the side"
  • 19:29 - 19:32
    "Young people want to hit centuries"
  • 19:32 - 19:36
    "Our hearts want to cross boundaries"
  • 19:37 - 19:39
    [Music]
  • 20:18 - 20:21
    "A young body has great wavelength"
  • 20:21 - 20:24
    "It inspired me to write a beautiful song"
  • 20:24 - 20:27
    "A flower has blossomed
    in the garden of kisses"
  • 20:27 - 20:30
    "A nightingale is singing a new song"
  • 20:30 - 20:33
    "Add words to the fox card beat"
  • 20:33 - 20:36
    "I'll share my heartbeat in a lyric"
  • 20:36 - 20:39
    "Sing 'kavvali' to go
    with a 'kuchipudi' dance"
  • 20:39 - 20:42
    "Let the art form of 'kathak' embrace you"
  • 20:42 - 20:45
    "Forget the past, forget the facts"
  • 20:45 - 20:48
    "Forget the past, present is yours"
  • 20:49 - 20:54
    "Youth is a garden where
    all songs turn into flowers"
  • 20:54 - 20:57
    "Young people want to hit centuries"
  • 20:58 - 21:01
    "Our hearts want to cross boundaries"
  • 21:01 - 21:04
    "We want to have fun
    even while working hard"
  • 21:04 - 21:07
    "Sing a solo song... In audio"
  • 21:07 - 21:10
    "In video... With your girl on the side"
  • 21:10 - 21:13
    "Young people want to hit centuries"
  • 21:13 - 21:16
    "Our hearts want to cross boundaries"
  • 21:16 - 21:19
    [Music]
  • 21:26 - 21:29
    Who are you?
    That thief got away because of you.
  • 21:29 - 21:32
    Very good.
    First you run into me and then blame me.
  • 21:33 - 21:34
    You proved that you are a policeman.
  • 21:34 - 21:36
    What? You saw the thief run away.
  • 21:37 - 21:38
    I didn't see him.
  • 21:38 - 21:41
    Of course you didn't. You were...
  • 21:41 - 21:42
    Hey!
  • 21:42 - 21:43
    Wait. Take your baton.
  • 21:44 - 21:45
    Thank you.
  • 21:51 - 21:52
    Hello?
  • 21:53 - 21:54
    Hello!
  • 21:56 - 21:57
    Hema?
  • 21:59 - 22:00
    Good morning, sir.
  • 22:02 - 22:03
    Who are you?
  • 22:04 - 22:06
    Oh, it's you. The paper boy.
  • 22:06 - 22:09
    I'm not a paper boy.
    My name is Krishna Kumar.
  • 22:09 - 22:10
    I'm Hema's friend.
  • 22:10 - 22:11
    I know. I know.
  • 22:12 - 22:14
    You are the boy in today's papers.
  • 22:14 - 22:16
    You are they boy who saved the boy.
  • 22:16 - 22:17
    Hema!
  • 22:17 - 22:18
    Come, come, come.
  • 22:18 - 22:20
    Hema!
    - I'm coming, dad.
  • 22:21 - 22:22
    All these clocks...
  • 22:23 - 22:24
    I think I better explain it here.
  • 22:24 - 22:26
    This wheel...
  • 22:26 - 22:27
    Come here. You come here.
  • 22:27 - 22:30
    This gear attached to the...
    - Yes, dad?
  • 22:30 - 22:31
    Hi.
    - Yes, Hema.
  • 22:32 - 22:34
    Mr. Krishna Kumar. My daughter Hema.
  • 22:34 - 22:35
    He's my friend, dad.
  • 22:35 - 22:37
    Oh, I'm sorry. You both are friends.
  • 22:38 - 22:38
    You came early.
  • 22:38 - 22:40
    Oh, the engagement is fixed.
  • 22:41 - 22:42
    [Laughs]
  • 22:43 - 22:44
    Hey.
  • 22:45 - 22:46
    Your parents?
  • 22:46 - 22:48
    I lost my dad when I was a kid.
  • 22:48 - 22:50
    My mom is a doctor in Apollo Hospital.
  • 22:50 - 22:51
    Daddy!
    - Yes?
  • 22:51 - 22:53
    He did M.A in electronics.
  • 22:54 - 22:56
    You studied M.A?
  • 22:56 - 22:58
    Yes, I'm running our factory.
  • 22:58 - 23:01
    He invented a musical fountain,
    pocket television...
  • 23:01 - 23:02
    ...and so many other things.
  • 23:02 - 23:03
    I see.
  • 23:05 - 23:07
    I'm doing an experiment.
  • 23:08 - 23:10
    It is the most fantastic invention...
  • 23:10 - 23:12
    ...in the history of science.
  • 23:12 - 23:13
    What's that, sir?
  • 23:14 - 23:15
    The time machine.
  • 23:16 - 23:20
    A machine that can travel in time.
  • 23:21 - 23:22
    A machine that can travel in time?
  • 23:22 - 23:25
    Krishna, do you want
    orange juice or grape juice?
  • 23:25 - 23:27
    Don't disturb. Get mango juice.
  • 23:28 - 23:29
    This is...
  • 23:32 - 23:33
    She's signaling to
    you that I'm boring, right?
  • 23:33 - 23:34
    Yes.
  • 23:35 - 23:37
    Ignore her. Come on.
  • 23:38 - 23:39
    Go!
  • 23:42 - 23:45
    We usually travel from
    one place to another place.
  • 23:46 - 23:50
    Hyderabad to Delhi, India to America etc.
  • 23:50 - 23:54
    Similarly, scientists like me feel that...
  • 23:54 - 23:57
    ...we can travel through time too.
  • 23:58 - 23:59
    Come on.
  • 24:01 - 24:01
    Sir.
  • 24:02 - 24:03
    No, don't worry. I'm used to this.
  • 24:04 - 24:05
    This is my laboratory. Come.
  • 24:08 - 24:09
    [Sighs]
  • 24:13 - 24:15
    Sir! What are you doing?
  • 24:16 - 24:17
    I'm opening the lock.
  • 24:17 - 24:18
    There's no need for that, sir.
  • 24:18 - 24:21
    You bolted the door but forgot to lock it.
  • 24:21 - 24:22
    Huh?
  • 24:25 - 24:28
    Oh, old habit.
  • 24:29 - 24:29
    Come.
  • 24:42 - 24:43
    Come.
  • 24:45 - 24:46
    See.
  • 24:47 - 24:48
    How is it?
  • 24:48 - 24:49
    It looks like a
    mythological flying chariot.
  • 24:49 - 24:51
    Don't be silly.
    Mythological flying chariot, my foot.
  • 24:51 - 24:53
    What's so special about it?
  • 24:53 - 24:56
    It just goes from one place to another.
    That's all.
  • 24:56 - 24:59
    But this is a time machine.
  • 25:06 - 25:08
    Go on. Get in.
  • 25:33 - 25:38
    You can travel to any time you want.
  • 25:38 - 25:40
    Can I go back to last
    year's cricket match between...
  • 25:40 - 25:41
    ...West Indies and India?
  • 25:42 - 25:42
    Sure.
  • 25:43 - 25:44
    Can I go back to the
    time when I bunked college...
  • 25:44 - 25:46
    ...and went to morning
    shows with your daughter?
  • 25:46 - 25:47
    Huh?
    - Yes.
  • 25:48 - 25:50
    You can even go back to the time...
  • 25:50 - 25:52
    ...when you bunked school to steal guavas.
  • 25:53 - 25:55
    Which time do you want to go to?
  • 25:55 - 25:56
    You decide.
  • 25:56 - 25:59
    You tell me.
    I give you all the freedom to choose.
  • 25:59 - 26:01
    Then let's go to the Independence Day.
  • 26:02 - 26:04
    August 15, 1947.
  • 26:04 - 26:06
    We can watch Jawaharlal
    Nehru hoisting the flag.
  • 26:06 - 26:07
    Good.
  • 26:08 - 26:10
    In order to go to
    the date you requested...
  • 26:11 - 26:13
    ...we've to set that date here first.
  • 26:13 - 26:15
    [Keyboard clacking]
  • 26:16 - 26:18
    [Beeping]
  • 26:31 - 26:33
    We've to be in Delhi on this date, right?
  • 26:34 - 26:35
    Yes, sir.
  • 26:35 - 26:36
    That's it.
  • 26:48 - 26:51
    We are going to Delhi from Hyderabad.
  • 26:52 - 26:56
    If you press this button,
    we'll reach that date and place.
  • 26:58 - 26:59
    I've a small doubt.
  • 26:59 - 27:00
    Doubt? What doubt?
  • 27:01 - 27:03
    What if we can't come back from there?
  • 27:03 - 27:05
    What do you mean by that?
  • 27:05 - 27:08
    I mean, what if we want
    to stay there for a few days?
  • 27:10 - 27:12
    Are you wondering about
    our clothes and other stuff?
  • 27:13 - 27:16
    I already thought about that. Look there.
  • 27:16 - 27:19
    One of the suitcases is mine
    and the other is my daughter's.
  • 27:19 - 27:22
    We packed everything
    and kept them ready...
  • 27:22 - 27:24
    ...so that we can leave
    at any time we want.
  • 27:24 - 27:25
    Sit.
  • 27:30 - 27:31
    Wear the seatbelt.
    - Okay.
  • 27:36 - 27:38
    Delhi. Independence Day. Okay?
  • 27:39 - 27:40
    Tighten the belt.
  • 27:41 - 27:45
    Three, two, one, go.
  • 27:54 - 27:56
    Why did the lights go off?
  • 27:56 - 27:58
    Don't worry.
    Maybe there's a power cut in Delhi.
  • 27:58 - 28:00
    A power cut on the Independence Day?
  • 28:01 - 28:02
    Daddy! I brought juice.
  • 28:03 - 28:05
    Hema! How did you come to Delhi?
  • 28:07 - 28:10
    Oh dear! I couldn't see in the dark.
  • 28:10 - 28:13
    I was scared that I'll touch
    a wire and start something off.
  • 28:13 - 28:15
    Didn't we go to Delhi?
  • 28:16 - 28:17
    No, we went to Vizag.
  • 28:18 - 28:20
    Anyway, have some juice.
  • 28:20 - 28:22
    Juice? Juice.
  • 28:23 - 28:24
    Something... Something is wrong.
  • 28:25 - 28:26
    I must go and check.
  • 28:27 - 28:28
    Can you identify those thieves?
  • 28:28 - 28:31
    Yes. I'll catch them
    as soon as I see them...
  • 28:31 - 28:32
    ...and hand them over to the police.
  • 28:33 - 28:35
    Then everyone will
    know that I told the truth.
  • 28:35 - 28:37
    You are right.
    You'll get the president's award...
  • 28:37 - 28:39
    ...if you catch those thieves.
  • 28:39 - 28:40
    You'll be on TV too.
  • 28:40 - 28:43
    That's right. Shall we go to Delhi?
  • 28:43 - 28:43
    That's right.
  • 28:44 - 28:45
    I'll come to Delhi too.
  • 28:45 - 28:47
    [Laughs]
  • 28:47 - 28:49
    Oh no, the nurse is coming. Let's go.
  • 28:49 - 28:50
    Let's go.
  • 28:54 - 28:55
    What did Kishore say?
  • 28:55 - 28:58
    The same old story about
    thieves in the museum.
  • 28:58 - 28:59
    Mom.
    - Yes?
  • 28:59 - 29:01
    Maybe he's telling the truth.
  • 29:01 - 29:02
    Why don't we file a
    complaint with the police?
  • 29:02 - 29:06
    Oh dear! We don't know what he saw.
    It will be unnecessary trouble.
  • 29:06 - 29:08
    Yes. He was alone there at night.
  • 29:09 - 29:09
    Maybe he got scared.
  • 29:10 - 29:11
    Maybe he started imagining things.
  • 29:11 - 29:12
    He's still in that illusion.
  • 29:13 - 29:15
    That's why I told his parents
    that I'll keep him here...
  • 29:15 - 29:17
    ...a few more days,
    conduct tests and send him home.
  • 29:17 - 29:18
    Shall I do something?
    - What?
  • 29:18 - 29:20
    Shall I take him to museum
    and show him the diamond?
  • 29:21 - 29:22
    Do that.
  • 29:26 - 29:27
    This is the diamond, right?
  • 29:27 - 29:28
    Yes.
  • 29:28 - 29:29
    It's still here, right?
  • 29:29 - 29:30
    Yes.
  • 29:30 - 29:31
    Do you believe it now?
  • 29:31 - 29:33
    I won't. It was stolen.
  • 29:34 - 29:34
    My bad.
  • 29:40 - 29:44
    It's magnificent, curator.
  • 29:45 - 29:46
    I don't know about that, sir.
  • 29:47 - 29:50
    I almost died when I kept
    the duplicate diamond there.
  • 29:50 - 29:51
    Oh.
  • 29:52 - 29:54
    [Laughs]
  • 29:54 - 29:57
    The kid who saw you in the museum...
  • 29:58 - 30:00
    ...is in the hospital, isn't he?
  • 30:00 - 30:01
    Yes.
  • 30:01 - 30:05
    Then you get admitted in the hospital.
  • 30:05 - 30:07
    How?
  • 30:07 - 30:08
    [Laughs]
  • 30:09 - 30:11
    You'll see.
  • 30:16 - 30:17
    [Screams]
  • 30:23 - 30:25
    Vasu.
    - Yes, Dasu?
  • 30:25 - 30:28
    Is this how you get
    admitted in the hospital?
  • 30:28 - 30:33
    He'll send us to our graves
    if we don't catch that kid.
  • 30:33 - 30:35
    What if he recognizes us?
  • 30:35 - 30:37
    We can't recognize
    ourselves in this condition.
  • 30:37 - 30:39
    How will he recognize us?
  • 30:39 - 30:40
    Oh dear.
  • 31:18 - 31:19
    What is going on?
  • 31:20 - 31:21
    You worked night shift at the hospital.
    - Hmm.
  • 31:22 - 31:23
    Then you went back again
    in the morning for a surgery.
  • 31:23 - 31:25
    I wanted to finish cooking
    by the time you came home.
  • 31:25 - 31:26
    That's it.
  • 31:26 - 31:28
    Go sit in the dining hall.
  • 31:28 - 31:31
    I will bring all the dishes
    and you can taste all of them.
  • 31:31 - 31:32
    Come on, go.
  • 31:34 - 31:35
    Look how many dishes I made for you.
  • 31:35 - 31:37
    I'm a pro at this.
  • 31:37 - 31:38
    Look at all these dishes.
  • 31:42 - 31:43
    What are these colored stones?
  • 31:43 - 31:45
    Potato fry. It just became a little dark.
  • 31:50 - 31:51
    Is that 'dal'?
  • 31:52 - 31:55
    Yes. I started it as 'sambhar'
    but it turned into 'dal'.
  • 31:55 - 31:56
    Just a small mistake.
  • 32:00 - 32:01
    What is this?
  • 32:01 - 32:02
    Just like there is boiled
    rice and fried rice...
  • 32:03 - 32:03
    ...this is black rice.
  • 32:04 - 32:05
    [Door bell rings]
  • 32:06 - 32:07
    I think we've a visitor.
  • 32:08 - 32:09
    Excuse me.
  • 32:10 - 32:11
    Hi.
    - Hi.
  • 32:11 - 32:13
    Welcome. Please come in. Have a seat.
  • 32:13 - 32:14
    Mom, look who is here.
  • 32:14 - 32:15
    Krishna, right?
    - Who is it?
  • 32:15 - 32:16
    Come with me.
  • 32:16 - 32:18
    Hema's dad. Dr. Ramdas.
  • 32:18 - 32:20
    I won't tell her about the time machine.
    Don't worry.
  • 32:20 - 32:21
    My mom Dr. Lalitha.
    - Hello.
  • 32:21 - 32:24
    She's an MBBS Doctor
    and you are a Ph.D. Doctor.
  • 32:24 - 32:25
    Please sit.
  • 32:25 - 32:26
    Thank you.
    - You too.
  • 32:27 - 32:28
    Why do you have a ladle in your hands?
  • 32:30 - 32:32
    I'm doing experiments like your dad.
  • 32:32 - 32:34
    Oh. Cooking experiments?
    - Yes.
  • 32:34 - 32:35
    Good. Very good.
  • 32:35 - 32:38
    I'll join you.
    - Sure, sure.
  • 32:38 - 32:40
    Krishna, she doesn't know to cook.
  • 32:40 - 32:42
    That's okay. They will figure it out.
  • 32:42 - 32:46
    That's what I came to
    tell you and you beat me to it.
  • 32:47 - 32:47
    What do you mean?
  • 32:47 - 32:51
    Let them figure it out on their own.
  • 32:52 - 32:52
    Oh, I see.
  • 32:52 - 32:56
    What is your opinion about my daughter?
  • 32:57 - 32:58
    I understand your concern.
  • 32:59 - 33:02
    My son already spoke
    to me about your daughter.
  • 33:02 - 33:05
    I decided long back to
    make her my daughter-in-law.
  • 33:06 - 33:08
    I wanted to visit you
    and talk to you about it.
  • 33:08 - 33:12
    Correct. They will get
    married whether we agree or not.
  • 33:13 - 33:16
    So, we can save our
    prestige by agreeing to it.
  • 33:16 - 33:18
    Shall we tell the kids about it?
  • 33:18 - 33:23
    Not necessary.
    I'm sure they are eavesdropping.
  • 33:24 - 33:26
    Okay, we heard it. Bye.
  • 33:26 - 33:27
    Go.
  • 33:29 - 33:30
    Hi.
  • 33:31 - 33:31
    Hi, Suji.
  • 33:34 - 33:36
    [Music]
  • 34:04 - 34:07
    "It's time for the dance of love"
  • 34:08 - 34:11
    "Don't send me a message"
  • 34:12 - 34:19
    "Your words turned silent
    to spell magic on me"
  • 34:19 - 34:22
    "It's time for the dance of love"
  • 34:23 - 34:26
    "Don't send me a message"
  • 34:27 - 34:29
    [Music]
  • 34:58 - 35:05
    "Your warm embrace is melting my body"
  • 35:06 - 35:13
    "Surprised sunlight turned into moonlight"
  • 35:13 - 35:20
    "Desires in me are singing
    the song of jasmines"
  • 35:21 - 35:28
    "A pretty damsel is stuck in my arms"
  • 35:29 - 35:36
    "Our bond is coming to
    the fore in this sweet rain"
  • 35:36 - 35:44
    "Your body is singing like a 'veena'"
  • 35:44 - 35:51
    "Our hearts are restless with excitement"
  • 35:52 - 35:55
    "It's time for the dance of love"
  • 35:55 - 35:58
    "Don't send me a message"
  • 35:59 - 36:07
    "Your words turned silent
    to spell magic on me"
  • 36:07 - 36:10
    "It's time for the dance of love"
  • 36:11 - 36:14
    "Don't send me a message"
  • 36:14 - 36:16
    [Music]
  • 36:49 - 36:57
    "Don't hide your beauty from me"
  • 36:57 - 37:04
    "Let your sweetness pour on me"
  • 37:04 - 37:12
    "Don't make my youthful
    body more restless"
  • 37:12 - 37:20
    "My shy body won't
    rest until you satisfy it"
  • 37:20 - 37:27
    "I want to sway in the
    waves of your ocean-like eyes"
  • 37:27 - 37:35
    "I can't stop your sharp gaze,
    I'll open my dreams for you"
  • 37:35 - 37:43
    "Your beauty is as
    delicate as a flower petal"
  • 37:43 - 37:46
    "It's time for the dance of love"
  • 37:47 - 37:50
    "Don't send me a message"
  • 37:50 - 37:58
    "Your words turned silent
    to spell magic on me"
  • 37:58 - 38:01
    "It's time for the dance of love"
  • 38:02 - 38:05
    "Don't send me a message"
  • 38:06 - 38:09
    "It's time for the dance of love"
  • 38:10 - 38:13
    "Don't send me a message"
  • 38:15 - 38:16
    You?
  • 38:16 - 38:17
    Thief! Thief!
  • 38:18 - 38:18
    Who are you calling a thief?
  • 38:18 - 38:21
    Not you. You caused
    another thief to escape.
  • 38:21 - 38:22
    Hey, stop!
  • 38:23 - 38:26
    Excuse me. My baton. Thank you.
  • 38:30 - 38:31
    Auntie!
  • 38:33 - 38:34
    Good evening.
    - Good evening, dear.
  • 38:34 - 38:36
    Did you arrive just now?
    - Yes, auntie.
  • 38:36 - 38:37
    Hasn't Krishna come yet?
  • 38:37 - 38:39
    Not yet. He comes every day to pick me up.
  • 38:40 - 38:41
    I wonder if he'll do
    that after his wedding...
  • 38:41 - 38:42
    ...or go straight to his wife.
  • 38:44 - 38:45
    You can wait in the lounge.
  • 38:45 - 38:47
    You go to the ward, my boy.
    Come on.
  • 39:05 - 39:06
    Excuse me.
  • 39:07 - 39:09
    Are you Hema?
    - Yes.
  • 39:09 - 39:12
    The Hema who is going
    to marry our Krishna Kumar?
  • 39:13 - 39:15
    It's me. Who are you?
  • 39:15 - 39:17
    I'm Kishore Kumar. Hi.
  • 39:17 - 39:19
    Oh. Are you the kid from the museum?
  • 39:19 - 39:20
    Yes.
  • 39:24 - 39:26
    What are you looking at?
  • 39:26 - 39:28
    I'm Krishna Kumar's friend.
  • 39:28 - 39:30
    I was just checking if
    you are a good match for him.
  • 39:30 - 39:32
    [Laughs]
  • 39:33 - 39:35
    Do you like cricket?
  • 39:35 - 39:36
    Sure.
  • 39:36 - 39:37
    Who are your favorite players?
  • 39:39 - 39:40
    Gavaskar.
  • 39:40 - 39:41
    Good. Very good.
  • 39:43 - 39:44
    Do you know break dance?
  • 39:44 - 39:48
    I love 'Bharatanatyam' dance.
    I'm learning it.
  • 39:48 - 39:49
    Okay, that will do.
  • 39:50 - 39:51
    What does your father do?
  • 39:51 - 39:56
    He's is a famous professor.
    He makes strange things.
  • 39:56 - 39:57
    What strange things?
  • 39:57 - 40:01
    Very big things. Amusing things.
  • 40:01 - 40:03
    Amusing things? Can I see them?
  • 40:04 - 40:05
    Sure. If you visit our house...
  • 40:06 - 40:08
    ...my dad will show them
    to you even if you refuse.
  • 40:08 - 40:10
    He'll explain everything in detail.
  • 40:10 - 40:11
    Then let's go to your house.
  • 40:11 - 40:14
    Oh dear. Without the doctor's permission?
  • 40:14 - 40:17
    It won't take long.
    We'll come back in half an hour. Let's go.
  • 40:18 - 40:19
    I'll wait five more minutes...
  • 40:20 - 40:21
    Krishna Kumar will
    take one more hour to come.
  • 40:21 - 40:22
    We'll be back by then. Let's go.
  • 40:27 - 40:28
    Good evening, daddy.
  • 40:28 - 40:30
    Yes, dear. Where are you coming from?
  • 40:30 - 40:32
    From the hospital.
  • 40:32 - 40:34
    Hospital? Why did you go there?
  • 40:35 - 40:37
    I thought I can meet Krishna Kumar there.
  • 40:38 - 40:40
    Oh, that's the reason.
  • 40:42 - 40:43
    Krishna Kumar's friend.
  • 40:43 - 40:45
    I'm Kishore Kumar. I'm in third standard.
  • 40:45 - 40:51
    I'm Dr. Ramdas. M.Sc., M.Tech. and Ph. D.
  • 40:51 - 40:52
    Nice to meet you.
  • 40:52 - 40:55
    He wanted to see our house.
  • 40:55 - 40:56
    Not your house, grandpa.
  • 40:56 - 40:59
    I came to see the amusing
    things you create.
  • 40:59 - 41:02
    What? Amusing things? Who said this?
  • 41:04 - 41:05
    It was a joke, daddy.
  • 41:06 - 41:09
    No such fun. This is serious.
  • 41:11 - 41:17
    It's a time machine.
    But they don't believe it.
  • 41:17 - 41:19
    Nobody believes me too.
  • 41:20 - 41:23
    I saw the thieves stealing
    the diamond from the museum.
  • 41:23 - 41:24
    But nobody believes it.
  • 41:24 - 41:27
    Why not? You are so clear about it.
  • 41:28 - 41:30
    Will you believe what I say?
  • 41:30 - 41:33
    Sure. Come on.
    - Then get up.
  • 41:37 - 41:39
    My teacher stumbles the same way.
  • 41:39 - 41:41
    It happens to all geniuses.
  • 41:44 - 41:46
    Welcome to my laboratory.
  • 41:46 - 41:49
    Laboratory?
    - Yes. Come on.
  • 41:55 - 41:56
    Look.
  • 41:56 - 41:59
    Wow, it's so big.
  • 41:59 - 42:00
    This is the time machine.
  • 42:01 - 42:01
    Time machine?
  • 42:01 - 42:03
    Yes, come on.
  • 42:09 - 42:10
    Get in.
  • 42:59 - 43:01
    Why didn't you let me finish my game?
  • 43:01 - 43:03
    Just two minutes, my boy.
  • 43:03 - 43:05
    You can go back to play
    after I take your x-ray.
  • 43:14 - 43:15
    Sit here. I'll call you.
  • 43:18 - 43:19
    [Screams]
  • 43:22 - 43:23
    Did you come here to get an x-ray?
  • 43:24 - 43:27
    Strange. Both of you
    have the same injuries.
  • 43:28 - 43:32
    But your heights are different.
    One is short and one is tall.
  • 43:33 - 43:36
    You look familiar.
  • 43:39 - 43:41
    No! You are lying!
  • 43:43 - 43:44
    Museum thieves!
  • 43:45 - 43:47
    Stop!
  • 44:07 - 44:08
    Why are you sitting here?
  • 44:09 - 44:10
    I'm disturbed.
  • 44:10 - 44:11
    Why?
  • 44:11 - 44:13
    I missed a great chance.
  • 44:13 - 44:14
    I lost the president's award...
  • 44:15 - 44:16
    ...and the chance to appear on TV.
  • 44:16 - 44:18
    When will they get injured again?
  • 44:18 - 44:20
    When will they come to the hospital again?
  • 44:20 - 44:22
    When will we catch them?
  • 44:22 - 44:22
    Who?
  • 44:22 - 44:23
    Museum thieves.
  • 44:24 - 44:25
    Oh dear!
  • 44:25 - 44:28
    Kishore! I'm sure you were
    a tape recorder in the previous life.
  • 44:28 - 44:29
    Don't joke about it, uncle.
  • 44:29 - 44:31
    When I went to get an x-ray done...
  • 44:31 - 44:34
    ...two men tried to kidnap me.
    It was them.
  • 44:34 - 44:36
    Understood. Go to your ward and take rest.
  • 44:37 - 44:38
    You don't believe me, right?
  • 44:39 - 44:42
    I believe you.
    Go take rest. We'll go out this evening.
  • 44:47 - 44:49
    Wow. Now I feel better.
  • 44:52 - 44:54
    Uncle, auntie is here.
  • 44:57 - 44:58
    Hello.
  • 45:04 - 45:05
    Uncle.
    - Hmm?
  • 45:05 - 45:06
    Why is auntie sitting so far?
  • 45:07 - 45:08
    She's upset.
    - Why?
  • 45:09 - 45:11
    I promised her that
    I'll meet her at the park...
  • 45:11 - 45:12
    ...but I came here with you instead.
  • 45:13 - 45:15
    Are you not friends anymore?
  • 45:16 - 45:18
    She'll melt like ice-cream if I kiss her.
  • 45:18 - 45:19
    That's right.
  • 45:20 - 45:23
    Won't she hit you if you kiss her?
  • 45:23 - 45:26
    That's why I won't kiss her directly.
  • 45:26 - 45:28
    Go and ask her to kiss your cheek.
  • 45:28 - 45:30
    Hmm. Okay.
  • 45:32 - 45:34
    What did your uncle say?
  • 45:34 - 45:35
    He sent you something.
  • 45:35 - 45:37
    Is it ice-cream? I don't want it.
  • 45:38 - 45:39
    No, not ice-cream.
  • 45:40 - 45:41
    Huh? You imp!
  • 45:42 - 45:44
    Wohoo!
  • 45:45 - 45:48
    I sent you to get a kiss from her.
    Why did you kiss her, you rascal?
  • 45:50 - 45:51
    What did she say?
  • 45:51 - 45:53
    She said I'm better than you.
  • 45:55 - 45:56
    What did you say?
  • 45:57 - 45:59
    He's a wee kid. How dare he kiss you?
  • 45:59 - 46:01
    And you think he's better than me?
  • 46:01 - 46:02
    Help!
  • 46:02 - 46:05
    Grab him! Run!
  • 46:05 - 46:06
    Oh my God!
  • 46:08 - 46:10
    Uncle, help me! Uncle!
  • 46:11 - 46:12
    Uncle!
  • 48:30 - 48:31
    Oh dear!
  • 48:31 - 48:32
    Wonderful, uncle. You were awesome.
  • 48:34 - 48:36
    Krishna! Who were those
    men in yellow uniforms?
  • 48:36 - 48:38
    Why did they try to kidnap him?
  • 48:38 - 48:41
    Uncle, I'm sure they
    work for those museum thieves.
  • 48:42 - 48:46
    Were those men the thieves
    you saw in the museum?
  • 48:46 - 48:51
    Not them. But I'm sure
    they are connected to them.
  • 48:51 - 48:52
    Okay, I'll take care of it.
  • 48:53 - 48:54
    [Phone rings]
  • 48:55 - 48:56
    Hello.
  • 48:56 - 48:59
    Hello, grandpa.
    I'm Kishore, calling from the hospital.
  • 49:00 - 49:01
    Ah, the museum boy. What's up?
  • 49:02 - 49:06
    Some men in yellow uniforms
    tried to kidnap me today.
  • 49:06 - 49:11
    I suspect that they were
    sent by those museum thieves.
  • 49:11 - 49:12
    I see.
  • 49:12 - 49:15
    Grandpa, I've an idea.
    What if we use the time machine...
  • 49:15 - 49:20
    ...to go back in time four
    days and catch those thieves?
  • 49:20 - 49:21
    Why not? We'll do it.
  • 49:22 - 49:23
    Thank you, grandpa.
  • 49:23 - 49:25
    Is it true, Kishore?
  • 49:25 - 49:26
    Absolutely.
  • 49:26 - 49:29
    It looked like a flying
    saucer from an English movie.
  • 49:29 - 49:31
    If we sit inside it and press a button...
  • 49:32 - 49:34
    ...we can go back to
    the time when were infants.
  • 49:34 - 49:36
    So, if we get into the
    machine and go back four days...
  • 49:37 - 49:38
    ...we'll see the thieves again.
  • 49:38 - 49:41
    That's right.
    I couldn't catch them because I was alone.
  • 49:41 - 49:43
    Now that I'll have you all with me...
  • 49:43 - 49:45
    ...we can catch them
    and give them to the cops.
  • 49:45 - 49:49
    Then we can go to Delhi, be
    seen in TV and win prizes. Just imagine!
  • 49:49 - 49:51
    I'll come with you, Kishore.
  • 49:51 - 49:53
    Okay.
    - Can I come too, Kishore? Please.
  • 49:54 - 49:56
    No, Latha. You can't walk.
  • 49:56 - 49:59
    We'll come back soon.
    We'll tell you what happened.
  • 49:59 - 50:00
    Quiet. Let's go.
  • 50:02 - 50:04
    Bye.
    - Bye, Latha. Bye-bye.
  • 50:05 - 50:08
    Hema darling,
    now that your honeymoon is done...
  • 50:09 - 50:11
    ...when are you planning to get married?
  • 50:11 - 50:12
    What honeymoon?
  • 50:12 - 50:15
    Oh, I'm sorry. I meant,
    since your wedding date is fixed...
  • 50:15 - 50:17
    ...where are you planning
    to go for honeymoon?
  • 50:17 - 50:19
    Visiting places like Ooty
    and Kodai Canal is too common.
  • 50:19 - 50:21
    Since I'm going to be your son-in-law...
  • 50:21 - 50:22
    ...I thought we can
    use your time machine...
  • 50:23 - 50:24
    ...we'll go back to the Age of Triads...
  • 50:24 - 50:26
    ...see Lord Rama and Sita's wedding...
  • 50:26 - 50:28
    And we'll bring a basket
    filled with green gram salad and...
  • 50:28 - 50:30
    ...a pot filled with palm sugar drink.
  • 50:30 - 50:34
    That's why,
    as soon as he became our family member...
  • 50:34 - 50:39
    ...I kept his suitcase with
    our suitcases in the time machine.
  • 50:39 - 50:41
    Oh no!
  • 50:41 - 50:44
    I totally forgot.
    I've to check the meter reading.
  • 50:45 - 50:47
    Meter reading?
    I thought a scorpion bit him.
  • 50:48 - 50:49
    [Laughs]
  • 50:55 - 50:55
    Hey!
  • 50:56 - 50:58
    [Whistle blowing]
  • 51:00 - 51:02
    Thieves everywhere! Police nuisance!
  • 51:03 - 51:05
    Too much disturbance. Darn.
  • 51:20 - 51:22
    This is the professor's house.
    Why is the gate closed?
  • 51:23 - 51:24
    Let's go this way.
    - Okay, let's go.
  • 51:27 - 51:29
    Hey! Stop right there!
  • 51:33 - 51:35
    How will you escape now, you thief?
  • 51:35 - 51:37
    I'll kill you and run away, policeman!
  • 51:38 - 51:39
    Stop!
  • 51:41 - 51:45
    How dare you chase me?
    How dare you catch me?
  • 51:51 - 51:51
    Hello, sir.
  • 51:55 - 51:56
    [Electrical crackle]
  • 51:58 - 51:59
    Come this way.
  • 52:11 - 52:12
    Come on.
  • 52:17 - 52:18
    Hey.
  • 52:19 - 52:19
    Hey.
  • 52:28 - 52:29
    Kishore, there are video games here.
  • 52:30 - 52:30
    Shall we play?
  • 52:31 - 52:33
    Shut up! These are not
    video games or radio games.
  • 52:33 - 52:34
    You'll disappear if
    you press anything too hard.
  • 52:35 - 52:38
    Where is that?
    - What?
  • 52:38 - 52:40
    That.
    - What do you mean?
  • 52:40 - 52:41
    I mean this.
  • 52:41 - 52:43
    He was born in a bathroom.
  • 52:43 - 52:46
    [Laughs]
  • 52:49 - 52:49
    Hey.
  • 52:55 - 52:57
    [Police siren wails]
  • 52:57 - 52:59
    That's a police van siren.
  • 52:59 - 53:00
    No, it's a fire engine siren.
  • 53:05 - 53:08
    Oh no, it's getting closed.
  • 53:08 - 53:09
    What is happening?
  • 53:16 - 53:17
    What do we do now?
    Kishore!
  • 53:22 - 53:24
    What is happening?
  • 53:26 - 53:28
    [Screaming]
  • 53:35 - 53:38
    Kishore took everyone to Hema's house.
  • 53:38 - 53:39
    Why did they go there?
  • 53:39 - 53:41
    There's a time machine there.
  • 53:41 - 53:43
    They will go back in time
    four days and then come back.
  • 53:43 - 53:44
    Really? Oh dear!
  • 53:44 - 53:46
    [Screaming]
  • 53:52 - 53:55
    Krishna! Kishore and other
    kids are not in the ward.
  • 53:55 - 53:57
    It seems they all went
    to the professor's house.
  • 53:58 - 54:00
    What? Really? Okay.
  • 54:01 - 54:03
    Krishna, what's wrong?
  • 54:05 - 54:07
    [Screaming]
  • 54:28 - 54:31
    Kishore! What did you do?
  • 54:31 - 54:32
    Jump.
  • 54:33 - 54:34
    Come on.
  • 54:34 - 54:35
    Jump.
  • 54:38 - 54:39
    Jump.
  • 54:41 - 54:42
    Be careful.
  • 54:42 - 54:43
    Hurry up.
  • 54:46 - 54:47
    Jump.
  • 54:51 - 54:53
    Hema! Hema, what's wrong?
  • 54:56 - 54:58
    Krishna!
  • 55:00 - 55:02
    Let's go inside.
  • 56:01 - 56:03
    Yay!
  • 58:02 - 58:04
    [Beeping]
  • 58:05 - 58:07
    Hema! Hema!
    Are you hurt?
  • 58:07 - 58:08
    No, I'm fine.
  • 58:14 - 58:15
    Let's go, Krishna.
  • 58:16 - 58:17
    How can we go?
  • 58:18 - 58:20
    We don't know where
    we are or how we came here.
  • 58:21 - 58:23
    We've to pay for your dad's deeds.
  • 58:23 - 58:26
    I won't come with you if you abuse my dad.
  • 58:26 - 58:27
    Don't come.
  • 58:29 - 58:31
    Hey, wait. I'll come with you.
  • 58:31 - 58:33
    Good. That's more like it.
  • 58:39 - 58:41
    This looks like a forest to me, Krishna.
  • 58:41 - 58:43
    I wonder which country
    this is and what year.
  • 58:43 - 58:45
    Shall we go back?
    - Hmm.
  • 58:45 - 58:47
    [Palanquin bearers singing]
  • 58:53 - 58:56
    Looking at the palanquin
    and their clothes...
  • 58:56 - 58:58
    ...I think we are in the time of kings.
  • 59:07 - 59:09
    Hey! Stop!
  • 59:10 - 59:11
    Put it down!
  • 59:12 - 59:13
    Get down!
  • 60:29 - 60:30
    What kind of fighting is that?
  • 60:31 - 60:33
    It is not wrestling or fist fight.
  • 60:33 - 60:35
    He's using his hand as a knife.
  • 61:11 - 61:12
    Krishna!
  • 61:16 - 61:17
    Greetings.
  • 61:17 - 61:18
    Hello.
  • 61:18 - 61:22
    Thank you for saving my life and dignity,
    young man.
  • 61:23 - 61:23
    You are?
  • 61:23 - 61:27
    I'm a royal dancer.
    My name is Simhanandini.
  • 61:27 - 61:29
    I dance in King Devaraya's court.
  • 61:30 - 61:31
    Devaraya?
  • 61:31 - 61:33
    King Sri Krishnadevaraya.
  • 61:33 - 61:34
    Oh my God!
    - [Gasps]
  • 61:34 - 61:37
    We came to Krishnadevaraya's time?
  • 61:37 - 61:39
    Who are you? Which planet are you from?
  • 61:39 - 61:40
    We are from the same planet.
  • 61:41 - 61:43
    Are you westerners?
  • 61:43 - 61:46
    No. We are Telugu people.
  • 61:46 - 61:47
    Telugu people?
  • 61:48 - 61:50
    Why are you wearing these strange clothes?
  • 61:52 - 61:54
    We live 500 years ahead of you.
  • 61:55 - 61:57
    I don't understand what you are saying.
  • 61:57 - 61:59
    Come with me and meet the king.
  • 61:59 - 62:02
    He'll reward you for saving me.
  • 62:03 - 62:04
    Shall we go, Hema?
  • 62:04 - 62:05
    How? We are...
  • 62:05 - 62:06
    Okay, okay.
  • 62:06 - 62:07
    Okay.
  • 62:08 - 62:08
    Okay?
  • 62:09 - 62:11
    Yes. We'll come with you.
  • 62:11 - 62:12
    Please come.
  • 62:13 - 62:17
    "He was God in the form of man"
  • 62:18 - 62:21
    "Listen, O brave son of India"
  • 62:21 - 62:23
    "Victor is ours"
  • 62:23 - 62:27
    "Lord Rama was beautiful to look at"
  • 62:27 - 62:30
    "Listen, O brave son of India"
  • 62:34 - 62:36
    Krishna! Are those diamonds?
  • 62:37 - 62:39
    Didn't we study in school
    that during Devaraya's rule...
  • 62:39 - 62:41
    ...they used to sell
    gems and diamonds in heaps?
  • 62:41 - 62:42
    Yes.
  • 62:42 - 62:43
    What's the price of one seer of diamonds?
  • 62:43 - 62:44
    A quarter of a seer is for four coins.
  • 62:44 - 62:46
    Four coins? They are lovely.
  • 62:48 - 62:51
    Hema! A coin is equal
    to four rupees in our times.
  • 62:51 - 62:53
    So, they are selling about
    100 diamonds for 16 rupees.
  • 62:54 - 62:55
    So cheap?
  • 62:55 - 62:57
    I have 1,000 rupees with me.
    Shall we take diamonds?
  • 62:58 - 63:00
    Your paper currency has no value here.
  • 63:01 - 63:02
    I forgot about that.
  • 63:03 - 63:07
    If diamonds are so cheap,
    what about silk saris and...
  • 63:07 - 63:08
    Don't get any ideas that
    if a silk sari costs 10 paisa...
  • 63:08 - 63:11
    ...you can take 100,000 saris home.
    Let's go.
  • 63:15 - 63:18
    This is the way to the court.
    Come with me.
  • 63:28 - 63:31
    Who are those people?
    Their attire is very strange.
  • 63:32 - 63:33
    It looks like they are
    from a different planet.
  • 63:33 - 63:35
    The royal dancer escorted them.
  • 63:35 - 63:37
    Maybe they are the king's relatives.
  • 63:37 - 63:38
    Greetings, commander.
  • 63:39 - 63:41
    They look like foreigners.
  • 63:42 - 63:44
    They are my guests. They...
  • 63:45 - 63:49
    It's time for King Devaraya's arrival.
    Get yourself seated.
  • 63:49 - 63:51
    Take a seat.
  • 63:53 - 63:54
    Greetings, Thathachariar.
  • 63:54 - 63:56
    Allasani Peddana, have a seat.
  • 63:58 - 64:00
    Is he Allasani Peddana?
  • 64:00 - 64:01
    Yes.
  • 64:02 - 64:04
    Hema, we studied the book...
  • 64:04 - 64:06
    ...called "Allasani Vaari
    Allika Jigi Bigi" in school, right?
  • 64:06 - 64:08
    It was about this man.
  • 64:08 - 64:10
    Does that mean he's a tailor?
  • 64:11 - 64:12
    This is your knowledge of Telugu.
  • 64:12 - 64:13
    Because of going to English schools...
  • 64:14 - 64:17
    ...you lost the opportunity
    to learn about Telugu literature.
  • 64:18 - 64:21
    Did you see him? He's poet Nandi Timmana.
  • 64:23 - 64:26
    He's Timmana.
    He's called Mukku Timmana too.
  • 64:26 - 64:28
    He wrote "Parijatapaharanamu"...
  • 64:29 - 64:30
    What is it about?
  • 64:30 - 64:33
    Is it about the girl named
    Parijata being kidnapped?
  • 64:33 - 64:34
    Oh dear! No!
  • 64:35 - 64:36
    Who is he?
  • 64:37 - 64:38
    He's poet Dhurjati.
  • 64:38 - 64:40
    The one sitting now is poet Bhattu Murthy.
  • 64:40 - 64:42
    Where is Tenali Ramakrishna?
  • 64:43 - 64:45
    Wow! You know a poet's name?
    - [Laughs]
  • 64:45 - 64:46
    Let's shake hands on that.
  • 64:48 - 64:50
    Here he comes.
  • 64:53 - 64:54
    Greetings, poet.
  • 64:54 - 64:55
    Greetings.
  • 64:55 - 64:58
    Ramakrishna! Why did you close your eyes?
  • 64:58 - 65:01
    Oh, it's Peddanaamaatyudu!
  • 65:01 - 65:04
    Since we eat food every day,
    we can eat with closed eyes.
  • 65:04 - 65:05
    Since we meet some people every day...
  • 65:05 - 65:07
    ...we can recognize them with closed eyes.
  • 65:07 - 65:09
    Since we come to this court every day...
  • 65:09 - 65:13
    ...I wanted to see if we
    can come here with closed eyes.
  • 65:13 - 65:14
    [Laughs]
  • 65:14 - 65:15
    Tenali Ramakrishna!
  • 65:16 - 65:17
    This is why you are called "Vikatakavi".
  • 65:18 - 65:20
    Did you hear that, Hema?
    He's a very funny man.
  • 65:20 - 65:22
    Yes. I heard a few stories about him.
  • 65:22 - 65:26
    'Hail the emperor'
  • 65:26 - 65:29
    'The ruler of Karnataka and Andhra'
  • 65:30 - 65:37
    'The great Rayalu, also known as
    Andhra Bhoja, the great ruler of Hampi'
  • 65:38 - 65:42
    'One with great fame and protector
    of those who seek refuge'
  • 65:42 - 65:46
    'The great poet and king Krishnaraya'
  • 65:46 - 65:49
    'Hail the great king'
  • 65:50 - 65:51
    Who is behind the king?
  • 65:51 - 65:54
    He's the minister Thimmarasu.
  • 66:12 - 66:16
    Considering truth, dharma and
    kindness as the principles of his life...
  • 66:17 - 66:19
    ...discarding caste
    and religious differences...
  • 66:19 - 66:22
    ...to the emperor who rules
    the Vijayanagara kingdom...
  • 66:22 - 66:25
    ...and to the elders,
    I offer my respects.
  • 66:26 - 66:29
    To the subordinate kings
    and to the citizens of the city...
  • 66:29 - 66:33
    ...and to the great 8 poets
    of this palace...
  • 66:33 - 66:36
    ...and to this gathering,
    I invite everyone.
  • 66:37 - 66:40
    I want to say something
    to the audience.
  • 66:41 - 66:45
    When I was coming,
    I got a very good thought.
  • 66:45 - 66:48
    Balarama saw Sita
    and broke into laughter.
  • 66:49 - 66:52
    I request the poets
    to unravel this problem.
  • 66:52 - 66:55
    Balarama saw Sita and laughed?
  • 66:55 - 66:57
    This is very strange.
    - The king...
  • 66:57 - 67:01
    ...he made a connection
    between two different ages.
  • 67:02 - 67:06
    The king gave a problem which
    is hard for the poets to unravel.
  • 67:06 - 67:09
    I'm going to provide the solution.
  • 67:09 - 67:12
    How do you know about it?
    - We read it in the books.
  • 67:12 - 67:14
    I will solve the problem.
  • 67:15 - 67:16
    Go ahead, poet.
  • 67:16 - 67:20
    'If the lady is considered as sweet milk'
  • 67:20 - 67:23
    'Children would be produced'
  • 67:23 - 67:26
    'That is considered funny'
  • 67:26 - 67:28
    He got stuck!
  • 67:34 - 67:38
    'Rama used the power of his mind'
  • 67:38 - 67:44
    'And he saw Sita and laughed'.
  • 67:52 - 67:56
    O poet Ramakrishna,
    your intellect is great.
  • 67:58 - 68:02
    O poet Dhurjati, please recite
    a new poem from your works.
  • 68:04 - 68:07
    The Sivalinga which
    was lying unattended...
  • 68:07 - 68:09
    ...he requested that is
    should come to his village.
  • 68:10 - 68:14
    'The foam gets swept in the wind'
  • 68:14 - 68:18
    'It is attracting those who realize'
  • 68:18 - 68:21
    'It is like the eyes that get attracted'
  • 68:21 - 68:24
    'I will behold you, please come'
  • 68:28 - 68:32
    'The great and famous poet of Andhra'
  • 68:32 - 68:37
    'The poet Dhurjati, how does he acquire'
  • 68:38 - 68:42
    'so much sweetness and effect'
  • 68:44 - 68:46
    'Now we understood.'
    - Excuse me!
  • 68:47 - 68:50
    O poet Ramakrishna,
    I know the poem you are about to recite.
  • 68:51 - 68:53
    Who are you and what do you know?
  • 68:54 - 68:59
    'Now we understood,
    O ruler of the world'
  • 68:59 - 69:05
    'The one who stole
    the hearts of one and all'
  • 69:06 - 69:09
    'The one blessed with divine grace'
  • 69:09 - 69:14
    'And with a sweet expression
    that attracts'
  • 69:15 - 69:17
    Wow! Wonderful!
    - [Clapping]
  • 69:17 - 69:20
    This is shocking!
  • 69:20 - 69:23
    Lord, every word that he said...
  • 69:23 - 69:24
    ...was exactly what I thought in my mind.
  • 69:24 - 69:27
    Wonderful! Magnificent!
  • 69:27 - 69:28
    Who is this foreigner?
  • 69:29 - 69:30
    Greetings, Lord!
  • 69:31 - 69:33
    He is Krishna Kumar and she is Hemalatha.
  • 69:33 - 69:36
    They saved me from dacoits in the forest.
  • 69:36 - 69:39
    Oh. I see.
  • 69:39 - 69:41
    Brave man! Which country are you from?
  • 69:42 - 69:44
    This country, Lord. I'm from Andhra.
  • 69:44 - 69:48
    Andhra? Then why are
    you wearing strange clothes?
  • 69:48 - 69:51
    Moreover, you recited
    my poem before I could do it.
  • 69:51 - 69:52
    How did you do that?
  • 69:52 - 69:54
    I saw this scene in the
    movie "Tenali Ramakrishna".
  • 69:55 - 69:56
    Movie?
  • 69:56 - 69:56
    Movie?
  • 69:56 - 69:59
    Yes. It was directed by B.S. Ranga...
  • 69:59 - 70:01
    ...and produced by Vikram Productions.
  • 70:01 - 70:03
    Title is "Tenali Ramakrishna".
  • 70:03 - 70:06
    Akkineni Nageshwara
    Rao portrayed your role.
  • 70:06 - 70:08
    When I saw him I thought
    that poet Ramakrishna...
  • 70:08 - 70:10
    ...was a handsome man.
  • 70:11 - 70:13
    But I was disappointed after seeing you.
  • 70:13 - 70:16
    Did you grow a paunch
    and become short recently?
  • 70:16 - 70:18
    I didn't understand what you said...
  • 70:18 - 70:21
    ...except for the words paunch and short.
  • 70:21 - 70:22
    [Laughs]
  • 70:23 - 70:26
    Young man!
    You could guess what poet Ramakrishna...
  • 70:26 - 70:30
    ...was going to say.
    How did you learn to do it?
  • 70:31 - 70:34
    There's nothing to learn in it, sir.
    I mean, Lord.
  • 70:34 - 70:38
    Your future is our present.
    We came from the future.
  • 70:39 - 70:40
    What do you mean?
  • 70:40 - 70:42
    We are from the 20th century.
  • 70:42 - 70:45
    We are living 500 years after your time.
  • 70:45 - 70:47
    That's why we know all about you.
  • 70:47 - 70:51
    Her father invented a
    machine to travel through time.
  • 70:51 - 70:53
    That's why we could travel to your time.
  • 70:53 - 70:57
    Your words sound credible...
  • 70:58 - 71:00
    ...but I'm not able to believe them.
  • 71:00 - 71:02
    I'll explain it to you
    in detail when you've time, Lord.
  • 71:03 - 71:05
    Alright. We'll talk in leisure later.
  • 71:06 - 71:07
    Since you saved our royal dancer...
  • 71:07 - 71:10
    ...you are like special friends to me.
  • 71:10 - 71:11
    Appaji!
  • 71:12 - 71:13
    Yes, Lord?
  • 71:13 - 71:15
    Show our guests the royal hospitality.
  • 71:16 - 71:18
    Assign them grand quarters
    and prepare a feast for them.
  • 71:30 - 71:32
    Hello? Is someone here?
  • 71:39 - 71:41
    Excuse me. Which city is this?
  • 71:41 - 71:42
    Vijayanagaram.
  • 71:42 - 71:43
    Vijayanagaram?
  • 71:43 - 71:45
    Where rabbits chase the hunting dogs.
  • 71:45 - 71:46
    That same Vijayanagaram.
  • 71:46 - 71:49
    I see. How far is Hyderabad from here?
  • 71:50 - 71:51
    You don't know.
  • 72:07 - 72:09
    Oh no! She looks like a thief.
  • 72:09 - 72:13
    You girl! I'm arresting you for theft.
    Come to the station.
  • 72:14 - 72:16
    Husband! Greetings!
  • 72:16 - 72:17
    Husband? Who?
  • 72:17 - 72:18
    You are my husband.
  • 72:18 - 72:20
    Husband, my foot.
    Why are you calling me that?
  • 72:20 - 72:22
    You are her husband from this moment.
  • 72:23 - 72:24
    She's your wife.
  • 72:24 - 72:27
    What nonsense? I caught her stealing.
  • 72:27 - 72:29
    There's no need for people
    to steal in Devaraya's rule.
  • 72:30 - 72:31
    Nobody sells their crops here.
  • 72:32 - 72:34
    Everyone can take what they want.
  • 72:34 - 72:36
    You accepted her hand.
  • 72:36 - 72:38
    When a man takes the hand of a woman...
  • 72:38 - 72:40
    ...he becomes her husband.
    It is our tradition.
  • 72:40 - 72:43
    That's ridiculous.
    I would've grabbed her leg or a finger...
  • 72:43 - 72:46
    ...if I had known this before.
  • 72:46 - 72:47
    Look there.
  • 72:48 - 72:50
    Husband! Husband!
  • 72:51 - 72:54
    My dear husband! Don't abandon me!
  • 72:55 - 72:56
    Husband!
  • 72:58 - 72:59
    Husband!
  • 73:00 - 73:01
    Husband!
  • 73:03 - 73:04
    Husband!
  • 73:10 - 73:11
    Thank God!
  • 73:11 - 73:12
    That man.
  • 73:12 - 73:16
    He was talking about Hyder
    and bad a few minutes ago.
  • 73:16 - 73:18
    I think he's a spy working
    for Bahmani Sultans.
  • 73:22 - 73:24
    He has a fire weapon in his hands.
  • 73:24 - 73:25
    We should be careful when we catch him.
  • 73:30 - 73:31
    Is this Thanjavur's 'veena'?
  • 73:34 - 73:37
    Hey! Do I look like a monkey
    or a fish to cast a net on me?
  • 73:37 - 73:40
    We know that you are a spy.
  • 73:40 - 73:42
    Help!
    - Let's take him!
  • 73:42 - 73:45
    It's a crime to kidnap a cop! Let me go!
  • 73:45 - 73:45
    Our policeman.
  • 73:45 - 73:46
    Let me go.
  • 73:47 - 73:49
    Release him. He's our man.
  • 73:50 - 73:51
    Sir?
  • 73:52 - 73:54
    Thank you, sir.
    - How did you come here?
  • 73:54 - 73:56
    That's a long story. I'll explain later.
  • 73:57 - 73:58
    What are you doing here?
  • 73:58 - 74:00
    That's a long story too.
    I'll tell you later. Come on.
  • 74:01 - 74:01
    My baton?
  • 74:02 - 74:02
    Give it to me.
  • 74:06 - 74:08
    Noble man! Greetings!
  • 74:10 - 74:11
    We brought you milk and fruits.
  • 74:12 - 74:13
    Thank you.
  • 74:14 - 74:16
    Ring that bell if you need anything else.
  • 74:17 - 74:19
    Servants will answer
    it and bring what you need.
  • 74:19 - 74:21
    Thank you.
  • 74:22 - 74:25
    "Greet me, my darling"
  • 74:25 - 74:26
    What is this?
  • 74:26 - 74:30
    Royal singer is unwell and he's at home.
  • 74:31 - 74:32
    Who is singing this song?
  • 74:33 - 74:34
    Balasubramaniam.
  • 74:35 - 74:36
    S.P. Balasubramaniam.
  • 74:37 - 74:38
    Who is he?
  • 74:39 - 74:40
    He's a melodious singer of our times.
  • 74:41 - 74:42
    Where is he?
  • 74:42 - 74:45
    He's not here.
    This tape recorder is playing his song.
  • 74:45 - 74:48
    Wow, that's amazing.
    Even though he's not here...
  • 74:48 - 74:52
    ...his voice is stored in this?
    Very strange.
  • 74:53 - 74:54
    Do you want to hear your voice?
  • 74:54 - 74:55
    What do you mean?
  • 74:58 - 75:01
    Wow, that's amazing.
    Even though he's not here...
  • 75:01 - 75:04
    ...his voice is stored in this?
    Very strange.
  • 75:04 - 75:07
    Do you want to hear your voice?
    - Chitramala! Charusheela!
  • 75:07 - 75:09
    Vasavilatha! Come here!
  • 75:09 - 75:11
    Madhumeghala!
    Shakuntala! Pushpavalli! Ratnamala!
  • 75:11 - 75:12
    "Greet me, my darling"
  • 75:13 - 75:15
    [Laughs]
  • 75:22 - 75:26
    "Victory to the great God
    who decimates demons"
  • 75:26 - 75:30
    "The one who rides a divine chariot"
  • 75:34 - 75:38
    "Victory to the lord
    who shines the moon"
  • 75:38 - 75:43
    "The lord with a divine form"
  • 75:46 - 75:50
    "Victory to the one
    who drives away lethargy"
  • 75:50 - 75:54
    "The one who traverses a heavenly path"
  • 75:58 - 76:02
    "Victory to the lord of the universe"
  • 76:02 - 76:06
    "The great and powerful lord"
  • 76:06 - 76:10
    "Victory to the great God
    who decimates demons"
  • 76:10 - 76:14
    "The one who rides a divine chariot"
  • 76:23 - 76:24
    Greetings, friend.
  • 76:25 - 76:26
    Hello, King Devaraya!
  • 76:26 - 76:27
    What were you looking at?
  • 76:27 - 76:29
    Nothing. That diamond...
  • 76:29 - 76:33
    It is from the time of my
    father Saluva Narasimha Bhupathi.
  • 76:34 - 76:35
    It is a very powerful diamond.
  • 76:36 - 76:37
    If the moons rays touch
    it on 'Karthika Poornima' day...
  • 76:37 - 76:41
    ...you will witness a miracle.
  • 76:41 - 76:43
    You can see seven colors in it.
  • 76:44 - 76:46
    It is a most beautiful
    sight that has to be experienced.
  • 76:46 - 76:48
    I can't begin to put it in words.
  • 76:49 - 76:50
    But...
  • 76:50 - 76:51
    What's wrong?
  • 76:51 - 76:54
    According to the predictions
    of our royal astrologer...
  • 76:55 - 76:58
    ...this diamond will be
    stolen during our king's rule.
  • 76:59 - 77:04
    Then, it will be stolen
    again after 500 years.
  • 77:04 - 77:06
    I don't know about your time...
  • 77:07 - 77:10
    ...but I think it was definitely
    stolen after 500 years.
  • 77:14 - 77:16
    This was the diamond in our museum, Hema.
  • 77:16 - 77:18
    The one that Kishore insists was stolen.
  • 77:18 - 77:22
    He said we can see its
    magic on 'Karthika Poornima'.
  • 77:22 - 77:24
    That's right.
    It is 'Poornima' after four days.
  • 77:24 - 77:27
    If we stay here until then
    and see that magical sight...
  • 77:27 - 77:29
    ...we may better understand
    the diamond in the museum.
  • 77:30 - 77:31
    Where is the general store?
  • 77:32 - 77:33
    I don't know what that is.
  • 77:33 - 77:35
    Great. You don't know.
  • 77:38 - 77:39
    This Vijayanagara empire is so strange.
  • 77:40 - 77:45
    They sell Chinese silks
    here but no cigarettes to smoke.
  • 77:45 - 77:47
    I'll give it to you.
  • 77:47 - 77:48
    [Gasps]
  • 77:49 - 77:50
    You?
    - Yes, me.
  • 77:51 - 77:53
    I'll give you what you want.
  • 77:53 - 77:54
    A cigar?
  • 77:54 - 77:58
    Yes. This is very strong and good.
  • 78:00 - 78:01
    I'm sure it is.
  • 78:12 - 78:12
    [Coughs]
  • 78:13 - 78:15
    Why is my head spinning?
  • 78:15 - 78:18
    Even cigars are powerful
    in Vijayanagara empire.
  • 78:19 - 78:22
    Husband! Husband!
  • 78:22 - 78:23
    My dear husband!
  • 78:34 - 78:35
    [Gasps]
  • 78:35 - 78:36
    Hey.
  • 78:36 - 78:38
    What's this? What happened here?
  • 78:39 - 78:41
    Yesterday you accepted my hand and...
  • 78:41 - 78:42
    ...today we consummated our marriage.
  • 78:42 - 78:44
    Huh?
    - Yes.
  • 78:45 - 78:47
    [Laughs]
  • 78:55 - 78:56
    Krishna.
    - Hmm?
  • 78:57 - 78:59
    I feel very dull without a cup of coffee.
  • 78:59 - 79:01
    Don't they have coffee here?
  • 79:01 - 79:03
    They have pepper infused tea.
  • 79:03 - 79:05
    I can order it especially for you.
  • 79:08 - 79:09
    Hello, Madhavi.
  • 79:10 - 79:11
    Greetings, noble man.
  • 79:11 - 79:12
    What brings you here?
  • 79:13 - 79:14
    What's that thing in your hand?
  • 79:14 - 79:17
    This is a shaver.
    I use it to shave my beard.
  • 79:17 - 79:18
    Shaver?
    - Yes.
  • 79:19 - 79:21
    So, it is a device used for shaving.
  • 79:22 - 79:24
    Don't you go to the coiffeurs
    for shaving your beard?
  • 79:24 - 79:25
    Coiffeurs? Who are they?
  • 79:26 - 79:27
    Coiffeurs are barbers.
  • 79:27 - 79:28
    Oh, I see.
  • 79:28 - 79:30
    We shave our beards.
    We don't go to coiffeurs.
  • 79:30 - 79:33
    Really? This is so strange.
  • 79:33 - 79:35
    You do it yourself? My God!
  • 79:35 - 79:36
    [Laughs]
  • 79:36 - 79:38
    By the way, what brings you here?
  • 79:38 - 79:43
    Royal dancer Simhanandini
    sent you an invitation...
  • 79:43 - 79:46
    ...to visit her chamber
    tonight and enjoy a feast.
  • 79:46 - 79:48
    Okay, we'll definitely come.
  • 79:48 - 79:51
    I'm sorry. She invited only you.
  • 79:51 - 79:52
    Oh.
  • 79:52 - 79:54
    She invited only you?
  • 79:54 - 79:56
    Hema.
    - You don't need me.
  • 79:57 - 79:58
    Hema, come here.
  • 80:00 - 80:00
    We'll definitely come.
  • 80:01 - 80:01
    Only you.
  • 80:02 - 80:02
    Okay.
  • 80:03 - 80:04
    Thank you.
  • 80:05 - 80:07
    Hema, don't be so jealous.
  • 80:07 - 80:10
    Why does she want only men to visit her?
  • 80:10 - 80:12
    I don't care about her.
  • 80:12 - 80:14
    I want to make my queen happy.
  • 80:33 - 80:34
    Hello?
  • 80:36 - 80:39
    [Music]
  • 81:05 - 81:08
    "You are an expert of romance"
  • 81:09 - 81:12
    "You have a soft heart"
  • 81:14 - 81:18
    "You are an expert with soft hands"
  • 81:18 - 81:21
    "You touch my heart"
  • 81:21 - 81:25
    "In these romantic moments"
  • 81:26 - 81:30
    "When the hearts whispered to each other"
  • 81:30 - 81:35
    "I have a strong desire for your love"
  • 81:35 - 81:38
    "You can expert of romance"
  • 81:39 - 81:42
    "You have a soft heart"
  • 81:44 - 81:48
    "You are an expert with soft hands"
  • 81:48 - 81:51
    "You touch my heart"
  • 81:51 - 81:54
    [Music]
  • 82:15 - 82:19
    "Your looks are mesmerising"
  • 82:19 - 82:21
    "In this night"
  • 82:25 - 82:31
    "My imagination is running wild
    at this moment"
  • 82:31 - 82:36
    "The beauty of my curves
    swings like a cradle"
  • 82:36 - 82:40
    "Come to me at this romantic moment"
  • 82:40 - 82:45
    "Don't leave me
    and go away in this mood"
  • 82:45 - 82:52
    "You are an expert of romance
    with a soft heart"
  • 82:55 - 82:58
    "You are an expert with soft hands"
  • 82:59 - 83:01
    "You touch my heart"
  • 83:02 - 83:05
    "In these romantic moments"
  • 83:06 - 83:10
    "When the hearts whispered to each other"
  • 83:11 - 83:16
    "I have a strong desire for your love"
  • 83:17 - 83:22
    "You are an expert of
    romance with a soft heart"
  • 83:24 - 83:29
    "You are an expert with soft hands"
  • 83:29 - 83:32
    "You touch my heart"
  • 83:32 - 83:33
    Forgive me.
  • 83:34 - 83:38
    Don't lose my respect
    by displaying unbridled lust.
  • 83:39 - 83:40
    Love comes from the heart.
  • 83:40 - 83:43
    It is not just physical desire.
    Goodbye.
  • 83:49 - 83:52
    Hema, listen to me.
  • 83:52 - 83:55
    She desired him and
    invited him to her chamber.
  • 83:56 - 83:58
    Why did he go to her?
    Why didn't he refuse?
  • 83:58 - 84:02
    Maybe his heart is not stable towards you.
  • 84:02 - 84:03
    Hema!
  • 84:06 - 84:09
    Hema, what really happened was...
  • 84:10 - 84:13
    Hema, wait.
    Hear me out. Let me explain what happened.
  • 84:13 - 84:15
    You don't have to tell me anything.
    Don't talk to me.
  • 84:15 - 84:17
    I won't talk. I will sing.
  • 84:17 - 84:19
    "Beautiful woman"
  • 84:19 - 84:20
    "You are a boon"
  • 84:21 - 84:24
    "You tickle my heart"
  • 84:26 - 84:28
    "Beautiful woman"
  • 84:28 - 84:30
    "You have soft hands"
  • 84:30 - 84:33
    "You are sweet as honey"
  • 84:33 - 84:35
    [Music]
  • 85:01 - 85:06
    "Anger in the darkness
    aids the friendship"
  • 85:06 - 85:07
    "In my embrace"
  • 85:12 - 85:16
    "Warmness of the moonlight
    fires the youthfulness"
  • 85:16 - 85:17
    "On this cold night"
  • 85:18 - 85:22
    "I want my girl to smile like tonight"
  • 85:22 - 85:27
    "I want my girl to offer her beauty"
  • 85:27 - 85:32
    "You can't treat me as your enemy"
  • 85:32 - 85:33
    "Beautiful man"
  • 85:34 - 85:35
    "You are a boon"
  • 85:36 - 85:39
    "You tickle my heart"
  • 85:41 - 85:43
    "Beautiful woman"
  • 85:43 - 85:45
    "You have soft hands"
  • 85:45 - 85:48
    "You are sweet as honey"
  • 85:48 - 85:52
    "Your eyes are filled
    with the brightness of love"
  • 85:53 - 85:57
    "Your mischievous whispers fill the air"
  • 85:57 - 86:02
    "The bee desires the flower"
  • 86:02 - 86:03
    "Beautiful woman"
  • 86:04 - 86:05
    "You are a boon"
  • 86:06 - 86:09
    "You tickle my heart"
  • 86:11 - 86:12
    "Beautiful woman"
  • 86:12 - 86:15
    "You have soft hands"
  • 86:15 - 86:18
    "You are sweet as honey"
  • 86:19 - 86:21
    It's a wonder! It's a miracle!
  • 86:21 - 86:22
    My informers told me.
  • 86:23 - 86:24
    A device that sprinkles water.
  • 86:24 - 86:26
    A lamp that doesn't need fire.
  • 86:26 - 86:29
    They said you have countless wonders
    that we have never seen, or heard of.
  • 86:30 - 86:32
    Yes, Lord.
    We also have TV's with moving figures.
  • 86:33 - 86:34
    We have telephones that help us to...
  • 86:34 - 86:36
    ...talk with people anywhere in the world.
  • 86:36 - 86:38
    We've many more wonders in our time.
  • 86:38 - 86:42
    Who is the king of your
    nation that has such treasures?
  • 86:42 - 86:43
    We don't have kings, Lord.
  • 86:44 - 86:45
    Common people rule over us.
  • 86:45 - 86:47
    We give the power to the
    one who wins the elections.
  • 86:47 - 86:50
    Wow! That's so strange!
  • 86:50 - 86:51
    A kingdom without a king?
  • 86:52 - 86:53
    People are rulers?
  • 86:54 - 86:55
    It is a strange thing indeed.
  • 86:55 - 86:56
    Glory to you, Lord.
  • 86:57 - 86:58
    What news do you bring for me?
  • 86:58 - 87:01
    Poet Narasa,
    who is known as "Shatha Ganda Pindera"...
  • 87:01 - 87:03
    ...who is titled The Goddess
    Saraswati's Own Poet...
  • 87:03 - 87:06
    ...is going to grace our court tomorrow.
  • 87:06 - 87:07
    Poet Narasa is visiting us?
  • 87:09 - 87:12
    Oh dear! Tomorrow might be the end of...
  • 87:12 - 87:15
    ...Vijayanagaram's celebrated
    literary splendor.
  • 87:16 - 87:17
    Why do you say that, Lord?
  • 87:17 - 87:20
    Our eight literary pillars
    will be in tight spot.
  • 87:20 - 87:23
    Poet Narasa is very proficient
    at reciting poems that...
  • 87:24 - 87:26
    ...even poets who are literary
    geniuses can't explain.
  • 87:26 - 87:28
    Is poet Narasa so accomplished?
  • 87:28 - 87:30
    Sounds more like a pest than a poet.
  • 87:30 - 87:36
    He has defeated poets
    in six kingdoms till now.
  • 87:36 - 87:38
    Tomorrow's court...
  • 87:38 - 87:39
    Don't worry about that, Lord.
  • 87:40 - 87:43
    Poet Narasa will be defeated
    in your court tomorrow.
  • 87:43 - 87:46
    Your Vijayanagaram's literary
    splendor will be untouched.
  • 87:46 - 87:49
    May your words come
    true with Lord Shiva's help!
  • 87:49 - 87:53
    We will bestow great honor on you, friend.
  • 87:54 - 87:55
    Thank you very much, sir.
  • 88:00 - 88:01
    Stop!
  • 88:02 - 88:03
    Who are you?
  • 88:03 - 88:06
    I'm the new maid.
    I'm taking fruits for the queen.
  • 88:06 - 88:07
    What do you mean?
  • 88:07 - 88:09
    I mean fruits.
  • 88:09 - 88:12
    That's what we call them in Sanskrit.
  • 88:13 - 88:14
    Go ahead.
  • 88:15 - 88:16
    [Laughs]
  • 88:16 - 88:17
    Why are you laughing?
  • 88:17 - 88:19
    The queen is waiting for you. Hurry up.
  • 88:24 - 88:25
    Madhavi!
  • 88:25 - 88:27
    Who are you?
    - Your husband.
  • 88:27 - 88:28
    [Gasps]
  • 88:28 - 88:29
    Oh dear, come with me.
  • 88:30 - 88:32
    Why did you come here?
  • 88:32 - 88:35
    I don't remember our
    nuptial night at all...
  • 88:35 - 88:37
    ...but it has left me
    craving for more, Madhavi.
  • 88:37 - 88:40
    I couldn't stay away from you.
    So, I came in this disguise.
  • 88:40 - 88:42
    How is it? Is it good?
  • 88:42 - 88:44
    Do you know how dangerous
    it is for a man...
  • 88:44 - 88:46
    ...to enter queen's chamber?
  • 88:46 - 88:49
    If the soldiers recognize you,
    your life will be in danger.
  • 88:50 - 88:52
    I don't care if I die.
    I can't stay away from you, Madhavi.
  • 88:53 - 88:56
    I'll meet you at Tungabadhra
    riverbank tomorrow evening.
  • 88:56 - 88:57
    Leave right now.
  • 88:57 - 88:59
    Stay for a few minutes.
    - Please come.
  • 89:01 - 89:02
    Stop!
  • 89:02 - 89:04
    Why are you taking the fruits back?
  • 89:04 - 89:07
    The queen asked for
    sweets instead of fruits.
  • 89:07 - 89:08
    Sweets?
  • 89:08 - 89:10
    Fruits are ripe fruits
    and sweets are unripe fruits.
  • 89:10 - 89:11
    In Sanskrit?
    - Yes.
  • 89:12 - 89:13
    Madhavi!
    - Yes?
  • 89:13 - 89:15
    I'm going to the market tomorrow.
    What do you want?
  • 89:15 - 89:17
    Bring me pretty bangles.
    Let's go.
  • 89:17 - 89:19
    Bring me a stack of cigars.
    - Stack of cigars?
  • 89:19 - 89:21
    I mean a trunk for clothes.
    - In Sanskrit?
  • 89:21 - 89:23
    Yes.
    - Let's go. - In Sanskrit.
  • 89:23 - 89:24
    [Laughs]
  • 89:24 - 89:25
    In Sanskrit.
  • 89:25 - 89:28
    'The feelings of enjoyment in this world'
  • 89:28 - 89:31
    'The feelings of enjoyment in this world'
  • 89:31 - 89:34
    'The feelings of enjoyment in this world'
  • 89:34 - 89:37
    'The feelings of enjoyment in this world'
  • 89:41 - 89:42
    What are you doing, poet?
  • 89:43 - 89:44
    I'm trying to understand the meaning.
  • 89:45 - 89:46
    Trying to understand that poem is useless.
  • 89:47 - 89:50
    Forget that and throw a new poem
    at him that he can never understand.
  • 89:50 - 89:52
    It's not as easy as you think.
    It takes time.
  • 89:53 - 89:56
    Don't say that.
    You already have a thought in your mind.
  • 89:58 - 90:00
    I can see your mind at work.
  • 90:01 - 90:03
    A king rules people.
  • 90:03 - 90:05
    Who gives milk to people? Think about it.
  • 90:06 - 90:07
    Cows and buffaloes.
  • 90:08 - 90:10
    And?
    - And goats.
  • 90:10 - 90:12
    Correct. What do those goats have?
  • 90:12 - 90:13
    Tails.
  • 90:13 - 90:15
    Perfect. Go ahead. Victory is yours.
  • 90:17 - 90:18
    Poet Narasa.
  • 90:19 - 90:21
    Explaining the meaning
    to your poem is very easy.
  • 90:22 - 90:23
    But if you want me to do it...
  • 90:23 - 90:24
    ...you have explain the
    meaning of this poem first.
  • 90:25 - 90:27
    Go ahead. I will explain it.
  • 91:21 - 91:23
    Think it through and explain the meaning.
  • 91:23 - 91:25
    Can you say the poem once again?
  • 91:26 - 91:28
    Goddess Saraswati's Own Poet...
  • 91:28 - 91:30
    ...cannot request to
    hear the poem once again.
  • 91:30 - 91:32
    And you are a great genius.
  • 91:33 - 91:37
    Glory to you, Lord. I accept my defeat.
  • 91:38 - 91:39
    I'll take your leave now.
  • 91:40 - 91:44
    Whether you win or lose,
    you are a poet who visited my court.
  • 91:44 - 91:46
    Please accept my hospitality.
  • 91:47 - 91:50
    Krishna Kumar! Your words came true.
  • 91:51 - 91:54
    I acknowledge your important
    role in Ramakrishna's victory.
  • 91:54 - 91:57
    I will bestow great
    honor on you as I promised.
  • 91:58 - 92:01
    That proud man who insulted
    me shouldn't receive honor.
  • 92:02 - 92:04
    He should be humiliated
    before everyone in the court.
  • 92:05 - 92:06
    What do you have in mind?
  • 92:06 - 92:09
    I have a plan. You have to implement it.
  • 92:09 - 92:10
    What is that plan?
  • 92:11 - 92:12
    Let me go!
  • 92:13 - 92:14
    Please let me go!
  • 92:16 - 92:17
    Let me go!
  • 92:19 - 92:20
    Let me go!
  • 92:21 - 92:22
    Please let me go!
  • 92:25 - 92:26
    Commander! What are you doing?
  • 92:26 - 92:28
    Forgive me, Lord.
  • 92:28 - 92:30
    Simhanandini was trying to kill herself.
  • 92:30 - 92:33
    I noticed it,
    stopper her and brought her here.
  • 92:33 - 92:35
    She was trying to kill herself?
  • 92:35 - 92:37
    Nandini! Is that true?
  • 92:38 - 92:39
    Yes, Lord.
  • 92:39 - 92:41
    What caused you to take that step?
  • 92:41 - 92:42
    I was deceived, Lord.
  • 92:43 - 92:44
    Who deceived you?
  • 92:46 - 92:47
    Krishna Kumar.
  • 92:47 - 92:49
    Me?
    - Wicked man!
  • 92:49 - 92:52
    You were mesmerized with my dance.
  • 92:53 - 92:54
    You desired me and drew closer to me.
  • 92:54 - 92:57
    You said you will marry
    me and had your way with me.
  • 92:57 - 93:00
    Once you were done with me,
    you rejected me...
  • 93:00 - 93:04
    ...and decided to marry Hema.
  • 93:04 - 93:05
    Isn't that deception?
    - Shut up!
  • 93:07 - 93:11
    Dirty woman!
    When did I say that I will marry you?
  • 93:12 - 93:15
    Lord, she threw herself at
    me with unbridled lust one night.
  • 93:16 - 93:17
    I warned her and left.
  • 93:17 - 93:19
    She cooked up all these
    lies to take revenge on me.
  • 93:20 - 93:21
    Nandini!
  • 93:21 - 93:23
    I swear on God, Lord.
    I'm telling the truth.
  • 93:23 - 93:28
    He praised my dance...
    - Stop. I praised your dance?
  • 93:28 - 93:32
    [Scoffs] My Hema can
    dance better than you.
  • 93:32 - 93:34
    No woman on this earth
    can defeat me in dancing.
  • 93:35 - 93:38
    Simhanandini!
    This court is the only earth you know.
  • 93:38 - 93:42
    You are delusional if you think
    nobody in this world can defeat you.
  • 93:42 - 93:45
    Lord! This man is insulting your court.
  • 93:45 - 93:47
    Our royal dancer has your
    favor because of her talent.
  • 93:48 - 93:49
    He's insulting you by stating that...
  • 93:49 - 93:50
    ...there are others who
    can dance better than her.
  • 93:51 - 93:54
    Commander! There are many
    great people on this earth.
  • 93:55 - 93:57
    This young man's words can be true.
  • 93:58 - 94:00
    Minister! I have a humble request.
  • 94:00 - 94:02
    He said that this Hema
    can dance better than me.
  • 94:03 - 94:05
    If I defeat this Hema with my dance...
  • 94:05 - 94:07
    ...this Krishna Kumar
    should accept my accusation...
  • 94:07 - 94:09
    ...and marry me.
    Ask him to promise me that.
  • 94:09 - 94:12
    Oh, what nonsense! Dance competition?
  • 94:13 - 94:16
    Okay, I'm ready.
    Let's have that competition.
  • 94:16 - 94:19
    I'll defeat you and shut you up forever.
  • 94:19 - 94:20
    Hema! What are you doing?
  • 94:20 - 94:22
    I accept the challenge.
  • 94:25 - 94:26
    Appaji!
  • 94:26 - 94:27
    Yes, Lord?
  • 94:28 - 94:32
    Since the dancers agreed
    to the competition...
  • 94:32 - 94:34
    ...make the arrangements
    as they requested.
  • 94:34 - 94:37
    Yes, Lord. I will arrange it for tomorrow.
  • 94:49 - 94:51
    [Music]
  • 95:14 - 95:19
    "The art of song and dance is divine"
  • 95:20 - 95:24
    "It is not easily achieved"
  • 95:24 - 95:30
    "The story of eternal love"
  • 95:30 - 95:34
    "It is very hard to describe it"
  • 95:34 - 95:40
    "To attain expertise in music"
  • 95:40 - 95:45
    "To achieve mastery in dance"
  • 95:45 - 95:49
    "It takes a lot of effort"
  • 95:49 - 95:55
    "The art of song and dance is divine"
  • 95:55 - 95:58
    "It is not easily achieved"
  • 95:59 - 96:05
    "The story of eternal love"
  • 96:05 - 96:09
    "It is very hard to describe it"
  • 96:10 - 96:12
    [Music]
  • 96:30 - 96:35
    "The very fine movements in dance"
  • 96:45 - 96:53
    "The very fine movements in dance,
    are revealed today"
  • 96:55 - 97:04
    "The Peacock has trained
    in the graceful movements"
  • 97:05 - 97:10
    "The tunes shall make rocks melt"
  • 97:10 - 97:15
    "In the presence of the King Rayalu"
  • 97:15 - 97:20
    "In a way which enthralls the audience"
  • 97:20 - 97:25
    "This performance of the art of dance"
  • 97:25 - 97:27
    "I also know how to perform"
  • 97:27 - 97:30
    "I am unbeatable"
  • 97:30 - 97:32
    "The trophy belongs to me"
  • 97:32 - 97:35
    "The art of dance is my home ground"
  • 97:35 - 97:38
    "This is the best of the best"
  • 97:40 - 97:42
    "This is the best of the best"
  • 97:42 - 97:45
    "The entire hall will be mesmerised"
  • 97:45 - 97:50
    "The art of song and dance is divine"
  • 97:50 - 97:55
    "It is not easily achieved"
  • 97:55 - 98:00
    "The story of eternal love"
  • 98:00 - 98:05
    "It is very hard to describe it"
  • 98:05 - 98:08
    [Music]
  • 98:20 - 98:25
    "The romantic moods
    are captured in Hampi sculpture"
  • 98:25 - 98:30
    "It is reflected in the music
    that gives pleasure to everyone"
  • 98:30 - 98:35
    "The beauty is embodied in the images"
  • 98:35 - 98:40
    "The pictures represent all the fine arts"
  • 98:40 - 98:44
    "It is a clarion call"
    - "That grows slowly"
  • 98:45 - 98:48
    "It is a clarion call"
    - "That grows slowly"
  • 99:05 - 99:09
    "The stage is set for the final display"
  • 99:10 - 99:14
    "See this song and dance
    of the modern era"
  • 99:15 - 99:17
    "Twist the song to the rhyme and try"
  • 99:17 - 99:20
    "It will be a totally new experience"
  • 99:20 - 99:25
    "Rock 'n' roll, shake and roll"
  • 99:25 - 99:30
    "Rock 'n' roll, shake and roll"
  • 99:30 - 99:32
    [Music]
  • 100:31 - 100:37
    "The story of eternal love"
  • 100:37 - 100:40
    "It is very hard to describe it"
  • 100:41 - 100:44
    [Applause]
  • 100:46 - 100:48
    Appaji!
  • 100:48 - 100:50
    Yes, Lord!
    - Give the verdict.
  • 100:50 - 100:54
    Since Hema won the dance competition...
  • 100:54 - 100:58
    ...Krishna Kumar will marry her.
  • 100:59 - 101:03
    Since Simhanandini insulted
    our royal guests...
  • 101:03 - 101:05
    ...because of selfish motives...
  • 101:05 - 101:09
    ...she will no longer
    continue as the royal dander.
  • 101:09 - 101:10
    Krishna Kumar!
  • 101:11 - 101:14
    I consider my royal dancer's
    mistake as my mistake.
  • 101:14 - 101:17
    I apologize to you. Forgive me.
  • 101:18 - 101:21
    This shows how generous
    and kind you are, Lord.
  • 101:21 - 101:23
    Please forgive us for what happened.
  • 101:24 - 101:26
    As a compensation for our
    Simhanandini's conspiracy...
  • 101:26 - 101:28
    ...you can ask for whatever
    you want in our kingdom...
  • 101:28 - 101:29
    ...and I will gladly give it to you.
  • 101:29 - 101:31
    We don't want anything, Lord.
  • 101:31 - 101:34
    Since tomorrow is 'Poornima',
    we want to see...
  • 101:34 - 101:35
    ...the brilliance of
    the diamond in your temple.
  • 101:36 - 101:37
    Absolutely.
  • 101:37 - 101:39
    I will make arrangements
    for you to watch its brilliance.
  • 101:40 - 101:45
    I invite you to my
    chambers tomorrow night.
  • 101:45 - 101:46
    Thank you, sir.
  • 101:46 - 101:48
    [Chanting mantras]
  • 102:32 - 102:33
    It was wonderful, Lord.
  • 102:33 - 102:36
    You can't see this brilliance
    on every 'Poornima' night.
  • 102:36 - 102:39
    You will see these colors
    on 'Karthika Poornima' only.
  • 102:39 - 102:42
    The month of 'Karthikam'
    is Lord Shiva's favorite month.
  • 102:43 - 102:45
    Our older ones say
    that Lord Shiva himself...
  • 102:45 - 102:48
    ...blessed my father with this diamond.
  • 102:48 - 102:52
    So, this miracle takes place
    only on 'Karthika Poornima'.
  • 102:52 - 102:55
    Our wonderment can never
    be described in words.
  • 102:55 - 102:56
    We'll be indebted to you for this.
  • 102:56 - 102:59
    We consider ourselves
    lucky that we could see it.
  • 103:00 - 103:03
    I want to exact revenge
    from that man for...
  • 103:03 - 103:05
    ...making me suffer the wrath of the king.
  • 103:05 - 103:06
    How will you do that?
  • 103:06 - 103:09
    Krishna Kumar is returning
    to his country in two days.
  • 103:09 - 103:12
    We have to create a
    hazard and stop his journey.
  • 103:13 - 103:18
    We have to make that proud man
    suffer the king's wrath and burn to ashes.
  • 103:18 - 103:20
    Remember what I told you.
  • 103:20 - 103:22
    Tonight. The prayer room.
  • 103:23 - 103:26
    You will be beheaded
    if you make any mistake.
  • 103:28 - 103:30
    [Thunder rumbling]
  • 103:41 - 103:44
    Is the commander a thief too?
  • 103:44 - 103:45
    Why did you come here?
  • 103:45 - 103:47
    It is your duty to protect
    the kingdom as a commander...
  • 103:47 - 103:48
    ...but you are betraying your king.
  • 103:48 - 103:50
    How could you stoop so low?
  • 103:51 - 103:53
    [Gong chimed]
  • 103:54 - 103:55
    Imprison him!
  • 103:56 - 103:57
    Let me go.
  • 104:09 - 104:10
    [Thuds]
  • 104:12 - 104:13
    Who is that?
  • 104:25 - 104:27
    Why did you come into my room?
  • 104:27 - 104:29
    Why did you try to put
    that diamond in my suitcase?
  • 104:31 - 104:32
    Soldiers!
  • 106:53 - 106:55
    Stop it! Stop it!
  • 106:55 - 106:56
    Krishna Kumar!
  • 106:59 - 107:00
    Commander! What is going on here?
  • 107:01 - 107:04
    Lord! He's a thief. Soldiers saw him...
  • 107:04 - 107:07
    ...entering the prayer
    room and stealing the diamond.
  • 107:07 - 107:09
    I'm trying to imprison
    him but he's trying to escape.
  • 107:09 - 107:12
    That's a lie, Lord.
    I saw him entering my room and...
  • 107:12 - 107:14
    ...trying to put the
    diamond in my suitcase.
  • 107:15 - 107:17
    I caught him when he tried to escape.
    - [Chuckles]
  • 107:17 - 107:22
    Lord! Why does he have
    the diamond if I had stolen it?
  • 107:23 - 107:27
    Traitor! You selfishly wanted
    that diamond for yourself...
  • 107:27 - 107:29
    ...and betrayed the king.
  • 107:29 - 107:32
    I trusted you as a friend
    and extended my friendship.
  • 107:32 - 107:34
    How dare you betray me in this manner?
  • 107:34 - 107:37
    Commander!
    First take that diamond from him!
  • 107:41 - 107:43
    This traitor tried to
    steal Lord Shiva's gift and...
  • 107:44 - 107:47
    ...tried to destroy the
    tradition of Vijayanagara empire.
  • 107:47 - 107:49
    I sentence him to death!
  • 107:49 - 107:50
    [Screams]
    - Lord!
  • 107:50 - 107:52
    Implement it right away!
  • 107:54 - 107:55
    Krishna!
    - Sir!
  • 107:55 - 107:56
    What is this? What is going on?
  • 107:56 - 107:57
    How can you do this
    without an arrest warrant?
  • 107:58 - 107:59
    Imprison them!
  • 107:59 - 108:02
    Darn it! What is happening here? Leave me!
  • 108:02 - 108:02
    What are you blabbering?
  • 108:03 - 108:05
    Don't speak in English.
    We are already in trouble.
  • 108:06 - 108:08
    As a king who assumed the
    throne that has glorified...
  • 108:08 - 108:10
    ...unparalleled Vijayanagara
    empire's traditions...
  • 108:11 - 108:14
    ...it is my duty to punish
    him on the basis of evidence.
  • 108:15 - 108:19
    But as a man who trusts his conscience...
  • 108:20 - 108:23
    ...I don't believe that
    he is a culprit, Appaji.
  • 108:24 - 108:27
    So, please guide me in this matter.
  • 108:36 - 108:37
    This is inhuman!
  • 108:37 - 108:40
    It is cruel to incriminate your guests.
  • 108:40 - 108:43
    Krishna is innocent!
    He did not commit a crime!
  • 108:43 - 108:46
    It is unjust to give him death sentence!
  • 108:47 - 108:49
    Do you have a last wish?
  • 108:51 - 108:53
    As an advocate of fine arts.
  • 108:54 - 108:57
    Vijayanagara empire which
    is known for its patronage...
  • 108:58 - 108:59
    ...to the fine arts,
    music and literature...
  • 108:59 - 109:01
    ...gave in to offenders
    during Krishnadevaraya's rule...
  • 109:01 - 109:03
    ...and gave death sentences
    to innocent people...
  • 109:03 - 109:07
    ...without discerning
    injustice from justice.
  • 109:07 - 109:10
    Write this down in the
    pages of history with my blood.
  • 109:11 - 109:12
    Execute him!
  • 109:14 - 109:16
    No! Sir! Sir!
    - Krishna!
  • 109:17 - 109:19
    Let him go!
    - Krishna!
  • 109:20 - 109:23
    Sir! No!
  • 109:23 - 109:25
    No! Sir!
  • 109:25 - 109:27
    Krishna! Krishna!
  • 109:56 - 109:59
    Lord! Lord! Krishna Kumar is innocent.
  • 109:59 - 110:01
    The Commander stole that
    diamond from the prayer room.
  • 110:02 - 110:03
    I saw it myself.
  • 110:03 - 110:06
    That evil man imprisoned
    me for catching him in the act.
  • 110:06 - 110:08
    Madhavi here helped me to escape.
  • 110:08 - 110:09
    Wonderful!
  • 110:09 - 110:14
    Appaji! Your discernment
    and wisdom are unparalleled.
  • 110:14 - 110:16
    My conscience told me
    that Krishna Kumar is innocent.
  • 110:17 - 110:18
    That's why I saved him.
  • 110:19 - 110:21
    I'm happy that I trusted my instincts.
  • 111:42 - 111:45
    Sir! Where are we going?
  • 111:46 - 111:47
    To our time.
  • 112:05 - 112:07
    Eighty seven, eighty eight...
  • 112:08 - 112:11
    ...eighty nine, ninety, ninety one...
    - Yeah!
  • 112:12 - 112:15
    Ninety two... Sir, why isn't it stopping?
  • 112:15 - 112:18
    Ninety six... Stop it, sir! Stop it!
  • 112:20 - 112:24
    Why isn't this stopping, sir!
    Stop it! Stop it!
  • 112:44 - 112:47
    We reached the year 2504.
  • 112:47 - 112:50
    Did we come to the future?
  • 112:50 - 112:51
    Yes.
  • 112:52 - 112:55
    Sir! What kind of a machine is this?
  • 112:55 - 112:58
    I was very unfortunate to get stuck in it.
  • 112:58 - 113:02
    It looks like a desert.
    I don't see any people around.
  • 113:06 - 113:09
    What's that? Is it a factory?
  • 113:09 - 113:11
    No. It looks like a city.
  • 113:12 - 113:15
    Sir, what is going on? My skin is burning.
  • 113:15 - 113:17
    Yes, I feel the same.
  • 113:24 - 113:25
    Hey!
  • 113:26 - 113:28
    This way! This way!
    - He's calling us.
  • 113:28 - 113:30
    Run this way!
  • 113:30 - 113:32
    Come on.
  • 113:32 - 113:34
    Hurry up! Come quick!
  • 113:38 - 113:40
    Come on, make it fast! Hurry!
  • 113:41 - 113:43
    Who are you, sir?
    - I'm the chief scientist here.
  • 113:43 - 113:45
    My control room informed
    me that you landed here...
  • 113:45 - 113:47
    ...because your time machine broke down.
  • 113:47 - 113:48
    You are lucky that you
    landed closer to the city.
  • 113:49 - 113:50
    It would've been dangerous
    if you had landed far away.
  • 113:51 - 113:53
    What are these blisters, sir?
    - Come inside, I'll explain later.
  • 113:56 - 113:57
    Do you know who we are?
  • 113:57 - 114:00
    We are in the future,
    so we know who you are.
  • 114:07 - 114:08
    Where are we going now?
  • 114:08 - 114:09
    To my city.
  • 114:10 - 114:11
    Your city?
    - Yes.
  • 114:12 - 114:12
    This way?
    - Yes.
  • 114:13 - 114:16
    You see, atom bombs were
    used in World War III...
  • 114:16 - 114:18
    ...and all the countries
    in the world were destroyed.
  • 114:18 - 114:22
    Only a few people escaped alive.
  • 114:22 - 114:26
    The war left us to deal
    with radiation everywhere.
  • 114:26 - 114:29
    These blisters are caused by radiation.
  • 114:29 - 114:30
    How can you guys survive
    in such atmosphere?
  • 114:30 - 114:34
    After the war,
    we all built our homes underground.
  • 114:34 - 114:36
    Gradually many underground
    cities cropped up.
  • 114:36 - 114:41
    So, we've to live
    underground all our lives?
  • 114:41 - 114:44
    My whole body is burning up.
  • 114:44 - 114:45
    Just a few minutes.
  • 114:45 - 114:47
    We'll get them removed
    in the anti-radiation cell.
  • 114:48 - 114:49
    Don't worry.
  • 114:50 - 114:51
    Please come.
  • 114:52 - 114:53
    This is our anti-radiation cell.
  • 114:55 - 114:57
    No, don't touch that.
  • 114:57 - 114:58
    Stand at a distance.
  • 114:59 - 115:00
    Come here.
  • 115:03 - 115:04
    Stand right here.
  • 115:19 - 115:23
    Please come.
    Welcome. This is our police station.
  • 115:23 - 115:24
    This is a police station?
  • 115:24 - 115:26
    It looks like a five star hotel.
  • 115:26 - 115:27
    [Laughs] Thank you.
  • 115:27 - 115:29
    By the way,
    our men are repairing your time machine.
  • 115:29 - 115:31
    But it should be done within eight hours.
  • 115:31 - 115:34
    Otherwise you'll be in danger.
  • 115:34 - 115:36
    Danger? What do you mean?
  • 115:36 - 115:41
    You can survive only eight
    hours in this atmosphere.
  • 115:41 - 115:42
    Oh God!
  • 115:42 - 115:43
    Calm down.
  • 115:43 - 115:46
    Your names are registered. Now you can go.
  • 115:46 - 115:49
    What? We didn't sign any papers...
  • 115:49 - 115:50
    ...and you didn't take our photos.
  • 115:50 - 115:53
    Our computers recorded
    all the details when you came.
  • 115:53 - 115:55
    [Ringing sound]
  • 116:00 - 116:03
    Hubby! Our daughter's blood group,
    ECG and other tests...
  • 116:03 - 116:04
    ...are a perfect match
    with the scientist's son's tests.
  • 116:04 - 116:06
    The wedding is this evening. Okay?
  • 116:06 - 116:07
    Okay.
  • 116:07 - 116:10
    Inform all our friends that
    our daughter's wedding is today evening.
  • 116:10 - 116:12
    They all can watch
    it on TV in their homes.
  • 116:12 - 116:15
    Got it? Don't forget to inform them.
    - Okay.
  • 116:15 - 116:17
    Don't stay at work for too long.
  • 116:17 - 116:19
    Come home early and
    get everything done on time.
  • 116:19 - 116:21
    By the way, I heard that
    the price of tomatoes is down.
  • 116:21 - 116:23
    One kilo is for 1,500 rupees.
  • 116:23 - 116:24
    Bring two kilos on your way back home.
  • 116:24 - 116:26
    Okay.
  • 116:28 - 116:30
    My wife.
  • 116:30 - 116:32
    'What kind of a telephone is that?'
  • 116:32 - 116:34
    'All the household affairs are exposed.'
  • 116:34 - 116:37
    'The telephones in our time
    are better even if they don't work.'
  • 116:37 - 116:39
    'The others can't hear
    when our wives scold us.'
  • 116:40 - 116:43
    The speakers are playing
    the words in my mind.
  • 116:43 - 116:45
    This is a new machine of our time.
  • 116:45 - 116:47
    All the thoughts in your mind...
  • 116:47 - 116:49
    ...will be converted into
    sound and played on our speakers.
  • 116:50 - 116:52
    'Darn it! What atrocity is this?'
  • 116:52 - 116:53
    'Can't I abuse anyone in my mind?'
  • 116:54 - 116:57
    Can you stop thinking for a minute?
  • 116:57 - 116:58
    There are speakers behind you.
  • 116:58 - 117:00
    How can I stop thinking?
  • 117:00 - 117:03
    We saw 'The Seat of Truth'
    in the movie "Maya Bazar".
  • 117:03 - 117:05
    This is even worse than that.
    - [Machine beeping]
  • 117:07 - 117:09
    What's this?
    Why is the belt making a sound?
  • 117:10 - 117:12
    Does it mean anything?
    - [Machine beeping]
  • 117:12 - 117:13
    Your belt is making sound too.
  • 117:14 - 117:16
    Oh, my belt is ringing too.
    - [Laughs]
  • 117:16 - 117:19
    Our stomach computer
    says that you are hungry.
  • 117:19 - 117:21
    We can simply ask for
    food when we are hungry.
  • 117:21 - 117:23
    Why do we need a bell for that?
  • 117:23 - 117:26
    We don't have the freedom
    to think on our own.
  • 117:26 - 117:28
    We have to do whatever our computers say.
  • 117:29 - 117:32
    Come on, I'll take
    you to our chief scientist.
  • 117:44 - 117:47
    What are those floating in the air?
    Are they satellites?
  • 117:47 - 117:48
    No. Aerial traffic.
  • 117:49 - 117:51
    We have the same amount of
    traffic on the roads and in the sky.
  • 117:52 - 117:53
    Sir.
    - Yes?
  • 117:53 - 117:54
    I've a small doubt.
  • 117:54 - 117:56
    Do we have to wear these
    tight clothes and wires...
  • 117:56 - 117:58
    ...as long as we are here?
  • 117:58 - 118:01
    Only when you come out.
    For anti-radiation.
  • 118:01 - 118:02
    You can wear anything you like at home.
  • 118:02 - 118:04
    We can buy some clothes at the shop. Come.
  • 118:04 - 118:05
    Please come.
    - Please come.
  • 118:06 - 118:07
    Please come.
  • 118:08 - 118:09
    This is a new invention of our time.
  • 118:10 - 118:11
    It will play music when you touch it.
  • 118:11 - 118:14
    It is like our tape recorder.
    What's new in that?
  • 118:14 - 118:17
    When you touch your tape recorder,
    it will play music.
  • 118:17 - 118:20
    But if you touch this,
    you will play music.
  • 118:21 - 118:22
    Do you want to try it? Please.
  • 118:26 - 118:28
    [Music]
  • 118:56 - 118:58
    "Let's go on a naughty ride"
  • 118:58 - 119:00
    "Let's do some mischief and have fun"
  • 119:00 - 119:02
    "Guess why"
  • 119:02 - 119:05
    "My young heart is racing"
  • 119:05 - 119:07
    "It knows about the future destination"
  • 119:07 - 119:08
    "That's why"
  • 119:09 - 119:13
    "New colors are taking us to new fields"
  • 119:13 - 119:17
    "Count your future dreams"
  • 119:17 - 119:20
    "Let's go on a naughty ride"
  • 119:20 - 119:22
    "Let's do some mischief and have fun"
  • 119:22 - 119:23
    "Guess why"
  • 119:24 - 119:26
    "My young heart is racing"
  • 119:26 - 119:28
    "It knows about the future destination"
  • 119:28 - 119:30
    "That's why"
  • 119:30 - 119:32
    [Music]
  • 120:00 - 120:03
    "There is a spectacle before our eyes"
  • 120:04 - 120:08
    "Let's find out more about it"
  • 120:09 - 120:12
    "This is strange even to our dreams"
  • 120:13 - 120:16
    "We've never seen it before"
  • 120:17 - 120:19
    "This world is full of wonders"
  • 120:19 - 120:24
    "Let's spend some more time here"
  • 120:24 - 120:26
    "This music is mesmerizing"
  • 120:26 - 120:30
    "Let's hear it again and again"
  • 120:30 - 120:32
    "Let's greet someone"
  • 120:32 - 120:34
    "Let's see where this road goes"
  • 120:34 - 120:36
    "All the information
    we need about tomorrow"
  • 120:37 - 120:39
    "Is right here before us now"
  • 120:39 - 120:41
    "Let's go on a naughty ride"
  • 120:41 - 120:43
    "Let's do some mischief and have fun"
  • 120:43 - 120:44
    "Guess why"
  • 120:45 - 120:47
    "My young heart is racing"
  • 120:47 - 120:49
    "It knows about the future destination"
  • 120:49 - 120:51
    "That's why"
  • 120:51 - 120:55
    "New colors are taking us to new fields"
  • 120:56 - 120:59
    "Count your future dreams"
  • 121:00 - 121:02
    "Let's go on a naughty ride"
  • 121:02 - 121:04
    "Let's do some mischief and have fun"
  • 121:04 - 121:06
    "Guess why"
  • 121:06 - 121:08
    "My young heart is racing"
  • 121:08 - 121:11
    "It knows about the future destination"
  • 121:11 - 121:12
    "That's why"
  • 121:13 - 121:15
    [Music]
  • 121:43 - 121:46
    "Did you hear the cuckoo's welcome?"
  • 121:47 - 121:50
    "Let's answer it as guests"
  • 121:51 - 121:54
    "Look at all the bright stars"
  • 121:55 - 121:59
    "Let's open the doors and have a look"
  • 122:00 - 122:02
    "This is a new intoxication"
  • 122:02 - 122:06
    "Maybe this world is a mind mystery"
  • 122:06 - 122:08
    "It's a victory picture from the brain"
  • 122:08 - 122:12
    "It's a magic spell
    by the wise dictionary"
  • 122:12 - 122:15
    "Let's tread carefully"
  • 122:15 - 122:17
    "Let's unravel secrets"
  • 122:17 - 122:19
    "Let's chase the mysteries"
  • 122:19 - 122:21
    "Let's decode them"
  • 122:21 - 122:23
    "Let's go on a naughty ride"
  • 122:23 - 122:25
    "Let's do some mischief and have fun"
  • 122:25 - 122:27
    "Guess why"
  • 122:27 - 122:30
    "My young heart is racing"
  • 122:30 - 122:32
    "It knows about the future destination"
  • 122:32 - 122:33
    "That's why"
  • 122:34 - 122:38
    "New colors are taking us to new fields"
  • 122:38 - 122:42
    "Count your future dreams"
  • 122:42 - 122:45
    "Let's go on a naughty ride"
  • 122:45 - 122:47
    "Let's do some mischief and have fun"
  • 122:47 - 122:48
    "Guess why"
  • 122:49 - 122:51
    "My young heart is racing"
  • 122:51 - 122:53
    "It knows about the future destination"
  • 122:53 - 122:55
    "That's why"
  • 123:03 - 123:05
    Wait.
  • 123:06 - 123:08
    What's that?
    It looks like a model of Charminar.
  • 123:08 - 123:10
    Not a model. It's Charminar.
  • 123:10 - 123:13
    Huh? - Yes. It sunk into
    the ground after World War III.
  • 123:13 - 123:15
    We are protecting the remaining structure.
  • 123:15 - 123:17
    Wow. Fantastic.
  • 123:17 - 123:18
    Come, this way.
  • 123:20 - 123:22
    I might find cigarettes here.
  • 123:23 - 123:25
    Let me go, sir. Please, sir. I beg of you.
  • 123:25 - 123:26
    I won't smoke again, sir.
  • 123:26 - 123:29
    Please, sir. Let me go.
  • 123:29 - 123:31
    Why are they dragging him away?
    What did he do?
  • 123:31 - 123:32
    Rape or murder?
  • 123:32 - 123:36
    Something far worse.
    He was caught smoking a cigarette.
  • 123:36 - 123:38
    He has been given a death sentence.
  • 123:38 - 123:40
    What? A death sentence
    for smoking a cigarette?
  • 123:40 - 123:42
    Yes. This is the underground.
  • 123:42 - 123:45
    One spark of fire can destroy everything.
  • 123:45 - 123:46
    Do you have cigarettes here?
  • 123:48 - 123:50
    Why did he run away
    when I asked for cigarettes?
  • 123:50 - 123:52
    Cigarettes?
    - Yes, madam.
  • 123:52 - 123:55
    A cigarette is made of tobacco.
  • 123:56 - 123:56
    For smoking.
  • 123:57 - 123:58
    You will get a death sentence
    if you say that word. - [Gasps]
  • 123:59 - 124:02
    A death sentence? No!
  • 124:03 - 124:04
    Where did he go?
  • 124:04 - 124:07
    He was with us. Maybe he got lost.
  • 124:07 - 124:08
    He's new here.
  • 124:09 - 124:10
    Excuse me, sir.
    - Yes?
  • 124:10 - 124:13
    These are our guests.
    One of them is missing.
  • 124:13 - 124:15
    Can you go with him and find him? Please.
  • 124:15 - 124:16
    Okay, come with me.
  • 124:16 - 124:18
    Hema, you stay here. If he comes back...
  • 124:18 - 124:19
    I'll give you information.
  • 124:19 - 124:20
    Thank you.
    - Yes, come on.
  • 124:21 - 124:23
    This is our power house.
  • 124:23 - 124:24
    We have information that he is here.
  • 124:25 - 124:28
    Uncle! Police uncle!
    - Yes, I'm here.
  • 124:28 - 124:32
    Sir! I'm glad that you came to save me.
  • 124:32 - 124:35
    Please tell her that I'll
    never smoke cigarettes again.
  • 124:36 - 124:37
    Okay, now you have to leave.
  • 124:37 - 124:38
    If you don't leave from here...
  • 124:38 - 124:40
    I know we'll die. Please don't remind us.
  • 124:41 - 124:42
    Let's get out of here. Come on.
  • 124:49 - 124:50
    This diamond?
  • 124:50 - 124:51
    It is from the time
    of King Krishnadevaraya.
  • 124:52 - 124:53
    They used to worship it in those times.
  • 124:53 - 124:55
    They kept it in museums in your time.
  • 124:55 - 124:58
    Now we are using its rays
    to generate electricity...
  • 124:58 - 124:59
    ...and supply it to the whole city.
  • 125:00 - 125:02
    How is it floating in the air?
  • 125:05 - 125:07
    Hema! What's wrong?
  • 125:08 - 125:11
    I'm feeling giddy.
    My chest feels constricted.
  • 125:11 - 125:14
    So, this atmosphere started affecting you.
  • 125:14 - 125:16
    We can't waste time. Come with me.
  • 125:17 - 125:19
    We recorded the histories
    of precious artifacts of the past...
  • 125:19 - 125:23
    ...so that our people
    can learn about them.
  • 125:23 - 125:26
    You'll see the video recording
    about that diamond here.
  • 125:26 - 125:28
    This diamond belongs to
    the time of Sri Krishnadevaraya.
  • 125:29 - 125:32
    They regularly worshipped
    it in the king's prayer room.
  • 125:32 - 125:36
    After that, it was in a
    museum in Hyderabad for centuries.
  • 125:37 - 125:40
    In the year 1991,
    a millionaire named Raja Varma...
  • 125:41 - 125:44
    ...stole this diamond
    replacing it with a duplicate.
  • 125:45 - 125:49
    But on 15th of March,
    a youth named Krishna Kumar...
  • 125:49 - 125:51
    ...helped to restore
    it back to the museum.
  • 125:52 - 125:53
    During the same time,
    Raja Varma kidnapped...
  • 125:53 - 125:57
    ...Professor Ramdas
    to steal the time machine.
  • 125:57 - 126:00
    In the scuffle that ensued
    between Krishna Kumar...
  • 126:00 - 126:03
    ...and Raja Varma,
    Krishna Kumar lost his life.
  • 126:04 - 126:06
    You can read the evening
    newspaper of March 15th...
  • 126:06 - 126:08
    ...to know more about this incident.
  • 126:17 - 126:19
    Sir, what is this?
  • 126:19 - 126:20
    Calm down.
    - This is horrible.
  • 126:20 - 126:24
    It's okay. Promise me something.
  • 126:25 - 126:28
    Don't tell this to anyone,
    especially Hema.
  • 126:28 - 126:30
    Sir?
    - Promise me.
  • 126:31 - 126:32
    My head is spinning, sir.
  • 126:32 - 126:34
    What? He's gasping for breath?
  • 126:34 - 126:36
    Krishna Kumar! Every minute
    here is dangerous for his life.
  • 126:36 - 126:38
    You can't stay here for
    more ten minutes. Let's go.
  • 126:38 - 126:40
    I'll inform the others to meet there.
    Let's go.
  • 126:41 - 126:44
    Come on, hurry. Don't waste time.
  • 126:46 - 126:48
    We fed the instructions
    and kept the machine ready.
  • 126:48 - 126:50
    All the information
    you need is already inside.
  • 126:50 - 126:52
    Okay? You'll go back to
    your time if you press the button.
  • 126:52 - 126:54
    The computer will say present.
    That's your sign.
  • 126:54 - 126:55
    Okay?
    - Okay. Thank you.
  • 126:55 - 126:56
    Take off. Happy life!
  • 126:57 - 126:59
    Hello! Hello!
    Aerial station! Aerial station!
  • 126:59 - 127:03
    Aditya 369 taking off!
    Aditya 369 taking off!
  • 127:06 - 127:09
    [Beeping]
  • 127:15 - 127:16
    Hello!
  • 127:16 - 127:19
    Krishna! You are back!
  • 127:19 - 127:21
    We reached safely.
    I called up to inform you.
  • 127:21 - 127:24
    I'm talking from a hotel
    that's 100 kilometers away.
  • 127:24 - 127:26
    Our friend is unconscious.
  • 127:26 - 127:28
    We will come home once he recovers.
  • 127:28 - 127:28
    Where is Hema?
  • 127:29 - 127:31
    She's right here.
    What is it? What's wrong?
  • 127:31 - 127:34
    Someone kidnapped Hema's
    father and Kishore.
  • 127:38 - 127:40
    Krishna! What's wrong?
  • 127:41 - 127:42
    Don't be scared.
  • 127:42 - 127:45
    Someone named Raja
    Varma kidnapped your dad.
  • 127:45 - 127:47
    Oh God!
    - Don't worry. I know where he is.
  • 127:48 - 127:50
    You stay here and take care of uncle.
    I'll go to him.
  • 127:53 - 127:55
    In the scuffle that ensued
    between Krishna Kumar...
  • 127:55 - 127:58
    ...and Raja Varma,
    Krishna Kumar lost his life.
  • 127:59 - 128:00
    What is it, Krishna?
  • 128:02 - 128:03
    Nothing.
  • 128:09 - 128:11
    Look, professor.
  • 128:12 - 128:15
    It is your job to invent new things.
  • 128:16 - 128:18
    And it is our job to use them carefully.
  • 128:18 - 128:20
    Where is the time machine?
  • 128:21 - 128:22
    What time machine?
  • 128:22 - 128:25
    You don't know? I'll tell you.
  • 128:28 - 128:29
    [Violin playing]
  • 128:31 - 128:34
    [Screaming]
  • 128:37 - 128:39
    Wow, Raja sir.
  • 128:39 - 128:42
    You made the violins sound so violent.
  • 128:43 - 128:44
    You are great, Raja sir.
  • 128:45 - 128:46
    Stop it! I'll tell you!
  • 128:48 - 128:49
    [Sighs]
  • 128:49 - 128:51
    Good kid. Now tell us.
  • 128:51 - 128:52
    Time machine is a lie.
  • 128:53 - 128:55
    There is no time or machine in it.
  • 128:56 - 128:58
    He wrapped a big drum with
    wires and attached bulbs to it.
  • 128:58 - 129:00
    It's just a toy.
  • 129:01 - 129:02
    How dare you call my time machine a drum?
  • 129:02 - 129:03
    It's just a toy?
  • 129:03 - 129:07
    I invented something that
    no one in this world invented.
  • 129:07 - 129:09
    They will kill us
    if you reveal that thing.
  • 129:09 - 129:13
    I don't care if they kill us.
    My time machine is a wonder.
  • 129:14 - 129:19
    Very good. I want that time machine.
  • 129:25 - 129:26
    [Rapid gunfire]
  • 129:38 - 129:41
    Professor! Raja sir is not a man of words.
  • 129:44 - 129:47
    He will kill you if you
    don't make another one for him.
  • 129:47 - 129:51
    He said he will behead
    me if I don't bring that diamond.
  • 129:52 - 129:54
    I placed a duplicate there
    and gave him the real diamond.
  • 129:57 - 129:59
    I told you they stole
    the diamond in the museum.
  • 129:59 - 130:01
    Shut up, kid!
  • 130:01 - 130:02
    [Dogs barking]
  • 130:13 - 130:19
    You've to make another
    time machine for me in 24 hours.
  • 130:20 - 130:25
    Otherwise my men will kill you with music.
  • 130:34 - 130:35
    Look behind!
  • 130:55 - 130:57
    [Rapid gunfire]
  • 131:09 - 131:11
    Sir, the time machine is on the hill.
  • 131:11 - 131:11
    We saw it.
  • 131:15 - 131:16
    Catch him!
  • 131:16 - 131:18
    Let's go. Come on.
    - Go where?
  • 131:19 - 131:21
    Uncle! Uncle!
  • 132:22 - 132:23
    [Gunshot]
  • 132:36 - 132:37
    Uncle, use this.
  • 133:17 - 133:18
    Don't move.
  • 133:21 - 133:22
    Now come out.
  • 133:23 - 133:24
    Come on.
    - Okay.
  • 133:26 - 133:27
    Uncle! Oh no!
  • 133:38 - 133:39
    Uncle!
  • 133:42 - 133:43
    Uncle!
  • 134:04 - 134:07
    Uncle!
  • 134:14 - 134:15
    Uncle, come on!
  • 134:17 - 134:19
    Uncle, hurry up!
  • 134:23 - 134:24
    Uncle!
  • 134:27 - 134:28
    Uncle!
  • 134:51 - 134:53
    Come on. Walk.
    - Yes.
  • 134:57 - 134:58
    [Laughs]
  • 134:59 - 135:00
    Get in.
  • 135:01 - 135:02
    Get in.
  • 135:06 - 135:07
    Start it.
  • 135:09 - 135:10
    Come on, quick.
  • 135:10 - 135:12
    I don't know.
    - Come on, hurry.
  • 135:16 - 135:17
    Professor, you get down.
  • 135:18 - 135:19
    Beat that rascal.
  • 135:40 - 135:42
    Tell us what happened. I'm scared.
  • 135:43 - 135:45
    We went to the future in the time machine.
  • 135:46 - 135:49
    And we saw today's
    evening newspapers there.
  • 135:50 - 135:57
    Today, sir will fight with
    Raja Varma and lose his life. - [Gasps]
  • 136:27 - 136:28
    Oh my God!
  • 137:09 - 137:10
    Uncle.
  • 137:10 - 137:13
    Let me go! Let me go!
    - Krishna!
  • 137:26 - 137:29
    [Laughs]
  • 137:30 - 137:32
    Krishna, get down.
  • 137:35 - 137:37
    Switch it off.
  • 137:40 - 137:42
    Switch it off.
  • 137:49 - 137:51
    Oh no!
    - [Explosion]
  • 137:52 - 137:54
    Krishna!
    - Auntie.
  • 137:54 - 137:56
    Hema.
    - Hema.
  • 138:00 - 138:03
    I feel like I sent sir to his death.
  • 138:04 - 138:07
    Why was I unconscious at that time?
  • 138:07 - 138:11
    I would've stopped him if I was awake.
  • 138:11 - 138:13
    I killed him.
  • 138:13 - 138:15
    I killed him.
  • 138:15 - 138:16
    Don't blame yourself.
  • 138:17 - 138:19
    None of us could've stopped it.
  • 138:19 - 138:21
    We can't escape from fate.
  • 138:23 - 138:24
    His time was up. So, he left.
  • 138:41 - 138:43
    Son.
    - Mom.
  • 138:43 - 138:46
    Sir, you are alive.
  • 138:46 - 138:47
    I don't understand.
  • 138:47 - 138:49
    Just two seconds before
    the time machine exploded...
  • 138:49 - 138:51
    ...I jumped out of the window.
  • 138:53 - 138:56
    I fell into a valley and blacked out.
  • 138:57 - 138:59
    Then the newspaper
    that we saw in the future...
  • 138:59 - 139:02
    That was today evening's edition.
  • 139:02 - 139:06
    Tomorrow's papers will
    say that I'm still alive.
  • 139:07 - 139:09
    If we had stayed a few
    more minutes in the future...
  • 139:09 - 139:11
    ...we would've seen
    tomorrow's newspapers too.
  • 139:13 - 139:14
    Didn't you get it?
    - No.
  • 139:14 - 139:15
    You won't get it.
  • 139:15 - 139:18
    That's okay.
    I'm just glad that you are safe.
  • 139:19 - 139:22
    Auntie, uncle is here.
    You've to throw a big party.
  • 139:22 - 139:23
    Oh, sure.
  • 139:23 - 139:25
    I want ice-cream that
    is as big as the time machine.
  • 139:25 - 139:26
    Don't mention that machine.
  • 139:26 - 139:27
    It sounds like a time bomb to my ears.
  • 139:28 - 139:30
    What's wrong, grandpa?
    Why do you look sad?
  • 139:31 - 139:35
    Of course I'll be sad.
    My time machine is destroyed.
  • 139:35 - 139:38
    It's okay.
    You can start your experiments again.
  • 139:38 - 139:40
    But one small request.
  • 139:40 - 139:43
    Your time machine can
    take us to the past and future.
  • 139:44 - 139:46
    But how will that help
    people in the present?
  • 139:47 - 139:48
    You are right.
  • 139:48 - 139:52
    So, invent something that
    will help people in the present.
  • 139:52 - 139:54
    Grandpa can't do that. I'll do it. [Final]
Title:
Aditya 369 Full Length Telugu Movie 4K | Balakrishna, Mohini | TeluguOne
Description:

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Duration:
02:25:05

English subtitles

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