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Photoshop vs Illustrator vs Indesign - When to use each one

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    Today, I'll show you when to
    use Adobe Photoshop, Illustrator
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    or InDesign.
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    [MUSIC PLAYING]
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    Now, most people are pretty
    familiar with Photoshop
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    and what it can do.
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    People that use Illustrator,
    however, are far rarer.
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    Even rarer so, are
    those that use InDesign.
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    In this video, I'm going to go
    through an overview of each one.
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    So you know which one to
    use for which application.
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    Let's begin.
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    Alrighty, let's get started.
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    And in the most common
    program out of the 3
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    and that is Photoshop.
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    So I've pasted in a standard
    Chuck Norris picture
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    off the internet, and
    I'm going to show you
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    how the image is made up.
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    Photoshop is what we
    call raster-based,
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    which is a fancy word for saying
    that it's based on pixels.
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    If you weren't aware,
    zooming in will show you
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    exactly what this means.
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    [MUSIC PLAYING]
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    Pixel images are made up of
    a grid of different squares,
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    and each one of
    those has a color.
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    As you zoom out, they
    start to blend together
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    and that's how the
    image is created.
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    Photoshop is number
    one for image editing.
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    Photoshop is perfect
    for taking an image
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    off your phone, your
    camera, or even the internet
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    and touching it up.
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    In this example here,
    I'm going to play
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    with the black and white
    balance by changing the curves.
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    [MUSIC PLAYING]
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    One of the real strengths of
    Photoshop is using the layers.
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    You can see here I have
    David Hasselhoff and Chuck
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    Norris on two
    separate layers, so I
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    can move them around
    independently of each other.
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    By using the Transform
    tool, it's very easy
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    to resize, move, skew,
    and add perspective
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    to different objects.
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    This is what makes Photoshop so
    popular for those funny image
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    edits, where people swap
    the head from one thing
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    onto another.
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    Before we had Instagram filters,
    we had Photoshop filters
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    and there are
    heaps of them here.
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    There's a huge range
    of effects that you
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    can achieve with these filters.
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    Here's an example of one.
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    This is Liquify.
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    Liquify enables you
    to morph an image
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    around using very little skill.
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    The presets are very
    powerful and not
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    much time, having
    never done it before,
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    you can get something
    that looks pretty crazy.
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    [MUSIC PLAYING]
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    Another really prominent
    use for Photoshop
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    is retouching fashion images,
    whether it's needed or not.
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    So in this example, I'm
    going to use the Clone tool.
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    So basically, I can hold down
    the Alt key and set my target.
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    And then when I
    come back and paint,
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    I will transfer that piece
    of texture into its place.
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    So this is commonly used
    to get rid of imperfections
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    and little marks and
    things like that.
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    And it adds to the
    effect that people
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    describe as being airbrushed.
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    So we've established that
    Photoshop is the number one
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    program for editing
    images, especially when it
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    comes to print and web.
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    So why do we need Illustrator?
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    Well, let's revisit that concept
    of Photoshop being pixel-based.
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    Here I've got a simple
    pattern where I've
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    drawn a rectangle and a circle.
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    Photoshop stores
    this information
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    by recording the color of
    every single pixel on the grid.
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    When we zoom in, we'll
    see the problem with this.
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    We can see here
    that our circle is
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    beginning to become pixelated.
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    The way to get around this
    is to draw all of our shapes
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    in an enormous resolution.
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    So that way we have to
    zoom in for some time
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    before it starts to pixelate.
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    This, however, makes a
    really big file sizes,
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    which isn't quite ideal.
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    If we switch to Illustrator and
    have the same type of pattern,
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    we can see the difference
    between raster and vector
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    graphics.
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    Every time I zoom in here,
    it simply redraws it,
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    and you can see that
    we never lose quality.
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    If I hover the mouse
    over, I can see
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    that the vector is highlighted.
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    Whereas Photoshop
    stores the final image
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    in a series of pixels
    on a grid, Illustrator
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    stores the instructions
    to create the image.
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    In this example, it
    will keep instructions
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    to know that there's a rectangle
    here and a circle here,
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    as well as the proportion and
    relative positioning of each.
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    Every time we zoom
    in or out, it simply
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    follows those instructions
    to redraw it on the screen
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    and create it perfectly.
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    For this reason, Illustrator
    is perfect for doing things
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    like logos.
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    If we visit our teaching
    tech logo here and zoom in,
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    we can see that all of the
    little shapes that make it up
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    are made out of vectors.
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    The advantage here is
    that I can blow this up
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    to the size of a building,
    and it never lose quality.
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    I can also shrink it down
    really small for something
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    like a business card, and
    it'll look great there too.
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    I face it in a
    picture of the Hof
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    to show that
    Illustrator, in fact, can
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    handle raster graphics.
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    It doesn't automatically convert
    them to vectors, however,
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    so if you Zoom in, it still
    will become pixelated.
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    Illustrator is particularly good
    for quickly moving and placing
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    different elements to
    create things like posters.
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    It's important to
    note that Illustrator
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    does have a range of
    raster-editing capabilities,
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    but it's not really anything
    compared to Photoshop.
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    In fact, it calls it
    the Photoshop effects,
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    but it's still vastly
    cut down from what
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    you'll find in Photoshop.
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    [MUSIC PLAYING]
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    Despite being vector-based,
    the fills in Illustrator
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    are quite powerful.
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    Here we have two examples
    of different fills.
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    The one on the left is
    a straight gradient.
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    You can bring up your gradient
    panel, select your object
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    and then change a
    range of parameters
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    to do with the gradient.
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    You can also change from
    linear to radial and include
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    extra colors if you wish.
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    This example on the right
    isn't as well known.
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    This one uses the mesh tool.
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    You can see when
    I hover over, it's
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    divided the shape up
    into a bunch of segments.
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    If I come up with
    the White cursor tool
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    and click on one
    of the segments,
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    I can set the color
    for that segment
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    and it will try and blend it
    into the other ones around it.
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    Here's an example of a poster
    made as an instruction sheet
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    using Illustrator.
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    All of the individual
    shapes are vectors,
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    and gradients have
    been applied to make
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    different parts stand out.
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    In this program, it's extremely
    easy to move things around
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    and to place them.
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    Here's another example of
    some more advanced editing
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    in Illustrator.
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    Zooming in might make you think
    that this is something that's
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    been done in Photoshop,
    but hovering the mouse over
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    reveals that everything
    is, in fact, vectors.
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    This section on the front here
    we can see is a gradient mesh.
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    And we've also used some of the
    filters from the dropdown menus
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    to get the drop shadow
    and the texture.
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    Because this is in Illustrator,
    every time we zoom in or out,
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    it's redrawn and it
    should never pixelate.
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    Because Illustrator
    is vector-based,
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    it's also good for making
    files for laser cutting.
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    You can see here the pieces
    for my heart puzzle from
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    my Valentine's Day
    3D printing special.
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    Each one of them is
    made up of vectors,
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    and this is the type
    of path that the laser
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    cutter needs to follow to be
    able to cut something out.
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    [MUSIC PLAYING]
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    So we've established
    that Photoshop
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    is great for single images.
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    Illustrator is good for logos
    and single page layouts.
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    And that brings us
    to Adobe InDesign.
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    InDesign is what you
    switch to when you've got
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    to create a lot of something.
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    Here, I've set up
    an example page
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    to show you some of the
    ways that InDesign can work.
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    Here's some features that
    might be of interest.
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    If you come to
    either of the rulers
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    and click and drag
    across, when you let go,
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    it'll leave a guideline.
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    Now when you're
    moving things around,
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    you can easily snap
    to that guideline.
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    The text boxes are a little bit
    different to other programs.
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    You can see that
    we can resize them
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    and there was some
    text hidden underneath.
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    You'll notice there's
    a red plus here,
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    which is telling us this
    text that's not fitting.
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    When we hit the
    plus, it'll prompt
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    us to drag another text
    box, and then the text
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    will continue in that.
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    If I resize the
    original one, the text
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    will flow between
    them as it needs to.
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    Now, images in InDesign are a
    little bit different as well.
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    When we click on them,
    we have two functions.
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    Generally, resizing
    will resize the box
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    and effectively crop the image.
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    If you double-click, now you
    can resize the actual image,
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    but that doesn't resize the box.
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    If you click on an image and
    hold down Shift and Control,
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    now you're resizing the bounding
    box as well as the image
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    in the same go.
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    If we examine the
    components of our design,
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    we can see that InDesign
    supports both raster and vector
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    graphics.
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    Zooming in on my
    Chuck Norris image
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    shows me that it is,
    in fact, still pixels.
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    If I come over to my
    logo and zoom right in
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    can see that the
    vectors that make it up
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    are still traced
    around the outside.
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    Despite this crest being
    a vector from Illustrator,
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    you'll notice that the quality
    doesn't look that great.
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    That's because
    InDesign, where it can,
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    keeps a reference
    to the original file
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    and then displays a preview
    quality version only.
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    That means if I update
    this design in Illustrator,
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    it will instantly
    update in InDesign,
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    saving me a lot of time.
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    If I come up to view
    overprint preview,
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    it'll transform to the highest
    quality possible to show you how
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    it's actually going to print.
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    Like we touched on earlier,
    the real beauty of InDesign
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    is when you need to do a
    lot of something because
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    of its templating system.
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    You'll notice under
    my Pages panel
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    that I have my master
    up the top, and then
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    my actual pages down below.
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    Let's make a copy of my logo
    and set it up as a watermark.
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    I'm going to double
    click on a master
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    and it turns black up here,
    and the pages look blank.
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    I'm going to paste in my logo.
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    I'm going to resize
    it and move it up
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    to the top left-hand corner.
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    I'm going to make a copy and put
    it in the top right hand corner.
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    Now, you would never
    actually place this
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    without white space here,
    but as an example, for now
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    it'll do the job.
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    Let's double click to
    come back to our page.
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    You'll notice that it's been
    applied because as this page is
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    labeled with A which corresponds
    to the A master at the top.
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    As I add in New
    pages, you'll see
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    that each one automatically
    Bears the image
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    that we set up in our master.
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    If I want to come back
    to my master at any time
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    and edit the way
    this is positioned.
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    When I come back to the
    page, it'll instantly
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    be updated there as well.
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    We also have some
    really good templating
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    for our paragraph text.
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    If I come to this
    text box here and then
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    make sure I have
    paragraph styles open,
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    I can add a new one from
    the button down below.
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    If I double click on it, the
    control box will come up.
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    What I'm going to do is rename
    this one with whatever I feel.
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    In this case, I'm going
    to call it heading 1.
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    Now, when I'm
    editing other text,
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    all I need to do to apply
    this formatting here
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    is to click on heading 1.
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    In a complicated
    document, you're
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    going to end up with probably
    five or six different paragraph
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    styles.
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    This means you can write and
    edit your text in a program
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    with spell check, and
    then when you paste it in,
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    it's very quick to
    come back and click
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    single time to set the type
    of style that you want.
  • 9:44 - 9:46
    Just like with
    the master layout,
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    paragraph styles can
    be edited very quickly
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    by double clicking them, and
    then changing whatever we want.
  • 9:53 - 9:55
    As soon as I hit OK,
    everything in the document
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    will come through and update.
  • 9:56 - 9:59
    I can see this one here
    has turned accidentally
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    to the heading 1.
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    So all I need to do is
    put my cursor somewhere
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    in the paragraph, and then do
    a single click to revert it.
  • 10:06 - 10:08
    Let's do a little recap.
  • 10:08 - 10:10
    Photoshop, excellent
    for image editing
  • 10:10 - 10:12
    that includes the
    images off your camera,
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    and as well as graphic
    designs and single pictures
  • 10:14 - 10:17
    that you're making for a
    variety of applications.
  • 10:17 - 10:20
    Illustrator, excellent for
    logos, and in some cases,
  • 10:20 - 10:23
    single page graphic
    design layouts.
  • 10:23 - 10:25
    And finally InDesign,
    which is set
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    for making long documents where
    you can use the templating
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    to make sure everything
    stays consistent.
  • 10:30 - 10:32
    Well, that wraps it up.
  • 10:32 - 10:35
    I hope you found this overview
    and comparison very informative.
  • 10:35 - 10:38
    Thanks for watching, and
    I'll see you next time.
  • 10:38 - 10:40
    Good day, it's Michael again.
  • 10:40 - 10:42
    If you liked the video,
    then please click like.
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    content like this in future,
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    and see exclusive
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    See you next time.
  • 10:54 - 10:58
    [MUSIC PLAYING]
  • 10:58 - 10:59
Title:
Photoshop vs Illustrator vs Indesign - When to use each one
Description:

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Video Language:
English
Duration:
10:59

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