-
Sub by Dongle Mann
-
I want to go over to my place
and start, you know, getting it on,
-
'cause I'm just tired of this all.
-
- Oh, that's terrible.
- Yeah.
-
Did you ever take ballet?
-
Weak ankles.
Do you have a quarter for them?
-
Yes, I do.
-
Well, what about me?
-
You'll see.
-
A lot of fun you are.
-
You're supposed to tease me,
give me hints, make me guess, you know.
-
Oh, look. That's terrible.
-
He's not hurting anyone.
-
Neither are we.
-
Oh, God.
-
Every time I see one of those old guys,
I always think the same thing.
-
What do you think?
-
I always think that he was once
somebody's baby boy.
-
Really, I do.
-
I think he was once somebody's baby boy,
-
and he had a mother
and a father who loved him.
-
And now there he is,
half-dead on a park bench,
-
and where are his mother or his father,
all his uncles now?
-
Anyway, that's what I always think.
-
How's he doing up there?
-
I always think how,
when they had the newspaper strike...
-
We're getting better than 40%.
-
How about the second position?
-
It's not so good.
-
What have we here?
-
Okay, come on, you little babies,
now, wet your lips there.
-
All right, give me some tongue.
Just give me a little tongue there.
-
Come on.
-
Come on, just a little tongue outside.
-
Nice, wet French kiss now.
-
Come on, a nice wet one there.
-
Come on, come on.
Pay attention to your recordings.
-
She's coming in loud and clear.
-
Look, Mark. Do you see him?
-
The man with the hearing aid like Charles?
-
- No. Where?
- Right there, with the shopping bag.
-
Well, that's it for Paul. They spotted him.
-
Give me the phones.
-
He's been following us all around,
and he's following us close.
-
It's nothing. Don't worry about it.
-
We're spending too much time
together here.
-
No. Let's stay just a little longer.
-
I got burned, Harry.
-
- Yeah.
- She looked at me.
-
Yeah, yeah, I know. We heard.
-
Oh, did we hear.
-
What do you think?
-
I got some good pieces, maybe 25%.
-
Oh, yeah?
-
Listen, Paul, I'll call you in a couple of days
if I need you again, okay?
-
Hey, Paul, you going
to the convention tomorrow?
-
You bet.
-
Hey, how about you, Harry?
-
Yeah. Maybe.
-
Little party like we did two years ago, huh?
-
Hey, Stan?
-
- I'll see.
- Okay.
-
Here.
-
He's a nice guy for a cop.
-
You go.
-
I'll stay here a while.
-
Who's interested in these two anyway?
-
I don't know for sure.
-
- The Justice Department?
- No.
-
I figure it must be the Infernal Revenue.
-
Their tapes always put me to sleep.
-
Since when are you here
to be entertained? Here.
-
Sometimes it's nice to know
what they're talking about.
-
I don't care what they're talking about.
-
All I want is a nice, fat recording.
-
Hello, Mr. Caul.
-
And happy birthday!
-
Happy birthday, Harry.
-
Happy birthday.
-
Hello.
-
Hello, Miss Evangelista?
-
Yes. This is Harry Caul from upstairs.
-
Yes. Well...
-
Thank you very much. Thank you.
-
Yes, well, you're really very nice.
-
Yes.
-
But...
-
I know...
-
Yes, I found it. Yes.
-
But what I wanted to talk to you about was,
how did you put it in the apartment?
-
Right.
-
Well, what about the alarm?
-
Oh, you did?
-
Well, yes, I thought I had the only key.
-
Well, what emergency could possibly...
-
All right. Yes.
-
Well, see, I would be perfectly happy
to have all my personal things
-
burned up in a fire
because I don't have anything personal.
-
Nothing of value.
-
No. Nothing personal except my keys,
you see.
-
Yes. Which I really would like
to have the only copy of, Miss Evangelista.
-
Miss Evangelista, how'd you know
it was my birthday?
-
Nah. I don't remember telling you.
-
Would you like to take a guess
how old I am?
-
Forty-four. Well, that's a very good guess.
-
Miss Evangelista, as of today,
my mail will go to a post office box
-
with a combination on it and no keys.
-
Good-bye.
-
Hey, Harry.
-
Morning.
-
Hey, man, there's an article in here
about the convention.
-
- It mentions your name.
- Oh, yeah?
-
Yeah. You're one of the notables
who's going tomorrow night,
-
did you know that?
-
Yeah. I told them I'd be there.
-
Listen to this here.
-
Listen.
-
"Among those pre-eminent in the field
expected to attend
-
"are Hal Lipsett and Harry Caul
from San Francisco.
-
"Kenneth Sperry will speak
on Surveillance and The Law."
-
Wait a minute. Listen to this.
Where the hell is it?
-
"Also attending will be
William P. Moran of Detroit, Michigan."
-
Since when did
William P. Moran of Detroit, Michigan
-
become pre-eminent in the field?
-
Oh, he's very big there.
-
You want some coffee?
-
He's the guy that told Chrysler
that Cadillac was getting rid of its fins.
-
It was a while ago,
but it was a big thing at the time.
-
December 2nd, 1:00 p.m.
Shopping bag, Unit A.
-
December 2nd, 1:00 p.m. Parabolic, Unit B.
-
December 2nd, 1:00 p.m.
City of Paris, Unit C.
-
What do you think?
-
I don't know what I'm going
to get him for Christmas yet.
-
He's already got everything.
-
He doesn't need anything anymore.
-
Well, I haven't decided
what I'm going to get you yet.
-
...get him for Christmas yet.
-
He's already got everything.
-
He doesn't need anything anymore.
-
Well, I haven't decided
what I'm going to get you yet.
-
Well, you better start looking.
-
Well, what about me?
-
You'll see.
-
A lot of fun you are.
-
You're supposed to tease me,
give me hints, make me guess, you know.
-
Does it bother you?
-
- What?
- Walking around in circles.
-
Oh, look. That's terrible.
-
He's not hurting anyone.
-
Neither are we.
-
Oh, God.
-
Every time I see one of those old guys...
-
Every time I see one of those old guys,
I always think the same thing.
-
What do you think?
-
I always think that he was once
somebody's baby boy.
-
No, really, I do.
-
I think he was once somebody's baby boy,
-
and he had a mother
and a father who loved him.
-
And now there he is,
half-dead on a park bench,
-
and where are his mother or his father,
all his uncles now?
-
Anyway, that's what I always think.
-
I always think how, when
they had the newspaper strike in New York,
-
more of those old guys died.
-
Fifty of them froze to death in one night.
-
Good afternoon. May I help you?
-
Yes. Extension 746, please.
-
One moment, please.
-
Director's office.
-
Yes, this is Mr. Caul.
-
I have the material
and I'm calling for an appointment.
-
I'm sorry. The director has
already left for the day.
-
We'll call you back tomorrow morning.
-
May I have your telephone number, please?
-
No, I'm at a pay phone,
and I don't have a home telephone.
-
Hold on one moment, please.
-
- Mr. Caul?
- Yes?
-
2:30 tomorrow afternoon.
-
2:30 in the afternoon?
Is that payment in full?
-
Whatever was arranged.
-
Thank you very much. I'll be there.
-
- Harry?
- Hello, Amy.
-
I didn't think you were coming.
-
I brought some wine
-
someone gave me as a birthday present.
-
I didn't know it was your birthday.
-
- Do you want some?
- Yeah.
-
I do.
-
How old are you, Harry?
-
Forty-two.
-
Sweet.
-
Does something special happen between us
on your birthday?
-
Like what?
-
Something personal.
-
Like what?
-
Like telling me about yourself, your secrets.
-
I don't have any secrets.
-
I'm your secret.
-
You do have secrets, Harry. I know you do.
-
No.
-
Sometimes you come over here,
and you don't tell me.
-
Once I saw you up by the staircase, hiding,
-
watching,
-
for a whole hour.
-
You think you're going
to catch me at something.
-
You know? I know. A woman can always tell.
-
You have a certain way
of opening up the door.
-
You know, first the key goes in real quiet,
-
and then the door comes open real fast,
-
just like you think
you're gonna catch me at something.
-
Sometimes I even think
you're listening to me
-
when I'm talking on the telephone.
-
What are you talking about?
-
I don't know. I just feel it.
-
Really, I do.
-
Why are you singing that?
-
It's pretty.
-
What's the matter?
-
Nothing.
-
It's just that
-
somebody else was singing that today.
-
- A girl?
- Yes.
-
- Who is she?
- No, no. It isn't...
-
- I'm jealous.
- No.
-
Just somebody at work, and she...
-
She reminded me of you.
-
Where do you work, Harry?
-
Oh, different places, different
-
jobs, you know?
-
I'm kind of a musician, you see.
-
Freelance musician and...
-
Where do you live?
-
I mean, why can't I call you over there?
-
'Cause I don't have a telephone.
-
Do you live alone?
-
Why are you asking me all these questions?
-
Because it's your birthday.
-
I don't want people asking me
a lot of questions.
-
I want to know you.
-
Yes, I live alone.
-
I don't feel like answering
any more questions.
-
Your rent is due.
-
Here's the money for it.
-
You never used to ask a lot of questions.
-
Harry, I was so happy
when you came over tonight.
-
When I heard you open up the door,
my toes were dancing under the covers.
-
But I don't think
I'm going to wait for you anymore.
-
- I have a package for the director.
- All right. I'll take it.
-
No. I'm supposed to
hand it to him personally.
-
I have an appointment.
-
- Are you Mr. Caul?
- Yes, I am.
-
A Mr. Caul is here. All right.
Make yourself comfortable.
-
The director's assistant will be right down.
-
There are some nice Christmas cookies
there I made. You want one?
-
- They're good.
- No, thanks. I...
-
- What do you see?
- Oh, not much.
-
Here's your money,
$15,000 cash, as you asked.
-
And these are our tapes?
-
I had an arrangement with the director.
-
I was to give those to him,
you see, personally.
-
I understand.
But he's not here this afternoon.
-
As a matter of fact, he's out of the country.
-
And he asked me to get the tapes from you
and give you the money.
-
I guess I can just wait on this.
-
Now, look,
don't get involved in this, Mr. Caul.
-
Those tapes are dangerous.
-
You heard them. You know what I mean.
-
Someone may get hurt.
-
Mr. Caul, be careful.
-
Well, what about me?
-
You'll see.
-
A lot of fun you are.
-
Who started this conversation anyhow?
-
You did.
-
I did not.
-
Yes, you did. You just don't remember it.
-
Pretend like I just told you a joke.
-
Does it bother you?
-
- What?
- Walking around in circles.
-
Oh, look. That's terrible.
-
He's not hurting anyone.
-
Neither are we.
-
Oh, God.
-
Every time I see one of those old guys,
I always think the same thing.
-
What do you think?
-
Yeah, what do you think?
-
I always think that he was once some...
-
Hey, Harry,
what do you say we take a break?
-
Come on. We'll go to Al's Transbay.
I'll buy you a beer, huh?
-
- How about that?
- No. I want to finish this.
-
I thought you turned those tapes in.
-
Stan, be quiet, will you?
-
All right, all right.
-
Do you think we can do this?
-
I'm tired of drinking anyhow.
-
What a stupid conversation.
-
Stan, please. I'm trying to work.
-
I'm tired of mostly everything.
-
Tired of me?
-
Tired of you, but not today.
-
What the hell they talking about,
for Christ's sake?
-
Stanley, please, I'm trying to get this done.
-
All right. Don't get excited.
-
Well, I'm getting fed up.
-
About what?
-
About your asking me questions
all day long.
-
Jesus.
-
Don't say that.
-
Well, for Christ's sake...
-
Stan, don't say that again, please.
-
Don't use that word in vain. It bothers me.
-
What's the matter, Harry?
-
Your work's getting sloppy.
-
Later in the week. Sunday, maybe.
-
Sunday, definitely.
-
We'd have a much better track
if you'd paid more attention to the recording
-
and less attention to
what they were talking about.
-
I can't see why a couple of questions
about what the hell is going on
-
can get you so out ofjoint.
-
'Cause I can't sit here and explain
the personal problems of my clients.
-
Jack Tar Hotel.
-
3:00.
-
Room 773.
-
It wouldn't hurt if you filled me in a little bit
-
once in a while. Did you ever think of that?
-
It has nothing to do with me,
and even less to do with you.
-
It's curiosity. Did you ever hear of that?
It's just goddamn human nature.
-
Listen, if there's one sure-fire rule
that I have learned in this business is that
-
I don't know anything about human nature.
-
I don't know anything about curiosity.
-
That's not part of what I do. What I...
-
This is my business, and when I'm...
-
I'll see you later.
-
I think he's been recording my telephone.
-
I love you.
-
We're spending too much time
together here.
-
No. Let's stay just a little longer.
-
I think he's been recording my telephone.
-
He'd kill us if he got the chance.
-
Bless me, Father, for I have sinned.
-
It's been three months
since my last confession.
-
I...
-
These are my sins.
-
I've taken the Lord's name in vain
-
on several occasions.
-
I...
-
On a number of occasions,
I've taken newspapers from the racks
-
without paying for them.
-
I...
-
...have deliberately taken pleasure
in impure thoughts,
-
and
-
I've been involved in some work
-
that I think will be used
to hurt these two young people.
-
It's happened to me before.
-
People were hurt because of my work.
-
I'm afraid it could happen again,
-
and I was in no way responsible.
-
I'm not responsible.
-
For these and all my sins of my past life,
I am heartily sorry.
-
Hi. Can I help you?
-
- Well, you could explain your system to me.
- Okay, Mr. Caul, I'm Jim Storey.
-
- How do you do?
- Come in and take a look here
-
at the system.
-
This is for the surveillance
of telephone communication systems.
-
I see.
-
...now available.
-
Here's the new LT 500.
-
If you're in surveillance,
you belong into the LT 500.
-
You can hear your sounds here
-
and know exactly
which door has been violated.
-
I see.
-
And you got your local alarms on the doors,
-
which I'm sure you've heard.
-
It's quite noisy.
-
It has a Super 8mm camera in here,
-
and the dot right here, the 10:00 dot,
-
will show exactly
what the camera sees on the back.
-
It's a magazine-loaded camera,
-
Super 8mm...
-
William P. Moran of Detroit, Michigan,
-
house courtesy telephone, please.
-
That's your automatic recorder actuator.
-
It undetectably starts the recorder
when the phone is lifted
-
and shuts it off
when the receiver is put back.
-
- What?
- It's real nice, you know.
-
It's not your old-fashioned voice actuator,
-
you know, always starting the recorder
when nobody was talking
-
or shutting it off in the middle
of an important conversation.
-
Is it anything like the Moran actuator?
-
The Moran E-27 is a copy.
-
I won't let him even smell
my equipment anymore.
-
- You in surveillance?
- Yeah.
-
Law enforcement or private operator?
-
Private.
-
You mind if I take your name
and address for our mailing list?
-
Harry... Harry Caul?
-
I didn't recognize you.
-
Say, I wonder,
would you take a Model 510-A?
-
Free of charge. Just to test it.
-
You know, say, in return for
that we can print in our flier
-
that you use it.
-
I build all my own equipment. Thank you.
-
Maybe we could take a picture
of you holding it?
-
Or take a picture of you
in front of our booth?
-
It would be a great honor for Spectre.
-
This is not helping crime.
-
It's helping justice.
-
...that may be affixed to
the subject's automobile...
-
Slide.
-
...and will transmit a pulsating tone signal...
-
Slide.
-
...which is highly detectable...
-
Harry, good to see you.
-
- Beautiful suit.
- You like it? It's French.
-
Oh.
-
Let's go get a drink and talk.
-
Requiring no knowledge
or skill in electronics.
-
Come on, it's a bore.
-
The TA-30 may be installed and concealed
under the dash in a matter of seconds.
-
Hey, come on, there's somebody
over here I want you to meet,
-
a competitor of yours.
-
- Hey, Bernie, old buddy.
- Yeah, Paulie, what's up?
-
This is Harry Caul. William P. Moran.
-
Harry Caul, my pleasure.
-
My friends call me Bernie.
I heard a lot about you, Harry.
-
- Thank you.
- Bernie just moved in from Detroit.
-
He's the fellow that let Chrysler know
that Cadillac was discontinuing its fins.
-
That's right. I heard.
-
Harry Caul, you're a tough man
to get a hold of.
-
I've been wanting to talk to you
for a long time.
-
Hey, can you take five? We'll get a drink.
-
Yeah. Maybe in a couple of...
-
Honey... Honey, sweetheart,
show time, all right?
-
I'd appreciate it if you stuck around
for the demonstration, Harry.
-
Ladies and gentlemen.
-
Ladies and gentlemen, what we have here
is the Moran S-15 harmonica tap.
-
This electronic marvel can be installed
in a matter of two minutes.
-
Notice here it has its own
nickel cadmium power source,
-
so it cannot be detected on the line.
-
Once installed, it can be phoned
from any telephone in the world,
-
Singapore, Karāchi, even Moscow.
-
I say Moscow 'cause you look
a little Russian there, sir, with the beard.
-
You just dial the target's phone number,
-
pause before the last digit,
-
blow the harmonica tone into the phone,
-
press the last digit.
-
The phone will not ring
in the target's house.
-
Instead, the receiver will be turned
into an actual room microphone,
-
thus enabling surveillance to take place.
-
And now, by way of
an actual demonstration,
-
we've installed one of these units
in my very own home.
-
I will now dial that number.
-
Thank you.
-
I pause before the last digit.
-
Harmonica.
-
I dial the last digit.
-
You will note the phone does not ring.
-
Can we get away?
-
I don't know. Maybe I can.
-
Where's your husband?
-
He's out at a convention.
-
When will he be back?
-
Not until late.
-
April fool! Just a little joke, folks.
-
- That shows you the possibilities...
- Larry Peterson...
-
...of the Moran S-15.
- Larry Peterson Burns.
-
Thank you.
The demonstration is concluded.
-
I'd like you to take a little literature with you
on your way.
-
Well, what did you think of that?
How did you like it?
-
It's a good item.
-
It's good for the catalogue suckers, huh?
-
Here you go, Harry. Have a free pen.
-
You, too, Paulie.
-
- I'd rather have a free drink.
- Hey, me, too.
-
Stanley! Stanley, do me a favor, huh?
-
Come on. Mind the booth, all right?
-
Come on. That's what I pay you for.
-
Just a couple of minutes.
I just wanna get a drink, all right?
-
Hi, Harry.
-
Hi, Stan.
-
That's right.
You two used to work together, huh?
-
You see that son of a bitch sitting there?
He stole my latest idea...
-
A lot of nice ladies around here tonight.
-
Say, how about that pastry in the yellow?
She come across?
-
Come on. Forget it. She's a part-time nun.
We'll get supper...
-
Hey, Harry, where you going?
-
You guys go on without me.
I'm going to talk to Stan.
-
We'll meet you later
at the chrome-dome exhibit.
-
Don't be long, huh, Harry. Come on.
-
Since when are
you working for Moran, Stanley?
-
Since yesterday.
-
Listen, that wasn't serious.
-
That was just a stupid argument.
-
That wasn't it, Harry. It's just that
-
I figured it was time I move up, that's all.
-
No... Stan,
-
I don't want you telling him
about any of my things.
-
It's not ethical.
-
There's not all that much
you ever let me in on, Harry.
-
Maybe that's the problem.
-
Okay. All right. I'll bring you along faster.
I'll show you some of the stuff.
-
You won't show me anything.
-
You'll keep it all to yourself.
You know damn well you will.
-
No, really, Stan, wait a while.
-
Will you think about it?
-
Don't do this to me now.
-
Some guy's following me.
-
Who?
-
I don't know.
-
It has something to do
with the assignment last week.
-
I don't know what it's about,
but I don't like it.
-
Okay, all right.
-
Okay. Thanks, Stan.
-
This is junk.
-
I'm sorry, but you have reached
a disconnected number.
-
Will you please make sure you...
-
Information.
-
The number for Amy Fredericks, please.
-
It's a new listing.
-
One moment, please.
-
Sir, I see no listing for an Amy Fredericks.
-
Thank you.
-
What are you doing here?
-
Take it easy. I'm just a messenger.
-
I brought you a drink.
-
I don't want your drink.
Why are you following me?
-
I'm not following you. I'm looking for you.
-
There's a big difference.
-
How did you know I was here?
-
It's a convention of wire-tappers, isn't it?
-
Oh, excuse me,
surveillance and security technicians.
-
It was a snap.
-
Look, I'm telling you, I'm not giving
those tapes to anybody but the director.
-
Yeah, I know what you told me, Mr. Caul.
-
All right, what's the message?
-
We want you to deliver the tapes
on Sunday, 1:00.
-
The director will be there.
-
He'll accept the tapes from you, in person.
-
You tell him I'll think about it.
-
- Hey, Paulie!
- Come on! Come on, let's go!
-
Lurleen and Millard, get in the back there.
-
And, Stanley, get in front!
-
Hey, come on, Harry.
Hey, what the hell are you doing?
-
Come on. I'm trying to dress up for the bar.
-
Hey, Bernie, it's a come-as-you-are party.
-
Hey, no, no! Wait a minute!
All the girls up front!
-
I think you take a right
somewhere around here.
-
Sons of bitches! Those smartasses!
-
Who the hell do they think
they're tangling with?
-
All right! Easy, easy!
Come on. We're going to have a party.
-
He could drive, man.
-
Millard, make them stop.
-
Relax, honey.
Paul's the best tail man in the country.
-
Hey, Meredith, do you hear that?
-
Headquarters 111,
I'm driving east on Lombard.
-
I'd like a rolling 10-28 on California 5-6-0,
-
Boy Adam Lincoln.
-
What are you calling for a 10-28 for?
-
Thanks.
-
Hey, Willie Sanchez, 565414th Street,
-
162 pounds, 5'10" and a half shithead!
-
You cheated!
-
Oh, man...
-
Want me to pick that lock for you, Harry?
-
- This'll be the bar.
- It's freezing in here.
-
Oh, boy, Harry. Okay.
-
- All right, the bar is now open.
- Thank you, thank you.
-
- Stanley.
- Yes, sir.
-
- How about a little music?
- The man wants a little music.
-
Harry, you got a nice shop here.
-
You know, I was rereading
-
DearAbby the other night, and there was
this article, a letter from a fella
-
called "Lonely and Anonymous."
-
I think it was Harry. Hey.
-
Where's the club soda?
We got any club soda?
-
Let me tell you something about Harry Caul.
-
There you go.
-
I know you heard this a thousand times,
Harry, but let me say it again.
-
Here's to Harry, the best, bar none.
I'll drink to that.
-
The best what?
-
The best bugger on the West Coast.
-
And who's the best bugger
on the East Coast?
-
Me. I'll drink to that, too.
-
I'll bet you will.
-
It's really funny we never bumped into
each other in New York, Harry.
-
Why is that funny?
-
I don't know, we work in the same business,
the same city.
-
I figure we'd bump into each other.
-
I didn't know
you came from New York, Harry.
-
- Yeah.
- Are you kidding?
-
Harry's famous in New York.
-
You know, the only one
I couldn't figure out though, Harry?
-
One what?
-
The welfare fund back in '68.
-
- How did you know about that?
- Everybody in the biz knew about it.
-
But nobody knows
how you did it though, Harry.
-
- How did you do it, Harry?
- Harry.
-
Ten cents a dance. Come on.
-
You all right?
-
- You hurt yourself?
- No. Don't worry about my head.
-
It happens all the time.
-
In fact, when I was a little baby,
-
I used to love to bang my head
up against the wall.
-
No, really. I did.
-
Sometimes I still feel like doing it
'cause it's comforting.
-
I tapped my first telephone
when I was 12 years old, Harry.
-
I mean, that's a fact. 12 years old.
-
It was a hallway payphone right
in the tenement, right where I lived.
-
Everybody in the building. For six months,
they didn't know who it was.
-
My father, he was proud as hell.
He was beaming.
-
Yeah, boy.
"That Bernie's got a real brain," he said.
-
From then on, it's been all uphill, Harry.
-
I got contacts now you wouldn't believe.
-
Here. Well, bring them over.
-
Take a cab over.
-
Nothing's sacred with you, is it, Harry?
-
Sure. The more, the merrier.
We'll be here all night.
-
Feel like I'm back in grammar.
-
- Oh, you son of a...
- What?
-
All right, what's the matter, Harry?
Can't you take a vacation?
-
You guys are amateurs, you know that?
-
When are you gonna get
a new scrambler, Harry?
-
This one went out with the Trojan War.
-
Harry, come on. I want to hear all about you.
-
- Where you from?
- Really obsolete, you know that, Harry?
-
- Harry got himself a girlfriend.
- Watch out, Harry.
-
- Where are you from?
- New York.
-
I used to live in New York.
-
Yes. First, I worked as a receptionist,
and then I got promoted to secretary.
-
And then I was promoted to gal Friday,
-
and special assistant to the boss,
and then I married him.
-
Do you live far from here?
-
Harry?
-
Are you still married?
-
Oh, I don't know. Probably.
-
I guess maybe I am.
-
Last time I heard, he was...
-
Well, he was trying
to scrape up enough money
-
- to buy another hardware store.
- Yeah.
-
And I ended up
out here in San Francisco, unemployed,
-
which is the entire story of my life
up until tonight.
-
Here's to you.
-
You don't like me very much, do you?
You don't want to talk to me or anything.
-
I didn't say that.
-
Something is on your mind.
I wish you'd tell me.
-
I really do. I wish that...
-
I wish that you'd feel
that you could talk to me
-
and that we could be friends.
-
I mean, aside from all of this junk.
-
Would you...
-
If you were a girl
who'd waited for someone...
-
You can trust me.
-
Well, you never really knew
when he was going to come to see you.
-
You just lived in a room alone,
and you knew nothing about him.
-
And if you loved him,
you were patient with him,
-
and even though he didn't dare ever
tell you anything about himself personally,
-
even though he may have loved you,
would you...
-
- Would I what?
- Would you...
-
Would you go back to him?
-
Well, how would I know?
How would I know that he loved me?
-
You'd have no way of knowing.
-
Hey, Harry!
-
Did you hear the one about
the broad who busted Vegas?
-
She wore a see-through blouse.
-
You know something, Harry?
-
Twelve years ago,
I recorded every telephone call
-
made by the presidential nominee
of a major political party.
-
I don't want to say which party.
-
But everywhere he went, that's where I was.
Coast to coast, I was listening, Harry.
-
I'm not saying I elected
the President of the United States, but
-
you can draw your own conclusions, Harry.
-
- I mean, he lost.
- Harry,
-
tell them about the time
you put the bug in the parakeet.
-
- Parakeet?
- No kidding.
-
Harry one time actually put a microphone
in a little parakeet.
-
Is that right?
-
Parakeets don't happen to be
my thing, Harry,
-
but I sure would like to know
how you did the teamster local back in '68.
-
What was that?
-
- Don't you get papers in Chicago, Millard?
- Probably out on strike.
-
It was all over the front pages.
-
Harry was working
for the attorney general's office at the time.
-
You didn't know I knew that, did you, Harry?
-
Anyway, the president of this teamster local
back east
-
set up a phony welfare fund, right?
-
I mean, you correct me on the details, Harry.
I may be a little fuzzy on them.
-
There was only two people
that seemed to know about it,
-
the president and his accountant.
-
They only talked about it
on fishing trips that they went on.
-
On a private boat.
That was the only place they talked details.
-
And that boat was bug-proof.
I happen to know that for a fact, Harry.
-
They wouldn't even strike up a conversation
-
if there was another boat
even on the horizon.
-
That didn't stop Harry though, did it?
No, he recorded everything.
-
Nobody knows how you did it though,
Harry. Caused a hell of a scandal, too.
-
Why?
-
Why? No reason.
Three people were murdered, that's all.
-
Harry's a bit too modest
to tell us how he did it though.
-
It had nothing to do with me.
I just turned in the tapes.
-
The president thought
the accountant had talked.
-
- Well, nobody really knows for sure.
- That's right.
-
Three days later,
they found the accountant, his wife and kid,
-
they were all naked and tied up in the house.
-
Hands and feet tied up with rope,
all the hair on their bodies shaved off.
-
Their heads were found in different places.
-
- They killed them?
- No. They gift-wrapped them.
-
No, no, no. This is ancient history now.
Harry, how did you do it?
-
What they do with the tapes
is their own business.
-
That's the first time
I heard about you, Harry.
-
Next thing I knew,
you moved out of New York.
-
It had nothing to do with me.
-
Come on, Harry, show and tell.
How did you do it?
-
For God's sake, Harry, tell him!
-
- Turn it off, Stan.
- What for?
-
Stan, turn it off!
-
They ought to hear this, Harry.
-
It's the best thing you've ever done!
-
What was that, Stan?
-
Well, it's the assignment
that Harry did this week.
-
- It'll make history.
- Yeah?
-
I bet you there's no moment between
human beings that I cannot record,
-
and there's no method
that I cannot figure out.
-
I could figure out
any of Harry's schemes, right?
-
Come on, come on. Try me.
-
- Let me give him the assignment, Harry.
- Yeah.
-
Now, this is a quad in the center of the city.
All right?
-
Now, these are steps coming in here
and benches all around.
-
It's 12:00 noon,
-
which means that it's lunchtime for
-
all the people that work in
these offices around here.
-
People are walking, talking, having lunch,
and it's crowded.
-
- Naturally. Come on, Stan.
- Okay.
-
Now, two people
-
are constantly moving in circles,
in and out of the crowd.
-
We don't know
whether they'll sit down or what.
-
They're convinced that
they can't be recorded
-
because they're in a crowd
and constantly moving. Yet,
-
they're the target.
-
Now, the assignment is
to get everything they say.
-
How would you do it?
-
First of all, one system won't do it.
-
- Hell, I could've told you that.
- Yeah, why didn't you?
-
Go on, figure it out.
-
Second of all, it's easy.
All you do is get to their clothes first.
-
You pre-rig their clothes.
-
No. There's no way of telling
what they're going to be wearing.
-
Then you get somebody to bump into them.
-
You just get a drunk or something, bump
into them, you plant a pin mike on them.
-
They've been bugged before. It's too risky.
-
I got it.
-
You hire a lip-reader with binoculars.
-
- No. The client wants their actual voice.
- Why?
-
So he can believe it.
-
All right. I'll figure it out.
-
I don't know.
It must've been an expensive show.
-
- Who was so interested?
- Yeah, was it us?
-
- Who's us?
- Federal government.
-
Private party.
-
It would take at least four passes.
-
- I did it in three.
- Three?
-
That's very nice, Harry. What did you use?
-
Three-stage directional microphones
with MOSFET amplifier of my own design.
-
And we got another 20% conventionally,
just tailing them. Paul did.
-
Beautiful.
-
It really was. It was a work of art.
-
You should have seen it, though.
These new microphones are just incredible.
-
I couldn't really believe it myself.
-
We were over 200 yards away.
It was absolutely readable. Everything.
-
I broke in a couple of
newsreel cameramen, and...
-
You should have been there, Bernie.
It was really...
-
What did they do?
-
Well, they took
-
the crosshairs of the telescope
and they lined it up on the mouths...
-
No. The boy and the girl. What did they do?
-
Oh, I don't know. But it was really beautiful,
really something to see.
-
Yeah. Sounds very pretty.
-
I'd like to take a look at that mike, too.
-
There it is.
-
I always said we should be partners, Harry.
-
I mean, I always said you're the best, right?
-
But you and me together, that'd be tops.
-
All I need is a quick look
at some of your plans and devices.
-
You know, just get an idea...
I got all the manufacturing plants.
-
We could make a fortune
selling stuff to Uncle Sam, Harry.
-
Listen, did you hear
about the fag wire-tapper
-
- who could only tap a Princess phone?
- No.
-
Made that up yourself, huh?
It's pretty funny.
-
Excuse me, can I cut in?
-
He's got a hell of a sense of humor.
-
I'm talking about making millions,
he's making with the jokes.
-
- Come on!
- Thanks a lot.
-
What do you say, Harry? Come on.
-
How about going into a partnership, Harry?
-
I could use a partner, so could you.
-
- 50-50, how about it?
- I don't need anyone.
-
No, no.
-
That's all right.
I do pretty good on my own, anyway.
-
You got to give credit
where credit's due, right?
-
Abracadabra, Harry.
-
See, I'm number two, Harry.
I have to try harder.
-
If you were a girl
who'd waited for someone...
-
You can trust me.
-
Harry, that's you and me
when we were out there.
-
What? No shit.
-
...when he was going to come to see you.
-
It's the Moran Super P-7 pen mike
and transmitter.
-
That's terrific! The bugger got bugged, huh?
-
He got you, Harry.
-
And if you loved him,
you were patient with him,
-
and even though he didn't dare ever
tell you anything about himself personally,
-
even though he may have loved you,
would you...
-
That was wild. When did you do that?
-
Hey, how do you like it, Harry?
What do you think about it, huh?
-
Would you... Would you go back to him?
-
I think you'd better turn it off and get out.
-
You'd have no way of knowing.
-
Are you kidding?
It's just a joke, for Christ's sake.
-
Bernie, Harry don't like you
to say "Christ's sake."
-
Oh, no? Well, I'm sorry, Harry. I apologize.
What, are you crazy, too, Stanley?
-
Hey, Harry. What's wrong?
-
Come on. Let's have a party here.
What do you say?
-
Paul, it's getting late.
-
Come on, take it easy.
-
Come on.
-
- Hey, Millard.
- Know what these things cost, Harry?
-
This cost 1,500 beans. Come on.
On the house, from me to you.
-
Very nice to meet you.
-
It was only a joke.
-
- Meredith?
- Guy's got no sense of humor.
-
- No. I'm going to stay here.
- Paul!
-
Okay.
-
I forgot my bag.
-
Harry, I'm really sorry.
I didn't mean anything.
-
- Come on, Stan.
- See you Monday, Harry.
-
You want us to put the lights out?
-
- Good night, Harry!
- Yeah. Good night, Harry.
-
What do you think?
-
I don't know what I'm going
to get him for Christmas yet.
-
He's already got everything.
-
Harry, are you going to
give me a hard time tonight? Harry!
-
Harry! Come on. Come back. Turn it off.
-
She's frightened.
-
This is where she's frightened.
-
I don't know what I'm going
to get him for Christmas yet.
-
This is no ordinary conversation.
-
- He doesn't need anything anymore.
- It makes me feel...
-
Well, I haven't decided
what I'm going to get you yet.
-
...something.
- Forget it, Harry. It's only a trick.
-
- What?
- A job.
-
You're not supposed to
feel anything about it.
-
You're just supposed to do it. That's all.
-
Relax, honey.
-
A lot of fun you are.
-
- Relax.
- You're supposed to tease me,
-
give me hints, make me guess, you know.
-
Does it bother you?
-
- What?
- Walking around in circles.
-
Oh, look. That's terrible.
-
He's not hurting anyone.
-
Come on.
-
Neither are we.
-
- Oh, God.
- "Oh, God."
-
Listen to the way she says, "Oh, God."
-
Come here.
-
Every time I see one of those old guys,
I always think the same thing.
-
What do you think?
-
I always think that he was once
somebody's baby boy.
-
Really, I do.
-
I think he was once somebody's baby boy,
-
and he had a mother
and a father who loved him.
-
And now there he is,
half-dead on a park bench,
-
and where are his mother or his father,
all his uncles now?
-
Anyway, that's what I always think.
-
I always think how, when
they had the newspaper strike in New York,
-
more of those old guys died.
-
Fifty of them froze to death in one night.
-
Just because there were no newspapers?
-
- Really. Keeps them warm.
- That's terrible.
-
Who started this conversation, anyhow?
-
- You did.
- Did not.
-
Yes, you did. You just don't remember it.
-
Pretend like I just told you a joke.
-
- Where did you hear that?
- That's my secret.
-
Later in the week. Sunday, maybe.
-
Sunday, definitely.
-
Jack Tar Hotel.
-
3:00.
-
Room 773.
-
Look, Mark. Do you see him?
-
The man with the hearing aid like Charles?
-
- No. Where?
- Right there, with the shopping bag.
-
He's been following us all around,
and he's following us close.
-
It's nothing. Don't worry about it.
-
Angel...
-
God, it will be so good
to be finished with all this.
-
I love you.
-
It's all right, baby. It's all right.
-
We're spending too much time
together here.
-
No. Let's stay just a little longer.
-
"Kill us."
-
He'd kill them if he had a chance.
-
He'd kill us if he got the chance.
-
Oh, God, what I have done.
-
I have to destroy the tapes.
I can't let it happen again.
-
It's true.
-
- I'd better get back. It's almost 2:00.
- Oh, no, please, don't go.
-
A family was murdered because of me.
-
I know. I know, Harry.
-
Everything will turn out.
-
Oh, God. There's no protection.
-
I follow them wherever they're going.
And I can hear them.
-
Bye-bye.
-
Oh, wait, you have something in your eye.
-
- Yeah?
- You really don't. I just wanted to kiss you.
-
I forgive you. I forgive you, darling.
-
Listen. Listen. My name is Harry Caul.
-
Can you hear me?
-
Don't be afraid.
-
I... I know you don't know who I am,
but I know you.
-
There isn't much to say about myself. I...
-
Sick when I was a boy.
-
I was very sick when I was a boy.
-
I was paralyzed in my left arm
and my left leg.
-
I couldn't walk for six months.
-
One doctor said that
I'd probably never walk again.
-
My mother...
-
My mother used to lower me into a hot bath.
It was therapy.
-
One time the doorbell rang
and she went down to answer it.
-
I started sliding down.
-
I could feel the water.
It started coming up to my chin, to my nose.
-
And when I woke up,
-
my body was all greasy
from the holy oil she put on my body.
-
I remember being disappointed I survived.
-
When I was five,
-
my father introduced me to a friend of his,
-
and for no reason at all, I hit him
right in the stomach with all my strength.
-
He died a year later.
-
He'll kill you if he gets a chance.
-
I'm not afraid of death.
-
I am afraid of murder.
-
Meredith?
-
Hey!
-
Bitch.
-
Good morning. May I help you?
-
- Yes. Extension 765, please.
- One moment, please.
-
Director's office.
-
Yes, I'd like to speak
to the director's assistant, please.
-
Mr. Stett. Mr. Martin Stett.
Mr. Caul is on the line.
-
One moment, please.
-
I'm sorry. That's impossible now.
Can we get back to you?
-
No, I... I have to talk to him.
-
- Can we have your name again?
- Caul.
-
- Would you mind spelling that?
- C-A-U-L. Caul.
-
I'm putting you on hold.
-
- Mr. Caul, we'll get right back to you.
- No. You don't have my telephone number!
-
Hello?
-
- Yes?
- Mr. Caul? This is Martin Stett.
-
How did you get this phone number?
-
We prepare a full dossier on everyone
who comes in contact with the director.
-
You know that means
we've been watching you.
-
We have the tapes. They're perfectly safe.
-
The director was very anxious
to hear them as soon as possible.
-
You seemed to be...
I don't know... Disturbed.
-
I couldn't take the chance
that you might destroy our tapes.
-
You understand, don't you, Mr. Caul?
-
Our tapes have nothing to do with you.
-
Why don't you come over now
and bring the photographs?
-
- Yes...
- The director's here,
-
and he's prepared to pay you in full.
-
Every time I see one of those old guys,
I always think the same thing.
-
What do you think?
-
I always think that he was once
somebody's baby boy.
-
Really, I do.
-
I think he was once somebody's baby boy,
-
and he had a mother
and a father who loved him.
-
And now there he is,
half-dead on a park bench,
-
and where are his mother or his father,
all his uncles now?
-
Anyway, that's what I always think.
-
I always think how, when
they had the newspaper strike in New York,
-
more of those old guys died.
-
Fifty of them froze to death in one night.
-
Just because there were no newspapers?
-
- Really. Keeps them warm.
- That's terrible.
-
Who started this conversation anyhow?
-
- You did.
- Did not.
-
Yes, you did. You just don't remember it.
-
Oh, Mark, it's all right. We can talk.
-
I can't stand it. I can't stand it anymore.
-
- You're going to make me cry.
- I know, honey, I know. Me, too.
-
- No, don't.
- Oh, God.
-
- You want to hear that again?
- You want it to be true!
-
No, I don't. I just want you to know
whatever you need to know.
-
That's all.
-
Your money's on the table.
-
Do you think we can do this?
-
I'm tired of drinking anyhow.
-
I'm tired of mostly everything.
-
- Tired of me?
- Tired of you,
-
but not today.
-
Later in the week. Sunday, maybe.
-
Sunday, definitely.
-
Jack Tar Hotel.
-
3:00.
-
Room 773.
-
Look, Mark. Do you see him?
-
The man with the hearing aid like Charles?
-
- No. Where?
- Right there, with the shopping bag.
-
Please count your money outside.
-
He's been following us all around,
and he's following us close.
-
It's nothing. Don't worry about it.
-
God, it will be so good
to be finished with all this.
-
I love you.
-
These are the pictures you asked for.
-
We're spending too much time
together here.
-
No. Let's stay just a little longer.
-
What will you do to her?
-
...kill us if he got the chance.
-
I think he's been recording my telephone.
-
Listen, I'd better get back. It's almost 2:00.
-
No, please, don't go back there. Not just yet.
-
All right. All right, honey. I won't.
-
Fifteen thousand bucks.
-
That's not bad for a day's work,
is it, Mr. Caul?
-
What'll he do with them?
-
We'll see.
-
He'd kill us if he got the chance.
-
Later in the week. Sunday, maybe.
-
Sunday, definitely.
-
Jack Tar Hotel.
-
3:00.
-
Room 773.
-
I wonder if you could give me Room 773.
-
773?
-
That is occupied, sir.
-
The rooms are
all basically the same, however.
-
Well...
-
Do you have a room that would be
adjoining, close by?
-
- Adjoining, just... Yes, I do.
- You do.
-
I'm tired of this lying, all right?
I'm tired of lying!
-
Oh, Mark, it's all right. We can talk.
-
I can't stand it. I can't stand it anymore.
-
- You're going to make me cry.
- I know, honey, I know. Me, too.
-
No, don't.
-
I have no idea what you're talking about.
-
No idea! This has all been a lie!
Don't you understand that?
-
I love you.
-
The answer is, "No."
-
At the end of the briefing last night,
it was stated
-
that Nixon would not deliver
the State of the Union message in person...
-
Why not?
-
- Watch out for the bumps!
- Will you cut that out?
-
How can you yell at me like that?
And in my condition.
-
You're not fit to be the father of my child.
-
Oh, what is this?
-
- I'm just trying to act like Wilma.
- Well, you're overdoing it.
-
All right. Pull over.
-
What's the big rush?
-
I'm taking my wife to the hospital.
She's having a baby.
-
I got to hand it to you, buddy.
You sure got intestinal fortitude.
-
You better sit down, Fred.
You're wearing a groove in the floor.
-
Look at Wilma out there.
-
How can she be so calm
when she knows what I'm going through?
-
- How are you, Fred?
- How do you think I am?
-
This waiting, waiting, waiting... It's tough!
-
Betty, you go back out there
and tell Wilma if she doesn't...
-
- Wait. Richard!
- I want to see the director.
-
He's not in today.
I'm afraid you'll have to leave now.
-
Let's clear an aisle
and let these people through,
-
- and we can move on upstairs.
- Come on, clear the way here.
-
We'll answer your questions upstairs.
-
Just let these people through.
Let these people through.
-
- Just one question.
- No, please.
-
Do you suspect any foul play
in the accident?
-
Please!
-
What about your corporate control?
-
Will your stock now give you
a controlling interest...
-
What kind of insurance do you have?
-
What's going to happen to the company?
-
That's an unfair question.
-
- Did you have...
- Did your husband...
-
What do you think?
-
I don't know what I'm going
to get him for Christmas yet.
-
He's already got everything.
-
He doesn't need anything anymore.
-
Do you feel now
that there's an enemy within the company?
-
He's not hurting anyone.
-
Neither are we.
-
Oh, God.
-
Did your husband have
a history of drunk driving?
-
No comments, no more...
-
Did your husband have
a history of drunk, reckless driving?
-
I can't stand it. I can't stand it anymore.
-
Take it!
-
Do you think we can do this?
-
Later in the week. Sunday, maybe.
-
Sunday, definitely.
-
Jack Tar Hotel.
-
3:00.
-
Room 773.
-
He'd kill us if he got the chance.
-
Hello.
-
Hello?
-
Hello.
-
- Hello?
- We know that you know, Mr. Caul.
-
For your own sake,
don't get involved any further.
-
We'll be listening to you.
-
Sub by Dongle Mann