-
(police sirens)
-
♪ ("Renegades of Funk" by Afrika Bambaataa
& Soulsonic Force) ♪
-
♪ From a different solar system
many, many galaxies away ♪
-
♪ We are the force of another creation ♪
-
♪ A new musical revelation ♪
-
♪ And we're on this musical message ♪
-
♪ To help the others listen ♪
-
♪ Improve momentum and ♪
-
♪ seek the electronic chance ♪
-
♪ - Like
- Astrology ♪
-
♪ - Like
- Technology ♪
-
♪ - Like
- God's Creation ♪
-
♪ - Like
- The Zulu station ♪
-
♪ - Like
- To the nation ♪
-
♪ - Like
- Destroy all nations ♪
-
♪ - Like
- Militants ♪
-
♪ - (Like
- Down in sand ♪
-
♪ - (Like!)
- Through changes, ♪
-
♪ nothing stays the same ♪
-
♪ Oh renegades ♪
-
(music)
-
"The Renegades of Funk," Afrika Bambaataa
and the Soulsonic Force.
-
Well, good evening and welcome to another
GBE—a Gary Bird experience—
-
as the funky forces of the universe
come together
-
for us to bring another set of
Big Apple jams your way.
-
In a few minutes my engineer Jonathan E
at Master Control and I gonna go
-
looking for something perfect,
the perfect beat for you,
-
especially if you are up at Planet Rock,
The Bronx, or the Zulu Nation,
-
as in dance formation tonight.
-
Speaking of dance, have you heard about
he WLIB breakdance contest?
-
You have a chance
to win a trip to the mother country;
-
the place that sent Afrika Bambaataa
into a galaxy far, far away.
-
Who knows? You could be on your way
-
into the land of the pyramids,
checking it all out
-
♪ ("Planet Rock" by Afrika Bambaataa
& Soulsonic Force instrumental) ♪
-
(voice fades in)
...planets, especially Venus and Jupiter,
-
can be seen in the sky
not long after sunset.
-
With the glow of twilight
still lingering,
-
and a dash of near-sightedness,
and some good old human imagination,
-
and some well intentioned people
will even claim it's "shooting off sparks—
-
it's as big as a basketball, it has
landing lights", and so on.
-
Hard to believe? Well, the most
frequently reported UFOs on record
-
are the planets Venus and Jupiter.
IFOs, once you know a little about the
-
autokinetic illusion and the night sky.
-
July 24th, 1948.
An Eastern Airlines flight is en route
-
from Houston to Atlanta, when suddenly...
(otherworldly electronic noise)
-
The flight crew, all intelligent, trained
observers, reported the—
-
(cut off by strange beeps
and sounds)
-
(banging on timpani)
-
(robotic voice)
I am the funk overlord.
-
I have come to take control
of your life.
-
Who controlled the present,
controls the past.
-
Who controlled the past,
controls the future. Funk.
-
♪ (upbeat electronic music) ♪
-
So this is how Bamb sends 'em
to the street, hip hoppin',
-
lookin' for the perfect beat.
-
Rappin', scratchin', breakin', shakin',
the success of hip hop is in the making.
-
On TV and on radio, you hear and
see it, wherever you go.
-
Graffiti began on the walls, and now
it's sold in stores and malls.
-
From uptown to Fifth Avenue,
the journey took a heck of a crew,
-
from a neighborhood and a street scene,
all around the world to the silver screen.
-
♪ ("The Hitler Rap") ♪
♪ Hi there people, you know me ♪
-
♪ I used to run a little joint
called Germany ♪
-
♪ I was number one
The people's choice ♪
-
♪ And everybody listened to
my mighty voice ♪
-
♪ My name is Adolf,
I'm on the mic ♪
-
♪ Gonna hip you to the story
of the New Third Reich ♪
-
♪ It all began down in Munich town
& pretty soon ♪
-
♪ Word started gettin' around ♪
-
♪ I said to Martin Boorman,
I said "Hey Marty," ♪
-
♪ "Why don't we throw a little
Nazi party?" ♪
-
♪ So we had an election,
well, kinda sorta ♪
-
♪ And before you knew it,
hello new order! ♪
-
♪ To all those mothers in the Fatherland ♪
-
♪ I said "Achtung baby!
I got me a plan." ♪
-
♪ "Whatcha got, Adolf?
Whatcha gonna do?" ♪
-
♪ I said "How about this one?
World War Two." ♪
-
♪ To be or not be ♪
-
♪ Oh baby ♪
♪ Can't you see ♪
-
(music fades, record scratching)
-
All that scratchin' is makin'
me itch!
-
♪ (mixed-up music) ♪
-
♪ Duck Duck Duck ♪
♪ Duck Duck Duck ♪
-
What once was in the underground
has now, by elements, been found
-
like anywhere you see fresh meat,
the culture vultures come to eat.
-
Now with hip hop on his lip,
Malcolm McLaren begins his trip,
-
how he went to the Planet Rock
and came back to Britain in future shock,
-
'cuz though he thought punk was the top,
he found the groove was in hip hop.
-
♪ (hip hop music) ♪
-
(Malcolm McLaren) I was, uh...
-
working with a group called
Bow Wow Wow.
-
I came over there because they were
selling some RCA records
-
and I was looking to put them on
in a hole in Manhattan somewhere,
-
but the terrible thing was I was really
stuck for a responsible
-
and interesting and exciting
kind of opening act.
-
And nothing was happening in New York.
-
Then a friend of mine introduced me
to a guy who I met on the street,
-
somewhere down 5th Avenue.
He told me about an incredible scene
-
that was happening not in Manhattan,but
out in a suburb known as the South Bronx.
-
He said if I liked,
I could come on a Saturday night
-
to a big party where I would see something
-
that couldn't possibly have
ever existed in England.
-
And I decided to actually pitch up
with him on Saturday night.
-
Upon arriving, the party
-
—unknown to me,
I thought it would be indoors—
-
was actually out in the open,
in a wasteland,
-
surrounded by these huge
fired out condominiums.
-
There, in the midst of it, was about
thousand kids and I couldn't believe it.
-
I was very, very worried being
the only white guy there and
-
the cab driver signaled me
to put my dollars in my socks.
-
(stammers, laughs) Nevertheless,
I escorted myself across the road
-
with this guy, made my way through
the crowd, pushing and shoving
-
until I got to the decks where
the music was coming from.
-
Shook hands with this huge fat guy,
who later became known to me
-
as a guy called Afrika Bambaataa.
-
And what I witnessed was a various
group of different young kids,
-
who were popping in and out amongst
the decks, messing about with records.
-
What l saw was extraordinary,
because the sound
-
coming out was totally inarticulate.
It was a load of rough noises
-
that sounded a little like a guitar, but
sort of like a concrete chisel sound, right?
-
And the sound, I realized,
-
was actually coming from the way they
were messing around with their hands
-
on the decks, moving records backwards
and forwards.
-
But they weren't just doing it with one
record, they were doing it with two,
-
and they were mixing across one
to the other.
-
In fact, it was making music
out of other people's music.
-
♪ (mixed music plays, repeating) ♪
-
As time went on, and I stuck around
for an hour or so, the crowd was extremely
-
volatile, and at times would jump
into pitch battles.
-
But at one point or another, people
would move to the side,
-
and a group of kids would start
freaking out in the middle,
-
doing all this incredible
gymnastic dancing.
-
♪ (distorted, choppy music plays
over beat) ♪
-
What McLaren saw was called "hip hop",
energy and motion that you could not stop.
-
Demanding all of your imagination
if you were to share in the celebration.
-
It wasn't enough to just be good,
you had to be super bad,
-
'cuz when you hit that floor,
your reputation
-
was just about all you had.
-
(McLaren) I think hip hop is being
in control of your body,
-
that's the whole art of it,
actually understanding that
-
you're much bigger than you are.
It's a demonstration of your prowess,
-
if you haven't got a dime in your pocket,
the one thing you can do on
-
Madison Avenue is spin on your head
and show all the white honkies
-
moving out of the Chase Manhattan Bank
on their lunch time and say
-
"Beat that, and if you can't, here's
my cap. Give me a few dollars."
-
(train moving, faint commotion)
-
But the story of hip hop doesn't
belong in New York, LA, or London,
-
that's wrong. The true story begins in
devastation, bad housing, gang wars,
-
and desperation. In the Bronx ghetto,
or Planet Rock.
-
Let's take a minute - turn back the clock.
-
♪ (hip hop music) ♪
-
To the first hero of the hip hop groove,
the man who made the people move.
-
From Jamaica he came with
a sense of rhythm,
-
and what he brought to the Bronx
was a sound system.
-
Music he played made life work,
and made him a legend:
-
Kool DJ Herc.
-
♪ (hip hop music) ♪
-
When Kool Herc have a party,
everybody be there.
-
Lot of people say I'm fun, big fun.
-
That was the talk for the whole weekend
or the whole summer,
-
"Where did you party?"
-
"I was partying with Kool Herc, man.
Ghetto block party, you know,
-
tennis court, disco...
a lot of other things, too."
-
♪ ("Space Cowboy" by Jonzun Crew) ♪
-
I like to buy my records...
right over here.
-
But now it's not there no more,
called "Sounds and Things."
-
There used to be a ballroom up there,
I used to play, matter of fact,
-
I play up there for the transit authority
dinner, one time, and...
-
Mario Cuomo was there
before becoming governor.
-
Basically, right here.
-
A place called "Galaxy 2000."
-
They had a big shootout here one time.
-
Same time I played at Bronx River.
-
I came back,
I'd seen the canopy knocked down,
-
the fire escape was let down,
and I knew something was wrong.
-
The Bronx is on the uplift.
-
A lot of places are being rehabilitated.
-
I think there's still more
that could be done - a whole lot.
-
All those unforgettable promises...
-
From the South Bronx
when the Carters came over.
-
Made out of iron, right?
-
Well, I never left the Bronx,
and I love the Bronx.
-
I don't wanna leave.
-
♪ (upbeat funky music) ♪
-
What Herc did was throw down the sound
of forgotten heroes, like James Brown,
-
and separate the good stuff from the junk,
with the emphasis on a lot of funk.
-
And in the middle of a funky sound,
-
Coke La Rock, his rapper,would go to town.
-
The music was hot, very loud,
with participation to excite the crowd.
-
Then Herc would drop a mighty blast
with a golden oldie from music past.
-
(motor rumbling)
-
Sedgwick, 1520... over 10 years ago.
-
Ooh, look at that medallion,
what happened to that?
-
It got stolen.
That was my badge, like a sheriff.
-
Place was packed.
-
How was it?
-
It was pretty good.
-
Everybody showed up,
had a good time.
-
Everybody put on their best that day.
-
All of the sudden—
I don't know, all of the sudden...
-
Something happened, made it so that we
didn't get into the parties no more.
-
I got injured. I got stabbed.
Fatally stabbed, though.
-
And that just put a hole
through the whole thing.
-
I walk right into it, and I just...
-
I didn't know where the knife came from.
-
I just literally walk into it.
I was hit four times.
-
The last of them pierced my hand,
and it went all the way through.
-
It shouldn't have happened.
-
And that does draw me a show,
you know?
-
I just stopped. I stopped playing for—
I didn't accept a gig, I wasn't...
-
I was not out in the public eyes
too much.
-
That was the rise of a lot of DJs.
-
Herc wasn't on the scene,
this is our chance.
-
And a lot of them dashed in and
capitalized on it.
-
DJs and the music that they used to come
to hear at my party was all over now.
-
Kool Herc is not a stepping stone,
he's a horse that can't be rode,
-
and a bull that can't be stopped,
there ain't a disco I can't rock. Rock on.
-
It could've been on my obituary -
-
that this was the guy who started this,
this was what he did.
-
Though he may be a fallen hero,
all will forever say
-
that in the history of hip hop,
he was its number one DJ.
-
You see, Herc had started something
that not even his enemies wanted to stop.
-
Kool DJ Herc had launched the birth of
a movement called hip hop.
-
In the middle of Savage Skulls and on
the top of the hill with the Seven Crowns,
-
the gangs were in the Bronx
and they were seriously getting down.
-
It was little Vietnam, where even the
police watched out for raids,
-
and where the baddest of them all was a
street gang known as the Black Spades.
-
And from them emerged a boy
who became the adopted father
-
of the hip hop generation,
a Zulu, Afrika Bambaataa.
-
I got into street gangs, the Black Spades,
-
I was in a lot of other groups
before I became a Spade.
-
I once belonged to Savage No Mans...
-
and um,
-
but Spades was one of the groups
that I really loved a lot.
-
There was a lot of unity in the group.
[clears throat].
-
It was one of the most hated groups
in the whole city
-
cause all it was about was um,
trouble and stuff and aesthetic.
-
But it was one of the most organized
Black youth groups.
-
As for, if you mess with them,
they would mess with you.
-
Plus in that year, 1975, um,
one of the brothas that was close to me,
-
that lived with me for about two years,
by the name Solsky,
-
got shot by the police on Pelham Bay,
-
with some other members of the Spades.
-
And um, he died and this other member died
and one survived.
-
♪ (hip hop music plays in background) ♪
-
Narrator:
The violent death of Bam's best friend,
-
marked for him the end of the line.
-
And he went back to a vision
that once had occurred
-
inside of his youthful mind.
-
A way to fight, yet maintain peace.
-
An impossible situation,
-
unless you could create something powerful
-
like his memory of the Zulu nation.
-
[People chant over
the sound of hip-hop music on TV]
-
H. Rap Brown: I say violence is necessary.
-
Violence is a part of America's culture,
-
it is as American as Cherry Pie
-
American calls for Black people
to be violent.
-
We will use that violence
to get ourselves up.
-
[voice fades to hip hop music]
-
Martin Luther King Jr.: Will they be able
to sit down together
-
at the table of brotherhood?
I have a dream...
-
One day...
-
KKK member: Basically, uh, my goal
-
in the clan is to bring about
a unification
-
of all of the Anglo-saxon, Protestant,
American citizens
-
into a bond of unity to counter-act
the philosophies of the minority and...
-
Nelson Mandela: There are many people feel
that it is useless and futile
-
for us to continue talking
peace and nonviolence
-
against a government whose reply is only
-
savage attacks on an unarmored,
defenseless people.
-
[radio static]
♪ (hip hop music) ♪
-
Malcolm X: We are not human beings
unless we ourselves, band together
-
and do whatever, however,
whenever, is necessary
-
to see that our lives and our property
is protected,
-
and I doubt that any person in here
would refuse to do the same thing,
-
were he in the same position.
-
Or I should say,
were he in the same condition.
-
♪ (hip hop music plays) ♪
-
Narrator:
It was with the vision of the Zulu nation,
-
a trip to Africa, and a death situation,
-
that produced a man who put on Zulu dress
-
and began to transform a violent mix.
-
♪ (hip hop music plays) ♪
-
Bembala was always a music man,
-
a record collector who was a DJ jammed.
-
Now he saw a new idea to use
stand and prow in his career,
-
to put the Bronx in a music trance
-
and move from violence to Zulu dance...
-
♪ (hip hop music) ♪
-
And so it became hip to hop
-
in the land known as Planet Rock,
-
where gangs used to
fight in the street every day,
-
now they began to compete
in a different way.
-
As the DJ's music made the house shake,
-
the dancers would begin to break.
-
Some electric boogie to move like toys,
-
others would spin and became b-boys.
-
♪ (hip hop beat and breakdancing) ♪
-
-There you go. Hey you guys ready?
Yeah. Let's go.
-
The breakers know what they have got from electro boogie to street robot
-
They dance off the anger in a street or room
-
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Who needs a gang when the beat goes boom
-
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Yes, what are you doing around, you guys, get back
-
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(music and break dance)
-
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the last time, the last time,
-
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People over here, people over there
dancing in the street, dancing to a beat
-
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dfasdg do it
-
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motivator... mo ti vator
-
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break it down, down, break it down, down
-
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come on... do it... do it...
-
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(more dancing)
-
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(music fades out)
-
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The elements of hip hop go beyond the dance
-
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to the streets where artists take a chance
-
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and the Bronx where young men on the go
paint trains and walls like Picasso
-
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Graffiti is what they call their art
and it's here where they get their start
-
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Though you may think these policemen bars
They battle kids like brim and graffiti wars
-
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Stickers were used as settlements
Those kids were locked up on the graffiti
-
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Art versus transit, fame
-
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the new king of all offenders
-
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Uh...the rest is all assignments? Yeah all right.
-
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Hickey and Ski I want you to stay half the roll call
-
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I have a special assignment for you on a graffiti
-
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All right, thank you both.
-
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You're watching one day, right sarge
-
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Now, we have some information that they cut the fence on the Jerome yards
-
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That's the new fence and they cut it right open again
-
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Let's take a look inside the machine and watch New York's finest on the graffiti scene
-
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(sound of a train moving)
-
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What does this look like to you?
-
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Does this look like something
that'd be in a city, any city?
-
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This looks like a jail, a prison
with all this barbed wire around you
-
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what kind of feeling, I wonder what kind of feeling people that live around here with all this wire and stuff around them.
-
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looks like something from Germany, the Nazis and all that
-
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Kryolan, kinda astounding. I feel like I'm doing a commercial for these things.
-
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He's about the best can of paints on the market and this is what they invariably go out and steal
-
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they never pay for the paint, they'll steal it
-
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The only way I can figure it, that Mayou Koch and the Head of the MTA
-
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It's not that they don't like graffiti, it's that they don't like something that they can't control
-
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This is vandalism, that's what it is. It's somebody else's property. They're defacing somebody else's property.
-
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I wouldn't want them coming to my house and painting up my house.
-
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I wouldn't want them painting my car
-
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Mayou Koch tried to get us to make a deal with him
-
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that he'll give us 10 cars to be painted and we'll stop with the graffiti
-
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but it didn't work out like that because you know
-
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it'll be fine for me but how about someone else that wants to paint on the train.
-
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I can' stop them cos they got their own feelings to express
-
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same way I got my feelings to express
-
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I'm not gonna tell someone, "you can't express your feelings, only me"
-
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You know that's not the way it works
-
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Like I said ther are tens of thousands of these kids doing graffiti
-
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Only a handful of them are really good
-
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but whether they're good or bad, they have no business being down here
-
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It's dangerous, they can get hurt and it's not their property
-
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As long as there's something to be said in the ghetto
-
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there'll be graffiti
-
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If it's in a building or it's in a train, wherever something has to be said
-
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you know, in New York city that's the way we express ourselves
-
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It might seem silly to someone else but in New York city that's the way we express ourselves
-
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(Hip hop music)
-
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and all of this it just makes me madder and makes me wanna go painting more
-
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when I see this you know it burns me up, I wanna go out and paint
-
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and I wanna show them that they can't win because they can't
-
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The war against graffiti been like 10 years and they haven't won nothing
-
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(music)
-
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It took them 10 years to put this fence on. It'll just take us another year to get into them
-
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Let's give us some time. We'll return.
-
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(music)
-
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Now we are here today in order to induct into the rapper's Hall of Fame
-
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are just a few of the greatest rappers who ever made rapping the life and fame
-
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It didn't start with the Sugarhill Gang, it didn't start with Kurtis Blow
-
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it didn't start with Flash or the Furious Five, you can take it from me, I know.
-
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We're going back to the roots where it all began at radio stations all over the land
-
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with Jocko, Hot Rod and Montague DJs who rap like DJs with names like Hatter and Dr.Jive in the 50s and 60s keeping rap alive
-
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just a step for our tradition for rap to take on a social mission
-
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Rap gives kids a whole new way to express themselves
-
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and sometimes pay
-
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You might have been told you were no good but with the rap you were king of the neighborhood
-
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Man came/can't fake, he's a geechee... unintelligible
-
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Hey he's Joe Frazier, Joe Frazier, Joe Frazier
-
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People of the world, the man you see was the world's greatest rapper Muhammad Ali
-
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and the days when he was Cassius Clay was the first national rapper in the USA
-
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He's going around, he's going around saying that he's a championship fighter
-
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but when he meets me he'll fall 20 pounds lighter
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He thinks that he's the real heavyweight champ but after I'm finished he'll just be a tram
-
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Now I'm not saying this just to be funny but I'm fighting Ernie because he needs the money. Ha Ha ha-ha ha ha
-
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I decided to let him make a little bread but to catch his I must whip his head
-
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I understand he wants to stand toe to toe and with me trade blow for blow
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but if he's hip he'll take a dip because I plan to bust his lip
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From the northeast to the northwest, from the southeast to the west coast
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from the northwest to the mid-west every rapper thinks he can rap the most
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but it all began in aqua-boo/Aka-Bo land many many moons ago
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It was among the vibes and the powerful vines from which our roots do grow
-
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The Yoruba and the Bantu, the Sotho and the Gotha, the Akan people of Ghana
-
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the Rwanda and the Hausa, they engaged in a form of praise done by a griots or a chosen bard
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Today we call it throwing down or maybe rapping hard
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Who are you? Who am I? Who are you? Who am I? Who are you? Who am I?
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Oh what what do that mean?
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That I'm the baddest MC lover on the Hip Hop Scene
-
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J.D.L big deal, what does that prove?
-
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That I'm the MC that make the people move
-
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I'm Eazy-E, Eazy who and what is your game?
-
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I'm Eazy-E D, I bet your girls know my name
-
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I'm Jay-Z, that's your business now what you got to say?
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That I can rock you anywhere anytime anyday
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What chasing to the DJs what do they wanna do
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bring in the funky record when you give us the cue
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Like 10, 9, 8-7-6, 5-4-3-2-1 have fun
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(artists talking among themselves)
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Would you actually her what Heartbreakers mean?
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We'll promise you the world and won't deliver.
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Broken heart is what we give you
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Make you feel like a million by the things we say and make you feel like a fool the very next day
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We're heartbreakers ha-ha
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We're heart-heart-heartbreakers
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(phone rings)
Hello, yeah girl it's me the captain with some rap for you
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So listen up, don't talk until I'm through that you're sweet, you're fine and you got class but I feel things are going way too fast
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It's not that I don't enjoy having you around but I'm the kind of man
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that can't be tied down. Thanks for all the joy that you brought to me
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and I hope you understand that I gotta be free. We're heart-breakers
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and this is how they break your heart.
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Ow, ask them a simple question, they're gonna come out the face and try to talk about it what it's all about
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I know did you see the problem Kat? Guy were on the phone and he was talkin to the girl on the phone and he jested like that?
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Martha he was a saint. Ha ha ha ha.
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(some thing is said spoken in a foreign tongue)
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Ah, Sophisticated queen MC
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Yes of course, that's me, mistress of ceremony
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The one that's gonna take it to the top of the key
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Introducing myself, MC Lisa Lee
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The blast from the past, superb in every word
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Supest female rapper, yes, the best you heard
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Lisa Lee is known to be the people's choice
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I get parties rocking with my sensuous voice
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And when you see the queen walking up the street
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I'm not souped up, conceited, just incognit'
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I make the fellas sweat 'coz I keep their bodies hot
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It's a woman's world, you got to give it what you got
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Well I'm Sha, party people, and I'm ready to rock
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And if you wanna be down, you gotta gimme what you got
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My fellas in the place, I won't steer you wrong
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You gotta give it up or le-leave it alone
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So get ready for this, get ready for this
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Party people in the place, get ready for this
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To you! So what you gonna do?
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Do you wanna rock the house and turn this mutha out?
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Fly girls, are you with us?
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And if you're ready to rock, to help me turn it out
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Let the world know what we're talkin about
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To all the ladies, yeah
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I want you to listen dana-da-dan
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Hey, ladies! (yeah!) 1980! dana-da
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Watch out for the fellas (yeah!) that'll drive you crazy dana-da
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Look out
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Hey you better (another rap song in reply to that)