-
♪ (music) ♪
-
♪ Who, stole my heart away ♪
-
♪ Who, makes me dream all day ♪
-
♪ Dreams I know can never be true ♪
-
♪ Seems as though I'll ever be blue ♪
-
♪ Who, means my happiness ♪
-
♪ Who, would I answer yes to ♪
-
♪ Well, you ought to guess who ♪
-
♪ No one but you ♪
-
♪ (crescendo) ♪
-
♪ ( diminuendo) ♪
-
♪ (Welcome gong and trumpets) ♪
[Hamlet playing]
-
(King Claudius)
Welcome, dear Rosencrantz and Guildenstern
-
Moreover that we much did long to see you,
-
The need we have to use you did provoke
-
Our hasty sending.
-
Something have you heard
-
Of Hamlet’s transformation;
-
so call it,
-
Sith, nor the exterior nor the inward man
-
Resembles that it was.
-
What it should be,
-
More than his father’s death,
-
that thus hath put him
-
So much from the understanding of himself,
-
I cannot dream of:
-
I entreat you both,
-
That, being of so young days
brought up with him,
-
And sith so neighbor'd
to his youth and humor,
-
That you vouchsafe
your rest here in our court
-
Some little time: so by your companies
- Sit properly. It's a theater, not a pub.
-
To draw him on to pleasures,
and to gather,
-
So much as from occasion you may glean,
-
Whether aught, unknown to us,
-
afflicts him thus,
-
That, open'd,
-
lies within our remedy.
-
(Queen Gertrude) Good gentlemen,
- Excuse me, madam.
-
he hath much talk'd of you;
[russian]
-
And sure I am two men there is not living
-
To whom he more adheres.
[inaudible]
-
If it will please you
-
To show us so much gentry and goodwill
-
As to expend your time with us awhile,
-
For the supply and profit of our hope,
-
Your visitation shall receive such thanks
-
As fits a king’s remembrance.
(thinks) Somebody's just walking out...
-
(Rosencratz) Both your majesties, might
by the sovereign power you have of us,
-
Put your dread pleasures more into command
-
Than to entreaty.
-
(Guildenstern) But we both obey,
And here give up ourselves, in full bent
-
What a pleasure in this day and age to
hear the language so beautifully spoken.
-
(Guildenstern)
To be commanded.
-
Dear, dear, I'm not walking out.
I just have to go for a piss, you see.
-
(Gertrude)Thanks,
gentle Guildenstern and Rosencrantz
-
And I beseech you instantly
-
Wait and listen.
-
(Gertrude) Go some of you,
And bring these gentlemen where Hamlet is.
-
(Guildenstern) Heavens make our presence
and practices pleasant and helpful to him!
-
(Clearing throat)
-
(footsteps)
-
Going to the… excuse me.
-
Hmm..
-
Gosh!
-
What is this? This is shameful.
-
What is this?
-
(footsteps)
-
♪ Our hope for years to come ♪
-
♪ Our shelter from the stormy blast ♪
-
♪ And our eternal home. ♪
-
♪ Before the hills in order stood ♪
-
No soap.
-
There's never any soap!
-
(Russian): There is no soap, why?
-
(Russian):
We weren't given soap, that's why!
-
Do I want to be sick?
-
Huh?
-
No, no, not yet.
-
Hmm.
-
You know,
-
you remind me of a stalker I once knew.
-
♪ (Music) ♪
-
(Applause)
-
(door being opened)
-
♪ (music) ♪
-
My dear lady,
-
I do assure you,
-
one is an old friend of the leading actor.
-
We were at Cambridge together.
-
Young men together at university.
-
They've come such a long way
one simply must
-
put one's head around the door.
-
(Russian): Your pass, please.
Otherwise, you won't get in.
-
My Pass? Well, my Pass...
-
I'm sure I'm not the first person
-
to remark on your pronounced resemblance
to the late Ernest Bevin.
-
It is most striking.
-
You could be sisters.
-
Yes shocking like this, I know...
but quite amusing. Mmm-hmm.
-
Do I look such a tremendous villain?
-
And a special news.
- (Russian): Your light bulb's burned out.
-
Oh, uh, do hurry....
One is not feeling at all well.
-
Oh, dear.Thank you.
(clears throat)
-
(buzzer rings)
-
Thank you.
(coughs)
-
(sound of the door closing)
-
♪ (music) ♪
-
[Russian]
-
[Russian]
-
♪ (unsettling music) ♪
-
(muffled nausea sound)
-
(sigh)
-
The drink, the drink.
-
(pukes)
-
(door bangs)
-
It is the drink!
-
(pukes)
-
Aren't you feeling well?
-
[clears throat]
-
Yes, thank you.
-
I am perfectly all right.
(pukes again)
-
Well, I'll get the woman.
-
(knocking on the door)
-
I'm in a French faux.
-
Oh, run that tap, for God's sake.
-
Oh, yes.
-
I wouldn't care,
but it's only the interval.
-
If you want to come round and be sick
-
you might at least save it
for the end of the performance.
-
Oh!
-
Pears soap!
-
Who are you?
-
And who is that boy outside?
-
Boy?
-
Outside?
-
(footsteps)
-
I don't know.
-
I haven't seen that one before.
-
Could I have one of these?
-
(sighs)
-
I love your frock.
-
You are very rude.
Are you from the embassy?
-
Not exactly.
-
Well, there can't be many other Englishmen
in Moscow, who are you?
-
I was at Cambridge with Hamlet.
-
Well, why don't we tell him you're here?
-
He's only down the corridor.
-
All in good time.
-
The question is, you see
are we as welcome as ever?
-
I know your face.
-
Craven A,
-
for your throat's sake.
-
Mmm.
-
Are you enjoying the play?
-
I'm adoring it.
-
I like the local Laertes.
-
He goes rather well into times.
-
Yes, that's what he thinks.
-
It looks as if he's put a couple of
King Edwards down there.
-
(laughs)
-
How do you like Moscow?
-
Oh, I loathe it, darling.
-
I cannot understand
what those Three Sisters are on about.
-
It gives the play a very sinister slant.
-
Act II begins, please.
-
Ah, a drink would help.
-
Begin Act II, please.
-
Don't you think you've had enough?
-
All right.
-
If you're not at the embassy,
what do you do?
-
I liaise.
-
Are you press?
-
Sort of.
-
Ahhh!
-
You're not feeling sick again?
-
Don't know, uh, think I am, rather
-
Oh, God!
-
A lesson I've learned in life
is that when one is sick
-
it's always in threes.
[3 knocks]
-
Your call please, Miss Browne.
-
Yes, here it comes.
-
(puking sound)
-
Oh, God!
[puking sound]
-
I'll send somebody in.
-
[banging]
-
Miss Browne, your call!
-
I must go.
-
Oh God!
-
Do try to feel better.
-
And go home.
-
Yes.
(pukes again)
-
♪ (music) ♪
-
(door opening)
-
♪ (music) ♪
-
(door closing)
-
♪ (music) ♪
-
- Oh, I'm terribly...
- I'm a sloppy one. (russian)
-
Guy.
-
Guy!
-
(Hamlet)
...his own petard: and 't shall go hard.
-
But I will delve
one yard below their mines,
-
And blow them at the moon:
(whispering)
-
When in one line two crafts directly meet.
(whispering)
-
[inaudible] I am delighted, good.
-
Quiet please, shhh.
-
This man must set me packing:
-
I'll lug the guts into the neighbour room.
-
Mother, good night.
-
Indeed...
-
this counsellor
-
Is now most still, most secret
and most grave,
-
Where is Charles?
-
(Hamlet) Who was in life
-
a foolish prating knave.
-
Come, sir,
-
to draw toward an end with you.
-
You're cutting fine, darling.
-
Guess who I've just seen
coming down the corridor?
-
Who?
-
Guy Burgess
-
Who?
-
Guy Burgess, dear.
-
The spy.
-
The missing diplomat.
-
♪ (music) ♪
-
Ah, my good lord,
what have I seen tonight!
-
What, Gertrude? How does Hamlet?
-
Guy Burgess?
-
How does Hamlet?
-
Mad as the sea...
-
Mad as the seas and wind when both contend
Which is the mightier:
-
in his lawless fit,
Behind the arras hearing something stir,
-
Whips out his rapier, cries,
"A rat, a rat!"
-
And, in his brainish apprehension, kills
The unseen good old man.
-
(King Claudius) Oh, heavy deed!
-
It had been so with us had we been there.
-
His liberty is full of threats to all;
-
To you yourself, to us, to everyone.
-
♪ (music) ♪
-
(applause)
-
- Why?
- No!
-
I don't want my mind broadened.
-
I'd not eat cabbage for breakfast at home.
Why'd I eat it here?
-
Well, it's good that I like beetroot,
-
Otherwise I'd be reduced to
skin and bones.
-
Do not push, Madam.
-
Mum must be the word, truly.
-
Why?
-
Well, we don't want anyone
ringing "The Express."
-
Give way.
-
If anyone's going to eat tonight,
knock on my door.
-
He's got fatter.
-
You knew him?
-
Oh, I used to run across him years ago,
-
the way one does, you know...
-
You're rather that way, aren't you?
-
What way?
-
Left.
-
Oh. I was. Everyone was in those days.
-
I like him.
-
Despite the fact
that he was sick in my basin.
-
Really?
-
Bags of charm.
-
Yes.
-
But you're right, I wouldn't set
The Express on my worst enemy.
-
Drink?
-
I'd love one.
-
It's gone!
-
My drink!
-
My cigarettes.
-
My soap!
-
That stinker!
-
Bags of charm...
-
(keys clinking)
-
Thank you.
-
(footsteps)
-
Nightcap?
-
Please!
-
(door opening)
-
Hot, hot, hot.
-
Is your room hotter?
-
Boiling!
-
I'm sure it's all part of the cold war...
-
(footsteps)
-
(tap running)
-
No plug.
-
(paper rustling)
-
Secret store. Hmm hmm.
-
(cupboard being closed)
-
(footsteps and glass clinking)
-
Oh!
-
(glasses being placed on the table)
-
Have you found any bugs?
-
Come again?
-
Bugs!
-
Have you found any bugs?
-
Bugs? No, mine's very clean.
-
(glasses clinking)
-
Oh.
-
Wonderful rooms!
-
Every convenience.
-
All same.
-
I have but one complaint.
-
Oh, what is that, pray?
-
Well, in view of the splendid achievements
-
of the Union of
Soviet Socialist Republics...
-
I think, at least, they might want to...
a plug for the base...
-
Ha ha ha ha ha ha ha ha
-
What?
-
It's like playing Private lives
to a Wednesday matinee in Oldham.
-
Ha ha ha ha...
-
I'll tell you something else.
-
Mmm?
-
You can go off caviar.
-
Ha ha ha ha ha ha ha ha ha...
-
(note being slid under the door)
-
(creaking of a door being closed)
-
Who came?
-
(Russian): I don't understand.
-
(Russian): Just a moment!
-
(footsteps)
-
(Russian): Here you are.
-
Thank you.
-
(footsteps receding)
-
(plug being fixed)
-
(running water)
-
♪ (music) ♪
-
(cups clinking)
-
♪ (music) ♪
-
(in Russian...)
-
I can't do anything, there's no last name.
-
How did I send you a letter then?
-
I didn't receive your letter.
-
So what should I do?
-
I don't really care.
-
It's always like this with you.
-
Please, how do I get there?
-
(Russian): Vera Ivanovna,
have you got such an address?
-
(Russian): No, I don't know.
Just a minute, I'll take a look.
-
Well, somebody must be able
to tell me how to get there.
-
(Russian):
There is no such address. I don't know.
-
This is ridiculous.
-
Haven't you got
a street directory, an A to Z?
-
(Russian): What are you talking about?
I don't understand anything!
-
Can I get a taxi?
-
No taxi.
-
Do you have trouble?
-
Oh no.
-
No.
-
Taxi!
-
Ta—
-
♪ (music) ♪
-
(Russian): Hot pies!
-
(Russian): Hot pies, hot pies!
-
(Russian): Hot pies, hot pies!
-
(Russian): What kind of pies?
-
(Russian): Meat pies.
-
Excuse me, do you know where this is?
-
(Russian):
I don't know, go to the embassy.
-
Thank you.
-
(Russian): Hot pies!
-
(Russian): Hot pies!
-
(Russian): Hot pies!
-
♪ (music) ♪
-
♪ (upbeat music) ♪
-
♪ (increase in tempo of music) ♪
-
I just want to know where the place is.
How do I get there?
-
I thought that's what embassies were for.
-
You have to remember,
the gentleman in question was a spy.
-
In England he'd be languishing in jail.
-
You'd rather, languishing here actually.
Ha!
-
(clickety-clack of a typewriter)
-
Bring a tape measure.
-
Bring a tape measure?
-
Mr Burgess has asked me to lunch.
-
With a tape measure?
-
Watching his waistline.
-
Well, you can't stop me
from going to lunch. It's a free country.
-
Rather, it is.
-
Have lunch here.
-
It's Tuesday.
-
It's Kedgeree, it's delicious!
-
It's Tuesday Tessa, Kedgeree!
-
Tessa doesn't think we take her seriously.
-
Was he a chum of yours?
-
He popped by my dressing room
last night and threw up in the basin.
-
It was love at first sight.
-
First impressions are always best.
-
You never had any contact with him before?
-
No.
-
You didn't meet him
when he was at the Foreign Office?
-
No.
-
On the BBC?
-
No.
-
What about Maclean?
-
No!
-
Odd he should come
into your dressing room!
-
Ladies aren't exactly his like.
-
Are they yours?
-
Of course, if all he wanted
was to be sick, that would figure.
-
He was coming around
to see one of the actors.
-
Which one?
-
You're not being paid
for The Daily Express, are you?
-
They're very keen to get a hold of him.
-
I should give up the idea.
Have lunch with us. Come on.
-
I have no intention of having
lunch with you.
-
He has asked me to call.
-
(clickety-clack of a typewriter)
-
Do you know where this is?
-
Oh, Tessa does not know, do you, Tessa?
-
Tessa's such a skinny.
-
Tessa's ambition is just marking time
-
until her face is on the front page
of Country Life
-
after the advertisements
-
for gateleg tables.
-
(clickety-clack of a typewriter)
-
Stalin is dead.
-
Exchanges are taking place.
-
You, the Old Vic.
-
Not overtures, I admit.
-
But the tuning up,
preparatory to the overtures...
-
For the first time in 10 years,
we're on speaking terms.
-
Our friends, the foe,
-
are just beginning to play ball.
-
We don't want them
to take that bat home, do we?
-
Burgess and Maclean,
they're yesterday's breakfast.
-
We wanted to get them,
the Russians want to forget them.
-
The thing is,
we do not want any fuss at this point.
-
No scenes.
-
This is grown-up stuff.
-
I am going to lunch.
-
A quiet little meal.
-
I am an actress.
-
All actresses are fools,
it's a well established fact.
-
Why should there be any fuss?
-
May I just take the note?
-
Certainly not. The impudence!
-
Oh, do stay to lunch,
there'll be jokes.
-
Yes, Giles knows lots of jokes.
-
Only we've heard them all.
-
New people make such a change.
-
Tessa wants you to stay.
Don't you, Tessa?
-
I think you're both shits.
-
I was only teasing! Oh God!
-
That means that we won't be on speakers
for a week.
-
Well, thank you for all your help.
-
Oh, don't bother to show me out.
-
Enjoy your Kedgeree.
-
(footsteps)
-
Show me that address.
-
Tessa!
-
Naughty.
-
Sorry.
-
(footsteps)
-
♪ (music) ♪
-
Oh...
-
♪ (music) ♪
-
(Russian): I don't know such an address.
You, lady, should take a taxi.
-
Thank you.
-
♪ (music) ♪
(Pravda "Truth", Russian newspaper)
-
(inaudible conversation in russian)
-
Excuse me.
-
[russian]
-
♪ (music) ♪
-
(Russian): I know this place, I know it.
-
♪ (music) ♪
-
(Russian): Will you give me your
handkerchief? I'll take you.
-
♪ (music) ♪
-
(Russian): This is it.
-
♪ (music) ♪
-
♪ From the bank and from the river ♪
-
♪ He flashed into the crystal mirror, ♪
-
♪ ‘Tirra lira,’ by the river ♪
-
♪ Sang Sir Lancelot. ♪
-
♪ She left the web, she left the loom, ♪
-
♪ She made three paces
through the room, ♪
-
♪ She saw the water-lilies bloom, ♪
-
♪ She saw the helmet and the plume, ♪
-
♪ She looked down to Camelot. ♪
-
♪ Out flew the web and floated wide; ♪
-
♪ The mirror cracked from side to side; ♪
-
♪ "The curse is come upon me," cried ♪
-
♪ The Lady of Shalott. ♪
-
I've tracked halfway across Russia
to get here.
-
Oh, dear!
-
I suppose that's my soap.
-
It is, it is, and very nice too.
-
Now, do sit down.
-
What a splendid coat!
-
There we are.
-
I've just been tidying up.
-
Here...
-
Now...
-
Have a drink...
-
You know, quite honestly,
I thought that you'd chuck.
-
I nearly did.
-
You steal my soap,
-
you steal my cigarettes,
-
you even stole my face powder.
-
I know, I know. One should have asked.
-
One is such a coward.
-
There, hardly any luxuries left..
-
Quite a pigsty, in fact.
-
You know I used to live
in German Street.
-
Tragic, you might think.
-
Well, not really.
-
That was a pigsty, too.
-
You know by their standard,
it's quite palatial...
-
even commodius...
-
One is very lucky.
-
If that's our lunch, it's burning.
-
Oh! Oh, dear! Oh yeah!
-
(food bubbling in the pot)
-
Can one salvage some of it, you think?
-
No.
-
Oh!
(tapping)
-
Ah, all is not lost.
-
I managed to scrounge two tomatoes
-
And quite a talking point...
-
a grapefruit
-
Treats.
-
[unclear]
-
(furniture being moved)
-
(clinking of cutlery)
-
Garlic?
-
No, thank you.
-
I love it!
-
Now, tell me all the gossip.
-
Did you see Harold Nicholson?
-
I've seen him, but I do not know him.
-
Oh!
-
Nice man, nice man
-
What about Cyril Connolly?
He's everywhere.
-
Well, I have'nt run across him either.
-
Oh!
-
Somehow, one remembers
everyone knowing everyone else.
-
Everyone I knew, knew everyone else.
-
Auden, do you know him?
-
Pope-Hennessy?
-
The theater's in a terrible state.
-
Three plays closed on Shaftesbury avenue
in one week.
-
Really?
-
Some ballet on ice is coming here.
-
The comrades are all agog about it.
-
I'm rather old-fashioned about ice.
-
I used to direct in Cambridge, you know.
-
One thinks back and wonders,
did one miss one's way?
-
You're not eating your tomato?
-
Well, I'm not hungry.
-
Oh, I am. Yum, yum. Mmm.
-
(clinking of cutlery)
-
There.
-
(clinking of cutlery)
-
Mmm.
-
Do you see many people here?
-
Oh, yes. Heaps of chums...
-
(chomping the tomato)
-
Don't know what you're missing
with this tomato.
-
(chomping)
-
There's your other half, I suppose...
-
What? Oh yeah. Hmm.
-
He is a dab hand of the balalaika.
-
We play duets.
-
Maclean?
-
Maclean?
-
Oh no.
-
[laughs]
-
Maclean is not my friend.
No doubt you'll know.
-
No, no, no...
-
No, no, no. He's so unfunny and no jokes.
No jokes at all.
-
Positively the last person
one would have chosen
-
had one had the choice.
[laughs]
-
Yet we are here in this terrible
tandem together, you see
-
Debenham and Freebody.
Uh-hmm...
-
Crosse and Blackwell.
Hm hm hm, mhhhh...
-
Auden and Isherwood.
-
Burgess and Maclean.
-
Do you know Auden?
-
You asked me. No.
-
Don't look.
-
The seeds get inside my plate.
-
You know, people ask me
if I have any regrets
-
(water running)
-
The one regret I have
-
is that before I came away
-
I didn't get myself fitted out with
a good pair of National Health Gnashers.
-
Admirable as most things are
in the Soviet Socialist Republic,
-
making of dentures
is still in its infancy.
-
(plate being reinserted)
-
Hmm.
-
You know, there's no one in Moscow at all.
-
It's rather like staying up at Cambridge
for the long vac.
-
One makes do with whoever's around...
-
Me.
-
Ha ha ha!
-
No, no, no, no, no.
-
Besides, I asked you here for a reason.
-
Did you bring a tape measure?
-
I want you to measure me
for some suits from my tailor.
-
I only have one suit,
the one I came away in.
-
And I've fallen down a lot since then.
-
I shan't know where to start.
-
What measurements will he want?
-
Oh, measure it all, he'll work it out.
-
He is a nice man.
-
Won't the people here get you a suit?
-
What people?
-
The authorities.
-
Oh, yes, but have you seen them?
-
Clothes have never been
the comrades' strong point.
-
Besides, I don't want to look
like everyone else, right?
-
Now, I seem to remember
-
doing this.
-
Ah...
-
Hm hm hm.
-
Hm hm.
-
Your arms can't have changed.
-
You know, I never cared a tuppence
about clothes before.
-
I was kitted out in the traditional
clothes in my class, you know.
-
Black coat, striped trousers,
pinstripe suit, tweeds for weekends.
-
Shit order, of course.
Always in shit order.
-
But charm, now I always had charm.
-
"Well, you still have charm,"
she said through clenched teeth.
-
Ha ha ha ha.
-
Not here, not for them.
-
For charm one needs words.
I have no words.
-
And short of my clothes, no class.
-
To them, I am the Englishman.
-
"Would you like to go to bed
with the Englishman", I say.
-
"Not really."
-
How one got so spoiled during the war,
-
the joys of the blackout.
-
London awash with rude soldiery.
-
(Russian) Long time, no see.
-
You speak Russian?
-
I manage.
-
I ought to learn, simply for the sex.
-
Boys are quite thin on the ground here.
-
They can't speak my tongue,
I can't theirs.
-
So when one does get one it soon palls.
-
Sex needs language.
-
Well, at least you found a friend.
-
I do not know whether I've found one
or whether I've been allotted one.
-
And I...
-
I know what I've done to deserve him.
-
But what has he done to deserve me?
-
Am I a reward or a punishment?
-
He plays the balalaika and
I play the piano.
-
It's fun.
-
He is an electrician with the ballet.
-
Of course, he might be a policeman.
-
If he is a policeman,
he does it jolly well...
-
Forster lived with a policeman, didn't he?
-
Do you know him?
-
I feel I'm somewhat of a disappointment
in the friends department.
-
Oh, no matter.
-
You know...
-
No one will believe me when I go home.
-
What did you do in Moscow, darling?
-
Nothing much.
-
I measured Guy Burgess inside the leg.
-
Ah ha ha ha...
-
I shouldn't think one's inside leg
alters much, would you?
-
One of the immutables.
-
The knee is such a distance
from the main body,
-
whereas the groin,
as your honour knows,
-
is upon the very curtain of the place.
-
Come again?
-
Tristram Shandy.
-
Of course, you wouldn't do that,
would you?
-
Do what?
-
Go around telling everybody.
-
My people here wouldn't like that.
-
No?
-
No.
-
A hat would be nice.
-
7 and 5/8.
-
Now, I will write the name of my...
-
I have it here, and, oh,
and my bootmaker, too.
-
Yeah, it's a trousseau.
-
Yeah !
-
For a shotgun marriage.
-
Look, how do you know he won't say no?
-
Hmm?
-
Your tailor...
-
It would be vulgar to say no.
-
(paper being torn)
-
He won't say no.
-
I'll see what I can do.
-
Oh, you're not going yet, are you?
-
You don't want to go yet, do you?
-
Well, couldn't we go somewhere?
-
You could show me the sights.
-
Uh... Well, I can't go out yet...
-
I have to wait for a telephone call.
-
When the telephone call comes,
I am permitted to leave.
-
Who from?
-
Oh, you know...
-
my people.
-
It's generally around four.
-
That's another two hours!
-
Never mind.
-
I'll play you my Jack Buchanan record.
-
♪ (music) ♪
-
♪ Who, stole my heart away ♪
-
♪ Who, makes me dream all day ♪
-
♪ Dreams I know can never be true ♪
-
♪ Seems as though I'll ever be blue ♪
-
♪ Who, means my happiness ♪
-
♪ Who, would I answer yes to ♪
-
♪ Well you ought to guess who ♪
-
♪ No one, but you ♪
-
♪ (crescendo) ♪
-
♪ No one else... ♪
♪ (music tempo rising) ♪
-
♪ no one else... ♪
♪ (music tempo rising) ♪
-
♪ else ♪
-
♪ else but you... ♪
-
♪ (music tempo rises and ends) ♪
-
Good, isn't it?
-
Want to hear it again?
-
You just have the one?
-
Just the one.
-
What's on the other side?
-
Oh, you don't want to listen
to the other side.
-
The other side is rubbish.
-
I never listen to the other side.
-
♪ (music) ♪
-
♪ Who, stole my heart away ♪
-
What do you miss the most?
-
♪ Who ♪
-
Well, um...
♪ makes me dream ♪
-
Apart from the Reform Club,
♪ all day. Dreams I ♪
-
the streets of London
♪ know ♪
-
and
♪ can never be true ♪
-
occasionally the English countryside...
-
I think the only thing I really miss
-
is gossip.
-
The comrades, though splendid
in every other respect,
-
don't gossip in quite the way we do
-
or about quite the same subjects.
-
Now, pardon me for saying so, dear
-
but the comrades seem to me to be
-
a sad disappointment in every department.
-
There's no gossip,
-
their clothes are terrible,
-
they can't make false teeth,
-
what else is there?
-
The system...
-
though being English,
you wouldn't be interested in that.
-
What do people say about me in England?
-
They don't say much anymore.
-
I thought you as a bit like Oscar Wilde.
-
Ha ha.
-
No, no.
-
Though he was a performer
-
(clinking of cutlery)
-
and I was a performer.
-
(clinking of cutlery)
-
Both vain.
-
But I never pretended.
-
If I wore a mask,
it was to be exactly what I seemed.
-
And as for the other, well...
-
I made no bones about the other.
-
(clinking of cutlery)
-
But my analysis of situations,
-
the precis I had to submit
to the Foreign Office were always Marxist.
-
Openly so,
-
impeccably so.
(clinking of cutlery)
-
But nobody minded.
(clinking of cutlery)
-
It's only Guy, dear old Guy.
Quite safe.
-
See, if you do wish
to conform in one thing
-
you must conform in all the others.
And in all important things I did conform.
-
(clinking of cutlery)
-
How can he be a spy?
-
He goes to my tailor!
-
The average Englishman, you see,
is not interested in ideas.
-
Say what you like about political theory,
no one will listen.
-
You could shove a whole slice
-
of the Communist manifesto
into the Queen's Speech.
-
Nobody would turn a hair.
-
Least of all, I suspect, HMQ.
-
(stove-top being cleaned)
-
Am I boring you?
-
It does not matter.
-
(stove-top being cleaned)
-
♪ (piano music) ♪
-
I'll think of 101 things to ask you
when you've gone.
-
How is Cyril Connolly?
-
You've asked me that.
I do not know.
-
So little...
-
England.
-
Little music, little art.
-
Hmm.
-
Timid,
-
tasteful,
-
nice.
-
Yet one loves it.
-
Loves it.
-
You see, I can say I love London
and I can say I love England.
-
I can't say I love my country.
-
I don't know what that means.
-
Do you watch cricket?
-
No.
-
Anyway, it's changed.
-
Cricket?
-
London.
-
Why?
-
I don't want it to change.
-
Why does anybody want to change it?
-
They've no business changing it.
-
The fools!
-
You should stop them changing it.
-
Band together.
-
Listen, dear.
-
I'm only an actress.
-
I'm not a bright lady, by your standards.
-
I've never been
much interested in politics.
-
But if this is Communism,
I don't like it because it's dull!
-
The poor things look so tired.
-
But then, some people think
Australia's dull.
-
And that's not Communism.
-
And look at Leeds!
-
Only it occurs to me
-
that we have sat here all afternoon
-
pretending that spying,
-
which is what you did, my darling,
-
was just a minor social misdemeanor,
-
no worse...
-
And I’m sure
in certain people’s minds much better
-
than being caught in a public lavatory
-
the way gentlemen
in my profession constantly are.
-
That’s just something
we shouldn’t mention
-
out of politeness.
-
So that we won't be embarrassed.
-
Hmm hmm hhh...
-
That's very English.
-
We'll pretend that hasn't happened
because we're both sensible people.
-
Well,
-
I am not English,
-
I am not sensible,
-
I am an Australian.
-
I can't muster much morality
-
and outside Shakespeare,
the word "treason" to me means nothing.
-
Only, you pissed in our soup,
-
and we drank it.
-
Well, very well.
-
It doesn't affect me, darling.
-
I will order your suit and your hat.
-
And I will keep it under mine.
-
Mum, not a word.
-
But for one reason,
-
I'm sorry for you.
-
Now,
-
in your book,
-
in your real book,
-
that probably adds my name to the list
of all the other fools you've conned.
-
But you are not conning me, darling.
-
I know.
-
Pipe isn't fooling pussy.
-
[Telephone rings]
-
Excuse me.
-
I was enjoying that.
-
[the ringing continues]
-
You spoiled the lady's big speech.
-
(Russian): Thank you.
-
Yeah, yeah.
-
I just want to be told why.
-
At the time,
-
I thought it was the right thing to do...
-
and solitude, I suppose.
-
Oh, solitude!
-
If you have a secret,
-
you're alone.
-
But you told people.
-
You told several people.
-
No point in having a secret,
if you make a secret of it.
-
Actually, the other thing you might get me
is an old Etonian tie
-
This one's on it's last leg.
-
Ah!
-
Here is Tolya.
-
(Russian) - Hello, Guy.
- Hello.
-
(Russian) How's it going?
-
Mmmm
-
Ah, yes. Now, this is Ms. Browne.
-
She's an actress from England.
-
How do you do?
-
How do you do?
-
Very good.
-
If you give him a cigarette, an English
cigarette, he'll be your friend for life.
-
(Russian) Oh, I see now!
-
(Russian) Is it the theater?
Hamlet?
-
Ah.
-
(Russian) Thank you.
-
(Russian) Oh, it's a marvelous thing!
What a thing!
-
Oh dear, sorry.
-
Uh.
-
Uh.
-
No.
-
(Russian) No, really, I can't.
-
No, no, please.
-
(Russian) I can't.
I'm not shameless.
-
Please.
-
(Russian) Really?
-
-
(Russian) Thank you.
-
He's a real Queen Mary.
-
You couldn't order him a suit,
could you, too?
-
He would look so nice.
-
Anything.
-
Anything.
-
Hey Guy, Guy.
-
(Russian) Come here.
-
Listen, I would like to play
something for her on the balalaika.
-
(Russian) Do you understand? Okay?
-
Mmmm.
-
Uh... uh...
-
Tolya wants to play you a tune.
-
Uh, do let him, he'll be so pleased.
-
♪ (balalaika being tuned) ♪
-
Gilbert and Sullivan.
-
♪ (music) ♪
-
♪ Take a pair of sparkling eyes, ♪
-
♪ Hidden, ever and anon, ♪
-
♪ In a merciful eclipse ♪
-
♪ Do not heed their mild surprise ♪
-
♪ Having passed the Rubicon. ♪
-
♪ Take a pair of rosy lips ; ♪
-
What do you think?
Reward or punishment?
-
♪ Be particular in this ♪
-
♪ Take a tender little hand, ♪
-
♪ Fringed with dainty fingerettes, ♪
-
♪ Press it, press... ♪
-
Where are we going?
-
Church.
-
Do you like church?
-
I adore it.
-
This one, the singing's very good.
-
The opera singers are in the choir,
warming up for the evening performance.
-
That's uh, not another friend?
-
Oh, good God no.
-
You know, when I first came here,
-
I was shadowed by
a rather grand policeman.
-
That was when I was a celebrity.
-
Nowadays, they just send the trainees...
-
Ironic, that.
-
Good afternoon.
-
(Russian) Good afternoon.
-
Not strong on irony, the comrades.
-
Did you know Jack Buchanan?
-
Yes, I suppose.
-
We nearly got married.
-
♪ (music) ♪
-
It's strange.
-
Sybil Thorndike loved it.
-
(footsteps)
-
(singing at the church)
-
(chanting)
-
(chanting fades)
-
I gave you my old mum's number, didn't I?
-
Yes.
-
I...
-
do like it here.
-
Don't tell anyone I don't.
-
And thanks again,
-
in advance.
-
(music)
-
Is that Mrs. Burgess?
-
My name is Coral Browne.
-
I've just seen Guy in Moscow.
He asked me to call you.
-
How is he looking?
-
Oh, he's looking fine.
-
I do wish I could see him.
-
The old scamp.
-
Well, you should go over again.
I know he'd love to see you.
-
Don't think I could now.
-
I've got a stupid hip.
-
Oh, I'm so sorry.
-
Well, maybe they will let him
come back sometime.
-
He shouldn't have to stand in the corners
the rest of his life.
-
It is seven years.
-
People are silly.
-
(Tailor) Let me see? Now there...
-
(Tailor) Yes.
-
(Tailor)
Yes, well, it is fractionally too short.
-
(Tailor) But I can easily alter that.
-
(Tailor) They're pretty old today,
little over the years, you know.
-
(Tailor) Credit.
-
(Tailor) Good.
-
(Tailor)
And, I would like to try this thing...
-
(Tailor) No problems at all.
And then, now there's this.
-
(Tailor) We'll repair that once you
return it. Perhaps you would...
-
(Tailor) I will be with you in a moment!
-
(Tailor) That's fine, I think.
-
Ah...ahem
-
Yes Madam, can I help you?
-
Good morning.
I'd like to order some suits.
-
Certainly madam, have a seat.
-
You've made suits for the gentleman before
but now he lives abroad.
-
I see.
-
I took his measurements.
-
I don't know if they're quite right.
-
Let me see.
-
Oh, yes.
-
Yes, these are more than adequate.
-
Uh, could we know the gentleman's name?
-
Burgess.
-
I seem to remember that we had, uh...
-
We had two Mr. Burgesses.
-
(log books being looked up)
-
Yes, I'm sure.
-
This I take it as Mr.Burguess G.
-
How is Mr Burgess?
-
Huh!
-
Fatter, I see.
-
He was one of our more colorful customers.
-
Too little color in our drab lives
these days...
-
Mr Guy favoured this pattern.
-
It's a durable fabric. His suits were
meant to take a good deal of punishment.
-
They've stood him in good stead, I hope.
-
Oh yes, they have indeed.
-
I am glad to hear it.
-
Always getting into such scrapes, Mr Guy.
-
And your name is?
-
Browne.
-
There's no need for discretion here,
madam.
-
No, truly.
-
My apologies.
-
And this is the address?
-
We put little of ourselves into our suits.
-
That is our loyalty.
-
And mum's the word.
-
Mum is always the word here, madam.
-
Moscow or Maidenhead,
-
mum is always the word.
-
Baldwin...
-
Brooks...
-
[mutters names]
-
Burgess...
-
(pages turning)
-
Burgess, Burgess, Burgess,
-
Burgess.
-
No.
-
I'll call back later.
-
Burgess, Burgess.
-
5807.
-
Well, if you care to follow me into the
bowels of the Earth,
-
we'll see what we can find.
-
5807...
-
This is the Mr. Burgess
who got into hot water.
-
George!
-
Yes.
-
5807...
-
5807...
-
(clears throat)
-
(footsteps)
-
It's a graveyard.
-
The contrary madam, these are all
very much alive and indeed kicking.
-
5807...
-
From time to time,
we do have a little bonfire.
-
George, 5807.
-
Ah, excuse me sir.
-
Oh, it's a very long way from him.
-
I thought he was done with.
-
George is quite ruthless.
(sniggers)
-
Ah, here they are.
-
GB.
-
Great Britain.
-
I wish he'd told me so at the time...
-
I'd have liked to see the old thing again.
-
Well, he wanted me
to take you out to lunch.
-
Oh!
-
Sent me a check.
-
Oh!
-
I'm not sure that I should cash it.
-
Oh, to Guy!
-
Have you trouble getting him the stuff?
-
Oh, no, no, no, no.
-
Nobody better than I did,
why should they?
-
It's all been sent off.
-
Only now he's written
asking for some pyjamas.
-
Hmm?
-
Look.
-
(Woman) Goodbye, Mario.
-
(Mario) Goodbye, madam.
-
What I really need,
-
honestly the only thing more, is pyjamas.
-
Russian ones can't be slept in,
are not in fact made for that purpose.
-
What I would like is four pairs...
-
Oh!
-
Oh...
-
White or off white and navy blue silk...
-
quite plain and under those two colors...
-
and at last my outfit will be complete
-
then I shall look like a real agent,
again.
-
What?
-
...then I shall look
like a real gent again.
-
Oh.
-
Ha ha ha ha ha.
-
Well, I think the pyjamas
are going to have to be it.
-
Otherwise little Dolly drop draws
-
will shop shop shop
until the cows come home.
-
Or till the revolution comes.
-
I'm afraid this gentleman no longer
has an account with us, madam.
-
His account was closed.
-
I know, but he wishes to open it again.
-
I'm afraid that is impossible.
-
Why?
-
Well...
-
We supply pyjamas to the royal family.
-
So?
-
The gentleman is a traitor, Madam.
-
So?
-
Must traitors sleep in the buff?
-
I'm sorry.
-
We have to draw the line somewhere.
-
Well, why at this?
-
Suppose someone commits
adultery in your precious pyjamas
-
And I imagine it has occurred?
-
What happens when he orders
his next pair of jim-jams?
-
Is it sorry, no can do?
-
I'm very sorry.
-
You keep on saying you're sorry!
-
Oh, Jesus Christ!
-
You were quite happy to satisfy this man
-
when he was one of the most
notorious buggers in London!
-
And a drunkard into the bargain.
-
Oh, yes. But then he was somebody
in the Foreign Office.
-
A little red piping on the sleeve,
Mr Burguess? Of course.
-
A discreet monogram on the pocket,
Mr Burguess?
-
Oh, yes, certainly.
-
And if there's anything else
you require Mr Burgess,
-
We'd be only too happy to ease down
your pinstripe trousers and perform!
-
[clears throat]
-
But not anymore.
-
Look madam, I don't know
why you're doing this for him.
-
As far as we're concerned, Mr Burgess
is a client we have well resolved.
-
Ours is a highly respectable firm..
-
Oh, highly respectable!
-
It’s pricks like you that
make me understand why he went!
-
Thank Christ, I'm not English!
-
As a matter of fact madam,
-
our firm isn't English in origin, either.
-
Oh?
-
What is it?
-
Hungarian.
-
I see.
-
Well...
-
You can't object
if I buy an old Etonian tie...
-
For cash, naturally.
-
For the Archbishop of Canterbury's
mother.
-
(humming)
-
♪ That he is an Englishman! ♪
-
♪ That he is an Englishman! ♪
-
♪ For he might have been a Roosian, ♪
-
♪ A French, or Turk, or Proosian, ♪
-
♪ Or perhaps Itali-an! ♪
-
♪ Or perhaps Itali-an! ♪
-
♪ But in spite of all temptations ♪
-
♪ To belong to other nations, ♪
-
♪ He remains an Englishman! ♪
-
♪ He remains an Englishman! ♪
-
♪ For in spite of all temptations ♪
-
♪ to belong to other nations, ♪
-
♪ He remains an Englishman! ♪
-
♪ He remains an Englishman! ♪
-
♪ For he himself has said it, ♪
-
♪ And it's greatly to his credit, ♪
-
♪ That he is an Englishman! ♪
-
♪ That he is an Englishman! ♪
-
(cheering)