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Jaws - Defining the Summer Blockbuster

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    The modern summer blockbuster and the mega
    movie event as a whole
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    can be traced back to the summer of 1975
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    and the debut of director
    Steven Spielberg's
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    JAWS
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    In an instant, the Hollywood system of
    film making was altered forever, and the
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    idea of a summer Blockbuster film was
    born. The years preceding the film were
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    decidedly smaller budget cinema, the
    auteur theory of filmmaking, defining the
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    the landscape like never before
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    The post Jaw's world of Hollywood,
    would soon be defined
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    by big budget special effects
    heavy cinema like Star Wars,
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    which brought in huge crowds for
    especially huge profits.
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    The story of a great white shark
    terrorizing
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    the people of Amity Island in the summer
    and police Chief
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    Martin Brody, played by
    Roy Shider,
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    the man dedicated to stopping it,
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    quickly became the highest film
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    of all time both in North America and
    internationally.
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    It's a moment in history that is
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    still being felt today. While
    Jaw's massive success and influence
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    can be attributed to the idea of
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    right time, right place, right movie.
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    Spielberg's mega hit is not
    a touchstone film
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    simply because of its box office
    reshaping profits.
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    Rather, Jaw's is a high watermark when it
    comes to
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    the so-called popcorn film.
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    In its wake, countless massively budgeted
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    movies have attempted to replicate
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    its formula pop culture influence
    and Legacy.
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    Although there are dozens of like-minded
    films that have come along in the decades
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    that have come along in the decades since,
    Jaws remains the Paragon of Blockbusters'
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    film making. Understanding its
    incomparable success and its many elements
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    is to understand what makes or breaks
    any big budget mainstream movie.
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    A defining quality of Blockbuster cinema
    is high concept effects.
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    Focus spectacle that dazzles the audience
    but not necessarily the critics.
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    But Spielberg and screenwriter Peter
    Benchley, who wrote the original novel
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    and Carl Gottlieb understood was,
    characters were the way the audiences
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    were truly hooked into the narrative.
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    Through relatable protagonists, the
    stakes become more personal
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    far scarier and much more memorable.
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    While the concept of a killer shark and
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    the quest to kill it is simple enough,
    the team behind Jaws
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    did not speak down to the audience.
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    Instead, the nuance character work
    throughout the film
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    makes it much more engaging than many of
    the films that would imitate it in the
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    following decades.
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    One of the most crucial pieces to the
    successful puzzle that is Jaws,
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    is that during the adaptation process,
    the characters of Benchley's Novel
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    were made far more likeable for the big
    screen.
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    While the story as a whole is largely
    intact, an affair between
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    an affair between Matts Hooper played by
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    Richard Dreyfuss and Brody's wife Ellen
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    played by Lorraine Gary was eliminated.
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    A great amount of levity within the
    narrative was added and the characters in
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    general were made into people that the
    audience could more easily identify with
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    and root for from the start.
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    That last bit is absolutely essential here
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    as Jaws is far more interested in having
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    an intimate focus on its protagonists
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    than just on the thrills and chills.
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    That in large part is why the film has
    aged so magnificently.
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    While the language of cinema has continued
    to speed up and the special effects
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    featured have looked worse over time,
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    audiences are still captivated because of
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    how Spielberg makes them invest so deeply
    into the story.
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    Brody in particular stands as the
    quintessential workingman hero whose
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    blue-collar life, nuclear family, and
    common decency
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    connect with a mass audience.
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    While most will immediately think of the
    shark attacks and high-seas thrills
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    when they recall Jaws, there are large
    portions of the film
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    that are devoted to much smaller
    character moments
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    far removed from anything shark-related.
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    By tracking Chief Brody through daily life
    in Amity
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    and paying attention to the relationships
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    he has with his wife and sons, audiences
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    better understand the protagonist of the
    film,
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    as well as the quaint life that defines
    the Island town.
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    Moments like a receptionist describing a
    complaint about a group of kid's
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    karateing a neighbor's fence or Brody's
    walk-through town
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    that is constantly interrupted by local
    requests of locals,
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    are given just as much thought as the
    special effects-heavy action set pieces.
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    Throughout the film, these character-
    focused scenes
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    balance and stand in direct juxtaposition
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    to the shark related horrors.
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    Brody's paranoid watching of the Fourth
    of July beachgoers
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    is constantly interrupted by the off-
    kilter locals
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    which inevitably leads to tragedy
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    a long day of shark hunting gives way
    to a night of drinking
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    and storytelling between Brody, Quint,
    and Hooper
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    resulting in the Stellar speech concerning
    the USS Indianapolis,
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    which gives greater context to
    Quinn's mindset.
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    Each of these moments push forward
    character development
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    and create a more robust setting for
    the film.
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    Amity island is both widely relatable
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    and also, distinctly quirky just like as
    many characters.
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    It's a complete integration of character
    details
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    and narrative that cannot be
    unraveled
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    because Spielberg specifically wanted it
    to be part of his film.
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    Hiring Gottlieb to improve Benchley's
    original draft
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    through detailed character work,
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    as well as the help of several other
    writers
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    and the use of improvisations
    from the actors.
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    Too many Blockbusters put generic
    archetypes as their leads
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    and hope that the spectacle around them
    will excuse it.
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    Others throw in a moment of character
    development
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    as an afterthought, pasting it
    into the script
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    once everything else is done
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    in order to avoid accusations of
    cardboard characters.
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    Too bad it's just as noticeable as not
    having it in in the film.
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    Why does Jaws have such big Stakes
    despite having
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    a generally small focus in its story?
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    Because it's legitimately terrifying.
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    It's amazing that this film was rated PG
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    long before the creation of PG-13,
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    and has remained a mainstream
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    feature scene by people of all ages.
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    There are severed limbs
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    in all their stumpy glory,
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    decapitations,
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    images of real-life shark
    attacks
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    and the blood squirting
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    death of a child.
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    it's messed up!
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    Yet Spielberg's magical touch
    renders the whole thing magnetic
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    and insanely watchable.
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    From the very first shot
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    Spielberg creates a language of skin
    crawling vulnerability
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    through the use of shark POV
    as it hunts underwater
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    bolstered by composer John Williams
    indelible - lurking two notes score
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    Think of just how many shots are simply
    focused on the legs of potential victims.
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    Swimming carefree in the ocean,
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    the residents of Amy Island are
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    defenseless oblivious and ready to be
    ripped into at any moment.
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    Nearly every victim is taken from
    the feet up which
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    which preserves the air of mystery
    around the shark
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    while making the idea of fighting back
    laughable.
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    While Jaws shouldn't be classified
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    as a horror movie because of its adventure
    film language and structure
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    it uses the strengths of the strengths
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    of the genre to its advantage whenever
    it has the chance.
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    This creates a lurking Menace
    that forces Brody into action.
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    The real terror Spielberg creates
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    is combined with delicately
    human moments
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    which means that once the bodies
    start piling up
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    the deaths feel far more human,
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    and begin to weigh heavily on Brody in
    particular.
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    Mrs. Kintner slapping Brody in the wake
    of her son's death
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    and his broken-hearted moments with his
    young son
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    at the dinner table that follow, are
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    quietly crushing.
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    They believably fuel his dedication
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    throughout the rest of the film
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    which is tempered by a very human,
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    and correct,
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    fear.
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    "Give us a kiss"
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    "Why?"
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    "I need it"
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    As the film brilliantly transitions
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    into its narrowly focused
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    yet adventurous second half,
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    the fear felt previously informs
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    what could be a much more
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    light-hearted Adventure.
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    The mystery of the shark is slowly
    pulled back
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    through subsequent reveals
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    but it only grows
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    more terrifyingly active
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    as the ocean-bound triumph route
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    of Brody, Hooper and Quint
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    find themselves outmatched
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    against the 25t sea beast
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    we fear for their lives and thrill at
    their triumphs.
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    All three actors deliver Stellar
    performances
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    bouncing off one another in the most
    electric of ways,
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    as Spielberg continues to balance the big
    moments with the small.
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    "You go inside the cage.
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    Cage goes in the water.
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    You go in the water.
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    Shark's in the water.
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    Our shark."
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    "Farewell and adieu
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    to your fair Spanish ladies..."
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    "Farewell and adieu
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    you ladies..."
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    The three may be voluntarily at war
    with a great white
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    but they are a no less danger than
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    the unsuspecting swimmers back
    at Amity.
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    it's easy to see that in the wake
    of Jaws movie studios
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    began to search for the next big summer
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    hit that would put their finances well
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    into the black the summer movie season
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    became the time for big budget
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    Adventures that would bring in the
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    widest audience possible and while that
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    would result in as many positives like
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    clearing the way for Star Wars Superman
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    Indiana Jones and the like as negatives
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    the slow but sure sidelining of
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    financing for Niche films in favor of
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    Surefire Blockbusters it's far more
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    interesting to look at jaw's influence
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    on film creation over film financing
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    Spielberg had no ambition of making a
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    film that changed lives with jaws
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    although its lasting impact on shark
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    related fears is most certainly
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    indicative of its success in scaring
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    audiences but that doesn't mean that he
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    looked to create a quickly forgotten
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    piece of cinematic gossamer most
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    Blockbuster films are not designed to be
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    worldview altering experiences for
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    viewers however they have no excuse for
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    being forgettable junk food the
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    Transformers franchises of the world are
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    not the child of Jaws they are the
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    result of Studios who would rather shell
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    out a name brand than a thoughtout film
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    films like madmax Fury roads Star Wars
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    Jurassic Park the Dark Knight and more
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    prove that a high concept film can have
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    a large budget simple premise and a wide
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    appeal but also be determined to be the
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    absolute best that it can be should Jaws
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    have been as truly stupid as the
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    hundreds of would be Blockbuster films
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    that look to be as successful as
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    Spielberg's Landmark movie then the idea
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    of a summer blockbuster would not have
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    been born in 19 75 the films that seek
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    to capture the magic Thrills and
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    innovation of Jaws are the ones that
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    will be remembered across the decades to
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    follow that may not always result in the
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    massive box office success that Jaws
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    once had but that's not the True Legacy
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    of this Timeless Masterpiece jaw's True
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    Legacy can be seen in the best and
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    brightest of films that Captivate the
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    entire world smile you son of
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    a and as for itself it remains and will
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    continue to remain one of the classic
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    masterpieces of Blockbuster film making
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    Music
Title:
Jaws - Defining the Summer Blockbuster
Description:

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Video Language:
English
Duration:
10:29

English subtitles

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