-
- [Dunk] I'm finally back-
-
Spider-Man 3 is the best movie that Spider-Man made.
-
Since it's release in 2007, critics have spent countless hours analyzing every frame
-
every scene
-
every line of dialogue in search of it's many subdued themes and messages.
-
Like Garfield,
-
Spider-Man 3 is a film about layers.
-
On the surface, It's your typical thrill-a-minute Blockbuster with cutting edge special effects.
-
But upon further viewing, you start to understand this is merely a facade.
-
A false attempt to placate a broader audience.
-
*whistle sound*
-
In superhero movies, you can only tell two different stories, really.
-
The origin story
-
or a story about heroes, learning to work together as a team.
-
Spider-Man 3 shatters expectations by not giving you the rise of Spider-Man
-
but rather the fall.
-
Peter Parker becomes tangled, if you will, in a web of violence and deceit
-
and ultimately
-
becomes the villain.
-
The movie starts with Pete. He sees his best friend James Franco
-
And he clotheslines him down an alley and kills him
-
Then we're introduced to Sandman
-
who we learned is a great father,
-
trying to save up enough money to pay for his daughter's surgery.
-
So, Spider-Man gets wind of this and, uh?
-
kills him in a sewer.
-
- [Spidey] Good riddance
-
- [Dunk] Then the city throws a parade for Spider-man,
-
and he kisses some bimbo, right in front of his girlfriend
-
Then he meets this guy, who is actually, uh?
-
his biggest fan
-
Up to this part, I kind of figured out
-
"Maybe Spider-Man is just having a bad day"
-
We all know, he's a good guy at heart.
-
- [Peter] Spider-Man killed him
-
- [May Parker] Spider-Man?
-
I don't understand.
-
Spider-Man doesn't kill people.
-
- [Dunk] But then, fucking stupid ass James Franco
-
starts being alive again
-
So, Mary Jane dumps Spider-Man, for no good reason
-
*Comedy Slide Whistle*
-
And then, she says "she's seeing another guy"
-
Spider-Man, in a state of such distraught and fragility
-
Goes to the only guy he thought he could trust
-
James Franco, who goes:
-
- [Franco] "I'm the other guy"
-
- [Dunk] Fucking backstabbing piece of shit James Franco
-
- [Waiter] How's the pie?
-
- [Franco] *Tim Allen's Home Improvement Grunt*
-
- [Dunk] Now, this scene is essential...
-
Peter looks back into the cafe
-
and that little bitch, winks at him
-
and then BOOM!
-
*honking*
-
Like that, he's gone.
-
Now, the question is...
-
Where the hell did he go?
-
The truck takes like one second, to go in front of Peter
-
And then he disappears.
-
This is where I realized that James Franco is actually
-
hiding under the table.
-
*Ding* Think about it!
-
Naturally, Spider-Man slams James Franco into a wall
-
an then-
-
chucks a fucking grenade at his head.
-
Then we cut to Spider-Man, uh?
-
being fed a plate of cookies, and he says:
-
- [Peter] You got any with nuts?
-
- [Ursula] Hmm.
-
I have some nuts. I could make some.
-
- [Peter] Go make me some.
-
- [Dunk] "Go make me some cookies with nuts in them"
-
Now, this is actually a very clever scene, when you think about.
-
In life, there was such a rich variety of cookies
-
Peanut butter, chocolate chip,
-
mint cookies, oatmeal raisin.
-
But director Sam Raimi, has Spider-Man consciously choose
-
Nut cookies
-
to signify, that this man has gone nuts.
-
Do you guys get that?
-
You have the scene where Spider-Man is pointing at various women on the sidewalk
-
now, look at the gesture he's making with his hand.
-
He is saying to these women, "you're safe now"
-
But in Spider-Man 4, I will shoot you with a pistol.
-
But, it's not until THIS moment
-
where we, the viewers, see that faint flicker of hope, within Peter, snuffed out.
-
He changes his hair
-
from. Uh?
-
*stutter* the normal way to this Evil hair.
-
This is when the Spider-Man, that I knew
-
who had lost Uncle Ben
-
who'd defeated Bonesaw
-
This is when he had become truly lost.
-
- [Peter] You'll get your rent
when you fix this damn door!
-
- [Dunk] Spider-Man 3 tells a dark story that confronts the audience with serious questions
-
and for this reason,
-
I think it became a very divisive film.
-
- [Tobey] I talked a lot with Sam Raimi about-
-
about the tone of that
-
of the character and how far to go with the darker side of Peter Parker
-
and for me, I just kept pushing.
-
I wanted to explore that, further and further
-
- [Dunk] It's a movie from a different era
-
where artists were encouraged to take bold risks
-
uninhibited by close-minded executives
-
And I sincerely doubt we'll ever see Marvel, reach these heights again.
-
Like Alfred said:
-
"with big power comes big responsibility"
-
(That's Alfred Hitchcock and the quote is from Uncle Ben)
-
[Outro]
♪ "Get To The Bank" from the Spider-Man (2000) videogame ♪