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Today, I'll show you when to
use Adobe Photoshop, Illustrator
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or InDesign.
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Now, most people are pretty
familiar with Photoshop
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and what it can do.
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People that use Illustrator,
however, are far rarer.
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Even rarer so, are
those that use InDesign.
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In this video, I'm going to go
through an overview of each one.
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So you know which one to
use for which application.
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Let's begin.
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Alrighty, let's get started.
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And in the most common
program out of the 3
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and that is Photoshop.
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So I've pasted in a standard
Chuck Norris picture
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off the internet, and
I'm going to show you
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how the image is made up.
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Photoshop is what we
call raster-based,
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which is a fancy word for saying
that it's based on pixels.
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If you weren't aware,
zooming in will show you
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exactly what this means.
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Pixel images are made up of
a grid of different squares,
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and each one of
those has a color.
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As you zoom out, they
start to blend together
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and that's how the
image is created.
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Photoshop is number
one for image editing.
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Photoshop is perfect
for taking an image
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off your phone, your
camera, or even the internet
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and touching it up.
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In this example here,
I'm going to play
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with the black and white
balance by changing the curves.
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One of the real strengths of
Photoshop is using the layers.
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You can see here I have
David Hasselhoff and Chuck
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Norris on two
separate layers, so I
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can move them around
independently of each other.
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By using the Transform
tool, it's very easy
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to resize, move, skew,
and add perspective
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to different objects.
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This is what makes Photoshop so
popular for those funny image
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edits, where people swap
the head from one thing
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onto another.
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Before we had Instagram filters,
we had Photoshop filters
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and there are
heaps of them here.
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There's a huge range
of effects that you
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can achieve with these filters.
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Here's an example of one.
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This is Liquify.
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Liquify enables you
to morph an image
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around using very little skill.
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The presets are very
powerful and not
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much time, having
never done it before,
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you can get something
that looks pretty crazy.
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Another really prominent
use for Photoshop
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is retouching fashion images,
whether it's needed or not.
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So in this example, I'm
going to use the Clone tool.
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So basically, I can hold down
the Alt key and set my target.
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And then when I
come back and paint,
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I will transfer that piece
of texture into its place.
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So this is commonly used
to get rid of imperfections
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and little marks and
things like that.
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And it adds to the
effect that people
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describe as being airbrushed.
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So we've established that
Photoshop is the number one
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program for editing
images, especially when it
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comes to print and web.
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So why do we need Illustrator?
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Well, let's revisit that concept
of Photoshop being pixel-based.
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Here I've got a simple
pattern where I've
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drawn a rectangle and a circle.
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Photoshop stores
this information
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by recording the color of
every single pixel on the grid.
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When we zoom in, we'll
see the problem with this.
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We can see here
that our circle is
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beginning to become pixelated.
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The way to get around this
is to draw all of our shapes
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in an enormous resolution.
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So that way we have to
zoom in for some time
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before it starts to pixelate.
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This, however, makes a
really big file sizes,
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which isn't quite ideal.
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If we switch to Illustrator and
have the same type of pattern,
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we can see the difference
between raster and vector
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graphics.
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Every time I zoom in here,
it simply redraws it,
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and you can see that
we never lose quality.
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If I hover the mouse
over, I can see
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that the vector is highlighted.
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Whereas Photoshop
stores the final image
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in a series of pixels
on a grid, Illustrator
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stores the instructions
to create the image.
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In this example, it
will keep instructions
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to know that there's a rectangle
here and a circle here,
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as well as the proportion and
relative positioning of each.
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Every time we zoom
in or out, it simply
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follows those instructions
to redraw it on the screen
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and create it perfectly.
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For this reason, Illustrator
is perfect for doing things
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like logos.
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If we visit our teaching
tech logo here and zoom in,
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we can see that all of the
little shapes that make it up
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are made out of vectors.
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The advantage here is
that I can blow this up
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to the size of a building,
and it never lose quality.
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I can also shrink it down
really small for something
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like a business card, and
it'll look great there too.
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I face it in a
picture of the Hof
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to show that
Illustrator, in fact, can
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handle raster graphics.
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It doesn't automatically convert
them to vectors, however,
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so if you Zoom in, it still
will become pixelated.
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Illustrator is particularly good
for quickly moving and placing
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different elements to
create things like posters.
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It's important to
note that Illustrator
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does have a range of
raster-editing capabilities,
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but it's not really anything
compared to Photoshop.
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In fact, it calls it
the Photoshop effects,
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but it's still vastly
cut down from what
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you'll find in Photoshop.
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Despite being vector-based,
the fills in Illustrator
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are quite powerful.
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Here we have two examples
of different fills.
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The one on the left is
a straight gradient.
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You can bring up your gradient
panel, select your object
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and then change a
range of parameters
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to do with the gradient.
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You can also change from
linear to radial and include
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extra colors if you wish.
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This example on the right
isn't as well known.
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This one uses the mesh tool.
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You can see when
I hover over, it's
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divided the shape up
into a bunch of segments.
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If I come up with
the White cursor tool
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and click on one
of the segments,
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I can set the color
for that segment
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and it will try and blend it
into the other ones around it.
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Here's an example of a poster
made as an instruction sheet
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using Illustrator.
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All of the individual
shapes are vectors,
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and gradients have
been applied to make
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different parts stand out.
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In this program, it's extremely
easy to move things around
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and to place them.
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Here's another example of
some more advanced editing
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in Illustrator.
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Zooming in might make you think
that this is something that's
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been done in Photoshop,
but hovering the mouse over
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reveals that everything
is, in fact, vectors.
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This section on the front here
we can see is a gradient mesh.
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And we've also used some of the
filters from the dropdown menus
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to get the drop shadow
and the texture.
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Because this is in Illustrator,
every time we zoom in or out,
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it's redrawn and it
should never pixelate.
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Because Illustrator
is vector-based,
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it's also good for making
files for laser cutting.
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You can see here the pieces
for my heart puzzle from
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my Valentine's Day
3D printing special.
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Each one of them is
made up of vectors,
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and this is the type
of path that the laser
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cutter needs to follow to be
able to cut something out.
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So we've established
that Photoshop
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is great for single images.
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Illustrator is good for logos
and single page layouts.
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And that brings us
to Adobe InDesign.
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InDesign is what you
switch to when you've got
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to create a lot of something.
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Here, I've set up
an example page
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to show you some of the
ways that InDesign can work.
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Here's some features that
might be of interest.
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If you come to
either of the rulers
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and click and drag
across, when you let go,
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it'll leave a guideline.
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Now when you're
moving things around,
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you can easily snap
to that guideline.
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The text boxes are a little bit
different to other programs.
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You can see that
we can resize them
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and there was some
text hidden underneath.
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You'll notice there's
a red plus here,
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which is telling us this
text that's not fitting.
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When we hit the
plus, it'll prompt
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us to drag another text
box, and then the text
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will continue in that.
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If I resize the
original one, the text
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will flow between
them as it needs to.
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Now, images in InDesign are a
little bit different as well.
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When we click on them,
we have two functions.
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Generally, resizing
will resize the box
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and effectively crop the image.
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If you double-click, now you
can resize the actual image,
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but that doesn't resize the box.
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If you click on an image and
hold down Shift and Control,
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now you're resizing the bounding
box as well as the image
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in the same go.
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If we examine the
components of our design,
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we can see that InDesign
supports both raster and vector
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graphics.
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Zooming in on my
Chuck Norris image
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shows me that it is,
in fact, still pixels.
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If I come over to my
logo and zoom right in
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can see that the
vectors that make it up
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are still traced
around the outside.
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Despite this crest being
a vector from Illustrator,
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you'll notice that the quality
doesn't look that great.
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That's because
InDesign, where it can,
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keeps a reference
to the original file
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and then displays a preview
quality version only.
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That means if I update
this design in Illustrator,
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it will instantly
update in InDesign,
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saving me a lot of time.
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If I come up to view
overprint preview,
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it'll transform to the highest
quality possible to show you how
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it's actually going to print.
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Like we touched on earlier,
the real beauty of InDesign
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is when you need to do a
lot of something because
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of its templating system.
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You'll notice under
my Pages panel
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that I have my master
up the top, and then
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my actual pages down below.
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Let's make a copy of my logo
and set it up as a watermark.
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I'm going to double
click on a master
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and it turns black up here,
and the pages look blank.
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I'm going to paste in my logo.
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I'm going to resize
it and move it up
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to the top left-hand corner.
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I'm going to make a copy and put
it in the top right hand corner.
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Now, you would never
actually place this
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without white space here,
but as an example, for now
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it'll do the job.
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Let's double click to
come back to our page.
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You'll notice that it's been
applied because as this page is
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labeled with A which corresponds
to the A master at the top.
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As I add in New
pages, you'll see
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that each one automatically
Bears the image
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that we set up in our master.
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If I want to come back
to my master at any time
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and edit the way
this is positioned.
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When I come back to the
page, it'll instantly
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be updated there as well.
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We also have some
really good templating
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for our paragraph text.
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If I come to this
text box here and then
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make sure I have
paragraph styles open,
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I can add a new one from
the button down below.
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If I double click on it, the
control box will come up.
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What I'm going to do is rename
this one with whatever I feel.
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In this case, I'm going
to call it heading 1.
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Now, when I'm
editing other text,
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all I need to do to apply
this formatting here
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is to click on heading 1.
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In a complicated
document, you're
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going to end up with probably
five or six different paragraph
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styles.
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This means you can write and
edit your text in a program
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with spell check, and
then when you paste it in,
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it's very quick to
come back and click
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single time to set the type
of style that you want.
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Just like with
the master layout,
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paragraph styles can
be edited very quickly
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by double clicking them, and
then changing whatever we want.
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As soon as I hit OK,
everything in the document
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will come through and update.
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I can see this one here
has turned accidentally
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to the heading 1.
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So all I need to do is
put my cursor somewhere
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in the paragraph, and then do
a single click to revert it.
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Let's do a little recap.
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Photoshop, excellent
for image editing
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that includes the
images off your camera,
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and as well as graphic
designs and single pictures
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that you're making for a
variety of applications.
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Illustrator, excellent for
logos, and in some cases,
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single page graphic
design layouts.
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And finally InDesign,
which is set
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for making long documents where
you can use the templating
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to make sure everything
stays consistent.
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Well, that wraps it up.
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I hope you found this overview
and comparison very informative.
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Thanks for watching, and
I'll see you next time.
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Good day, it's Michael again.
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See you next time.
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