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This is a clip from the hit TV series,
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"Parks and Recreation."
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...128 ounce option.
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Most people call it a gallon, but they
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call it the regular.
Now let's see what
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that same clip would
be like if we added
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a laugh track.
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[rewind sound]
...128 ounce option.
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[laughter]
Most people call it a
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gallon, [laughter]
but they call it the regular. [laughter]
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It seems so wrong,
but for most of
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television history, it was
so right. [background laughter]
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Over the last half century
or so almost every
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comedy on television had canned laughter,
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from "I Love Lucy"
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to "The Big Bang Theory."
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For some, the laughter is viewed as an
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imposition. For others, a secondary
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character you almost forgot was there,
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until it wasn't anymore.
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In recent years, the
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laugh track has been used less and
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less as sitcoms in general have
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decreased in popularity.
Let's break down
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where the mysterious laugh box came from
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and where it went.
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Before television existed,
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there was the ballet, the opera,
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magic and comedy shows.
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When you went to one of
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these events, you were
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experiencing the audience reactions in
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real time.
If something was shocking,
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you could hear and
feel the gasps echo
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around you and
similarly with laughter.
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But then came the radio,
the first ever
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broadcast medium.
Those communal
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reactions disappeared as American
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families gathered in their living rooms
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to be entertained.
Radio producers wanted
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to develop a way to give people the live
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experience at home.
The first-ever laugh
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track began with
Bing Crosby's radio show.
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Recording pioneer Jack Mullen
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recalls the creation to "Channels of
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Communication," a trade journal in 1981.
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"The hillbilly comic Bob Burns was on the
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show one time and through a few of his
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then extremely racy and off-color folksy
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farm stories into the show. We recorded
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it live and they all got enormous laughs,
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but we couldn't use the jokes. So
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scriptwriter Bill Morrow asked us to
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save the laughs.
A couple of weeks later he
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had a show that wasn't
very funny and he
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insisted that we put
in the salvage laughs.
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Thus the laugh track was born.
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Fast forward to the
era of early television.
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Comedies were filmed with a single
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camera in front of a live audience.
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That meant that each scene would be filmed
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multiple times from multiple angles,
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instead of the multi cams today, which
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have multiple cameras capturing one take.
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Those separate angles and takes would be
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cut together and when that happened, the
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laughter was inconsistent.
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Audiences would laugh at the
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wrong time, too loudly,
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for too long and were simply unreliable.
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In the late 1940s, CBS sound engineer
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Charlie Douglas noticed those
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inconsistencies and couldn't take it
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anymore. If a joke didn't get a desired
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laugh, he would insert one with the use
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of a laugh track. This technique became
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known as "sweetening." Douglass went so far
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as to create a physical laugh box.
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According to Ron Simon, curator of
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television and radio at the Paley Center
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for Media, the device was about three
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feet tall, the shape of a filing cabinet,
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very heavy and had slots for 32 reels,
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which could hold ten laughs each. It was
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officially named the audience response
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duplicator, but it became known as the
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"laugh box." At its best,
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the "laugh box" could hold 320
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laughs. Press them one at a time
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and you get a similar laugh.
[single laugh]
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Press multiple keys at once
[laughter] and a symphony of
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laughter would play.
Each key represented
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a different age, sex,
and style of laugh,
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with a foot pedal regulating the way.
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The "laugh box" was mysterious though.
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Since Douglas owned the patent and
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created all of them, nobody outside of
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him and his family members had ever seen
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the inside of the machine. And when
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Douglas wasn't around, the machine was
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kept tightly padlocked.
In an interview
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with "TV Guide" in 1966,
Dick Hobson said
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if the laugh box should start acting
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strangely, the laugh boys
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wheel it into the men's room,
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locking the door behind them so no
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one can peek.
I mentioned the name
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Charlie Douglas and it's like Cosa
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Nostra, everybody starts whispering.
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It's the most taboo topic in TV.
The first sitcom to
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use the "laugh box" was the
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short-lived series, "The Hank McCune Show"
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in 1950. [laughter on show]
The idea of recorded laughter
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spread throughout Hollywood and by the
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1960s almost every single cameras sitcom
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was utilizing canned laughter. But it was
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only Douglas that engineered the
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laughing for everyone for almost a
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decade. For $100 Douglas would wheel the
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mysterious box to each studio on a dolly
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and sit with the producers in a
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screening room and decide what kind of
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laughter and when. Eventually Douglas
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hired a second-in-command to keep up
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with the 100 hours of television he
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needed to sweeten.
And the rest was
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history. Multicam sitcoms were
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popularized in shows like "Friends,"
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"Frasier," "Seinfeld" and
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more incorporated canned laughter.
[Sound of "Friends" in the background]
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The actors and actresses would know to
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hold for laughter, knowing that each
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scene would be sweetened.
[more sound from "Friends"] The Discovery
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Channel documentary, the one that goes
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behind the scenes, shows how it works.
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[Sometimes the audience responds too big.]
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If I went with the actual
laugh, [laughter]that laugh
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is still going through her next line
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into his next reaction and that's, it's
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five, six seconds. And in TV land that's
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an eternity. [laughter]
[Sometimes we have to put in
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a laughter that is shorter.]
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It felt like comedies would be
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like this forever. And then "The
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Big Bang Theory" went off the air in 2019
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and took with it one of the last
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multicam sitcoms with canned laughter.
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When we look at the television landscape
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today almost, every single comedy is a
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single-camera comedy and not a multicam
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sitcom with canned laughter. You can
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count on two hands how many multicam
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sitcoms that use a laugh track are on TV
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right now, and not to
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mention those that went off
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the air this year [2020].
The use of the laugh
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track has almost disappeared completely
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from the TV lineup.
So what changed?
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Dead air in television
used to be frowned upon
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and shows would push for laugh
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tracks whenever possible.
[distant laugh track]
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Bill Cosby claimed his first sitcom, "The
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Bill Cosby Show," that ran from 1961 to
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1971, failed because he had insisted on
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not using a laugh track. Not to be
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confused with the very successful "The
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Cosby Show" that aired in the 1980s and
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did have a laugh track.
And "MASH" fought
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to not have a laugh track at all, but
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they came to a compromise with the
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studio. They would use the canned
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laughter, but just not during the very
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serious OR scenes.
While we associate
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the 80s and the 90s with the laugh track,
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that was actually the time when single
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camera comedies without canned laughter
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started to take over.
A key player in this
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transition was HBO. Their show's
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"Dream On" in 1990 and "The Larry Sanders
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Show" in 1992 ran without laughs tracks
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and even garnered praise for doing so.
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The airing of these shows proved that
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comedies could exist, and exist
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successfully without laugh tracks. Other
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studios took notice and
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began to follow suit.
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Then came "Curb Your Enthusiasm," "Malcolm
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in the Middle," "Scrubs,"
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"Arrested Development," "It's Always Sunny
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in Philadelphia," "30 Rock," "The Office" and
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the list goes on and on.
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Writers and producers were excited by
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the change, as it allowed them to stray
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from the constant stream of punchlines
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to explore character based humor. Another
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reason the laugh track fell to the
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wayside? According to Mike Royce the
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co-showrunner of Netflix's
"One Day at a Time,"
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"I think one of the reasons why
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people don't like laugh tracks is they
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don't like to be told how to react. It's
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an American thing: Don't tell me what the
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[bleep] to laugh at."
"T"he Big Bang Theory was
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one of the last big sitcoms that used
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canned laughter and even their creator
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Chuck Lorre insisted that absolutely no
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sweetening took place on any of his
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series, which also include "Two and a Half
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Men"" and Mike and Molly,"
stating "I do not
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and have never, sweetened my shows with
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fake laughs. I've always thought it was
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pretty hateful and
a self-defeating practice."
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For now, the laugh track lives
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in a very strange state. It's used in
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very few shows, but lives on in the
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reruns of ever popular series like
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"Friends," "How I Met
Your Mother," and more.
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Perhaps history might repeat itself
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and we'll see a resurgence in multicam
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sitcoms and the laugh track.
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Until then, we can thank streaming
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services like Netflix and Hulu for
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keeping Charlie Douglass's legacy in our
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living rooms. Thank you for watching.
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Please be sure to like, comment and
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subscribe to our channel and ring the
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whenever we post a new video.
[music ends]
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