< Return to Video

An Englishman Abroad (1983) (TV Movie)

  • 0:11 - 0:17
    *# Who, stole my heart away
  • 0:17 - 0:23
    *# Who, makes me dream all day
  • 0:23 - 0:28
    *# Dreams I know can never come true
  • 0:28 - 0:34
    *# Seems as though I'll ever be blue
  • 0:35 - 0:40
    *# Who, means my happiness
  • 0:40 - 0:47
    *# Who, would I answer yes to
  • 0:49 - 0:54
    *# To none other than you
  • 0:54 - 0:56
    *# No one, but you!
  • 1:16 - 1:20
    Welcome, dear Rosencrantz and Guildenstern.
  • 1:20 - 1:23
    Moreover that we much did long to see you,
  • 1:23 - 1:29
    The need we have to use you did provoke
  • 1:29 - 1:33
    Our hasty sending. Something have you heard
    Of Hamlet’s transformation, so call it,
  • 1:33 - 1:40
    Sith nor th’ exterior nor the inward man Resembles that it was.
  • 1:41 - 1:44
    What it should be,
    More than his father’s death, that thus hath put him
  • 1:44 - 1:48
    So much from th’ understanding of himself
    I cannot dream of.
  • 1:49 - 1:51
    I entreat you both
  • 1:51 - 1:54
    That, being of so young days brought up with him
  • 1:54 - 1:57
    And sith so neighbored to his youth and havior,
  • 2:05 - 2:09
    so by your companies
    To draw him on to pleasures, and to gather
  • 2:09 - 2:11
    So much as from occasion you may glean,
  • 2:11 - 2:15
    Whether aught to us unknown afflicts him thus
  • 2:18 - 2:20
    - Excuse me, ma'am.
    - Good gentlemen,
  • 2:20 - 2:22
    he hath much talked of you,
  • 2:23 - 2:25
    And sure I am two men there is not living
  • 2:25 - 2:26
    To whom he more adheres.
  • 2:28 - 2:30
    If it will please you
    To show us so much
  • 2:30 - 2:32
    gentry and goodwill
  • 2:32 - 2:35
    As to expend your time with us awhile
  • 2:35 - 2:38
    For the supply and profit of our hope,
  • 2:38 - 2:44
    Your visitation shall receive such thanks
    As fits a king’s remembrance.
  • 2:45 - 2:47
    Some rude is leaving..
  • 2:48 - 2:50
    Might, by the sovereign power you have of us,
    Put your dread pleasures more into command
  • 2:50 - 2:53
    Than to entreaty.
  • 2:54 - 2:56
    But we both obey,
    And here give up ourselves in the full bent
  • 2:56 - 2:58
    What pleasure in this day and year,
  • 2:58 - 3:01
    hear the language
    so beautifully spoken.
  • 3:01 - 3:03
    No, no, I'm not going, I...
  • 3:03 - 3:05
    I just need to go to the service, you know.
  • 3:05 - 3:09
    Thanks, Guildenstern and gentle Rosencrantz.
  • 3:10 - 3:12
    And I beseech you instantly to visit
  • 3:12 - 3:13
    Wait for a break.
  • 3:15 - 3:20
    Go, some of you,
    And bring these gentlemen where Hamlet is.
  • 3:20 - 3:23
    Heavens make our presence and our practices…
  • 3:31 - 3:33
    Hello, can you excuse me?
  • 3:50 - 3:53
    # Our hope for years to come,
  • 3:55 - 4:01
    # Our shelter from the stormy blast,
  • 4:01 - 4:06
    # And our eternal home.
  • 4:08 - 4:14
    # Before the hills in order stood, #
  • 4:14 - 4:17
    There is no soap.
  • 4:22 - 4:24
    - I want to be sick? "Huh?"
  • 4:24 - 4:26
    No, no, not yet.
  • 4:28 - 4:33
    Hmm. You know, you remind me of a storekeeper I met.
  • 5:12 - 5:14
    My dear lady, I do assure you,
  • 5:14 - 5:16
    that I am an old friend
    of the leading actor.
  • 5:16 - 5:22
    We were in Cambridge together.
    Young men together in university.
  • 5:22 - 5:23
    We have made such a long road,
  • 5:23 - 5:26
    that one should simply
    peek out the door.
  • 5:29 - 5:31
    My Pass... My Pass...
  • 5:33 - 5:37
    I'm sure I'm not the first person
    to highlight its resemblance
  • 5:37 - 5:41
    with the last Ernest Bevin?
    It is very surprising.
  • 5:42 - 5:43
    They could be sisters.
  • 5:45 - 5:47
    Oh, yes
    striking looks, I know,
  • 5:47 - 5:48
    but quite amusing. Mmm-hmm.
  • 5:48 - 5:50
    One seems such a villain.
  • 5:51 - 5:53
    And I guess I am,
  • 5:53 - 5:57
    Oh, uh, hurry up.
    I do not feel very well.
  • 5:57 - 5:59
    Oh, dear.Thank you.
  • 6:00 - 6:02
    Thank you.
  • 6:25 - 6:27
    The drink, the drink.
  • 6:28 - 6:31
    It's the drink!
  • 6:34 - 6:36
    Aren't you feeling well?
  • 6:36 - 6:40
    Yes, thank you,
    I am perfectly alright...
  • 6:42 - 6:45
    Well, I'll look for the help.
  • 6:49 - 6:51
    I'm making a French joke.
  • 6:52 - 6:54
    Now open the tap, for God's sake.
  • 6:54 - 6:55
    - Oh, yes.
    - I would not worry,
  • 6:55 - 6:57
    but it is only the intermediate.
  • 6:57 - 7:00
    If you want to go there and be sick
    you might at least save it
  • 7:00 - 7:01
    for the end of the performance.
  • 7:01 - 7:04
    Oh, Pears soap.
  • 7:05 - 7:08
    Who are you? And who is that boy outside?
  • 7:08 - 7:10
    Boy? Outside?
  • 7:15 - 7:18
    I do not know. "I have not seen him before."
  • 7:18 - 7:21
    Can I get one of these?
  • 7:25 - 7:26
    I love your dress.
  • 7:26 - 7:29
    You are very rude. Are you from the embassy?
  • 7:29 - 7:30
    Not exactly.
  • 7:30 - 7:34
    Well, there can not be many other English
    in Moscow, who are you?
  • 7:34 - 7:36
    I was in Cambridge with Hamlet.
  • 7:37 - 7:40
    Well, why do not we tell you that you are here?
    He's down there in the hallway.
  • 7:40 - 7:44
    Everything in due time. The question is, are we as welcome as ever?
  • 7:45 - 7:47
    I know your face.
  • 7:49 - 7:53
    Craven A, for your throat's sake, Mmm.
  • 7:55 - 7:57
    Are you enjoying the play?
  • 7:57 - 8:01
    I love it.
    I like the appearance of Laertes.
  • 8:01 - 8:02
    The stockings are good.
  • 8:02 - 8:04
    Yes, that's what he thinks.
  • 8:04 - 8:06
    It looks like a pair of King Edwards has been put on.
  • 8:09 - 8:10
    Do you like Moscow?
  • 8:10 - 8:11
    Oh, I hate it darling.
  • 8:11 - 8:15
    I can not understand what these Three Sisters are doing.
  • 8:15 - 8:18
    It gives the work a sinister bias.
  • 8:18 - 8:19
    The second act begins, please.
  • 8:19 - 8:20
    Ah, a drink would help.
  • 8:20 - 8:22
    Begin the second act, please.
  • 8:22 - 8:25
    Do not you think you've had enough?
    All right.
  • 8:26 - 8:28
    If you do not work in the embassy, what do you do?
  • 8:28 - 8:29
    I establish contacts.
  • 8:29 - 8:30
    Are you a journalist?
  • 8:30 - 8:31
    Something similar, yes.
  • 8:32 - 8:33
    Do not feel bad again?
  • 8:33 - 8:35
    Uh, you know, I think I am,
  • 8:35 - 8:37
    Oh, God.
  • 8:37 - 8:38
    One of the few lessons I've learned in my life
  • 8:38 - 8:40
    is that when one is wrong,
    is always in threees.
  • 8:42 - 8:43
    Your call, Miss Browne.
  • 8:43 - 8:44
    Yes, here it comes.
  • 8:45 - 8:48
    Oh, God! I'll send someone
  • 8:48 - 8:50
    Miss Browne, your call!
  • 8:50 - 8:52
    - I must go.
    - Oh God!
  • 8:52 - 8:55
    Try to recover.And go to your house.
  • 8:55 - 8:57
    Yes.
  • 10:06 - 10:09
    - Oh, I'm so sorry...
    - I'm a sloppy one.
  • 10:10 - 10:12
    Guy.
  • 10:13 - 10:14
    Guy!
  • 10:17 - 10:21
    But I will dig a yard
    below their mines, and I will make them fly...
  • 10:21 - 10:27
    I have a dressing room for me finally.
    You have the ways of a snake
  • 10:27 - 10:29
    - I am delighted
    - Good. I am very happy...
  • 10:30 - 10:33
    This man makes me a charger now.
  • 10:33 - 10:36
    I'll carry it to the next room.
  • 10:36 - 10:38
    Mother, good night.
  • 10:42 - 10:47
    This counselor is now even more,
    more secret and more severe...
  • 10:47 - 10:49
    Where is Charles?
    who was in life
  • 10:49 - 10:52
    a crazy and truhán charlatan
  • 10:52 - 10:55
    Come, sir, to end this conversation.
  • 10:57 - 10:58
    You're shortening it, dear.
  • 10:58 - 11:01
    Guess who I just saw
    going down the hall?
  • 11:02 - 11:04
    - To whom? "Guy Burgess."
  • 11:04 - 11:07
    - To whom? "Guy Burgess, my dear.
  • 11:07 - 11:10
    The spy. The lost diplomat.
  • 11:17 - 11:21
    Ah, my good lord,
    what I have seen tonight!
  • 11:21 - 11:23
    What did you see, Gertrude? How's Hamlet?
  • 11:23 - 11:24
    Guy Burgess?
  • 11:26 - 11:27
    How is Hamlet?
  • 11:27 - 11:28
    Furious as the sea...
  • 11:29 - 11:33
    Furious as the seas and the wind
    when both fight to be the most powerful.
  • 11:33 - 11:37
    In its appearance without law
    when hearing a noise behind the curtains,
  • 11:37 - 11:41
    Take off your foil quickly
    Shouts, "A rat, a rat!"
  • 11:42 - 11:48
    And in this frenzy
    killed the good old man who was hidden
  • 11:50 - 11:53
    I would have done the same thing to myself
    if I had been there
  • 11:54 - 11:56
    Your freedom is full of threats
    for all,
  • 11:56 - 11:59
    for you, for us, for anyone.
  • 12:17 - 12:18
    I do not want to open my mind.
  • 12:18 - 12:20
    I would not like to eat cabbage
    for breakfast at my house.
  • 12:20 - 12:21
    Why should I eat cabbage for breakfast here?
  • 12:22 - 12:23
    Well, it's a good job, I like beets,
  • 12:23 - 12:25
    Otherwise it would return
    on the skin and bones.
  • 12:25 - 12:27
    Do not push, lady.
  • 12:27 - 12:29
    - Mum must be the word, truly.
    - Why?
  • 12:30 - 12:31
    Well, we do not want any
    calling The Express.
  • 12:31 - 12:35
    If someone goes to dinner tonight, knock on my door.
  • 12:36 - 12:37
    He is much fatter.
  • 12:39 - 12:40
    Did you know him?
  • 12:40 - 12:46
    Oh, I met him years ago,
    the way it was done, you know
  • 12:47 - 12:51
    - You are like that, right?
    - As?
  • 12:51 - 12:52
    Left-handed.
  • 12:53 - 12:57
    Oh.It was. Everyone was then
  • 12:58 - 13:02
    I appreciate it.Although
    has become ill in my toilet.
  • 13:02 - 13:03
    Yes?
  • 13:03 - 13:06
    - Oh, much charm. "Yes."
  • 13:06 - 13:10
    But you're right, I would not want to convert
    to The Express in my worst enemy
  • 13:10 - 13:13
    - A glass?
    - I would love to.
  • 13:14 - 13:17
    There is not. My drink!
  • 13:18 - 13:19
    My cigarettes.
  • 13:21 - 13:22
    My soap!
  • 13:23 - 13:24
    That rogue!
  • 13:25 - 13:27
    The bag has fallen.
  • 13:32 - 13:33
    Thank you.
  • 13:41 - 13:43
    - Sleep Cap?
    - Please!
  • 13:47 - 13:49
    Hot, hot, hot.
  • 13:50 - 13:52
    - Is your room hot?
    - Boiling.
  • 13:52 - 13:55
    I am sure that everything is part
    of the cold war
  • 14:00 - 14:02
    No plug.
  • 14:03 - 14:08
    Secret cabinet.
  • 14:16 - 14:17
    Oh!
  • 14:20 - 14:21
    Have you found insects?
  • 14:21 - 14:23
    What did you say?
    - Insects!
  • 14:24 - 14:28
    - Did you find insects?
    - Insects? No, my room is very clean.
  • 14:34 - 14:35
    Oh.
  • 14:36 - 14:39
    Wonderful rooms!
    All kinds of comforts.
  • 14:39 - 14:42
    - I reaffirm it.
    - But I have a complaint.
  • 14:43 - 14:44
    Oh, what is it, please?
  • 14:45 - 14:47
    Well, in view
    of the exploded results
  • 14:47 - 14:50
    Of the Union of Soviet Socialist Republics.
  • 14:50 - 14:54
    I think, at least, they should put a plug in the sink.
  • 14:55 - 14:57
    What?
  • 15:00 - 15:04
    It's like representing Private lives in
    the matinee of a Wednesday in Oldham.
  • 15:06 - 15:09
    I'll tell you something else. "Mmm?"
  • 15:09 - 15:11
    You can lose your taste for caviar.
  • 15:45 - 15:47
    Who came?
  • 16:16 - 16:17
    Thank you.
  • 17:23 - 17:26
    Uh, how do I get there?
  • 17:36 - 17:40
    Well, someone has to be able to tell me how to get there.
  • 17:53 - 17:58
    This is ridiculous.Do not have a street?
    An A to Z?
  • 18:00 - 18:03
    - Well, uh... Can I take a taxi?
    - Do not.
  • 18:03 - 18:07
    - Do you have problems?
    - Oh no. No.
  • 18:10 - 18:12
    Taxi!
  • 18:35 - 18:38
    Excuse me, do you know where this is?
  • 18:41 - 18:42
    Thank you.
  • 19:16 - 19:18
    Good. I just want to know
    where is the place.
  • 19:18 - 19:20
    How do I get there?
  • 19:20 - 19:22
    I thought that for this were the embassies.
  • 19:22 - 19:26
    You have to remember,
    that the lord in question is a spy.
  • 19:26 - 19:28
    In England it would be languishing
    in jail.
  • 19:28 - 19:30
    You better languish here.
  • 19:35 - 19:37
    \x22 Bring a tape measure. \x22
  • 19:37 - 19:39
    Bring a tape measure?
  • 19:39 - 19:42
    Mr Burgess
    asked me to eat together.
  • 19:43 - 19:45
    With a tape measure?
    - caring for your waistline.
  • 19:45 - 19:47
    Well, you can not help but
    that I will eat with him.
  • 19:47 - 19:49
    is a free country.
  • 19:49 - 19:50
    or enough, is not it?
  • 19:50 - 19:54
    Enjoy the food here. It's Tuesday.
    There is fish with rice and boiled egg. It is delicious.
  • 19:54 - 19:57
    It's Tuesday.
    There is fish with rice and hard-boiled egg.
  • 20:00 - 20:03
    Tessa thinks we do not
    we take seriously.
  • 20:03 - 20:05
    Was he a friend of yours?
  • 20:05 - 20:09
    Last night passed by my dressing room
    and returned in the sink.
  • 20:09 - 20:11
    It was love at first sight.
  • 20:11 - 20:13
    First impressions are always the best.
  • 20:13 - 20:15
    Never had contact with him before?
  • 20:15 - 20:17
    No.
  • 20:17 - 20:19
    Not seen with him when he was
    in the Foreign Office?
  • 20:19 - 20:20
    No.
  • 20:20 - 20:22
    - O on the BBC?
    - Do not.
  • 20:22 - 20:25
    "And with Maclean?"
    - Do not!
  • 20:25 - 20:29
    Strange to pass by his dressing room.
  • 20:29 - 20:32
    - The ladies are are exactly their path. "Are they your own?"
  • 20:32 - 20:36
    Of course, if all that happened to him
    was that he felt bad, that would explain.
  • 20:36 - 20:39
    He came to see one of the actors.
  • 20:39 - 20:40
    To whom?
  • 20:41 - 20:43
    You are not paid for The Daily Express, right?
  • 20:43 - 20:45
    They are very anxious to take the glove.
  • 20:45 - 20:47
    I must forget my idea.
    Eat with us.Go
  • 20:47 - 20:50
    I do not intend to eat
    with you. He has asked me to call you.
  • 20:51 - 20:53
    Do you know where this is?
  • 20:58 - 21:00
    Oh, Tessa does not know, does she, Tessa?
  • 21:00 - 21:02
    Well, Tessa is very thin.
  • 21:02 - 21:04
    Tessa's interest is to waste time.
  • 21:05 - 21:07
    Until you see the first page
    of Country Life.
  • 21:07 - 21:09
    After the ads.
  • 21:09 - 21:11
    of special tables.
  • 21:11 - 21:13
    Stalin is dead.
  • 21:20 - 21:22
    Exchanges are occurring.
  • 21:23 - 21:25
    You, the Old Vic theater.
    No overtures, I admit it.
  • 21:25 - 21:29
    But the preparatory tuning
    of the overtures.
  • 21:32 - 21:35
    For the first time in 10 years, we are in the phase of talking to each other.
  • 21:35 - 21:39
    Our friends, the enemy,
    are beginning to play with the ball.
  • 21:39 - 21:42
    We do not want to take the bat home, right?
  • 21:42 - 21:46
    Burgess and Maclean,
    are yesterday's breakfast.
  • 21:46 - 21:50
    We want to forget them.
    The Russians want to forget
  • 21:50 - 21:53
    The point is, we do not want any complications at this time.
  • 21:53 - 21:54
    No scenes.
  • 21:55 - 21:56
    This is a matter of maturity.
  • 21:56 - 22:00
    I'm going to eat a small, quiet meal.
  • 22:01 - 22:03
    I am an actress
    All actresses are crazy.
  • 22:03 - 22:05
    It is a proven fact.
  • 22:05 - 22:08
    Why should there be complications?
  • 22:08 - 22:09
    Can I take the note?
  • 22:09 - 22:12
    No. What a nerve!
  • 22:12 - 22:14
    Oh, stay to eat,
    there will be jokes.
  • 22:15 - 22:16
    Yes, Giles knows many jokes.
  • 22:16 - 22:20
    Only we have heard them all.
    New people change everything.
  • 22:20 - 22:23
    Well, Tessa wants you to stay. "Is not that right, Tessa?"
  • 22:23 - 22:25
    I think you two are crap!
  • 22:26 - 22:28
    I was just kidding! Oh God!
  • 22:28 - 22:31
    This means that we will not talk for a week.
  • 22:33 - 22:37
    Well, thanks for your help
  • 22:38 - 22:40
    Oh, do not bother to join me.
  • 22:41 - 22:43
    Enjoy your fish with rice and hard boiled eggs.
  • 22:56 - 22:58
    Show me that address.
  • 23:01 - 23:03
    Tessa!
  • 23:05 - 23:07
    Naughty.
  • 23:07 - 23:09
    Sorry.
  • 23:48 - 23:49
    Oh...
  • 23:57 - 23:58
    Thank you.
  • 24:20 - 24:21
    Forgive?
  • 26:25 - 26:30
    \x22 From the shore and the river,
    shone in the crystalline mirror ',
  • 26:30 - 26:34
    ' Tirra lirra, 'by the river
    Sir Lancelot sang
  • 26:35 - 26:39
    ' 'She left the canvas, left the loom, dió Three steps into the room, saw the lily bloom in the water, saw the pen
    and the helmet, and looked at Camelot. The cloth flew and flew in the air. Empty the mirror broke from side to side.
  • 26:39 - 26:41
    \x22 'The curse falls on me,'
    shouted the Lady of Shallot.
  • 26:56 - 27:00
    I have walked through the middle of Russia
    to get here.
  • 27:00 - 27:01
    Oh, dear!
  • 27:01 - 27:03
    I guess that's my soap.
  • 27:03 - 27:06
    It is, it is, and very good.
  • 27:06 - 27:07
    Now, have a seat.
  • 27:08 - 27:10
    What a wonderful coat.
  • 27:11 - 27:12
    We are already here.
  • 27:14 - 27:16
    I have been ordering.
  • 27:17 - 27:20
    Here, have a drink?
  • 27:21 - 27:24
    You know, honestly,
    I thought that you would leave me planted.
  • 27:25 - 27:30
    I almost did.He snatched my soap,
    stole my cigarettes,
  • 27:30 - 27:32
    almost stole my face powder.
  • 27:32 - 27:36
    I know, I know. I should have asked. "I'm such a coward."
  • 27:38 - 27:42
    Good, hard to live in abundance.
    In fact, almost a swine.
  • 27:42 - 27:45
    You know, I used to live
    on Jermyn Street.
  • 27:45 - 27:48
    Tragic, you can think. "Well, not really.
  • 27:49 - 27:51
    That was a pigsty, too.
  • 27:51 - 27:55
    Knows for its standards,
    is quite palaciego.Casi very spacious.
  • 27:57 - 27:58
    I am very lucky.
  • 28:01 - 28:03
    If it is our food,
    is burning.
  • 28:03 - 28:05
    Oh, oh, dear. Oh yeah.
  • 28:07 - 28:10
    Do you think that I can save something?
  • 28:11 - 28:13
    No.
  • 28:18 - 28:21
    Ah! All is not lost.
    I managed to squeeze two tomatoes.
  • 28:21 - 28:24
    And, a topic of discussion,
    a grapefruit.
  • 28:24 - 28:26
    We do.
    - Have a seat.
  • 28:34 - 28:36
    - Ajo?
    - No thanks.
  • 28:36 - 28:37
    I love it!
  • 28:39 - 28:41
    Well, tell me all the gossip.
  • 28:42 - 28:44
    Go to Harold Nicolson?
  • 28:44 - 28:48
    He, uh...
    I've seen it, but I do not know it.
  • 28:48 - 28:50
    Oh! Good man, good man
  • 28:51 - 28:53
    And to Cyril Connolly?
    It is everywhere.
  • 28:53 - 28:55
    Well, I have not met him either.
  • 28:55 - 29:00
    Oh! Somehow, I remember everyone knowing everyone else.
  • 29:00 - 29:03
    Everyone I knew, knew all the others Auden,
    do you know him?
  • 29:04 - 29:05
    Pope-Hennessy?
  • 29:09 - 29:12
    The theater is in a terrible state.
  • 29:12 - 29:15
    Three works closed in Shaftue
    in one week
  • 29:16 - 29:17
    Really?
  • 29:20 - 29:24
    A ballet on ice comes here. "All the comrades are nervous about it.
  • 29:25 - 29:27
    I am an antiquated about ice.
  • 29:28 - 29:30
    He used to drive in Cambridge, you know.
  • 29:31 - 29:34
    One thinks about the past and wonders
    maybe I lost my way.
  • 29:35 - 29:37
    Do not eat the tomato?
  • 29:37 - 29:39
    Well, I'm not hungry.
  • 29:39 - 29:42
    Oh, I do. Yum, yum. Mmm.
  • 29:45 - 29:46
    There.
  • 29:49 - 29:52
    - Mmm. "Do you see a lot of people here?"
  • 29:53 - 29:56
    Oh, yes.Montones of friends.
  • 29:59 - 30:02
    Do not know what you are missing
    with this tomato.
  • 30:04 - 30:07
    There is a half orange,
    I suppose.
  • 30:07 - 30:09
    What? Oh yeah. Hmm.
  • 30:09 - 30:12
    He is a virtuoso of the balalaika.
    We play duets.
  • 30:12 - 30:13
    Maclean?
  • 30:15 - 30:17
    Maclean? Oh no.
  • 30:19 - 30:22
    Maclean is not my friend. "No, honey, oh, no. No no.
  • 30:22 - 30:25
    No, no, he's so serious.
    No jokes, no jokes.
  • 30:25 - 30:27
    Positively the last person
    that I would have chosen
  • 30:27 - 30:29
    if I could have chosen.
  • 30:29 - 30:32
    And yet we are here in this
    terrible tandem together, you know
  • 30:32 - 30:34
    Debenham and Freebody.
  • 30:34 - 30:37
    Crosse and Blackwell.
  • 30:37 - 30:39
    Auden and Isherwood.
  • 30:39 - 30:41
    Burgess and Maclean.
  • 30:41 - 30:42
    Do you know Auden?
  • 30:42 - 30:44
    You already asked me. Do not.
  • 30:44 - 30:48
    Do not look.
    The seeds get into my teeth.
  • 30:48 - 30:51
    You know, people ask me
    if I have regrets
  • 30:51 - 30:53
    The only remorse I have
    is that before I go
  • 30:53 - 30:58
    I did not get a good pair of
    National Health teeth.
  • 30:58 - 31:01
    Admirable as they are most
    of things in the Soviet Socialist Republic,
  • 31:01 - 31:04
    The production of dentures
    is still beginning.
  • 31:06 - 31:07
    Hmm.
  • 31:08 - 31:11
    You know, there is no one in Moscow.
  • 31:12 - 31:15
    It's like staying in Cambridge
    during long vacations.
  • 31:15 - 31:17
    I settle with anyone who is around here.
  • 31:17 - 31:18
    Me.
  • 31:18 - 31:20
    = No, no, no, no, no.
  • 31:20 - 31:23
    In addition, I asked her to come for a reason.
  • 31:24 - 31:27
    Did you bring a tape measure?
  • 31:30 - 31:34
    I want you to take action to make me
    some suits, with my tailor.
  • 31:34 - 31:37
    I only have one suit
    the one I wore when I came.
  • 31:37 - 31:39
    And I've fallen a lot since then.
  • 31:39 - 31:42
    But I would not know where to start - what steps will you need?
  • 31:43 - 31:46
    Oh, measure everything, he will solve it.
    He is a good man.
  • 31:46 - 31:49
    The people here,
    would not make a suit?
  • 31:49 - 31:50
    What people?
  • 31:50 - 31:51
    The authorities.
  • 31:51 - 31:53
    Oh, yes, but have you seen them?
  • 31:54 - 31:57
    Clothing has never been the strong point
    of the comrades.
  • 31:57 - 32:01
    Besides, I do not want to look like the others, right?
  • 32:01 - 32:06
    But, I seem to remember how it is done.
  • 32:08 - 32:10
    His arms can not have changed.
  • 32:11 - 32:13
    You know, I never cared for cumin
    the clothes.
  • 32:13 - 32:16
    I always wore traditional clothes
    of my class, you know.
  • 32:17 - 32:21
    Black coat, striped trousers, diplomatic
    stripe suits, wool jackets on weekends.
  • 32:21 - 32:23
    Order of shit, of course,
    everything was in a crap order.
  • 32:23 - 32:26
    But lovely, I always had charm.
  • 32:26 - 32:30
    "Well, you still have charm," she said through clenched teeth.
  • 32:31 - 32:33
    Not here, not for them.
  • 32:33 - 32:37
    To have charm I need words,
    I have no words.
  • 32:37 - 32:39
    And without my clothes, I have no class.
  • 32:39 - 32:42
    For them, I am English.
  • 32:42 - 32:45
    \x22 You would want to go to bed with the English? I wonder? \x22 I do not think so. \x22 As I have been so spoiled during the war. Flooded with rude soldiery.
    - Habla Vd Russian? - I settle.
  • 32:45 - 32:47
    I should learn, simply for sex.
  • 32:47 - 32:51
    The guys are quite thin here.
  • 33:04 - 33:06
    They can not speak my language,
    I can not speak theirs.
  • 33:06 - 33:09
    so that when I contact one
    soon I get bored.
  • 33:09 - 33:10
    Sex needs to talk.
  • 33:10 - 33:13
    Well, at least he found a friend.
  • 33:13 - 33:15
    I do not know if I found one.
  • 33:15 - 33:18
    or if I have chosen one.
  • 33:18 - 33:20
    And I... I know what I've done
    to deserve it.
  • 33:20 - 33:23
    But what has he done to deserve me?
  • 33:23 - 33:25
    Am I a prize or a punishment?
  • 33:26 - 33:29
    He plays the balalaika and
    I play the piano.
  • 33:30 - 33:31
    It's funny.
  • 33:32 - 33:35
    He is a ballet electrician.
  • 33:35 - 33:38
    Of course, he may be a cop.
  • 33:38 - 33:40
    If you are a policeman
    disguises it well.
  • 33:40 - 33:43
    Forster lived with a cop, did not he? Do you know him?
  • 33:43 - 33:47
    I'm afraid I'm a disappointment
    on the subject of friends.
  • 33:47 - 33:48
    Oh, never mind.
  • 33:48 - 33:52
    You know,
    nobody will believe me when I go home.
  • 33:52 - 33:54
    \x22 What did you do in Moscow, my dear? \x22
  • 33:54 - 33:59
    \x22 Not much.
    I took measurements to Guy Burgess' inside the leg. \x22
  • 34:01 - 34:05
    I would not think the inside of one's leg changes much, does it?
  • 34:05 - 34:07
    One of the things that does not change.
  • 34:08 - 34:09
    \x22 The knee is at a distance
    from the body,
  • 34:09 - 34:11
    \x22 while the groin,
    as your lordship knows,
  • 34:11 - 34:13
    \x22 is in the curtain of the site. \x22
  • 34:13 - 34:15
    Excuse me?
  • 34:15 - 34:17
    Tristram Shandy.
  • 34:18 - 34:21
    Of course, you would not, right?
  • 34:22 - 34:24
    Do what?
  • 34:24 - 34:26
    Go around telling everyone.
  • 34:27 - 34:30
    My people here would not like it.
  • 34:31 - 34:32
    No?
  • 34:34 - 34:35
    No.
  • 34:37 - 34:39
    A hat would look good.
  • 34:40 - 34:42
    7 and 5/8.
    Now, I will write the name of my...
  • 34:42 - 34:44
    I have it here, and, oh,
    and that of my cobbler, too.
  • 34:44 - 34:46
    Oh, it's an outfit.
  • 34:46 - 34:49
    Yes, for marriage
    at gunpoint.
  • 34:51 - 34:53
    Look, how do you know he will not say no?
  • 34:53 - 34:55
    - Hmm? "Your tailor."
  • 34:55 - 34:59
    It would be vulgar to say no.
    He will not say no.
  • 35:01 - 35:02
    I will see what I can do.
  • 35:02 - 35:04
    Oh, he does not leave already, does he?
  • 35:04 - 35:06
    You do not want to leave, right?
  • 35:06 - 35:11
    Well, could not we go somewhere?
    You could show me the sights.
  • 35:11 - 35:16
    Uh... Well, I can not leave yet,
    I have to wait for a telephone call
  • 35:16 - 35:19
    When calling the phone,
    I am allowed to leave.
  • 35:19 - 35:21
    Whose?
  • 35:23 - 35:25
    Oh, you know, my people.
  • 35:27 - 35:29
    It generally happens around four.
  • 35:31 - 35:33
    That's another two hours.
  • 35:36 - 35:40
    Never mind.
    I'll put my Jack Buchanan record.
  • 35:50 - 35:54
    *# Who stole my heart away
  • 35:54 - 36:00
    # Who makes me dream all day
  • 36:00 - 36:05
    *# Dreams I know can never come true
  • 36:05 - 36:11
    *# Seems as though I'll ever be blue
  • 36:12 - 36:17
    *# Who, means my happiness
  • 36:17 - 36:25
    *# Who, would I answer yes to
  • 36:26 - 36:30
    *# To none other than you
  • 36:31 - 36:34
    *# No one, but you!
  • 37:05 - 37:08
    Good, isn't it?
    Want to hear it again?
  • 37:08 - 37:11
    - You only have the one?
    - only the one.
  • 37:11 - 37:12
    What's on the other side?
  • 37:12 - 37:14
    Oh, you do not want to listen to the other side.
  • 37:14 - 37:18
    The other side is rubbish. "I never hear the other side.
  • 37:20 - 37:24
    *# Who stole my heart away
  • 37:24 - 37:26
    What do you miss the most?
  • 37:29 - 37:35
    Well, um... Apart from Club Reform,
    the streets of London
  • 37:35 - 37:38
    and occasionally
    the English countryside
  • 37:40 - 37:44
    I think the only thing I really miss
    are the gossip
  • 37:46 - 37:48
    Comrades, although they are
    in any other respect,
  • 37:48 - 37:51
    do not gossip in the way we do it,
  • 37:51 - 37:53
    or on the same issues.
  • 37:53 - 37:56
    Well, pardon me for saying it, dear
    but the comrades seem to me to be...
  • 37:56 - 37:59
    ... a sad disappointment in every department.
  • 38:00 - 38:03
    No gossip
    their clothes are terrible
  • 38:03 - 38:06
    can not make false teeth,
    what else is there?
  • 38:07 - 38:09
    The system.
  • 38:09 - 38:13
    I thought, that being English,
    we would be interested in that.
  • 38:15 - 38:17
    What do people say about me in England?
  • 38:18 - 38:20
    They do not say much anymore.
  • 38:22 - 38:25
    I thought you were
    a little like Oscar Wilde.
  • 38:28 - 38:29
    No, no.
  • 38:31 - 38:36
    Although, he was a performer
    and I was an performer.
  • 38:36 - 38:38
    Both useless.
  • 38:39 - 38:40
    But I never pretended.
  • 38:40 - 38:44
    If I wore a mask, it was to be exactly what it looked like.
  • 38:44 - 38:48
    And in relation to the other, well
    I do not want to hide it
  • 38:50 - 38:52
    But my analysis of situations,
  • 38:52 - 38:55
    The reports that I had to send to the Foreign Office
    were always Marxist.
  • 38:55 - 39:00
    openly so, impeccably so.
  • 39:00 - 39:02
    But nobody cared.
  • 39:02 - 39:05
    It is already known Guy, the old and dear Guy.
    Pretty sure. If you do not want to tune into something
  • 39:05 - 39:06
    You have to adapt to everything else
  • 39:06 - 39:07
    And in all important things
    I adapted.
  • 39:07 - 39:11
    How can a spy be?
    My tailor says.
  • 39:11 - 39:14
    Average English, you know, is not interested in ideas.
  • 39:15 - 39:18
    Say what you want about political theory, no one will listen to you.
  • 39:21 - 39:24
    You can enter a whole portion
    of the Communist Manifesto
  • 39:24 - 39:26
    In the Queen's speech, no one will move a hair.
  • 39:27 - 39:29
    The least, I suspect, His Majesty the Queen.
  • 39:33 - 39:35
    I bore you?
  • 39:36 - 39:38
    It does not matter.
  • 39:57 - 40:02
    I'll think of 101 things to ask you
    when it's gone
  • 40:02 - 40:04
    How is Cyril Connolly?
  • 40:04 - 40:07
    He already asked me that.I do not know.
  • 40:10 - 40:12
    So small, England.
  • 40:13 - 40:15
    Small music, small art.
  • 40:15 - 40:19
    Timid, flavorful, pretty.
  • 40:20 - 40:24
    And I still love her.I love her.
  • 40:26 - 40:30
    You know, I can say I love London
    and I can say that I love England.
  • 40:30 - 40:32
    I can not say that I love my country.
  • 40:32 - 40:35
    I do not know what you mean.
  • 40:38 - 40:40
    See Vd criket?
  • 40:40 - 40:41
    No.
  • 40:42 - 40:44
    Anyway, it has changed
  • 40:45 - 40:46
    Cricket?
  • 40:46 - 40:48
    London.
  • 40:49 - 40:52
    Why? I do not want him to change.
  • 40:53 - 40:55
    Why do they all want me to change?
  • 40:55 - 40:59
    It is none of your business to change it.
    Crazy!
  • 40:59 - 41:02
    I should stop them,
    tie them together.
  • 41:03 - 41:07
    Listen, dear.I'm just an actress.
  • 41:07 - 41:10
    I am not a bright lady,
    for your standards.
  • 41:11 - 41:13
    I have never been very interested in politics
  • 41:13 - 41:17
    But if this is communism
    I do not like it because it is gray.
  • 41:17 - 41:20
    Poor things seem so tired.
  • 41:21 - 41:23
    There are people who think that Australia is gray.
  • 41:23 - 41:27
    And that is not communism. "And look at Leeds.
  • 41:30 - 41:34
    The only thing that happens is that we've been sitting here all afternoon.
  • 41:34 - 41:37
    pretending to spy,
  • 41:38 - 41:41
    what did you do, my dear,
  • 41:41 - 41:44
    it was only a minor social offense.
  • 41:44 - 41:48
    Not worse, and I'm sure
    than in the minds of some better
  • 41:48 - 41:50
    to be stopped in a public urinal,
  • 41:50 - 41:54
    in the way that gentlemen
    in my profession are constantly.
  • 41:54 - 41:59
    But this is something
    that we should not mention
  • 42:00 - 42:01
    for being a lack of education.
  • 42:02 - 42:05
    So we will not be ashamed.
  • 42:07 - 42:09
    That's very English.
  • 42:09 - 42:13
    We pretend that it has not happened
    because we are both sensitive people.
  • 42:14 - 42:15
    Good,
  • 42:16 - 42:20
    I am not English, I am not sensitive,
  • 42:21 - 42:22
    I am Australian.
  • 42:24 - 42:27
    I can not teach much morality.
  • 42:28 - 42:32
    And outside of Shakespeare,
    the word \x22 betrayal \x22 does not represent anything to me
  • 42:33 - 42:37
    Only you urinated in our soup
    and we drank it.
  • 42:40 - 42:42
    Well, very well.
  • 42:43 - 42:46
    It does not affect me, dear.
  • 42:46 - 42:49
    I will order your suit and your hat
  • 42:49 - 42:53
    And I will upload it to my account.
    To mine, not a word.
  • 42:54 - 42:56
    but for a reason,
  • 42:57 - 42:59
    Sorry for you
  • 43:01 - 43:04
    Now, in your notebook,
  • 43:04 - 43:07
    in his real notebook,
  • 43:07 - 43:11
    where you'll probably add my name
    to the list of all the crazy ones you've ripped
  • 43:11 - 43:14
    But you have not cheated me, dear.
  • 43:16 - 43:17
    I know.
  • 43:19 - 43:22
    The pipe is not playing with the vagina.
  • 43:28 - 43:32
    A shame.I was enjoying.
  • 43:36 - 43:39
    Destroyed the lady's great speech.
  • 43:45 - 43:48
    I just want you to tell me why.
  • 43:52 - 43:56
    At that moment, I thought
    was to do the right thing.
  • 43:57 - 44:02
    "And the loneliness, I suppose." "Oh, loneliness!"
  • 44:04 - 44:07
    If you have a secret, you are alone.
  • 44:07 - 44:11
    But you told people - you told several people.
  • 44:11 - 44:15
    There is no reason to keep a secret
    if you make it a secret
  • 44:15 - 44:18
    In fact, another thing that can bring me
    is an old Eaton necktie
  • 44:18 - 44:20
    This one is in the last.
  • 44:20 - 44:22
    Ah, here is Tolya.
  • 44:26 - 44:29
    Oh, yes. Now, this is Mrs. Browne.
  • 44:29 - 44:32
    She is an actress from England.
  • 44:32 - 44:34
    How are you?
  • 44:34 - 44:36
    - Who are you?
    - Very good.
  • 44:36 - 44:38
    If you give her a cigarette,
    an English cigarette.
  • 44:38 - 44:40
    will be your friend forever.
  • 44:41 - 44:42
    Hmm.
  • 44:43 - 44:44
    Ah.
  • 44:56 - 44:57
    Oh, dear.I'm sorry.
  • 44:59 - 45:00
    No.
  • 45:01 - 45:03
    No, no, please.
  • 45:04 - 45:05
    Please.
  • 45:18 - 45:20
    He is a real Queen Mary.
  • 45:21 - 45:23
    I could not ask him for a suit too, right?
  • 45:23 - 45:25
    I would be so handsome.
  • 45:25 - 45:27
    Anything. Anything.
  • 45:27 - 45:29
    Hello, Guy, Guy.
  • 45:37 - 45:41
    Uh... Tolya wants to play a song for you.
  • 45:41 - 45:43
    Uh, allow it, you will be so happy.
  • 45:48 - 45:51
    Gilbert and Sullivan.
  • 45:55 - 45:58
    # Take a pair of sparkling eyes,
  • 45:58 - 46:00
    # Hidden, ever and anon,
  • 46:00 - 46:03
    # In a merciful eclipse
  • 46:04 - 46:06
    # Do not heed their mild surprise
  • 46:06 - 46:09
    # Having passed the Rubicon.
  • 46:09 - 46:11
    # Take a pair of rosy lips ;
  • 46:12 - 46:16
    What do you think? Reward or punishment?
  • 46:17 - 46:19
    # (Be particular in this) ;
  • 46:19 - 46:21
    # Take a tender little hand,
  • 46:21 - 46:24
    # Fringed with dainty fingerettes,
  • 46:24 - 46:25
    # Press it in parenthesis ;
  • 46:28 - 46:29
    Where are we going?
  • 46:29 - 46:30
    To the church.
  • 46:30 - 46:33
    Do you like the church? I adore it.
  • 46:33 - 46:34
    In this one, the songs are very good.
  • 46:34 - 46:39
    The opera singers are in the choir,
    warming up for the evening performance
  • 46:40 - 46:42
    Is not that, uh, another friend?
  • 46:42 - 46:44
    Oh, good God no.
  • 46:44 - 46:46
    You know, when I came here for the first time.
  • 46:47 - 46:49
    I was followed by a rather large
    police.
  • 46:49 - 46:50
    This was when I was a celebrity.
  • 46:51 - 46:53
    Now they only send me to those who are in training..
  • 46:53 - 46:54
    Irony, that.
  • 46:55 - 46:57
    Good afternoon.
    (Russian) Good afternoon.
  • 46:59 - 47:00
    They are not strong in ironies, comrades.
  • 47:03 - 47:05
    Did you meet Jack Buchanan?
  • 47:05 - 47:07
    Yes, I suppose.
  • 47:08 - 47:10
    We nearly got married.
  • 47:20 - 47:22
    It's strange.
  • 47:23 - 47:25
    Sybil Thorndik liked it.
  • 49:21 - 49:23
    I gave you my old mama's number, right?
  • 49:23 - 49:24
    Yes.
  • 49:26 - 49:30
    I... like this.
  • 49:31 - 49:33
    Do not tell anyone I do not like it.
  • 49:33 - 49:36
    And thanks again, in advance.
  • 50:11 - 50:13
    Are you Mrs. Burguess?
  • 50:13 - 50:15
    My name is Coral Browne,
  • 50:15 - 50:18
    I just saw Guy in Moscow,
    and asked me to call him.
  • 50:18 - 50:20
    - What does it look like? "Oh, he looks good."
  • 50:20 - 50:22
    I wish I could see you.
  • 50:22 - 50:23
    Old rogue.
  • 50:23 - 50:26
    Will not you go again?
    I know you'd like to see him.
  • 50:26 - 50:29
    I do not think I can now
    I have this stupid hip.
  • 50:29 - 50:31
    Oh, I'm so sorry.
  • 50:31 - 50:35
    Well, maybe they will let him return
    sometime.
  • 50:35 - 50:38
    You should not be on the corner
    the rest of your life.
  • 50:38 - 50:41
    They are site años.La people are stupid.
  • 50:43 - 50:45
    Let me see? Come back.
  • 50:45 - 50:48
    Yeah, yeah, well, it's a little short on the left
  • 50:48 - 50:50
    We can easily alter that.
  • 50:50 - 50:53
    You have changed very little
    over the years, you know.
  • 50:54 - 50:57
    Credit. All right.
  • 50:57 - 51:02
    And, if I wanted to try on the pants,
    with which we had no problems,
  • 51:02 - 51:05
    And now there's this, which has a nondescript amount of work to make...
  • 51:05 - 51:09
    I will be with you in a moment! "That's good, I think.
  • 51:11 - 51:12
    Yes, ma'am, can I help you?
  • 51:13 - 51:15
    Good morning.
    I would like to order some clothes
  • 51:15 - 51:17
    Of course, ma'am, have a seat.
  • 51:17 - 51:19
    You have, before, made suits
    for this gentleman
  • 51:19 - 51:21
    but now lives outside.
  • 51:21 - 51:22
    I see.
  • 51:22 - 51:24
    I took your measurements.
  • 51:25 - 51:26
    I do not know if they're okay.
  • 51:27 - 51:28
    Let me see.
  • 51:30 - 51:33
    Oh, yes. Yes,
    are more than adequate.
  • 51:33 - 51:36
    Uh, could we know the name of the lord?
  • 51:37 - 51:38
    Burgess.
  • 51:42 - 51:44
    I seem to remember that we had, uh...
  • 51:44 - 51:46
    We had two Mr. Burgesses.
  • 51:54 - 51:57
    This, I have, is Mr.Burguess, G.
  • 51:58 - 52:00
    How is Mr Burgess?
  • 52:00 - 52:03
    Fatter, I see.
  • 52:04 - 52:06
    He was one of our most picturesque clients.
  • 52:06 - 52:09
    Very little color, in these times, in our
    monotonous lives
  • 52:09 - 52:12
    Mr Guy liked this design.
  • 52:12 - 52:14
    It's a... It's a tough fiber.
  • 52:14 - 52:16
    Their costumes always suffered
    enough punishment.
  • 52:16 - 52:18
    I hope, that you have been useful
  • 52:18 - 52:19
    Oh, yes, they have been.
  • 52:19 - 52:21
    I love to hear it.
  • 52:21 - 52:25
    Always getting scratches.Mr Guy.
  • 52:25 - 52:26
    And his name is?
  • 52:26 - 52:27
    Browne.
  • 52:27 - 52:29
    No discretion is needed here, ma'am
  • 52:30 - 52:31
    No, really.
  • 52:32 - 52:33
    My diculpas.
  • 52:35 - 52:39
    And this is the address?
  • 52:39 - 52:42
    We put some of us
    in these costumes,
  • 52:42 - 52:44
    that is our loyalty.
  • 52:44 - 52:47
    and mum is the word.
  • 52:48 - 52:51
    Mum is always the word here, ma'am
  • 52:51 - 52:56
    Moscow or Maidenhead,
    mum is always the word.
  • 52:57 - 53:00
    Baldwin, Brooks...
  • 53:02 - 53:03
    Burgess...
  • 53:04 - 53:08
    Burgess, Burgess, Burgess,
  • 53:08 - 53:10
    Burgess.
  • 53:10 - 53:11
    No.
  • 53:11 - 53:15
    "I'll call you later." "Burgess, Burgess, Burgess.
  • 53:16 - 53:18
    5807.
  • 53:18 - 53:20
    Well, if I wanted to follow the
    bowels of the Earth.
  • 53:20 - 53:23
    We'll see what we can find.
  • 53:26 - 53:28
    5807...
  • 53:28 - 53:31
    This is Mr. Burguess
    who got into hot water.
  • 53:31 - 53:32
    George!
  • 53:32 - 53:34
    Yes.
  • 53:34 - 53:38
    5807... 5807...
  • 53:43 - 53:44
    It's a cemetery.
  • 53:44 - 53:48
    On the contrary, ma'am, they are all very alive and kicking
  • 53:49 - 53:51
    5807...
  • 53:51 - 53:55
    From time to time we make
    a small bonfire.
  • 53:55 - 53:57
    George, 5807.
  • 53:59 - 54:01
    Ah, excuse me, sir.
  • 54:05 - 54:07
    Well, it's far away.
  • 54:07 - 54:09
    I thought I would never ask for others.
  • 54:09 - 54:11
    George is quite inconsiderate.
  • 54:15 - 54:17
    Here it is.
  • 54:18 - 54:19
    GB.
  • 54:20 - 54:21
    Great Britain.
  • 54:26 - 54:27
    I wish I had told her
    in due time,
  • 54:27 - 54:29
    I would have liked to have seen the old thing again.
  • 54:29 - 54:32
    Well, he wanted me to take him to eat.
  • 54:32 - 54:34
    - Oh! "Give me a check."
  • 54:34 - 54:35
    Oh!
  • 54:35 - 54:37
    I'm not sure I should
    charge it.
  • 54:37 - 54:39
    Oh, for Guy.
  • 54:41 - 54:43
    Did you have a problem
    to send the goods?
  • 54:43 - 54:44
    Oh, no, no, no.
  • 54:44 - 54:47
    No one moved a tab,
    why should they?
  • 54:47 - 54:48
    Everything has been sent.
  • 54:48 - 54:52
    Only now she has written
    asking for some pajamas
  • 54:52 - 54:53
    - Hmm? "Look."
  • 54:53 - 54:56
    - Adios, Mario. "Bye, madam.
  • 54:56 - 55:01
    What I really need, really,
    the only thing is pajamas.
  • 55:01 - 55:06
    Rations that can not sleep late,
    in fact, are not made for that purpose.
  • 55:06 - 55:08
    What I would like are four pairs...
  • 55:09 - 55:10
    Oh!
  • 55:14 - 55:16
    fairly flat,
    and of these two colors.
  • 55:16 - 55:18
    And finally my set will be complete.
  • 55:18 - 55:21
    and I will look like a real agent,
    again.
  • 55:21 - 55:22
    What?
  • 55:24 - 55:27
    and I will look like a real gentleman,
    again
  • 55:27 - 55:28
    Oh.
  • 55:30 - 55:33
    Well, I think pajamas are going to be the end.
  • 55:34 - 55:36
    Otherwise
    the little Dolly
  • 55:36 - 55:38
    will be betraying, betraying, betraying
    until the cows come home.
  • 55:38 - 55:41
    Or until the revolution comes.
  • 55:50 - 55:53
    I'm afraid this gentleman does not have
    already an account with us, ma'am
  • 55:53 - 55:56
    His account was closed. "I know, but he wants to open it again."
  • 55:56 - 55:59
    I'm afraid that's impossible.
  • 55:59 - 56:01
    Why?
    - Well...
  • 56:01 - 56:05
    We send pajamas to the royal family.
  • 56:05 - 56:06
    So?
  • 56:06 - 56:08
    The Lord is a traitor, lady.
  • 56:08 - 56:11
    So? Should traitors sleep on a cloth?
  • 56:11 - 56:14
    Sorry. We have to trace the line
    somewhere.
  • 56:14 - 56:17
    Well, why there?
  • 56:17 - 56:19
    Suppose someone commits adultery
    in their precious pajamas.
  • 56:20 - 56:22
    And I imagine it has happened,
  • 56:22 - 56:25
    What happens when you order your next pair of pajamas?
  • 56:25 - 56:26
    It says, Sorry, we can not?
  • 56:26 - 56:31
    - I'm sorry.
    - She says the whole time she's sorry!
  • 56:31 - 56:32
    Oh, Jesus Christ!
  • 56:32 - 56:34
    Vds were very happy to satisfy this man
  • 56:34 - 56:38
    when it was one of the best-known
    sodomites in London.
  • 56:38 - 56:40
    And a drunk on offer.
  • 56:40 - 56:42
    Oh, yes. But then it was someone in the
    Foreign Office.
  • 56:43 - 56:46
    A little red pipe on the sleeve,
    Mr Burguess?.Of course.
  • 56:46 - 56:49
    A discreet initials in the pocket,
    Mr Burguess?.Oh, yes, certainly.
  • 56:49 - 56:51
    And if there's anything else you need,
    Mr Burgess,
  • 56:51 - 56:55
    We would be very happy to lower your pants
    striped
  • 56:55 - 56:56
    and make them!
  • 56:58 - 56:59
    But not anymore.
  • 56:59 - 57:02
    Look, ma'am, I do not know why
    is doing this for him.
  • 57:02 - 57:03
    But as far as we are concerned,
  • 57:03 - 57:05
    Mr Burgess is a client
    with whom we have finished.
  • 57:06 - 57:07
    Ours is a respectable firm..
  • 57:07 - 57:09
    Highly respectable!
  • 57:09 - 57:13
    They are pigs like you who make me
    understand why he left
  • 57:13 - 57:15
    Thank God I'm not English!
  • 57:15 - 57:19
    In fact, lady, our signature
    is not English either, in origin
  • 57:19 - 57:22
    Oh? What nationality is it?
  • 57:22 - 57:23
    Hungarian.
  • 57:24 - 57:26
    I see.
  • 57:26 - 57:31
    Well, you can not resist buying an old Eaton tie.
  • 57:31 - 57:33
    Cash, of course.
  • 57:33 - 57:35
    It is for the mother of the Archbishop
    of Canterbury
  • 57:47 - 57:50
    # That he is an Englishman!
  • 57:52 - 57:54
    *# That he is an Englishman!
  • 57:54 - 57:58
    *# For he might have been a Roosian,
  • 57:59 - 58:02
    *#A French, or Turk, or Proosian,
  • 58:03 - 58:10
    *# Or perhaps Itali-an!
  • 58:10 - 58:15
    *# But in spite of all temptations
  • 58:15 - 58:19
    *# to belong to other nations,
  • 58:19 - 58:22
    *# He remains an Englishman!
  • 58:22 - 58:29
    *# He remains an Englishman!
  • 58:31 - 58:36
    *# For in spite of all temptations
  • 58:36 - 58:40
    *# to belong to other nations,
  • 58:40 - 58:51
    *# He remains an Englishman!
  • 58:55 - 58:59
    *# For he himself has said it,
  • 58:59 - 59:04
    *# And it's greatly to his credit,
  • 59:04 - 59:08
    *# That he is an Englishman!
  • 59:08 - 59:15
    *# That he is an Englishman!
Title:
An Englishman Abroad (1983) (TV Movie)
Video Language:
English
Team:
Captions Requested
Duration:
01:01:17

English, British subtitles

Revisions Compare revisions