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KRITA CRASH COURSE drawing ink and paint

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    [ Music ]
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    >> This video is a crash
    course on how to use Krita.
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    So I'm going to start off by hitting Ufile,
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    and I'm going to make my image
    let's say 3,000 by 3,000.
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    And I'm going to make this 72 pixels per inch.
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    That's good for viewing on screen.
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    You don't need to have it higher than that.
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    That's mainly for print.
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    So we'll just keep it at 72 pixels per inch.
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    And I'm going to hit create.
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    And so we have this image
    that's square, and I can zoom in
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    and out using the plus and minus keys.
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    And right now I've got the
    pencil brush as my default brush.
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    There are lots of different brushes
    that you can play around with.
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    And I encourage you to check out
    these when you have a moment.
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    You can also right click on the canvas, and
    you can access all of your favorite brushes.
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    All of this is totally customizable.
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    You can also switch between
    two different colors.
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    You've got the color wheel here.
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    You can zoom in and out of your canvas.
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    All sorts of things right here
    from this pop up menu here.
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    There's also the color wheel on the right hand
    side, and then the layers that you are going
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    to be painting on over here
    on the right hand side.
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    On the left you can see there's a whole bunch
    of different icons that look very similar
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    to Photoshop or Clip Studio if
    you're familiar with either of those.
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    Now, we won't go into most of these right now.
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    We're just going to get down to the
    drawing and inking and coloring part.
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    So I'm going to begin by drawing,
    and you can use the bracket keys,
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    the left and right bracket keys to
    make your brush bigger or smaller.
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    And I'm going to change the opacity of my brush
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    to something a little bit higher
    here, and I'm going to begin drawing.
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    [ Music ]
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    I'm just going to pause for a
    moment to go over the erase tool.
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    All you have to do is, depending on the type
    of stylus you're using, you can just flip it
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    over on its other side, and it will
    automatically activate the eraser,
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    and you can erase like that.
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    You can also choose the eraser from the
    drop down menu here, and then switch back
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    to the pencil if you would prefer.
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    Not everybody has a stylus that will allow
    you to erase on the other end but most do.
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    Also to undo all you have to
    do is hit control z to undo.
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    You may also want to go up to settings, dockers,
    and they actually have an undo history window
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    that you can have here at the bottom.
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    And if I -- I can undoc that.
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    I can put it over here.
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    I can also -- I prefer to have it together with
    my layers, and I just switch over here like that
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    so that the layers are over here, and then I can
    swap between the undo history in case if I need
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    to undo like 20 moves because I want to see
    the difference between not one move but 20.
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    [ Music ]
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    So from here we're going to
    start the inking process.
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    The first thing I need to do
    is I need to make a new layer.
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    So I'm going to go over here to
    layers, I'm going to hit the plus side,
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    and I'm going to double click on
    this and just call it my ink layer.
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    And just to be safe I'm going
    to label this sketch layer.
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    So on my ink layer I'm going to start inking.
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    And I'm also going to bring the
    opacity down on my sketch layer so it's
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    like very light just so I can barely see it.
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    I'm going to lock it using the lock here.
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    And that's going to make it so that I don't
    accidentally start inking on the wrong thing.
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    So I'm going to go back to ink, and
    I'm going to choose the ink free G pen.
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    I'm going to flip the colors
    over here and choose black
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    as my alternate color, and
    I'm going to start inking.
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    When I ink there's a couple
    of things that I like to do.
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    On the right hand side there's
    this section for tool options.
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    And there's a way to smooth
    out your brush strokes.
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    So it makes it -- especially for
    inking increasing the distance
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    for your brush smoothing will just
    give you a slightly smoother stroke
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    and will be less jittery
    and, you know, less wobbly.
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    So I don't like to tweak it
    so that it's up all the way.
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    But play around with the settings here and
    you'll see a difference as you're drawing.
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    So I'll set this to half-ish,
    and I think I'm ready to go.
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    So I'm just going to zoom in
    and start the inking process.
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    [ Music ]
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    Something worth noting is as I'm moving
    around I'm using the space bar to move
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    around my canvas, so it's a
    really handy way to stay zoomed in
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    and see different parts of
    your canvas very easily.
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    [ Music ]
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    Okay, now that we have completed the
    inking process I'm going to start coloring.
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    Now I made a quick little color swatch here.
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    And rather than futzing around with
    colors I quickly looked online,
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    and I found some concept art, and I did a
    quick switch for concept art color swatches.
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    I found some concept art that I like.
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    I liked the color palette here, and
    you can choose colors however you like.
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    If you've taken color theory classes then
    you can use your color theory knowledge
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    and choose colors.
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    But if you're unsure you can always
    look at what other people have done.
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    And, fortunately, you can easily find color
    swatches that people post that they use
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    in their art, and you can use those, too.
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    So all you have to do is save this image
    and then drag and drop it into Krita,
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    and I'll show you how to do that really quick.
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    So I would just open this image in a new tab,
    drag it to my desktop, and then I go back
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    to Krita and I can just pick the image,
    drag it in here, insert as a new layer,
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    and now I've got it up here in the corner.
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    And you can use this dropper tool, and
    the up key for the dropper tool is key.
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    And you can sample each one of these
    colors and then go back to your brush tool
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    and make a little mark here that
    basically throws down the colors.
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    I'm also going to show you a really good
    technique for quickly inking things.
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    And this is a technique that
    you can use for cell painting
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    if you choose to do some animation in Krita.
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    It makes the process really quick and easy.
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    And what I'm going to do is I'm going to
    select my ink layer, and I'm going to copy
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    that ink layer, and then I'm
    going to paste the ink layer.
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    I'm going to lock the top layer
    here, so right now it's locked.
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    And then I'm going to unlock
    the one underneath it.
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    And I'm going to sample one of the colors.
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    We'll start with, say, the face.
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    And I'm going to use the fill, which
    the paint bucket tool here if fill.
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    The hot key for that is f. And once I have that
    color sample then I go to f and I fill it in.
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    And you can see it works perfectly.
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    And that's because all of my lines are airtight.
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    And when you fill something it goes
    right up to the edge of those lines.
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    And as long as there are no gaps and holes
    you should be able to fill it as long
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    as all those lines are contiguous
    and there are no holes.
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    So, also, I have a setting on
    my fill to grow two pixels.
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    And I hit the top ink layer,
    and I'm going to fill
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    on the bottom ink layer to
    show you how that looks.
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    So if I zoom way in and I fill it, you
    can see it actually eats into the edges
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    of the line work, and it
    actually eats some of it away.
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    That's actually a good thing.
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    And when I put my top ink
    layer down it hides that.
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    So it's good to have the grow two pixels on just
    to like eat away at a little bit of the lines
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    so that you don't see any like nasty
    edges between the ink line and the fill.
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    So I'm going to turn this back on, and
    I'm going to start filling in everything.
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    And the first problem I'm going to
    come across is I'm going to sample this
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    for the beard, and I'm going to go to fill.
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    And when I go to fill in the
    beard it fills in everything.
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    It fills in the beard, the ear and
    the hair because there's no line here
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    that says, hey, don't fill this part in.
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    Or there's this little gap here and Krita
    doesn't know that like there's little gap
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    that I don't want it to go
    all the way up to the hat.
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    So what I have to do is I have to just
    use the brush tool, and I'm just going
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    to brush a line to block it here.
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    And then I'm going to brush another
    line right here to block that.
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    And now when I go to the fill tool it will
    fill that in just fine without any problems.
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    So I'm going to go through and
    repeat that task for a little bit.
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    I also wanted to mention that once you sample
    all of these colors you can right click,
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    and your most recently sampled colors actually
    show up here which is super convenient
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    so that you don't have to keep
    going back and sampling the color.
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    You could just right click and
    then sample the color here.
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    [ Music ]
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    Now that we've got the color in
    place, the next thing I'm going
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    to do is I'm going to add a shadow layer.
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    So to add a shadow layer I'm going to create
    a new layer that is behind my ink layer
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    but above the ink layer which we should
    now just call this the color layer.
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    And that's one step above the color layer.
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    And I'm going to bring the opacity of
    this layer down to about 50 percent,
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    and I'm going to set it to multiply.
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    And what multiply does is when you paint over
    something with a particular color you can see
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    that it still shows the color underneath, but
    it darkens and adds color to the layers below.
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    And so I picked out a blue
    color for the shadows.
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    I have like nice cool colored shadows.
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    And I am going to begin just
    looking at the character.
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    Say the light source was
    coming from this direction,
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    I would say my shadow would start
    somewhere around here and maybe here.
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    And if I just cut straight across the character
    just to start, just more simplified, you know,
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    something like this, the whole left side
    of the character would be in shadow here.
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    There might be a little bit that's
    visible sticking out here for the arm
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    because the light would maybe hit
    the character and put some of the arm
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    in shade and then the rest in light.
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    So I'm just going to block
    all of this out right now.
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    And I'm still using the old G pen, and
    I'm just going to do that right now.
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    [ Music ]
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    Okay, so here's what the shadows look
    like, so this is what I blocked in.
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    And it's looking pretty good.
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    I'm also noticing I didn't name this so
    I'm going to quickly name this shadow.
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    And at this point we don't
    really need the sketch lines.
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    They're barely visible at this point,
    but I'm going to hide those as well.
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    The next layer I'm going to
    add is a highlight layer.
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    So if the sun is going in this
    direction and it's creating a shadow,
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    it might also create a little bit
    of a highlight on the character.
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    So what I'm going to do is
    I'm going to make a new layer.
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    I'm going to name that layer light, and I'm
    going to set that opacity to about 50 percent.
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    And instead of a multiplied layer
    I'm going to use a lighten layer.
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    And so you can also play
    with lighten or luminosity.
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    They all each do similar things.
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    So I'm going to use a -- I'll actually go for
    the luminosity layer since we're painting light.
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    And I'm going to select a warm color, so
    something that's sort of on the yellow-ish side.
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    I think that would be good.
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    And, again, opacity is set way low.
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    And so thinking about where the -- you
    know, how the light is hitting the character
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    from the side, then I would
    want to start going in
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    and add a little bit of, you
    know, light on this side.
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    So I'm going to more or less just like
    give little bits of like rim lighting.
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    So it's really just kind of a line
    going along the edge of the side
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    of the character so it's not over everything.
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    [ Music ]
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    Okay, so there's the light layer.
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    And you can see it makes a
    little bit of a difference.
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    You can see now there's a definite
    light source giving a highlight.
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    And then we've got our shadow, and together
    they create this really nice effect.
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    I'm still on the fence on whether
    lighten or luminosity works better.
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    Luminosity is bleaching everything out,
    and I was hoping it wouldn't do that.
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    But it still looks pretty good.
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    I think lighten is going
    to be the winner for here.
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    So now that we've got all of
    this I can use my erase tool,
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    and I can go into my shadow layer
    and I can erase all this stuff.
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    Go into my color layer or my paint layer,
    and I'll just erase all of this stuff out,
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    and now I've got my finished drawing.
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    And so now that I've got this there's
    a bunch of things that I could do.
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    I could still keep playing with the shadow, you
    know, and like start adding say, like, you know,
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    like a shadow underneath the
    character or something, you know,
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    something like that to help
    ground the character.
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    You could totally do something like that.
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    Not necessary, but it can be kind of fun to do
    as like a finishing touch to put the character
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    in more of a space instead of
    just kind of like floating there.
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    There's a really few like how much
    you want to go with it after that.
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    You can also add a background.
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    You can start playing with colors
    for the background and so forth.
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    And I mean the possibilities are endless.
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    But this is basically where I'm
    going to say, okay, this is done.
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    And there's maybe one or
    two other little bits here.
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    Like I want to put more highlights on his eyes.
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    So I'm make a special layer just
    for the eye highlight just for now.
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    And I'm going to choose a light color.
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    And I'm just going to go in
    and just real quick just make
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    that a little bit more pronounced,
    give his eyes that extra glow.
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    And now that's pretty much done.
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    If the character that you made isn't
    quite centered and you'd like to move it
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    around in the composition, the best way to do
    that is select all the layers that you want
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    to affect, right click and
    select group and quick group.
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    So when you select quick group you can
    select group 2, and then go over here
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    to the transform a layer or selection.
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    If you want to scale or change the
    position of your drawing in the composition,
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    the easiest way to do that with all of your
    layers is select all of your layers, right click
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    and go to group, quick group,
    and then select the group.
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    And then go over here to
    transform a layer or selection.
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    So it's this little thing here.
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    You click on that, and now
    I'm in the selection mode.
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    If it's not already in the selection
    mode, you right click and click free.
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    And then if you click down on it on your
    canvas it should pull up this stuff here.
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    And you can now scale it however you want.
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    But notice like it's scaling
    it all weird right now.
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    And so in order to scale it uniformly
    you have to hold down the shift key
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    as you're moving it, and so you can scale it.
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    Just keep in mind that if you're scaling it up,
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    if you scale it up too much you're
    going to get noticeably blurry lines.
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    A little bit of scaling up is totally fine.
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    And so say I wanted to like get the character
    off to the side and wanted to put some text
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    or something over here on the right hand
    side, so I just move the character over here.
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    And then when I'm done I just
    hit enter and I'm good to go.
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    And then I hide out the sketch lines here.
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    And those are pretty much the
    basics for making a drawing in Krita
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    and doing some simple ink and paint techniques.
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    So I hope you found this helpful and thanks.
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    [ Music ]
Title:
KRITA CRASH COURSE drawing ink and paint
Description:

more » « less
Video Language:
English (United States)
Duration:
19:13

English (United States) subtitles

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