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Jaws - Defining the Summer Blockbuster

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    The modern summer blockbuster and the mega
    movie event as a whole
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    can be traced back to the summer of 1975
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    and the debut of director
    Steven Spielberg's
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    JAWS
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    In an instant, the Hollywood system of
    film making was altered forever, and the
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    idea of a summer Blockbuster film was
    born. The years preceding the film were
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    decidedly smaller budget cinema, the
    auteur theory of filmmaking, defining the
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    the landscape like never before. The post
    Jaw's world of Hollywood, would soon be
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    defined by big budget special effects
    heavy cinema like Star Wars, which brought
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    in huge crowds for especially huge
    profits.
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    especially huge profits. The story of a
    great white shark terrorizing the people
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    of Amity Island in the summer
    and police chief Martin Brody, played by
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    Roy Shider, the man dedicated to stopping
    it, quickly became the highest film
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    of all time in North America and
    internationally. It's a moment in history
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    that is still being felt today. While
    Jaw's massive success can be attributed
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    to the idea of right time, right place,
    right movie, Spielberg's mega hit is not a
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    touchstone film simply because of its box
    office reshaping profits. Rather, Jaw's is
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    a high watermark when it comes to the
    so-called popcorn film. In its wake,
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    countless massively budgeted movies have
    attempted to replicate its formula
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    pop culture influence and Legacy, although
    there are dozens of like-minded films
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    that have come along in the decades since,
    Jaws remains the Paragon of Blockbusters'
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    film making. Understanding its
    incomparable success and its many elements
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    is to understand what makes or breaks any
    big budget mainstream movie.
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    A defining quality of Blockbuster cinema
    is high concept effects.
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    Focus spectacle that dazzles the audience
    but not necessarily the critics.
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    But Spielberg and screenwriter Peter
    Benchley, who wrote the original novel
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    and Carl Gottlieb understood was,
    characters were the way the audiences
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    were truly hooked into the narrative.
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    Through relatable protagonists, the
    stakes become more personal
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    the stakes become more personal,
    far scarier and much more memorable
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    memorable while the concept of a killer
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    shark and the quest to kill it is simple
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    enough the team behind Jaws did not
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    speak down to the audience instead the
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    Nuance character work throughout the
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    film makes it much more engaging than
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    many of the films that would imitate it
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    in the following decades one of the most
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    crucial pieces to the successful puzzle
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    that is Jaws is that during the
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    adaptation process the characters of
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    benchley's Novel were made far more
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    likable for the big screen while the
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    story as a whole is largely intact an
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    affair between Matt Hooper played by
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    affair between Matt Hooper played by
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    played by Lorraine Gray was eliminated a
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    great amount of levity within the
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    narrative was added and the characters
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    in general were made into people that
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    the audience could more easily identify
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    with and root for from the start that
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    last bit is absolutely essential here as
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    Jaws is far more interested in having an
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    intimate focus on its protagonists than
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    just on Thrills and chills that in large
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    part is why the film has aged so
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    magnificently while the language of
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    Cinema has continued to speed up and the
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    special effects featured have looked
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    worse over time audiences are still C
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    captivated because of how Spielberg
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    makes them invest so deeply into the
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    story Brody in particular stands as the
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    quintessential workingman hero whose
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    bluecollar life nuclear family and
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    bluecollar life nuclear family and
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    audience While most will immediately
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    think of the shark attacks and high SE
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    large portions of the film that are
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    Thrills when they recall Jaws there are
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    devoted to much smaller character
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    moments far removed from anything shark
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    related by tracking Chief Brody through
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    daily life in Amity and paying attention
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    to the relationships he has with his
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    wife and sons AI es better understand
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    the protagonist of the film as well as
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    the quaint life that defines the Island
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    Town moments like a receptionist
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    describing a complaint about a group of
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    kids karate a neighbor's fence or
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    Brody's walk through town that is
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    constantly interrupted by the requests
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    of locals are given just as much thought
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    as the special effects heavy action set
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    pieces throughout the film these
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    character focused scenes balance and
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    stand in direct ju opposition to the
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    shark related Horrors Brody's paranoid
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    watching of the Fourth of July
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    beachgoers is constantly interrupted by
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    the off-kilter locals which inevitably
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    leads to tragedy a long day of shark
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    hunting gives way to a night of drinking
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    and storytelling between Brody Quint and
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    Hooper resulting in the Stellar speech
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    concerning the USS Indianapolis which
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    gives greater context to Quinn's mindset
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    each of these moments push forward
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    character development and create a more
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    robust setting for the film Amity island
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    is both widely relatable and also
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    distinctly quirky just like as many
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    characters it's a complete integration
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    of character details and narrative that
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    cannot be unraveled because Spielberg
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    specifically wanted it to be part of his
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    film hiring gotle to improve benchley's
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    original draft through detailed
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    character work as well as the help of
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    several other writers and the use of
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    improvisations from actors too many
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    Blockbusters put generic archetypes as
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    their leads and hope that the spectacle
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    around them will excuse it others will
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    throw in a moment of character
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    development as an afterthought pasting
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    it into the script once everything else
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    is done in order to avoid accusations of
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    cardboard characters too bad it's just
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    as noticeable as not having it in the
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    film why does Jaws have such big Stakes
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    despite having a generally small focus
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    in its story because it's legitimately
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    terrifying it's amazing that this film
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    was rated to PG long before the creation
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    of PG-13 and has remained a mainstream
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    feature scene by people of all ages there
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    are severed limbs shown in all their
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    Stumpy Glory
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    decapitations images of real life shark
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    attacks and the blood squirting death of
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    a child it's messed up yet Spielberg's
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    magical touch renders the whole thing
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    magn IC and insanely watchable from the
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    very first shot Spielberg creates a
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    language of skin crawling vulnerability
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    through the use of shark POV as it hunts
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    underwater bolstered by composer John
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    Williams indelible lurking two notes
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    score think of just how many shots are
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    simply focused on the legs of potential
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    victims swimming Carefree in the ocean
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    the residents of Amy Island are
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    defenseless oblivious and ready to be
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    ripped into at any moment nearly every
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    victim is taken from the feet up which
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    preserves the air of mystery around the
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    shark while making the idea of fighting
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    back laughable while Jaws shouldn't be
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    classified as a horror movie because of
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    its Adventure film language and
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    structure it uses the strengths of the
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    genre to its Advantage whenever it has
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    the chance this creates a lurking Menace
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    that forces Brody into action the real
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    terror Spielberg creates is combined
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    with delicately human moments which
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    means that once the bodies start piling
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    up the deaths feel far more human and
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    begin to weigh heavily on Brody in
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    particular Mrs ker slapping Brody in the
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    wake of her son's death and his
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    brokenhearted moments with his young son
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    at the dinner table that follow are
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    quietly crushing they believably fuel
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    his dedication throughout the rest of
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    the film which is tempered by a very
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    human and correct
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    fear give us a kiss, why I need it as the
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    film brilliantly transitions
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    into its narrowly f focused yet
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    adventurous second half the fear felt
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    previously informs what could be a much
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    more light-hearted Adventure The Mystery
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    of the shark is slowly pulled back
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    through subsequent reveals but it only
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    grows more terrifyingly
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    active as the ocean bound Triumph of
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    Brody Hooper and Quint find themselves
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    outmatched against the 25t seab Beast we
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    fear for their lives and thrill at their
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    triumphs all three actors deliver
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    Stellar performances bouncing off one
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    another in the most electric of ways as
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    Spilber continues to balance the big
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    moments with the small you go inside the
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    cage cage goes in the water you go in
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    the water sharks in the water our
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    shark farewell Ando to you fair Spanish
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    ladies farewell Ando you
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    Ladi the three may be voluntarily at war
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    with the great white but they are a no
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    less danger than the unsuspecting
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    swimmers back at Amity it's easy to see
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    that in the wake of Jaws movie studios
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    began to search for the next big summer
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    hit that would put their finances well
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    into the black the summer movie season
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    became the time for big budget
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    Adventures that would bring in the
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    widest audience possible and while that
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    would result in as many positives like
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    clearing the way for Star Wars Superman
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    Indiana Jones and the like as negatives
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    the slow but sure sidelining of
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    financing for Niche films in favor of
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    Surefire Blockbusters it's far more
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    interesting to look at jaw's influence
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    on film creation over film financing
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    Spielberg had no ambition of making a
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    film that changed lives with jaws
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    although its lasting impact on shark
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    related fears is most certainly
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    indicative of its success in scaring
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    audiences but that doesn't mean that he
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    looked to create a quickly forgotten
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    piece of cinematic gossamer most
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    Blockbuster films are not designed to be
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    worldview altering experiences for
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    viewers however they have no excuse for
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    being forgettable junk food the
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    Transformers franchises of the world are
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    not the child of Jaws they are the
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    result of Studios who would rather shell
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    out a name brand than a thoughtout film
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    films like madmax Fury roads Star Wars
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    Jurassic Park the Dark Knight and more
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    prove that a high concept film can have
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    a large budget simple premise and a wide
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    appeal but also be determined to be the
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    absolute best that it can be should Jaws
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    have been as truly stupid as the
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    hundreds of would be Blockbuster films
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    that look to be as successful as
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    Spielberg's Landmark movie then the idea
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    of a summer blockbuster would not have
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    been born in 19 75 the films that seek
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    to capture the magic Thrills and
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    innovation of Jaws are the ones that
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    will be remembered across the decades to
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    follow that may not always result in the
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    massive box office success that Jaws
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    once had but that's not the True Legacy
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    of this Timeless Masterpiece jaw's True
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    Legacy can be seen in the best and
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    brightest of films that Captivate the
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    entire world smile you son of
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    a and as for itself it remains and will
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    continue to remain one of the classic
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    masterpieces of Blockbuster film making
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    Music
Title:
Jaws - Defining the Summer Blockbuster
Description:

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Video Language:
English
Duration:
10:29

English subtitles

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