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>> This video is a crash
course on how to use Krita.
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So I'm going to start off by hitting Ufile,
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and I'm going to make my image
let's say 3,000 by 3,000.
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And I'm going to make this 72 pixels per inch.
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That's good for viewing on screen.
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You don't need to have it higher than that.
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That's mainly for print.
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So we'll just keep it at 72 pixels per inch.
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And I'm going to hit create.
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And so we have this image
that's square, and I can zoom in
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and out using the plus and minus keys.
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And right now I've got the
pencil brush as my default brush.
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There are lots of different brushes
that you can play around with.
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And I encourage you to check out
these when you have a moment.
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You can also right click on the canvas, and
you can access all of your favorite brushes.
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All of this is totally customizable.
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You can also switch between
two different colors.
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You've got the color wheel here.
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You can zoom in and out of your canvas.
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All sorts of things right here
from this pop up menu here.
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There's also the color wheel on the right hand
side, and then the layers that you are going
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to be painting on over here
on the right hand side.
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On the left you can see there's a whole bunch
of different icons that look very similar
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to Photoshop or Clip Studio if
you're familiar with either of those.
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Now, we won't go into most of these right now.
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We're just going to get down to the
drawing and inking and coloring part.
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So I'm going to begin by drawing,
and you can use the bracket keys,
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the left and right bracket keys to
make your brush bigger or smaller.
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And I'm going to change the opacity of my brush
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to something a little bit higher
here, and I'm going to begin drawing.
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I'm just going to pause for a
moment to go over the erase tool.
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All you have to do is, depending on the type
of stylus you're using, you can just flip it
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over on its other side, and it will
automatically activate the eraser,
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and you can erase like that.
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You can also choose the eraser from the
drop down menu here, and then switch back
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to the pencil if you would prefer.
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Not everybody has a stylus that will allow
you to erase on the other end but most do.
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Also to undo all you have to
do is hit control z to undo.
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You may also want to go up to settings, dockers,
and they actually have an undo history window
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that you can have here at the bottom.
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And if I -- I can undoc that.
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I can put it over here.
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I can also -- I prefer to have it together with
my layers, and I just switch over here like that
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so that the layers are over here, and then I can
swap between the undo history in case if I need
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to undo like 20 moves because I want to see
the difference between not one move but 20.
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So from here we're going to
start the inking process.
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The first thing I need to do
is I need to make a new layer.
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So I'm going to go over here to
layers, I'm going to hit the plus side,
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and I'm going to double click on
this and just call it my ink layer.
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And just to be safe I'm going
to label this sketch layer.
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So on my ink layer I'm going to start inking.
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And I'm also going to bring the
opacity down on my sketch layer so it's
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like very light just so I can barely see it.
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I'm going to lock it using the lock here.
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And that's going to make it so that I don't
accidentally start inking on the wrong thing.
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So I'm going to go back to ink, and
I'm going to choose the ink free G pen.
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I'm going to flip the colors
over here and choose black
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as my alternate color, and
I'm going to start inking.
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When I ink there's a couple
of things that I like to do.
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On the right hand side there's
this section for tool options.
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And there's a way to smooth
out your brush strokes.
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So it makes it -- especially for
inking increasing the distance
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for your brush smoothing will just
give you a slightly smoother stroke
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and will be less jittery
and, you know, less wobbly.
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So I don't like to tweak it
so that it's up all the way.
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But play around with the settings here and
you'll see a difference as you're drawing.
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So I'll set this to half-ish,
and I think I'm ready to go.
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So I'm just going to zoom in
and start the inking process.
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Something worth noting is as I'm moving
around I'm using the space bar to move
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around my canvas, so it's a
really handy way to stay zoomed in
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and see different parts of
your canvas very easily.
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Okay, now that we have completed the
inking process I'm going to start coloring.
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Now I made a quick little color swatch here.
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And rather than futzing around with
colors I quickly looked online,
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and I found some concept art, and I did a
quick switch for concept art color swatches.
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I found some concept art that I like.
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I liked the color palette here, and
you can choose colors however you like.
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If you've taken color theory classes then
you can use your color theory knowledge
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and choose colors.
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But if you're unsure you can always
look at what other people have done.
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And, fortunately, you can easily find color
swatches that people post that they use
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in their art, and you can use those, too.
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So all you have to do is save this image
and then drag and drop it into Krita,
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and I'll show you how to do that really quick.
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So I would just open this image in a new tab,
drag it to my desktop, and then I go back
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to Krita and I can just pick the image,
drag it in here, insert as a new layer,
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and now I've got it up here in the corner.
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And you can use this dropper tool, and
the up key for the dropper tool is key.
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And you can sample each one of these
colors and then go back to your brush tool
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and make a little mark here that
basically throws down the colors.
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I'm also going to show you a really good
technique for quickly inking things.
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And this is a technique that
you can use for cell painting
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if you choose to do some animation in Krita.
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It makes the process really quick and easy.
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And what I'm going to do is I'm going to
select my ink layer, and I'm going to copy
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that ink layer, and then I'm
going to paste the ink layer.
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I'm going to lock the top layer
here, so right now it's locked.
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And then I'm going to unlock
the one underneath it.
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And I'm going to sample one of the colors.
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We'll start with, say, the face.
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And I'm going to use the fill, which
the paint bucket tool here if fill.
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The hot key for that is f. And once I have that
color sample then I go to f and I fill it in.
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And you can see it works perfectly.
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And that's because all of my lines are airtight.
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And when you fill something it goes
right up to the edge of those lines.
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And as long as there are no gaps and holes
you should be able to fill it as long
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as all those lines are contiguous
and there are no holes.
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So, also, I have a setting on
my fill to grow two pixels.
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And I hit the top ink layer,
and I'm going to fill
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on the bottom ink layer to
show you how that looks.
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So if I zoom way in and I fill it, you
can see it actually eats into the edges
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of the line work, and it
actually eats some of it away.
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That's actually a good thing.
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And when I put my top ink
layer down it hides that.
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So it's good to have the grow two pixels on just
to like eat away at a little bit of the lines
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so that you don't see any like nasty
edges between the ink line and the fill.
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So I'm going to turn this back on, and
I'm going to start filling in everything.
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And the first problem I'm going to
come across is I'm going to sample this
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for the beard, and I'm going to go to fill.
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And when I go to fill in the
beard it fills in everything.
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It fills in the beard, the ear and
the hair because there's no line here
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that says, hey, don't fill this part in.
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Or there's this little gap here and Krita
doesn't know that like there's little gap
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that I don't want it to go
all the way up to the hat.
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So what I have to do is I have to just
use the brush tool, and I'm just going
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to brush a line to block it here.
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And then I'm going to brush another
line right here to block that.
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And now when I go to the fill tool it will
fill that in just fine without any problems.
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So I'm going to go through and
repeat that task for a little bit.
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I also wanted to mention that once you sample
all of these colors you can right click,
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and your most recently sampled colors actually
show up here which is super convenient
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so that you don't have to keep
going back and sampling the color.
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You could just right click and
then sample the color here.
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[ Music ]
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Now that we've got the color in
place, the next thing I'm going
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to do is I'm going to add a shadow layer.
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So to add a shadow layer I'm going to create
a new layer that is behind my ink layer
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but above the ink layer which we should
now just call this the color layer.
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And that's one step above the color layer.
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And I'm going to bring the opacity of
this layer down to about 50 percent,
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and I'm going to set it to multiply.
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And what multiply does is when you paint over
something with a particular color you can see
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that it still shows the color underneath, but
it darkens and adds color to the layers below.
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And so I picked out a blue
color for the shadows.
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I have like nice cool colored shadows.
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And I am going to begin just
looking at the character.
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Say the light source was
coming from this direction,
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I would say my shadow would start
somewhere around here and maybe here.
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And if I just cut straight across the character
just to start, just more simplified, you know,
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something like this, the whole left side
of the character would be in shadow here.
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There might be a little bit that's
visible sticking out here for the arm
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because the light would maybe hit
the character and put some of the arm
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in shade and then the rest in light.
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So I'm just going to block
all of this out right now.
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And I'm still using the old G pen, and
I'm just going to do that right now.
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Okay, so here's what the shadows look
like, so this is what I blocked in.
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And it's looking pretty good.
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I'm also noticing I didn't name this so
I'm going to quickly name this shadow.
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And at this point we don't
really need the sketch lines.
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They're barely visible at this point,
but I'm going to hide those as well.
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The next layer I'm going to
add is a highlight layer.
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So if the sun is going in this
direction and it's creating a shadow,
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it might also create a little bit
of a highlight on the character.
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So what I'm going to do is
I'm going to make a new layer.
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I'm going to name that layer light, and I'm
going to set that opacity to about 50 percent.
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And instead of a multiplied layer
I'm going to use a lighten layer.
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And so you can also play
with lighten or luminosity.
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They all each do similar things.
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So I'm going to use a -- I'll actually go for
the luminosity layer since we're painting light.
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And I'm going to select a warm color, so
something that's sort of on the yellow-ish side.
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I think that would be good.
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And, again, opacity is set way low.
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And so thinking about where the -- you
know, how the light is hitting the character
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from the side, then I would
want to start going in
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and add a little bit of, you
know, light on this side.
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So I'm going to more or less just like
give little bits of like rim lighting.
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So it's really just kind of a line
going along the edge of the side
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of the character so it's not over everything.
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Okay, so there's the light layer.
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And you can see it makes a
little bit of a difference.
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You can see now there's a definite
light source giving a highlight.
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And then we've got our shadow, and together
they create this really nice effect.
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I'm still on the fence on whether
lighten or luminosity works better.
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Luminosity is bleaching everything out,
and I was hoping it wouldn't do that.
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But it still looks pretty good.
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I think lighten is going
to be the winner for here.
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So now that we've got all of
this I can use my erase tool,
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and I can go into my shadow layer
and I can erase all this stuff.
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Go into my color layer or my paint layer,
and I'll just erase all of this stuff out,
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and now I've got my finished drawing.
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And so now that I've got this there's
a bunch of things that I could do.
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I could still keep playing with the shadow, you
know, and like start adding say, like, you know,
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like a shadow underneath the
character or something, you know,
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something like that to help
ground the character.
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You could totally do something like that.
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Not necessary, but it can be kind of fun to do
as like a finishing touch to put the character
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in more of a space instead of
just kind of like floating there.
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There's a really few like how much
you want to go with it after that.
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You can also add a background.
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You can start playing with colors
for the background and so forth.
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And I mean the possibilities are endless.
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But this is basically where I'm
going to say, okay, this is done.
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And there's maybe one or
two other little bits here.
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Like I want to put more highlights on his eyes.
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So I'm make a special layer just
for the eye highlight just for now.
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And I'm going to choose a light color.
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And I'm just going to go in
and just real quick just make
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that a little bit more pronounced,
give his eyes that extra glow.
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And now that's pretty much done.
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If the character that you made isn't
quite centered and you'd like to move it
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around in the composition, the best way to do
that is select all the layers that you want
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to affect, right click and
select group and quick group.
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So when you select quick group you can
select group 2, and then go over here
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to the transform a layer or selection.
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If you want to scale or change the
position of your drawing in the composition,
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the easiest way to do that with all of your
layers is select all of your layers, right click
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and go to group, quick group,
and then select the group.
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And then go over here to
transform a layer or selection.
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So it's this little thing here.
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You click on that, and now
I'm in the selection mode.
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If it's not already in the selection
mode, you right click and click free.
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And then if you click down on it on your
canvas it should pull up this stuff here.
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And you can now scale it however you want.
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But notice like it's scaling
it all weird right now.
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And so in order to scale it uniformly
you have to hold down the shift key
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as you're moving it, and so you can scale it.
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Just keep in mind that if you're scaling it up,
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if you scale it up too much you're
going to get noticeably blurry lines.
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A little bit of scaling up is totally fine.
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And so say I wanted to like get the character
off to the side and wanted to put some text
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or something over here on the right hand
side, so I just move the character over here.
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And then when I'm done I just
hit enter and I'm good to go.
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And then I hide out the sketch lines here.
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And those are pretty much the
basics for making a drawing in Krita
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and doing some simple ink and paint techniques.
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So I hope you found this helpful and thanks.
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